#every canon circumstance that would not let this happen aside--i just think this idea is so funny LOL

[struggling-jpg]

So imagine if Ebisu moved away from his Hating Haruaki arc and actually fell for him and tried pursuing him, and Sano becomes a Certified EbiHaru Hater™ but he's specifically disapproving of Ebisu.

Sano says stuff like "No, you're not worthy of Seimei" and actively hinders Ebisu's efforts to flirt with or court Haru.

Though, to Haru's face Sano's all like "I don't want to be family with someone like you, Seimei."

[maxdibert]

“Sirius killed people-“ so did Snape, supposedly loved Lily but betrayed her location to Voldemort because he was jealous of James actually winning her heart, not to mention convincing Harry the abuse was his fault, nearly giving Neville PTSD to the point where his boggart was Severus Snape himself, being a racist pos to anyone born of muggle parents, and becoming a high ranking member of the death eaters so what? He could protect Harry?

“It’s easier to cry in a Ferrari-“

it’s easier to defend a terrible character and play the racism and eat the rich card when you can’t understand context and inference clues that JK Rowling laid out.

What’s easy is inventing canon. What a load of made-up nonsense, mate.

1. Learn to read. I didn’t say Sirius killed anyone, but he did attempt murder. And he did it because he thought it was funny to torture Severus.

2. There’s no evidence that Severus killed anyone before Dumbledore asked him for euthanasia. This is made quite clear when Dumbledore talks about his concern for Draco’s soul, and Severus immediately questions him about his own soul. If Severus is so worried about it, it’s implied he hadn’t killed anyone before—or at least not in cold blood.

3. Have you even read the books? The only person who knew the Potters’ location was Peter. He’s the one who betrayed them.

4. There’s no evidence he was a racist. First off, equating racism with the concept of blood purity not only trivializes a serious social issue but also makes it clear that some of you have no idea what racism is or its history. The discriminatory dynamics and their foundations are completely different. But anyway, putting that aside, there’s no evidence whatsoever that Severus discriminated against Muggle-borns. The only time he makes a comment is during the incident with Lily—which, conveniently, happens when James and Sirius are sexually assaulting him, and Lily seems to smile at James. I don’t think you can judge someone’s ideology based on a comment made in an extremely tense moment. Canonically, Severus doesn’t treat Muggle-born students worse in class or make comments about their heritage. Nor does he badmouth Muggles. At most, he makes condescending remarks—which, let’s be real, all the characters do, even the “good ones,” because they’re ridiculously patronizing toward Muggles.

5. Severus was literally a double agent and reached the highest ranks of the Death Eaters to, yes, protect Harry. That’s literally why. He’s following Dumbledore’s orders. Like, have you read the books, or are you just pulling this stuff from fanfics? 99% of what you’ve said so far is pure fantasy, mate.

6. Yes, love, it’s actually pretty easy for me to defend people whose actions are a direct consequence of their life circumstances, and whose poor decisions were directly influenced by a lack of opportunities, security, and the violence of their environment. In fact, that’s literally my job. That’s what I do for a living.

Look, I don’t give a damn if you’re a Sirius fangirl. You can love a character while admitting he was a massive piece of crap. I love The Penguin, and there’s no way to justify him at all. Like, it’s fine, you know? You also have every right to feel sorry for him—I’m not going to judge you for that or anything. I’m not invalidating other people’s feelings if they think Sirius’s life was super tragic and feel a lot of compassion for him. Everyone has their own feelings and points of empathy. But that’s not the case for me. I don’t feel sorry for him. There’s no excuse for being an abusive bully with sociopathic tendencies toward someone who was canonically in a position of social and economic disadvantage. If Severus had come from a good family, with money and power—or if Sirius had been someone without a name, wealth, or status—then I’d view the situation differently because they would have been on equal footing. But just like the Black family chose Muggle-borns to torture because they knew they could, Sirius chose Severus because he knew he could. He’s a hypocrite and a piece of garbage. At least Bellatrix admitted her tendencies.

[yumedoca]

Why did Lum love Ataru in the first place and how her love grew into the real thing as time went on? - An Analysis 🧐 (Long Post)

Hai there, hope you’re having a great day! Today on ‘Yuca Analyzes Silly Things (For No Reason)’,  we’ll be talking about the question that is the most asked in UY, both in universe and the fandom as well. “Why did Lum love Ataru in the first place and what made it into the real thing?” Note: All of the facts and evidence and such are taken from the manga because: a) it’s the canon source, b) the og anime changes a lot in relation to character to the point it isn’t consistent and c) the remake is an adaptation of selected chapters from the manga, as in it’s not the complete story. Also most of this analysis are just theories put together using canonical facts, as in what I say is speculation and not 100% confirmed (considering the manga ended like 3 decades ago, we’ll probably never get a confirmation).

With all of that aside, let’s begin!

First, We’ll divide the analysis into parts to make it easier to understand and explain:

Marriage Proposal

Evading First Love

The Beginning of True Love

The Eventual Reason

Conclusion

Marriage Proposal Lum’s first impression of Ataru wasn’t all that big, he was a human who she was supposed to play tag with but she looked down on him because she can fly and was sure that he wouldn’t be able catch her. Cue ‘Day 8’, In an attempt to catch Lum so he could grab her horns, he accidentally groped her breast and when Lum slapped him in anger, he fell down but since he was holding onto her tightly, her bra came off (as in the bra coming off was not Ataru’s fault, it was actually Lum’s which happened due to circumstances).

Later on she goes to visit him and tries to get it back, but since Ataru believes that things were finally going his way, refuses. This causes Lum to get mad it him and spite him, so the question is why would she accept his ‘marriage proposal’ later on? It took time to figure out an answer to this but I was finally able to put together an answer which makes sense: Revenge, as in for the trouble he put her through by refusing to give back her bra and flashing her to the neighborhood, she ruins the relationship between him and his girlfriend. Pretty bitchy behavior? yes, but it fits Lum’s character back then.

Look at her evil little grin…

Sure, there’s also the alternative that she just gave up to him and agreed thinking he actually wanted to marry her, but it doesn’t fit Lum’s character to give up to someone who she was frustrated with a couple seconds ago, it just doesn’t make sense story wise, which is why I’ll disregard it. Moving on, since Lum isn’t there and that Ataru and Shinobu’s relationship has been mended in the next chapter, we can think that the misunderstanding was resolved sometime between chapter 1 and 2… But Lum appears once again in chapter 3 and announces that she’ll be living with Ataru (as a part of a deal obviously) and even breaks out a tantrum when he refuses, so you may ask, why did she come back to him if her revenge idea was already resolved beforehand and why is she so eager and stubborn to be with him? The answer for that is simple and it is all because of…

Yup, him.

Evading First Love For now we’re going back to Lum’s past, back when she dated and broke up with Rei and theorize the aftermath of that. In the chapter(s, since it’s a two parter) ‘Heartbreak Crossin’’, we are shown a flashback to when Lum and Rei broke up:

We can’t really tell how old they are since it was never stated, but considering that Lum’s drawn a bit shorter and smaller (and her outfit), we can guess that this happened a few years back. Now every time Rei appears, he is seen going after Lum (that or eating) and since it’s because he wants to get back with her we can assume this started when they broke up. This means that Rei’s been, well, stalking Lum for a couple years and she’s clearly getting tired of it. I also have to mention the fact there seems to be no high school in space since Benten just hangs and rides around on her bike and Oyuki is her planet’s ruler (Lum and Ran go to school because they’re on Earth). It seems as if Junior High is where their education ends and then they do what they want or what their supposed to do and since we see that Lum was with her dad in the first chapter invading, it is likely that after graduation she decided to become an invader with her dad, but then she retired cuz she got ‘married’. She probably made the decision to work with her dad so she doesn’t want Rei to come after her anymore, however invading planets take a couple of days (10 days) and she’ll be back on her planet again and will have to put up with Rei all over again. And during one of the invasions is when she played with Ataru and answered his proposal, and like I said earlier she went back home later on. I think, after she went home, she realized that a permanent way to end the Rei issue is to get a boyfriend, and stay on another planet so he won’t be able to bother her all the time and then she remembered Ataru and that it how she eventually lives with him now.

The Beginning of True Love From there on, Lum stayed with Ataru so she could be free of Rei, if we believe this to be the actual reason then Rei’s introductory chapter makes a lot of sense. She kept trying to provide assistance to Ataru (except it hilariously backfires most of the time and causes him trouble instead) so he would accept her and tries to rid of Shinobu (and other woman) so she would have more chances with him. But eventually, in the chapter ‘How I’ve Waited For You’, Lum contemplates when she was faced with the question on whether she truly loves Ataru or not, and we her finally have her admit that she really does love her darling after all.

Now, we have to note that Ataru hasn’t shown his more positive side at all, by this point. So, why this feeling of love? Two reasons: a) It’s because she enjoys being with him. Since, Ataru is very unlucky, he tends to naturally attract all sorts of weirdness towards him causing him to end up in strange situations and we all know that weird means fun and Lum is someone who actively enjoys taking part in fun, rather than just sitting around and watching (That’s what Ran does when she’s on dates with Rei, isn’t it?). And of course, b) Overtime, she’s grown to care for him. Lum has bonded with Ataru through their experiences and since she lives with him she spends a lot of time with him. ‘The more time you spend with someone,the closer you get to them’, this isn’t a theory, it’s fact and I’m pretty sure you yourself can confirm it. Of course, by the end of the chapter, Lum got a hint that Ataru has started to accept her as well. And because of various instances such as ‘Since Your Parting’, ‘Deranged Marriage’, ‘Valentine’s Disillusion’, etc. where Ataru shows his affection has caused her own affections to grow cuz ‘If you learn that someone loves you more than you think they do, Your love for them grows as well’ (another basic fact!).

The Eventual Reason So as time went on, not only has Lum begun to see that Ataru does care for her, but she’s also seen his softer and nicer sides: The side which cries because she’s gone, The side of him which keeps a diary (“It takes a sensitive guy to keep a diary!”), The side of him which fights his entire class to protect a little caterpillar, the side of him which goes on a date with a girl to cure her of a curse, etc. and the more of those sides she sees, the more she’s in love. The final page from the chapter ‘Last Date’ is enough to see that Lum really loves and admires the man beneath all those flaws…

…More specifically, this panel of silent love:

Conclusion In the end Lum’s reasons for loving Ataru has changed overtime: At first it was an act of spite, then it was to escape her ex, then it was because she’s bonded with him and because she enjoys his presence and finally it’s because she loves the Darling underneath the mask… It’s nice to see love grow from something so fake to something so real and the writing really helps, so big props to Takahashi- sensei. Thanks for taking time to read this analysis and I hope I was able to make things clear about Lum. I love her and she’s probably my favorite female character of all time so hopefully this post does justice to her. I also apologize if I’ve overlooked anything or made any mistakes. If you have any doubts or questions about this analysis feel free to send an ask and if you want me to do an analysis about other characters, feel free to send an ask for that as well. I have previously done an analysis on Ataru’s love for Lum and how that grew overtime, so please check it out if you haven’t. It’s a lot smaller (since it’s not as complicated as this one) and isn’t as detailed (it doesn’t use images either), but it still conveys the point otherwise. I have also done two other analysis, one on Lum’s character and other one on Ataru’s character, so check those out if you haven’t as well. And finally, likes are appreciated and reblogs are even more appreciated (seriously, please reblog this so more people can see this post, I’m usually not this kind of person, but I spent a lot of time on this so I want it to feel worth it, ok?). Hope you have a great day ahead.

[roseaesynstylae]

First it was Law, then Kid, then Killer. Now it's King. Forgive me, it's just that I'm a sucker for some of the hottest men in manga. On that note, I have some thoughts about King. Warning: My thought processes got dark at points, so I feel that I should state up front that, while not mentioned in detail, there are mentions of incest and rape.

I'm wondering where King is right now. I mean, all seven of the (known) Seraphim, which were made from his DNA, have been revealed. The last we saw him, the newest addition to the "Assholes in the Marines" group had him and Queen restrained, with King being impaled with a vine pretty close to the heart. That in no way means that he's dead; people are insanely durable in One Piece, and Lunarians are explicitly stated to be extremely tough even by that standard. The best case scenario is that he somehow escaped off-screen. Worst case scenario, he's been dragged back to the lab, which is probably the worst fate he can imagine. Regardless, I'm hoping he'll show up again.

I have to wonder what he'd think about the Seraphim. I don't think he'd have a positive opinion. Think about it; he had his DNA taken from him, likely while he was being experimented on as a teenager, and it was used to make super-powerful soldiers for the people who were responsible for wiping out every other member of his race. I doubt he'd be pleased to know that, however indirectly, he's being used for the World Government's gain. And then there's the fact that, given his circumstances, he couldn't have given consent for his genetic matter to be used and the fact that it was subsequently used to make children... Please tell me I'm not the only one who feels like this has a vibe that, depending on your perspective, can be likened to rape or might actually qualify. You know, there's some really dark stuff in One Piece. It's just thinly concealed by the wackiness.

I'm wondering if another Lunarian will show up in the series at some point. Sure, they might be completely gone aside from King, but this is Oda. You never know. I've thought a bit about this. The best option is that there's at least one Lunarian aside from King hiding out in some remote place far from the World Government's reach. The worst case scenario is that they're in a lab, being experimented on. The former is the happiest choice, the latter is the most dramatic choice. Guess which one is most likely to be canon?!

Related to above, I have some ideas about what would happen if there was one more living Lunarian, who's also female. While I imagine that King would be incredibly shocked and likely very happy, it would still mean that there would only be two Lunarians left. That, and even if it isn't brought up, there would be an unspoken implication of "We are literally the last of our kind and we happen to be a male and female pair, which is usually what's required for making children. Hmm." Going deeper into that, I can confidently say that even if King and this hypothetical Lunarian woman end up being compatible and attracted to each other, even if they both want to try to continue their race, even if none of the numerous potential problems that couples run into while conceiving and carrying a child to term occur, even if they have a lot of kids... It would be a short-term solution at best, at least in terms of keeping the Lunarian race alive without getting involved with other races (which is an entire other bucket of worms and filled with concerning implications, but for the purposes of this example, I'm talking about the Lunarian species as opposed to hybrids). Keep in mind, I'm working off of the assumption that King and his hypothetical partner are really the only living Lunarians left. That would mean that, if they had kids, there would be no other Lunarians to continue on with, unless they decided to go down the route of another white-haired, fire-associated, almost gone group: The Taryargens. (This can also be called the "Let's Ignore Taboos and the Westermark Effect Option.") But even assuming that they went that way, it would all be gone in a few generations. Minuscule gene pool + inbreeding = Die slowly due to the disorders and lethal recessives brought on by said inbreeding. This, of course, isn't factoring the offspring marrying and having children with members of other races, but it's worth noting that that healthier, saner, and infinitely less disgusting option would still lead to the Lunarian race going extinct. Their genes would eventually be subsumed by everything else, the hybrids would go on to having an increasingly small percentages of their ancestry be Lunarian, and it would eventually end how you'd expect. I mean, my knowledge of genetics is shaky at best, but even I know this.

Well, the above all got dark and depressing, so let me end by saying that I would describe King in a single word: UMPH. (I think that's what I'm supposed to use.)

[inhabited-by-something]

(grips your shoulders) tell me about your alive elizabeth afton au

!!! Okay okay so. I have to make clear its not Just her, it's a whole "All the Afton kids live and are left to fend for themselves together with all their combined trauma" au but it's gotten very fleshed out for Liz specifically because my bestie @tibby and I love her ♡♡

But, to give you a very tldr background for this au (which I can/will elaborate more on later) in this version of things, Evan doesn't die from his birthday incident. He doesn't even get hurt aside from the emotional scars. Instead, Michael being the stupid older brother he is puts his arm in Fredbear's mouth after pulling Evan out to go "See, it's not even dangerous, you're crying over nothing" and promptly gets his arm bit, so badly that he ends up Losing the arm entirely. Due to a lot of factors that stem from this incident, William instead of being fueled by grief over his lost son to start killing kids, instead kills Charlie for different reasons, and after witnessing her possession, becomes Obsessed with the ideas of immortality and subsequently making a Perfect Version of his family via his robotics. So a lot of the main facets of canon still happen (Charlie + MCI + DCI murders, Henry leaving the company) but they happen for very different yet related reasons.

So all of that leads up to what happens with dear Elizabeth ~

Because you see, I do love the interpretation of her being a daddy's girl when it's done right (meaning making it as tragic and with lasting trauma as fucking possible.) So she's William's golden child. She's not rebellious like Mike, nor an anxious mess like Evan. No no, she's curious instead. She takes a genuine interest in William's robotics work, and in her he thinks he's actually found the perfect successor among his kids. She gets blatant favoritism from him and she loves it, she is her dad's kid thru and thru.

Unfortunately for her, being loved by William comes with it's drawbacks.

Because see in this version of things, he Was being serious about Circus Baby being built specifically for her. Elizabeth doesn't know that this means CB is meant to be the perfect vessel for her immortality, she's only 12 at the time, but CB is special reguardless.

So of course shes still mad when William doesn't want to let her see CB yet. (It's because she hasn't been perfected for Elizabeth yet, she's incomplete.) Due to other circumstances, one day while William is throwing two simultanious parties at the new pizzeria, he has to bring Elizabeth with him even tho he would prefer not to, and Michael as well. So he leaves Michael with one specific task: keep your sister away from the animatronics. (And of course because of his own accident, he already doesn't trust them, so he would have kept an eye anyways.)

At one point his attention gets diverted by some of the guests asking for help, and because he knows his dad would be pissed at him for refusing, he steps away for what he thinks will only take a moment. Elizabeth, finally free for a moment from supervision, knows she finally has a chance to see CB for herself and takes it. Except things go a little differently this time.

CB does still try to grab Elizabeth with her claws, but luckily for her, Michael arrives back just in time to grab her and pull her back from getting snatched, although not without injury.

CB's claw ends up catching Elizabeth in the face instead, leaving her with a fairly nasty scar that goes all the way from her eyebrown down past her cheek. And as a result, not only does she lose William's favor as his golden child because she's now "imperfect" and marked like her brother, but she's also lost Every bit of trust she ever had in her dad. His beloved machine made Specifically for her just tried to kill her and she can never look at him the same way again.

I'll skip over the finer details for now just to keep focus on Elizabeth, but at some point she, Michael and Evan are left alone together, and so Michael does the only thing he can think of and packs all their shit up to go ask Henry if he can take them in. He Really doesn't want to, not after what William did to Charlie, but he knows if he doesn't then the system is going to split the kids up, and so he does take them in, though hes not really a parent to them. They take care of each other for the most part.

But for Elizabeth, she gets to grow up and go thru highschool trying to reconcile how much of her father is in her, and how much of his kid she Still is even when she hates him, and how even after knowing what kind of monster he is...still missing him. Still wanting to be his favorite kid, the one he was the most proud of.

Elizabeth, as it turns out, is a bit of a robotics genius as she grows older. She outshines both her dad and Henry by miles, she learned a lot from watching her dad work for so many years and from pouring over his old journals she managed to get her hands on. She's utterly amazing, but a part of her hates herself for still following in her dads footsteps, and so she tends to limit herself on purpose in fear of turning out like him and somehow making her creations dangerous without intending to. She's continually haunted by the shadow of her father despite being a much better person than he ever was.

The one creation she does actually make and has a lot of pride in in this timeline is actually Helpy lol. (This started as a little joke but then it became serious.) Helpy isnt super advanced, he doesn't talk, but she makes him as a bit of a jokey gift for Michael (who still gets scooped in this timeline, that's its own thing) because she notices he's lonely between helping to look after her and Evan and because he's had to basically hide away from the world now that he's undead. And she doesn't think he's much at first, but Michael loves him. Helpy is his little bestie and he's the first real proof that Elizabeth is capable of doing good where her father didn't, even if she doubts herself a lot.

Theres so much more I could say but this is already so long so I will cap it off here for now. But rest assured you'll hear more about her later ~ I'm working on some art reference for everyone in this au too so I'll post that whenever it's done :)

[eclipsecrowned]

tell us about Lorgar's GUILT and EXCUSES :3 // @teardownheaven

Guilt // What actions or decisions do they feel guilty or regretful about? Or is there no sense of guilt whatsoever? What would motivate them to reflect?

So let me preface this with the fact, not excuse, that this man was raised in a high control setting with a hyperfocus on what is right, strictly enforced by a stronger figure than himself. Kor Phaeron's general vibe in 'training' Lorgar was to make him regret being born as a boy via various forms of degradation. I cannot overstate the effect this had on his burgeoning psyche, nor how the demands of the Imperium further twisted them until he just hit a long-anticipated wall.

Like several of his brothers, Lorgar's ascension to the stars was less about liberation or honors as much as it as 'ssdd' on a more massive scale. Guilt is etched into him by design by both fathers he has had.

Canonically, even under writers more sympathetic to him, Lorgar is erratic, deeply troubled, and his own worst enemy. His upbringing, circumstances, and their impact aside, he's still left with the decisions he made. And in those I think we find a man who is heavy with guilt both deserved and undeserved, and how that makes him a way more complex character.

His earliest recognition of grief is in how he had to kill to accomplish the unification of Colchis under his reign. BotW is very clear on the fact he wept whenever a city was put to 'the mace,' -- that is, the people did not submit to conversion efforts. Some of this can be put down to his youth and inexperience as a general, but I think we also see some level of guilt reflect on him in the Crusade.

Lorgar is a man who lingers to rebuild and reinforce worlds he 'converts,' whether that be by force, diplomacy, or mere philosophy. For my interpretation, he's trying on some level atone for the brutality he had to unleash upon his homeworld, still haunted by that boy weeping in the flames and blood-soaked sands, and for the lives ended to flood the ground to begin with.

BotW also presents a sort of balance to Kor Phaeron, in the figure of another foster father (or brother, depending on what side of fandom you ask) Nairo. A fellow slave. The one tender hand Lorgar had at the beginning. A man who taught him to dream, to want for better. Much can be debated as to whether Nairo was just another figure trying to make a pawn of the 'miracle boy' like every other who saw Lorgar or if he was just genuinely empathizing with and trying to teach him. My Lorgar personally errs on the side of Nairo genuinely cared for him and was just trying to teach him the world could be more than their master's demands, which is going to make what happened so much worse.

Yet in all tellings of Lorgar's story, Nairo is forgotten -- basically because he was a more recent creation among the decades of Warhammer lore, but I'm speaking from a RP worldbuilding perspective. This is doubtless because in a brash decision when tempers boiled over, Lorgar made what was ultimately the mistake of killing Nairo to save Kor Phaeron. And oh God does that haunt my Lorgar, especially as he slips further from grace as the Heresy begins.

We also see in First Heretic that he's absolutely broken by Monarchia, wearing its ashes in a style reminiscent of ye olde Krat0s for some time after. He's also as best I can tell endeavoring to kill himself by exhaustion or starvation -- or at least trying as hard as he can given his superhuman physicality -- to show just how low that act lays him. Sure, he blames Guilliman, he blames his father, he even blames Malcador at the root of all of it. Yet he's haunted by the idea that his mistakes cost his great life's work and the innocents who dwelt within their lives. It's not perfect empathy given precisely what he is, but he also clearly breaks when Erebus and Kor Phaeron beat into him that his life is a lie -- that his great works led millions, even billions, astray. There's guilt in that. Raw, open guilt.

There's also what I can conjecture from his reactions to his brothers over time. His fault Fulgrim became a monster. His fault Erebus so destroyed Horus. His fault Sanguinius died like that. His fault Prospero burnt. He takes no pleasure in even spiting Guilliman at the end, the man he blames for his own downward spiral. Not in that he's acknowledging he directly did any of this, only that he set it in motion. I don't think he's fully shouldered this one by comparison, though, as he's still firmly in the delusion that the end will justify the means and all that preceded it.

You also cannot convince me that a man so devoted to the ethics of war and building up humanity doesn't have a glimmer of guilt for what humanity is reduced to because of his choices. Maybe not since his Daemonic ascension, but at least in Heresy proper.

As for reflection, Lorgar is a man both thoughtful and haunted even before he started spiraling. He pores over every mistake. He licks his own metaphorical wounds open again in fits of neuroticism. He weighs every sin he has ever committed both real and imagined. That's the real Hell of it. He did it when he was blameless and he does it all the more now that he has sins to tally.

Excuses // Do they try to defend or excuse their past or current actions? What excuses do they bring up, if they do?

I repeat, Lorgar is at a point his delusions are telling him the ends will justify the means. That they have to scream over whatever remains of him pre-character development is immaterial. That side is winning. That side has him pursuing 'Truth' in such a way he will fall for literally anything that helps uphold his own belief in how the Universe works, and it's as infuriating as it is tragic. Never one without the other.

His defense is always that he's freeing Humanity, reintroducing them to the true Powers. That his father, the corpse-emperor, liemonger, is the scar upon reality, the usurper of order. The Powers are real, true, Chaos is the natural order. The Emperor was a fool seeking to subdue that order in his hubris and deserves all that is coming to him.

[scuttling]

Lean on Me

Fandom: Criminal Minds Pairings: Aaron Hotchner/Gender Neutral Reader Word Count: 4,717 Tags: SFW, Fluff, 5+1 Trope, Obliviousness, Mutual pining, Aaron Hotchner deserves good things, Canon typical injury Summary: Five times you want to kiss the frown off of your boss's face, and one time you actually do it. *Requested by Anon. Link to AO3 or read below! “It doesn’t make sense.”

You stick a tack in a photo of a murdered woman—unfortunately one of many you’ve stuck to this board—and turn to face Hotch, who is looking over your handiwork with a quizzical expression.

“What doesn’t?” He takes a few steps closer, crosses his arms in front of him.

“Why would the unsub leave his comfort zone? The first six abductions occurred within five miles of the college, so why did the seventh and eighth happen almost twelve miles away?” He reaches for the board, traces his finger along the circle Reid had colored in on the map. “We profiled that he’s disorganized and far from confident, so why would he do that?”

He looks over at you, frowns, and not for the first time your gaze is drawn to the little crease between his eyebrows that always forms when he is puzzled, worried, confused, stressed, or otherwise unhappy. In short, it’s there kind of all of the time.

For the first time, though, you think of how easy it would be to lean over, press your lips there, smooth it out, and maybe even get him to smile for a change. He has a great smile, when he lets people see it.

You shake the daydream, rewind back to the question he asked, and wrinkle your nose in thought.

“Maybe his circumstances changed? It's summer now, and there are still classes, but students aren’t living in the dorms. Maybe he moved back home or got an apartment off campus that’s within that area—or a job.” He sighs, runs a hand over the back of his head, nods.

“I don’t know why I didn’t think of that. That’s good. I’ll mention it to the others.” He pulls out his phone, and you grab another photo, another thumbtack, but something stops you and you lay a gentle hand on his arm.

“You don’t have to think of everything, you know. That’s why you have us.” He exhales, his shoulders losing a little of their tension, and that forehead wrinkle gets a little less deep.

“Sometimes I forget that not everything needs to be done the hard way. Or by me.”

“What? You, Aaron Hotchner, doing things the hard way?” you tease, and you are gifted a glimpse of his rare, unfiltered smile.

“Okay, enough pointing out my flaws,” he says with a raised eyebrow, though he’s still smiling, and as he looks down to type out a text, you remember to pull back your hand.

“I would never.” He looks up from his phone at that—maybe at the conviction in your voice, which you hadn’t exactly intended—and his expression softens further.

“I know you wouldn’t.” You hold eye contact for a moment, and then turn to finish preparing the board, pinning up another photo of another woman and reminding yourself that they need you to focus on the task at hand. Two weeks later, you knock on Hotch’s office door, a stack of completed consults in your hand. He looks up, that familiar notch in between his brows, a scowl on his face; when he sees that it’s you, he tones it down a little.

“Draw the short straw?” he asks, and you figure that’s because everyone knows he is in a bad mood and they’ve been avoiding this office all day. You shrug.

“It was rock, paper, scissors, but yes.” He huffs a short laugh, and you smile, step toward his desk. “Anything I can do to lighten the load?”

“Technically you’re adding to it,” he says with a glance at the files in your hand, and you set them on one of the chairs with a purposefully loud thump and then take the other seat.

“Technically. But technically, you only need to review my consults; I can review theirs. Right?” He mulls it over a moment, like the thought never crossed his mind—of course Aaron I have to do everything myself Hotchner would never suggest such a thing, even as the team sits in the bullpen with nothing to do, seeing who can throw M&Ms into Spencer’s mouth from the furthest distance.

“Technically,” he agrees, and you pluck a pen out of his pen cup and take the first file off the pile, open it in front of yourself, careful not to cut into the workspace he’s occupying. You both smile softly down at your work, and you actively do not think about that wrinkle between his eyebrows.

About an hour later, he reaches for his mug out of habit but finds it empty; you stand, take it in your hand, and he makes a noise of protest.

“You don’t have to do that.”

“I know,” you say, and you walk toward the door. “I need some too. I’ll be right back.”

You pass through the bullpen—apparently the M&M contest led to a sugar crash, because Spencer is laying with his head on his desk—and grab your cup off your desk, take both to the break room to fill them.

Derek appears next to you as you’re stirring your sugar in.

“Coffee date with the boss?” he asks with a curious expression, and you shake your head.

“Of course not. I’m helping him with the overwhelming amount of paperwork on his desk so his mood improves, instead of just ignoring him.” You raise an eyebrow in challenge, and Derek scratches the back of his head.

“Never thought of that,” he admits, and you pat him on the arm and take your coffees back upstairs.

Hotch looks up at you as you set his mug down, says a soft thank you, and you grab the pile of files you brought up, separate them, and head back downstairs.

“You review mine,” you say to Derek, handing him a stack, “Emily take Spencer’s, Spencer take Derek’s, I’ll take Emily’s.” They look at you like they have no idea what to say, and you just smile, tap the top of Spencer’s head with a folder. “I’ll come back down and grab them in a little bit.”

“Yes, boss,” Emily says, and you grin on your way back upstairs. Hotch is standing when you arrive this time, looking out the window over the bullpen.

“What did you do?” he asks, turning to you, frowning again. You’re so close that kissing that wrinkle would be effortless. All you’d have to do is lean in.

You smile.

“I delegated, Hotch. You should try it some time.” You put your hands on his arms and guide him back to his desk. “Now what can I help you with?”

By the end of the day, his desk is clean and his bad mood is long gone. He closes the last of his files, sighs deeply, covers your hand with one of his, and says thank you.

The next morning when you come in, there is a steaming latte and a cookie on your desk, and you can’t stop smiling the rest of the day. Your next case is draining, children abducted and left for dead, and everyone is on edge, but no one more than Hotch. You’re fairly certain his face hasn’t relaxed since the initial briefing, and he’d be a prime candidate for the old ‘your face will get stuck like that’ joke, if anyone was up to joking.

The team catches the unsub, saves one child, but not until after three are dead; you take a late flight home because no one wants to stay another night in a town it feels like you’ve failed, and everyone curls up to get some rest except you and Hotch.

You try to read the book you brought along—a science fiction dystopian novel, something to get you out of your head and away from real life problems—but you’re a little distracted by Hotch’s sighing. It’s become an every-five-minutes thing, and while you’re definitely on board with sighing as a way to decompress, he’s not decompressing. He looks like he’s in pain mentally, exhausted physically; you’re not sure how everyone else was able to ignore it and go to sleep, but then you figure everyone else may not be as in tune with him as you are. As observant.

As in love.

Not that that matters: you know your issues, and some of his issues, and there’s the whole superior/subordinate thing which doesn’t really do anything for you except give you a stomach ache. It would never work out, even if he somehow, miraculously, were to love you back—and that’s a pretty big if in and of itself.

But still, you notice him, can’t help it, and the sighing is getting to be a little much. You sigh yourself, put your finger in between the pages of your book, and walk over to take the seat next to him; he looks over at you, frowning just like always, and you carefully close his file and set it aside.

Neither of you say anything to the other, just look each other over for a moment, and then you lean lightly against his shoulder and flip back to the beginning of your book.

“I still dream of the island. I sometimes approach it across water, but more often through air, like a bird, with a great wind under my wings. The shores rise rain-coloured on the horizon of sleep, and in their quiet circle the buildings: the houses grown along the canals, the workshops of inkmasters, the low-ceilinged taverns.”

You keep your voice low and soothing, and you are just turning to page fifteen when you feel the weight of his head drop onto your shoulder.

The crease between his eyes melts away in sleep.

You read until you make it home, and you wake him up with a gentle nudge before the rest of the team drifts back to consciousness. He looks at you, blinks slowly like he’s trying to remember where he is, and then gets a little sheepish when he puts two and two together, realizes he fell asleep on your shoulder.

You just shake your head, give his arm a squeeze, and head back to your seat to gather your things. You, Hotch, and Emily are catching the elevator to the parking garage—after staying two hours later to work on some rush consults straight from Strauss—when he looks at something on his phone that makes him groan aloud. You and Emily share a look, and you ask what’s wrong.

“I just remembered I’m supposed to have a treat for Jack to take to school tomorrow and it’s, what, seven thirty?”

“So just stop at the supermarket on your way home; no one can tell the difference anyway,” Emily says, but you and Hotch both shoot her a skeptical glance.

“It’s all about the treats at a school like Jack’s,” you supply, and Hotch looks over at you like he’s surprised by your comment. “If they’re not homemade, the parents talk. Plus there’s probably an allergen list a mile long: no nuts, no eggs, no soy, no dairy. You have to pick him up from Haley’s tonight, right?” You’re pretty sure, but when he nods he confirms it. “So pick him up, go home and get some dinner, put him to bed, and I’ll text you when I’m on my way over with the goods. I have a great recipe for vegan apple cinnamon muffins that will go over really well.”

“You really don’t have to do that; I’ll figure something out,” he says, but you just shake your head and pull up the recipe on your phone.

“Forget it, it’s already done. I have everything I need at home already; let me help,” you murmur softly, and when he looks at you with the furrowed brow that comes with accepting kindness from someone else, you almost forget it’s not just the two of you in the elevator. It’s only when Emily clears her throat that the eye contact breaks. He nods.

“Okay. Thank you; I owe you.”

“You don’t owe me anything.” The elevator dings and it stops at the parking garage; the three of you get off and head in separate directions for your cars. “I’ll text you.”

“Goodnight,” Emily says with a grin, and you wave at her, hop into your car, and head for home.

About two hours later, you show up at Hotch’s door with two dozen apple cinnamon muffins, and unbleached, whole wheat flour in your hair, and he has coffee brewing, a smile on his face.

“You don’t know how grateful I am,” he says as he ushers you into the kitchen, takes the boxes of muffins from your hands, and pours you a cup of dark, delicious coffee. You sip it slowly, savoring the taste—you should have known he’d have incredible coffee—even though it’s far too late for you to be indulging. Unless you’re working a case, you usually switch to decaf by three.

“I know you are. I wouldn’t have done it if I didn’t think you’d appreciate the gesture.” You lean forward, open a box, and pull out two muffins, handing one to him. “I made a couple extra so we could taste test; if I accidentally put salt in instead of sugar, you’re on your own,” you joke, and you wait for him to taste it before taking your own bite.

“That’s delicious. There’s really nothing unapproved in here?” he asks, and you shake your head.

“Nope, it’s all healthy and allergen free, except for the flour, but that wasn’t on the list you sent.” He reaches a hand toward you, and you don’t realize, at first, that he’s brushing the flour out of your hair.

“Messy baker,” he teases, and your heart feels really full, being in his kitchen like this, warm muffins and fresh coffee, even if your hair is a mess. You smile, and he smiles back before dropping into that serious expression, eyebrow wrinkle and all. You think about brushing your lips there tonight, but this feels like two steps forward, and you don’t want to risk taking that step back. “Next time I’ll help you.”

“Oh, next time? You plan on needing my baking expertise again? Fair warning, this is the only recipe I know, so I hope you like apple cinnamon muffins.” You take a sip of your coffee, look up at him, and he takes another bite, nods his head.

“I do. Especially these.”

In a perfect world, what comes next would be a cinnamony, coffee flavored kiss, but the world’s not perfect, and you yawn instead. You look down at your mug like it’s betrayed you, and Hotch chuckles low.

“It’s decaf. I know you usually stop in the afternoon; I wouldn’t forgive myself if you were up all night because of me.” You have always been a person who falls in love with all the little details about someone, so the fact that he’s noticed this, remembers this, makes your heart beat a little faster. “I should let you go. You’ve done so much today, between staying late and baking for Jack—for me. You need to get some sleep.”

He’s right, it’s nearly ten, and you should be getting back home, but this is a moment you never want to end.

You just nod, though, and he reaches out to brush his hand over your back when he walks you to the door.

“Thank you again. I really appreciate that you did this for me,” he says, soft, like he still can’t imagine you would.

“You’re welcome, Hotch. Any time, really; I’m happy to help.”

You get home, clean your kitchen, and have a very late dinner, and the smell of good coffee and apples and cinnamon is still in your nose when you drift to sleep. “You didn’t hear what he said,” Hotch snaps almost a month later, with one hand splayed on his hip and the other on the table in front of him. The moment you saw him engaged in an argument with a member of the Sheriff’s department, fire in his eyes, you’d grabbed him by the arm and dragged him into a small conference room, shutting the door behind you. It took almost three minutes of staring at each other for him to say something instead of just glaring at you for interrupting the pissing contest.

“I don’t need to know what he said. I know you, and I know you handle people like that with a quick, sharp remark and then you wash your hands of it. You don’t argue back and forth, you don’t draw it out. You would have regretted it if you did that today, so I stopped you.”

“You think you know me so well, do you?” he asks in an unkind tone of voice you can’t identify, haven’t heard from him before; the expression on his face is familiar, though, a scowl that only puts emphasis on his handsome features—it’s unfair, really.

You exhale, cross your arms.

“Yes, and I know you well enough to know you’re irritated with him, not me, so cut the shit.”

It’s the first time you’ve ever been quite that direct with him, and certainly the first time you’ve ever sworn at him; your immediate instinct is to apologize, but he surprises you by huffing a laugh. The angry lines of his face smooth into something softer.

“You’re right, I’m sorry. He just—I can’t stand people like that.” He scrubs a hand through his hair in irritation. “We’re here to work—to do a job they couldn’t finish on their own. Not to be… objectified.” He mutters the last word, so low you almost don’t hear it, and then there’s a knock at the door. Derek enters.

“Sheriff wants a word, Hotch; do you have a sec?” With one last look at you, he nods, brushes past him to leave the room. Derek gives you the barest hint of a smile. “He was defending your honor, you know.”

You frown. You didn’t know.

“That jerk was talking about me?” you ask, clarifying, and he nods.

“Something about assuming you’re an athlete because he likes your ass. Set the boss man off.” You walk over to him and leave the room together, heading back to your workspace.

“Well Hotch is right, we’re here to work, not to be objectified. I can see how he would get angry.” Derek shoots you a flat, questioning glance.

“You think he’d be getting that worked up if it was my ass that guy was talking about? Or Emily’s?” The two of you stop outside the conference room, and you cross your arms, lean against the doorframe, frown.

“So what are you trying to say? That he sees me as being weak, thinks he needs to defend me? I'm as capable as either of you.” That may not be strictly true, because you’re a little more brains than brawn, like Spencer in that way, but you can hold your own and you thought Hotch knew that.

Derek just laughs, shakes his head, and ducks into the room. You follow, so confused.

“I thought you were just playing it close to the vest, but you’re oblivious, aren’t you?”

“Oblivious about what?” Emily asks, pen between her teeth, feet kicked up onto a chair, and you shrug.

“I’m still not sure. Hotch got into an argument with a deputy about me, and I asked Derek if Hotch thinks I’m weak and that’s why he felt like he had to defend me.” She smiles broadly around the pen, pulls it out of her mouth with a grin.

“Oh, honey. That’s not it. You know that’s not it, right?”

“I clearly don’t know what’s going on at all, so no, if you’d care to enlighten me,” you say, sinking into an empty chair. “I hate it when you guys are cryptic.” You love your team, but they have a habit of doing this all the time, saying things to each other with their eyes, or just a few words that don’t have any sensible meaning that you know of. It’s like they live to talk over your head, to say things without actually saying them.

“Okay. Hotch has a thing for you,” Emily says simply, and you blink.

Well that’s the very last thing you’d expected to hear.

“He absolutely does not.” You look at Derek, who’s making a face like you’re the one being crazy; you laugh out loud, can’t help it. “He does not. I’m pretty sure Hotch doesn’t have things, and if he did, he wouldn’t have a thing for me.”

“Why not? Because that would be too convenient, since you have a thing for him too?” Derek asks, taking the seat across from you, and you grab the nearest case file, flip it open and focus your attention on it.

“I care about him, the same way I care about all of you, and he maybe needs a little more care—but you guys are reading into things.”

Thankfully, you don’t have to say anything more, because Hotch, JJ, and Spencer return, and you all have a lead to work.

You can’t help but wonder if you’re being obvious about your feelings, though, especially later, when you get back to the hotel and the group decides to have a drink at the bar.

JJ and Emily hit the pool table while Derek and Spencer head up for drinks, and you are left sitting with Hotch at the table, pressed together in the inside corner of a booth.

“Tired?” you ask him, because he does look worn out, his tie a bit loose, his eyes a little red. You know he doesn’t get much sleep when you travel, and you can’t imagine he’ll go to bed even when this little detour is over.

“Always,” he sighs, but when he looks over at you, he smiles, just a little. “Just can’t wait to get out of this town.”

“Yeah, it gives Southern hospitality a whole new meaning, doesn’t it?” The people you’ve interviewed today are, on paper, quite respectable, but there’s a Desperate Housewives, ‘everyone is sleeping with someone else's spouse’ kind of thing going on, and it’s honestly exhausting. To your surprise, Hotch laughs.

“It really does. I don’t think I’ve ever missed the quiet solitude of my apartment quite this much.” You lean back against the vinyl of the booth, sigh.

“I miss my apartment, but it’s been too quiet lately. I prefer the sounds of someone else sharing space with me: the coffee maker percolating, the news in the background, the shower running, the sound of flipping the pages of a book or magazine.” You look down at your hands, because you’re getting a little more emotional than you usually let other people see. “Sorry. I’m not typically this open about being…”

You trail off, but Hotch looks over at you, concerned, the wrinkle between his eyebrows even more noticeable when you’re sitting this close. You think, just briefly, of running your thumb over it, but with your luck, Derek or Emily would see, and you’d never live it down.

“Lonely?” he finishes softly, and when you nod your head, he covers your hands with one of his own, bumps his shoulder against yours. “I get lonely too. It’s nothing to be ashamed of.” You look up at him, feeling a little vulnerable, and his expression softens. “When we get back, maybe you could come over for dinner some night. Nothing fancy,” he clarifies, and you smile, “just two lonely people being a little less lonely.”

“That would be really nice.” You can see Derek and Spencer approaching out of the corner of your eye, and Hotch must too, because he removes his hand, slips back into the slight, persistent frown you have come to know and love. Derek looks at you, raises an eyebrow, and hands you your beer. You try to tell him to shut up with your face, plan to follow up later to see if that actually worked. “We have an agent down on the second floor,” Spencer says into his comms, and you immediately want to slap him in the back of the head.

“Don’t say agent down, kid; I’m like, slightly wounded at best.” You hold a hand against the stab wound on your side—the unsub honestly just grazed you, and you’d knocked him out with a single punch, which made you feel pretty awesome—and reach out the other so he can help pull you to your feet. Your hand comes up to your own walkie button. “I’m not down, I’m fine—just slightly stabbed,” you add, and Spencer is getting his cuffs on the unsub when Hotch and JJ burst through the doors.

Well, Hotch bursts. JJ follows behind looking strangely winded for one of the most naturally athletic people you know.

“What happened? Are you alright?” he asks, and you lift your shirt to show him the sluggishly bleeding gash.

“I’m fine, see? It’s not even deep. Spencer saw blood and got a little ahead of himself.” You turn to Spencer, who sticks out his tongue, then back to Hotch, who looks haunted and pale, with that goddamn wrinkle between his eyebrows again. He’s bent down, looking over your wound seriously—you’ve had worse, so much worse, that you don’t understand why he’s so worried about it—and then he leans up, presses a hand to your cheek, and pulls you close for a soft, tender kiss.

If this were a movie, right about now a camera would be panning around you in a circle, as you wrap your free hand around his neck, pull him closer, melt against his body like it’s all you’ve been dreaming of for months, and the two of you would break apart smiling, maybe even kiss again.

It’s not a movie, though, so you just bleed out against your hand and freeze, because Hotch is kissing you at a crime scene and you almost got filleted, so you’re not sure if this is a you got hurt, so I’d better kiss you kiss or an I’ve been wanting to kiss you forever, and you got hurt so I have to kiss you kiss.

When he breaks the kiss, you’re both breathing a bit heavily, and you don’t know what to do, so you just lean in and press your lips to that wrinkle between his eyebrows that you’ve been thinking about so frequently since the first time you noticed it. You brush a hand through his hair, and when you pull back, he’s smiling.

“What was that?” He covers your hand on your side with his own and helps get you toward the elevator so you can be patched up by the EMTs; JJ and Spencer are left staring, open-mouthed in your wake, with an unconscious unsub at their feet, but neither of you are concerned about that.

“I’ve been thinking of doing that for months now: to kiss that spot between your eyes so you’ll stop frowning for a change. Since I couldn’t, I decided to find other ways to help you stop frowning so much. It kind of became my life’s mission.” He sighs, puts his arm around you and holds you close while you wait for the elevator to bring you to the ground floor.

“I stop frowning when you’re around because you’re around, not just because of the things you do for me,” he tells you, and he presses his lips to yours for another warm, soft, perfect kiss. “I’ve been thinking of doing that for months now.” You tilt your head, make a sound of contemplation, and he chuckles softly. “What is it?”

“I think those cryptic idiots we work with might be onto something,” you say with a grin, and when the elevator lets you off and Hotch helps you toward the ambulance to be patched up, Derek and Emily are waiting with concerned looks on their faces. They must be pretty confused to see you’re grinning from ear to ear. “Hey, you guys were right; Hotch does have a thing for me!” you call as you walk past them, and when your wound is properly dressed and wrapped, you put your arms around his neck and let him kiss you until the frown and accompanying wrinkle are nothing but distant memories.

*The novel excerpt is from The Weaver by Emmi Itäranta.

Taglist ❤️: @thaddeusly @arsonhotchner @mrsh0tchner @ssahotchie @sleepyreaderreads @mintphoenix @meghannnnnn @disgruntledchowchow @azenpal @g-l-pierce @my-rosegold-soul @ssamorganhotchner @heliotropehotch @angelhotchner @qtip-blog @gspenc @wishuhadstayed

[styx1an]

A Chat about Chat

A short fic about how Chat came to be a singular being, written by yours truly. By all means, this isn’t canon, it’s just my interpretation of things.

Word count: 1,863

Fandom: RTGame, Miitopia (NGL I’m a little displeased with how I wrote the ending, but oh well!)

You know, there is this odd sense of irony in knowing how terrified Chat was of Magical John when they aren’t even human nor a singular being in the first place. Wait, so you didn’t know? Of how they became such a being in the first place? (They chuckle.) Then I suppose that means I’ll have to tell you their story. Well then, shall we begin the tale of Chat? (You see the twinkle in their eyes. They must’ve been waiting a while to be able to do this.)

> You nod. You’ve been waiting a while to understand Chat’s origins. Tonight, like many others, belongs to the storyteller.

> You shake your head. No thanks, you think you’re too tired. Dawn shall rise anew soon, and you will not waste your time with tall tales.

(They nod, pleased with your decision.) Then I shall begin to relay their tale.

Our tale begins in the vast lands known as Twitch, a domain that belongs to another, a far crueler being whose tale is for another time. It is a place where one is free to express their opinions and whatnot (as long as it suits the many whims of its Amazonian overlords, of course), and many are versed in the easy to learn, but difficult to master art of gaming. Many such masters have gained a large following, and even if they do not possess such skill, more often than not their humor and charisma paves the way to fame.

One example of the latter would be RTGame, a man of sizable repute. Aside from the frankly ridiculous story of the origin of his moniker, he is also known for doing some… questionable things for the sake of entertainment. There are still tales of his quest in the bathtub along with Gilbert (yes, the very same Gilbert on the quest to defeat The Darker Lord Khadgar!), the night of the Painted Wall’s Communion, the birth of Mr. Compost- But my dear, we are here for one of his lesser-known exploits, one that would change the world as we know it.

> You lean closer to the campfire, watching the storyteller with a renewed interest. Where does the tale lead? Where does it end? You need to know.

> It’s getting even later. You think some rest will be needed before tomorrow’s travels begin. Perhaps the rest of the story can wait another time?

It was a dark and stormy night. The then-Dark Lord Von Karma had just been unleashed upon the land, and I Want Die set along the path of salvation with his fellow party members, Mr. Bean the Warrior, Goofy the Thief, and Mint the Horse. He was pleased with the ease with which they vanquished monsters and saved (literal) faces, but the lack of actual conversation within the party had begun to get to him. Mr. Bean had nothing to offer other than a simple “Bean!” every now and then, and Goofy terrified him with all the “hyuck!” and talks of absolving the world’s many sins. Mint is a horse and therefore cannot participate in a verbal conversation unless you happen to understand what her neighs meant. She also happens to be the most normal member of the party, strangely enough.

Either way, I Want Die longed for a proper conversation.

And God took notice.

It was inevitable. The fourth party member was always going to join, whether he wanted one or not. It shouldn’t be notable in any way whatsoever, yet here I am regaling this tale to you.

It is not how Chat had come to join the party that I wanted to explain, but rather how they came to be.

Do you remember the man I had called RTGame? I hope you had not thought of him as irrelevant to our tale, as he is the patron saint of I Want Die’s adventures. Surely you know of the vast armory that belongs to the party? The various delicacies fed to the team? All his work. Along with his followers’ contributions, of course.

Chat was what he called his followers, the ones who watched his various endeavors as he traveled across the land of Twitch. Oftentimes the crowd would conversate with him (hence their name), offering jokes and sardonic commentary whenever he did anything remotely comedic. Other times, RT would have to tell them off for being such a rowdy bunch- the usual group of thousands could never keep quiet for long.

It happened that Chat witnessed I Want Die’s pilgrimage along with RTGame. They all looked upon him with a jolly sense of humor (after all, their master is well-versed in the art of comedy), some wondering where his travels will bring him. The others who knew how it would all end kept silent at the behest of RTGame. Either way, every single one of them was enjoying the show he had put on for them. 

And came the time to summon the fourth member.

As per usual, RTGame withdrew into his workshop, closing the curtains around him so no curious onlooker could see inside. But that did not stop Chat from yelling their predictions and demands.

“EDGEWORTH” one cried.

Another begged for a certain “End Mii!”

“CHAT CALM DOWN!”

“!uptime”

“69420toesucker just subscribed for 5 months!”

“TURG”

RTGame smiled at them. He wasn’t surprised at all at their reactions, rather it was something he had hoped would happen.

“Alright then Chat,” he said, “here they are!”

His pale, thin hands reached out to open the curtains-

And unveiled a faceless, empty husk of a being. 

Under any other circumstances, Chat would’ve rioted, demanded justice against the irony of sending a faceless doll to retrieve the faces of others. But they had no time.

Almost in an instant, the skies darkened. Clouds swirled up above with vibrant shades of violet, cobalt, magenta. Bright blue lightning strikes a tree and dissolves it into dust. Somewhere distant, something roars. The air feels thick- something magical, something electric is positively buzzing. Magic truly is in the air.

And thunder strikes once again. 

The crowd is gone.

Silence fell. All that is left is the master and the doll, no longer an empty husk.

> You look up to the storyteller, their eyes reflecting the blazing flames. You have a feeling that you know how this ends, but you’d rather have them confirm it first.

> You’re sleepy. As tempting as it is to continue listening to their story, you must admit that the very idea of slumber is even more tantalizing.

RTGame had managed to do exactly what he wanted. Chat’s consciousness, placed inside of a single, physical being. A puppet controlled by a hivemind would not be very easy to control, yes. But the idea intrigued him. And wouldn’t it be better than having a large gaggle of people constantly behind him, watching his every move? It could help I Want Die on his journey too.

So it is settled. It happened that one of the members of his temple had just crafted a rather nice puppet, in case RT needed one. And he did come to use it. It does look a little plain, as both body and head are painted in the same shade of bright white. However, the face was not white like how it was in the beginning, but a disturbingly pitch-black space. No, that’s not the right word.

Rather, it was like a void had formed. That’s also not the right phrase to describe it either, as there were drops of ichor dripping down onto the ground, dissolving the once green grass. But I digress. 

Chat broke the silence that had fallen between them, wailing as a cacophony of noises and emotions spilled out. Despite what RT had done to them, they were still determined to voice their opinions. Quite in character, really. 

“RT WHAT”

“NO NO NO”

“!uptime”

“I'M ON TV!!!”

“bazingabanana just gifted 5 subs!”

“that’s kinda meta”

As their voices grew louder, ichor kept pouring out of the void. As expected, RT thought to himself. He still needs to act fast. So with a quick snap, he fastened a wooden mask the temple-goer made; the same shade of white, a pair of beady black eyes almost as dark and soulless as the void, bright purple ears. 

The yelling and complaining didn’t stop of course. Still, as their voices were muffled by the mask, it was an arguably better experience than the previous ear-splitting wails. And it was less deadly too. Ichor had stopped dripping down onto the grass, which meant that the constant sizzling would finally stop.

Now, one last thing.

RT stared into Chat’s eyes.

This in itself wouldn’t have been quite a remarkable action had it been anyone else, but it’s Chat that we are talking about. The very sensation of doing something as simple as gazing into a hivemind’s many souls wasn’t anything ordinary, either.

It felt like you had just plunged one of your hands into ice-cold water in the middle of winter and not only are you freezing, you’re scared and you don’t know whether you’d come out in one piece.

They all stared back. Thousands and thousands looked upon RT, all different yet whispering the same things, each claiming to be an individual yet virtually nothing distinctive belongs to them. A true hivemind. It’s exactly what he wanted, but he wondered if perhaps other troubles would arise.

He let himself go from their gazes. It asks too much of him.

“Alright then, Chat. Ready?”

A gaggle of voices reply, sounding their agreements.

“OK then!”

--

I Want Die finally opened the inn door, after convincing himself that he’d like this new friend. That this one would be neither an anime villain, a comedy star or a horse. Someone with actual rational thoughts and words to speak.

In front of the door stood a short figure, clad in a purple mage’s robes. Their pitch-black eyes looked at I Want Die, and a chorus of voices came from their permanent smile:

“Hi, I’m Chat!”

And I Want Die wondered if he had forgotten to cross off ‘hivemind’ off his list of potential party members.

Chat’s introduction ends here, of course. But not their tale. The journey was far from over in fact. The party had yet to meet the Royal Court, witnessed the court’s love affair, or get kidnapped by the Dark Lord Von Karma. Even the party wasn’t complete, as it was only the first party I Want Die would encounter in his tale of redemption.

And it’s not the only story either. You haven’t heard of Magical John’s past life, or how Cupcake isn’t as pure as she seems. Gilbert’s fear of the kitchen. How Jefferson came to be, and Obama’s past life with Mr. Bean.

But I’m afraid I must stop here, for it is late already, is it not? Our journey must continue tomorrow. Let us rest. Goodnight, may the stars shine for you. (They head off into their tent, leaving you alone with the flickering embers of a dying fire.)

> You bid the storyteller goodnight. Perhaps they’ll tell you another one of their stories, underneath the moonlight once more.

[chironshorseass]

After seeing the ask about percy’s fight with Hyperion and the significance of his powers, I was wondering what you think about Percy becoming afraid of water/drowning in hoo

😳😳😳😳😳😳 ok this is...yeah this makes me lose it as well HELP

i think that this fear, while having a lot to do with the circumstances, is more so because of his fatal flaw. let me explain lol.

it began during som, which was a time when percy wasn’t sure on anything. he’d just gotten a prophecy about the son of neptune drowning, which i expected more than just. drowning on dirt sfkjhskfjh but that’s not what we’re here for. he gets this prophecy, right? and obviously, it freaks him out. he barely knows anything about himself, but what he does know is that he can breathe underwater. also his memory was wiped, but his powers stayed with him, which is evidence enough about what i wrote earlier, that his powers are a bigger part of him than we think.

so the few things he knows in that moment are a) annabeth, b) that his name is percy jackson, c) common knoledge, as in things he has learned. i.e about mythology and the gods, and d) that he’s a son of neptune and water protects him. logically, he can’t drown. but in his mind, he starts to believe that he can. 

this gets me going to my main point: his fear is linked to his fatal flaw. it’s canon that his fatal flaw is personal loyalty, right? 

but honestly, i don’t believe it for a second.

 taylor explained this really well in her analysis, and it makes sense! percy’s fatal flaw isn’t personal loyalty at all, it’s control. every hero, no matter how powerful, has a doomsday. they will die, one way or another. and tbh every character that we’ve read about could be considered loyal, but what differentiates them is one specific factor. and in percy’s case, that factor is control. he can’t stand others taking the lead instead of him. that’s why he volunteered to be part of the quest in som and ttc. he knows perfectly well that thalia, for example, is more than capable of rescuing annabeth, but he wanted to do it himself. 

characters like thalia, leo, piper, silena, annabeth, etc have been known to sacrifice/put themselves in danger for a friend. and it’s not something strange, it’s just their hero complex. nothing new. and besides, if percy was actually loyal to a fault, he would’ve already died. in the end, i feel like it’s his drive to be in charge that actually gets in the way, his loyalty just so happens to go hand in hand with that. and anyway, all of his displays of loyalty, are, in my opinion, completely normal for someone that is in those specific situations.

shoving that aside, what’s fatal to him is control. the entire point of the sea, the ocean, is about control. again, check out taylor’s post. no one can control the sea; the sea controls you instead. you can’t fight it. it’s impossible...except for poseidon and his children and other sea deities. what people excuse as personal loyalty, is more so, in my logic, percy wanting to be in control of the situation. it’s all he’s good at, and this is heavily influenced by his connection to the sea, by him literally being a part of the sea and the sea being a part of him. he can make it do anything he pleases. it’s something so intrinsically woven in him, that not even the gods could take it away.

and that’s another thing: gods can technically take away their children’s powers, because they are the ones who blessed them with said powers in the first place. in mythology, the gods have been known to gift demigods superhuman abilities, and it’s kind of implied in pjo as well. but for percy, that’s not the case at all. he’s a literal part of poseidon’s sphere of influence. that’s why he’s so powerful. like wtf...why would poseidon gift him with so many abilities??? no, no, no...that was not meant to happen; we see this because the gods are legitimately afraid of him. hell, the only way they could subdue him was to make him a god, that way he could at least follow the rules that immortals have to live by. they wanted to take away his freedoms as a hero. 

so...this is my point: percy becomes afraid of drowning because he believes that poseidon somehow took away his powers. but we see that that’s not the case. he can still breathe underwater, and his abilities, if anything, grow throughout the books. but again, percy doesn’t know this. he is obsessed with the idea of someone depriving him of the only surety he has, the only control he truly masters: the sea. he can’t stand the thought of this, and that’s when his control becomes fatal, because he is internalizing that his influence over water is diminishing. and when he internalizes it and realizes that, “hey, maybe i can’t breathe underwater because i'm somehow cursed,” it becomes a reality. 

he’s insecure to begin with, what with amnesia plus everything that has happened to him in his life. and him realizing that he can’t have that control?? a recipe for disaster. this fear, could potentially be what finally kills him.

the only way to solve this is if he discovers the truth about himself. which is that he has always had a connection to the sea (that will never diminish) and that it’s physically impossible for poseidon to punish him by stealing this connection. when that happens...he’s finally going to let go for real. FOR REAL. but the gods won’t tell him and now IM JUST

[beauty-and-passion]

Hey, sup! So... I noticed that you like to do theories and all kinds of reasoning. THEREFORE I brought you a good brainstorm theme (well, I think it's a good one, and hasn't been discussed yet) *trumpet sounds* "How do you think the rooms of the other sides will look like?"

Ho-hooo, very nice ask we got here! Time to extensively talk about something very cool!

Possible Rooms Thomas Can Make In Real Life

Let’s start with the canonical definition of a Side’s room, given during AA-part 2:

[Logan]: The room just varies based on whatever your present location is.

So, if Thomas is in his house, the room will be the Side’s version of said house. If he’s outside, the room will change as well.

Having said that, let’s pretend Thomas will always show us the Sides’ rooms while he’s at home. Being outside requires too many variants, so let’s keep this in the realm of possibilities.

Of course I will also talk about how I think the rooms work. But it will require another post, because this one will be long enough.

________________

Roman

Roman’s room is probably the next one we will see and, considering Roman is Creativity, Ego and a huge Disney fan, I’m pretty sure his room will be plastered with Disney posters, drawings, theater posters, Thomas’ posters and mirrors everywhere. Nothing else. All tables are covered with theater scripts, all floors are covered with more scripts and rejected ideas. Kitchen? More like “another place where to put all my ideas”. Living room? Yes, there should be a couch somewhere under all those scripts.

In other words, the literal representation of “creative confusion”. And while under normal circumstances this could be the result of a bubbling creativity, in Roman’s case it could also work as a way to show how confused and depressed he is. The confusion wouldn’t be something like “it seems chaotic but it actually makes sense for me”, but more like “everything has no meaning anymore. Who cares”.

________________

Logan

Considering his character, Logan’s room could be a completely perfect replica of Thomas’ room, but a lot cleaner and a lot more empty. No knick-knacks, no food lying around. Something that looks more like a display home, rather than a real one.

But with books. A lot more books. Shelves filled with books everywhere, all perfectly organized. Do you need a book about this or that topic? Logan knows exactly which is the best one and where it’s located in his home.

Also, it can work for his upcoming arc: since Logan has more and more issues with accepting his own feelings, a place completely devoid of any personality would be a great way to show how hard he’s trying to keep everything under control, even in his own personal space.

________________

Janus

Considering we have only one season left, I doubt we will see the other three dark sides’ rooms, but what would they look like, if Thomas decides to show us?

Janus’ room is the most difficult one, because there are a lot of possibilities. It could be dark and mysterious, with smokes and mirrors everywhere for... obvious reasons. It could look like a 1920′s version of Thomas’ house. It could be Thomas’ house, but with opposite colors.

Or it could be how Thomas’ house looks like, but seen on the other side of a mirror. In other words: everything switched, from the position of every room, to the smallest things. The kitchen has always been on the right? Now it’s on the left. The stairs are on the left? Now they’re on the right. The couch is on the right? Now it’s on the left. All the books in the library are switched places, every single little thing is on the opposite side.

Just imagine how YOUR own house would look like, if everything is on the opposite side compared to where it actually is. A fucking trip, I would bump into every wall and get lost 200 times a day XD However, it should be possible to realize, with some editing and by switching places.

________________

Remus

That’s an easy one: Thomas goes outside, dumps the camera into a trash bin and bam, we’re in Remus’ room.

Jokes aside, Remus’ room should have a lot in common with Roman’s: still creative chaos but a lot messier, considering Remus is the part of Thomas’ creativity that can’t pour his thoughts out too much. Less mirrors because who cares and more creepy stuff. A LOT MORE. Would Remus have a human anatomy mannequin with removable organs? Sure. Would Remus like taxidermy and have stuffed animals everywhere? Yes. Would he have the creepiest paintings possible? Absolutely. Would he have a lot of chemical stuff to throw together and see what could happen? Of course. Would his room catch fire at least once a week? Obviously.

In other words: Roman would hate the place, Logan would love it, Patton would be extremely concerned, Virgil would exorcize it at least once a week and Janus would just sigh and grab the nearest fire extinguisher because, sooner or later, something will surely catch fire.

[cal-kestis]

You Mean More | Din Djarin x Fem!Reader

(Part III of The Aftermath of Losing Everything)

moodboard/sketch/gifs made by me, please don’t repost :)

Summary: The plan goes as follows: Send the Mandalorian to the Imperial base under the guise of full cooperation and stall the holoprojector Imp for as long as possible. This will give you enough time to sneak in through an air vent, find a terminal, and hack the system, wiping every Imperial archive of Din Djarin's face. It should work, right? As long as no one gets hurt. (Set after S2) Rating: M    Word Count: 8023 Warnings/Tags: Soft!Din, Fluff, Angst, Hurt/Comfort, Slow Burn, no use of ‘Y/N’, non-explicit smut, canon-typical violence, blood A/N: This is what they call: the climax.

[PART I] // [PART II] // [Read on AO3] // [Series Masterlist]

xi.

As Din flies to the Imperial base, the only sounds filling the cockpit are the low beeps of the control board and the tense quiet of your voice repeating the plan for the twenty-third time. When you finally land on an icy planet, you see the base outside the viewport blending in with its snowy surroundings — white, cold, frozen in time — and two stormtroopers flanking either side of the sealed entrance.

“Check your comlink,” Din says, voice gentle and authoritative. 

“Testing, testing. Cuyan to Shiny Head, do you copy?” You whisper-shout into the device, watching as his gloved hand reaches for the side of his helmet, listening to your words spoken directly into his ear. He nods.

“You’re not calling me ‘Shiny Head’ by the way.”

You want to laugh. Normally, you would. But anxiety drops low in your stomach again as you peer out to the base. 

“This is going to work,” you whisper and he wonders whether you’re saying that for his sake or to convince yourself.

“Don’t leave the ship until I give you the signal,” he says, his hands grasping both of your shoulders, thumbs brushing your upper arms in gentle circles. You only nod in response, your eyes boring into the visor of his helmet, biting your lip hard enough to draw blood. When he pulls you against his chest and tightens his grip, your body sinks into his, trying to memorize how you fit together in case it’s all you have left. Too soon, he’s letting go, leaving only the crown of his helmet connected to your forehead when he echoes your words, “This is going to work.”

The moment he exits the ship, you sprint to the engine bay and pull the ship’s electro-periscope from the ceiling. Through the red-tinted binoc lens, you have a magnified view of the Mandalorian as he saunters up to the base’s entrance, not even flinching as the stormtroopers draw their blasters.

You watch his helmet turn wide to the left and swing slowly to the right, scanning the base as the troopers check his person and confiscate his blaster. The stormtroopers step back to their posts, leaving Din standing in the middle of the snow outside of a round, closed door. Waiting.

“Cuyan Two to Cuyan One,” you mutter into the comlink. “What are you seeing?”

You’re met with a long gap of static and you panic, thinking the coms are jammed, before he finally answers.

“You were right, Cuyan One,” he whispers, the hint of a smile in his voice despite the circumstances. “There’s a small duct to the left of the entrance. You’ll have to distract the guard troopers.”

“I can manage.”

“I know you can,” he says, steadfast as ever. Din believes in you without an ounce of hesitation and it makes you feel like you could command stars into existence and the galaxy would obey. “After I give the signal, go to my weapons locker. There’s a locked box at the bottom. Punch in my code and take the bag inside it with you."

“What’s in it?” You ask, watching as the doors to the base finally open, revealing another pair of stormtroopers, one with red markings on their armor. A Burner, more infamously known as an Incinerator Trooper.

“Things to keep you safe,” he answers quickly.

One of the guards gives Din’s blaster to the troopers now leading him into the base. And before the doors close, you see Din’s fingers interlock behind his back: the signal.

Focusing the periscope on the two guard troopers, you scan the area again, looking for a way to distract them without causing a scene. Aside from a patch of bushes to the right of the base, the area is blanketed in pure white snow with nothing to give you cover. Great.

As you think over your next move, you run to Din’s weapons cabinet and rummage through his arsenal, finding the locked box under an old cloak. You punch his code into the number pad — 47648, ‘GROGU’ on a 10-key pad you remember with a bittersweet smile — and the box opens with a quiet click. As promised, there’s a small tan-colored pouch with a shoulder strap and, inside it, you find a blaster that fits perfectly in your hand and what looks like a silver sword hilt, its blade completely missing. You run your fingers across the angular handle, confused as to how a bladeless weapon could “keep you safe.” But when your finger presses over a smooth panel on the hilt, a high-pitched sound emits from its chamber and a black blade glows in front of your face. 

A lightsaber, you think, like the ones Din had told you about what feels like a lifetime ago. But this one isn’t green like the one he’d described Grogu’s master used or white like Ahsoka Tano’s twin sabers. It's dark and blinding, laced with an energy you’re far too frightened to wield. You retract the blade almost immediately, heart racing as you stuff both weapons into the worn bag and sling it over your shoulder.

Taking a long, steadying breath, you slowly step onto the boarding ramp — thanking the Maker Din had the sense to leave it down so it wouldn’t make a noise and blow your cover. He hadn’t parked the ship too far from the entrance and you can clearly see the duct he’d mentioned a few yards away. If you can just get the stormtroopers to turn in the other direction, you could sprint and be in the clear.

The plan is dumb, you know it. But it’s already the day of dumb plans and it’s all you have. Kneeling, you gather a mass of powdery snow in your gloved hands and press it together until it clumps into a dense ball. With your arms outstretched in front of you, you close your eyes and reach out with your mind, focusing your thoughts on the ball of snow in your palms.

The snow levitates high above you, high above even the Imperial base, and toward the trooper standing on the right side of the entry. You lower the ball just to his head-level and out of his eyesight, flick your wrist slowly to the right to gain some momentum, then snap it quickly to the left, smacking the stormtrooper hard against his helmet.

“What the hell?” You hear the stormtrooper shout, shuffling back on his feet.

“What happened?” The other asks.

“I just got hit with a snowball?” He answers with his own question, rubbing the side of his helmet.

You focus your thoughts again, this time, reaching out toward the bushes to the right of the base, causing the branches to wiggle and rustle. 

The two troopers snap their heads in the direction of the mysterious sound, walking slowly with their blasters aimed and ready. And when they reach the bushes, aimlessly kicking at the shrubs with their boots, you run for it.

Your lungs are on fire when you reach the duct, fingers trembling as you quietly jiggle off the vent’s cover to give yourself an opening. You crawl in the chamber and quickly replace the cover before the stormtroopers return to their posts.

Once you’re safe inside the duct, you turn Din’s line back on so you can hear his side of the mission.

“I’m in,” you whisper.

On his end, you hear him grunt quietly in acknowledgment before the line is filled with only the faint sound of marching boots. 

You have no idea where you’re going — probably the dumbest part of your entire plan — but you hope to stumble upon a terminal or control room sooner rather than later so you and Din can leave this nightmare in the past.

The base’s air vent system proves to be an endless maze, however, with forks and crossroads at every turn. Your knees start to ache as they press and slide across the metal ducting, your hands leaving trails of water as the thin layer of ice on your gloves melts away. You freeze when you hear footsteps below the air duct, holding your breath as you peer through the slits of a vent to see a platoon of stormtroopers marching through the corridor.

After what feels like hours, you finally find a small, surprisingly empty room filled with computer terminals and open a vent panel before quietly dropping down from the ceiling.

By no means would you call yourself a hacking wizard, but you had some tricks up your sleeve. Years of scraping by on your own will teach you a host of odd skills. Within seconds, you bypass the facial scanners and begin combing through the archives before you hear some static crackle in your earpiece once again.

“Please, no need for formalities," you hear a faint voice taunt through Din’s com. “We already know what you look like.”

It’s the holoprojector Imp, the familiar sound of her throaty voice floods your ears. Din doesn’t respond, and you imagine him standing like a statue, calculating the odds and armed with nothing but beskar and silence.

“Very well,” the Imp says. “Leave the helmet on. We have more important matters to discuss.”

“I almost have it,” you whisper to Din, hoping your encouraging progress can serve as another weapon.

“Now, Din Djarin,” the Imp calls, his name dripping out of her mouth like venom. “Don’t think we’d be so foolish to believe you’d assist us willingly. Assume that we know everything.”

A shiver runs down your spine from the thinly concealed threat, and your fingers fly faster over the controls as time slips through the cracks. 

Finally, you find it, a record labeled: ‘Din Djarin.’ And you erase every trace of him.

“Got it, Cuyan One,” you sigh a breath of relief into the comlink.

“For example,” the Imp is still talking, and you roll your eyes knowing you’ve already won. “We know you did not come here alone.”

Suddenly, the blast doors of the terminal room open with a whoosh, and you back up against the machines as two stormtroopers corner you in. With a blessed shred of forethought, you blindly pull one of the weapons out of Din’s bag behind your back and sneak it into the back waistband of your pants, covered by your thick cloak. Just as you thought, one stormtrooper tears the bag from your shoulder, looking inside to find the other weapon without searching you further.

They push you down the corridor, jabbing you in the middle of your back with the barrel of their blasters, and you count each step before stopping in front of a heavy-looking door on the shadowy end of the hall.

Din’s voice enters your ears at the same moment. 

“If you even think about hurting her, you’re already dead.”

The door opens, revealing a dark room bathed in ominous red light. In the middle, the holoprojector Imp stands with her legs spread and her hands behind her back, flanked by two stormtroopers. Somehow, the Imp looks even paler without the blue tint of holo coloring her skin. It makes her eyes appear pitch black in comparison, piercing as they slant at you in unmasked scrutiny. She wears the same darkness in her hair which is cut blunt and short, severe against her skeletal pallor. In front of her, Din kneels on the ground, the Burner standing only a few steps behind him, flamethrower at the ready.

With your two captors holding you by the arms in a room filled with enemies, the odds feel slim to none. Din’s helmet turns to you, his beskar shrouded in red, and you do your best to send him a reassuring smile.

The Imp suddenly says your full name, a grin splitting her face in half when you turn to her in shock. “So nice of you to join us.”

“You already lost,” you spit at the Imp, grinning wider than her. “I erased the archives. You have nothing.”

“Oh, such a pretty, foolish girl,” the Imp sings and you hear the teasing, grating noise from both her true voice and its distortion through your comlink. With your arms trapped, you can’t even turn off the device, and you cringe each time the dissonance scratches its way into your ears. “You may have wiped the systems but I have a backup drive,” she smirks, patting the badge-decorated pocket on her uniform. “In fact, I’ve also collected some interesting records on you, my dear. About your family, your… history.”

She’s bluffing, she has to be.

“Assume that we know everything,” the Imp repeats. 

“Who are you?” You grit through bared teeth.

She laughs and you wipe your ear on your shoulder in disgust.

“Surely you both understand if I choose to withhold certain information. One's identity can be so very…” the Imp pretends to consider her words, glancing at Din and then sneering back at you as she taps a gloved finger against her pale, pointed chin. “Valuable.”

You lunge at her, a snarl ripping from your throat, but a trooper holds you back with a painful grip, his blaster digging into your side.

“Now, Din Djarin,” the Imp says, turning her attention back to the kneeling warrior. “If you don’t want to watch me kill your partner, you’ll do as I wish. Help me retrieve Gideon. Otherwise, you both shall die here.” Her blaster clicks as she points the barrel between his eyes with horrifying gracefulness. 

“No!” You scream, turning every weapon in the room on you.

“Let her go,” Din practically growls.

“Ah,” the Imp says, walking to where you stand on the other side of the room, her weapon dangling like a child's toy from her fingers. “Or perhaps the girl can be of better help? With the proper motivation, of course. Tell me, where are they keeping the Moff? I wouldn’t want to be forced to make a roast out of your Mandalorian.”

With a snap of the Imp’s fingers, the Burner points his flamethrower at Din’s head. But somehow, in that same instant, you manage to rip yourself out of the troopers’ holds, making them stumble backward. And your hand flies forward, lifting the Imperial officer from the ground.

The troopers seem dumbfounded by the magic they’re witnessing, blasters pointed at the ground in their stupor. You can almost see their slack-jawed expressions through their helmets as the Imp clutches her hands around her throat, gasping for air and hovering a foot above the floor.

“A Jedi?” She croaks.

Assume that we know everything. You knew it. A bluff.

“Wrong again,” you grin, pushing your hand forward and sending the Imp soaring across the room. Her head hits metal with a heavy crash, falling unconscious, and at the same time, a loud alarm sounds throughout the base. Somehow, the red of the room grows darker and more saturated as lights flash on the ceiling.

Blaster fire ricochets off the red-tinted walls when the troopers come back to reality, the blasts deafening as you dodge them, thankful it’s just a group of bad-shot stormtroopers and not an elite unit.

One stormtrooper charges toward you, raising the butt of his blaster to strike, but you kick him hard in the stomach, plowing him into the floor. In the corner of your eye, you see Din twist in a circle, his wrists still bound behind him as he sweeps his leg under the Burner, making the trooper fall backward with a thud.

You rush over to Din, pulling the saber from your waistband and igniting the blade to cut his binders off. You wordlessly hand him the sword but he pushes it back toward you.

“Use it,” he says, squeezing your wrist before turning back to knock the flamethrower out of the Burner’s grasp.

You’ve been in your fair share of scuffles back on Tatooine, even some while working with the Mandalorian — but you’ve never fought with a sword before. Clumsily, you swing the blade in front of you, brandishing it toward the troopers without skill.

“How do I use this thing?” You shout at Din who is busy punching a stormtrooper and taking back his blaster.

“It’s a sword,” he yells over the alarm, shooting a third clueless trooper. “Stab something!”

With both hands gripping the hilt, you send the blade slicing through the air, a loud humming sound echoing in your ears with each swing. And when you hit the side of one final stormtrooper, the strike punctuated by a roaring crackle, he’s on the ground, his white armor sizzling as it melts.

But while the chaos in the red room settles, a larger battle brews outside its doors.

“I erased it, they have nothing,” you explain breathlessly, retracting the saber as Din surveys your body for injuries. You pull Din’s bag off the fallen trooper and replace the sword inside. “The Imp was bluffing.”

You run over to the unconscious woman regardless, checking her pockets. Empty.

“Are you sure?” He asks when you return to him, holding your trembling shoulders.

“Positive. It’s like I could sense it.”

A loud crash echoes in the corridors, making you jump away from him.

“Let’s get out of here,” Din says, at the same moment you scream, “Watch out!”

It happens in slow motion. The Incinerator Trooper pushes himself on his feet and reaches for his flamethrower. Din’s gaze is focused on you when you see the trooper take aim, a small fire beginning to bloom from the barrel.

Your arms wrap around Din instinctively, attempting to shield his body with your own. You wait for the burning heat, for the scorch of flames to lick at your skin. You wait to hear both your agonizing screams before you and Din leave the universe together. But as bright orange and red tendrils flash behind your closed eyelids, you only feel cool beskar.

Opening your eyes, you see a dome of fire just inches away from your bodies. Din pulls away slowly, taking in the sight of the inferno around him, dancing flames reflecting off his armor.

“Are you doing this?” He asks, a hazy memory creeping into his mind of the stand-off on Nevarro.

You squint through the fire, only finding the Burner with his thrower still aimed forward. You are doing this. Closing your eyes again, you reach out and focus your thoughts harder on the protective shield blocking the flames. Your mind pushes forward and deflects the fire backward, hurling the blaze and embers into the trooper. When the flames dissipate, the Burner collapses to the ground, his suit scorched and blackened.

Standing in the middle of the destruction, you stare at your hands in shock before yellow-tipped gloves grab them and pull you out of the room. 

“We have to go,” Din says.

The halls flash with red lights, sirens soaring through the narrow corridors as trooper footsteps drum closer and closer.

Din leads you quickly through the base and out where he first entered. But you’re met by a rain of blaster fire as you both attempt to sprint back to the ship in one piece. Din pushes you in front of him, running backward as he shoots and blocks the blasters with the armor on his chest.

“Hang on,” he shouts, and before you can question it, he’s scooping you into his arms and launching off the ground.

He flies to the parked ship in record timing. But before he can make his landing, a blast hits his jetpack. It combusts with a deafening boom, right next to your ear, and it sends both of you hurdling into the ice. For a moment, you can’t hear a thing except for the echo of the explosion as you fall to the pillowy snow. Then, beside you, you hear a dull crack of beskar on thick, hardened ice and Din groaning aloud in agony.

“No!” You shout, coming to your senses when you see his leg bent at a strange angle, blood seeping onto the ice from his helmet.

“Get us out of here,” he grits out.

It feels frighteningly familiar pulling his body into the ship, danger looming from all sides as blasts continue to ding off the freighter or melt into the snow. You close the ramp, leave Din in the hold, and get the ship high above the ground.

But you hesitate, hovering in the air for a long moment, before making a choice.

Charging the gunners, you aim at the Imperial base and release a shockwave of vengeful blasts. And as the facility and everything inside and around it disintegrates into ash and rubble, you launch into hyperspace, leaving nothing behind.

The next moments pass by in a blur, Din’s cries ringing loudly in your ears as you try to figure out what to do. He gives you strained instructions but you can barely understand him.

“Reset the bone,” he grunts with just enough clarity, all while writhing in pain.

“Reset the bone,” you echo. “Right. I can do this. I’ll need to cut your pants.”

You find a small blade, remove his boot and armor, and slice a line from the bottom of his pant leg to just above his knee. With one hand gripping below his knee and the other pressing down on his thigh, you pull and hear the bone snap back into place as Din screams. You run to the storage closet for the medpac and return with bacta gel in hand, smoothing it over the purple, splotchy skin around Din’s leg before delicately wrapping it with the cut fabric of his pants and a makeshift splint.

“Your head,” you remember, searching for the wound under his cowl, and he wheezes as if to confirm. “No. No, no, no, no, no. Oh, stars, Din. This is bad,” you sputter, your palm painted in his blood.

“It’s okay,” he whispers, breath slowing as he brushes his fingers through your hair. “You did so good back there, cuyan. My survivor.”

“Hey, don’t talk like that,” you cry, tears rolling in waves down your cheeks. “You’re Cuyan One, remember? You’re going to be alright. I’m gonna fix this.”

“You’re so brave, so clever, so strong,” he continues, coughing between words. “Kotep, mirdala, kotyc. Ner kar’ta,” he croaks, voice fading out.

“Stay with me, Din!” You shout.

“I want to see your face,” he mumbles as if in a trance.

“I’m here, Din,” you tell him, taking his hand and placing it on your cheek. “I’m here.”

“No,” he coughs. “I want to see your face with my own eyes.”

You stare at him, waiting for him to retract his words. When he doesn’t, he pulls your joined hands to his helmet. You’re shaking when your other hand finds the opposite side of the beskar, releasing the lock and lifting it from his head.

His face is covered in blood and cuts, his brown eyes drooping with fatigue, dark hair plastered to his forehead. 

“Oh, Din,” you cry, unable to even process him without a helmet for the first time as you take in the damage. You can’t even see him behind the wounds that mar his features. But he sees you. His hand comes back to your cheek, thumb sliding back and forth in a half-moon shape.

“Mesh’la,” he whispers. “Means beautiful. You are so beautiful, ner kar’ta.”

You blink hard, heavy tears landing on his armor drop after drop even as he tries to brush them away. Your hand covers his own on your cheek, fiercely pressing his palm into your skin like you’re afraid he’ll let go. Kissing the exposed skin of his wrist, you taste a tragic mixture of blaster residue and wet salt on your lips.

“I can’t remember what ner kar’ta means,” you sob. “Please tell me.”

One corner of his lips twitches upward, a strained, painful effort to smile, but he does everything in his power to let you see it.

“It means,” he gasps. “My heart.”

His hand falls from your cheek, limp in your lap and your body shakes at the loss of his touch. You can still hear his shallow breaths but you’re not sure how much longer he can go in this state. You close your eyes, holding his hand as your fingers brush over his glove. The inside of the ship is silent — peaceful and still as if unaware that your entire universe is crumbling in front of you. There’s not enough bacta in the galaxy to treat the trauma he’s sustaining in his head. You can hardly see his skin under the layers of blood and scrapes.

His warm, honeyed voice echoes in your mind, stories he’s told you over and over when you’d make any excuse to hear his voice, stories about him and Grogu. You think of his little green son, how you’re failing him right now. Please take care of my father.

Din always sounded so wistful when he talked about Grogu, so in awe of his power.

He could do things I couldn’t even imagine… 

He saved me, in more ways than one… 

Grogu is a special kid… 

He could heal people.

“He could heal people!” You shout out loud, eyes bulging from their sockets.

In all your years of walking a tightrope when it came to your strange wizard-like powers, you’d never imagined you could heal. All those times you’d tried to fall asleep covered in bruises or cuts, you could have prevented so many nights of excruciating physical pain. But now is not the time to dwell on the past when your future is slipping through your fingers.

You close your eyes again — slowly resting one hand on Din’s cheek, the other still clutching his limp hand — and try to relax, reach out with your mind, reach inside, and focus your thoughts, emotions, energy, everything you have on the man in front of you.

It flows out of you in waves, sinking into him, and you feel it: your body growing more tired each second, only hoping your vitality is transferring into him. Just when you’re about to pass out, you hear him gasp for air, his body shooting up like a fish out of water.

“Din?” You blearily wonder. But his face blurs out of focus before you fall to the floor.

 —

x.

In the face of pain, the body has natural defenses to harden itself, like the calluses that develop on your fingertips and heels for armor. You can build a tolerance, a certain degree of numbness until pain regresses to a dull ache at the back of your mind. And sometimes, the skin gets so thick, the body so paralyzed, that you start to believe nothing could ever hurt you. Not coarse sand crystals or alleyway scum or sharp-clawed rancors or stormtrooper blasts.

But it’s funny how protection covering the outside does nothing to shield what lies underneath — merely a shattered fortress with cracks that let pain seep into the bloodstream and petrify the heart.

When Din’s hand had dropped limp in yours, you hadn’t felt the pain of his wounds or scars shrouding your body. Instead, you’d felt a unique kind of suffering, torture that hadn’t left your skin bruised but had rather sunken into your pores and gnawed at your insides: fear, loss, mourning.

The agonizing ache lingers in your muscles when you finally awaken.

The mattress beneath you envelopes your senses in a familiar fragrance of warmth and safety. Brightness filters in through the open door across the room and a sliver of light glares in one of your eyes, making you rub your fist against your eyelids to regain focus.

As your vision sharpens, you quickly realize you’re not in your own sleeping quarters.

These sheets are dark, the opposite of the crisp white color you’ve been used to for nearly a year. Knickknacks don’t litter the metal floors and socks aren’t piled up in the corner as you remember. The room is mostly bare, stripped down to the necessities, organized and empty to an almost alarming degree.

Then, a splash of color catches your eye on the durasteel wall near the door. It’s difficult to see with the glare spotlighting your face, leaving your surroundings in the shadows. Deciding to investigate, you wrap Din’s blanket tight around your shoulders, keeping his comforting scent around you like a cocoon. When your sock-covered feet finally carry you across his room to the wall in question, you gasp.

Tacked onto Din’s wall are at least a dozen small pages of parchment depicting lively landscapes of planets you’ve visited and picturesque portraits of creatures you’ve encountered together. Your drawings. You remember the times he’d come back from an easy mission, a charming swagger in his gait, and had asked to see what you’d drawn. He’d always held your booklet in his hands so delicately, taking the time he didn’t have to study and praise your work. When he’d hand it back, you’d tear the page from its binding and whisper, “You can keep it.” You’d never thought much of it, except that you’d wanted to share the beauty you’d captured with him. After all, he’d given you all these beautiful colors to do so. But more than that, you’d wanted to let him see the galaxy through your eyes since his own stayed shadowed by his visor. Whenever he’d allowed himself to indulge in removing his helmet in private, you’d hoped he could see what you saw through the pages. You’d never once thought he’d keep your drawings so sacredly displayed in his quarters, assuming the doodles would eventually pile up in some forgotten corner on the ship. But he’d kept each one.

And right in the center, you see the first picture you’d ever drawn for him: a portrait of Grogu sketched according to Din’s affectionate descriptions. It’s slightly folded in on itself from the way he’d tucked it neatly into his shoulder pouch for safekeeping. When you’d drawn it for him, you’d just wanted to do him a simple kindness, the same way he’d been so kind to help you leave Tatooine behind and travel the galaxies with him. You’d only had your pencil at the time, none of Din’s thoughtfully gifted pigments at your disposal, leaving the portrait of the child monochromatic. But now, vibrant color adorns the sketch, bringing Grogu to life in beautiful tones of green, pink, and brown.

Din had borrowed your chalk pigments and colored it in himself. You imagine him with vivid hues dusting his fingertips and green smudges on his beskar, and you smile.

But when you pull back the folded edge of the paper, you’re surprised to see another figure has been drawn next to Grogu, an image you don’t recognize as work of your own. 

It’s… you.

Water blurs your vision but you quickly wipe the tears away so they don’t somehow fly onto the pages and ruin his picture. He’d colored you in your favorite garments, a familiar pink flower tucked behind your ear along with your pencil. Careful, reverent strokes define each of your features. You can’t help but think it looks like you and a stranger at the same time, and you wonder if this radiant image he’s drawn is truly who you are or just how he sees you. And what if those two ideas are one and the same?

You don’t notice Din leaning against the doorframe until you hear your name in a deep, dulcet tone. He whispers it, uninhibited by his helmet, and suddenly your name has a thousand more meanings than just some arbitrary label for the girl who used to be alone. When he says it, your name means survivor, brave, clever, strong, beautiful, his entire heart — and all you want is to dive headfirst into the sweet nectar of his voice.

But then you remember what happened, how you let him get hurt, how you failed to take care of him as Grogu had asked. You don't realize you’re crying until his bare finger swipes away a single tear.

And even though you technically already saw his face — albeit bloodied and distorted — you dare not look at him. You keep your eyes trained low, noticing his unbandaged leg, as his hands caress your skin.

“Are you feeling better?” He asks, voice so heavy with concern it weighs down against your heart.

You nod. “How long was I out?”

“About 16 hours,” he answers, crooking his finger below your chin to pull your eyes to his.

“What about your Creed?” You ask, closing your eyes tight. 

“You mean more.” 

You expected to hear something more along the lines of ‘you already saw my face’ or ‘I’ve broken it before.’ But no, he says, ‘You. Mean. More.’ They’re three simple words that carry mountains of blissful promises, an echo of a sentiment you’d heard him say about his child, a different time that feels so far away now.

So, you open your eyes, look up, and one of your hands cradles the side of his face. He’s fully healed and the blood from the nightmare before is washed away, the red stain only living in your mind, allowing you to finally see him clearly.

You’ve always had some sense of his face. He’d given you so many pieces, letting your fingers map out his features and answering your questions so you could sketch them onto paper. Some things you can know without seeing. But having him in front of you — stripped of his armor and helmet, a soft errant curl brushing over his forehead, warm tan skin on display just aching for your fingers to explore them the way they did before you’d ever seen him — it feels like setting down the last piece of a puzzle. 

He’s beautiful in the way that broken stones and crystal fragments are when they form a mosaic, each piece jagged yet fitting together into a purposeful masterpiece.

And the way he looks at you, like you’re home when all he’s ever known is running… you’ll do anything to keep him looking at you like this.

He enters his quarters fully, extending his arms to hold you closer. When he leans his forehead against your own, you close your eyes. His warm breath tickles your skin, the slope of his nose slowly nuzzling against yours, and when you let yourself peek at him again from under your lashes, you see his eyes are softly shut, the smallest of smiles on his lips.

“When did you draw this one?” You ask, voice but a whisper, nodding at the papers on his wall.

“While you were resting... I’m not much of an artist,” he says sheepishly, watching your fingers delicately trace the lines of his drawing. “But I wanted to keep a piece of you with me too.”

You merely exhale, mind reeling. Any word you think of seems to evaporate each time you open your mouth.

“Maybe, when you finish it, we can hang the portrait you drew of me next to this one,” he muses. “So, at least on paper, we can be a clan of three.”

You nod fervently, your foreheads rubbing together from the rapid motion as you stroke the soft peaks of his cheekbones.

“I can’t believe you kept all of these,” you chuckle, gesturing to his wall of art. 

“Of course I did,” he says, fully grinning now, his nose playfully bumping against yours. “They’re beautiful and… they’re from you.”

A sweet sigh escapes your lips, your breath hovering in the small space between your bodies, and you see a flash of pink when his tongue pokes out to swipe a quick line between his mouth. You bite your lip, trying to force your mind to stay silent and not ruin this moment, but knowing you need to address the guilt in your heart.

“You almost died,” you say quietly, the words falling from your lips in broken pieces and shattering on the floor.

“But I didn’t,” he responds, his brown eyes staring directly into yours. “You healed me.”

“I should have...” you start, not knowing how to finish the statement because, even now, you’re clueless as to what you could have done differently. “I should have been more careful. Maybe if I hadn’t gotten caught, you wouldn’t have been hurt.”

“I’m used to it,” he sighs.

“Well, you shouldn’t be,” you whisper. “Neither should you.”

It stuns you, causing you to pull your face away just slightly, ignoring the way your skin screams to touch his again.

Pain is universal except to those who harden themselves to it and let calluses develop. This is a natural defense. You know this. But the thing is, pain is protection too, another security the body uses to protect itself. From harm. It’s ironic how the ones who feel the least amount of pain carry the largest amount of suffering.

“You shouldn’t have gotten hurt,” you continue, walking over to his bed to sit on the edge. “I promised I’d take care of you.”

This time, he’s stunned. Take care of him?  

“You almost died, Din. You shouldn’t have even gotten hurt. I don’t know what I would do…”

“I’m right here, ner kar’ta,” he whispers, moving towards the bed and kneeling between your legs. He cradles your jaw, lifting your gaze to meet his eyes. “I’m right here.”

“You almost weren’t,” you say, your lip trembling below his thumb.

“I’m here. With you,” he says, confident. “I always will be, I promise.”

“Din, you can’t promise—”

“I just did.”

As you look into his eyes, you see a fire that tells you this is more than a promise. It’s more than a tenet of the Mandalorians’ honor and you feel it in your bones. He would traverse every system, tear apart the galaxy, fall to his knees to keep it. This is more than a promise. It’s a vow.

It feels like entering a new atmosphere, gravity pulling you into his orbit until your lips meet his, the same way the horizon of Tatooine meets twin suns each evening. He’s soft — so soft — and solid and still, allowing you to release the worry and trauma you’ve been shouldering on your own against his eager lips. You capture his upper lip, press a chaste peck there, exhale, kiss his lower lip, then breathe him in.

When you pull back by an inch, his body sways toward yours like a pendulum, his eyes closed dreamily as he waits for your lips to return to his.

“Din,” you whisper, a single tear rolling down your cheek as you cup his face between your hands like he’s delicate and holy. “Ner kar’ta,” you call him.

He opens his eyes, finding yours glazed with something he’s never seen before but knows is mirrored in his own irises.

“How do you say ‘I love you’ in Mando’a?” 

This time, it’s his lips crashing into yours first, capturing your gasp on his tongue. His fingers card through your hair and find a resting place at the base of your head, nails scratching lightly and pulling sweet songs from your mouth. His other hand settles on the crook of your neck, his thumb drawing circles over your clavicle before gliding over your shoulder, then along the side of your waist, finally falling to the small of your back. A gentle pressure pulls you closer to the edge of the mattress where Din still kneels between your thighs, making you gasp again. But he swallows the sound with his mouth, his tongue eagerly licking past your lips. You dig your fingers into his hair and wrap your legs around his torso to stay balanced, though your mind is drunk on his taste and dizzy on his scent filling your lungs. 

All you know is him. 

The hand on your back grazes across your hip, drags a slow line over the top of your thigh, and squeezes once. Then, you feel fingers tickle behind your knee. In one swift motion, Din pulls your leg higher around him and gently pushes you backward, the hand on your head guiding you as you fall onto the pillow.

He pulls away panting, letting you catch your breath as he takes the opportunity to rake his eyes over your body spread out beneath him. 

You do the same, letting your fingers follow the same path as your eyes. He looks positively wrecked, hair sticking up from where you’d pulled it, pupils dilated, his lips pink and perfectly swollen. His breaths seem to come out more labored — but whether from your touch or the shameless way your eyes drink him in, you don’t know. All you know is the flushed skin below his jaw, how it draws your attention to the strong cords of muscle that run up the length of his neck, how his Adam’s apple bobs slowly below your featherlight finger when he swallows.

As your hands continue their exploration, Din’s thumb tickles your cheek with a tenderness that matches the look in his eyes. The shimmering dust of stars glistens in his irises as he gazes upon you like you’re… 

“Mesh’la,” he whispers, brushing a strand of hair behind your ear.

“I could say the same about you,” you grin, drawing him back toward you and feeling his smile against your lips.

He settles his weight between your legs, moaning into your mouth when you raise your hips to grind against him. He gives you beautiful, desperate noises and you greedily capture each one with your lips. As he kisses you, your nails scrape down his back, his muscles tensing and rippling under your touch until you find the hem of his shirt. You tug on it once, twice, before he’s finally sitting back and pulling it over his head. Not wanting to have to separate yourself from him again, you remove your top at the same time, leaving you both exposed from the waist up. When his face emerges from the neck of his shirt, he looks down and stills, and somehow, you feel infinitely more beautiful under his lustful gaze.

He attaches your lips again, craving your taste like a famine-starved man, ravenous hands exploring new skin as yours leave crescent moons across his back. He kisses your lips, your cheeks, licks below your ear, sucks under your jaw, down your neck, above your breasts — tasting every soft plane with a hunter’s diligence until you’re soft and pliant below him, bending while he bows.

He rocks into you, eliciting gasps from both your lips. Desperately, you scratch impatiently at the skin above his waistband, your hands attempting to push the material down to no avail. 

“What do you want?” He asks, pleads against your mouth, moaning when you hold his lower lip between your teeth and release it with a slow scrape.

“Want these off,” you mutter against his cheek, his scruff scratching over your lips deliciously. “Want you.”

That’s all he needs before he unbuttons his trousers, kissing you deeper as he bares himself completely to you. 

“Now you,” he whispers, his lips dragging down your body and hovering over your belly, pressing languid kisses to each hip, and biting the skin lower down as he removes your clothes. His breath ghosts over your heat and sends a shudder up your spine, making you arch toward him. His lips roam the soft skin of your thigh, tantalizingly tracing his tongue up toward where you throb for him, and then moving back down leaving you writhing with desire. He gives the same treatment to the other thigh, teasing you with his soft lips until you’re groaning and desperate beneath him.

A surprisingly deft finger opens you to him and your mouth drops agape without a word, pleasure lodged in your throat until he curls his finger just so, pulling the wanton sounds from your lips. As you become more vocal, he strokes you more eagerly, his other hand massaging the plush skin of your body wherever he can reach, watching your face with fascination as he stokes a fire in your belly.

Just as he’s about to put his mouth on you, he feels your fingers tugging his hair, pulling him upward until your lips meld together once more.

“Need you.” The words come out as a growl into his mouth and you lift your hips pointedly to meet his. He hisses at the friction, nodding in understanding when you say, “Now.”

He enters slowly, feeling you stretch around him and engulf him in a heat he never wants to escape. It feels like a release of pressure even as pressure begins to build between your legs. It’s pain and pleasure and perfection all at once. He fills you so completely and he can’t help but think:

“Meant for me.” 

He breathes the words out loud into your skin, lips trailing a burning path down your throat as he moves inside you, wicked sounds falling from your tongue when he hits a spot that has you seeing stars.

“What?” You gasp, but he doesn’t seem to hear.

Din kisses you everywhere he can reach, one hand interlocked with yours next to your head while the other pulls your leg higher and tighter around his back, giving him access to parts of you he gets to explore for the first time. It makes him think about the galaxies that always reflect in your eyes and how he’s getting to discover each one of them with you now. 

“Or maybe,” he continues his previous thought, a sweet, gentle kiss placed over your heart. “Meant for you.”

His pace quickens and you dig your nails into his shoulders as an invisible coil tightens in your belly. He continues speaking low in your ear, some of the words foreign and others in Basic, though you still can’t understand for the life of you when he’s right there. As his thrusts become more erratic, your core ignites, and intense heat blossoms over your entire body like a flower. And it’s Din plucking each petal until all that’s left in your mind is one singular truth: he loves me. Your eyes screw shut and your toes curl and you’re out of breath and you feel heavy and light at the same time. He moans a ragged sound when he feels you reach your peak, squeezing him until he’s falling over the precipice right after you.

The room is awash in heavy breathing, a fiery warmth scorching every inch of your naked skin as you both pant to catch your breath. You’d like to stay like this forever, you think. No clothes, simply covered in Din. But eventually, he slowly pulls himself out of you and an aching, empty feeling settles in your stomach that screams for him to come back. 

He hovers above you, not wanting to crush you with the immense weight he feels. But he can’t fight you when your hands wrap around his neck and mold his smile against yours, lips moving together like you can’t get enough.

You hold each other in silence, heated kisses cooling off into chaste pecks only when it feels too long since the last. Your breaths slow to a peaceful rhythm, hearts beating in time with each other to a secret song only you two know.

“Ni kar'tayli gar darasuum,” he breathes, the flight of his words spinning around the shell of your ear raises goosebumps on your skin. 

“What does that mean?” You ask, your hand cupping his warm cheek.

When he looks at you, he sees ferocity, forgiveness, a future, a family. For so long, he never thought he could feel anything close to this. Then, he met Grogu and, just as quickly, had to say goodbye. But when you look at him with such goodness and grace — all he can think of is how he hopes you’ll stay looking at him like this until he dies.

“‘I love you,’” he answers. "Forever."

[READ EPILOGUE HERE]

End Note: We're almost at the end! I just have an epilogue planned. But hey, if you have any headcanons you'd like to see happen in this series, please send them my way! Maybe some blurbs could be arranged :) Mando’a Glossary: Cuyan = survivor [koo-YAHN] Kotep = brave [KOH-tehp] Mirdala = clever [MEER-dah-lah] Kotyc = strong [koh-TEESH] Ner kar’ta = My heart (kar’ta = heart [kah-ROH-ta]; ner = my [nair]) Mesh'la = beautiful [MAYSH`lah] Ni kar'tayli gar darasuum. = I know you forever [nee kar-TILE garh dah-RAH-soom] ⎿ “It's the same word as 'to know,' 'to hold in the heart,' kar'taylir. But you add darasuum, ‘forever,’ and it becomes something rather different.” — Republic Commando: Triple Zero

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[theonceandfutureking6481]

BBC's Merlin Season 1 Episode 1: The Dragon's Call Analysis

*SPOILERS- FOR THE WHOLE SHOW*

So I just re-watched episode 1 of Merlin, The Dragon's Call and I thought I'd post my thoughts here, since this is the kind of thing I always wanted after I watched Merlin for the first time. Sorry, it's quite long!!

This episode is great fun to watch but also really interesting from a thematic perspective, as it introduces all the key characters and many key themes that continue throughout the show.

Setting it up as subverting traditional telling's of the legend

The wonderful thing about Arthurian legend is how many ways you can tell it, there is very little canon, it's whole point is that it has been reinterpreted time and again to say different things, be that as it may there are traditional elements which tend to remain constant and Merlin keeps some of these but many it takes out and it sets that up here.

The introduction is like a fairytale, "the young warlock arriving at the gates of Camelot", feels very much like the introduction to a fairy tale. This is on one hand telling us that this is a story we know like any fairytale, but the very fact that Merlin is young shows us that it is going to be different.

On the side, I love the line "A boy that will in time father a legend", because there's just this wonderful gap between the audience and the characters (as there is throughout the whole story), we know that Merlin will do great things, we know that Arthur will too, they are stories we have heard (tying again into that fairytale esque introduction), and its wonderful to know that, to see Merlin and know that he is destined for greatness.

Introduction to characters:

I haven't got a specific section for Merlin here, but its sort of strewn throughout everyone elses.

Morgana:

If you know Arthurian legend you will know that in many (even most) versions of the story Morgana is a villain, so her introduction here is both scary and fascinating. She is so clearly not a villain, and you wonder (if Merlin stays true to this element) what is going to change and happen that she will become one. I knew from the start that Morgana would become a villain (I had heard a lot of spoilers), so it was especially tragic and interesting to watch her character arc because I always knew. Interestingly she is immediately set up in alliance with Merlin, even though they barely interact. We know that he is a sorcerer, and her first lines are oppositional to Uther's stance on magic, she out of everyone in Camelot seems the most likely ally. This is the start of what becomes parallel character arcs, Morgana and Merlin are both fighting for magic to become legal but they end up going about it in different ways, and one is the main villain, the other our hero. They are the same and yet opposites, and the setting up starts from here.

Arthur:

Arthur appears quite simply to be a spoiled bully, not exactly what we expect from the King Arthur we know and love. The position he starts in though is important for a key element of the story which is Merlin and Arthur creating a better world in many ways directly oppositional to Uther's teachings, based on love, kindness, willingness to put others first and respect for others. Uther's world is one where strength is rewarded and he is (in a more adult way than Arthur) a bully, as we learn later he is someone who takes his anger and fear out on others, who takes advantage of his position to hurt people even those he loves. Uther can be a good king, but not when it asks him to make sacrifices of his worldview or things that really matter to him. Uther teaches Arthur some important things but there are many things Arthur has to unlearn, and these bullish tendencies, and lack of respect for others inherent in them are one of them. We do however see Arthur's inherent nobility and goodness in this episode. When he lets Merlin go because even though he's an idiot "he's a brave one", it shows us how Arthur respects what people do rather than who they are. Uther wouldn't of let Merlin go (though to be fair Uther probably wouldn't of picked a fight with a peasant), he would have thought that the law had to be upheld no matter the individual circumstance. Merlin attacked the prince that is definitely illegal but Arthur respects his courage (even though it came at the cost of his humiliation), and there is something different to Uther in that, even good.

Merlin and Arthur:

This episode aside from setting the tone for the more hilarious aspects of Merlin and Arthur's relationship establishes some other interesting things about what they are going to be to each other in this version of the story. Traditionally Merlin is Arthur's teacher, often tutoring him as a child, obviously this doesn't happen here but they retain that element of teaching here. Kilgharrah literally says that maybe it is Merlin's job to change the fact that Arthur's an idiot. Merlin challenges Arthur from the start, willing to criticise him and treat him as an equal (which Arthur actually appears to love), and we see perhaps what Merlin is going to teach Arthur and the more noble elements of Arthur's character that Merlin's going to bring. It is also only within the context of his interactions with Merlin that we see Arthur's best side (at least in this episode). Merlin shows Arthur that he has to treat all people with respect, Arthur recognises that Merlin is brave and full of qualities that Arthur himself admires. When Merlin saves Arthur's life you can see Arthur re-evaluating everything he thought he knew about him, there is a respect there.

Arthur's Mum Igraine

She's not a big part of this episode but she was mentioned and I think its interesting how she's represented. In many ways her representation is highly simplistic, she falls to the fate of many fairy tale mothers in being dead before the story begins, she's a plot device. She is presented (not outright but implied) with all the stereotypical virtues mothers are ascribed with, the woman who's trying to kill Arthur this episode talks to Uther about how hard it must have been for Arthur to grow up without a mother. It's not a huge scene but its an insight into Arthur's character, he was brought up with all the hate and bullishness of Uther without a mother who could have taught him love and kindness. As we later learn Igraine's death triggered the great purge, her loss very much symbolises the loss of love within the kingdom, both in what Arthur's like at the beginning as well as what Camelot has become under Uther's leadership.

Gwen (and Merlin):

She is wonderful and sweet and interestingly (especially for an audience that knows Arthur is going to marry her one day) a servant. It is interesting that the two people who become in the show (and we know as an audience will one day be) closest to Arthur are servants.

The thing about Arthurian legend is that typically its very much set within a context of Medieval feudalism, which means stringent social barriers. The code of equality inherent in the idea of a Round Table is equality among nobles, the code of chivalry is a code of honour for knights not for ordinary people. It's a reflection of the social realities of the era that inspires much of the aesthetic of Arthurian legend as well as the era in which most key tenants of the legend were formed. In making Merlin (Arthur's teacher & (in this show) best friend/soulmate) and Guinevere (Arthur's wife) servants, this show is changing this idea for one more reflective of our own times. It is about absolute equality of all people, and as I've said already the inherent value that every single human being has and the individual capabilities for nobility and goodness and everything the Knights Code admires. It thus sets the tone for what Arthur is going to represent, not just the ideal of knighthood and courage but the ideal of kingship for all people and the ideal of the world that matters to every person.

The self reproducing nature of love and hate

This is an idea which I've always viewed as the main theme of Merlin, the idea that hate begets itself, as does love. This episode is a perfect encapsulation of that theme which recurs again and again. Uther kills a man who is innocent (in the sense that he didn't actually hurt anybody) and the man's mother seeks vengeance and in doing so kills more innocent people because she hates Uther enough that she doesn't care who else she hurts to get at him. This happens again and again in the show, but what this show does that I love is turn it into a main theme by depicting the reverse. Arthur and Merlin are great because they act against this world of Uther's creation, they act with love and compassion and respect for all people, the ends rarely justify the means and most importantly, especially when their actions seem morally grey, they are always motivated by their love for others (not fear or hate- unlike Uther and any number of villains). Uther is the main villain of the show precisely because it is his actions that create every other villain they encounter, Morgana sums it up nicely and somewhat ominously (given what side she ends up on)- "the more brutal you are the more enemies you'll create". Uther views that brutality as strength, but it is the weakness at the heart of his kingdom, it is what makes Camelot a worse place it is what puts everyone he cares about in danger. Essentially the plot of the first episode sets up the cycle of violence that Uther started, though it doesn't set up Merlin and Arthur as breaking it it does set up the idea of equality and respect for all people that Arthur will learn and is essentially opposed to the brutality and cruelty and hate represented by Uther.

Fun non-analysis things

It mightn't seem like it but I do actually watch Merlin for reasons other than copious analysis of themes. It is a highly enjoyable show with characters and relationships (Merthur but also just generally the wonderful representation of friendship and loyalty) I love, and its actually really funny.

Gwen saying "Who'd want to marry Arthur" is peak comedy because we all know, well you.

The weird set up in Gaius' first scene as him being bumbling and slightly insane (in the mad wise old man sort of way), there is literally no carry through, he's not even like this in the rest of the episode, but its hilarious so who cares.

Merlin and Arthur's whole exchange is the funniest thing and Arthur had every insult coming. Also this is exactly how you set up enemies to lovers.

All the writers names begin with J? It's just something I notice every time the intro credits roll and it's just funny (Julian Murphy, Johnny Capps, Jake Michie and Julian Jones)- also two Julian's, I mean what are the chances?

[gffa]

Honestly, I don’t know.  Both of these characters did love each other very much, but they’re coming at this with a whole lot of baggage. For Anakin:  Despite that Padme never gave him any reason to doubt her, he still couldn’t stop fearing that she was going to betray him.  She made it very plain that she wasn’t interested in Clovis as anything other than a friend, that she had important reasons for working with him, but Anakin time and again kept boiling it down to her having romantic feelings for someone else.

Padme did everything “right” with Anakin, she always treated him with sympathy and softness, no matter what.  She poured all of her love into him, she got swept up in the romance with him just as much as he did many a time, yet he still cannot trust her. It’s the same on Mustafar--she has given every indication that she wants to be with him, wants to have a family with him, wants to leave with him, but he still turns on her and thinks she’s plotting behind his back when Obi-Wan reveals himself.

He’s willing to turn on her with the slightest indication without giving her a chance to explain. She says, “No!  I love you!” and he screams back that she’s a liar and starts to Force-choke her.

This is what Anakin is bringing to this relationship--yes, he’s high on the dark side and this is a really bad critical moment, but that’s what the dark side does.  And further canon (especially Darth Vader: Dark Lord of the Sith and Vader Immortal) really hammer home that he’s unwilling to face his own mistakes about this, that he was responsible, that the dark side twisted him into this. Would he be willing to come back if Padme were still alive, would he be willing to leave the dark side behind for a second chance at a relationship with her? I honestly can’t say.  I suspect not, because as much as he loved her, he didn’t really want to live a simple, quiet life.  He desperately wanted something bigger and grander, he wanted to rule an Empire with her, he wanted to remake the galaxy into what he wanted.  He wanted a shadow of her, this idea of her, not the woman who actually said no to him.

Then there’s the other side of this relationship. For Padme:  She is someone who does try to put her foot down, to set boundaries.  We see that she does this really well in Attack of the Clones, where she tells him, “Stop looking at me like that, it makes me uncomfortable.” But then in that same movie, when he confesses that he’s killed the Tusken women and children, she doesn’t express any horror at this, only comforting him, telling him that being angry is being human.

She sees someone who is in incredible pain, it’s completely understandable, but it also shows that she’s willing to overlook his actions for how sad he was about his mother’s death. By the end of the movie, despite knowing him for about a week, she’s marrying him.  Yes, the circumstances on Geonosis are intense, which will put intense feelings into a boiler pot and make them even more intense, but she’s still known him like a week.  Padme is very much someone who gets swept up in romance and how she feels empathy for Anakin, she aches on his behalf. It’s the same with the Rush Clovis arc in season 6, where he beats the shit out of Clovis because he thought Padme was kissing him and she says they need to take a break.  By the end of the arc, intense circumstances (Clovis’ death, her own almost death) have her setting all that aside again to be with him, to exchange romantic holo-messages with him, to daydream about having their baby together on Naboo. She has seen what Anakin does when he has dreams of someone dying, like with his mother.  He directly says that these dreams are like those and he won’t let Padme die, but she says they’re just dreams. And when Anakin murders the Jedi younglings after having turned to the dark side, Padme’s first response is angry disbelief.

She goes to Mustafar to try to talk him back, but he’s off the deep end, so she backs away, saying, “You’re not the person I married, you’ve become this person I can’t follow any longer.” She absolutely does mean this--but she’s meant it before, too.  And she’s come back before, too.  Even her final words about Anakin are, “There’s still good in him.” because Padme cannot maintain those boundaries. So, I’m not sure how this set-up would necessarily even work, if Padme even could set down the boundary of “turn back to the light or we’re done” and keep it in a way that would actually force Anakin to change.  Because the dark side isn’t just anger, it’s also pain and suffering--which Padme is incredibly vulnerable to in Anakin. If she somehow could maintain that boundary, it’s possible that Anakin would come back, but I wouldn’t be willing to bet money on it.  Anakin has always loved the idea of her just as much as he loves her for herself, so much of their relationship was about his feelings for her, that nothing was more important that the way he felt about her.  And when she goes against what he thinks she should be doing, goes against his feelings that he’s giving her, he gets furious and lashes out.  He’s absolutely willing to physically assault her if he gets angry enough and that trigger is a hair trigger at times. And here’s the other thing:  I think Anakin loved Obi-Wan just as much as he loved Padme, though, in different ways (even if they’re both romantic or if one’s romantic and one’s platonic, they’re still different), he knew Obi-Wan loved him and he knew Obi-Wan would accept him back if he turned away from the dark side.  He knew if he went to Obi-Wan, even after everything, and asked for his help, Obi-Wan would listen to him, would still love him.

In the vision he has in Dark Lord of the Sith, the Force/the kyber crystal shows him this and Anakin’s eyes are blue again, he’s able to make his choice freely, and he rejects it. He rejects coming back from the dark side.  Now, his relationship with Obi-Wan and Padme are different, he can’t break down Obi-Wan’s boundaries the way he can Padme’s, nor does he have the same physical power over him that he does over Padme, the fight on Mustafar illustrates that.  Obi-Wan gives Anakin every chance, the entire battle is written to be like a married couple having a fight where Obi-Wan is trying to give him time to calm down, as well as Obi-Wan will not let this happen, even though he desperately didn’t want it to come down to this. Anakin refused to come back, though.  Once the dark side got its hooks in, once he was willing to murder the Jedi and the Jedi children, once he was willing to help burn the Republic to the ground, he couldn’t go back.  He knew what he’d done was wrong, he was never going to be able to accept someone who knew what he’d done, knew him and what that really meant. That’s why Ahsoka could never have brought him back, either.  Because Anakin hated himself for what he’d done so deeply that he couldn’t accept anyone who knew him, that’s why it could only have been Luke or Leia who made him have his final selfless moment, someone that represented the future, rather than his past.

"Just imagine this person that’s so wrapped up in their hatred for themself as much as external hate, that he just can’t deal with it.  He needs to destroy [Ahsoka].  So there isn’t empathy for her.  I’ve never thought that she could be something that would turn him back from the dark side, because that would completely rob Luke.  That would make it seem like that story was just one possiblity of many, when I think that Luke or Leia are the only possibility of their father’s redemption.”  --Dave Filoni Anakin knew these people that he loved would accept him back, knew they loved him, but he couldn’t face it.  He tries to bring Padme back in Dark Lord of the Sith, when he’s fresh off his turn, but even then it’s just a reflection of himself that he’s chasing after, not really her.  In Vader Immortal he’s also trying to bring her back, but he’s chasing a shadow of her, not really her.  It’s not about her, it’s not about what she would want, it’s not about the horror she would experience at what he’d done in her name (murdering children, murdering entire planets), it’s not about how she would react.  It’s about his feelings for her.  And that’s not something that would bring him back from the dark side. Padme is different in that he’s used to eventually breaking down her boundaries, so he feels a possessiveness towards her that he can’t have for Obi-Wan or Ahsoka (who assert their boundaries and keep them), but ultimately if Padme asserted those same boundaries, if she refused to take him back unless he turned away from the dark side, he would do the same thing he did to her on Mustafar, the same thing he did to Obi-Wan, the same thing he did to Ahsoka--try to kill them, because he cannot stand to look at what he’s done and work through it, he has to keep justifying it or he’ll fall apart and he refuses to do so.

[heauxplesslydevoted]

Green-Eyed Monster (Ethan x MC)

Summary: During a fundraising event for Edenbrook, Ethan’s jealousy gets the better of him.

Warning: NSFW!! 18+

Author’s Note: I wrote this 3 times. I hope you enjoy

2nd Author’s Note: Ethan is canonically rich. And I like reminding y’all of that fact.

Tags: @fanmantrashcan @ao719 @x-kyne-x @colourmeshy @writinghereandthere @paulfwesley @ramseyandrys @a-i-n-a-a-s-h @perriewinklenerdie @aworldoffandoms @thatcatlady0716 @drakewalker04 @canknot @hatescapsicum @lapisreviewsstuff @akacalliope @senseofduties @badchoicesposts @ethandaddyramsey @the-soot-sprite @chasingrobbie @zodiacsign1 @choices-lurker @miyakokurono @trappedinfandoms @my-heart-beats-for-ya @adrian-motherfucking-raines @riverrune @edith-eggs1 @thatysn @bellcat2010 @theeccentricbibliophile @lion-ess24 @contrerascecile @junehiratas @choices-love-affair @openheart12 @kaavyaethanramsey @caseyvalentineramsey

~v~

The ballroom of the Four Seasons is lit beautifully, the Dom Perignon is flowing freely, and he has some sort of fancy crab cake in his hand, but Ethan couldn’t care less about any of it.

He hates parties. That’s not a secret, everyone knows it and he’s always been vocal about it. The board thought getting all of Boston’s elite hoarded into one room was a sure fire way to get them to open their pockets. And by the looks of it, it is working. But Ethan doesn’t care. He doesn’t care about the pomp, the circumstance, the luxury of this ball, or the money that went into it.

He has eyes one one thing, and one thing only. Or, one woman only. Naomi Valentine.

There aren’t enough words in any of the languages he’s fluent in to describe the way she looks. Her normally curly hair is bone straight, falling right down her back, a few strands tucked behind her ears. He likes it like this, his view of her face unobstructed.

And her dress. Scarlet red, downright sinful, the neckline so deep and plunging, it shouldn’t be legal to wear it in public, the material clinging to her like a second skin.

He’s been quietly observing her all evening, watching as various men - and some women - fawned over her, flirted with her, flaunting their wealth, as if she cared about any of it. The only thing Naomi wants is for these people to write checks and save their place of employment.

She danced with politicians, attorneys, trust fund babies, real estate developers, the works. She’s currently swaying on the dance floor with some guy, though he can she’s not into the dance. The mystery man is talking, but he’s not holding her attention, not in the slightest.

But the mystery man makes a mistake. Ethan watches as his hand slides down her back, landing on the swell of her behind. Not wanting to cause a scene, Naomi simply twists out of his grasp.

Naomi has the situation under control. He sees that clearly, but Ethan doesn’t care. He doesn’t like that someone else is touching her, especially so intimately. Anger swells in the pit of his stomach.

He can’t stop him himself, even though he knows he should. He gets up from his seat at the bar, leaving the tiny crab cake, and marches over to where they’re at.

Wanting to make his presence known, Ethan clears his throat. The action garners Naomi’s attention and she stops dancing.

“Ethan!” She exclaims brightly. “How nice to see you.”

“Rookie,” Ethan greets back, purposely ignoring the man she’s standing next to. “Care to dance?”

“She’s a little busy, pal!” Ethan hears the man talking, his shrill voice a nuisance in Ethan’s ear, but still he pays it no mind.

Naomi is nicer than him though. She smiles at the other gentleman politely. “I’ll save a dance for you, Carl! And you can tell me all about your new yacht.”

That seems to do the trick as the man steps aside and walks off.

Ethan holds out a hand for Naomi, which she eagerly accepts. They begin swaying in time to the music. “You looked like you needed a save. That guy was too handsy.”

“I was managing him just fine, but thank you anyway,” Naomi replies. “He was just so dull. Most of these people are.”

“I’d never know it by looking at you. You have a much better poker face than I do.”

“I grew up around people like this. I know how they operate. Give them a few well-placed compliments, and they’re putty in your hands.”

Ethan doesn’t have a reply for her. He just holds her close, vaguely aware of their surroundings. “Have I mentioned how beautiful you look tonight?”

“Yeah?”

“Yeah. Red looks good on you.”

“It happens to be my boyfriend’s favorite color,” Naomi explains, her hand mindlessly stroking the back of Ethan’s tuxedo jacket. “I wanted something to really wow him tonight. Do you think it’s working?”

“Oh you have no idea how well your plan is working, Rookie.”

She pulls back only slightly, looking at Ethan’s face. His blue eyes have grown darker. “I think I have some idea the effect I have on him.”

Three months. It’s been three months since that fateful night at Ethan’s apartment where he kissed her. After that, the doctors decided to see if their mutual attraction towards one another was worth exploring.

And while no one else knows of the relationship, opting to keep it just between them for as long as they could, Naomi and Ethan had never been happier.

“You look so beautiful tonight, and every guy in here is ogling you.”

“Ogling?” Naomi rolls her eyes. Ethan could be so dramatic when he wanted.

“Yes, ogling. I’m not a fan of it.”

“Well, you’re going to absolutely hate what happens later,” Naomi says with a sigh.

“Why, what happens later?”

“The auction.” Naomi swallows hard. “I’m one of the doctors participating in the people auction.”

“What?”

“My friends all volunteered, and they signed me up as well. I couldn’t say no, they all think I’m single and it’d just raise too many questions.”

Ethan frowns. The thought of these rich scumbags fighting over a chance to take his girlfriend out on a date didn’t sit well with him. It was annoying enough not being the only one she danced with throughout the evening.

“I’m sorry I didn’t tell you sooner,” Naomi continues. “But they sprung it on me yesterday, and I knew you would be upset. Please don’t be mad at me.”

He sighs. “I’m not mad at you. I just don’t want anyone else getting a chance to wine and dine you.”

“You worried I’m going to leave you for one of these pretentious bores?” Naomi smiles, teasingly. “You know better than anyone that rich and old happens to be my type.”

Ethan’s hand travels down the small of her back, and he feels her shudder under his featherlight touch. “What did I tell you about calling me old, Naomi?”

“I like seeing you jealous,” Naomi continues.

“Is that right? Was that your plan all along, to make me envious of the other people here tonight?”

She shakes her head. “No, it happens to be an unintended outcome of the evening, but I’m happy nonetheless.”

Without warning, Ethan pulls Naomi flush against him. A quiet groan escapes her upon contact with him. She looks around to see if anyone heard anything. Thankfully, everyone else is too wrapped up in their own dancing.

Ethan lowers his head close to her ear, just to make sure no one else is listening. His breath is warm on her neck and he feels her shift her weight from one foot to the other, squirming. “I’m really tired of sharing you.”

“Oh, really?” Ethan can hear the challenge in her tone. “Well, there’s still a few more hours left in the evening. I think you can be a team player until then.”

“But I don’t want to be a team player.” His hand is on her hip, squeezing so fiercely through her dress, Naomi is sure she’s going to bruise. She likes it. “You, in this god forsaken dress, waltzing around here with men that would kill for even 5 minutes alone with you? How ever will I survive?”

“You’re a patient man,” Naomi says. “You’ll manage.”

Ethan spins Naomi away from him, and she twirls back into his arms. The song that’s playing reaches its crescendo, and he can tell it’ll be over soon. “I won’t. I want you all to myself.”

“Yeah?”

“I want you, all alone with me, in our room,” Ethan whispers.

Naomi surprised him earlier, getting them a suite for the evening. She knew that with all the drinking they’d be doing, driving home was going to be impossible. Plus, it’d be a fun little retreat, a romantic night for just the two of them.

“I want you out of this dress,” Ethan continues. “I want you under me, writhing uncontrollably.”

“Ethan…”

“Saying my name, just like that. Or louder, I’m not a picky man.”

Thank God he’s holding her, because her knees are buckling. Liquid heat pools in the pit of her stomach, and she rests her head on Ethan’s shoulder. She pants hard, trying to keep her composure. They’re in a crowded room, full of colleagues and Boston’s most influential residents, and she’s getting dizzy with desire.

“That sounds fun.”

“You think you can make it upstairs in 10 minutes?” Ethan asks. The song ends and he steps back, letting Naomi go. She wobbles slightly, adjusting to standing on her own two feet.

Once she’s steady, Naomi clears her throat and locks eyes with the man in front of her. “I’ll meet you there in 7.”

~v~

Naomi makes it to their suite in 6 minutes, tops. As soon as she saw him swagger out of the ballroom like the smug jackass that he is, she grabbed another champagne flute and quickly downed it, letting the bubbles coat her tongue. Once she’s done with that, she makes her own exit and heads off to meet Ethan.

Their suite is lovely, with a gorgeous view of Boston Common. On any other day, Naomi would be able to appreciate that, but not now. 

She pushes open the double doors to their bedroom, and she finds Ethan. He’s staring out the window thoughtfully, but her entrance gains his attention.

He checks his watch with a smirk. “You got here sooner than I anticipated.”

“What can I say? You were down there making some pretty hefty claims. I had to see if you were really going to put your money where your mouth is.”

“I plan on putting my mouth on a lot of different places, Rookie.” Ethan shrugs off his tuxedo jacket, tossing it onto a nearby chair and he loosens the cuffs of his shirt. Slowly, he walks over to the large king-sized bed and sits casually. Crooking a finger, he summons Naomi over, and she nearly trips over herself in a rush to be near him.

Neither one of them speaks as Ethan silently appraises his girlfriend, figuring out where to start first.

He picks her feet, and he bends down, his fingers reaching her ankle where the shoes are strapped. “How attached are you to these shoes?”

Of all the things he could’ve said, that wasn’t what she was expecting. “W-what?”

“I’m trying to figure out how much care I should exercise with them,” Ethan explains.

“They’re Aquazzura and they cost me $800. If you break the strap or the heel, I can’t be held responsible for whatever harm comes your way.”

“Even if I replace them?”

“Even then.”

“Fair enough.” Ethan carefully unbuckles her heels and she steps out of them. He trails a finger up and down the back of her calf, reveling in the softness of her skin before looking up at her. “Take off your dress.”

“You don’t want to do the honors?”

“Trust me, I do. But if I get my hands on it, I can’t promise that I won’t rip it off of you.”

Naomi’s very tempted to let him do just that, but she reaches around and unzips it herself. It falls to the floor in one fell swoop, and she steps out of it.

The dress didn’t call for a bra, so Ethan is rewarded with an uninterrupted view of her. He sucks in a deep breath at the sight. Naomi in that dress was a vision, but this is her in his favorite form.

He hooks his fingers into the waistband of her thong and he slides it down. She does the rest of the work and impatiently kicks it away.

And now she’s just standing here, stark naked, subject to his piercing gaze while he’s still fully dressed. The obviousness of the power dynamic makes her shift uncomfortably.

Ethan grabs her hips and pulls her forward, so she can straddle his lap. His hands find her face and he cradles it. “You’re so beautiful.” His mouth crashes against hers, not allowing her the chance to reply to the compliment. 

Naomi grabs hold of his shoulders in order to not fly backwards due to sheer force. Ethan set an undeniable tone. Urgent, hot, demanding. His hands keep her in place, locked in the sensual embrace. Not that she’d ever willingly leave his arms, now or ever.

His tongue invades her mouth, clashing with her own and he groans. He can still taste the champagne on her, something light and bubbly. It’s intoxicating.

All too soon, Ethan breaks the kiss, leaving Naomi breathless and buzzing with energy. His hands leave her face and roam freely, exploring.

“I have a challenge for you,” he says, his lips finding the column of her neck.

He sucks on her pulse, and she finds it hard to concentrate. “Huh?”

“I want you to stay quiet. Absolutely no sounds.”

“I thought you wanted me saying your name.”

“You will,” Ethan assures her, and the promise makes her stomach clench. “But right now I want you to be quiet.”

“And if I don’t keep quiet?” Naomi challenges. Ethan cups one of her breasts in the palm of his hand and squeezes, the pad of his thumb circling her nipple.

“Then you don’t get to cum. I go back downstairs and I leave you here like this.”

“You wouldn’t dare.”

With a raised eyebrow, Ethan pulls at her nipple, twisting it between his thumb and index finger. Naomi gasps. “Are you willing to challenge me on that?”

Naomi’s head is fuzzy but she swallows hard. She nods, not willing to test him on this front. “Fine. I’ll be quiet.”

Ethan smiles. “Good.” He kisses her with a renewed energy and his unoccupied hand travels down to her thigh, his nails scraping against the flesh. 

Naomi bucks in his lap. She’s shaking and her fingers are digging into his shoulders. The anticipation of what he’s going to do is killing her and she’s almost afraid to breathe.

His finger slides between her thighs teasingly, and before she gets a chance to respond, Ethan slides a single digit between her folds. It catches her by surprise and she gasps.

Ethan tsks one disapproval. “Silence, Naomi.”

Fuck you, she thinks, but she obeys regardless. Her nails dig deeper into his shoulder blades and she tries her hardest to stay quiet.

He moves at an unnaturally slow pace, not allowing Naomi to settle into a rhythm. Any other time, she’d spur him on. “Harder, deeper, more,” is what she wants to say, but he’s cursed her with silence. Instead she buries her face in the crook of his neck.

Ethan continues his torture, enjoying the view. A hot and bothered Naomi is a sight unrivaled, and he’d keep her like this forever if it was possible. He can feel the tension rolling off of her in waves, all the muscles in her thighs and abdomen tight with the effort it’s taking to keep quiet.

He adds another finger and groans. “Fuck, Rookie. You feel so good. So tight, so wet, and all for me.” 

She needs to breathe. Her lungs are tight, her chest heaving against his, but he has her walking a tightrope right now, and one false move can end it all.

“You’re so beautiful like this,” Ethan continues, the rough pad of his thumb sliding against once, twice, three times. “And you’re all mine. How did I get so lucky?”

Naomi’s skin flushes furiously. He knows she’s has kink for him talking during sex. On their volition her hips rise and fall, rise and fall, trying to keep pace with him. As soon as she does, his fingers slow down, dragging her from the edge of ecstasy, before speeding up again.

He does this repeatedly, the randomness of his movements making her head spin. Every nerve in her body is on fire, and she can feel the pressure building in the pit of her stomach.

So close, so close, don’t stop, plays in her head on a continuous loop as Ethan keeps working against her. The pressure builds, a heat settling in her veins and before she can stop herself a quiet, “Yes,” slips past her lips.

The energy in the room changed instantly. Ethan stills his fingers, then removes them, and Naomi feels the panic bubbling up and she pulls back to look Ethan in the eye.

“Oh, Naomi,” Ethan frowns.

“Don’t stop.”

“You violated the deal, Rookie. You were supposed to be quiet.”

She could cry in this moment, the frustration too much to bear.

“And you were doing so good,” Ethan adds, kissing the side of her head. “You were so close, weren’t you?” He toys with her, his finger sliding up and down her slit, doing nothing more than teasing her entrance.

When she’s back to herself, and not the ridiculous mess of flesh and lust that he’s reduced her to, she’s going to fucking kill him.

A whimper is pulled from her throat when his fingers plunge into her again.

“Come on, Naomi, I’m allowing you to use your words. Tell me how close you are. Let me know how badly you want to cum. You’re right there.”

Naomi really doesn’t not want to give him the satisfaction of begging, stroking his ridiculous ego, but there’s no room for foolish pride when your boyfriend has his hand between your legs.

She moans, broken and terse. Now that she’s finally allowed to talk again, words escape her.

“Please…” is the only speech she’s finally able to muster up. Groundbreaking.

“Please, what? What do you want me to do to you?” His finger thrusts into her again without warning, slow and languid. “Do you want me to do more of this?”

“Yes! Ethan, please dontfuckingstop!” She’s not sure if the words are coherent, but she doesn’t care. She got them out, and that’s what matters.

Ethan smiles, his mission accomplished. “See? That wasn’t so hard, was it?”

The teasing doesn’t register because all Naomi can focus on is the pounding of her pulse, the feeling of his hands, the smell of his cologne. She can feel it building again, the fire deep in her core. She’s so close. So cl–

He stops. Again. This time, he wraps an arm around the small of her back and flips them, Naomi’s back hitting the soft down comforter dramatically.

Now she wants to scream at him. “Ethan, I seriously cannot–”

Ethan doesn’t give her a chance to chastise him because in a flash, he’s dropped to his knees, his hands on her ankles pulling her forward on the bed with an unexpected roughness.

“Be as loud as you want now, Naomi. I think you’ve more than earned it.”

His beard scrapes against her inner thigh, and god, she’s glad she convinced him to keep it. Slowly his tongue darts out, flattening against her folds.

Her hips fly off the bed against her will, arching to meet his mouth. Grabbing a fistful of his hair, Naomi pulls, keeping him in place. “Fuck!”

The expletive works as encouragement and Ethan continues this work, his tongue alternating between expertly lapping at her folds and flicking against her clit. Naomi grips his hair tighter, earring a deep growl from Ethan. The vibration alone is enough to send her flying.

“Please, right there,” Naomi begs. If he kept it up just a little while longer, she’d finally get to taste the release he’s denied her.

His fingers nudge at her entrance again, sliding in with ease, and lips wrap around her swollen nub and he sucks hard, and that’s all it takes.

Her orgasm is something that’s long and drawn out, a culmination of teasing, anticipation and sheer relief. Her entire body goes tense as the sensation holds her in a vice grip, and then finally, she relaxes, falling back onto the bed.

“You okay?”

She can’t tell if Ethan’s genuinely asking or if he’s being cocky. It doesn’t matter either way. “I’m dead. You killed me. RIP Naomi.”

“Yeah?”

Naomi nods. “Yeah.”

“Good. Because we’re just getting started, Valentine.”

Ethan stands up and quickly unbuttons his shirt, letting it slide to the floor next to her dress. Next are his shoes and pants. Any other time, Naomi would be right there with him, on him liking a second skin, helping him get rid of the clothes, but every bone in her body feels like it’s been replaced with Jell-O. She’s content just watching this time around.

He slides his boxer-briefs off, not intentionally putting on a show, but Naomi can’t help but stare. For all the compliments he pays her, Ethan, naked and painfully hard with arousal for her and her alone, is a masterpiece.

In a flash, he’s all over her, his hands interlocking with hers above her head, pressing her into the mattress. Ethan captures her in a heated kiss the moment he enters her, swallowing whatever guttural sound she was going to make.

His thrusts start out slow and measured, but they quickly grow more frenzied as his control over the situation slips. Naomi arches, desperate to meet his pace, but she’s crushed under him, pretty much immobile.

Needing to do something, Naomi swings her thigh over him, the heel of her foot pressing into his lower back. The pressure forces him deeper, something she didn’t think was possible.

Her head snaps back pressing further into the mattress and Ethan takes advantage, his mouth finding purchase on the exposed skin, planting hot, open-mouthed kisses along the column of her neck before sinking his teeth in, biting down hard before soothing the flesh with his tongue.

That’s going to leave a mark, but that’s nothing Naomi can bring herself to care about because the mix of pain and pleasure is heady and all-consuming.

The obnoxious bite is a sign. He wants to claim her, mark his territory. She knows he has a possessive streak, but this is new.7

“Ethan, oh god.”

She can feel him smirking against her, and his thrusts pick up in tempo once more. “Say it again,” he demands, groaning into her skin.

“Ethan,” Naomi repeats, her voice going up an octave. He’s about to make her cum again, she can feel it.

He frees her hands, and while she enjoyed the intimacy of the position, she’s glad to be free. Her hands roam, one gripping the hair at the nape of his neck, the other digging into his shoulder blade. His hands grip her hips, somehow pulling her even closer. 

“How close are you?” Ethan asks, his voice gruff.

“V-very.”

The thrusts become sloppier as they both chase the inevitable release. Soon the only sounds that can be heard are their shallow breaths and their slick skin colliding against each other.

Fire floods Ethan’s veins and he reaches between them, pinching at her bundle of nerves once more. A pleasant growl settles in his chest at the way she clenches around him.

“Let go, Naomi,” Ethan demands. “Right now.”

The command is more than enough to send her over the edge again, her body tensing, toes curling. She comes undone with a silent cry, her nails piercing into the skin of his back.

Her release triggers his own. It doesn’t take much, one more deep thrust and he moans, spilling inside of her, hot and urgent.

He rolls off of her and Naomi inhales deeply, not realizing just how crushing his weight was. Neither one of them says anything for a while, just trying to catch their breath and get their heart rates back down.

“Fuck,” Naomi says, still shaky and breathless. She turns her head and looks at Ethan with a smirk. “I should get you jealous more often.”

~v~

The couple takes their time getting dressed again, not yet ready to go back downstairs. They lazed around in bed for a while before taking the world’s quickest shower and searching for their clothes that are scattered around the suite.

“How long have we been gone?” Naomi asks, sliding on her shoes.

“Too long.”

“I know my friends are wondering where the hell I am.”

“I’m sure you’ll find an excuse.”

 “Of course. I’m nothing if not quick on my feet.” Naomi turns around and sees Ethan readjusting his bow tie in the mirror. She walks over and leans into his side. “Is it bad that I just want to stay up here with you?”

“Don’t tempt me.”

“What if I want to tempt you?”

Ethan groans and drops a kiss onto the side of Naomi’s head. “You little seductress. Don’t you have an auction to be a part of?”

“About that, I wasn’t thinking. If you’re really uncomfortable, I won’t do it.”

Ethan dismisses the statement with a hand wave. “Nonsense. You’re a big girl, I trust you, and if you want to do it, you should. Besides, I have a feeling you’re going to make this hospital a lot of money.”

“Okay.” She spins around and poses dramatically. “How do I look?

“Like you just got thoroughly ravished by your boyfriend. Absolutely perfect.”

Naomi makes it back down to the ballroom by herself. It’s later in the evening, so more people are out on the dance floor, and the drinks are still flowing.

Sienna is the first one to spot her. “There you are! I’ve been looking all over for you. Were you getting any of my texts?”

“Sorry, Si. I haven’t checked my phone all night.”

“Where the heck have you been?” She asks.

Naomi shrugs, noncommittal. “Wandering around mostly. This hotel is huge, I almost got lost.”

“What happened to your hair?”

Naomi touches the crown of her head. While she was getting freshened up, the humidity of the shower made her curls come back, so she decided to throw it in a messy bun.

“I got really warm,” Naomi explains. “It was too much effort to keep it down, and it was making my neck and back hot.”

Sienna seems to believe the excuse because she simply shrugs and nods. “Okay!” She grabs Naomi’s hand and drags her along. “Come one, Dr. Banerji says it’s almost time to start the auction.”

All of the people participating in the people auction line up on stage, as Naveen acts as the emcee.

It wasn’t just people auctioning themselves off for dates. A Celtics player offered up seats in the VIP suite at their arena, restaurants offering certificates to get private dining experiences, Ethan even offered up his box seats at the Citizens Bank Opera House for one evening.

When they got to actually auctioning off dates, Bryce was naturally a hit, with two women bidding back and forth until $1500 was reached.

“And for our next participant of the evening, we have Dr. Naomi Valentine!”

Naomi steps up to the podium next to Naveen and she’s met with polite applause from the audience. She’s never been shy before, but being part of the crowd and looking down on them are two different experiences.

“Let’s start the bidding at $100.”

“$100!”

“$150!”

“$150, do I hear $200?”

“$250!”

“Someone’s eager!” Naveen teases. “How about $275?”

$400!”

“$450!”

This goes on for a while, various men throwing out numbers, vying for Naomi’s hand.

“$2000!” Naomi scans the crowd and sees it's the guy she was dancing with earlier before Ethan cut in Carl Something or Another.

“$2000! $2000 going once, going twice–”

“$15,000!”

The number is so not what Naomi was expecting to hear, she nearly loses her balance. Holy shit, someone wanted to spend that much money? On her?

Murmurs fill the crowd as the guests all turn to one another, gossiping aloud.

“$15,000 going once, going twice, sold!” Naveen scans the audience and chuckles. “Sold to Edenbrooks’ very own Dr. Ethan Ramsey! Step up and come greet your date, son!”

Naomi’s eyes nearly bug out of her head as Ethan saunters onto the stage, a lopsided grin on his face. Naomi can feel the arrogance rolling off of him in waves.

All of the Edenbrook employees in attendance immediately begin talking. Of course there was talk of Ethan and Naomi maybe being a thing, but this confirms it.

“What on earth are you doing?” She asks, looking around. Everyone’s staring at them.

“Bidding.”

“A small down payment on a house?”

“What? I can afford it.” Ethan shrugs. “Besides, you couldn’t have possibly thought I was going to let someone else get this honor.”

Naomi narrows her eyes at him and laughs. “You know, you’re really crazy when you’re acting possessive and jealous.”

“I know.” Ethan steps forward and wraps an arm around Naomi’s waist. “And you love it.”

“I kind of do.”

He kisses her, earning a few whoops and whistles – and one rogue “Get it, Nay!” from Sienna – from the crowd. When he pulls away, the apples of Naomi’s cheeks are a deep red, not used to this level of attention all at once.

“So, now that I’ve proved my point, how about we get out of here? I think I need to take you on a date that’s worth $15,000.”

[forevercloudnine]

batman forever riddlebat ship meme

(This one was inevitable. God, do I love this movie. @heroes-etc​ gave me questions from this ship meme.)

2. Who is the most insecure and what makes them feel better?

The obvious answer here is Edward because he is... clearly and pathologically insecure in his identity and requiring outside approval. You could argue he gets over this once he adopts his flamboyant supervillain identity, but as soon as he steps out of it to be Edward Nygma again he’s as self-conscious as ever. On some level his Bruce cosplay at the Nygmatech party is probably supposed to be a dig at his former idol, but it’s pretty transparent that he’s paranoid about not measuring up, especially once Bruce actually walks in.

As for what makes him feel better, two obvious high points of his self-esteem right off the bat (lol) are when Bruce is giving him positive attention in his intro scene, and directly afterwards when he’s murdering his boss for ragging on him.

Of course, neither external validation or murder is, like, a permanent solution to insecurity. Obviously. If they ever got together Bruce would probably make him go to therapy, which would be incredibly hypocritical because, as Dr. Meridian points out in this movie, that’s not exactly something Bruce is doing. Although in Bruce’s defense, if you count the novelizations as canon for this continuity, the psychiatrist Alfred hired for him as a child basically wrote him off as a lost cause that was going to inevitably self-destruct at some point in adulthood. So I can see why he’d think therapy isn’t for him. 

"Young Bruce may seem quite the stalwart, but there’s still a child beneath that veneer of calm acceptance [...] The day will come when that veneer crumbles, and the boy reacts to the memory of his ordeal. Such matters may be postponed, but not indefinitely. And the longer this one is delayed, the greater the damage will be to his psyche.”

“Still,” Alfred pressed. “How do you think this will all come out? Off the record, if you prefer.”

Another pause. “I am not terribly optimistic,” the stout man admitted. “But I assure you, I will do my best.”

Alternatively, Bruce just lets Edward borrow his clothes and calls it a day. It’s less time consuming than therapy and both the movie and novelization demonstrate how into that Edward is.

He was murmuring to himself, “We’ll probably be dining at Wayne Manor together.” He envisioned Bruce sitting across from him, and began to launch into a narrative [...] “Yes. Yes. A Party in my honor? I should have rented a tuxedo. What?” he couldn’t believe it, “One of yours, Bruce?” He gave it a moment’s thought and then shrugged. “Why not? We are the same size.”

3. Who is the most romantic?

 Uh, not Bruce! Batman Forever is the most thoughtfully romantic he gets in the entire series, and even here his only two dates ideas are “whatever Gotham social event my secretary tells me I need a date for” and “coming on to my date in my alternate identity to see if she loves me enough not to cheat on me with Batman.” Also, he vacillates between staunchly refusing to do any flirting at all and dishing out the least romantic pick-up lines possible.

You say “bad writing,” I say “totally in character for a hot rich guy who knows that this is as hard as he has to try to get into someone’s pants.” Bruce might love his partner with the intensity of a thousand dying suns, but he’s still sending Alfred to buy all their Valentine’s Day presents. His idea of a romantic evening for two is finally trusting someone enough to tell them his secret identity. If he’s done that already, or they already figured it out, then his playbook is over. That’s clearly the only romantic fantasy he’s ever allowed himself.  

(I was going to say he does this once every movie, but he actually never does this in Batman & Robin specifically because he doesn’t actually care about Julie Madison. She proposes to him and he gets her name wrong while shooting her down. Add that to the “Bruce Wayne isn’t romantic” box.)

The ridiculous amount of magazine cut-outs populating Edward’s apartment indicates that he probably has a very vibrant and extensive set of fantasies involving Bruce, which is hinted at a couple times in the novelization.

Edward would certainly know him when he saw him. He’d spent enough time anticipating the moment, after all [...] Finally he was going to be meeting Bruce Wayne face-to-face, and he had every moment of the encounter scripted [...] He’d rehearsed it to perfection in his mind for weeks upon months.

In the grand scheme of things... in the fabulous, sweeping, intertwining destinies of Bruce Wayne and Edward Nygma, such a slip would not even rate a footnote.

He becomes suddenly and painfully aware that if Bruce Wayne walked away without Edward Nygma by his side, then that would be it. It would be finished. All these weeks, months... indeed, a lifetime of planning... and it was crumbling under him just like that.

Of course, that doesn’t necessarily mean his fantasies are all romantic in the traditional sense of the word. This is a man who was charmed by Harvey holding a charity circus hostage with some kind of graffitied missile warhead. Tonally, there’s not even that much of a difference between his crush collages and his riddle death threats.

What’s weirder, using a magazine cutout of someone you hate to make a pop-up card of their face, or using a magazine cutout of someone you love to replace the anatomically correct heart in the cardiovascular system diagram you keep in your apartment/arcade/makeshift laboratory? Probably the former, since it was made with the express purpose of Bruce actually seeing it. Although presumably Edward was planning on taking Bruce to his apartment at some point? And in the novelization, he actually drags Bruce into his cubicle to look at his Wayne Shrine.

He grabbed Bruce’s arms and shouted “No, don’t leave me! I need you!” [...] Bruce was thunderstruck as he was pulled partway into Edward’s office... and then he caught sight of the shrine. 

Edwards’s head bobbed eagerly. Now, finally, Bruce would understand the depth of Nygma’s devotion to his idol. He would see how important he was to Nygma.

Notably, the only thing that upsets Bruce about the fact that one of his employees has a serial killer wall dedicated to him at their work station (@heroes-etc: realistically.... IS this the first time this has happened? i doubt it.) is the fact that the shrine includes a picture of him taken directly after his parents’ death, which is obviously a huge trigger for Bruce’s PTSD.

Wayne’s gaze zeroed in on the picture of himself as a young man. 

The eyes of Wayne the elder locked with Wayne the younger, and when he slowly turned his scrutiny back to Edward Nygma, Edward could feel the temperature in the cubicle drop to subzero.

Later, once Bruce isn’t being actively reminded of the most traumatizing day of his life, he reflects that he could probably relate to Edward’s specific brand of crazy, and hopes that it’s not too late to try again (it is).

He paused momentarily at Edward Nygma’s cubicle, thinking about the intensity he’d seen in the man’s eyes the other day. Nygma’s ideas might have been a bit odd, but that sort of passion—if properly channeled—could accomplish miracles. That was something Bruce Wayne certainly knew better than anyone else. Perhaps after this fiasco was the time to take Nygma aside under less-pressured circumstances. Start again...

With any other character, I would call bull on their being this unphased by someone being obsessed enough with them to build a stalker shrine, but, like. It’s Batman. He probably has a stalker shrine to Michelle Pfeiffer Catwoman in his cave somewhere. When they start dating, Edward mails the weirdest magazine cutout valentines to his office on the regular, and every time Bruce has to assure his staff that it’s not a ransom letter and it’s just “his boyfriend being romantic.”

9. What is the most embarrassing thing they have done in front of each other?

I mean, by most people’s standards, any one of the things that Edward does in front of Bruce could easily be the most embarrassing thing to happen to them in their lifetime. But for the most part, Edward seems blissfully free of that kind of self-consciousness. He accidentally introduces himself to Bruce as “[extended moaning sound] Bruce Wayne” and shakes it off without even registering his mistake. Even when he feels like Bruce has rejected him and his project, his emotional state is more shocked, saddened, and angry than it is ashamed. He does apologize to Bruce, during the scene where they first meet, for holding on to his hand too long during their handshake. And by “handshake” I mean that Bruce extends his hand to be shaken, and Edward just grabs on and holds it without any motion whatsoever for the entire first half of their conversation. Which might be the only time he ever apologizes in the entire movie. So I’ll say that was his moment of embarrassment.

Bruce only really embarrasses himself in front of Alfred, but Edward does manage to trick Bruce into getting scanned by his mind reading device at the Nygmatech party. Being tricked in general would be pretty awkward for Bruce, since this movie goes out of its way to show the audience how SMART and CLEVER and KNOWLEDGEABLE ABOUT BRAINWAVES Bruce is at every opportunity. But being tricked into getting your mind read is about a million times more embarrassing than just running into a wall like some kind of Looney Tune. Obviously having access to Bruce’s mind allows Edward to figure out that his former boss/current obsessee is Batman, but also it’s just got to be super weird in there. Bruce is a bizarre man.  

12. What first changes when it starts getting serious?

Whether he’s idolizing Bruce or plotting his destruction, Edward is still seeing the subject of his lifelong obsession as a larger than life exaggeration of the real man. Some of that pedestal would probably survive into the beginning of a romantic relationship, but by the time they got serious Edward would have had to recognize that Bruce has both positive and negative traits. He would also have had to grapple with the fact that the man he once assumed would make everything in his life better is a lot of work to be around, especially in this movie’s continuity where the trauma of his family’s death and his guilt over allowing enemies like Joker to die are genuinely affecting Bruce’s day-to-day functionality.

(A lot of things, Chase.)

Edward’s introduction scene demonstrates that he doesn’t see Bruce as having these kinds of problems. His Escapism Wish Fulfillment Device TM is clearly a very personal project for him, since he, you know. Is kind of already living in a Bruce-centric fantasy world.

When he’s pitching it to Bruce, however, he states that he doesn’t think someone like Bruce would ever need to escape reality (which could just be ingratiating flattery, but he barely seems aware of what he’s saying at the time because he’s too busy staring with his mouth open at Bruce putting on glasses).

(Side note: an interjection from @heroes-etc​

Anyway, moving on.)

Obviously we know he’s wrong, since Bruce escapes his reality every night by dressing up like a bat and scaring people. Normally that’s just subtext (or me being cynical and creating subtext), but Batman Forever introduced a hot psychiatrist who is constantly poking at Batman for being a power fantasy created by a traumatized mind to cope with intense feelings of helplessness in childhood. 

 The novelization makes it clear that it’s not the illusion of perfection that Edward is attracted to, however. The picture of Bruce in Crime Alley is what kickstarts Edward’s obsession, not because Bruce seemed flawless but because he seemed to be going through similar pain as Edward (whatever Edward’s pain even IS in this continuity). So I think recognizing Bruce’s issues would be less of a dealbreaker and more of a point of connection, were they to get serious.

He saw, there in Bruce Wayne’s face, an intensity that mirrored his own. An anger, a frustration at the hand that fate had dealt him. There were no tears on Bruce’s face. Instead there was a smoldering intelligence that Edward intuitively sensed was on par with his own. 

There was something in Bruce’s eyes, something in that gaze. There was Bruce, in a moment of raw emotion, his parents just having been cruelly taken from him. And there was no self-pity. Just cold, hard anger.

[...] Ed still had the newspaper with him when he was walking home from school. Not that he needed it to read; the contents were safely locked away in his skull, thanks to his photographic memory. But he wanted to clip out the articles and pictures about Bruce Wayne. He found the young man fascinating, as if he had discovered a soulmate of sorts.

For Bruce, on the other hand, getting serious presumably just means attempting to include Edward more and more in the found family he builds in the latter half of the 90’s Batman movies. Alfred approving a love interest is not quite as tantamount in this continuity as it is sometimes (Micheal Gough Alfred is pretty laid back), but Bruce is still spending all of his non-Batman, non-socialite time with his butler. So if Edward wants to hang out with Bruce, he has to either get on Alfred’s good side or prepare for a lot of “romantic quality time” where his boyfriend’s dad is glaring at him from the background.

Dick is less important to get on the good side of, since he and Bruce argue all the time in these movies (apparently one of the proposed scripts for Batman & Robin was Bruce kicking Dick out of the house and making him go to college, where Dick would cope with his dad-related anger by bullying his psychology professor Dr. Crane into becoming a supervillain. I personally feel like I deserved to see that Scarecrow origin). So if Dick doesn’t like Bruce’s new boyfriend, it’s just one more thing for them to be catty to each other about.  

Alfred’s niece Barbara Wilson on the other hand (who is adorable as a fusion of Barbara Gordon and Julia Pennyworth, do not @ me) would be absolutely vital for Edward to win over, because her opinion could easily either make or break his standing with her uncle. Also Bruce decided to adopt her within five minutes of meeting her, so he’s obviously fond.

19. Where do they go on their first date?

Edward’s fantasy sequence in the novelization makes it obvious enough that he would really, really like to have dinner at Wayne Manor. Hanging out at someone’s house isn’t really a traditional first date, especially if one of you is a billionaire who could have taken you literally anywhere, but clearly none of that matters to Bruce, because that’s exactly the first date he invites Vicki Vale on in Batman (1989).

It’s pretty painfully awkward (“You want to know the truth? I don’t think I’ve ever been in this room before”) until Bruce gives up on the formality and takes her down to eat the rest of their courses with Alfred in the kitchen.

I feel like his first date with Edward could probably go the same way, with a few major differences. One, Edward would have been super enthused about eating in the fancy dining hall, and Bruce would have only suggested finishing their meal in the kitchen because Edward clearly wanted to see As Much Of The Manor As Possible. Two, when Alfred offers to stop embarrassing Bruce and leave them alone for the end of their date, Edward would have insisted he stay and break out the baby albums. You cannot convince me that Alfred is not a scrapbooker. Actually, does what Edward’s doing count as scrapbooking? Maybe they could compare notes.

[ivarthebadbitch]

Strange things can happen

Chapter 17 summary: The real work begins.

Canon divergent, everybody lives, arranged marriage AU after 4x14. Read this chapter on Ao3.

Previous chapters: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16]

On Ao3: [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16]

Pairings: Ivar x OC, Ivar vs. basically everyone

Warnings: None

Word count: 1831

Notes: This is it! Thanks to all for the likes, reblogs, comments...every single one is appreciated <3

Tagged: @youbloodymadgenius @heavenly1927 @nukyster-blog @bae-roman @adhdnightmare @danisnotsosecret @punkrocknpearls @istorkyou

CHAPTER 17: Strange things happened

“Well, this is unexpected news,” Ecbert remarked over breakfast to his granddaughter and her husband. “You’re absolutely certain you consummated the marriage?”

Aldreda and Ivar glanced at each other and then looked away, both turning red. Ivar cleared his throat. “You did instruct me, King Ecbert.”

“So I did,” he said. It still seemed rather unlikely. He glanced at Ragnar on the other side of the table, who was rubbing his eyes blearily as Ubbe leaned over to whisper something in his ear. For once, the Northman seemed significantly more hungover than Ecbert after a late night of drinking, discussion, and sundry other activities. Ragnar briefly met his eyes and then slumped down in his seat, tilting his head back. 

“Aldreda,” Ecbert addressed his granddaughter. “Is this true? Lying is a sin.”

“Father…” Aethelwulf complained, gesturing around the table at Aethelred and Alfred, who both were staring very intently at their porridge. “This is hardly an appropriate place to discuss such matters. The children are present.”

Ecbert brushed him aside. “We’re all family here, and besides, the boys will be married eventually and so they should learn now what will be expected of them.” He turned once again to his granddaughter. “Well, Aldreda?”

She blushed and looked away. “It’s true.”

Ecbert considered the pair for a moment, toying idly with his spoon. “Until very recently, neither of you were forthcoming about the status of your marriage. Are we to believe you now? Shall Ragnar Lothbrok and I stake our alliance on your word alone?”

Ivar and Aldreda were quiet, neither daring to even look at each other. Ragnar, though obviously still nursing a severe headache, let out a humorless chuckle and whispered something in Ubbe’s ear. Ubbe snorted in response.

As the silence stretched on, Judith finally cleared her throat. All eyes turned in her direction. “If the marriage has been consummated as they say, it does save the archbishop some paperwork, and the trouble of having to organize a second wedding,” she observed. “No expense was spared for the first wedding, and it would look rather poor to our allies for Aldreda to have to wear the same wedding dress twice in two months.”

“A good point,” Ecbert concurred. “But the validity of Ivar and Aldreda’s marriage should not be subject to doubt. Not in the eyes of our allies nor anyone else.”

“There will only be doubts about the marriage if those of us inside this room allow it,” Aethelwulf argued. He set his spoon down firmly on the table and shook his head. “Judith is correct. Father, your own judgment will be in question if the marriage is disrupted under such circumstances, especially since Aldreda and Ivar both claim it was consummated and they no longer wish to seek an annulment.”

Ecbert looked from Aethelwulf to Judith and back at Aethelwulf again, mildly surprised. It was rare for the two of them to be in agreement. He stirred his porridge thoughtfully, smashing the lumps against the side of the bowl. “I will take your point into consideration,” he said. “However, this matter equally concerns Ragnar, as it affects both of his sons.”

Ragnar, who had quietly been conveying the details of the conversation to Ubbe, finally straightened up with a skeptical expression on his face. Ubbe crossed his arms and leaned back in his chair, staring at his younger brother with raised eyebrows. “Come on, Ivar,” Ubbe said in Norse as Ecbert turned his head and pretended to not understand. “You didn’t really do it. Somehow you convinced her to go along with this.”

Ivar rolled his eyes. “I didn’t convince her of anything.”

Ragnar scoffed. “Oh, something was agreed to,” he said to his sons in his own language. “But I don’t think Ivar was the one doing the convincing.” Having turned his head too quickly, he winced and rubbed his temples, and then lowered his forehead to rest on the table.

“There’s something else,” Aldreda spoke up in the silence that followed. “Ivar misses his home, and I would like to see Kattegat. With your permission, we would like to arrange for both of us to return there with his father and brother, for at least a year or two.”

Aethelwulf looked up sharply. “Aldreda…”

“I want to see the world outside of Wessex, Father,” she explained. She glanced at Ivar with a small smile. “And I will not be alone. This is what both of us want.”

Ecbert studied the conflicted expression on his son’s face—pride and doubt and fear. Just over a month ago, Aethelwulf had objected to his daughter even traveling to Mercia. Kattegat was considerably farther away, and not even a Christian kingdom. But finally, Aethelwulf nodded reluctantly. “One year,” he insisted, looking from his daughter to Ivar. ��You have my blessing. I trust you will take care of each other.”

Aldreda beamed at him and turned to look at Ecbert. “Grandfather?” she asked in a small voice.

“Hm.” He looked from Ivar and Aldreda, both with anxious yet hopeful expressions on their faces. It was more than saving the archbishop paperwork or the expense of another wedding on Ecbert’s mind, of course: it had not escaped him that it could be very useful indeed to have one of his own in Kattegat to ensure that the terms of the trade deal were being followed and who could reliably report back on other matters concerning the Northmen. And although Aldreda was young, her word would still hold authority as his granddaughter and representative. Perhaps it was time to put her to the test.

“The marriage will not be annulled,” he said at last. “Indeed, any such suggestion that an annulment had ever been considered will be dismissed as baseless rumor. I will also allow one year to be spent in Kattegat. If my friend and ally Ragnar Lothbrok is satisfied with this resolution, then so am I.”

Ragnar shrugged and fixed his gaze on his son. Some silent communication passed between the two of them. Ragnar looked away first and sighed. “I am satisfied.”

A huge grin spread across Ivar’s face, and Aldreda clapped a hand over her mouth as though she could hardly believe what she was hearing. Around the table, the boys were giggling, Judith and Aethelwulf were looking at each other with surprising warmth, and even the skepticism on Ubbe and Ragnar’s faces was beginning to ease. Ecbert tapped the side of his bowl with his spoon and raised his voice.

“Well, that’s all settled, then,” he concluded. “Everyone, finish your porridge; we have much to make ready.”

Despite his order, nobody else was paying much attention to breakfast at that point, least of all Ivar and Aldreda, who still looked rather dazed by the turn of events. Ecbert shook his head, smiled to himself, and dug back into his porridge: the two didn’t realize it yet, but now the real work was about to begin.

                                                            **

It took several weeks of preparation, but at last, everything that needed arranging had been arranged, Ivar and Aldredea had said their farewells, the carriage was packed to the brim with Aldreda’s trunks, and they were on their way to the coast. With Ubbe and Ragnar going ahead of them on horseback, that left Ivar and Aldreda crammed in together in the carriage and practically sitting on top of each other. 

“Why do you need to bring so many clothes?” Ivar complained as he wiggled around in the seat to try to get more comfortable, pushing her to the side with his body. “We could find you something to wear in Kattegat, you know.”

She pushed him back not very gently and stared at him as though he had just suggested that she travel to Kattegat naked. “They’re my clothes,” she said, sounding absolutely scandalized. “I need them.”

He rolled his eyes. “When I came to England, all I had with me were the clothes I was wearing.”

“Oh, I remember. You and your father were absolutely filthy the first time I saw you. Some of us have higher standards. Besides, I have to look my best when I meet your mother.”

He grinned and took her hand. “She’ll like you,” he said, and then backtracked. From the impression he had gotten from his father and Ubbe, his mother had not taken well to the idea of his marriage. “Well, maybe not right away. But eventually.”

“That’s why I have to make a good first impression,” she replied tartly.

He smiled and looked down at their intertwined hands. None of this still felt entirely real to him—that they were still married, that both of their families had agreed to it, that they were in a carriage headed to the coast and from there, to Kattegat. “What if they figure it out?” he asked quietly. “That we didn’t really...you know. Consummate the marriage.”

She squeezed his hand. “It doesn’t matter that much if they know or don’t know,” she reassured him. “They were willing to go along with it. Otherwise, we wouldn’t be here, would we?”

“I guess not,” he said, still not entirely convinced. 

“The most important thing is that we’ll be together,” she said firmly. “Besides, we will be in Kattegat for an entire year. Who knows what will happen in that much time?”

“It’s enough time to make a pagan out of you,” he joked. “I can teach you how to sacrifice a goat. That would please my mother for sure.”

She smacked his shoulder with her free hand. “I’m sure there must be other ways I can please your mother.”

“Your father tried to make me learn about your bread god,” Ivar complained. “I think this is a fair trade.”

“You had to sit down one time with a priest to learn a prayer, and you didn’t even do that. That’s not the same thing as me sacrificing a goat,” she said dryly.

“Fine, no goats,” he agreed. He looked down, running his thumb along her palm, thinking back to the last time they had been together in a carriage like this. 

Aldreda rested her head on his shoulder. “What are you thinking about?” she asked.

He shrugged. “Just remembering the journey from Mercia back to Wessex,” he said. Aldreda had asked him to tell her about Kattegat. He had thought back then about what it would be like for him to take her to see his home and meet his family, and how impossible that had seemed. And something else had happened as well…

“Oh.” Aldreda blushed and sat up. She was obviously thinking about the same thing.

“You kissed me.”

She turned even redder, but she didn’t let go of his hand. After regarding him for a moment, she asked him shyly, “What if...we did it again?”

He grinned. “I thought you’d never ask.”

So she kissed him and laughed, and to Ivar, her laugh sounded like joy, like hope, like the beginning of something wonderful.