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sineala · 4 years ago

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How would you say fandom culture has changed over the years? What are some differences you notice between older and younger fandom folks?

I’ve been thinking for a while about how to answer this, and I’m not sure I have a really good answer, but I’m going to try.

I’ve been in fandom since approximately 1995. Maybe 1994. At that point, the world wide web was a relatively new part of the internet, and the fandoms I was in had most of their activity on privately-hosted mailing lists (predating eGroups/OneList/Yahoo Groups) and on Usenet newsgroups, with fiction beginning to be available on websites as part of either fandom-specific or pairing-specific archives as well as authors’ individual pages. Fanfiction.net did not yet exist. LiveJournal did not exist. AO3 definitely did not exist. If you wanted real-time chat, there was IRC. I was coming in basically at the tail end of zine fandom; zines were no longer the only way of distributing fanfiction, as fandom started to move online. So I have a selection of zines from 90s-era Western media fandoms but even by then zines weren’t where I was doing most of my reading.

I think in terms of generally “what it was like to be in fandom,” the big-picture stuff hasn’t changed. Fandom still produces creative fanwork and likes to, y’know, get together and talk about fandom. Also, almost every fight or complaint that fandom has about something is a thing that has been going on for actual years. People complain that, say, the kudos button is ruining comment culture because back in the LJ days the only way you could comment on a story was, well, by leaving an actual comment, or sending an email on a mailing list, and this might mean that people who would have otherwise commented have left a kudos instead. But back in the LJ and mailing list days, people were complaining that commenting was going downhill since the days of zines, when in order to comment on a story you had to write a real paper letter and mail it and because you had to do that, the quality of feedback was so much better than you got nowadays because people could just dash off a quick email or comment. You get the idea. Top/bottom wars are not new either. Pairing wars are not new. If you’ve been in fandom a while, you will pretty much have seen all the fights already. I think one thing that is new, though, is the fandom awareness of things like privilege and intersectionality and various -isms, as well as things like “providing warnings might be nice” (do you know how much unwarned deathfic I have read? a lot!) and I sure won’t say we’re perfect at any of this now, but I think fandom is trying way way more about all that stuff than it used to.

There are some fights we actually don’t have anymore, as far as I can tell. I feel like it’s been years since I’ve seen the “real person fiction is wrong” battle, but also I don’t hang out in a whole lot of RPF fandoms, so it’s possible that’s still going and I just don’t see it.

There also used to be a recurring debate about whether gay relationships that were canonical were slash or not. When slash started, obviously this wasn’t a question because there weren’t canonical gay relationships in fandoms, period. But as gay characters began to appear in media, people started to wonder “does slash mean all same-sex relationships, or does slash mean only non-canonical same-sex relationships?” Now, you may be reading this and think that sounds like an incredibly weird thing to get hung up on, but that’s because what appears to have happened is that the term “ship” (originally from X-Files Mulder/Scully fandom) has, as far as I can tell, come up and eaten most of the rest of the terminology. Now people will just say, “oh, I ship that.” For any pairing, gay or not, canonical or not. Fandom seems to have decided that for the most part it no longer actually needs a term specific to same-sex relationships as a genre.

Similarly, there are a few genres of fic that we used to have also pretty much don’t exist anymore. There are also plenty of genres that are well-entrenched now that are also extremely recent -- A/B/O comes to mind. But there are some kinds of fic we don’t write a lot of now. Like, I haven’t seen smarm in years! I also haven’t seen We’re Not Gay We Just Love Each Other in a while. There was also a particular style of slash writing where you’d basically have to explain, in detail, what made you think that these particular characters could be anything other than straight. You’d have to motivate this decision. You’d have to look at their canonical heterosexual relationships and come up with a way to explain why all those had happened in order to reconcile how this one guy could have romantic feelings for another guy. When had he figured out he wasn’t straight? Who might he have been with before? How does he interact with people in ways that make you think he’s not straight? That kind of thing. You had to, essentially, show your work. And these days a lot of fanfic is just like, “Okay, Captain America is bisexual, let’s go!” It’s... different.

Fandom also used to skew older, is my sense. A lot older. I don’t know, actually, if it really was older, but I get the sense now that there are some younger people who are surprised that adults are still in fandom. I have seen people saying these days that they think they’re too old for fanfiction because they are not in middle school anymore. And I think a lot of this has to do with the fact that the barriers to access fandom are a lot lower than they used to be. You used to basically have to be an adult with disposable income (or know an adult with disposable income who was willing to help you out; but even then if you were reading explicit fiction you also had to swear you were 18+, usually by sending in an age statement to whoever you were buying the zine from or to the mods of the list you wanted to join, so a lot of fandom was very much age-gated). Internet access was not widely available. Even if you had internet access, you maybe didn’t have your own email address, so you couldn’t sign up for mailing lists; free email providers didn’t exist. If you wanted to buy zines, you had to have money to buy them. If you wanted to go to cons, you had to be able to afford the cost of the con, travel to the con, et cetera. If you wanted to have a website you had to know HTML. Social media did not exist. You want to draw art? Guess what, you’re probably drawing it on paper! You might be able to upload a picture to your website if you have a digital camera or a scanner, but both of those things are expensive, and also a lot of people don’t have the capability or the money to download pictures from the internet (some people have data caps with overage charges, and some people have text-only connections!), so they won’t get to see it. Maybe you can sell your piece at a con! You want to make a fanvid? We called them songvids, but, anyway, you know how you’re doing that? You’re going to hook two VCRs together and smash the play and record buttons very fast! If you want anyone else to watch them, you are either making them a tape personally and mailing it to them or bringing your vids to a convention. Maybe you can digitize them and upload them, but it’s going to take people hours to download them!

(Every three hours my ISP would kick me off the internet and I’d have to dial in again. If it was a busy time of day, it might take me 20 or 30 minutes to get a connection again. And that was assuming no one else in the house needed to use the phone line. Imagine if your modem went out every three hours now.)

And now, for the cost of my internet connection, I can read pretty much whatever fanfiction I want, whenever I want it. I can see all the fanart I want! I can watch vids! Podfic exists now! Fanmixes exist! Gifsets and moodboards exist! If I want to write fic I can write it with programs that are completely free, and as soon as I post it everyone in the entire world can read it. If I want to draw or make vids that may require some additional investment, but I may also be able to do it with things I already have. Do you have any idea how good we all have it?

There are a couple of kinds of fan activity that don’t seem to exist anymore, though, and I miss them. I know that roleplaying still goes on, but I feel like these days most people who do real-time text roleplay have switched to things like Discord. I know that in the LJ days, RP communities were popular. But I really miss MU*s (MUDs, MUSHes, MOOs, MUXes..), which were servers for real-time text-based RP with a bunch of... hmm... features to aid RP. There were virtual rooms with text descriptions, and objects in virtual rooms with descriptions, and your character had a description, and they could interact with the objects as well as with other characters, and you could program things to change descriptions or emit various kinds of text or take you to different rooms, and so on. Just to, y’know, enhance the atmosphere. It was fun and it was where I learned to RP and I’m sad they’re pretty much gone now.

I also don’t think I see a lot of fanfiction awards in fandoms. Wonder where they went.

Going back to the previous point, the barriers to actually consuming the canon you are fannish about are way, way, way lower now. You can pretty much take it for granted that if right now someone tells you about a shiny new fandom, there will be a way to read that book or watch that show or movie right now. Possibly for free! Of course you can watch it! Why wouldn’t you be able to?

This was absolutely, absolutely not the case before. I’m currently in Marvel Comics fandom. If there is a comic I want to read, I can read it right now on the internet. I have subscribed to Marvel Unlimited and I can read pretty much every comic that is older than three months old; the newer ones cost extra money. But I can do it all from the comfort of my own home right now. I was also, actually, in Marvel Comics fandom in the nineties. If I wanted to read a comic, I had to go to a comic book store and hope they had it in stock; if they didn’t, I had to try another store. Not a lot of comics were available in trade paperback and they definitely weren’t readable on the internet. I used to read a lot of Gambit h/c fic set after Uncanny X-Men #350. I never found a copy of UXM #350. I still haven’t! But I did eventually read it on Unlimited.

Being in TV show fandoms also had similar challenges. Was the show you were watching still on the air? No? Then you’d better hope you could find it in reruns, or know someone who had tapes of it that they could copy for you, otherwise you weren’t watching that show. It was, I think, pretty common for people to be in fandoms for shows they hadn’t seen, because they had no way to see the show, but they loved all the fanfic. The Sentinel had a whole lot of fans like that, both because I think it took a while for it to end up in reruns and because overseas distribution was probably poor. So you’d get people who read the fic and wrote fic based on the other fic they’d read, which meant that you got massive, massive amounts of fanon appearing that people just assumed was in the show because it was a weirdly specific detail that appeared in someone’s fic once. Like “Jim and Blair’s apartment has a small water heater” (not actually canonical) or “Blair is a vegetarian” (there’s an episode where his mother visits and IIRC cooks him one of his favorite meals, which is beef tongue).

Like, I was in The Professionals fandom for years. I read all the fic. I hadn’t seen the show. As far as I know, it never aired in the US, and it certainly never had any kind of US VHS or DVD release. I’d seen a couple songvids. I eventually saw a couple episodes in maybe 2003, and that was because my dad special-ordered a commercial VHS tape from the UK and paid someone to convert it from PAL to NTSC. I didn’t get to see the whole show until several years later when I got a region-free DVD player someone in fandom sent me burned copies of the UK DVD releases and then I special-ordered the commercial release of the DVDs from the UK myself. But if I were a new fan and wanted to watch Pros right now? It is on YouTube! For free!

I think also one of the things about fandom that’s not immediately evident to new fans is the way in which it is permanent and/or impermanent. There are probably people whose first fannish experience is on Tumblr or who only read fanfic on FFN and who have no idea what they would do if either site, say, just shut down. But if you’ve been in fandom a while, you’ve been through, say, Discord, Tumblr, Twitter, Pillowfort, Imzy, DW, JournalFen, LJ, GeoCities, IRC, mailing lists. And sure, if Tumblr closed, it would be inconvenient. But fandom would pack up and move somewhere else. You would find it again. It would, eventually, be okay. Similarly, if you’ve been in a lot of fandoms, if you’ve made a lot of friends, drifting through fandoms is like that. You’ll make a friend in 1998 because you were in the same fandom, and then you might go your own ways, and ten years later you might be in another fandom with them again! It happens.

But the flip side of that is that I think a lot of older fans have learned not to trust in the permanence of any particular site. If you like a story, you save it as soon as you read it. If you like a piece of art, you save it. If you like a vid, you save it. Because you don’t know when the site it’s on will be gone for good. I have, like, twenty years of lovingly-curated fanfic. And I feel like people who have only been in fandom since AO3 existed might not understand how much AO3 is a game-changer compared to what we had before. It’s a site where you can put your fic up and you don’t have to worry that the webhost is going out of business, or that the site might delete your work because they don’t allow gay fiction or explicit fiction or fiction written in second person or fiction for fandoms where the creator doesn’t like fanfiction, or whatever. Because all of those things have absolutely happened. But, I mean, I still save pretty much everything I like, even on AO3, just in case.

So, basically, yeah, fandom is a whole lot more accessible than it used to be. I think fandom is pretty much still fandom, but it’s a lot easier to get into, and that has made it way more open to people who wouldn’t have been able to be in fandom before. There is so, so much more now than there ever was before, and I think that’s great.

#Anonymous #replies

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daggerandrose · 4 years ago

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Happy 28th! I’m making this the night before and crossing my fingers that Louis drops something today (a single, a doc, or even a selfie would be a blessing and I would lose my shit). In any case that he doesn’t... have some fics to read!

As always, please leave a kudos/comment on these as I know they fuel writers. Enjoy!

Love, Ever After, 20.7k, by @jacaranda-bloom

One would assume that the charismatic omega in charge of the local matchmaking service would have found a mate and settled down ages ago. His clients, in fact, are always a bit surprised when they come to learn that Louis is still single. But Louis doesn’t mind, not really. His standards are just high; he is happy holding out for his alpha, his soulmate, and chooses to not waste his time with anyone else, despite what his friends might think.

That is, until his best mate from uni drags him out of bed far too early on a Saturday morning after a night of drinking to go to a farmers market, of all places. It’s there that he proceeds to make an utter fool of himself in front of the hottest alpha he has ever laid eyes on. There’s truly no coming back from that, is there?

OR The one where omega Louis makes love matches, alpha Harry makes cheese, and meddling friends might finally make their dreams of finding their soulmate come true.

Like air to the fire I need you to breathe, 4.6k, by CuckooTrooke

"Your nest is very beautiful" Louis says in awe, feeling his chest bubble with love as he watches Harry preen at the compliment.

"You like it?" Harry asks shyly, picking up a lonely sock from the center of his nest and replaces it on the side of his nest. He looks at it thoughtfully until shaking his head at himself, picking up the sock again. Louis watches him at this important task, how the placement of the smallest things in his nest is so important.

"Of course I like it. It's very pretty" Louis praises. Louis was going to do this right. He was going to praise every little effort Harry had made and will still make with his nest, tell him how cozy and well put together it is. And practical, on top of everything. Despite of being situated in Louis’ closet. But it had so many blankets, duvets and pillows that Louis will happily make Harry fall apart in that nest when he goes into heat.

Well. He’ll try.

The thing is, Louis is sort of terrified.

Harry is in preheat and Louis is nervous about his upcoming heat, fearing that he might not be able to fulfill his mate's needs. Lucky for him, Harry knows hot to push the right buttons to get him relaxed.

But If This Ends, 107k, by @absoloutenonsense

Harry’s life as a vampire is routine. He spends his years moving around from place to place, learning as much as he can, and falling in love whenever the universe sees fit. When he tries to move his casual relationship with Louis to something more, it all gets turned on its head. As they navigate confusing thoughts and complex emotions, Harry finds himself torn between the love he feels for Louis and everything he thought he knew.

Counterculture, 6k, by @sadaveniren

It all culminated to this: Harry in the middle of a crowded basement, music blasting from the live show on the far side, shirtless amongst alphas and omegas who all weren’t covering their scents. He took a deep breath of the heavy air and he felt alive.

across city skyline (and straight through my heart), 76.4k, by @halosboat

Louis Tomlinson meets Hollywood Heartthrob, Harry Styles when he walks into Louis' little bakery one day.

Immediately, Louis is charmed by him and Louis thinks Harry might feel the same way, given the fact that Harry has visited the bakery everyday since he'd come to town.

Until one day, Harry walks in with a boyfriend under his arm and a smile on his face.

The one where Louis owns a small bakery that's well known in his town and Harry Styles is an actor who comes to town to film a new movie. Louis is endeared by him, but that doesn’t seem to matter since Harry Styles is already taken.

When The Wolf Comes Out (like a bullet in the dark), 9.8k, by @londonfoginacup

"So Dad was a..." Harry rolls the word around on his tongue, trying it out. "A werewolf?"

"In a sense, you could say that," Anne says. "It's certainly a more correct term than that vampire myth." She looks to Nick. "Grimshaw. Would you please explain exactly what the Madness entails?"

Nick nods. Harry has never been on the receiving end of his business face before, and finds he's more than a little intimidated. “Right, well the first thing you need to know is that, except with freak mutations, the madness only actively infects one individual at a time. Since your grandfather’s death, your father has been dealing with it. Now that he’s gone, it’s presumably moved to you.”

Too Young To Know, 35.4k, by @2tiedships2

Louis blinked awake and quickly wiped the tears from his eyes. This was the second morning in a row he had woken up after dreaming about Harry.

“Babe, what’s wrong?” Eric asked as he held Louis tighter in his arms. Louis liked being the little spoon, except for when he’d rather be holding someone else. Which were the past two days.

Or the one where Harry doesn’t present as an alpha… until he does.

This Ain’t Red Wine, 9k, by LetTheMusicMoveYou

It’s not until he gets a whiff of the contents of his glass that Louis realizes his grave mistake.

That’s not red wine.

It’s blood.

It’s probably not the most rational, but his first thought is what people are going to think when they discover his body. On the list of stupidest ways for a human to die, accidentally turning up to a Vampire party has to be pretty high up there.

(Or the one where Human Louis accidentally finds himself at a Vampire only party which actually turns out to maybe not be the worst thing).

don’t want no other shade of blue, 43.2k, by @louisisworthit

“I know you’re putting on an act,” says Harry after a moment, and Louis scowls when he realises the prince is actually amused.

“I don’t know what you’re talking about,” says Louis.

“All I’ve heard over the past couple of years are rumours of Prince Louis’ kindness, and generosity, and oh, he’s so handsome I can barely pour his tea without shaking!” says Harry, putting on a silly, high-pitched voice for the last bit. Louis’ scowl deepens. “I would already know if you were just another selfish, bratty omega prince. You can’t fool me, darling, but I admire your efforts.”

“As you said,” Louis grits out, “those are only rumours. I assure you, I’m a terrible person.”

no good unless it’s real, 17k, by @fackinglouis

“Here,” Harry says, pulling a strap off his shoulder so he can dig his phone out of his bag. “We can get each other’s numbers.” Louis shakes his head. “I have the practice’s number already,” he tells him. “And my number is definitely on file somewhere.”

Harry pauses, smile quirking a bit as he stares at Louis. The sun is still in his eyes, though, with his sunglasses pushed up onto his head still, so Louis credits his funny face to that.

“I’m trying to give you my number, Louis,” Harry explains around a breathy laugh.

“Oh,” Louis blinks, processing that. He scratches his temple, moves a piece of longer fringe back behind his ear, and then nods. “Okay.”

Or: Louis is a very busy farmer who’s just trying to make it to his next nap and Harry’s the new hot vet that’s determined to infiltrate every area of his life.

shameless self-promo: take my hand, wreck my plans, 38.1k by me!

Louis meets the man in the center of the room, feeling every eye on him.

“Mr. H,” he whispers.

The man smiles brightly and laughs as if he can’t believe his eyes. “It’s you,” he says breathlessly. “I didn’t think I would see you again.”

“Nor I you, especially under these circumstances.”

“Even so,” Mr H says, his eyes bouncing from Louis’ eyes to his lips. “Will you do me a great honor and join me in leading the first … um…”

“Dance?”

Mr. H laughs and nods. “Yes, that’s the one.”

Louis bites his lips and doesn’t hesitate before whispering, “Yes.”

Mr. H beams and reaches for Louis’ hand. Sparks fly at the touch and a zing of excitement shoots through Louis’ body. His face heats up as he’s afraid his scent would give away his feelings towards the other man.

#mine #fic rec #28th appreciation

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lizacstuff · 4 years ago

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Your thoughts on the epi?

This episode was everything! I don't remember when I've enjoyed crying so much. The funny thing is, though, that I've found myself crying more while rewatching those scenes, than I cried during the first time I watched the episode. This episode will definitely rank among my favorites. Let's talk about the B and C characters and then get to Edser and, of course, Kiraz at the end. I spent the first 30 minutes resisting the urge to punch my screen anytime Ayfer was on it. Damn, I wanted to slap her silly. Could she have been any more annoying? Eda's a grown woman, if she is finally doing the right thing and telling the father of her child he's a dad, then be supportive instead of a screeching pain in the ass. When she actually said "I told you so" to an upset Eda... seriously? That is awful. What a bitter, joyless, petty individual. I was cheering for Melo every time she told Ayfer she was negative. Good! At least we know the other characters recognize how awful she is.

(I get long winded, so this continues under the cut)

Also what was with her going overboard to protect Burak's feelings over his delusional aspirations? Why shouldn't he understand that Serkan and Eda shared a great love and Melo is rooting for them to rekindle it? What does hiding that from him do? It's still true. Ayfer treats this dude as a member of the family, so he might as well know. I get his feelings might get hurt, but dude needs a reality check and to move on, and no matter how hard Ayfer hopes, Serkan in their lives or no, Eda is never going to want Burak. She's made that clear. If Ayfer likes him so much maybe she should marry him, that way at least Melo would be saved from his milquetoast presence.

Speaking of that, they were clearly trying to establish some sort of connection or vibe between him and Melo. So far, I'm not into it. If he's still so into Eda that Ayfer doesn't want him to have to hear about Eda/Serkan possibly reuniting, then he doesn't deserve Melo. Melo deserves someone who wants her, not someone who pines after someone out of his league and then settles for her bff once he realizes he never had a shot with the great beauty. We'll see how it develops, but he has the personality of damp carpet so I don't have high hopes.

Aydan was a little screechy this episode, but I cut her some slack since she just found out these traitors stole 5 years of her granddaughter's life from her. My friend @echoapothecary made a good point to me that Aydan deserves no sympathy for this since she didn't tell Eda Serkan was alive back in amnesia times, and I don't disagree with that. That move by Aydan pretty much tainted her character forever, and it's near impossible to come back from, but viewing this story in a capsule I do feel sorry for her. She wasn't a good mother to Serkan, but she does love him, and I think she craves family. The main point being, Serkan wasn't the only one who lost something significant by not knowing about Kiraz until now, Aydan did too. Perhaps we can say that losing the first five years of her granddaughter's life is her punishment for keeping the secret about Serkan, it's about as steep a penalty as one could pay. Talk about karmic retribution.

Also, since Serkan is apparently not going to impose any emotional tolls on any of the traitors for the secret that was kept from him, I'm glad Aydan did at least make her displeasure known and made some of the liars uncomfortable. Piril, at least, felt it, even if she won't suffer any real consequences. I kind of wanted Serkan to kick her out of the company. I really don't like that character and I think every time she's on screen she just sucks the life out of the show. Engin when he's in scenes with Serkan or Eda or Melo or Aydan or Erdem = Interesting. Engin when he's with Piril = Zzzzzzz.

Pina and Kerem were cute, but to be honest I really don't care. It's inoffensive and I get that we need B, C and D storylines to fill out two hours each week, so I'm good with it, but let's be real I'm only watching for the main event.

Speaking of... now to EDSER! I actually like that Serkan walked out and drove away after hearing the truth. I can only imagine what kind of shock and betrayal he must have felt at that moment, escaping must have seemed like his best option. What I liked even more is that Eda followed him. What a relief after the last episode where she was looking for any and every excuse not to tell him and then made the nonsensical decision to flee in order to avoid it. Too many times in the past between these two pride has gotten in the way. There was a time that Eda might have thrown up her hands at him leaving and pretended like it didn't hurt, that it didn't matter. I'm so glad those days seem to be over. One of the hallmarks of season 2 has been the improved communication (sans secret) between these two and this episode took that concept to a new level.

How heartbreaking to watch Eda plead with Serkan through the door, and how double-y heartbreaking to watch Serkan sitting on the floor, head bent, clearly in emotional agony. You could feel it coming off of him. Kudos to both Hande and Kerem who KILLED IT this episode. Seriously, their best work to date. Their chemistry is always on point, but the way they flawlessly work off of one another in every scene they share, whether it's deeply dramatic or something light and romantic is truly something special to behold. That's one reason why I don't get the folks who are so hung up in hating the season 2 plotline, that they can't appreciate any of this. Because this is the point. Giving these two artists deep and challenging scenes together and opportunities to make more magic. Watching them this season is honestly a privilege and I plan on enjoying every minute of it.

Despite Serkan's emotional turmoil, it was so like him to put the blanket over her and then sit across from her sleeping form as he indulged in some more brooding. However, I really appreciate that by the morning he was ready to talk to her. That conversation was hard, and I'm sure I'm not the only one who was jarred by him saying that he would have told her to get an abortion. In light of his later confessions, I think there's a few ways to take that. I think it was in part a nod to what an emotional mess he was at the time, and in part he said it to alleviate some of her guilt. Because even a betrayed and hurt Serkan cares so much about her, and he knows what he put who through at the time. Especially because at that moment he still had no plans to tell her the truth about why he broke up with her, he was still playing the part of the man who just didn't want children. So stubborn! Thank goodness that over the course of the next 12 hours he'll change his mind about that...

On another note, how happy did it make you to see Sirius? It made me pretty happy. He lives!!!!

From the moment Eda went to his hotel room the night before to confess all the way until they met again at the hotel, Eda really did everything right in how she approached him. However, once back in Sile, she makes her first critical error. It reminded me of the Eda in episode 29 who started pushing so hard at amnesia!Serkan and coming at him with such extreme emotion that he shut down. And that's what happened during that conversation on the beach. Eda needed to give him a little bit of time to come to terms with things, instead of forcing a conversation the first moment they saw one another. Good grief, what was she doing demanding answers from him hours after he found out? She knows this man! She knows that he plans every aspect of his life. So to spring on him that you hid a child from him for 5 years and he's a dad, is a LOT. I like that in a later scene he knows he reacted badly, and actually also says to her "What did you expect?" While his reaction wasn't great, it was also pretty predictable and she should have known to give him some time.

Speaking of the conversation on the beach, what a powerhouse scene for Hande. One note on it, that was the scene they had just shot when Hande and Kerem did their last IGlive on premiere day. The one where Kerem kept talking about how he was in a mood because of an intense scene they had just done. After watching I couldn't help but note that he, as Serkan, mostly just stood there stoically as Hande did all the emoting as Eda let loose on all the pent up emotion she'd been carrying both for years and with Serkan's fresh rejection. It speaks to both their personal and professional dynamic that he was so affected by her being in that state since he didn't do the heavy lifting in that specific scene. The way they are attuned to each other is probably a big reason they are so flawlessly in sync on screen.

I liked how they weaved the Kiraz/Baba scene in at the right time. That was one instance where Aydan, Seyfi and Engin's meddling was for the good, engineering a situation where Serkan was alone with his daughter. Also excellent comedy from Can, ratting out his dad about throwing ice cream on him. Good stuff. I like Engin-as-a-father scenes, I like Engin-as-a-friend scenes, I could just do without Engin-as-a-husband scenes. Anyway, Serkan needed time to adjust, but he also needed to be exposed to Kiraz so that he could view their prior unlikely bond through the new prism of fatherhood. It's telling how easily he slid into Dad territory with teaching her how to tie her shoes. He had been doing that all along, but at that moment he knew about the relationship and still did what was natural. He is ready to be her father, he just needs to realize he's worthy of it.

You can't blame Eda for not realizing it, but it was lovely to see how quickly Serkan turned the corner. He was already adjusting his thinking not even 24 hours after he found out about Kiraz and that was really what inserting himself

into her dealings with the Italians was about. Staying in contact until he could beat back all his neurosis. As for the business stuff, she apparently needed him as an investor, but I also love the way he was there to first build up her confidence and then praise her after a successful presentation. I've said it before but Serkan as her professional mentor is one of my favorite dynamics between them. It did make me wonder, is she still 45% owner of the Holding? It seems like it, she sure didn't hesitate to present herself as his partner. If she is, though, it seems impossible that they could have had zero contact for all those years, unless she just placed her stake in a trust and gave him full voting control of it. Details I'm sure they won't explore in-depth, but I did wonder.

Don't you just love an unwitting guest character (Italian guy) who comes in and forces our two protagonists to spend extra time together? I do. Thank you Italian guy and Italian guy's wife! I love how quick Serkan was to accept, you see, he had already turned a corner and was looking for excuses to get close to her. It was his first step in his journey to opening up to her. Also, who noticed that Eda wore a slinky blue dress the night after Kiraz mentioned that it's Serkan's favorite color? Just checking. She is not as immune to his charms as she'd like us to believe...

OF COURSE Serkan was at Eda's graduation. I think pretty much the whole fandom had guessed that from their conversation in episode 40, but it still hit me emotionally to have it confirmed. What I really liked about it was that Serkan didn't tip his hand by accident. He quoted her graduation speech specifically because he wanted her to know he was there. And not only that he willingly admits that he thought of her every single day since they parted. This is a huge step for him. It has been driving him crazy that Eda thinks he forgot her and is totally unaffected by her. However, even just a few hours earlier he was still in a place where he had no intention to tell her anything, it's actually impressive how quickly he came around. Now I don't blame Eda at all for declaring it's not enough, he put her through emotional hell when they broke up. I mean on one hand you'd think she'd be able to see that he was already opening his heart and there was more to the story, however, her reaction was good because it spurred him on to go and tell her the whole story.

And what a heartbreaking story it was. As I said several times over the last few weeks, I was hoping that part of Serkan's motivation was that the doctor had told him he would be unable to have kids, what I wasn't expecting though was the double whammy of not being able to have kids AND there being a 70% chance of the cancer coming back. No wonder Serkan was eFFed up! Who wouldn't be, but then you add in his additional insecurities about not being worthy of love and his hypochondria and that is a bad mental cocktail. You know what's ironic, Ayfer hates him but in reality he did exactly what Ayfer would have wanted him to do. Push Eda away for her own good so she could have everything she wants in life without him dragging her down. What makes Ayfer the worst (and a hypocrite) is that this is exactly what she would have wanted him to do, but she also blames him for Eda's heartbreak in the aftermath.

The scene was so cathartic to watch as a viewer. We've been waiting for weeks for Serkan's point of view as he's hidden behind his usual confident and calm veneer, and when we finally got it, we really got it. He did not hold back. Serkan is such a complex character, which is a bit surprising for a silly show that you wouldn't really expect build a character with so many layers. On the surface he has everything and seems to be full of ego, but his arrogance is only surrounding his abilities, intellect, and skills as a businessman and architect. Personally, he has little self-worth and thinks he's not worthy of anyone's love, especially not Eda's. However, while that has been a truth of the character for a long time, this speech was the first time he admitted how deeply rooted his fears are. It was stunning, though, to have a character who is so rooted in being in control and who is worried about his outward image, open up in such a raw way and expose all his fears and insecurities to a woman he's been apart from for five years. It was breathtaking and Kerem was fantastic in the scene.

Initially, with the subtitles, I misinterpreted (though I knew it couldn't be quite right) his parting words. The subtitles I saw made it seem like Serkan was saying "Don't say you forgot me" as in Serkan didn't want Eda to say she forgot him. But it made so much more sense when I saw it translated as "But don't say I forgot you." which was a throw back to their dinner conversation in episode 40 when Eda says, "You forgot me." Once I realized Serkan was saying that he couldn't handle her thinking, or say, that he'd forgotten her, the scene hit doubly hard!

I saw some criticism of that scene that said Eda was just standing there with no emotion, but I didn't get that at all. She had tears running down her face and I thought she was fighting for his soul pretty dang hard. First by using both emotion-- telling him that everything had changed because now he had a daughter and that he'd locked his heart and soul in a cage. Then by using logic-- when she told him the cancer is gone and that's it's over and when she challenged him over why everything has to be perfect. Think from her perspective how disorienting it would be to find out that everything you thought was true, was not, and that if the love of your life wasn't such a stubborn, selfless, self-sabotaging martyr that you could have built a family together instead of been separated for 5 years. It's a lot.

On the first watch this doorway scene is where I started to get emotional, but I didn't really lose it and fully cry until Serkan's scene the next day with Engin. For whatever reason that scene hit me hard. Hats off to Anil for his work there, the way his voice broke at times during that conversation really got to me. This type of true friendship scene was something that was sorely missing during the era of the other writers, and it was wonderful to see it back, just when Serkan needed it most. Serkan needed someone to shake him a bit about his fears of dying. I think the writers did a good job here, because while Serkan's neurosis and self-sabotage is maddening, with his history it's believable that he was stuck in a headspace where he really thought he couldn't be a father to Kiraz, or a partner to Eda, because he might up and die on them. I loved how Engin pointed out that Eda and Kiraz would not be the only ones affected if he died and how ridiculous it was for him to lock himself away.

I'm glad we got the scene with the doctor to really get a full glimpse of Serkan's view of his illness and it's also a relief to not only Serkan, but to us viewers that since five years have passed cancer-free he now has the risk of a typical healthy person. Serkan isn't the only one who has hang ups about his health, I think after amnesia and cancer viewers do too!

Finding out that Eda had made videos specifically for Serkan over the years, talking to him directly, hit hard. I wasn't really expecting that. I thought maybe she just had general photos and videos, like any doting parent would have, but the fact that she was always wanting him, documenting Kiraz's life and preparing for a day when he would hopefully take his place as Kiraz's father... wow. On the cynical side it makes it that much harder to believe that she never made more of an effort to tell him once Kiraz was born, but I won't focus on that. Not when the scene was as perfect as it was. Kerem again was stellar, he made me cry buckets. I think since amnesia many of us wanted an emotional response from him, thank goodness this story finally delivered it. The emotions running through him at that moment were overwhelming and Kerem did a fantastic job of portraying all of them, the heartbreak over everything he missed, the joy at seeing moments

from his daughter's life, the regret of not being there and being the partner Eda needed, the pride in the job Eda did in raising their daughter alone, and finally the bittersweet relief that Eda never forgot him.

It was a lot, but it was a good segue to the next scene when Eda calls him frantic because Kiraz went missing. What was clear from those videos was that while Eda, when we first meet her in Sile, appeared on the surface to have everything handled as a single mom, she always really wanted to have Serkan there as her partner. While Kiraz was pining for her dad, Eda was pining for Serkan as well. And we see this displayed in full force when Serkan arrives. Several people try to comfort Eda, including Burak, but she's not having it. However, as soon as Serkan gets there you can almost see the relief hit her in a wave. She's not in this alone anymore. Kiraz's father is there to help. Even if nothing is settled at that moment, she knows she can rely on Serkan and that he will know what to do. Which is supported by the fact that he clearly took charge the moment he found out, calling the authorities, having them begin searches etc.

But while highlighting his competence, conversely can we talk about how incompetently everyone else was at searching for Kiraz? They all acted worried, but did any of them make any real effort to find her? LMAO, they all seemed much more concerned with their own personal dramas. Especially egregious were Engin and Piril. Hello! Your son is clearly trying to tell you where the missing person is! Stop ignoring him. Thank goodness Serkan is very good at finding people.

Of course he found her and our hearts collectively shattered as we watched her trying to send a message to her Baba in space when in reality he was kneeling right there beside her, helping her tie the note to the balloon. If anything else was left to convince Serkan that he is wanted and needed, by both Eda and Kiraz, this situation was it. Even though some careless crew member spoiled the astronaut suit in an unnecessary IG story from the set, (that would have been a really good surprise) it was still satisfying to see this fairy tale play out. Never over "Baba?" and "Happy Birthday, my daughter" and now I can't wait to see Kiraz's reaction that her new friend Serkan Bolat is actually her dad and it should be pretty great to watch the three of them form a family together.

Overall this was the most emotional episodes of the series, and also one of the best.

#Sen Cal Kapimi #Sen Çal Kapımı #edser #serkan bolat #sck discussion #sck episode discussion #edser discussion #sckask #sck 2x43 #sck 2x04 #asklizac #anonymous

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keenmarvellover · 4 years ago

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POSTS FOR YOU - 2

Some links to posts with valuable content you want in one place.(BASICALLY EVERYTHING IS THERE)

Suggestions and Recommendations are appreciated and accepted.

Last Updated : 31/12/2020

NOTE: Some of these post are written in a crude and unruly fashion. But they contain valuable tips, guidance and information. If you can't/don't want to read such posts, then don't read.

Mental Health

SELF-CARE MASTERPOST

Maybe this is what YOU need or 1 mutual of yours needs. So reblog.

Masterlist for Everything

Abuse. Self-harm. Theraphy. Suicide. Self-love. Coping. Chatrooms.

Masterlist for Everything(Part II)

A list of things to make you feel less overwhelmed.

Masterposts for a Bad Day

Check this out. (Part II)

Anxiety Attack vs Panic Attack

Please share and spread this knowledge.

Health

How to use an EpiPen

Please read the whole thread as tips and small bits of info have been added later

Bonjour Jolie - A site to order Period Boxes

It sends you basics like hygiene products, pain medication as well as snacks and pampering stuff to make you feel good with foods tailored to your specific needs

Staying warm during the Cold Wave

Tips to stay warm during the cold weather (sub zero conditions)

An App for people with problems communicating

during an attack or breakdown

How to get rid of Migraines?

How to get rid of tension migraines, normal migraines and sinus migraines

Basic exercises to do after sitting for a Long time

Please share if you feel you and your mutuals sit in front of a screen for long

Sensory- Friendly Clothing Line

Perfect for autistic children and adults

Chest Binder Information

How, Where and When of Chest Binding.

Artists

Drawing Asian Characters/People

Common misconceptions and some tips.

Free Applications to use instead of Adobe Photoshop

Saves a great deal of money for artists whoc can't afford it

Sites to report to if your work gets stolen

Check it out and spread.

How to draw Hands

With diagrams/pics

Basics for Art Students

That were not taught in school

Apps to find Pictures

Apps that do not steal, or show illegal pictures

Writers

How to write a Bilingual Character

When writing a character, write it effectively. Make it realistic and believable.

Useful Art Resources

This is an extensive list of resources for every problem you could come across while writing/planning/editing your novel.

How to end your Story

Types of endings for your stories.

How to write a Muslim Characters

Don't write stereotypes or false information spread by ignorant racist individuals

Virtue Continuum

A good chart for character development, especially when contrasting how they are vs. how they see themselves

A guide to coding and fanwork in AO3

Did you know you can write "Choose Your Own Adventure" on AO3. Bet you didn't.

Valuable Knowledge if you are planning on publishing a book

Given by a person who actually did it

Tips from an Experienced Writer

on writing scenes with different themes.

How to put “wrote fan-fiction” on your résumé

Actual tips and sentences that can be inserted in a resume for ARTISTS, WRITERS, GRAPHIC DESIGNERS.

Types of knives, blades, daggers and pointy things

References for writing those action scenes

College AU Scenarios

From real life

Character Designing

All aspects are covered.

Readers

Books by Muslim Authors

Some incredible books written by muslim authors that you should definitely check out.(2020 releases included)

Getting Creative on giving your comments

Use these if you wanna leave kudos or like again.

Students

Sites to get Free Course Books

Education is a right, it is not a service.

Tips to study when you have ADHD

May this post make your life a little more less daunting

School Cheat Sheets

I love op. They are a godsend to me and many other students. Period

Study Tips from a Psychology Teacher

To memorize and shit

Chrome Extensions

Note: All these extensions are free

Resources Masterlist for STUDENTS

Good Bless the person who made this.

Museums you can visit online

Saves you time and money

Sites for learning Ancient Languages

Pretty much everything is there

Miscellaneous/Life Hacks

A thread of Tips for Life on Adulthood

Tips, life hacks, everything is there.

Alignments Chart Memes

All empty and ready to be filled by YOU.

For the members of the LGBTQ+ Community who are religious

Please check it out.

Revenge Recipies by LGBTQ+ Community

It is not top secret Family recipe anymore.

If you are feeling bored, things to check out

Includes topics for artists, writers and random.

How to prepare for a Protests effectively

Please share. Valuable tips, guidance, information and help in one place.

Accessible Gardening for people with Physical Disabilities

Link to Book PDF

Clothing Tips and Hacks for Men

Men's fashion.( Collars and Cuffs)

Various Fancy Knots

Something fancy that you can DIY

How to remove A Content Blocker

Or how to get content without removing ad blocker

Make your own Language

This site has its own smart translator.

Sites to find Music according to your tastes

Some sites for when you’re bored and looking for new music

Rotten Apples/Fresh Apples

Check if a certain movie or TV show has any affiliation with anyone who was accused of sexual assault.

Desis

How to be an ANTI-CASTE Ally if you are an Upper-Caste

READ IT.

NOT ONLY DESI

All inclusive list to embrace your culture, history and ethnicity.

Safety

Encrypting Your Internet Surfing

Cybersecurity through firewalls created by Lava Lamps

What to do if you find yourself homeless

Tips for LIVING ALONE

Safety Products for Women

HOW TO FLAG PEDOPHILES

Tips That Can Save Your Kid’s Life.

Recognizing Abuse Masterlist

Fire Safety

If you are taken abroad AGAINST YOUR WILL

#safety #writers #artists #students #micellenaous #readers #mental health

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howtosingit · 4 years ago

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SNEAK PEEK: Next to You (That’s Where I Want to Be) - Chapter Seven: February | Bewitched, Body and Soul

Hello, friends! I know that it has been 7 weeks but who’s counting a long time since I updated this fic, and I have no excuse other than the fact that my writing muse has been off hibernating while my brain went “let’s freak out about the show airing and care about literally nothing else.” So fun!

I’m slowly finding my way back into the groove of writing, but I don’t want to keep you all waiting any longer for some content from this AU, so here is the entire first scene of the next chapter! Thank you for your patience, your kudos, and your support, and I hope you enjoy this little taste of what’s to come 🤗

(If you have no idea what I’m talking about but find yourself intrigued, check out the fic masterpost to read the first six chapters!)

SNEAK PEEK (2.2K) UNDER THE CUT...

📚 📚 📚 📚 📚

“Why is it completely impossible to find a decent man around here?”

Carlos glances up from the book in front of him to find Michelle standing at his side, glaring down at her phone as she swipes through something on the screen.

“‘Around here’ as in… the library?” he teases, gesturing past the desk in front of him and out towards the third floor study area. Since it’s still pretty early in the semester, the couches and tables aren’t filled the way they will be next month for midterms. Carlos likes working the checkout desk when it’s not as busy; it gives him more time to keep up with his own reading for class.

“What?” Michelle asks, looking up from her phone to glance around the space. “No, not the library, Carlos.” She shakes her phone, letting out a frustrated groan before tossing it down on the desk in front of her. “I’m serious, there are no decent men left in the world.”

“Well, hey-”

“Straight men, Carlos.”

“Ah,” he says, pressing his lips together to keep from laughing. After a few years, he’s very familiar with Michelle’s tragically complex dating history, so he knows to just go with her on this one. “I can’t really speak to that, sorry,” he adds unhelpfully.

“Yeah, yeah, Mister ‘I’m so in love with my boyfriend I make everyone around me want to puke’,” she scoffs, rolling her eyes as she shuffles through a stack of returned books on the cart nearby. “We can’t all just accidentally move in with our soulmates like you did.”

Carlos feels heat on the back of his neck, but he also can’t stop the smile that pulls at his lips, or the way an image of his roommate flashes through his mind. He feels like he’s been wearing an unbreakable smile for the past three weeks, and he refuses to be embarrassed about it.

Because TK Strand is his boyfriend, and it’s honestly everything he’s ever wanted.

It’s a little crazy how easily they’ve fallen into their new relationship, but in hindsight, Carlos realizes it’s not that surprising. For the past six months, they’ve formed a bond unlike any he’s ever known. TK is the person that he wakes up to - even though their beds are on opposite sides of the room - and falls asleep talking to. He’s the person that Carlos seeks out when he’s stressed or excited or just wants someone nearby. They talk about anything and everything, they laugh until their stomachs hurt, they cry while watching movies together. There is nothing that stands between them now; no walls, no fears, no ex-boyfriends. To Carlos, they sometimes feel like two sides of the same coin, while also somehow still being their own individual coins. It doesn’t really make sense when he tries to understand it, but it overwhelms him in the best possible way.

He knows that Michelle is happy for him, even though she likes to joke about how disgusting and in-love he is right now. But, that still didn’t stop her from giving him a bone-crushing hug when he first told her, his face as red as a firetruck when she affectionately whispered “I told you so, Carlos” in his ear before planting a kiss on his cheek.

In his “honeymoon period” - as his friends have taken to calling his current state of being - he can’t even be mad that she was right.

He’s pulled from his thoughts when Michelle’s phone dings on the desk next to him, her answering growl at the message causing his brows to furrow and his lips to pull downward into a frown. “What’s this about, ‘Chelle’?” he asks, preparing himself for one of her classic tirades.

“I don’t understand why guys have to get so cagey and weird about Valentine’s Day plans,” she begins, her lips pursed in annoyance as she continues to glare down at her phone. “Like, I’m not trying to coerce you into a date on this one freaking day just so that you feel obligated to marry me and give me children one day, you know? I just want chocolate and wine and some good sex! Why does that have to be such a thing?”

Carlos stares at her, trying to figure out how to respond. To be honest, he’s never really seen the point of Valentine’s Day. Sure, he absolutely loves romance - he used to dream about finding his fairytale prince, after all - but he’s never really seen the point in fixating on one day when real romance happens every day. He feels like a lot of people bottle up all of their grand gestures for a few major holidays, but forget to make simple gestures the rest of the year, and he’s never really understood that. It doesn’t help that he’s never had a person to share one of those holidays with, but as he sits and listens to Michelle, he realizes that that’s no longer true.

That thought causes something resembling fear to settle at the bottom of his stomach. For the first time in his admittedly short relationship with TK, he feels wildly unprepared.

He shakes himself out of his thoughts, determined to leave his stressing out about it until later. Right now, it’s Michelle’s turn.

“I mean, did you tell them that?” Carlos asks, gesturing to the phone when Michelle just stares at him. “The person you’re talking to?” he clarifies.

“Yeah, but he’s just being an ass now,” she scoffs, tossing her phone down again. She starts pacing behind him. “Talking about how he doesn’t ‘know if he’s free’ or how he ‘might already have plans, so he has to check and let me know later.’ Like, he’s obviously pretty careful about making plans on Valentine’s Day, so he totally knows if he already has them or not!” She’s rubbing tiredly at her face when the phone behind her rings and Carlos watches as she throws her hands up in frustration before moving to answer it. “Whatever, I’ll just buy my own chocolate and wine and spend the night at home. Who needs a man to have great sex anyway?”

Carlos is saved from answering when Michelle picks up the phone, all traces of frustration disappearing from her voice as she speaks to the other person on the line. With a shake of his head, he turns back to the front of the desk, adjusting his glasses as he finds his place in his book once again.

He makes it through a few more chapters before he’s once again interrupted, this time by the soft rapping of knuckles on the counter in front of him. He jumps slightly, pulled from his pages as a wide smile takes over his face when he looks up to find his boyfriend leaning against the desk just off to his left, staring at him with a soft smile. “Hey, you,” TK says, his face resting on his palm as it rests on the counter.

“Hi,” Carlos whispers back, and he knows that if he could look in a mirror right now, his eyes would be squinty from the way his smile takes over his entire face. He can’t help it, he’s always just really, really happy when he gets to see TK. “How long have you been standing there?”

“Not too long,” TK answers, sliding along the counter until they’re directly in front of one another. “When I came up, your face was all scrunched as you were reading, and I didn’t want to disturb you.”

Carlos clearly hears what he’s not saying - I just wanted to look at you - and his heart starts somersaulting in his chest. He bites down on his bottom lip, hesitating for only a moment, before he stands from his chair to lean over the desk and press a gentle kiss to TK’s lips.

“I like it when you disturb me,” he says when they part.

“And I like it when you kiss me,” TK says, glancing down at Carlos’s lips before staring up at him, his green eyes wide and beautiful as a faint blush covers his cheeks. With a lovestruck sigh, Carlos leans forward again, unable to help himself. This time, he lets the tip of his tongue peek out between his lips, hoping just a little taste of TK will keep him satisfied until he’s done with his shift.

TK groans when he pulls away again, trying to chase Carlos’s mouth but finding himself blocked by the desk between them. “Why do you have to be working right now?” he complains, his bottom lip jutting out.

“Stick around a little longer and I might not have to work at all,” Carlos teases, reaching out to run his thumb along TK’s pronounced lip. “You’re going to get me fired for inappropriate workplace behavior.”

“Now, wait a minute!” TK cries, stepping away from Carlos’s touch and crossing his arms over his chest. “I just came by to check out my favorite librarian, sir. You’re the one who can’t keep his hands to himself.”

Carlos rolls his eyes at his boyfriend, but he can’t stop the smile that appears on his face to mirror the one on TK’s, the man obviously pleased with his own joke. It makes Carlos want to take on the world for him, just to see him smile like that every minute of every day.

“I find it hard to focus when you’re around,” he admits, shaking his head as he looks around them. It’s still early in the afternoon, so there are very few people in the study area, and only a couple passing through. He glances behind him to see that Michelle has disappeared, probably to fulfill an archives request or something. “You think I’d be used to it by now,” he continues, picking at his fingers as he avoids eye contact with TK, “but I don’t know that I’ll ever be.”

“Hey,” TK says softly, reaching out for him. Carlos immediately takes his hand, linking their fingers together and laying them on top of the desk. TK’s thumb drags against his skin, and he feels little bursts of electricity on every one of his nerve endings. “You know I feel the same way, right?” his boyfriend asks, ducking his head to make eye contact. “Like, I think 98% of what goes on up here is just Carlos Carlos Carlos all the time, on a constant loop,” he says, gesturing to his head with a sardonic smile.

“Especially when you’re wearing those glasses and scrunching your face about something in one of your books,” TK adds on, lifting his free hand to trace along Carlos’s eyebrows. “I’ve had endless dreams about this crease between your eyes, it’s really beyond ridiculous.”

Carlos shivers when TK adjusts his glasses on his face, running his fingers along the edge of the frames as his eyes slide around to take in his features. It’s exhilarating, terrifying, and somehow affirming all at the same time, to be admired by the man before him.

They’re really doing this, the two of them. They’re falling in love, and it’s just as easy as breathing.

“We really are disgusting, aren’t we?” he jokes, parroting the claims made by all of their friends in the past few weeks.

“Oh, totally, without question,” TK nods, his eyebrows scrunching adorably as he lets out a laugh. “I would definitely want to punch us if we were other people.”

“I’m glad we’re not though. Other people. I’m glad we’re us.”

“Damn it, Carlos,” TK whines, dramatically folding himself in half as he pushes away from the desk like someone’s forcing him to do so, “I really am going to get you fired if you say things like that to my face.”

Carlos doesn’t respond, watching as TK glares at him for a moment before his smile breaks through. With a shake of his head, he dives back towards him, pressing a hard kiss to his lips. Before Carlos can even remember to kiss back, he pulls away again.

“Okay, I’m taking control of this situation,” TK says, shaking his head when Carlos raises his eyebrow in question. “Nope, stop it, put that eyebrow down and stop looking adorable, Reyes.” TK begins to slowly walk backwards away from the desk, a new look of determination on his face. “I’m going to go downstairs to get you a juice, and then I’m going to go sit in that chair furthest from this desk and study until you’re done.”

He looks proud of his new plan, clapping his hands together in triumph as a ridiculous grin takes over his face.

“And then what?” Carlos can’t help but tease, his tone challenging.

“And then,” TK fires back, his grin transforming into a smirk, “you and I are going back to our room and we are definitely not going to get any studying done whatsoever. How does that sound?”

Carlos lets himself have this moment, lets himself feel the way his body and soul comes alive as he looks at the man in front of him. The man of his dreams, now the man of his reality.

“Perfect,” he finally says, unable to hear it over the pounding of his heart.

Every moment with TK sounds more perfect than the last.

📚 📚 📚 📚 📚

#tarlos #tarlos fic #carlos reyes #tk strand #about my writing #next to you fic #sneak peek #this is basically like a one-shot #so that's fun #also rafa's picture from this morning provided some really great motivation #what can I say? - I love seeing that man in glasses #so everyone thank rafael silva - for this and everything else he does

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thistle-and-thorn · 3 years ago

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my goal-setting manifesto

So recently @woodswit wrote a super thought-provoking post about struggling with the benefits of loving feeling fit and struggling with external validation regarding fitness and so this is kind of my reference guide for myself about goal-setting and the way *I* need to remember to think about it.

I minored in a very specific form of organizational management in college and a huge part of that curriculum was goal-setting. We were encouraged to make one-year, five-year, ten-year career plans, we learned how to set SMART goals, how to identify what steps were right for you, etc. Well, babies, I did not need this curriculum because in high school we had done this exact same curriculum. SMART goals, college planning, etc. Bitch, I knew how to plan my life and, bitch, I had it planned. I was a very high-achieving and ambitious student—I went after awards, AP scores, good grades, letters of recommendation. The school system I attended was very typical of an American school in that those things were the primary indicators for success and the “quality” of our grades determined our classes (and subsequently our social groups) and myriad other things. I was a “good girl” and bought into and benefitted from this kind of structure immensely.

Well. I also have struggled with severe anxiety and periodic depressive episodes that significantly interrupt my daily life and ability to care appropriately for myself. These disorders reached a critical mass at the midpoint of my college career and, after two very bad semesters (one of which ended with me getting a tiny sexy scar from fainting into a doorway), I realized I needed to make significant changes to my priorities. More specifically, I needed to examine the method by which I was defining and collecting achievement and validation. So, after much therapy (I love u Claire), soul-searching, several glasses of a very good local hard cider, I decided to write out the way I goal-set now that enables me to actually breathe and not spiral into self-hatred.

Why Do We Need Goal-Setting?

I actually think that goal-setting is deeply important. If you are a dreamer, I would even say that goal-setting is essential. Personally, I’m a planner/dreamer and enjoy setting goals. It comforts me. Getting a little organized around amorphous ideas like “I want to be a novelist” or “I wish I could travel the world” allows those things to become attainable.

Process and Product

I would say that there are two ways of thinking about goals:

1. Product-Oriented: This is the type of thinking that was taught in my management classes and is exactly what it sounds like. If you do these steps, then you will get x-result. An example of a well-written product-oriented goal is, “By Tuesday, I need to complete three research reports.” (This is true, and I completed them today motherfuckers.) It’s concise, attainable, and happens within a set timeframe.

2. Process-Oriented: This type of thinking focuses on what you will learn or benefit from accomplishing an activity. When I was teaching preschool, an example of this would be taking the kids for a nature walk or free drawing, basically doing an activity where there is no expected result. There is nothing to achieve, there is no medal. The work and the discoveries you make doing the work is the reward. A process-oriented goal would be, “I want to learn about characterization from writing this story.”

In woodswit’s example, she talks about the benefits that cardio exercise has on her mental health, how much happier and confident she is when she is doing a certain variety of exercise regularly. She also talks about how she used to do intense sports.

In this case, a product-oriented way to frame that discussion would be, “I want to get back to the weight I was when I was playing sports” or “I want to be able to lift fifty pounds again.” You will take smaller steps to reach that product—changing the way you eat, figuring out a plan for to work up to lifting heavier things. But the product-oriented way is ultimately a binary—you will either be able to lift fifty pounds or not, you will either reach the weight you were or you won’t. But the process-oriented way to think about these things would be, “I love biking and want to do more of it. Every weekend this summer, I will bike a different rail trail in my county.” The process-oriented method is less specific, but it takes that pressure away from your performance—in the biking example, the only expectation that is set is that you’re going to travel to different bike trails, not that you have to go to every rail trail in the county or that you have to complete the whole trail when you go or that you have to do it in a certain time, just that you are going to go.

There is space for both of these methods, and they are best used in conjunction with each other. Product-oriented is useful, especially in financial situations. A goal for 2022 is to visit my childhood best friend in her new home, halfway across the country. Say I want to go in May 2022 and I figure out that it will cost me roughly $2000. I should probably set a goal with steps to save $2000 by May. It’s also beneficial for the smaller steps to bolster your path to your big dreams—When I was a kid, playing piano gave me a lot of discipline and I would like to have that habit again. That is a process-oriented way of thinking about playing music, but you will probably need to set smaller, product-based goals to achieve it—you will need to select a song and learn to play it, within that song you will need to master it measure by measure.

When we are trained to reach for product, it is hard to recognize the value of process-orientation. A phenomenal example is my WIP. The story I am writing now has 3% the amount of kudos as my biggest fic. I also had a goal of updating every Tuesday. By product standards, that story is a flop. It has the least amount of engagement of anything I’ve ever written, and I haven’t updated it in like two weeks. However, why do I write? I write because I enjoy it, I write fanfic specifically to practice new skills. This story has stretched my abilities and I’ve grown from working on it. By process standards, it’s the most successful of my fics.

And in terms of bigger life things? Process-oriented is the way to go. Why? Because if the pandemic taught us anything, it is that life is not linear. It is nearly impossible to set a straight path—be it up a corporate ladder or a fitness goal—why? Because life sucks. Someone dies, you become ill, it rains, you fall in love, you fall out of love—minute inconveniences happen every day. Process takes the pressure off of your performance because you can’t perform all the time. This is essential in fitness goals because our physical state is especially ephemeral. Of course, it happens in other areas of life, too. An example: In the autumn of 2017, I fell into the deepest depression I have ever been in before or since. I could not remember to shower, let alone do my anthropology homework. As a result, for the first time, I was struggling to create the basic products—like, you know, homework—expected in my classes. That was even more devastating. Around the midpoint of the semester, I realized that product was not sustaining me and if I didn’t want to drop out or harm myself when I “failed”, I had to change my approach.

Once my classes became less about “I need to feel my Middle East studies requirement so I can get a History degree and get an A so I can get on the Dean’s List,” and I reconnected with, “I want to learn a lot about the Middle East,” the products came more naturally. They came more imperfectly, too, but I was able to complete the product because I put less pressure on making them to a certain standard. It became easier to recommit to my goal of being a college-educated woman when I remembered the why of receiving a college education. In woodswit’s original post, she acknowledges that the definition of intense exercise is different for every individual. But it’s also different for the individual at different points in their life and recognizing that intensity and success are arbitrary standards is an essential part of reframing your goal-setting as being process-orientated.

How Do I Goal Set Now?

I still goal-set and a lot of my goals could be likely defined as product-goals. However, they are all made with a long view in mind—if I set a goal to run a 5K, what am I going to get out of it besides just saying that I can run a 5K? Here are ways that I stay process-oriented throughout:

1. Goal Periods

I have three times of year when I set goals: January, June, and Lent. I will set a date on the calendar every year to sit down and just think about what I want to accomplish just in the next twelve-month period and what vision I have for myself in three to five years. No more than that.

January is when I set my personal goals and June is where I set my professional ones. I keep a spreadsheet throughout the year of experiences I would like to have. I will look to this list for inspiration. In January and June, while goal-setting, I check in with the opposing goals. So, in June, I checked in with my progression on my personal goals. I rethought if those goals were still realistic and if I was benefitting from them and in what ways. Then I recommitted to them or adjusted them to help me reach them.

2. Holistic Goals

Unless it’s curing cancer, there is no single goal worth putting all the rest on hold for. Each goal is a battle, and your life is the war. This is a deeply privileged example but: the goal of living independently the first two years out of college was probably achievable. But the effort to achieve that one goal meant that, like, six other personal and financial goals would not be met. So, I put off my career goals and stayed at home and taught preschool for two years. It meant a delay while it seemed like my other friends were growing up and achieving at faster rates, but the temporary strain of achieving a particular goal is sometimes worth it when it dominos into other opportunities.

3. Goal Bundling

I bundle my goals now as a part of my goals check-ins. An example of this is: I loved studying abroad and would love to spend more extended time in the country I studied in during undergrad. I would love to go to graduate school. Ipso facto, presto change-o, I should look at graduate programs in that country and see if that is an achievable goal.

This post is a good example of all of this lol. Why did I write it? there won't be an audience for it but the process of setting all of these thoughts on to paper was cathartic, creating a reference guide on this topic for myself when I am depressed is important, and that has to, has to, has to be good enough.

#claire is a saint and needs her own tag #personal #goals #goal: marry chloe sevigny

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sarcasticfina · 3 years ago

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Fic Writer Tag Game

How many works do you have on AO3? 263

What’s your total AO3 word count? 4,901,188

How many fandoms have you written for, and what are they? including the fandoms on FFnet, that haven't yet been moved over to ao3, that'd be a total of 37. separating the larger fandoms (marvel, dcu) into their individual parts: Thor; Arrow; Smallville; The Vampire Diaries; Glee; Captain America; Supernatural; Teen Wolf; Iron Man; Life with Derek; Firefly; Friday Night Lights; X-Men; Fantastic Four; Harry Potter; Sons of Anarchy; Girl Meets World; Batman; Daredevil; From Dusk Till Dawn: The Series; Transformers; Lost Girl; Game of Thrones; Banshee; High School Musical; The OC; One Tree Hill; CSI: New York; Degrassi; Gossip Girl; NCIS; The Unusuals; Criminal Minds; iCarly; Secret Life of the American Teenager; Twilight; and The Listener

What are your top 5 fics by kudos?

1. and I wonder (if everything could ever feel this real forever) - darcy/bucky - Steve tells him that Darcy's harmless. Bucky imagines, on paper, Darcy is harmless. HYDRA wouldn't give her a second glance. But he does. He can barely keep his eyes off her. He's not sure he wants to. | Kudos: 5576

2. I Climbed The Tree To See The World (When The Gusts Came Around To Blow Me Down, I Held On As Tightly As You Held On To Me) - darcy centric | darcy/steve - The path to self-discovery, including becoming Coulson's assistant-slash-liaison-slash-bff, Captain America's lady love, and rating fourth on the SHIELD BAMF scale, was like the yellow brick road; it was chaos and confusion around every bend. | Kudos: 3973

3. Take a little piece of my heart (and keep it for yourself) - oliver/felicity - A collection of Olicity prompts on Tumblr posted here for easier access/reading. | Kudos: 3498

4. You put your arms around me (and I'm home) - darcy/bucky - A collection of Darcy/Bucky oneshots, drabbles, and prompt fills. | Kudos: 3293

5. you (anchor me back down) - darcy/bucky - "I'll be right back." Famous last words. | Kudos: 2747

Do you respond to comments? Why or why not? not all of them. i do try to keep up on them, especially on longer stories when there's been significant wait times in between chapters, or when a reader is asking a question or is unclear on something. and especially when someone writes a really indepth comment/review, i like to respond to those and talk about motivations and character growth.

What’s the fic you’ve written with the angstiest ending? I've written a number of fics that either had suicide or major character death, so i'm not sure if one outranks the other in terms of most angsty... hmm... i remember "be still and know that I'm with you (be still and know that I am here)" and "light a match, burn the world to ash (I will watch it die, and hold your hand as I fly)" both got some pretty intense reactions when they were posted. And "It's Your Song That Sets Me Free (I Sing It While I Feel I Can't Go On)" was basically just angst from beginning to end. buuuuut, i think i'll say "so you think you can tell (heaven from hell" was, only because there's a build up of everything going so right, only to pivot at the end, so it feels very bittersweet.

Do you write crossovers? If so what’s the craziest one you’ve written? i loooooove crossovers. i find writing in the marvel fandom makes things quite easy, but also smallville. as long as i can find a common thread, i enjoy finding a way to overlap two shows. i'll say the hardest one to write was "ruby red slippers (unavailable in her size)." I'm not sure why, but i found writing each personality together just felt strange. i liked the idea behind the story, but i definitely remember feeling like i was really forcing myself to keep going, like something just didn't fit right.

Have you ever received hate on a fic? oh, definitely. you cannot please everyone, it's impossible. for the most part, hate comes and i either argue back, take the criticism for what it's worth, or just ignore it when it's baseless. i think the hate that bothered me the most was a homophobic PM someone sent me re: "you know I will adore you ('til eternity)," on FFnet. i actually went and searched it up. they've since blocked me so i can't read our whole thread back and forth. but i did put part of it on tumblr so i could rant on it a bit, so you can see that here.

Do you write smut? If so what kind? ha. yes. depending on the story, it can be really detailed or really flowery. it depends on the ship, the plot, and how graphic i feel like being. i've definitely become more comfortable over the years with my writing. that said, i think everybody likes something different. i once had a reviewer tell me a sex scene was too much, just too intense. it was a stefan/caroline story and to be fair, that entire oneshot was just them fucking, lol, but it is what it is. to each their own.

Have you ever had a fic stolen? Multiple times.

Have you ever had a fic translated? Yes! for the record, i am always happy to have my stories translated and shared. i just like having a link sent to me and to be credited.

What’s your all time favorite ship? i have a list of OTPs, because interests change and as shows come and go, my love for a ship can be shelved for a while before it pops back up at random. currently, i can't get enough of buck/eddie from 9-1-1. and, historically, chloe/oliver (smallville) and felicity/oliver (arrow) have been two of my top OTPs. but i think i'd have to go with bonnie/damon. they had all the potential and the show dropped the ball by not exploring it. at the same time, that's kind of a blessing, because i don't trust those writers to properly explore what they had without eventually destroying it for the likes of de/ena. it means a treasure trove for writing where it could have gone and all the what if's.

What’s a WIP that you want to finish, but don’t think you ever will? the intention is always to finish. but given how i feel about allison mack and how that impacts my feelings re: chloe sullivan, pretty much anything with her as a main character is not something i see myself returning to.

What are your writing strengths? What are your writing weaknesses? i'm putting these together because my strength is my weakness. i love to write. when i get an idea, i go all in and i will skip eating and sleeping to just write write write. but i also eventually hit a wall and i get so many ideas that i hyperfocus on one until the steam is gone and then i hyperfocus on the next one to maintain that need to keep writing, accidentally leaving the last story in the dust for entirely too long. i also have clinical depression that comes and goes, which hasn't been super great mixed with covid and isolation, so more often recently, i find myself overly exhausted and despite wanting to write, can rarely get motivated to do so. so, pre-covid, wrote so much i left entirely too many stories dangling. during covid, i've just been reading and struggling to get myself focused enough to do what i love.

What are your thoughts on writing dialogue in other languages in a fic? i appreciate the authenticity when possible, but i've recently been reading more about how native speakers of other languages feel when a) their language is butchered by google translate, or b) it's just not genuine in terms of how bilingual speakers act or speak.

What was the first fandom you’ve written for? it was smallville, but i remember adopting it out to someone else because i wasn't going to finish it. so if you look at my ffnet, the first fandom i wrote for appears to be x-men: the movie, but i remember writing a chloe/oliver story prior to that.

What’s your favorite fic that you’ve written? i have a lot. i mean, on ffnet, i have 576 stories, many of which were transferred over to ao3, with a lot of oneshots and drabbles getting joined together into collections. so there's a ton to pick from that span a 14-ish year timeline.

"you know I will adore you ('til eternity)" and "let me break (the walls that surround me)" hold a special place in my heart.

honestly, each story is important in its own way. there are bits and pieces of each that i love. every time i write something new it feels like my favorite. my best. and then a new idea comes along. there are scenes i've written that i loved more than the whole of what they became. lines that stand out that are almost too good to be a part of the larger picture.

one of my all time favorite passages i've written was bonnie's thoughts on damon and herself in 'if you love me (let me go)":

He is far from perfect. He is a novel of red, corrective ink. He is frayed pages and torn binding. His life, his choices, his mistakes leave lasting effects on everyone he meets.

She is a lifeboat with a hole in it. An anchor that drowns in the sea while everyone else remains steady above. She is both the calm and the storm, and while she screams that she will not be tamed, she cries. Bittersweet tears that go unnoticed and uncared about.

there are other stories, other pieces of dialogue, that i've been proud of. that make me laugh when i re-read them. that make me cry. and i love them. there are others that make me wilt and cringe and regret. it's a process. love and pride and growth, all bound together.

Tagging: @absentlyabbie, @anonymous033, and anyone else who'd like to fill this all out, haha

#fic writer tag game #long post

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k1ngj0ve · 3 years ago

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I hate to complain about things that are coming from a good place and are well meant

but

that post that goes around thats like 'if you cant think of a comment to put on a fic just add heart emojis! any comment helps!'

i disagree with it entirely

cuz this isnt.... youtube... where the youtuber doesnt really read the comments, the comments exist to push an algorithm for engagement and so every comment encourages an unseen robot somewhere to recommend it to other people online

for a fanfiction, the only reason i write it is in the hope of getting comments. so i get an email saying i GOT one, someone CAREs, someone COMMENTED!!! and i open it

and its just

'❤️'

thats... thats just a kudo.

kudos are good too, mostly as a whole rather than individually. 'this fic got 12 kudos' is pleasant (50, 100, 300 are better obviously) but 12 COMMENTS are exciting, are active, i can maybe talk to those people or anticipate how theyll react to future things, they sometimes change the story because i know how things are being percieved. 12 individual bits of praise or anticipation or engagement.

'i love your portrayal of this character', 'this scene was so exciting', 'im excited to see what happens next for her!'

if its a bit generic it hurts a bit, if its just 'great job, excited for the next chapter' but nowhere near the amount a '❤️' does. a '❤️' feels very impersonal and disengaged

ive talked to my roommates (better writers and more popular than ill ever be) and theyll say 'i got 4 comments on my new chapter-- but 3 were just emojis so actually i only got 1, that person was nice though'

my gf talks the same way so i know its not just me. we all say some equivilant of 'well im glad they left a comment, it means they probably liked it, but it feels like it was meant for the algorithm to read than it was for me. i was so (excited for big scene or stressed about hard scene) and no one said anything about it, so it feels like a wasted effort'

i know this is a 'compare it to ZERO comments' thing but it feels more akin to 'an emoji instead of a short comment'. five 'so exciting! cant see what happens next!' comments are, emotionally, worth 10 '❤️' comments at least

#fanfiction #fanfic #fanfics #fics #comments #ao3

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rainbowsky · 3 years ago

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Final round-up of fan fic asks

I've gotten a few more interesting responses to the fan fic discussion so I'm going to round them all up here. This will be my final post on the topic until/unless there's a dramatic new development, or a particularly notable response I want to highlight. Thanks to everyone who brought their thoughts and experiences to the topic. I hope everyone at least feels heard.

The biggest piece of advice that I would like to offer is for everyone to focus on what they love rather than what they hate. If we all did that, the world would be a better place. Alongside that, I'd like to remind everyone to please support authors whose work you like. It's so important. Give them a kudos, give them a nice comment, recommend their work to others. You never know what kind of grief and harassment they are dealing with to bring you these great stories, and our support means a lot.

This is in reference to previous posts here and here.

Anonymous asked:

With regard to fandom and fan fic issue, my years of experience being part of very large fandoms has led me to believe that big accounts are v important in facilitating and enforcing the general consensus of the whole fandom. Unless there will be big accs who'll remind everyone of being respectful & just not being a dick over other's preferences, nothing will change.

This is also the reason why I think certain solo fandoms have adapted weird and twisted narratives as their general fandom story because no big acc has tried to police them & and say hey pls be rational. Whether we like it or not, in a place where how far voices, ideas, tweets, posts get heard is based on the number of followers you have, big accs will have the power and influence in creating/curating/shifting the narratives.

So, if you want to know why your/our fandom thinks like this in general, look at what big accs are tweeting/posting, look at what ideas & values they follow, look at their preferences or how strongly they react to certain situations. it's taxing and toxic for big accs given the nature of social media these days, but it's also the reality of system, the more followers/audience you have, the more influence you will have.

So to anyone reading this I hope we all practice more restraint and reflection before we post anything. Remember that words, no matter what medium you write it in, will always carry weight.

So true. It is easy - even for myself who spends a fair chunk of time answering people's asks - to forget that people can sometimes be impressionable and what we say can influence people whether that's our intent or not. I get used to thinking of myself as a regular guy just doing my own thing when sometimes my thoughts and words go well beyond where I initially posted them.

I think it's important for us to be careful what we say, and it's equally important to be careful what we take from what other people say. Especially when it comes to big claims. Always get a second, third, fourth opinion and don't be afraid to ask for clarification if something doesn't sit right or sounds confusing.

It's also important to reflect on how our words and actions might affect other people's experience of fandom, and err on the side of 'live and let live' wherever possible. It's great to have our own preferences and to champion them, but we should try to do so in a way that leaves space for other people and perspectives.

The more unique perspectives and the more friendly, open dialog there is, the healthier the community will be as a whole.

There's nothing wrong with encouraging and guiding growth in the particular areas we are interested in, as long as it doesn't step on, oppress or attack those who are peacefully enjoying something different.

Anonymous 2 asked: bjyx fans attacking gdgdbaby for including zsww/lsfy dynamics in an event named bjyx then turning right around and attacking the zsww/lsfy event organizer for excluding bjyx? god, can you hear my facepalm and sigh of resignation and incredulity from over there? im genuinely not surprised that they're trying to drive an entire part of the fandom out by disgusting them (and me) with these immature tactics. i believe what im about to say next will sound quite bait-y and i respect your decision 1/?

should you choose not to post this. but i do know that it is not only me, in fact there are many out there, that is of this opinion. we just dont talk about it on twitter to avoid the potential mess it will bring lol. okay, here goes nothing. (do note that im talking about the majority here, not every single person is like this) so bjyx fans tend to be cishet females whereas zsww/lsfy fans are more diverse in terms of age and gender, and most of them are part of the queer community too 2/?

i would like to clarify that most of these zsww/lsfy fans are not dynamic exclusive (in the sense that they are friendly and interact with all ggdd fans) they just prefer to "identify" themselves as zsww/lsfy fans (on twitter specifically) just to form a distinction from bjyx fans who mostly are dynamic exclusive (as in; they do not consume non-bjyx content, and straightup refuse to interact with non-bjyx fans, often blocking them). as a result, id say that the zsww/lsfy communiy is way more 3/?

mature and respectful (after all, they're mostly queer people talking about a queer ship) whereas many problems in this fandom, such as the homophobia, adamantly insisting on "drawing lines" between dynamics, stem from the bjyx exclusive fans, comprised of cishet females who "may not know better". so, it is of no surprise to me that they're resorting to these immature tactics of calling gg unsavory names, and organizing retaliatory events with controversial topics in an attempt to "purify". 4/4

I trust that you have arrived at that theory through your own experience and observation. I haven't personally spent much time immersed in this stuff so I can't claim to have any real insight or expertise. If you say that's your experience of it, then at the very least that's how you've seen things up to this point.

I just want to say that I think we should always be careful about making assumptions about people's age, gender/gender identity, etc.

There are plenty of good reasons to avoid doing that; because those assumptions could be very wrong, because those assumptions are often laced with ageism, sexism, etc., because those assumptions - even when correct - might not be an accurate basis for the conclusions we draw.

But the primary reason I recommend avoiding those type of assumptions is because anything that enables us to clump a group of people together in our minds like that will tend to make them easier to demonize and dehumanize. They are no longer individuals who are each responsible for their own unique perspectives, they are now 'the X group' who is known for 'A B C series of easily attackable ideas or behaviors'.

If we attribute undesirable traits and behaviors to a group of people we feel opposed to in some way, that makes us feel more righteous and justified in behaving unfairly toward them, dismissing their humanity and warring with them. It's just risky behavior to engage in, even when it's well-intentioned.

There might actually be some truth to what you're saying. It could very well be that most of these people are young, inexperienced, heteronormative, etc. but if that's the case then we should try to use those traits to better understand and empathize rather than to better dismiss and discredit.

Just my two cents on that.

It can be really frustrating dealing with what feels like other people attacking us, trying to oppress us, etc. - especially when there are more of them than there are of us. In my experience the best solutions to that sort of problem are generally the ones that focus on what we are doing and want to do rather than what they are doing that we don't want them to do.

As I am always preaching, we can't control what other people say, do or think. The only thing we have any control over is what we say, do and think (and how we respond to what they say, do and think).

I have found in my experience that the moment I step out of a conflict mindset and instead step into a problem-solving mindset, everything starts to come together. I feel better, my outlook is more positive, I can begin to see solutions and allies rather than problems and enemies, and most of all, I become more focused on what I am doing than what others are doing.

So I would recommend everyone who is invested in resolving these conflicts focus on that. "How can we best showcase and encourage the types of stories we enjoy?" instead of "How can we stop these other people from doing things we dislike?"

Anonymous 3 asked:

Hello again! It’s anon #3 from the fanfic post. I really do appreciate reading your thoughts on various issues like this, so thank you for always taking time to write in depth. As for supporting without going to war, the simplest way has always been to just show appreciation for the creators, hype them up. Kudos are the easiest way on ao3 but comments in addition are great. This goes for all content—art, fics, vids..etc. Creators love to see and read how people react to their content. Sharing is also great, fic recs are very helpful, just be cautious with art and reposting though. Hope this helps a bit!

Thanks so much, Anon. I think this is excellent advice. And it's true that appreciation is great, but helping to expand the audience is also great. Recommending stories, pointing people to the pages/websites of artists we like (as opposed to reposting), sharing our own ideas and approaches, encouraging people to try new things... all of this helps build healthier communities.

And here's another one: WRITE! DRAW! CREATE!

I urge anyone with creative interests or talents to bring their voices to the community because we all can benefit from hearing from you.

Thanks again everyone for sharing your thoughts on this issue. I hope that over time we can all work in positive ways to improve the situation.

I think this subject has been well-covered now so I'm going to retire it for the time being. If anyone still feels they want to discuss it further please feel free to message me privately. Thanks.

#fan fiction #fandom reflections #ask

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itsclydebitches · 4 years ago

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RWBY Recaps: Volume 8 “Strings”

Happy Saturday, RWBY friends! I am, quite obviously, going to dive into the recap in just a moment, but first I wanted to take a short detour to discuss the elephant in the tumblr room. Namely, Supernatural.

For those of you out of the loop, the tl;dr is that a fifteen year, beloved show ended with a truly horrendous finale. Specifically, the finale rejected everything that the show had been building towards: the logical conclusion to character arcs, the theme that “family don’t end in blood,” the potential for a queer romantic relationship… I could go on. The point I want to make is that the fandom had every reason to believe we’d be getting these things. This isn’t a case of fans upset that the finale didn’t go the way they wanted as an individual viewer, but rather that the finale didn’t go the way the show clearly and explicitly said it would. It’s not an exaggeration to say that in many respects, viewers were straight up lied to.

(I recommend reading the reviews.)

What does this all have to do with RWBY? Well, I can’t help but think that history is repeating itself. Certainly there are some notable similarities between the two series. Both have long, meandering plotlines with no clear end in sight (though I hope RWBY doesn’t reach the 15 Volume mark…). Both began with a small, core cast, but quickly expanded—generating the expectation that these now equally important characters will be given their due. Both have moved from the small conflict of fighting everyday monsters to a god-based mythology. Both have a popular queer relationship dangled in front of the viewers, featuring scenes where they’re “obviously” in love… but will it ever be confirmed? Both have a fanbase that says loudly and confidently that the writers know what they’re doing. Just wait! It’s all been planned! We’ll be rewarded for our patience and soon all the naysayers will be proven wrong.

Thing is, the Supernatural fandom wasn’t rewarded. Right up until a week ago those fans—myself included—had faith that the writers knew what they were doing because they can’t really be that out of touch with their own story...right? It’s not possible. Yet they were, it was, and now that I’ve gotten solid proof of precisely how far a show can go to reject its own logic, themes, and premise, that just makes me more wary of RWBY’s mistakes. Before I had a solid faith that things couldn’t possibly get that bad, that no matter how much RWBY might be messing up in the short term, it will undoubtedly pull it together overall, because what show wouldn’t? Especially a show with such promise and, at times, wonderful storytelling. Well, Supernatural didn’t manage it and frankly I’m not sure what to do with that information.

Seriously. I don’t have any grand conclusion here. It’s not my intention to suggest that anyone should stop watching RWBY, or to claim that it will absolutely fail because Supernatural did. Obviously, we don’t know what will happen until we get to see it in the show. I only want to acknowledge these parallels and the similar journey I see both fanbases on. I can’t help but wonder if, a couple years from now, RWBY fans will be making incredibly optimistic posts about how it’s all coming together, just have some faith, everyone who says that the group won’t get a satisfying ending, or Blake and Yang won’t be confirmed are just mean trolls… only to wake up that Saturday morning and get another metaphorical slap in the face.

It’s something to think about.

But here I’ve spent a page talking about the wrong show. Let’s get into the episode!

We open on a black screen with lots of ambiguous noises. At first I thought this was Oscar struggling in the Hound’s grip or something, but then I remembered that RWBY likes to insert an episode between cliffhangers. I watched Ironwood (presumably) shoot a guy and he only came back this week (though that question still isn’t answered. At this point I kind of wonder if it will be). Oscar was kidnapped last week, which means we won’t get to see him until next week. Or… two weeks from now? RT skips the week of Thanksgiving, don’t they? Sounds familiar doesn’t it? Something horrible happens to Oscar and we need to wait two weeks to find out how it’s resolved.

Watch him escape the Hound off screen and return to the group with a new outfit 😂

So it’s not Oscar we hear, but Ruby, the last one coming out of the tube. Weiss is in the process of pulling Nora’s ear for that stunt… with a frankly strange looking hand. What’s up with RWBY animating weird hands lately? I’m pretty sure that’s not how anatomy works.

Anyway, Nora counters that this was a “Once in a lifetime experience,” but they were all going to go through the tubes regardless. Weiss isn’t pissed that you sent her through, she’s pissed that you did it unexpectedly when she was alone, heading into enemy territory. But of course, there’s no one in the room to hinder them, so the mistake is meaningless.

We’re setting the tone again though. For the first half of this episode everything is sunshine and giddy adventure, which doesn’t fit the situation at all. It also creates emotional whiplash when I’m suddenly supposed to be super worried about things later on. This sort of about-face works once in a blue moon, as an emotional punch, like we see in Mulan:

But RWBY does it every other episode, which makes the overall tone of the series confusing instead. Half the time RWBY feels like two different stories—the cartoony tale of girls going on fun adventures, and the traumatic tale of a fantasy war—that have been badly spliced together.

“Alight, Robo-Girl, which way?” May asks and Penny demonstrates why she’s the best for sneaking into a facility. She’s able to map out the whole place, including seeing where everyone is so they can avoid detection. Kudos to RT for going this route. I was worried that they would have Ruby and the others straight up attacking Atlas grunts, knocking them out/potentially even killing them because who cares, right? They’re the bad guys! So I’m glad they’re working to get in and out undetected. Granted, we see in some places that they’re clearly willing to fight the soldiers if it comes to that—they’re reaching for their weapons when Penny opens the final door, expecting the room to be full of people. They were going to attack—but at least they’re trying to lessen that conflict as much as possible. That’s the sort of choice I expect to see from heroes and I’m glad we got it here.

After scouting the area Penny corrects May: “And my name is Penny,” to which Ruby gives a satisfied “Heh.” I’ve got no problem with Penny rejecting nicknames, even potentially well-meaning ones, because she’s always struggled with her status as a real girl and her name is her own. She gets to decide what others call her. I do, however, have a problem with making the presumed trans character the one who is corrected. Granted yes, we haven’t gotten confirmation in the show that May is trans, but RT doesn’t get to cash in on that rep without likewise suffering the consequences for how the character is treated. You’re telling me that a trans woman is going to roll her eyes when someone asks her to use a specific name? Please give May flaws, yes, she’s a person, but out of all the millions of flaws across the human spectrum, this is the one we’re shown?

Not to mention Ruby’s continued attitude. It’s like, ‘Yeah, May. Stop being a horrible person who draws attention to the fact that Penny is a robot. I never did that.’ Except when Ruby first met her she didn’t know Penny was a robot. Just like she didn’t know Blake was a faunus—something we’re reminded of this episode. We might assume Ruby wouldn’t have ever made any missteps at the beginning of these relationships, but the fact remains that she got to know both girls before their minority status was ever revealed. Ruby loved them before she ever had to grapple with their differences.

Put in her place, May then demonstrates that she can make lots of people invisible, not just herself. That’s handy. She creates an invisibility bubble that reminds me of Harry’s invisibility cloak. In the sense that others might not be able to see you, but they can still hear and touch you, which makes sneaking around still pretty challenging.

No sooner have I thought that then two guards get into the elevator with them. The group keeps quiet as the duo discusses how no one can get close to Salem’s storm without “getting shocked right out of the air.” Interesting. And frankly one hell of a roadblock if the Hound escapes into the clouds. Oscar may be gone for a while if he doesn’t escape on his own... The woman also comments about how creepy it is that all the grimm are just hanging out, waiting. It’s “worse than if they’d attacked.”

No it’s not! RT, stop trying to implement the idea that Salem withholding her forces is some epically cool choice. She should have decimated everyone by now and the fact that she hasn’t just shows how transparent the problem is: you’ve created a villain that’s too powerful and now you don’t know what to do with her.

As the group sneaks out of the elevator Nora grins and presses all the buttons, which is, as expected, a dumb move. They’re supposed to be sneaking into this base. If they’re caught they’re going to be thrown in jail at best, killed at worst, but Nora wants to risk that for a practical joke? Again and again we see this insistence on incorporating comedy where it’s not only unnecessary, but actively interferes with other aspects of the scene.

Reaching a terminal, Penny inserts her finger and gains access via Pietro’s credentials. She’s really demonstrating this episode why she’s… pretty terrifying? I mean, Penny is an incredibly powerful fighter with a computer’s view of the world, access to everything in the most powerful Kingdom alongside its information, and she now has Maiden powers to boot. Which, I should add, it took her one fight to master (because remember, the heroes are now always as strong as they need to be to win…). Now that Watts is planning to hack her, I expect her to be an incredibly formidable enemy, just given the amount she could potentially do. I think Penny herself is too kind to exploit all that potential and as we’ll see via Pietro briefly taking control, she doesn’t always have the knowledge to use the tools at her disposal. But in the hands of someone like Watts? He’ll turn Penny into the ultimate weapon.

Access granted, they learn that they have to go “Right through central command!” Of course, Penny makes it sound like a fun game and the spy-movie music/cartoon lecture doesn’t help. Again, tone. It’s adorable! It just doesn’t fit sneaking into a military base with your lives on the line while Salem waits outside. That was a RWBY Chibi moment.

Penny explains—twice—that Ruby can use her semblance to fly them all through central command and it’s treated like a revelation. At first, I was pretty confused because Ruby has been dong this for ages? She carried Weiss in “Argus Limited” and Nora during the Geist fight. But upon close inspection, what Penny seems to have “figured out” is that Ruby can carry multiple people at once because the “mass doesn’t matter.” Okay. Not a contradiction then, though I think RT could have made it a little more clear that Ruby was shocked at the idea of carrying multiple people, not carrying someone at all.

What I do take issue with though is Ruby mastering this skill instantaneously. I mean, why is Ruby being forced to try this on the fly (pun not intended)—Penny has known the layout of the building since they made this plan. She knew they had to get past central control and that it would be packed with people. She’s obviously thought about Ruby’s semblance a great deal—and why is she succeeding? Give me a Volume 7 where Ruby actually trains in this technique, set up via Harriet’s comment early on about her semblance, and then she’s victorious here when it finally matters. Or give me Ruby assuming she can pull off this incredibly difficult skill only to fall out of her semblance halfway through, a roomful of Atlas personnel staring at them. Then what?

Not this.

This is a character who does everything perfectly on the first try without ever having to fail. Ruby is boring like this.

Crisis averted, we transfer to Ironwood who is… working with Watts.

What else is there to say? I’ve already laid out all the reasons why this is stupid and makes no sense. Others keep coming onto my posts to explain to me how Ironwood’s awful deeds up until now fully show his decent into villainy, conveniently ignoring the numerous limitations he was under and his choice to do what he thought was best for the world using inaccurate information. Ironwood was always a divisive character and many are happy to ignore the years’ worth of deconstruction done—a man who looks like the Evil Military General but actually isn’t—because they never liked him to begin with. Not liking him is fine, no one has to like any character, but I’m honestly shocked by the number of viewers who refuse to acknowledge how bad the writing is, even if it means defending a character they hate a teensy tiny bit (#SupernaturalVibes). As a friend put it, Ironwood now feels like a caricature of his former self, a Pure Evil Ironwood who appeared out of nowhere and is now here to stay. He shoots kids. He shoots unarmed civilians. He teams up with Salem’s men and tries to hack Penny. These are undeniably horrible acts, they’ve just been given to a character who never would have done them until RT randomly flipped the Evil switch.

The “RWBY” tag, alongside all the fluff moments of this episode, is now filled with posts encouraging Marrow to turn, yelling at the Ace Ops for being “bootlickers,” and capslock screaming at anyone who dared to speak up for Ironwood. It still sucks to have bad writing twisted into an attack on the fans and it’s going to continue to suck until at least the rest of Volume 8. I’d like to again remind everyone that Qrow teamed up with Tyrian a few episodes, yet because he’s again in Ruby’s graces, that was twisted into a ‘not that bad’ situation. The issue isn’t really that Ironwood is teaming up with one of Salem’s subordinates, but that he’s doing it to go against RWBYJNOR… the second a character teams up with Salem to get what Ruby wants (to not have her team in jail) then that’s totally fine… but that’s a wrinkle a lot of people are happy to ignore.

So yeah, Ironwood is an idiot now too. Like Qrow also was last Volume. He really thinks Watts isn’t going to betray him somehow? Although, I do wonder if the chance to ruin Pietro’s creation outweighs his loyalty to Salem, but the point is that Ironwood can’t be sure of that either. At least he’s smart enough to keep Watts under continuous guard. He puts his hand on Watts’ shoulders and goes, “I’d hate for us to have to try motivating you. Again.”

So he tortures people too now? Like I said, caricature. This was Ironwood and we were given no clear idea of where he disappeared to.

RIP a great character.

Watts notices though that Pietro has apparently accessed a secure area and alerts Ironwood to it. I laugh that the information is just ¡EMERGENCY! In large, red letters. Ironwood immediately makes an announcement for everyone to be on guard. It’s a level 3 lockdown — that won’t impede the group leaving via airship! — and they’re to use “lethal force” if necessary. Weiss is disgusted.

As much as I disagree with making Ironwood into a shoot first, ask questions later kind of guy — he’s definitely wrong to be doing this — I also find myself rolling my eyes at reactions like that. Yes, Weiss. You attacked four operatives until they were knocked unconscious. Prevented an entire city from escaping Salem’s wrath, endangering them all. Now you’re breaking into the most classified room in the Kingdom to steal an equally qualified project and use it for your own means. There’s no reason why Ironwood would level his might against you. Is death still an extreme response? Yes. Should Weiss be acting like Ironwood is crazy for responding to them in an extreme manner? No. Her remark makes it sound like Ironwood is attacking her poor, innocent, defenseless team… not the team that’s been lying to him, betraying him, attacking him, and stealing from him. Not the team carrying deadly weapons into a facility to take what they want at any cost.

With their presence known, May wants to go grab an airship. That’s the series now.

Meanwhile, Penny insists that they can still complete their mission and we see Nora come up with some sort of plan.

Except, what plan was this?? What did she say to the group? ‘Hey, let’s wait around until some guy conveniently walks by with a full cup of coffee. Then we can trip him and the mug will fly alllll the way across this gap to land on a terminal, startling at least two workers. Except this guy will be hated by the whole room because he’s always messing things up—his coffee mug has been changed from #1 Dad to #1 Dud—so that this little mishap will create a ruckus that gets everyone involved, giving us the opportunity to slip by them all.’

Seriously, what? This kind of “plan” only works with someone like Clover, where we know he has a good luck semblance and thus all these unlikely pieces fall into place. I could absolutely buy Clover smiling smugly, working under the knowledge that he just has to wait around a few minutes and something will come along that works entirely in his favor. But Nora? How did she know any of this would happen? Obviously she couldn’t have, so what exactly was their intention if this coffee carrying, hated guy didn’t show up? RWBY, your contrived plots are showing.

I do, however, love the grimm Jaws poster. Jaws is an absolute favorite of mine, so seeing a reference to it in RWBY? A funny one at that? It almost makes up for how bad this episode is lol.

Because frankly I’m bored. The group sneaks around, criticizes May and Ironwood, briefly confuses me about Ruby’s semblance knowledge, and gets through tons of Atlas personnel in the stupidest way possible. I have to watch this guy running out of the room with coffee on his pants screaming, “WHHHYYY???” and he doesn’t notice the five girls standing right next to him. It’s silly. It’s boring. Luckily for RWBY, things are about to pick up in the second half.

After Ruby gets them upstairs and the final room is also conveniently devoid of people, Pietro takes control of Penny—including yellow possession eyes like Oscar has with Ozpin—and he...gets Amity started. That’s it. After a whole volume of ‘It’s not finished yet’ and ‘We barely have the resources’ and ‘Robyn stole what we were using to do idek what with’ he presses buttons for a while and they’re in. How good for them!

I do love that Penny calls Pietro “Dad” though. I’m here for the android-father relationship.

While Pietro works we turn to Blake, Weiss, and Nora. Blake tries to convince the audience that Ruby and Yang had an actual fight with, “I’ve never seen Yang and Ruby fight like this.” Yeah, because no one in this group has ever said the sliiiiightest thing against Ruby, so you all read the tinniest disagreement as a “fight” to be worried about. I mean, doesn’t RT have friends to draw inspiration from? They’ve never disagreed about Huge and Complex Questions before? Never gotten pissed and then shrugged it off the next time you want to text? RWBY’s idea of a diverse friend group feels like many other writers’ idea of a sibling relationship: anyone with an actual sibling goes, “What is this?” Speaking of, Weiss explains that sisters often have “very different ideas about what’s right” as if, again, people don’t have different ideas? Just in general? Why is this suddenly a sister thing? She’s clearly thinking about Winter, but doesn’t actually bring it up, so all we’re left with is the same situation we had last Volume. Weiss thinks she’s right, Winter is wrong, and they’re just going down their separate roads because there’s definitely no reason to re-examine any choices here. It’s all static.

Until Winter betrays Ironwood, of course.

Nora tries to reassure Blake that the group will be fine (ha) even though they’ve split, the irony being that we, the audience, know they just got wrecked by the Hound. Jaune is a great leader though, Oscar has grown so much, Yang could defend them all in a fight, and Ren… well, she can’t think of anything to say about Ren. I hate the Nora is acting like Ren has drawn away from her for no reason, after she chose to kiss him—without consent—rather than listening to what was bothering him, then proceeded to pretend that this mystery problem never existed. What does she expect? I do, however, like the general acknowledgement that she doesn’t know who she is without Ren. Who is Nora? Someone who is “strong and hit[s] stuff?”

See, this feels like RT writing self-consciously because Nora doesn’t have much of a personality. Oh, on a surface level she’s bursting with it, but past the bubbly exterior? That single layer? We can add maybe one thing to this “Likes Ren, is strong, hits stuff” list: she’s funny. That’s it. Anything else we might add like “she’s loyal” or “she’s kind” is just a generic characteristic of this entire team. They’re all meant to be crazy talented good guys and even the “is strong” aspect is suspect when others frequently pull off attacks as showy as Nora’s hammer hits. So who is she? What are Nora’s dreams? What are her hobbies? Her fears? Her history? We’ve seen a single flashback of her on the streets and one scene back at Beacon where she listens to music and reads a magazine. Seven years worth of material and that’s it. There’s a reason why the go-to, non-combat action for Nora in fics is “makes pancakes.” We know so little about her still.

So I was excited for a brief, shining moment. Yes! Explore who Nora is outside of being strong and hitting stuff! … and then her big action this episode is, as she says, being strong and hitting something. Don’t get me wrong, outside of that setup it’s pretty epic. I like Nora going to those lengths to save Penny and I absolutely love the repercussions of the choice: a broken aura, passing out, and badass lightning scars all over her arms and neck (especially when women often aren’t allowed to accumulate scars in visual media). That’s pretty damn awesome. It’s just that it comes on the heels of the story insisting that Nora is more than this, that we’ll learn something new about her… and we haven’t. This is indeed cool, but we already knew that Nora was willing to crazy lengths by hitting things really hard. That’s already her established norm.

At least this moment has some really nice characterization alongside the stupidity. The conversation between Ruby and Penny is just plain stupid. Penny wants to stay to help with the evacuations, but Pietro says she should come with him in Amity. Why? As Ruby says, because then she’ll be up in the sky and Salem won’t be able to access the relic.

That’s what Ironwood wanted to do! We could have had this conflict episodes ago with you all working with him! I really can’t with this cast. Also, the rest of this is still confusing. I thought pretty much everyone was in the slums by now, so what evacuation are they talking about? Do they plan to evacuate everyone in Mantle out of the kingdom somehow… like Ironwood wanted to do with Atlas? And why are they acting like Amity is evacuating some people too? I thought they were just using it as a communication device? To add insult to injury, Ruby then contradicts herself a minute later when she tells Harriet that Ironwood can’t have the relic because “Salem will find her way to the relic no matter where you go.” Ruby, if Salem can access the relic high in the sky she can also access Penny in the sky. If you believe that literally nowhere is safe then why are you sending Penny away under the claim that she—and via her the Relic—will be safer? If you want Penny in Amity to lessen the chance of Salem getting the Relic, why can’t Penny be in Atlas while simultaneously (hopefully) getting a whole slew of people to safety?

I’m continually confused by this “plan” of theirs. Their claims just flip-flop according to what (supposedly) contrasts them with Ironwood. Even though that’s not actually the case.

Penny is me, sad while watching this train wreck of a scene.

So yeah, the Ace Ops are here. I’ve wondered since the trailer why Weiss looked smug while everyone else was startled. Turns out it’s because of her line, “So, your first time losing to us wasn’t enough?” I can’t express how much I dislike all the girls’ personalities now. I want to shake some compassion and humility into them. Plus, they never should have won that fight in the first place. Marrow yells, “We were holding back!” but coming from the team’s weakest member it reads as defensive. Like we’re supposed to go, ‘Lol yeah right, Marrow. Just admit you got your ass kicked,’ even tough the Ace Ops should have wiped the floor with them, holding back or not. That’s my biggest takeaway from this fight: it’s the reverse of what we should have gotten. The Ace Ops should have beaten Team RWBY with ease and struggled greatly against an android Maiden, not falling before a bunch of teens and succeeding against Penny if not for Nora’s timely breakthrough. Your half-trained cast of growing heroes should not come across as more powerful than an intelligently designed weapon now wielding magic.

Before the fight starts we get a whole lot of lines that are, frankly, frustrating. Vine tells Penny, “I thought you were supposed to protect the people, not hurt them” which is true enough. Penny is taking action that is putting a lot of people in danger, regardless of the fact that Ruby is at the helm. Problem is, the Ace Ops then blame her for Winter’s injuries and “stealing” the power? That’s not the issue here. The issue is Penny’s blind loyalty to Ruby, but by having the Ace Ops back a stance that is clearly inaccurate—Penny didn’t cause Winter’s injuries, Cinder did; Penny didn’t steal the powers, she was encouraged to take them—it makes them come across as Very Evil people who will twist things to make poor Penny look like the villain. Even if this is a case of Ace Ops having bad intel (which seems unlikely. Wouldn’t Winter have told them what happened?) RT has avoided letting the Ace Ops take a justified stance here because that would make them look too sympathetic… even though they do have multiple justified stances to take. Like, ‘Hey, stop keeping half a kingdom here where Salem can easily kill them all’ or, ‘Hey, why did you spend months betraying Ironwood and then turn on us instead of trying to find a compromise?’ Even, ‘Why did your uncle help kill our leader?’ There’s plenty that the Ace Ops should be rightfully pissed about, so choosing Penny and Winter out of everything feels like RT is firmly backing them into Ironwood’s corner: you’re just bad now and bad people blame innocent girls, rather than acknowledging the actual wrongs done against them.

So we have Ruby contradicting herself and the Ace Ops backing warped ideas that make them look worse than they actually are. Adding to the stupidity is the fact that Elm mentions that Winter is in “critical condition” and Weiss… doesn’t care. Harriet then tells Ruby that she’s “throwing [her] in jail right next to your uncle, runt” and... Ruby doesn’t care. Qrow is missing and Ruby just found out he’s been captured by Ironwood, yet there’s no reaction whatsoever. This show continues to go hard on the ‘screw adults’ mentality, huh? Ozpin needs to keep quiet and is horrible for coming back. Ironwood is now a cartoon villain. Winter made the wrong choice so no one cares about her anymore, not even her sister. The Ace Ops remain enemies despite trying to talk things out. Qrow? Barely know him. Who’s he? This is a Ruby loves Penny episode. There isn’t enough emotional nuance for her to care about him too.

The sad thing is I adore Nuts&Dolts. In a different context these moments would be a goldmine for me.

If anything, this episode feels worse than the majority of last week’s because there are good things here that have been thrown into a bad setup. I can’t get excited for the group’s battles when I see who they’re attacking. It’s hard to squee over Ruby hugging Penny when she doesn’t react to Qrow. Watching Nora go all Thor feels like it only has half its potential when it’s coming out of a very messing, ‘I’m more than just being strong and hitting things… which is why I’ll continue being strong and hitting things.’ RWBY has excellent moments set into a terrible story.

The fight, at least, is exciting. The Ace Ops goad Penny into stepping away so they can trap the rest of Ruby’s team—smart—and she’s forced to hold her own while Weiss tries to break through with her knight, then Nora overloads the system. To be frank, I’m not great at analyzing combat. Not unless I’m looking for something specific like whether a win is justified. I’ve already mentioned above the broad issue of the Ace Ops very nearly beating the most powerful fighter next to Salem herself, yet failing so spectacularly against Team RWBY. Outside of that context though? I really enjoyed this. Lots of tight action, creative attacks, teamwork, some emotional pauses throughout… it feels like a pretty solid battle. Put it on Youtube as a clip, outside of the rest of the story’s messiness, and you’ve got yourself a fantastic watch.

We can’t stay in the combat forever though. During all this Weiss calls the Ace Ops “cowards” for making it four vs. one. You know, RWBY should really just do away with dialogue and make the show purely action because the cast frequently sounds so stupid when they speak. Like her comment about Ironwood’s lockdown… really Weiss? ‘Yes, we might be wanted criminals who betrayed this group in the worst possible way, but how dare they not do the honorable thing and have three of their teammates sit out while trying to capture us? Even though the girl they’re trying to capture has magic. I mean, the nerve of them!’

Weiss, at this point I’m not sure how to explain to you that the people you’ve made into your enemies do not owe you a fair fight.

Another detail: we get to see Ruby fall off the edge of the walkway and this time she remembers she can fly! A definite improvement from Volume 6.

Finally: by the time Penny’s eyes go full Maiden in Elm’s grip, I think we’ve seen everything from our trailer. Episode 4 will truly be a mystery.

Ironwood has, of course, been watching the fight this whole time. When it looks like the Ace Ops will lose against the team he means to send in reinforcements, but Watts says he has “a message for your operatives.” Instead of capturing Penny they steal one of her swords instead, ending with a shot on Marrow looking conflicted.

Because remember, there’s no actual moral grayness in this story. The protagonists are right and everyone else is wrong. It’s (supposedly) black and white. Which means that if the Ace Ops have any hope of surviving this Volume and being seen as anything other than evil bootlickers, they have to join with Ruby. Marrow seems primed to do that.

Am I surprised? No. Disappointed? Always lol.

May has the airship ready to go and they fly off… despite the shields. And the lockdown. Consistency? Who’s she? Nora is said to be “in bad shape” and after another hug Penny leaves to hide in Amity, even though Ruby thinks that hiding is a useless, cowardly choice. Just not when she and her allies choose to do it.

We end the episode with Watts receiving Penny’s sword and making the statement, “If you can’t beat them… then make them join you.” I have to say, his cheesy villainy is something I continue to enjoy, even if it’s heavy handed at times. Watts is just fun. I do have to say though: if Penny is hacked, what does that say about her agency? We double-downed on the ‘real girl’ narrative by giving her the Maiden powers, but she’s simultaneously synthetic enough that a single piece of her can remove all autonomy? It once again feels like RT isn’t sure what point they’re trying to make, they’re just chucking a lot of themes at the wall and seeing what sticks. Still, we’ll have to let it all play out before making any judgements.

And that’s it for this week. It seems like this is a slightly shorter recap than normal, though that may be because I struggle with discussing pure action sequences, which made up a decent chunk of this episode. I’ll no doubt return to the Ace Ops vs. Penny fight when I’m not on a self-imposed, one day deadline for posting. The only thing left is to update the Bingo Card, but I don’t think we made any headway this week. So... good job, RWBY?

I’m still going to hold off on the civilian’s square until Salem’s army actually attacks, as well as the two day timeline square.

No Winter this episode

Watts is teaming up with Ironwood which is… so much worse than him teaming up with Jacques again. Does a square get an X if the canon is even worse than what you assumed it would be??

Maria was mentioned this episode. Jury’s out on whether she’ll actually do anything.

Atlas is still standing, we knew Penny was heading towards a hack so it’s not much of a cliffhanger, no Qrow, no Ozpin, no Neo or Cinder.

It certainly looks like we can check off “The team gets Amity up and running,” but let’s just see if there are any problems next episode. If the problem is only ‘We would have launched it if not for Salem’s attack’ or something, I’m checking it off. The point is it would have worked.

I’m also leaning towards “More obvious Blake/Yang implications without confirming a relationship” given Blake’s heart-to-heart with Nora… but let’s see if the Volume does anything more egregious.

All in all (and perhaps despite what I’ve written above), I don’t think it’s fair to totally drag this episode. As said, this feels like a strong episode in a bad story, something that I would have LOVED if a) Salem weren’t here and b) the ‘ethical dilemma’ wasn’t boiled down to a ‘Team Ruby is good’ and ‘Ironwood and everyone associated with him is evil’ situation. It’s an episode whose tone and character action belong in a different version of RWBY. If you gave us this fun episode in an earlier Volume against a Pure Evil antagonist? It would have been great.

Ah well. It is what it is. Expect more emotional whiplash when we come back and everyone learns that Oscar has been kidnapped by Salem’s talking pooch 🙃

See you then! 💜

#rwby #rwby spoilers #rwby volume 8 #rwby strings #mymetas #rwby recaps #apologies if this Recap is messier than normal #I have a zoom meeting in five minutes lol #gotta go fast!

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