#even though i didn't even make her to ship with any character she's here because i like nuns and star rail doesn't have any nuns afaik

[balmungkriemhild]

Nobody follows me for Honkai stuff as far as i'm aware but who gives a shit. this is Rêverose, she's a Knight of Beauty and she hates herself because she "wasn't pious enough" to stop the Fall of Idrila. TBH she couldn't have stopped that shit she just has a lot of self-hate and other issues

[ladyloveandjustice]

So I have no stake in ships in Avatar the Last Airbender, I do not have any real ships for the show. But when I was looking in Katara's tag for art and stuff, I saw this reoccuring claim that Katara always supported Aang with his problems and feelings, but that Aang never supported her back with hers.

And I don't care about the ships, but I do really like the friendships in Avatar, and that bothers me. It's a slight on Aang, but also on Katara (implying she wouldn't stand up for herself and break it off if a friend was all take and no give, which doesn't fit her personality at all.)

Aang does support Katara whenever he gets the chance, which is unfortunately few and far between because Katara seems to have a hard time leaning on the people she cares about and talking in depth about her own trauma and feelings about it, though she will do so when she literally doesn't care what the person thinks about her (and both times she opened up to Zuko about her Mom initially were her lashing out at him and not caring what he thought about her in return).

This would be something that would need to be addressed for a romantic relationship between them to truly work, and I imagine it would be part of the journey of finding a way to stay together, but it's very much not Aang's fault. And as I said, when he gets a chance to support her she does. Since I just recently rewatched most of the series, have a list of those times!

-His first time being supportive of her is literally a half hour after they first meet. As soon as she tells him about wanting more waterbending experience, he enthusiastically offers to fly all the way to the north pole so they can find her a master. And this very clearly means a lot to her.

-I don't think Aang knew how supportive of her he was being here, but there's the "I haven't done this since I was a kid" "You still are a kid!' exchange. As much as people accuse Aang of seeing Katara as his Mom (he's literally the one character who doesn't express that he does in The Runaway btw and I think that's for a reason) their first interaction establishes that he sees her as a kid, just like him, and think she should have fun like a kid does. This must have been huge for Katara, who'd been forced to take on adult responsibilities at a young age, who resented having to hold the family together, who thought her childhood was over. Aang helped her have fun and be the kid she is, and he'll continue to do so.

-When she lost her mother's necklace (And Zuko subsequently stole it) he was very concerned for her feelings and seemed to immediately understand the weight of that loss, due to his own experiences with loss. Not only did he make her a new necklace to wear as a way to comfort her, as soon as he saw Zuko had it he said "you're giving that back to me" and risked being hit by Zuko in his attempts to grab it. Then he gave it back to her and she was ecstatic!

-He was so supportive of her during the waterbending scroll episode it's actually ridiculous, despite how she lashed out at him. It's unclear if he actually understood she was upset or if this was just his unwavering respect for her coming out, but when she was upset that he learned the first move faster than her he said "well you didn't have such a great teacher!" and it clearly makes her feel better for a bit. He immediately forgives her for lashing out at him, doesn't judge her at all for stealing the waterbending scroll, or for accidentally dragging them into trouble. He, in fact, goes out of the way to reassure her, looking happy at the chance to work together and reminding her they need two waterbenders. And he appreciates her joke at the end (he's just straight up being simp (affectionate) there, and I get it).

-When Pakku won't teach her he immediately denounces him as wrong and unfair and is willing to sacrifice his own education (which he needs to save the world) because he won't stand for it. He remains upset about it even after Katara persuades him, tries to secretly show her what Pakku taught him, and cheers her on when she fights him.

-When she's crying over Jet's death, he's the first one to notice and reach out to her, putting his hand gently on her shoulder and drawing her into a hug (that becomes a group hug). She smiles and clearly feels comforted. They probably talked about it offscreen too (but this cannot be shown as they would need to directly acknowledge his death to do so)

-He's pretty much always praising her as a teacher, and when she grumbles about him not calling her Sifu, he goes out of his way to call her that.

-He notices that she's mad at her Dad and asks her about it, but she deflects

-He looks really sad when he has to remind her she has to take off her mother's necklace for their Fire Nation disguises, again it's something he very much seems to empathize with her about, he understands the weight of what it means to her.

-He not only doesn't judge her for lying during the Painted Lady saga, but praises her and enthusiastically helps her commit ecoterrorism.

-Both he and Sokka move to comfort her when she's crying after the bloodbending fiasco. Most of the comforting of her happens offscreen, which I do think is a shame, and a contrast to how Aang is handled- but it's more of a "he's the main character" thing, since the same happens for Sokka as well (I'm sure Katara and Aang talked to him about Yue's death and at least tried to comfort him, but we don't get to see that).

-He was trying to support her during the Southern Raiders ep, whether you believe he did it well or not, both according to his beliefs and cultural values and by trying to emulate the ways she's talked HIM down from revenge and hatred in the past. He specifically brings up those two incidents- losing his people and losing Appa- where she stepped in to keep him from losing himself to rage. As this post notes, he also specifically echoes her phrasing from when she was urging him not to lose himself to the Avatar state (she says "watching you be in that much rage and pain is really scary" and he echoes "you're feeling unbelievable pain and rage" while talking to her in this ep.)

It's not just the air nomads he's trying to emulate here, but her. Just like Katara doesn't want to see him consumed by hatred and pain, he wants the same for her. His concern is not for her mother's killer, but for her, he fears this will hurt her, just like her concern was always for him and how this would hurt him in those times he was raging.

He wants to do for her what she did for him. But, Katara is not him. She is not someone who will be talked down by someone else when she is grieving, angry, and looking for revenge. Nobody can stop her when she sets her mind to it. She needs to wrestle with whether to kill him and she needs to come to her own conclusions, because she's the only one that can stop her. And Aang realizes that. He says it's a journey she'll have to take on her own, that she needs to face him doesn't stand in her way.

(I wonder if it kind of hurt, deep down, that he couldn't reach her the way she always reached him. I wonder if he felt upset that he couldn't find the right words like she did for him. But I don't think there were any right words. She needed him to step back. It was her choice to make. So he did.)

And in the end, he was correct that she didn't want to do it. She did choose that based on her own feelings and values.

His assumption Katara not killing the guy = forgiveness is definitely him just kind of applying his assumptions and values, but when she says she doesn't forgive him, he doesn't like, judge her or anything that we can see.

So yeah, quite a few examples! It can feel lopsided because more attention is paid to Aang and Katara's personality affects things.

Katara is both open about her emotions and not. She's someone who will look after other's feelings but not really discuss her own pain with people she cares about, until it all builds up and bursts out.

And it's not surprising she's most concerned about Aang, if my friend had recently (from his perspective) survived a genocide where he lost everyone he loved and was now tasked with saving the world at twelve years old, I'd be pretty worried about him and want to support him too! Aang goes through a lot by virtue of being the protagonist, he has the most pressure on him, he's routinely in the most danger, he literally dies for a few minutes. It's not surprising Katara has more opportunities to comfort him, but he unfailingly supports her in any of her problems of goals (when they're not murder) when he can.

I do think there's some missed opportunities to explore Katara and develop their relationship, but it doesn't make Aang a bad, unsupportive friend, or Katara his Mom and not his peer.

[ohdeersthings]

Listen

Ao'nung x F!Deaf!Metkayina!Reader

Summary: Ao'nung has loved you since childhood.

Warning: Fluff, Ao'nung is a jerk to everyone but reader, some angst (I love emotional revelation of feelings), characters are aged up 18+ but no warnings here! Ronal ships reader and Ao'nung,

Note: was a request from @keyratch hope you enjoy it!

~.~

Growing up, you always knew you were different. You couldn't hear the ocean waves, couldn't listen to the music of your clan for celebrations. You couldn't even harmonize with your mother as she sings to lull you to sleep.

Being born deaf, your parents tried so hard to pray to Eywa for a sign. The Tsahìk, Ronal, tried every herb and technique she knew, but nothing could change who you were.

What Eywa had decided for you to be.

You never blamed Eywa though, for the Great Mother had blessed you to feel a connection to her. You could feel her in the sand; the warmth of the sun that she blessed you with, the coolness of the ocean as you swam to admire the creatures she's created.

Even as a small child you had been drawn to the beauty of the Pandora.

The smallest sea shells you would collect and braid into your hair, stringing some together to make a necklace, bracelet, or head peice. The brightest floral you would gather to present to friends and family, just because the beauty of them made you think of others.

Ao'nung had only been eight when he met you for the first time. While training with his father on spear throwing he had caught sight of you collecting sea shells.

He was so distracted by you, he grabbed the spear wrong and cut his finger. Letting out a small hiss of pain, he instantly sucked on it, causing his father to gaze at him and then at you. Tonowari couldn't help but chuckle, "I see the silent beauty has caught your eye," Ao'nung was confused by his father's words, but quickly denied having even spotted you.

"Well that's too bad, because here she comes right now," sure enough you had seen the leader with his son, Ao'nung and had started over in their direction when you saw the big was hurt.

Ao'nung could only feel himself freeze as you closed the distance fast, suddenly reaching out to grab his hand as he tried to back away,

"H-hey! What are you doing?!" Ao'nung flinched as you pressed on his finger, the one he'd cut being too caught up looking at you. You never said anything, just brought out a healing leaf from your hip pouch and wrapped his finger quickly and efficiently.

"Thank you," he mumbled, you smiled and let go of his hand, signing to him, 'Would you like to play after training?' It had puzzled him why you didn't just ask out loud, but after looking to his father for assurance, he nodded to you causing you to smile and nod, turning back the way you'd come and headed away.

"Father, why didn't she just ask me?" Ao'nung questioned, looking up at Tomowari who smiled sadly at him, "she is deaf my son, she cannot speak for she never learned how, she cannot hear you," Ao'nung didn't feel any different towards you, maybe more curious, but he never felt like you were weird.

~.~

After that day many years ago, Ao'nung had grown, and so did his love for you. What started out as amazement and adoration as children, had since grown into feeling as if you were the only one for him.

The way you helped his sister with day to day chores, such grace and beauty weaving baskets and collecting herbs for his mother. The complete definition of selfless as you taught the children of the clan their sign, who else but you with your patience and grace.

The tingles you left on his body when you would tap his hand, shoulder, arm, anything to get his attention. You left him yearning for your attention day and night. Left him in agonizing pain at the thought of having you with him under the stars but couldn't.

Yourself however, would be a prize to any fine young Na'vi, but to your own self image you were at the bottom of the food chain. Your biggest insecurity being your deafness. You would never hear your mates words of love and comfort, would never hear the giggles of your own future children should Great Mother bless you with any.

You never had anyone express interest in you, although Ao'nung made sure of that, not that you knew. He always glared, growled or warned any man who looked in your direction. He made sure to linger a hand on your waist while talking, a smug look over his shoulder at the hunters who had tried to talk to you, a smirk at the Ilu keepers who tried to get to close.

When the Sullys had arrived, you had been busy helping Ronal with her duties as she was trusting you to take over while she got ready to give birth.

You didn't get to see Tsireya and Ao'nung as often as they were busy with teaching the new comers the traditions and expectations of the clan.

'(Y/N) go fetch Ao'nung, he should be down on the beach,' Ronal requested, you nodded, standing from your sitting position and heading out of the Marui, starting your trek to the beach.

You had found a few flowers on your way, taking a moment to pluck them from the ground and arranged them nicely. Maybe Ao'nung would like something to help brighten his mood.

Stopping once you reached the beach, you felt your eyes widen in disbelief as Ao'nung and his friends were surrounding Kiri, pointing at her and laughing. Kiri was clearly uncomfortable and trying to walk away, luckily Lo'ak came and started to intercept the boys, only they turned their hateful ways onto him.

You felt your fists clench up, nervously twisting the flowers. You started walking in that direction, Neteyam showing up as well from beside you, making yourself known too.

Ao'nungs ears pressed back, his body feeling hot with embarrassment that you'd caught him being rude to someone.

"Oh look, big brother to the rescue-" Ao'nung reached his hand out, silencing his friend who bowed his head obediently. "I need you to respect my sister from now on," Neteyam threatened, his eyes glaring into Ao'nung who nodded, trying to ease the anxiety in his chest as you approached too.

You tapped Kiris hand, the girl turning to you as you looked her over, as she tried to calm you down, 'I'm fine, no harm done,' she assured, you face turning into one of doubt but giving up in the end.

The three siblings went to walk away, but Lo'ak suddenly turned around and went back to Ao'nung, his smirk and quirked eyebrow making you upset a little. Why was he acting this way? Was he really this mean to them?

Ao'nung didn't know what had happened when Lo'ak punched him, one second he was standing and the next on the floor with his friends helping him up. They all jumped Lo'ak who held his ground to the best of his abilities, but soon found his brother Neteyam jumping in to help him.

You gasped, hands covering your mouth in disbelief, the flowers falling into the sand forgotten. Why were they doing this? 'Kiri, we need to stop them' you told her, but even she could only look on in a mix of horror and laughter.

Deciding that enough was enough, you inserted yourself into the fight, Ao'nungs friends quickly backing away as you pulled them off.

Neteyam hadn't seen you enter the fight, when he felt his shoulder get touched he quickly turned and went to punch the person, barely being able to stop himself before he hit you.

You had flinched inward, arms raised quickly to protect yourself, eyes shut incase of pain. "(Y/N)!" Ao'nung threw himself to you, shoving Neteyam out of the way, his hands gently grabbing yours to bring them down.

You squeaked, the cutest sound Ao'nung had ever heard, and opened your eyes to see Ao'nung checking you for injuries despite his cheek being bruised and lip busted. His eyes held fear and worry, hands moving from your arms to gently hold your face.

An adult nearby had brought his father and Toruk Makto, but he didn't care for the shouts that were happening, he could only focus on you. He brought his hands into view, 'You okay?' Ao'nung questioned, though your face contorted into worry as you held his face, feeling bad when he flinched from your thumb brushing his cheek.

He grabbed your hand and held it at his side as he turned to Neteyam, "Don't you ever touch her again!" If it hadn't been for his father pulling him away with you in tow, he would've attacked the oldest sibling.

"Maybe don't start things your girlfriend tries to finish!" Lo'ak yelled back, getting dragged away by his own father.

Upon entering the Marui, his mother hit him upside the head, "skxqwng! You brought (Y/n) into this?! I pray for the resilience to not break your bones!" Ao'nung averted his mother and fathers gaze, his head down as he couldn't even look to you either. Ashamed you had caught him at his worst moment.

"I leave (Y/n) to take care of your wounds, Great Mother help you find some sense!" Ronal hissed, Tonowari leading her out of the Marui to give you two some privacy.

You slowly walked over, placing a hand on his arm, Ao'nung letting you lead him to the mat and both of you sitting down facing eachother.

'What were you thinking?' You inquired, waiting for his reply as you began to mix a paste together. 'I wasn't thinking, but they deserved it, freaks all of them' he huffed, sucking it back in when you roughly applied the paste to his cheek.

His eyes found yours as you stared at him with hurt, 'What does that make me then? I cannot hear, I cannot speak well, they can communicate freely, I have to look for eyes and attention,'

Ao'nung felt his throat constrict, his hands clamy. You were so beautiful in his eyes, but the way he treated them made you think ill of yourself and that's not want he wanted.

You looked down, eyes glossy from unshed tears. His hand on your chin made you look at him, your lip trembling as your ears pressed back.

Ao'nung let go and signed only one word, but it made your body erupt in flames.

'Beautiful'

~.~

Since the incident with the boys on the beach, Ao'nung tried to be kind in your presence when the sullys were around but when the opportunity to trick Lo'ak revealed itself, he couldn't help it.

When he returned though and found you looking at him with those eyes again. Eyes filled with pain and now disappointment, he knew had to do the right thing.

'I'm sorry,' he apologized, finding you alone by the beach later that night. You turned from him, arms crossed. You weren't going to look at him or reply.

He fell to his knees in front of you, grasping at your hands desperately. You huffed, eyes glaring into him. Ao'nung used to pray he would never see that day you gave him that look, but after what he'd done to Lo'ak he could say he deserved it.

Hands trailing from your hands down to your elbows, he slowly let go and began to speak, "I'm sorry, I know I've been stupid and they don't deserve that, I'm not sure what I was thinking," Ao'nung kept his eyes trained on yours, watching you look exhausted.

"Why risk the danger? What if he'd gotten hurt? Or worse, you," you felt your lips pull back in a snarl, though he could only find pleasure in the fierceness of your face. His heart beat fast knowing you cared about him.

"I wish you would think with this," you placed your hand on his chest, feeling his erratic heartbeat, "not with this," you playfully pushed his forehead, a smile appearing on your lips. You couldn't stay mad at him, not when he smiled at you as softly as he did now.

He grasped your hand, bringing it back to his chest. You felt your own speed up to match his, both of you filled with deep affection for one another, not that the other knew.

You both stared at eachother for what felt like hours, yet only a few minutes had passed, just enjoying eachothers company.

When you had broken out of your daydream however, you quickly pulled your hand away and stood up, eyes darting everywhere but him as you shakily signed, "we shouldn't be doing this, I have to go,"

Ao'nung couldn't stand fast enough when you pulled away, tripping over the sand as you ran. Everything had just been perfect, what had happened?

~.~

You helped Ronal to sit, her stomach slowly getting bigger as the days went on. "Baby is good?" You wondered, a grin on your face of excitement as she nodded, her own smile gracing her features.

'Baby is strong, maybe a boy like Ao'nung,' she replied, you nodding in agreement, 'Ao'nung differently is strong,'

'Yes, he will be a great Olo'eyktan, if only he hurry and choose his Tsahìk,' she let her eyes slip to your figure out of the corner of her sight, seeing you quickly look down and away. Not out of embarrassment it seemed, but out of disappointment.

Ronal frowned, she did not like seeing you so hurt, especially by her own child, lest he be stupid enough to do it.

Ronal placed her hand on your cheek, bringing your face back up to make eye contact with her, 'why do you look so sad? What has happened?'

You tried to brush her off, 'it's nothing, I'm sure whoever he chooses will make a lovely Tsahìk,' you began to ramble, hands moving quickly, 'Ney`ite is the best diver, Alyara is known to sing beautifully, from what I've seen and been told,'

'He deserves someone who can help him feel better on rough days, someone who can actually listen and help with his problems, who loves and cherishes him as he is,'

Ronal tapped your hand, causing you to heat up in realization, you'd been rambling for too long. 'Someone, like you?' She quirked her brow, a knowing smirk on her face.

You shook your head, eyes feeling glossy with tears, 'what do I have to offer him?' You felt a hiccup erupt in your throat from trying to hold in your sobs, 'I cannot listen to his problems, I cannot comfort our children with words when crying, no one would look to me, Eywa may love me as she created me, but surely Ao'nung loves another,'

Ronal felt her eyes catch the sight of a figure standing behind you. Ao'nung could only stand frozen as he saw what you thought of yourself. He's never loved anyone like he loves you, and it's his fault for making you think otherwise.

Ronal grasped your hands firmly, shaking her head at you. Ronal reached a hand for Ao'nung who walked over, his shadow startling you as you looked upwards, his face looking hurt by your own tears.

Ronal placed your hand in his, his fingers gripping your own softly but firm, like a silent promise to never let go.

The Tsahìk bowed in exiting the Marui, leaving both of you alone.

Ao'nung knelt to face you, your cheeks hot with humiliation that he had to see you like this. You tried to look elsewhere but he placed his hand on your cheek, turning your face towards him.

He let go, feeling a moment of Deja Vu as he thought back to two nights ago by the water. When you both had been just as close in the sand.

"You are not less than anyone here," he signed, feeling his heart excelerate with emotion.

'(Y/n), I don't need to hear your voice to know your words are strong and kind, I don't need your words of comfort when your touches are enough,' he placed your hand on his chest, just as he did those nights ago. He hoped you would feel his heart that's beating full of love for you.

You could only feel a bizarre rush of emotions, anger at yourself for letting Ao'nung find out this way, fear in what is to come, yet, love from knowing he felt the same as you did.

'I'm sorry you did not see yourself as adequate when you are more than I could ever dream, the love you hold for our clan speaks words where your lips may fail,'

You felt your lips quiver, tears falling down your face as you tried to hold yourself together.

'I see you, (Y/n), and I would love for you to become my Tsahìk, my mate,'

You laughed, 'I would love to spend my life with you, I see you, Ao'nung,' you pressed your forehead to his, his own tear or two slipping from his eye as you both enjoyed this moment of peace together.

He raised both hands to your face, cupping your head as he brought your lips to his, the soft, plush feeling of your lips nearly driving him mad with desire. Your own hand finding home on his chest and shoulder as you felt weak from lack of air.

Pulling away, you made him stand up with you, his eyes showing curiosity. You smirked at him, 'Wanna go somewhere more private?' Ao'nungs silence spoke for itself as he dragged you out of the Marui, right past his parents who had a sudden look of realization.

"Oh Great Mother," Ronal sighed exasperated, "Looks like our youngest will be close in age to our grandchild," Tonowari mumbled, flinching from Ronal who began to hit him from saying such words, "skxqwng!"

~.~

[lady-phasma]

I felt compelled to cite my sources for Armand and Lestat being an item off and on over the years. I’ve been in this fandom too long to get involved in ship wars or to really have an OTP for these crazy-ass vampires. I happen to love Armand and Lestat from the books and think that Assad and Sam make it work so well on screen. I hope we get loads more of them for season 3.

Anne wrote all of her characters as deeply flawed, we can all agree on that, but the nearly fanfiction level of “let’s see what happens when two of my most flawed characters get together” writing she did in TVA is brilliant. Book spoilers below.

Here's a link to a post I made about Lestat's perspective of Armand from TVL. (I have included one quote from TVL below because it's too precious to exclude.)

Lestat spends almost a full page describing how he sees Armand at a ball at the Palais Royal:

Yet never had Nicolas, mortal or immortal, been so alluring. Never had Gabrielle held me so in thrall. Dear God, this is love. This is desire. And all my past amours have been but the shadow of this. - The Vampire Lestat, p. 275

They literally feel the same about each other: instant attraction, love, desire, and so on. And it is powerful.

So powerful that hundreds of years later (in one of my favorite passages from any of her books) Armand is the only person allowed to approach an unconscious Lestat. Not only approach him, but allowed to lay down next to him and cuddle, caress, and console Lestat, to cry onto him.

I looked down on Lestat, who was unchanged, his hair fallen as before, a little over his left eye. His right arm was out, and his fingers curling upwards, and there came from him not the slightest movement, not even a breath from his lungs or a sigh from his pores. I knelt down beside him again. I reached out, and without flinching or hesitating, I brushed his hair back from his face. I could feel the shock in the room. I heard the sighs, the gasps from the others. But Lestat himself didn't stir. Slowly, I brushed his hair more tenderly, and I saw to my own mute shock one of my tears fall right onto his face. It was red yet watery and transparent and it appeared to vanish as it moved down the curve of his cheekbone and into the natural hollow below. I slipped down closer, turning on my side, facing him, my hand still on his hair. I stretched my legs out behind me, and alongside of him, and I lay there, letting my face rest right on his outstretched arm. Again there came the shocked gasps and sighs, and I tried to keep my heart absolutely pure of pride and pure of anything but love. It was not differentiated or defined, this love, but only love, the love I could feel perhaps for one I killed or one I succored, or one whom I passed in the street, or for one whom I knew and valued as much as him. - The Vampire Armand, pp. 368-369 (emphasis is mine)

But the contrasting absolute annoyance Armand has for Lestat is hilarious! He loves him but can barely stand him sometimes (that isn't unusual for Lestat's admirers).

Lestat, not a bad friend to have, and one for whom I would lay down my immortal life, one for whose love and companionship I have ofttimes begged, one whom I find maddening and fascinating and intolerably annoying, one without whom I cannot exist. The Vampire Armand, p. 276

But it's the way he describes things that happen to him that maddens me, the way that he connects one incident to another as though all these random and grisly occurrences were in fact links in some significant chain. They are not. They are capers. And he knows it. But he must make a gutter theatrical out of stubbing his toe. The James Bond of the Vampires, the Sam Spade of his own pages. - The Vampire Armand, p. 288 (emphasis mine)

Though Armand's head on Lestat's arm might be the most beautiful image of the two of them from any of the books, this line gives me chills every time:

"Lestat, my Lestat - for he was never theirs, was he? - my Lestat was crazed and railing as the result of his awful saga […]" - The Vampire Armand, p. 320 (emphasis mine)

Yes, your Lestat.

[penkura]

last forever [13/13]

Summary: Zoro only offered to marry you to keep you out of an arranged marriage with a man much older than you. You agreed without realizing how happy you would both become and the family you would create together.

Pairing: Zoro x Fem!reader, mentioned Sanami

Warnings: Mentions of pregnancy and having a baby, that's all

Note: I didn't initially plan this. I was going to stop this fic at twelve chapters, but I felt like ch.12 was getting to be way too long so I broke it up and put the epilogue at the end of thsi one. Do not be surprised if I ever come back to this fanfic universe for one-shots or drabbles. This is shorter than I expected, but I'm happy with how it turned out, thanks for reading this fanfic, I hope you've all enjoyed it! :)

The latter bit is set ten years after chapter 12, Zoro is 31 and Reader is 30.

Taglist:

@misfits1a | @alucardsdaddyissues | @louweasleymalfoy | @fluffybunnyu | @yerrimm09 | @eyes-ofhell | @emmaiscool22 | @xenop0p | @hank88999

[Ch. 1] ● [Ch. 2] ● [Ch. 3] ● [Ch. 4] ● [Ch. 5] ● [Ch. 6] ● [Ch. 7] ● [Ch. 8] ● [Ch. 9] ● [Ch. 10] ● [Ch. 11] ● [Ch. 12]

Your morning is quiet, despite Nami and Robin sharing knowing looks when you and Zoro entered the galley together for breakfast. Nami swears you're glowing and it grosses her out for a moment when she makes the suggestion to Robin who laughs, and says the three of you will need to have a girls night later to talk. No one asked where two had disappeared to the night before, it seemed like none of them had noticed, which you were grateful for. It kept you and Zoro from having to answer any awkward questions for the time being.

Zoro didn't notice or care, if someone had asked he would've told them, but still keep you from feeling embarrassed or anything, this is all still new to both of you of course. Breakfast goes by without anyone bringing anything up, even as Sanji gives you a smile that you return, discreetly showing him your ring and confirming that he was right, everything turned out okay so far.

Most of your day is spent doing the normal things you’ve always done, the Sunny is docked at an island for a restock, you choose to go into town with Robin and Jinbei, Zoro tried to go along but Nami pulls him back, telling you to go ahead while she takes your husband for help with other things. You don’t question it only because that’s completely normal, you don’t even question Robin in town when she tries to convince you to buy a pretty white dress you seem to be staring at. You try it on but don’t buy it, there’s no reason to.

“Are you sure, [Y/N]? It’d look lovely on you, I’m sure Zoro would think so too.”

“Nah, I don’t need it,” you laugh a bit as you go to look at something else that’s caught your eye, “Zoro doesn’t care what I wear anyway.”

“Mm…if you say so.”

You swear there’s something Robin isn’t telling you, even as you both try of different clothes and buy a few items, deciding you’ll bring Nami by later too, there’s plenty here she’ll like.

You do find it odd when Jinbei tries to get you to purchase a flower crown or a small bouquet of your favorite flowers for yourself, denying again that you really don’t need them. You’re not sure if you were imagining it or not, but you think the two share a knowing look with slight smiles as you head back to Sunny a while later.

When you make it back and see almost none of your crewmates around, you start to get suspicious something else is going on, especially seeing the way the ship deck is decorated to almost resemble a wedding, though with its own Straw Hat character, and Zoro waiting for you.

Face red, in a suit (that fits this time), and a bouquet of your favorite flower surrounded by daisies, heliotrope, and aster.

It dons on you immediately what Jinbei and Robin were doing, they were trying to get you ready for an impromptu marriage ceremony, but you didn’t catch on until now, you feel kind of stupid. Of course the white dress and small bouquet make sense now, even though Zoro hasn’t said anything. He doesn’t even notice you’re there at first, not until you say his name and he finally looks at you.

“Hey…you’re back.”

“What,” You’re trying hard not to cry but you can’t fight the smile that’s starting to creep onto your face as Zoro hands the flowers over to you, still nervous about this and maybe embarrassed over it, “What’s this about…?”

He’s quite for a moment, while you look over the flowers, a bright and happy look on your face. You know he’s had help with this, it’s what he and Nami were probably out buying while the others set things up.

“When we got married, legally, it wasn’t really a wedding,” scratching the back of his head, Zoro sighs just a bit before taking your hand and getting on one knee in front of you, returning the smile you’re giving him, “I know I was a stubborn ass about this for a long time, but you already know my thoughts on this, on us now…so I want to give you as real a wedding as I can. One you deserve.”

You have to stop yourself from laughing when it takes Zoro a minute to dig through the pockets he’s not used to find an engagement ring, one you don’t need but you figure Nami made him buy it just so you had one, even with your wedding band already on your hand.

“We’ve already got rings, and this time real witnesses,” you both can hear Luffy not so quietly asking Sanji for food before he's hushed and told to wait, everyone watching from the various places they’re hiding in, “Luffy’s ready to say whatever he needs to for us to be considered married on this crew, but I still have to ask you. So…will you marry me, for real this time, [Y/N]?”

“Of course, Zoro!” It’s not even something you can pretend to think about, not after everything you’ve gone through now. You throw your arms around him and Zoro hugs you close, there’s obvious relief like he was worried you’d changed your mind overnight while he tells you he loves you.

“Heyyy, can we do the ceremony now and eat?!”

“You idiot, she’s got to get dressed first!”

“Sanji made a great cake, it’s really sweet!”

“We were all glad when you went into town with Robin and Jinbei, we probably wouldn’t have gotten this all done if you hadn’t!”

“This is super great for both of you!”

“Yohohoho, I’ll get ready to play the wedding march then!”

“Mosshead, you better treat her right!”

“It’s wonderful to see you both happy now!”

“I may not have the full details of your circumstances, but congratulations to you both!”

You barely listen to your crewmates, your main focus being on Zoro and how this was pulled off so quickly, but you don’t bother to ask any questions, kissing your husband briefly.

“I suppose I should go get ready!”

“Yeah,” Zoro gives you a slight smirk before kissing your forehead, “I’ll be here, wife.”

Robin and Nami rush you off to your shared room to get you dressed, Robin having been sneaky and showing she’d purchased the dress she told you to buy, along with a small bouquet of flowers for you to carry. It’s nothing fancy, but that works perfectly with your relationship and how you’ve come together with Zoro.

Once they’ve got you ready the two go back to the deck to make sure everything and everyone is situated, sending Sanji after you a bit later, he’s agreed to be the one to give you away essentially, though you stop him just ad you’re about to head to the deck, he gives you a concerned look.

“Sanji, do you…do you think Zoro and I will last forever?”

Sanji takes a breath, before smiling and taking your hand as he lets it out.

“I don’t think I’ve ever met a couple more destined to last than you two. Besides, I don’t think the mosshead is willing to wear a suit for just anybody.”

You laugh and agree, telling Sanji you’re ready before he leads you out to the deck.

It’s not a very long or formal ceremony, Luffy stumbles a few times trying to remember what he needs to say, he even gets choked up a few times when he thinks about how he’s seen you and Zoro go from a marriage born of convenience to now being in love and properly married. It almost gets to you as well, but you keep all your tears back, just a few slipping g out when Luffy tells Zoro to hurry up and kiss you which makes you laugh. You know Zoro hates public displays of affection, but he’s willing to look past it for you, only you he’d justify. After that Luffy shouts for the party to start, you and Zoro laughing together just a bit while he holds you close.

“Thanks for not giving up on me, wife.”

“Hmm, thanks for saving me, husband.”

Chopper is right, the cake Sanji made is sweet, you’re surprised Zoro even has some, that he mostly stays away from alcohol except when you bring him a drink later on. It prompts him to pull you to his lap, pressing a kiss to your cheek to make you giggle.

“What’s this for?”

“Nothing,” he sighs a bit, holding you closer and laying his forehead on your shoulder, “Just glad you’re my wife is all.”

“Forever, right?”

“Forever. No matter what happens.”

Nami and Sanji watch you two from the side, giving each other looks that tell more than anything they know you’ll make it. They’ve both watched you ever since they each joined, seen how Zoro treats you and how much you’ve come to love each other. Even when Luffy comes over and drags you away from your real, permanent husband to dance with your captain, the same look Sanji swore to you he’s always seen on Zoro’s face. Soft and loving, he just watches you while you and Luffy giggle together.

When everyone starts to settle down, you’re surprised by Chisa returning to you after being gone since you arrived in Wano. She stops in front of you with two letters, one you know is from Elias and the other from your parents, finally. You’re not sure what to think, even when Zoro wraps his arms around you and sets his chin on your shoulder.

“Well?”

Pursing your lips, you shrug, before tearing up the letter still in the envelope causing Zoro roll tighten his hold on you. For a minute you don’t say anything, before you sigh and lean back against him with a smile.

“It doesn’t matter anymore. I don’t want care about what they have to say…I only care about you.”

“Hmm,” Zoro kisses tour cheek which makes you giggle before you do the same to him, “That’s my wife, I’m proud of you.”

“Love you, Zoro.”

“Yeah…I love you too.”

You two are going to last forever.

+!+

~10 years later~

You have a newborn baby girl to care for now, literally minutes old as she lays next to you and cries, unhappy about her new surroundings. It’s the middle of winter and the only people you’re allowing around her at the moment are the midwives of Shimotsuki Village that had come to help you deliver your baby in the middle of the day. Every one of them praises you for doing so well, but all you care about is your daughter and Zoro getting to see her, to meet her face to face. He’d been more anxious about it as you got closer to your due date, neither of you knowing if you’d have a boy or girl until the moment you gave birth, and now you have her!

She’s perfectly chubby, her little hands trying to grasp at the air while she wails and kicks her feet at the same time, even as you take hold of one of her hands. You want to laugh seeing her hair is just a slightly darker shade of green than Zoro’s, but smile instead as you calm her down.

“Shh, shh, baby girl, everything’s okay. I’m here, sweetheart. Your daddy’s on his way.”

It’s not even five minutes later you hear Nami yelling outside your door about how someone could miss this, while Sanji starts to swoon at her for being so protective of you but asking her to calm down, stress isn’t good for her or their own baby either. You hear Luffy laugh a bit himself, saying something you can’t understand before Usopp and Robin suggest they all leave you alone, as the door to your room opens and you’re so glad to see who’s finally there.

“Zoro~”

“I’m sorry I missed it, I was asking master something,” Zoro takes your hand you reached for him with, kissing your forehead before he sits beside you, looking at your baby with nothing but pride and love on his face, “We…we have a baby…”

“We have a daughter, Zoro.”

“She’s perfect. Just like her mama.”

Rolling your eyes, you just watch for a few minutes while Zoro takes in the fact you have a daughter to raise now. Honestly, you had been expecting to have a boy, and Zoro never told you what he thought you might have, he said it didn’t matter because it was your child, you made this baby together, he’d love them no matter what. But seeing him gently stroke her hair and let her hold onto his finger, you swear you’re falling in love with him all over again.

“Did you ask your master what we talked about?”

Zoro doesn’t hear you at first, he’s too focused on your daughter and watching her settle down, starting to sleep, before he realizes you spoke to him and asks you to repeat your question. When you do so, he nods, looking back to your daughter.

“Well?”

“He said nothing would make him happier…”

Nodding, you sigh in content when Zoro kisses your forehead again, before doing the same to your daughter.

“Welcome to the world, Kuina.”

You plan to give your daughter everything you never had and more, all the love in the world and no expectations to marry rich unless she decides to. Watching Zoro with her the rest of the day makes you realize this was all you ever wanted.

To love someone and be loved the same, and give that love to your own child forever.

[meraki-sunset]

This is a long letter of gratitude. Embrace my endless words of pure gratefulness.

Dear Autor of the most amazing thing I've ever read.

I was writing this letter from the moment I reached the middle of your Crow Strider AU fanfiction. There is so many things I want to say and I'm so happy that I can say it to you all here without words limit. Forgive me for exuberance, I'm squeezing out all my abilities to express what I feel in this foreign language that's not of us first language.

Let me list all the things I'm grateful for, because I'm autistic and I love listing:

1. Crow Strider

The arc of Davesprite you created is masterpiece of writing. The process of deconstructing his personality, forgiving and letting his part behind as well as embracing his new identity and new body is written so thoughtfully with such a care of details. I love how you made him so different from Dave as well as still kept his Daveness in full glory of Striderness. You made him happy and more emotional available and open, at the same time it felt so natural for him to be that way because of the proper build up you gave him. Thank you so much for creating Crow Strider and letting us read his well written arc.

2. There's a Dave for everyone

THERE'S LITERALLY DAVE FOR EVERYONE. You have no idea what struggles I went through trying to understand what person Dave ended up with in canon, and then being sad of what happened in epilogues. I wanted Dave for Karkat. I wanted Dave for Jade. I wanted them to be happy. And you did it. You made it possible. You made them all happy. I love it so much. Thank you so much for making them happy. You even gave Teresi one Dave for her. I can't believe it. It's so beautiful it's unreal.

3. More Davepeta

This part is simple, I simply love Davepeta and you gave me a lot of good Davepeta content. Thank you for that.

4. You made me like characters I didn't like

I wasn't big fan of Tavros. I got tired of Vrisca by the end of Homestuck. I didn't really see Hal as an interesting character. I honestly hated Gamzee. And Jasprosesprite squared was so annoying for me

Well, not anymore! You somehow managed to write these characters more compelling for me than Hussie did. Now I love Tavros and Hal, I mean, cat Hal? Is there anything more cute and cool at the same time?

And NGL I genuinely wanted Gamzee to die and I can't believe that now I'm not, because I just read a very good redemption arc of this clown. I also love the way you dealt with Vrisca. Heck I love all characters written by you!

5. God tier Karkat

I've dreamt of seeing a good piece of god tier Karkat. I was so curious how does it even work to be Knight of Blood, we didn't see any version of Blood god tier in canon. I'm big fan of your version, it fits the character and the aspect so well, and the execution of his arc as he is chosen to open the door... Honestly? I prefer that over canon, though it wouldnt make as much sense as in your fanfiction. It just feels like you took a much better care of Karkat than official ending of Homestuck. Don't get me wrong, I love Homestuck an it's ending, your fanfiction wouldn't exist without it. I honestly think that Hussie didn't really have as much time and space to give his characters as extended arcs as you gave them without losing the dynamic of his story. But you could. And you did. Thank you so much.

6. So many people got better, more extended arcs

Like above. You made Jas much better. You gave Nanna much better, more compelling arc than she had in canon. You made Hal and Tavros much more relatable and gave them very well character development plot, even if short. You took your time to write very needed and wanted dialogues between characters than didn't have their time to interact in canon. Like Jake and Dirk (ESPECIALLY THEM OMG). Like Erisol and Feferi. Like Jas and Rose. And I didn't even know that I needed the last one. Thank you so much.

7. You made ships that I didn't know where even possible and I like them????

Seriously, Tavros and Jane?? Erisol and Arquius??? Josh and Dirk??? I love how your brain works

8. You absolutely nailed the delicate topic of transgender

I used to not be a big fan of June, because there were no realistic signs of John having any kind of thoughts or doubts about his gender in canon. You made a very much needed and really great thoughtfully written arc from June and Josh, even caring about the topic of transition and executing it really great. Thank you so much for yet again being so good at writing arcs.

9. Eridan and Sollux

I love them both and their weird toxic rivalty, and I absolutely love that you gave them some attention and let Eridan grow and try to redeem himself while also helping Sollux with hii2 p2iioniic problem2. I download almost every single frame of it.

10. YOUR ARTSTYLE

You're artstyle. I don't know where to begin with that. It's so amazing. Expressive, dynamic, cute, beautiful, colorful. I love every line of your comics. Your style is the way I always wanted to draw. It's just perfect. And also perfect for Homestuck fanfiction. It's just so similar, yet gives it a bit of softness as well as the kind of expressiveness I love, that makes every single shot more appealing. Warm scene are so warm, sad scene are so sad, dynamic scenes are so epic, it's like so delicious. Yes, I just ran out of words. Let me grab a dictionary...

Your style is outstanding. It gives me this feeling of familiarity, it's similar of Homestuck style, yet so different, its fresh and new while also feels like home.

I wish you have a printed version of your fanfiction (but I probably can't afford it sadly). There is something so soothing in this simple colors, it's not too loud, not too many colors, yet so many and smooth colorful lines. I will learn to draw like you, I'm sorry for adapting your style, but I really want to draw like that and you even posted some tutorials how to draw like you.

Thank you so so much that you put so much time and effort into making this wonderful comic and then share with all of us completely for free. You drew so many expressive pages, sometimes even 10 pages per static dialogue, which means you officially outbested the master of overdoing Andrew Hussie himself, that did maximum of 3 pages per 1 static dialogue scene. I noticed you slowed down a bit at the end and drew much more simplified panels as well as you started using same panels many times. Good. It's okay to go the easier way. No one wants you to overwork yourself and burnout. No one wants you to have trauma with drawing and not wanting to draw comic ever again. It's extremely generous of you that you posted for absolutely free such a wonderful and huge piece of art. I'm endlessly grateful.

11. The plot

I love how you started from one simple idea of giving Crow more arc, and then gradually extended it into a whole huge fixfiction. It went so smoothly it looked like really one different decision of one person can change the whole timeline. It went so naturally, it felt so realistic as if I read something that Andrew Hussie wrote as a coexisting canon.

I have to admit, the whole idea of not doomed and not canon timeline is pretty ridiculous, and I love every bit of it. Paradoxally, it sounds so much like something that could actually exist in Homestuck canon. I love it

A few little things I didn't like that much

I wouldnt be myself if I didn't comment on some stuff that wasn't perfect. I'll be bery brief with that, because these things didn't really bothered me that much, I just want to share a little bit of criticism I have.

I hope it won't sound rude when I say that I didn't really felt like you understand the character of Nepeta very well? She didn't felt that like Nepeta in your fanfiction, at least for me. I felt like some stuff were explained a bit too many times. I know that characters needed that, yet we as viewers already know some stuff and didn't need to read it again. Also, I really missed the type styles of characters. I know how hard it is to keep it through entire fanfiction, especially writing some of the characters with quite complicated type style. I just missed it a bit. On the other hand it made a few characters much more comprehensive.

I hope I didn't hurt you with this few words of critics. Now I want to share a few of my favorite pages, I hope you don't mind if I end this letter with fangirling over your drawings. I actually wanted to do a lot of comments during reading your fanfiction, but the website didn't let comments. Sadly. That's why I'm writing here. And now is time I will do what I wanted to do back then:

This scene, my fav scene in Homestuck, got so extended in your fanfiction, I felt so gifted and it wasn't even my birthday

I cried.

This. Made me laugh so hard. And it's even funnier without context.

I just reached photos limit. Sadly. I'm so grateful for your comic. I love it so much. Thank you again for making it. You're a wonderful person

Hey there! Thank you so much for the letter, and for taking your time translating it to English for me to understand. Since it’s in a list format, I guess I’ll answer as list as well! So:

Crow strider

It was challenging writing Crow because I needed to basically write Dave but with a twist in his personality due to living with the Harley-Egberts and their grandma, in a very cozy and caring environment.

Honestly I don’t think I managed to portray enough Daveness, his personality is very particular and difficult for me to replicate, but I did the best I could and my friend and editor will help me reach the right amount of striderness in the epilogue

2. A Dave for everyone

Indeed, there’s Dave for everyone. The homestuck epilogues made me realize how lonely Jade ended up, and I always loved Davesprite and jade, but with one being human and the other one a Sprite the relationship was bound to fail, and even tho I wasn’t fond of JadexDavepeta, still i would’ve prefered it to jade being all alone and Davepeta dying fighting Lord English. So now, not only Jade has Crow, and they’re happy, but the Karezi – davekat – daverezi mess all got fused into one, because I love them and their trip was a Little different from in canon. And also Davepeta is around, I don’t think they’ll end up with anyone, but they’ll vibe on EarthC.

3. More Davepeta

They’re alive, and I like showing the craziness that comes from them knowing all timelines but being above them and detached from them. 

4. The characters you didn’t use like

I like exploding underused characters. Because with them, you’ve only seen the Surface, but at the same time you have info about them that can be used to make them more profound. If Tavros got revived, why isn’t he mad at Vriska? What was he doing those 3 years in the bubbles? If Jasprose is a seer and has knowledge of all timelines due to being ultimate self, doesn’t that make her the ultimate clairvoyant? Doesn’t that mean she’s the key to winning? Does she miss the mother like rose does? If there’a already an Arquius, why make another? Why not have just Hal as a Sprite and have him figure out what being alive is actually like?. You get the Surface of the characters and knowing what you know about them, you dig deeper, until you find their humanity and write about it.

5. Godtier Karkat

I love Karkat on Homestuck, but I feel like the character lost weight towards the end of the story, he stopped being the leader and while everyone went and fought someone important like the Condesce, the jacks, the dogjack, or Lord English, he was just somewhere else doing whatever. I wanted to give him his hero moment that closes his development.

As for the door, I feel like in canon john was the right choice to open the door, he’s the hero and the leader, not to mention it’s a human session, it makes total sense and I wouldn’t change it

Every story has things that don’t get to be explored, because that would make them too long and cut the flow, making it unreadable. That why we love fan fictions and AUs so much, they take the pieces and reassemble them into something new, filling the empty spaces.

What makes the events on AUs fun is that they didn’t happen in canon. So if John opened the door in canon, and it was right, then Karkat can open this one, and it can be right on this specific timeline. He gets closure from the door he never got to open, and takes back his role as a leader, even if it’s just for a moment, since the battle is over by now. He’s the leader once again, but this time he understands the weight of it in a way he couldn’t grasp when he was 13, claimed he was in charge and let everyone down. He now understands it’s not just something you ask for, it’s something you earn, he’s now the Knight of blood, god of bonds, he took down the Condesce in the name of his species, and will open the door for his peers to enter the new universe they created together where they’ll create a free society, he became what the signless predicted, his rightful successor. His arc is completed.

6. Extended arcs

Jas was planned since the beginning to close crow’s arc about his rose and his regrets about leaving her behind. It’s only when he’s made peace with losing her, has left his old self behind and is ready to face the battle and his future, that he gets his reward. He gets her back, in the strangest way

With Nanna, i just though nobody ever focused that there was an actual adult around during the whole adventure, Nanna would’ve spent a lot of time around john and jade, them being each others remaining family. So I tried to give her the role of a guardian, breaking a Little with this “orphaned children on their own” that all characters have.

Honestly I tried to make it as interesting as I could, sometimes I would take characters that didn’t have any screen time and think, what can they do? What’s in their mind at this moment that they could tackle in conversation? And with whom? Who else needs screen time?. And that’s how you get, Jake and Tavros bonding, Nepeta, Fefeta, Davepeta and Feferi ship-chat, Arquius telling Terezi and Karkat about Erisol, Hal comforting Eridan, ect.

It’s actually a really cool writing exercise I do sometimes. I grab two characters that have nothing in common, and write a conversation between them. What’s the common ground? Are their stories alike in some way? Do they have a common hobby or worry? It’s really cool because you find stuff about the characters you never paid attention to before

7. Unlikely ships

Tavros and Jane came from me wanting Tavros to be more assertive. In canon Vriska instructed him to not interact with the Alpha kids during those 6 months, but since this Tavros doesn’t listen to her because he took self-esteem lessons from Rufioh, I felt like he probably spent that time actually being a guide to Jane and then becoming Friends while solving puzzles, Jane being a fan of mysteries and Tavros probably missing his flarp days. Also theres a funny thing about Tavros and Jane, and it’s Tavros is supposed to represent Peter pan, while Vriska is supposed to represent both Tinkerbell (she dressed up like a fairy for him and later became an actual fairy) being attracted to him but being short fused when rejected, and also represent Captain Hook, Peter pan’s enemy (with her flarp persona and her ancestor being a pirate), but she’s not Wendy in any way, and I feel like Jane is, she’s the homeschooled girl, with blue eyes who looked through her window waiting to be free because her father wouldn’t let her out (also Wendy’s brother was named john who used big glasses). She’s a normal girl coming in contact with this fairy boy from a world of only children. Idk, makes sense to me. (besides, Wendy darling’s daughter, who Peter pan later takes on adventures too was named Jane, who also has blue eyes)

Erisol and Arquius was a crack ship that suddenly made sense, because it’s one-sided, and I feel like arquius is a caring person, he just has a difficult time socializing like a normal person. He’s just really happy to be a sprite and is pissed by Erisol’s insistence on wanting to explode.

Also, Arquius promising Fefeta that he wouldn’t break Erisol’s neck unless he had a good reason ( he kinda wanted to) and eventually having to break his neck for the good reason of god tiering him (he now doesn't want to and feels bad about it) was something I planned for months

Josh and dirk, i think it’s funny. Dirk wouldn’t have dated jade because she’s a girl, but Josh is a boy so it’s good, AND, he’s like a more direct, version of Jake who takes no bullshit.

8. The topic of transgender

Originally the second spaceship post retcon was supposed to arrive empty, or with only Davesprite, but I saw an opportunity to solve a division in the audience. Some people were interested in John remaining as he was, while others wanted to see June. Since John never showed any doubts about his gender in canon, it wasn’t in my original plans for June to make an appearance during CSAU, because the comic only covered the same period of time as canon. But when it came time to write the retcon I realized I had an opportunity to make them both coexist, making a shift in the timeline, but said shift being there both since the beginning and for the purpose of surviving the recon. Making June and Josh a reality since the beginning, so the timeline would survive the consequences of the two Egberts crossing paths post retcon.

It’s nice to hear you liked it, I know not everyone did. I tried to be respectful but at the same time be true to the nonsensical nature of canon Homestuck that makes timelines twist and change to the story’s convenience, making the events real but chaotic. Also since i knew John’s dad wasn’t coming back and Jane’s dad wouldn’t make it, June would be the last remaining conection to John’s old home and so John would be June's, relying on eachother for comfort when it comes to the loss of their father and home.

9. Eridan and Sollux

I want to cover Eridan’s redemption in the epilogue, since all we know is he grew as a person during his time in the bubbles, leading to his change of heart interacting with Sollux and Kanaya

10. Art style

Thank you! I like to give the characters a full range of emotions and for the surroundings to accompany that

No need to be sorry for learning through my art, in the end my style, like everyone else’s, is bits and pieces from other artists we’ve seen, admired and/or learned from. Just make sure to add your personal touch to make your artstyle trully yours

It’s true that by the end I reused more static panels for dialogue, both because there was a lot for the characters to say, not that much action left, and my battery was running low haha

11. The plot

I tried my best for the story to be a big butterfly effect steaming from crow’s decision to ascend, working towards the most possible outcomes like Crow getting grimdarked by the Condesce too, the sprites surviving because of Nanna and so on

I wanted this timeline to coexist with canon because I don’t like the idea of overwriting it, canon happened and was important, CSAU just happened to be taking place close by

12. Things you didn’t like

I do in fact not understand the character of Nepeta very well, I reread Homestuck in order to get the original troll's personality better, but Nepeta is a character I don’t get. On top of that, she doesn’t appear much in CSAU so didn’t have much time to develop her.

I do struggle with over explaining, I think is stems from not wanting the reader to be confused (it has happened on discord that people come and ask me what was going on in the story when i thought I had written it in a way people could understand with no problems), which leads to me explaining everything too bluntly sometimes, so the characters sometimes ramble TOO much, and I wish I could go back and reduce the dialogs, but that would involve going back to the page’s codes to delete certain pages and replace others, and also changing the programming for the page’s backgrounds, not to mention my computer crashes when I try to modify pages too far back, since they’re 4000 of them. It’s one of those things I can only learn from and try to do better in the next project

The character’s typing was a core part of Homestuck because it was mostly portrayed as blocks of texts and the quirks made it easy to know who was talking even with people having the same typing color. The reason I didn’t use them it’s simply because I could barely write good enough in English, let alone add quirks. My friend offered me to add the quirks at some point when we were revising the dialogs, but I declined because some people found it easier to read without them and I didn’t want to add another step to the render of the pages.

13. Favorite pages

I also cried with that Gamzee panel, I planned it for months and i waited a long time to draw those last panels, I’m glad they made people laugh

Haha, also yeah, the Strider reunion got really extended with so many extra striders. Davepeta, Crow and Hal making the reunion complete

Thank you for this message! i'll do my best to write a good epilogue (which by now is actually a secuel) and i hope you have a great day🌻🌻🌻

[akajustmerry]

I didn't really like the helmet grab by Michonne in towl. I didn't think it was necessary for them to make her do that even though I know they were trying to show how angry she was. Am I overthinking this?

forgive me but I actually think you're not thinking enough. You're not thinking about what's happened from michonne's perspective. even if you were, you're not extending her any empathy because writing off her as just "angry" does not cut it here

....Michonne had to carry on believing rick was dead for FIVE YEARS, raising their kids despite that grief and then when she was given the smallest hope he was alive she gave up another 2 years with her kids, risking her life in the wastelands, surviving chlorine poisoning, and enduring more fucking trauma with nothing keeping her going but the fact that she loved him and would not give up looking...... AND THEN she finds him against all those odds and rick had the CAUCACITY to try and trick her into ABANDONING HIM and insinuate that she DOESN'T TRULY LOVE HIM UNLESS SHE DOES??? of fucking COURSE she rips that dumb fucking helmet off his head!! she wants him to say that nonsense to her FACE, hear how insane it sounds, and be greeted with the only appropriate response to an assertion so ludicrous: silence.

When my dad and I watched that episode we both agreed rick actually got off easy for trying to pull that shit after what michonne had been through. My dad even left the room when rick was bragging about his stoopid plan to trick michonne into leaving to jadis because my dad is very sensitive to second hand embarrassment and rick was so fucking idiotic for trying to do that to michonne and thinking it would work.

ALSO.....something that I've ranted about before is this idea of an empathy gap between how people see white characters and characters of colour (ESPECIALLY Black characters) because such is the racism of the world that people simply don't empathise or even sympathise with characters of colour because they've been conditioned not to. Years of racist media conditions you to empathise with white characters almost instinctively even when they're wrong. In this case, rick was wrong. Totally wrong, despite his intentions. He was dishonest, condescending, and inconsiderate. Michonne had every right to be angry and every right to show him how angry she was. The fact that you're uncomfortable with that maybe means you haven't really paid mind to what michonne has been through and maybe you haven't done that because she's a Black woman. Personally, I loved that scene so much and I also love all the scenes in ep4 where she's pissed off because michonne isn't just rick's love interest she's a protagonist in her own right and she's NEVER not once accepted less, even from him.

anyway, hope you don't think I'm being mean! I've just seen weird discourse about that scene that is so unnecessary. It simply wouldn't be a thing if people actually cared about michonne as a character, rather than just as one half of a ship.

[hedgehog-moss]

Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet

I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)

Biographies

• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).

• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.

• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.

• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.

I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.

Fantasy

• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...

• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!

Essays / literary criticism / philosophy

• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it

• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all

• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism

Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)

Did not fit in the above categories:

• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it

• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans

Books that I didn't think existed in English translation but they do! but you can still read them in French if you want

• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood

• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)

• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good

• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness

• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff

[krunklys]

Why Batcest is a Thing

I was talking with my friend the other day and while she's not a batcest shipper, she asked me why I was. I said that I don't think I take it to the same extremes some other people do, a few things that aren't a personal favorite of mine would be any of the REALLY younger kids with Bruce or say Dick and Damian. It's mostly the age gap that gets to me.

But she asked why I liked JayTim and I had a time explaining it to her and I wanted to bring it here as a sort of explanation, I suppose for people who might not enjoy batcest ships.

first of all, the name. Batcest is... an interesting name. A lot of arguments you'll come across is that they're not actually related, or there are some fanfics out there for aus where one of them (most commonly Tim or Jason) were never apart of the Batfamily in the first place. Of course, there are some where they are! Because, at the end of the day, in Canon they do share a family. But the implication of it being incest can be a real no no for people, even if it's not. Dick wasn't adopted into the family for quiet some time (I think he was adopted around the same time Tim was but I'm not a 100% sure, not to mention he acted as his ward and then aged out of it), Jason was adopted but after his return to life has regularly denied his part in the family (Look at literally any Red Hood Comic, though I do prefer to look at the New 52 Red Hood and The Outlaws for his feelings towards Bruce and the Wayne's in general), Tim was adopted but was later emancipated (in Red Robin), and Damian has a blood relation to Bruce only. Morally, there can be a problem with it but for mow shippers, since this is fiction, the lack of blood relation means there's no problem. Remember! They're not real people. Adoptive relationships, or pseudo familial ones, they don't see these relations as any reason to not ship them! And in later points, I go into why. And if people really had a problem with this pseudo familiar relationships, take for example Tim and Jason who have never once lives under the same roof nor have any legal connection to each other through Bruce, then on principal alone they should have a problem with Cassandra and Stephanie - Cass is adopted by Bruce, yes, but Bruce has also claimed Stephanie as part of the family and includes her in family talks. Does that not make them family members? No. They're friends or girlfriends, depending on how you want to interpret them.

Secondly, the canon relationships that any of the Bats have with their partners. I could go through all of them and explain the nuance of the relationships but I'll simplify for the sake of the post. In Bruce's sake, whether it be Talia or Selina or for the more fanon ones like Clark and Min Khoa (i think that's how you spell that, I'm not sure though!), there's no denying that in Canon these relationships don't pan out. Talia and Bruce have moral problems, even if she was originally a spy and didn't kill, and Selina and Bruce have an entire history of problems. For Dick, himself and Barbara are much of the same. A sweet beginning until something comes in to ruin it and they break up. Take, for example, the newest Nightwing run (on webtoon and not technically canon, i know). Barbara breaks up with Dick because she feels disconnected from him and like he's still preforming for her, but they have no conversation about this prior to it. With Kori, I'm not as knowledgeable about why they broke up, all I know is that they did and it was ugly. Another example is Tim! Himself and Stephanie didn't work out because she couldn't trust him, due to now knowing his identity, and then she faked her death, causing the distrust between them both. These are only a few examples of how relationships work out for Bats and in my personal opinion I think it's because of a ack of understanding for the characters, their love interests I mean. And in fanon, partners for Batfamily members tend to be washed down - Kon acts as an emotional crutch for Tim, Roy has morals he simply does not stand with anymore in Canon in JayRoy fics, Barbara is an anecdote in DickBarbara fics, and Selina is barely featured in Bruce fics. Not to mention the simple lack of wlw fics in the fandom that aren't background.

Due to this, the shipping of Batfamily members together is only natural. The characters share similar morals or in the case of Tim have such complicated morals that in fandom you can pick and choose what to use. They're fleshed out, have a canon relationship with multiple layers to it, and complete each other in many ways. In comparison to some of the fandom favorite ships like SuperBat or BirdFlash, where we only see a two dimensional aspect of their relationship recently, then the shipping of characters like Jason and Tim or Tim and Dick together is a natural conclusion to reach.

And Finally, History and old characteristics. It was mentioned before in another post that I'll try to hunt down for you guys and link in a repost because it will be WORLDS better than what I could write and have much more research thrown into it than this does, but originally there were a lot of implications under their relationships, specifically Bruce and Dick. Wardships programs were used by a lot of gay people when gay marriage was illegal, so were adult adoptions. It was to have a legal connection in whatever way possible. And I think in a really old comic, Dick has a dream where he's living in the manor as an adult still with Bruce. Bruce has a portrait of them together. They eat breakfast together in their pajamas or underwear, and spend all their time together. Batman regularly saves Robin over civilians and for his relationships, sometimes they wouldn't work out simply because of Dick. It worked this way for many Superheroes and their sidekicks in the "golden age" of comics! Batman has always had queer undertones since his creation but adding Robin into the mix just proved this. Like it or not, Bruce and Dick had sexual and romantic implications to their relationship since the character was first introduced in the 40s.

As for Old characteristics, in the New 52 i feel as though some of the characters have been washed down do their base characteristics. They lack depth in a way some characters don't or in a way some do, particularly in fanon. Dick's possessive originally and I see people talking about his anger issues as a child a lot, especially in comparison to Jason's Robin run, but either way - the characters have changed throughout the years. That doesn't mean that people can't cling on to their old relationships or even their old personalities. People are so fond of making Jason insane and crazy and Hella mean when in recent adaptations, he's a normal vigilante for all intents and purposes. He's not even a crime lord anymore, I'm pretty sure he still owns the Iceberg Lounge. That's all to say that the boys used to be a lot closer than they are now, especially Tim and Dick and Dick and Bruce.

The conclusion to my explanation to her is that batcest is much of the same as any other ships - picking and choosing what to take from canon to put two people together into a relationship that you like. It's a work of fiction and while that's important to remember, it doesn't say anything about you in real life! you don't enjoy real life incest if you like JayTim. That's all to say si that there's reasons behind it that some people like and some people don't. She wasn't swayed by my answer but accepted it since she couldn't deny that the Batfamily has been explored on and their relationships together so much more than their relationships with anyone else, canon or fanon.

[child-of-helios]

hello. I've a rather stupid question. I've only read the books once, as a kid, and I don't understand why people hate calpyso x leo. whys it so bad? why does everyone seems to hate it on here?

xxx,

eurydice

First of all, this is my first ever ask, I've made it mother :D Secondly, I'd gladly explain! Though please note that it really has been a good while since I've read the books too, so my memory is kinda foggy :] Warnings for: Slight mentions (but not too much) of rape, pedophilia and mental illness (oh boy this is a tough one)

So, I have made a post abt this before, but it was written in a fit of rage so not my proudest moment (but my most popular post, oops). Anyways, I feel that the hate towards Calypso x Leo is because of a few reasons. 1. It simply didn't get enough development to feel worth it imo. Similar to Jason x Piper, I felt like there wasn't enough there to warrant a canon ship. There is also the fact that personally, I thought that their dynamic was more of a familial or that of siblings, which made me uncomfortable. I would've much rather have them be friends. 2. The uncomfortable age gap. It feels very weird because while yes, Calypso was depicted as a teenager, she is thousands upon thousands of years old. The fact that she fell in love with a literal child is incredibly weird. It was weird enough with Percy, but at least they didn't end up dating. With Leo though, she did end up dating him and the age gap feels very odd. Its even weirder knowing she had a relationship with Odysseus, who by that point was a pretty old dude so she was probably very mature and an adult (though she doesn't act like it). 3. Calypso is kinda a rapist. In the Odyssey myth, she forces Odysseus (a married man) to sleep with her. I'm sorry, but I can't support any relationship involving a rapist unless its rapist x prison cell. It makes me uncomfortable because she could very well take advantage of Leo, a mentally ill teenager with self-esteem issues. 4. Her toxic treatment of Leo. Calypso was very pissed when Leo arrived on her island, rightfully so after what she had gone through, but even then her treatment of his was outright cruel, especially compared to that of Percy and Odysseus. She made him sleep outside, exposing him to the elements after he got flung through the air and ended up on her island, which must've caused some damage. Then after they started dating, I still felt uncomfortable reading about the two, because their dynamic just didn't work, and I don't recall her apologizing to him for her treatment of him. 5. Leo's arc was thrown away. I think the worst of all, is how this impacted Leo's character. He should've had an arc where he learnt to love himself, but because of Calypso he didn't. I think the moral was supposed to be: 'even if you're mentally ill or have problems, you still deserve love!' but it came over more as: 'ignore your issues and get all your love from someone else.' Isn't it more important for kids to learn about self-love? And as an extra: what could've been. I think that Leo shouldn't have gone back for Calypso, that that ship shouldn't have happened. I prefer him going back to Echo and them learning about self-love together as buddies (and maybe evolving into more than that). Echo was stuck in an abusive relationship with the Narcissist, so I think it would a good arc for them both. I also think that if you really wanted a romance, Jason x Leo would've been much better. We know that Rick can write good gay romances, we know that Piper turns out to be a lesbian, so why not make Jason and Leo gay? I think it would add much more to the tragedy of Jason's death, but that's for another post (and this one is getting too long already oops). In conclusion, I think Caleo is bad for many reasons, but especially because it didn't have enough time to develop and the dynamic was simply too creepy for me to get invested in. Sorry for the super long post- Have a lovely day :D

[rifari2037]

Here we go again!! Okay, let me breath first!! 😮‍💨😮‍💨

Zuko was 16 years old, Katara was 14 years old. So, their age gap was only 2 years!

2 YEARS!!!

It wasn't like Zuko was a grown man, while Katara was a little girl.

They were both teenagers!!!

A teenage girl having a crush on a teenage boy with 2 years age gap and vice versa was normal.

Aang was 12 years old boy, had a crush on 14 years old Katara. What was their age gap? 2 YEARS!! So, when Katara was 16 years old, Aang was still 14 years old.

Jet was 16 years old, had a relationship with 14 years old Katara, yet no one talked about their age gap! What was their age gap again? 2 YEARS!!

It's not wrong but it doesn't feel right!

Even Anon said it's not wrong! But it doesn't feel right, because Anon just making things up to bashing Zutara!! Who cares if the arguments don't make any sense?

Katara literally bully Zuko, that's why we should ship Zukka??

That's called relationship development, Honey!

To show that two characters are well written, their interactions must have a reason and make sense. More importantly, there should be no holes/jumps (how to say that? I don't know the right word) in their development so it doesn't feel rushed or forced.

Anon said Zutara was the worst ship, but actually Zuko and Katara were well written because they act as they should!

Zuko and Katara were enemies and they act like enemies.

Katara and Zuko still enemies when they met in Crystal Catacomb, but then they tried to understand each other. They weren't friends yet when Zuko betrayed her.

Katara got mad and bullied him!

That's make sense!! I mean, what should Katara do after someone betrayed her? Hug him???

Actually, these scenes showed that Katara could vent her anger too, she could demand someone to understand her feeling, and not always her who understand others like she always did.

And what Zuko did? Yes, he made it up to her!! He understand what she needed and accompany her to facing her trauma without told her what she should or shouldn't do (except told her to get some rest).

Then Katara, by her own choice forgive him and they become partners/friends who can complement each other.

They even saved each other lives!!

What made them the worst ship after their relationship development written with this coherent storyline? No rushed, no forced. They were enemies to friends (and to lovers 😂) after all, of course they had conflicts like a great war.

And it was way way way better than, lets say...

Two characters fought in one episode, then they separated in a few episodes later, and they kissed in the end of the story without resolving their problem, even without any conversation at all.

Or like one character left their lover in jail, forgot about her for a few episodes, didn't even remember to release her out of the prison, and then they met again like nothing happened and kiss.

Those are examples of rushed and forced storylines.

Wait, those storylines sound familiar?? 🤔🤔

And what make Zukka better than Zutara, though? Why should I ship them?? Zukka were just crack ship and didn't even have relationship development!!

Or maybe because of this??

But, really? Because Zutara had more than that!

Or this??

Well, first of all, Sokka was going on a date with Suki. And second of all, don't forget their conversation after that!!

Sokka : So what's on your mind? Zuko : Your sister. She hates me! And I don't know why, but I do care what she thinks of me.

Or, maybe because they were so awkward toward each other that make them cute?

But it seems like these two teenagers were more awkward when they couldn't get rid of boyfriend-girlfriend allegations. Oh, wait, do I see a blush on their cheeks? I wonder why.

Well, what else?? Because I can't think of another scene in the show that makes Zukka a better ship than Zutara.

[kafus]

why dot & episode 41 of pokemon horizons means so much to me as a recovering social recluse

when i got into pokemon horizons i had no idea whatsoever that my favorite character would end up being dot, one of the best handled social recluse characters i've ever seen in a piece of media. pokemon places such a large focus on adventure and travel, meeting new people and pokemon, so really the idea of a respectfully handled social recluse character just didn't seem to fit in with the concept. but now that the environment travels with the characters in the form of an airship, dot was able to be created and my god i love her. as someone who's been a recluse most of my life, even as a child, (i would qualify as a hikikomori and/or NEET at different stages of my life!) who is slowly crawling out of that pit, dot means the world to me.

there's a lot of good episodes that have some level of focus on dot but episode 41 in particular really blew me away and for the sake of my autistic ass desperately wanting to tell people about it i'm going to explain that here in trademark rambling fashion. obviously spoilers ahead - though not just for episode 41, i'm also going to be talking about earlier episodes a little bit. you've been warned!! if you don't want spoilers don't read below the cut ty!!

so episode 41. we meet dot's mother as the viewer who is there to pick up dot from her "trial period" on the brave asagi, learn about how dot ended up on the airship in the first place, and then at the end dot gets to have a showdown against her mother's lycanroc essentially to prove that she wants to, and can, stay permanently on the rising volteccers crew instead of going home. this is a huge turning point in dot's development as a character - at first she was a complete unknown only audible through her bedroom door, irritable to anyone who tried to speak to her, then over the course of the show she's managed to make friends with liko and roy, become a pokemon trainer, enjoy food with other people for seemingly the first time, and even caught tinkatink on her own accord pretty recently. and now this episode allows her to say in her own words that she isn't just on the ship experimentally, or because of murdock, or any other reason - she is choosing to be there and is enjoying learning more about other people and experiencing the outside world. again, this is a huge leap for someone who refused to show her face to the main characters for the first half of the show!

this on its own is already a pretty admirable character arc, one i can relate to, but i am really impressed by & feel seen by the way the writing handles her and that's really apparent in this episode. first i'm going to focus on how the writing and characters in the show respect dot's feelings despite her introversion and reclusion here.

dot's mom (blanca) is introduced to us as incredibly overbearing, to the point of freaking out and sending a bunch of angry stickers when murdock and dot don't immediately respond to her messages. dot's first response to seeing her mom is frustration instead of any level of positive response or excitement, which implies they don't have the best history, even before she actually starts talking about her past. i'm not trying to make this a post about dot's family psychology, maybe another time, but similarly to liko her situation is a bit fucked lmao (though for opposite reasons!)

the thing is - the adults around her are ALSO uncomfortable, in particular murdock, blanca's brother, which conveys a lot about the situation. she's not just some stubborn kid, there's legitimacy to her feelings, because if there wasn't the mature figures in this situation probably wouldn't also be reacting negatively, especially not murdock, dot's other relative here. from incredibly personal experience, it is so easy to wave off the feelings of a child, especially one as "difficult" and reclusive as dot, as just being some sort of phase, but already the writers are directly contrasting murdock, an adult dot is comfortable with who treats her with patience and respect, with blanca, who she evidently is not comfortable with - and they're respecting her feelings by making the adults in the show respect her feelings, too. and they're about to do a whole lot more of contrasting her mother with Everyone and Everything Else!

dot is continued to be understood and respected by the people who know her best in the case of liko and roy choosing to approach her to talk first. dot has run off to her room, where she usually is to get away from people, a very clear sign that she's struggling. liko and roy recognize this and cut blanca off from making the situation worse. which, of course they would, they're her friends and they genuinely care about her and understand how she behaves! they even know how to get her to come out her room without banging on her door and continuously yelling or something like that - direct contrast to them struggling with this much earlier in the show, by the way.

dot is happy to see them and much more willing to talk pretty much immediately, because guess what, they're people who respect her space and her feelings!!!

and once again, when blanca tries to force dot to speak before she's ready to (i mean come on you literally jumped her with this massive thing out of nowhere), liko jumps in and cuts blanca off to defend her and once again respect her feelings in a way that blanca definitely is not.

and finally, when they end up having a pokemon battle with each other...

blanca says this, yet another invalidation of dot's feelings and the way she responds to situations. this line actually made me viscerally uncomfortable, i remember the bitterness and upset i felt when i was a young person and my feelings, especially my frustrations with my parents and the way they handled my introversion, were invalidated on account of my age. "oh, it's just a phase" or "it's just because you're a kid" - just so incredibly frustrating.

and you know what that's followed up with?

dot speaking her fucking mind and kicking her mom's ass baby!!!! get her ass!!! let's GOOO. this part of the episode is so fucking rewarding. it's so good to see this character who has grown so much finally stand up for herself. she still needed a little bit of a push but that's OKAY!! the important part is that she's doing it and the narrative recognizes that! having friends and loved ones to help you out is actually a very essential part of happiness and survival!

and before i delve too far into my personal feelings, i also want to talk about a second thing here; i just find dot's characterization really relatable, like i swear to god there's someone on the writing team who must have been a 12 year old autistic NEET or something. it's literally too fucking on point, it's uncanny, i swear there's times in horizons where dot is just a carbon copy of me when i was a preteen. i mean come on:

dot flopping face down into bed after being overwhelmed in an awkward social situation and being confronted with a situation she's been trying to ignore thus far... the amount of times i have done this in my life, holy shit.

the candidness in which dot speaks about being so interested in the outside world, but being unable to have those experiences for herself as simply a voyeur. the shot of her room being such a disaster because she rarely leaves it and stuff piles up in there, including food junk,

the way she spends all this time alone cultivating skills she's passionate about and then shrugs them off as "just something she likes" when an adult compliments her on her abilities, the contrast between her confidence in what she loves but her complete social awkwardness in talking to anyone about it,

her defining herself on the internet by being a homebody, hell even her cute little freakout about the streamer she likes noticing something she said,

waking up late and missing the activities of other people because her sleep schedule basically doesn't exist while she's at home,

even just her general body language of closing in on herself and holding onto something when she's nervous, hell even her clothing choices which are so obviously meant to be as comfortable as possible for her and easy to take on and off - i could go on forever even just with this episode alone but i think you get the point. i feel so seen by how dot is just in general and it's obvious from both the plot/writing and the way dot is portrayed and animated that the people making this show understand people like me, even the type of person i was as a child, too.

all of this means so much to me because like i said in the intro to this post, i was and still very much am a social recluse. i'm a homebody. even now i still rarely leave my room, i don't eat with family often, i struggle to do things in the "real world". growing up, repeated intrusions into my feelings and my life did not help me, they only made me whiplash further into feeling distant and not listened to by the people around me. they made me want to interact with real life less. finally, as an adult, when people started to give me a bit more space, when the ways i communicate began to be respected a little more, that is when i started making genuinely close and good friendships, that is when i began to venture outside of my room and partake in small joys with people, as a direct result of being given the space and time to do so, to have my own autonomy, to make my own decisions, to be myself. i think it's incredibly easy to see someone curling in onto themself and assume they need a fuckton of intrusive pushing, and sometimes they do need a little push, like how dot's quaxly pushes her to move forward in the moment sometimes, or how liko continuously tried to befriend her, but the important part is that by treading too far over her boundaries it is no longer a productive or respectful way of helping her - it's a balance, and a balance horizons always seems to get right, episode 41 included.

it really means so much to me to see dot's journey into coming out of her shell treated with so much respect by the writing and other characters. so often recluse characters are the butt of the joke, are pushed out of their comfort zones unrealistically fast, or never actually receive the support and growth they need - but horizons strikes the balance of being candid about the type of character dot is and giving respect and space to her feelings so she can grow at her own pace, but still giving her support and little pushes when she needs them, and showing that it's possible to grow and enjoy the real world, even as a recluse. it's refreshing, especially with a character who is a child, and a girl, too! i can count the amount of times i have found a young girl character i relate to at all on one hand, and dot is the best one i've ever seen, personally! horizons has been really inspiring to me to continue to cultivate my connections with others and continue to drag myself out of my shell at my own pace with people who love me, during a really chaotic and transitional part of my life and i really love it for that. i'm glad this episode exists for an infinite multitude of reasons but i really just wanted to talk about this specific aspect for a bit and how it relates back to me as a recovering recluse.

thanks for reading if you got this far jesus christ i talk a lot LOOOL. and i might talk more about my feelings on this episode or dot in general later. i have so much to say about likodot and also about the family dynamics in this show i'm practically eating thru drywall thinking about it rn

[dreamingundone]

When The Morning Comes

Pairing: Jake “Hangman” Seresin x OFC (could be read as reader-insert, no use of Y/N) Summary: Jake doesn’t do serious. He was really upfront and honest about that. So why is he he one getting really tired of saying goodbye every morning? Rating: PG-13 for swears. Words: 3K+ Author’s Note: Here I am again writing fic in the year 2023 because I haven’t stopped thinking about Jake Seresin since last summer. This is slightly Band of Brothers adjacent because I’m incapable of putting away that particular hyper-fixation but you don’t need to know anything about it to understand this. Disclaimer: I don’t own the character Jake or Top Gun: Maverick. Please don’t re-post or translate my work without my permission. There's probably some inaccuracies here though I did my best to Google a few things, but even so, please be nice.

He watches her as she works out of the corner of his eye. He tells himself that he's not seeking her out every time he wanders the corridors at the hangar, but it just happens.

She's impossible to ignore.

There's a sinking feeling in his gut as she very much doesn't make eye contact with him, and in fact, she brushes by him as she leaves the room without so much as a glance.

"All set?" He asks Rooster gruffly, who arches an eyebrow.

"Didn't think you cared so much, Hangman." He gets up from the exam table, hands brushing over the thin line of stitches near his eyebrow.

Jake rolls his eyes.

"Oh!" Rooster says suddenly, eyes lighting up. "It's not me you're here for--"

"Shut up."

Bradshaw's not lying though, which makes Jake grit his teeth even harder.

"Secret's safe with me." He says with a wink, leaving Jake standing in Sick Bay by himself, questioning basically every life decision he's made to get to this point.

.

Six months earlier

"Listen up!" Maverick calls over the din, and when he can't get anyone's attention except for Dagger Squad, Admiral Bates does the job with a sharp whistle.

The hangar goes quiet, and they sit quietly as they listen to the mission briefing. Three months of training, and then they'll be shipped out to God knows where for God knows how long.

While he's pretty used to this particular way of life by now, he sees some of the other squads he doesn't know sharing nervous looks.

There's a group standing closer to the door that he's never had the pleasure to interact with - the medical staff from Sick Bay. The doctors look bored, but there's a new medic who's caught his eye from the minute he walked into the room.

She's taking notes or something, and Jake smirks as she looks up, meeting his eyes briefly. She rolls her eyes and looks back to her notebook, which only makes him smile wider.

He introduces himself the first time he gets a chance, later at the Hard Deck.

"I'm Jake," he says, holding out a hand.

"Good for you." She says, not looking up from her phone.

"Waiting on someone?"

"Someone else, definitely."

There's something about the way she says it - there's no heat in her words really, even though he knows she's trying to put him off. Look -- everyone thinks Jake is an asshole, and he knows he can be sometimes, but he doesn't want to stick around where he's clearly not wanted, even if all he wants to do is sit here with her and learn everything there is to know about her.

"Enjoy your drink," he says, and leaves her there looking a little surprised, if the crease between her brows is any indication.

.

It's a few days later when he has an excuse to see her again, though not under the circumstances he would have wished.

He's being semi-held up between Javy and Rooster, and he's scowling. "I'm fine," he grumbles.

"Sure, tell that to the control panel you smashed your head off of." Javy says, and Jake would roll his eyes, it's just that he can't really see straight, so he thinks he'd just pass out.

Okay, so he had to emergency land. At least he didn't have to eject.

"Put him here." He hears her voice, kind but authoritative. "Lieutenant Seresin, I thought I told you the other night I wasn't interested."

Javy snorts, and Rooster bites back a grin.

"Desperate times calls for desperate measures." Jake says, groaning as he lies back on the exam table.

Then she's there, looming over him, and the irony isn't lost on him that this is the first time she's looking him directly in the eye. Well, her and her flashlight, anyway.

"Pupils a bit larger than I'd like." She mutters. He finds himself really unable to do anything other than watch her as his vision wavers. "Concussion, obviously." She says. "Is the light bothering you?"

"A little." He answers.

She hums in sympathy. "You need stitches. Give me a minute." She says, and then her warmth is gone, and the bright light overhead is all he can see, making him close his eyes.

He sighs. This really isn't the impression he wanted to make.

Dimly, he registers Javy and Rooster leaving the room, saying they needed to go tell the rest of the Daggers how he was doing. He's sure Phoenix and Bob are pacing somewhere. Mav, too.

"Stupid." He mutters.

"What?" She asks, sounding offended.

"Nothing. Not you." He says, eyes opening as she leans over him again, hissing when she wipes an antiseptic over his forehead. "A little warning would have been nice."

"Don't be a baby." She chides, face full of determination. "Stay still."

He lets her work for a few minutes before he tries again. "I meant that I felt stupid for this."

She meets his eyes quickly. "Sounded like you did what you had to do so you didn't kill yourself."

"You were listening?" He asks, surprised. He feels dumber that he didn't realize that. Of course the medics were on standby.

"It's my job." She says. She pauses for a minute, glancing at her wrist. Her wristwatch is turned the wrong way round, so the face of it is on the inside. It's very military, and it makes him smile. It's how he can spot another Navy guy a mile away.

Hers is different than his, though, the face worn and scratched.

"Is that thing even ticking?" He asks as she gets back to work.

Her tongue is between her teeth as she completes the next few stiches, the sight making him a little distracted.

"It was my great-grandfather's."

He feels like he's bothering her, so he doesn't ask any more questions, but she surprises him by continuing.

"He's the reason I wanted to get into medicine. He was an Army medic."

"And that was his service watch?"

"Made it through the drop to Normandy and back."

Jake's eyebrows rise. "A paratrooper."

She nods. "He died before I was old enough to figure out what I wanted to do, but this watch has kept on ticking. Feels like I've got him over my shoulder advising me on what to do."

"That's really nice." Jake says honestly, and again he catches a surprised look on her face.

"I'm sorry," she says, maybe seeing the way his features droop. "You can sit up," she says off-hand before continuing. "I wasn't really fair to you. I've just-- to be honest, I've heard some things. Made me think..."

Jake nods. He knows what everyone says. And to be fair, he's never given anyone other than his friends any reason to doubt the rumors about him. What's the point? He'd rather let everyone on North Island think what they want than spending time fighting his reputation. It's not worth it, especially when he leaves often for months at a time.

"Anyway. That wasn't fair. I'm sorry."

He shakes his head, pasting on a smile he doesn't really feel. "No harm done. I don't really... I don't really do serious. So the rumors aren't far off." He doesn't know why he says it. It's the truth - he's scared of getting attached. He's no good at being someone's boyfriend and he knows it. But still -- it feels weird to say it out loud to her.

"Well. Okay then, Lieutenant. You're going to be grounded for awhile, unfortunately. Come back next week and we'll see how you're doing."

.

Over the next few weeks, they do more mission prep, which means the medical team and the Daggers are together more often than not. They'll all be together as a wing on the carrier, and it's important that everyone knows all the details of every minute of the mission.

They have enough downtime too, and that's where he really finds himself in deep trouble. All because of her.

Phoenix has taking a liking to her, and really, everyone else has too. It's hard not to like her.

He's watching her now, contemplative eyes as he tilts his beer bottle back to his lips, and his heart does a funny little flip at the sound of her laugh.

He's surprised when she makes her way over to him at the end of the night, elbowing him lightly.

"All alone, Hangman?"

He smiles wryly. "Only got room in my heart for one lucky lady, Doc."

The nickname was her great-grandfather's, and it's stuck to her too. The first time Mav called her that, she got a little misty-eyed, and Jake found it so endearing he could barely look at her.

She rolls her eyes. "You get back up in the air tomorrow."

He nods, having been cleared by the medical team earlier that day. He can't wait. He misses the adrenaline and the sound of the engines roaring underneath him.

"Thanks to you," he says, nudging her in return. She'd been like a drill sergeant the last few weeks, watching him like a hawk to make sure he stuck to paperwork and didn't overwork himself while he recovered from his concussion.

"Just doing my job." Her standard answer. He thinks it's interesting that someone so confident has a hard time accepting any praise.

"No, it's something else." He says, taking another pull from his bottle. "You were born to do this, I think. You've got a special touch."

She blinks rapidly, and for a horrifying moment, he thinks she might cry. She clears her throat. "How many of those have you had?" She gestures towards the bottle in his hand. "I said one beer, Seresin."

"Not even a full one." He assures her. "And I mean that, Doc."

The way she's looking at him sends his heart racing. Is she--? No, he's imagining it, that she looks like she's leaning in a little, her lips parted invitingly. That's impossible.

"Thank you, Jake." She says softly, and it's the first time she's ever called him by his first name. It takes everything inside of him to stop from leaning into her a little bit more, and in the end he doesn't fight it.

They sit there, side by side, shoulder to shoulder, in a comfortable silence for the rest of the night. And if her pinky brushes his just a little on the bartop, he doesn't draw attention to it. He just lets it happen, enjoying the warmth unfurling inside of him.

.

The briefing where they get their assignments for the mission is tense. This is a dangerous one. Top secret, and not even the medic team is allowed in the room with the Daggers while they get briefed.

There's some speculation that they won't even come along - that this mission is so secret, the fewer eyes on it, the better.

It makes something twist inside him, the thought that he might not see her until he comes home from deployment. He hasn't had that feeling in a really, really long time.

Afterwards, he's wandering the corridors aimlessly when he quite literally runs smack into her.

"Oh!" She says, surprised, and he grabs at her arms instinctively, holding her upright.

"Sorry, Doc."

"Are you okay?" She asks, narrowing her eyes at him.

"Fine. I--" He looks up, meeting her eyes. "Will you go to dinner with me?"

She swallows. "What?"

"Look, I'm not looking for anything serious. I'm starting to think you aren't either. But I also like you, and I'd like to take you to dinner. If you want." It all comes out in a rush.

"Okay." She says quietly.

"Okay?"

"Okay." She repeats.

.

They don't even make it through dinner.

He's so distracted by the sight of her in civilian clothes that he can barely form a coherent sentence all night.

It must show on his face, and he really feels like an asshole for it, but she also responds to it, so he doesn't stop himself from staring at her, not this time.

Somewhere in the middle of the dinner course, she puts down her fork. "Are you going to take me home now?"

He doesn't think he's ever scribbled his signature on a check so fast in his life.

After that it's all a blur of heated gazes, wandering hands, and finally, mouths meeting. It's all flushed skin and, for Jake, trembling hands. He tries not to examine that particular fact too much.

In the morning, she leaves before he wakes up. He feels a little weird about it, but it's also how it has to be. It's how he's always done things. And if that's good for her too, even better.

.

They go on like that for weeks. He tries not to think about how each morning it's harder and harder to watch her get dressed in the haze when she thinks he's still asleep.

He tries not to think about how she always looks back over her shoulder before she goes, something soft in her eyes.

He tries not to count down the days between now and his deployment date.

On a Friday morning, he's making no show of the fact that he's awake when she slides out from under the sheets and starts dressing.

"You could stay." He says, voice a little hoarse.

She pauses, but pulls her shirt over her head. "Don't do that." She says, voice quiet but firm.

"Just for breakfast."

"This is what you wanted, Jake. I'm just trying to make this easy for both of us."

His face twists. "And I can't change my mind?"

"Actually, no." She says, voice harsh. "Because you've said to me a hundred times that you weren't looking for anything serious. Staying longer, spending days together... that's serious. I'm just doing what you wanted."

Maybe I don't want that anymore. The thought rattles around in his brain, but he doesn't say it.

"It doesn't have to mean anything." He says without thinking, and the look she gives him is withering.

"You've been doing your best not to let any of this mean anything, Seresin."

"We're going by last names now?"

"For fuck's sake, Jake!" She hisses, tugging her pants on. "I should have trusted my instincts with you. I should have listened to my gut."

He sits up straighter now, hurt lacing his tone. "So you've just been miserable for the last few weeks, right? None of this has been pleasurable for you, and that's my fault."

"I didn't say that."

"You know what? Don't let me keep you. Must have been a moment of insanity." He says, voice hard. "You're right. Keep it simple, keep it meaningless. That's perfect."

She doesn't say anything else as she gathers the rest of her stuff and slams the door behind her.

He doesn't see her again until the final mission briefing before deployment.

They're being deployed to the same carrier. That wasn't supposed to happen. The whole reason he decided to take a chance, to finally act on these feelings that he's afraid to identify... it was spurred on by the idea that he may come back in a year to find her elsewhere.

Their eyes meet across the hangar. There's nothing friendly in them now.

He swallows hard. This is going to be a shit-show.

.

They're out in the middle of the goddamned ocean when he, yet again, has to race to Rooster's rescue. It's not nearly as terrifying as the last time it happened, but he's still furious at his friend for risking his life once again. Rooster skids into the carrier with his landing gear barely hanging on, and the rough landing has him doing his best impression of Jake himself all those months ago when he nearly smashed his face into the control panel.

He has to help Rooster get to the Sick Bay because he can't do it on his own, and no matter how much he wants to avoid seeing her, he needs to get help, and Doc is the best, there's no doubt about it.

They ignore each other, though he watches her. He can't help it. She handles Rooster like he's the most important person in the room, and it twists something inside Jake, though he knows that's what makes her invaluable.

She leaves before he can say anything to her.

"All set?" He asks Rooster gruffly, who arches an eyebrow.

"Didn't think you cared so much, Hangman." He gets up from the exam table, hands brushing over the thin line of stitches near his eyebrow.

Jake rolls his eyes.

"Oh!" Rooster says suddenly, eyes lighting up. "It's not me you're here for--"

"Shut up."

Bradshaw's not lying though, which makes Jake grit his teeth even harder.

"Secret's safe with me." He says with a wink, leaving Jake standing in Sick Bay by himself, questioning basically every life decision he's made to get to this point.

In the corridor outside Sick Bay, she's lingering. Pacing.

Jake stops. He's not sure how to get past her without speaking to her. And truthfully, he knows he owes her an apology. He owes her more than that, but he doesn't know how.

"He's going to be okay," She says. "Just so you know."

"I know. Had you fixing him up, after all."

"You sounded scared on the comms."

He shakes his head. "He's reckless."

"He's your friend. It's okay to worry." It's okay to feel things, she doesn't say, but he hears it like she shouted it.

He puts his hands on his hips. "I worry a lot, actually. I worry about a lot of things."

She's just watching him warily, and he goes on, actually unable to stop rambling.

"I worried from the second I met you that I was going to fall in love with you, and that's exactly what happened."

Her mouth falls open, and he plows on.

"I worried that if I let myself get too close, I'd never recover when inevitably you found someone better than me. I didn't think we were getting deployed together. I thought I'd never see you again, that I'd come home and you'd have found someone that deserves you. So I put a boundary there, and I never should have. Even when you respected it, I got angry with you. Because I did want more."

"Jake, what the fuck?" She breathes, and he laughs.

"I know. I'm an asshole, and I'm sorry. I just-- I couldn't stop myself. With every little thing I learned about you, I just fell a little harder. And that was never the deal. So even when you acted like... like you could've felt the same way, I didn't give you the chance." He smiles, but it's more like a wince. "Call it self preservation, I guess."

"You're so stupid, Lieutenant Seresin." Her voice is shaky. "As if I would have thought about anyone else for a year, even if we were separated."

His head snaps back up to meet her eyes. "Doc?"

"I've been falling for you this whole time too, you idiot. And the only reason I didn't want to stay that morning was because I'd worked so hard to stop myself wanting more than you were willing to give."

"I'm sorry."

"You keep saying that."

"I can keep saying it, if it helps."

She takes two quick strides in his direction while they're alone, and kisses him. Quick and hard, it sets his skin afire and his heart pounding.

"Back to work, Hangman." She says against his lips as she lowers herself down to her feet. "We'll talk about this later." Her thumb presses into the dimple on his cheek.

"If I have to, Doc." He says, and this time when he watches her walk away, he knows it's for the last time.

He's not going to let her out of his sight for a long time, if he can help it.

[epickiya722]

Actually, now I'm thinking about it, it's odd to me that Midoriya and Uraraka look similar and maybe that's on purpose.

Round eyes & face

Facial marks (Freckles for Midoriya, blush stickers for Uraraka)

"Brunette" (green hair is considered being a brunet/te in anime logic)

Shorter than the others

Now given that, what if Uraraka "falling in love" with Midoriya wasn't her actually falling in love? What if it was her having a self-reflection and accepting herself?

Further thinking about it... they're practically the same person.

They're both compassionate, kind. They learn to adapt to changes. They're cute, but they're vicious if pushed far enough. They won't give up on people or in a fight. Hell, they both float, use long range attacks, and close range ones. Works in teams of three (Uraraka-Asui-Hado, Midoriya-Bakugou-Todoroki) under a top Pro Hero.

And they both "rival" some feral blond that they don't act "normal" around.

What if Midoriya wasn't meant to be Uraraka's crush but her mirror? Mind you whenever someone points out her "crush" it's not someone you would turn to for love advice.

Aoyama is Aoyama (think about that reveal), Ashido practically ships anybody with anybody when there's no real chemistry, and Toga has a twisted concept of love.

You really think I would trust any of them on telling me I have a "crush"?

There's also the fact that Uraraka herself during her talk with Midoriya says they're both "oddballs". That whole talk during 342 comes off more as someone talking about their feelings about their identity and relating to a friend who feels the same about themselves than supposedly "romantic". When someone is called an "oddball", it means that person is "weird". They're not part of the "norm".

Sometimes it comes off as having different interests, like someone liking the arts unlike the majority of the group who likes sports.

Or it's someone who identifies as queer.

What if these last few chapters of Toga and Uraraka was Uraraka accepting herself?

@darkcircles4lyfe points out a detail that I didn't catch until now in this post here.

In this scene, Toga has a hold of that All Might keychain. We know it's of importance to Uraraka because Midoriya gave it to her. We also know that once before Uraraka snatched it away from her when Toga first got a hold of it during the PLF War Arc. Here, she doesn't do it. Granted, because she's bang the hell up and probably even isn't aware of her surroundings. But on Horikoshi's part, what if that's on purpose? What if here, Toga is taking the keychain as a way of saying Uraraka is finally accepting herself and her feelings? That Midoriya was that mirror she kept looking into and questioning until this very moment?

And let's be honest here, it's not like Horikoshi isn't incapable of writing M/F ships. I just think IzuOcha is a ship he doesn't intend to make romantic because of how underdeveloped it is.

Compare it to Kamijirou and Kirimina, it is pale. Also, make note of those two pairs.

The characters in those ships also have opposing physical features.

Kamijirou - dark and light hair colors, the extrovert and the introvert

Kirimina - Spiky hair and curly hair, sharp edges and round curves

A lot of pairs Horikoshi puts together in which the characters are close (romantic or platonic) have some opposing features to them.

Gentle Crimimal and La Brava - tall and short, dark hair and light hair, one is more hands on and the other isn't

Eraser Head & Present Mic - quiet and loud, dark hair and light hair, close combat & long range

Bakugou's and Jiro's parents - quiet & loud, dark hair and light hair

It's his shtick.

But for Midoriya and Uraraka? They are just genderbend versions of each other!

That's really all I have to say here. And if you disagree, fine. Don't care for the input though, keep it to yourselves. (I say this because some of you are just damn disrespectful.)

I myself don't think IzuOcha is a bad ship, but I just don't think it's a ship Horikoshi has on his agenda. Let alone wants the audience to perceive them as "romantic" but as a "mirror".

[explosionshark]

Buffy/Faith + cold, scar, kiss

(For the "send me three words and a character/ship" and I'll write you a scene ask game)

So there's really only one idea for a BodLang sequel that I really care about doing someday and it's this: like two years after the epilogue, Faith goes back to Boston to settle some affairs when she finds out her dad has died and Buffy goes with her. This would be a scene from that hypothetical fic. TW for non-specific references to child abuse (we ARE talking about Faith's family background)

--

“Faith.” Her name escapes Buffy's lips in a cloud of steam, dissolving into the winter air in a second, so fast it might as well have never existed. Buffy clenches her fists tight at her sides and takes a halting step forward, says it again, softer, more carefully. “Faith.”

Faith doesn't turn around. She's got her hands, bare, gloveless, braced on a metal rail. It's cold enough to snow, though it hasn't yet, and Buffy knows it must be cold enough to burn. She wants to reach out, to fold her arms around Faith's body and pull her back, encircle Faith in warmth, take her away from the pain that seems to lurk in every corner of this city. But she doesn't. Not yet. It wouldn't do any good, not before Faith is ready.

“I'm good,” Faith lies, voice rough, head bowed. Her shoulders don't shake, her hands don't leave the rail.

“You're not,” Buffy says, taking another step closer but stopping short of reaching out to touch her. “And you don't have to be, but don't lie about it. Not to me.”

Faith nods, looses a sigh that deflates the rigid set of her shoulders. She seems to shrink, finally, curling in on herself. She cants her head a little, looking sidelong at Buffy for the first time since she swept out of the apartment. “Sorry.”

“It's alright,” Buffy says and she means it. 

“I didn't think it would bother me this bad,” Faith laughs this brittle, hollow laugh, and Buffy can hear the tears in her voice now, even as she shakes her head, sniffing hard to keep them at bay. “I thought, y'know. It'd be good to go back. I'm strong now, y'know? I'm a slayer. And my life is good. I've got friends and I've got you. More than I ever thought I'd get, so. So — y'know, we’re here anyway and it makes sense, come back, get some closure. Thought it would reframe things, being back, really feel how different I am after all these years. How grown.”

Faith pauses and turns around, looking up at the streetlight hanging over them instead of at Buffy directly, the halogen bulb pouring yellow light over her in the dark. “What a fuckin’ joke.” Faith sniffs again, eyes squeezing shut against tears and runs a knuckle over her nose, hard and fast enough to make Buffy wince. “Swear to God, I've never felt any smaller.”

Buffy feels her heart throb in her chest, bruised and aching like a something slammed shut in a doorway. She can't help herself, taking another step closer, reaching a hand out to brush against Faith's cheek. When she doesn't flinch back or pull away, Buffy takes another step forward, brushes back the hair that's fallen into Faith's face, tucks it gently behind her ear.

“The things that fuckin' happened to me in that apartment, B, I swear,” Faith chokes out, sniffing hard again. “I don't even want to tell you.”

Someday, Buffy hopes she will. She dreads it, also, because she knows it will hurt. Faith has let some things slip over the years that paint a nasty picture. And there's more still Faith hasn't had to say, hasn't had a choice in revealing. There's a story in the cluster of too-round burn scars below her ribs, on the back of her right shoulder blade. 

“I'm sorry,” Buffy says, finally, trying to make her voice low and soothing, hating herself a little when it shakes in spite of her efforts. “I'm sorry that no one protected you when you were small and vulnerable. You deserved to have someone to take care of you and show you love and keep you safe.”

She can't help the way her own voice breaks at the end of the sentence, or the way she suddenly misses her own mother so fiercely it takes her breath away. 

Buffy clears her throat a little awkwardly and continues, “And I'm sorry it still hurts, even now. And that coming back here brought it all up for you again But I promise you — no one is ever going to hurt you like that ever again. You know why?”

“I'm a slayer,” Faith mutters, clenching her cold hands between them. “They couldn't.”

Buffy pauses a moment and pulls off her gloves, biting her lip at the sudden rush of cold against her bare skin. She reached out, carefully, cupping Faith's fists, uncurling them, cupping them between her own warm hands before raising them up between them. She leans down, breathes out hot air against the icy skin. Presses a soft kiss Faith's knuckles.

“That's true,” Buffy says quietly. “You're very strong. You're one of the strongest people I know, one of the best fighters. You've faced down demons and monsters and bad men, and you've beaten them all. You use your strength to help people. To protect people who are weaker than you, who need someone to help them. There's no way to make what happened to you here right, Faith, but that doesn't stop you from making the world better, in spite of the ways it failed you. And I'm so proud of you for that and I'm so glad you're here to do it. Because you're good.”

“I'm—” There's a wobble in Faith's voice and a fierceness in her expression that tells Buffy she wants to argue.

Buffy doesn't let her. “And the other reason no one could ever hurt you like that again is because I wouldn't let them. I won't ever let anyone treat you like that. Someone should have protected you when you were little, Faith, and they didn't and that's terrible. But I can. I will. And not just me, okay? Everyone. Willow and Giles and Dawn and Ange, even Xander.l And all those girls you've helped become real slayers.”

“Buffy,” Faith finally crumbles, lurching forward into Buffy's arms, breath spilling out in hot, wet staccato bursts against Buffy's neck.

“You'll never be hurt that way again because you'll never alone again like you were before,” Buffy promises into the shell of Faith's ear. “Never. I promise.”

Buffy feels Faith's hands clenching tight in the fabric of her coat, clinging to her with all the desperation and ferocity of a frightened child and thinks, not for the first time, that it's probably a good thing that Faith’s mom died before Buffy ever got a chance to meet her. She doesn't know what she would be capable of if she ever actually got to meet one of the people who'd wounded Faith so badly, so deeply, but she doesn't think it would be good.

“I'm— can you?” Faith sniffs, pulling back a little to catch Buffy's eye. “Can we go inside now? Not back there, but— I'm cold.”

“Sure,” Buffy says. She leans forward, presses a gentle kiss to the side of Faith's mouth. She means it just for comfort, a quick peck, and she's surprised when Faith immediately tilts her face, capturing Buffy's lips in another, deeper kiss. There's a desperation here that's familiar to Buffy, after so many years with Faith. An urgent, cavernous hunger, the yearning for reassurance, to feel wanted, to feel herself made precious in Buffy's touch. 

Buffy tries her best to sate that need, to pour all of her love, the seriousness of her promise I will protect you, I won't let you be hurt into the kiss. She slides one hand up to press into Faith's back, the space between her shoulder blades, to keep their bodies close. The other hand she cards through Faith's hair, nails light against her scalp, the way that always seems to calm her down. Buffy opens her mouth when she feels Faith’s tongue brush against her lips. She lets Faith in, swallows Faith’s answering whimper, thinking You can have anything you ask me for, I will never turn you away. Wishing she could somehow reach into Faith's heart, untangle all the painful, knotted emotions of her childhood hurts, contenting herself with this instead: loving her now, not letting her forget or doubt it.

“Love you,” Faith whispers, voice raw, when they break apart. “Sorry, I'm — Buffy, I really, really—”

“I know,” Buffy says, kissing her again, lingering, sweet. “I know. I love you too. Now let's go. Let me take you someplace warm.”

[pillowbugs]

so uh. that poto au i did just over a week ago.

was playing around with some ships to figure out who would fit the roles of the other characters, and landed on airplaneshipping for christine and raoul. preferably ignore all the plot that would have to happen to lead to this point. (the scene where the phantom shoots fireballs, except in the pokémon universe it's a full on battle against the phantom and his chandelure. for an added bonus, look up the name of the 'song' sung during this part of the musical.)

unmasked ver. (additional design notes under cut)

elesa:

christine's dress in this scene is light blue, which is a colour that is indeed present in elesa's design (her bw2 outfit moreso). elesa not wearing any yellow felt wrong though, which is why the layers underneath are yellow-tinted.

went with her bw1 hair colour because christine was blonde in the original book.

her cloak is mostly based off her bw2 jacket in shape; it's black with a red clasp, which makes it not only similar to the cloak donned by christine in the musical but also retains the same idea of the cloak being a visual representation of the phantom's (who wears mostly black) hold over them. (+ the other colour ingo is most associated with is red.)

however, because of the lighting, said cloak appears yellow on the side closer to skyla - more similar to her canon design, and being close to skyla in a way rids her of the darkness.

she gets to change her hairstyle as a treat.

skyla:

it wasn't common for women to wear waistcoats at the time (1900s), but sapphics in history quite famously fucked with a lot of gender norms.

actually both of these lovebirds are blue now. sets up a colour contrast between the lighter, friendlier blues of the couple and the darkness and reds of the phantom. (blue = friend and red = foe like it's fire emblem)

the way swanna is placed is intentional, to set up a more angelic imagery mirroring the phantom's darker version (more on that in a bit).

both women wear matching white roses in their hair. something something flower symbolism. but skyla does also have feathers in her hair, for obvious reasons.

swoobat because hearts :D

ingo:

was debating on whether to make him actually more deformed in this au, but didn't really feel in the mood to sit down and design it in detail for this piece.

there isn't much i can say about his outfit design given it's literally just mashing his usual uniform together with his butler alt from masters. though upon actually looking up the phantom's outfit, the end result is actually surprisingly close. not surprising given both wear victorian suits and primarily wear black.

my original concept for the au was that he still works with the subway, he just does it from the shadows instead of being a public figure - hence he still wears a train conductor's hat. though since the battle subway isn't a thing (or at least not in the form we know it) he doesn't have its logo.

his cloak is intentionally flared up in this scene, for a few reasons: 1) it looks cool, 2) it resembles gliscor (albeit it isn't present here) and 3) mirrors skyla with a darker angelic imagery - the original musical had the whole "angel of music / death" thing.

i actually went through quite a few variations of his mask before settling on this one, and even then i'm not entirely satisfied with it.

version 1: exactly the same as the one used in most advertising for the musical - decently terrifying, but considering ingo's main 'issue' is his mouth, which this (and the one actually used within the musical) doesn't cover, this would be completely useless aside from probably hiding his identity and especially his resemblance to emmet.

version 2: leaned more into the angle of trying to alter his expression, particularly to be smiling instead - to be more similar to his brother. also suitably unsettling, but this specific style wouldn't work if you looked at him from any angle besides this one though. also, from this angle, because his actual mouth is obscured, i was worried he would actually be mistaken for emmet instead (given generally fandom tends to make emmet the unhinged one - let ingo have some fun too, guys).

version 3, the one i went with: has patterns at the cheeks simulating the edges of a smile (and also has the black-on-white contrast); his actual mouth is hidden but visible through the cloth.

why is there a litwick on the gravestone? good question!

in all honesty, this was part me drawing blorbos into an au and part me conceptualising what the pokémon universe version of POTO would look like.