#even the stuff she says about Alicent - correct

[backjustforberena]

Rhaenys Targaryen being perceptive as HECK:

Devotion has never sat well with him. Where he goes, he wishes to be his own master. [...] Not as such (will he challenge her). But neither can he allow her to command him.

"Neither can he allow her to command him." - We never see Rhaenyra actually order Daemon's flight to Harrenhal. Not directly. It was his choice to go when he did, it was his plan to being with, at the start of the whole thing - to create a toehold in the Riverlands. It was Daemon's instincts and feelings. He follows his own path.

Again, Jaehaerys's murder was done without Rhaenyra's sanction, he chafed against staying on Dragonstone whilst she searched for Luke's remains, and he took charge of the war council and drew his sword against Otto without waiting for her leave to escalate. He addresses Otto's terms before she does. Whilst he shows loyalty and believes his motives to be selfless and his allegiance as true, it's not true deference. He seeks power/independence where he can.

Devotion and love don't sit well with him, though he has great capacity for it - we see him struggle with those feelings and the warring sides of his nature during Harrnehal: his brother, his niece, his second wife. His ignorance of his daughters. There is a corruption to his love. An acidity.

"Where he goes, he wishes to be his own master" = he goes to Harrenhal, and wishes to be his own master, and even King.

He doesn't not challenge her "as such" = he never raises banners against her, never pushes for his own claim other than in private conversations. Still, his behaviour causes Rhaenyra to have doubts in herself as Queen and others to have doubts in her as well.

It absolutely challenges outside perceptions of her rule - his lack of communication creates fractures in her council, leading, amongst other things, Alfred to question her suitability. It also makes her strategy wayward as they cannot be sure of ground support for any campaign. She's doing things she shouldn't have to do because of his behaviour.

His behaviour also challenges her because the things that he does impacts how her cause is received. Her name is cursed in King's Landing because of what he enacted, leading to the death of Jaehaerys. They blame her for what he did in her name.

Otto Hightower would never have allowed this. Hotter blood has prevailed, I think. The young men have taken the bit in their teeth. They wish to punish, to avenge. Soon they will not even remember what it was that began the war in the first place.

Otto Hightower did, indeed, not allow or know anything about sending Arryk to assassinate Rhaenyra, leading to the death of both twins. In fact, Otto was appalled by the scheme.

It was, as Rhaenys surmises done on the orders of the "young men" (Aegon, and the less young Cole) - as punishment and revenge for the death of Jaehaerys.

Aegon has "declared" war following the death of his son and has seized on offence. He did this whilst his blood ran hot: a scene where he is smashing up Viserys's model.

We teeter now at the point where none of it will matter. And the desire to kill and burn takes hold and reason is forgotten.

The deaths of the children (Luke & Jaehaerys) in the scene with Alicent and Rhaenyra, ultimately don't affect the idea of peace or war. Alicent does not change her behaviour due to the loss of a grandson, and Rhaenyra does not for the loss of her son, either to make war or peace more or less likely. The road is already set. They reach a point where it doesn't matter.

Rook's Rest represents a point of no return. They pass the point.

Rhaenys sees "the desire to kill and burn" take hold over reason in close quarters - she sees Aemond burn his own brother. That is the kind of savagery: the unforgivable. The bloody war between dragons and the hateful act of kin against kin. It's chaos.

Rhaenyra’s council is wayward. She has a hard task. I must hope she will rise to it, but I fear she’ll need you by her side sooner than late.

After Rhaenys dies, Rhaenyra has one council session, where each of the men around her have individual ideas - they argue amongst each other but none of them have no true plan to offer her. There is no progress.

Nor does she rise to command them: they continue to ignore her, shoot her down, not work with her, leaving her isolated. As Rhaenys fears, she needs Corlys. Rhaenyra soon offers Corlys the role of Hand.

[lowkeyerror]

Ours Together

Agatha Harkness x Reader x Rio Vidal

Word count: 3.6k

Notes: Spoilers for Agatha All Along (entire series), Angsty, hurt/comfort (ig), Happy ending, Familiar!Reader, Familiar lore for this: They are weakened when away from the witch they are connected with, being with the witch amplifies powers, think of the familiar here as some mythical creature close to a witch but not exactly

Summary: When Agatha and coven summon a Green Witch to the road, they're surprised to be met with 2 people instead of 1. You yourself we're surprised and disappointed to be trapped with Rio and Agatha

An: Another one so soon... they're on my mind

Masterlist | Part 2

“Uh who is that?”

The coven was so distracted by Agatha’s reaction to Rio, that no one saw you struggling to climb out of the ground behind her.

“I’m Y/n, and I could use some assistance,” you say stretching out your hand.

Teen and Alice are the one’s that eventually help you out of the ground.

“I though we only summoned one witch,” Jen eyes you skeptically.

“I'm sorry what?”

You take in your surroundings frowning at the darkness. Your frown grows even larger when you spot Rio and Agatha.

“We're on the witch's road and-”

Your eyebrows shoot up in surprise, “Beg pardon?”

“The witch’s road it’s-”

You shake your head, “Not real.”

“Then explain this sweetheart?” Agatha speaks and you glare at her.

“You of all people know that the road is a scam,” your jaw clenches as you speak to her.

“You’re more feisty than I remember, pet,” her voice keeps a teasing aura around it.

“Don’t call me that,” you snap at her, voice echoing, with your eyes being absorbed black.

The outburst makes everyone except Rio and Agatha jump back.

“Now, now ladies play nice,” Rio interjects.

“Send me home, now,” you speak to her.

Rio tilts her head, “I think I to want to stay awhile, just to see how things turn out.”

You groan and move to walk in the back of the pack. Agatha refocuses the group and they continue to move forward.

You watch as Rio attempts to rile up Agatha. You see the woman in purple stiffen a few times, throwing her hands around wildly. It makes you want to laugh, centuries pass, but her mannerisms stay easy to read.

Once Rio has had enough of Agatha she trails to the end of group by your side.

��Long time no see hot stuff,” she tries.

“Not long enough,” you shoot back at her.

Rio pouts, “I thought you came along to be reunited.”

“You know I have to go with you if you're summoned liked that,” you mumble mostly to yourself.

“Oh that's right, because we’re fated for each other,” Rio says dreamily.

“Because I'm your familiar,” you correct her.

She shrugs, “Same thing.”

You redirect the conversation, “Why haven't we left yet? You know as well as I do that this is not real.”

Her eyes shift to the ground, “You haven't missed her? Even a little?”

You inhale sharply, “Of course I have, but I respect her wanting nothing to do with us. Rio, we can never undo what we did to her.”

“It wasn't our fault,” her fist clench at her sides.

You guard drops for a moment. Your hand finds it’s way into her grip.

“I know,” you speak solemnly.

“Sometimes I wish-”

You squeeze her hand, “Don’t you dare. I loved him, you loved him, and she loved him.”

“I don’t understand why she let’s people think those things about her.”

“If there’s one thing Agatha still cares about, it’s her image. That’s one of the few marks on her life where she’s soft and no one can know that,” you whisper.

You feel Rio's eyes lingering on you, “I’ve missed you.”

“I don't want to do this here,” you refuse to look at her.

“Well this is the only chance I’ve gotten with either of you in a long time. I don’t want to waste it,” Rio shifts her gaze ahead of her.

“And who’s fault is that Rio?”

You attempt to take your hand out of her's, but she doesn't let you. You let out an irritated sigh.

“With you, it’s my fault. I’m sorry I pushed you away.”

You didn't think you'd ever hear Death apologize. It was unexpected and you didn't know how to respond. You wanted to forgive her, but was this all she had to do to regain your trust?

“Did you know it hurts physically to keep my distance from you? As your familiar I’m supposed to stay relatively close to you. When I’m not it’s like my body is burning inside. I had to get used to that feeling after you kicked me out of your life. This is the first time in over 2 centuries that I'm not in pain.”

“I thought you would’ve come back,” she says it with more sorrow than sarcasm.

“Why would I, when it felt like you didn't want me?”

Your eyes lock on Agatha’s figure, “I wasn’t enough for you, either of you.”

Rio stops walking, “You were enough. You are enough. I became obsessed with finding Agatha and it sent me down a darker path than I realized. I wanted to find her so desperately that I let it affect things between us.”

You finally meet her eyes, “I loved her too. I feel like you always forgot, that my heart beats for her. That I belong to her just like I belong to you. I was already hurting then and then you-”

“Let’s move it losers the next trial is waiting,” Agatha says from the entrance of a house, that was not there before.

You finally free your hand from Rio's, “Forget it.”

You walk faster hoping to avoid anymore of this conversation. You go through the door and when you do it’s like you're in the 70’s.

The rest of the coven finds a mirror to check out their wardrobe. Teen points out a potential way to trigger the task and then they disperse. Leaving only you, Agatha, and Rio.

“Well don’t you look good enough to eat, sweetheart,” Agatha comes up behind you.

You turn getting ready to say something snarky, but your eyes are immediately drawn to the low cut of her shirt. The exposed skin looking better than you had remembered it. You begin to wonder if it still felt soft too.

“Boo,” Rio pops up behind Agatha.

You notice that Rio’s shirt also has a deep v cut. It makes you chuckle a bit.

“What’s so funny?” Agatha says, clearly annoyed by Rio’s presence.

“I just think it’s funny the road gave you matching deep V’s.”

Rio chimes in, “It’s because we go together. Don’t we, Agatha?”

“No,” Agatha walks away after that.

You see Rio briefly deflate and you place a hand on her shoulder, “You’ll get her champ.”

“And you?” She looks at you in only the way that she can. Doe eyes, warmth & sorrow mixed together, pleading for the best outcome.

“I’m your familiar, Rio. Eventually it’s in my best interest to come back to you,” you reply and try to walk off.

“You are my love, Y/n. More than you’re my familiar,” her words stop you.

“Good to know,” is all you can manage to say before walking off.

You look around a bit, wondering exactly how this was all possible. You knew that road wasn't real, so where were you? What was this, and how did Agatha manage to get others to do this with her?

You notice after awhile Agatha and Rio are missing. Against your better judgment you look for them. You find them in what looks like a producer’s area. They’re stood next to each other talking about the glory days.

You don’t interfere until you see Agatha’s hand slide across the intercom. Before Rio can fall into Agatha’s poorly executed trap, you clear your throat interrupting the conversation.

You walk over cautiously, and fit yourself in-between the pair, effectively moving Agatha away from the intercom.

“Planning a character assassination so soon, Agatha? What’s the rush?”

Rio’s eyes land on the intercom and she laughs, “Clever as the day we met.”

“I see you’re taking her side again,” Agatha says pointedly.

“I never took sides and you know that,” you fire back at her.

Agatha scoffs, “Well you came out of the dirt together so…”

“You know how the summoning work Agatha, don’t play dumb,” you counter.

Agatha throws her hands up in exasperation, “So what, I’m supposed to believe that you two haven’t been living it up together this whole time.”

“Why do you think I was alone when I came to see Agnes?” Rio interjects.

Agatha stumbled for a moment, “Because it would’ve been weird to have another person with you in my show.”

“I haven’t seen Rio in close to 300 years,” you admit.

“ Boo hoo poor baby. That doesn’t have anything to do with me,” Agatha mocks you.

Your voice takes on an echo again, “IT HAS EVERYTHING TO DO WITH YOU! YOU LEFT ME!”

Your argument is interrupted by some loud distorted sound. It makes you cover your ears and close your eyes. You gather around Teen who played the record as a clue. The room begins to spin backwards like the record and the sound intensifies.

Agatha smashes the record player on the ground which immediately stops the song.

Lilia speaks up, “We’ve been cursed.”

Its only a matter of seconds before she screeches and hits the floor.

You see this and start muttering under your breath. Alice springs into action taking Rio’s knife and carving a circle around Lilia.

You keep chanting to yourself. Everyone but Agatha and Rio were concerned around Lilia.

“What are you doing?” Agatha questions, but you just keep chanting.

Your fingertips glow dully as you touch them to your shoulders.

“I am protecting myself,” you say once you’re finished.

Jen gets hit next and once again Alice draws a circle around her. Teen also gets attacked, being flung through the glass mirror. Alice reveals that the curse is hers after that. It’s generational, meaning that it is harder to expel than most.

“We have to sing the ballad,” Agatha says.

She goes back and forth with Alice before they come to an agreement. Everyone picks up and instrument except you. You sit as an audience member.

“What, you’re too cool to play?” Jen asks.

“You don’t need me to play, so I’m not playing,” you shoot back.

Teen tries to encourage you, “The more people we have, the easier this might be.”

Your eyes are engulfed by black once more and your voice echoes dangerously , “I’m not playing that song.”

Agatha can’t help but look at Rio in that moment. The pair are the only ones who know why you aren’t interested in singing the song.

“Let’s just start,” Agatha begins singing before anymore arguments could be made.

You hate what has become of the song. Nicky’s sweet song, was now the witch killer’s anthem. You felt like it was disgraceful. It hurt you even more when Agatha did nothing to stop the song from becoming some rock anthem. Finding out that Lorna used it to protect her own daughter softened the blow a little bit, but not entirely.

Watching them preform you notice Teen wincing while holding the guitar. Your eyes scan his body looking for indicators of injury. It’s not highly noticeable, but you spot blood seeping through his side.

Against your own beliefs you stand and begin to walk over to him. You sing the tune lowly under your breath, before taking the guitar from him.

You can see he wants to argue but you nod your head towards the seating area. Your eyes drop to his side to let him know, that you know that he’s hurt.

He looks annoyed, but takes a seat anyway opting to just sing the ballad instead.

Your eyes lock with Rio’s and you glance towards the kid. She shakes her head slightly and you focus on playing the song.

Once Alice defeats her curse, Teen is laid across the sitting area. His breathes are shallow. Agatha is the first to rush over to him.

“He’s bleeding we got to get him out of here.”

You all take him back to the road and lay him across a large stone. You sit back with Rio watching the group panic. The most panic being evident in Agatha.

She turns to Rio, “Don’t.”

The woman beside you makes no gesture. Agatha starts pleading with Jen to fix it.

“She needs water and moonlight,” you speak up.

It seems to give the potions witch an idea. Alice gathers the water and Jen starts chanting in the moonlight. She pours the water over Teen’s injury and it starts to close up.

Agatha’s gaze falls upon you and Rio once more. Before she goes to help move Teen.

“You’re here for him, why?” You ask the woman beside you.

“That’s not his body. I can’t just-”

You shake your head, “You can. So why don’t you want to?”

“Once is already pushing the limit, but to let him get away with it twice. It’s not fair, it’s unbalanced,” Rio argues.

“What is 2 souls to the hundreds of thousands that perish daily? You have William and you will have the other. You and I both know that you don’t need the body to reap the soul.”

She sits quietly, no reply on her tongue.

“I think you’re here because Agatha is here,” you say.

She glares at you and speaks through gritted teeth, “Does it not bother you that she walks down this road with another woman’s son pretending that he’s ours? She knows he’s not.”

You look at the ground.

“I know you hate it, just like you hate what they did to his song,” Rio pushes further.

“Grief is different for everyone. Agatha is still grieving and I don't think she’ll ever stop. I can’t blame her, I grieve him every day. I know you do too,” you speak softly, getting up from your spot.

You leave her with those words. Maybe you shouldn’t seek her out, but you look for Agatha.

You come across the camp set up before you find Agatha.

“Do you have any scars Y/n?” Lilia is the one to ask.

You take a seat around the fire.

“A bunch, physical and emotional,” you lift your shirt.

There's a long scar that goes diagonally across your stomach. Your finger caresses it gently.

“Jesus Christ,” Alice says.

“It’s fairly new,” you keep your eyes on the scar.

“What happened?” Lilia speaks gently.

It’s then that Agatha and Rio join the circle. They sit on either side of you, both looking at the scar.

“Got captured by some witches. They tried to kill me, harvest my organs, etc.”

“How did you get captured?” Agatha asks, not really believing your story.

Your leg starts to bounce a little, “Well, I wasn’t with anyone else and I hadn’t been around… the people I need for my power to be at my strongest. So I was weak in that sense.”

“How did you escape?” Jen asks.

You shook your head, “I got lucky. They got bored eventually because I um- I can’t really die. They ‘left me for dead’ so to speak, but Death never came for me.”

“You’re immortal?” Alice deadpans.

“No one is immortal, I’m just really hard to kill. I have an intense healing factor,” you admit.

“Then why the scars?”

You keep your gaze low, “Because I didn't have my full power. I had enough to close and heal the wound, but the longer I was there the harder it was to make them pretty.”

You hate the silence that follows.

You hear Agatha roll up her sleeve. She gives a one liner about some coven that she wiped out. It’s funny and everyone laughs. You can see it takes her by surprise and it puts a small smile on your face.

“I have scar,” Rio starts.

“No you don't,” you and Agatha say at the same time.

“Yes, I do,” Rio goes on to describe the most fragile parts of your relationship .

She’s vague but you can hear the hurt in her voice. She finishes the story, but doesn’t look at Agatha.

Agatha storms off first, Rio trailing behind her, and you hesitate but ultimately end up following Rio.

Agatha stands with her back towards the both of you. Rio chooses to stay behind her while you walk around to face her.

Agatha’s head lulls back onto Rio’s shoulder. One of her hands snakes it’s way under your shirt, running the path of the scar. You keep close to her, but don’t move.

She puckers her lips as if to kiss Rio. You can see the fight inside of the original green witch. She wants this so badly, but she must push.

You do it for her. Your hands gently grab Agatha’s face pulling her towards you. You close your eyes as your forehead rests against hers.

“My love, Teen is not-”

“I know,” she whispers, and she starts to pull away.

“Please,” you hold her in place. “Please, let me have you close for a second. Both of you.”

It had been centuries since the three of you were this close. The raging fire inside of you finally resting after all this time. The relief that spread through your body was like a cooling agent.

Rio and Agatha both take notice for the first time, realizing how tense you had been since your appearance on the road.

“How long did they keep you?”

“Some years,” you answer quietly.

Agatha whips around to stare at Rio, “Where were you?”

“I could ask you the same thing,” Rio redirects the blame.

“I left her with you so -”

“SHE WASN’T SOMETHING TO BE LEFT!” Rio let’s out an outburst. She takes a deep breath before continuing, “She is our familiar. Not mine, not yours, but ours together Agatha. It hurts her to be apart from either of us.”

“What did you want me to do? Forget what you did to my son?”

“OUR SON,” Rio’s voice booms louder than you ever heard it before. You swear the entire road shakes with the reverb.

You move forward to put a hand on Rio’s shoulder. You can feel her shaking with emotion. At first you think it’s anger, but then you see her tears fall.

“He was our son too Agatha. I didn’t want you to forgive me, I’ve never forgiven myself. I wanted you to mourn with me, with Y/n. I wanted us to have each other because we needed it.,” It’s defeated when Rio says it.

“I did mourn,” Agatha argues back.

“No, you didn’t,” you interrupt them, but your eyes were far away.

“How would you know you weren't there?” Agatha retaliates.

You sigh, “You act like I didn't want to be there. Like I was the one running and hiding. I know you haven't mourned because we wouldn’t be here if you had. We all know that this is not real. You’re singing his song… walking this road with this boy that you want to be him.”

“You can't deny my grief.”

“He asked you not to. You promised him, Aggie. It was his last promise.” Your voice cracks as your tears begin to form. “And you didn’t just break it, you took his song. Our song… and you used it to do the one thing he begged you not to.”

By this point you were choking on your sobs. The sight of you broke Agatha’s heart.

“I was grieving, I was angry, and I was alone!”

You fight her again, “You didn't have to be alone!”

“Well we can't go back and fix that, now can we?”

You groan, “No, but we can move forward if you just stop running.”

Rio stops the argument, “Enough! Y/n, she doesn’t care about us. The only person she cares about is herself.”

Agatha lets her anger out, shoving the green witch, “That’s bullshit.”

Rio shoves her back, “Is it now?”

Agatha spears Rio to the ground, “You know that I love both of you. That I care for you more than I’ve cared about anything other than my- our son.”

Rio flips their position so that she’s on top of Agatha, “Then why are we fighting?”

Agatha’s chest heaves up and down; Rio’s moves nearly the same. Agatha's hand reaches up to caress Rio’s face. At that same moment Rio leans in.

They kiss. You gasp , not at all expecting things to turn so quickly. A smile of relief coats your face as you watch them. You feel a pleasant warmth spreading across your chest.

“I love you,” Agatha says against Rio’s lips.

Rio smiles, “I love you too.”

“Finally,” you say exasperatedly, causing them both to laugh.

“Are you just going to stand there and watch like a weirdo or are you going to come over, pet?” Agatha says.

You roll your eyes, but continue to make your way over to them, “You know I hate it when you call me that.”

When you’re close enough Rio pulls you into her quickly stealing a kiss from you. You blush at her brash affection. You try to hide your face in her neck, but Agatha’s finger hooks under your chin.

“What do you suppose I call you then?”

You lean into her grasp, “Yours.”

Her lips graze yours as she speaks, “Mine.”

Your lips meet hers fiercely. She pulls you from Rio's lap fully onto hers. Instead of sliding up your shirt like before her hands travel lower. The feel on her fingers causes you to moan lowly, the sound echoing as your eyes filled with black.

“Not here, not yet,” you feel Rio’s breath tickling your neck.

You whine, “Centuries apart and still teasing.”

Agatha let out a hearty laugh, “Let’s get back to the others.”

Agatha and Rio are up first, helping you to your feet. You walk between them, feeling whole for the first time in a long time. Rio’s hand is in yours, while Agatha runs her fingers through your hair.

You still had things to work out amongst each other. One talk or a kiss cannot fix everything you’ve all been through. Yet talking and kisses amongst the three of you are known to be promises. Promises of a better future united together.

[queenvhagar]

Do you know where "the book is team green propaganda" came from? I often see this in the fandom in discussions

The showrunners themselves said this 🫠

Ryan Condal specifically called at least Blood and Cheese and the Aegon/Sunfyre bond propaganda, as in, he believes that women lie about their trauma and Alicent somehow got to the historians through all of this and lied about what she and her family went through (and apparently made up a grandson 🥴) with the specific purpose of slandering her ex bestie of three years/enemy of decades, despite the fact she apparently would kill her sons to reconcile with her... and he says the stuff about Sunfyre being beautiful and Aegon choosing his golden banner based on their strong bond was "Westerosi historical propaganda."

Basically it's their justification/shutdown of critics for what they view as their own superior writing changes to the story. These writers are high on their own fumes and their ego is so inflated that they think they can write ASOIAF better than GRRM himself (despite the fact that Sara Hess admitted she never even watched Game of Thrones and took no consideration of the universe when creating her own narratives in this show).

This also stems from this "maester conspiracy" where people believe a select group of people high up in society are secretly controlling things from the shadows and calling the shots... and like all similar conspiracy theories, this is actually deeply rooted in antisemitism.

It's very unlikely that a large number of people, even maesters, could collaborate in secret and all agree on set things in order to completely rewrite history... and there's the fact that the historical textbook Fire and Blood was written by GRRM as the in-universe definitive source on the real history, using a variety of sources including historians, eyewitnesses, survivors, and royal household staff, in which there are people sympathetic toward both sides of the Dance.

Despite all of this, writers and fans are convinced that somehow all the sources that paint TB in a bad light are fictitious propaganda while at the same time accounts that paint TG in a bad light are taken at face value, and vice versa: parts of the story that recount TG as doing something for realistic reasons, being Targaryen dragonriders with bonded dragons, or even being a loyal united front as a family are apparently lies and stolen from TB in order to make TG look better, so the show "corrects" this by giving it all to TB.

Really wild that anyone can think the author of a series known for his anti war, all characters and sides are morally gray, and each character is conflicted in their heart about love and duty stories apparently purposefully wrote a story where war is justified due to actual prophetic divine right... some characters are completely good and others are completely evil... and their motivation really changes whenever the plot or writers need it... and he did all of it by purposefully crafting a story based on lies for no reason.

And well, we already know that GRRM has some opinions about how stuff like this has failed the story.

[redrum-alice]

ABA x Paracelsus HCs that live in my mind rent-free, even though I haven't played the game--

Some of these HCs include other characters involved in their arcade mode.

ABA is no stranger to stalking people. So when she came across a lookout point, she saw many couples, mostly teenagers, making out and going on romantic dates. She wonders what it would feel like to be young and in love, rather than just declaring someone whom she met first glance as a "husband"

ABA's collection of keys were hidden somewhere in the pocket dimension. She sometimes uses them as accessories to adorn herself, despite the like of knowledge in fashion (the girl wears pants as a top--)

There are many shades of blue that ABA can pick from. Since Paracelsus turned himself blue, the shiny surface reflected more colors than just blue, inspiring her to try and appreciate other colors near the blue gradient.

Added to the color stuff, she eventually tries variation of outfits with other colors, but with blue as the base.

Paracelsus knows when she's feeling fatigued. When she's at her limit, he opens the pocket dimension and lets her rest there until she wakes up. ABA sees this as his love language, but unintentional on his part

Both ABA and Paracelsus have no clue on how homonculi biology works, and Paracelsus hates to admit he feels bad that ABA may be at risk of getting herself hurt without him knowing what to do

Paracelsus wishes he knows more about human anatomy because its the closest one to ABA's physiology.

Since ABA is clairvoyant, she often hears the spirits of their victims which she tries to ignore, and probably because she doesnt know the correct response to a wailing dead person wanting justice. When its too much, she asks Paracelsus if what theyre doing was justified and that she begins to regret her rage filled jealousy directed at those that dont even bother them.

Paracelsus keeps telling ABA that she needn't to worry because it was a necessity for the both of them-- something he deeply regrets to say because he knows she has strong principles that she live by despite not being a human

Paracelsus, deep down, is ashamed of himself for tainting ABA for the purpose of tending to his bloodlust. He saw how genuine and pure hearted she is, but it turned into malice because of his demonic origin. He begins to wonder what ABA would be like if she found someone else years ago.

Just like ABA, Paracelsus has an unspoken fear of abandonment, but since he lacks capacity to feel other emotions, he doesnt notice this.

Ever since Elphelt and Testament approached her with good intentions, ABA wanted to make more friends like them, but is scared that others have ill intentions toward her and Paracelsus.

ABA's favorite book would be Alice in Wonderland when she was still in Frasco, specifically the part where Alice was trapped in a room or multiple doors with the smallest door being the exit. ABA admires this because of the concept of escaping, especially that there's a key involved. (Im biased bc my name's Alice and i like this story--)

Besides door keys, she also collects windup key and smaller keys for chests and compartments. She sees this as a symbol for discovering new things, especially music when she came across a music box that needed a key

Speaking of music boxes, she associates this object with Elphelt bc of her musical talent (and that she may as well look like the ballerina spinning on the music box)

Other than doors, music boxes, and compartments, she also came across a small doll that needed a key. After she winds it up, it began walking and talking towards her and freaks her out. But when it said "mama" in a robotic voice, ABA contemplates and wonders if she was ready to become a parent somewhere in the near future when Paracelsus has a body. An impossible thought, but one could never be sure, and it scares her.

Butterfly Pea tea with brown sugar, or sparkling butterfly pea lemonade with honey would probably her favorite drink because of its color. She shares this with her hubby 🥰😋

There comes a time that her bandanges would get uncomfortable and smell bad from blood stains and wounds, so Paracelsus tells her she needs to change them before she gets an infection. He does stop her midway because he realizes she isnt wearing any undergarments and proceeds to take her in the pocket dimension.

Elphelt offers ABA to shop with her to pick clothes suited for her. The first thing she sees at the boutique display was a wedding dress and begins to day dream a wedding with Paracelsus. Without her looking, Elphelt happily buys the wedding dress with matching tuxedo and gives it to ABA, despite Paracelsus' protests (the fact that he hears them chatting about setting up the wedding next day had him ded on the spot :P)

ABA watches home video tapes left in houses unoccupied by their owners (abandoned or they went on vacation; ABA is a home intruder lol). She finds a tape labeled "Happy Day" and it plays a recording of a newly wed couple dancing at their reception. The way the couple moved gracefully tickled an idea in her brain and insisted she and Paracelsus should dance. But since the large key doesnt have any legs, her attempts in waltzing with him went nowhere 😅 (and this gave more reason for ABA to find a body for Paracelsus)

At late nights when ABA is asleep, Paracelsus wonders that if he had a body, would ABA still be shorter or they would be in the same height? Either way, he was impressed that she can keep herself up with that low weight despite her tall stature, more so on how she was able to carry him around without much muscle mass.

When he sleeps beside her, her hair unwittingly falls on his bow and feels how soft it is. A very pleasant feeling he won't admit.

Everyday, Paracelsus keeps reminding ABA that she needed to eat to gather strength. ABA often forgets to eat because its not hard wired in hr system, nor that it was even natural for her to eat in the first place.

[atopvisenyashill]

imo rhaenyra’s “madness” being that of a cult leader capable of convincing her followers to do ostensibly insane things cuz she’s just that charismatic & self-assured in the correctness of her beliefs is way cooler and less sexist than the typical ‘she went crazy’ targ nonsense, "ohhh ‘mad queen’ daenerys she’s so crazy it’s that classic targ madness just like her ‘mad’ ancestor ‘mad’ king aerys you never know with those ‘mad’ targaryens" that’s so boring lol, give me something believable

YES i honestly don’t understand and have been increasingly annoyed by these really disingenuous “oh so when rhaenyra slaughters innocents it’s totally fine bc she has the divine right 😒” criticism when it couldn’t be more clear that’s not what’s happening. i mentioned this with the white stag before, how people are taking the most bad faith reading of it imaginable and saying that’s objectively what the writers intended when….it’s very clear the writers are intending for a more nuanced exploration of the entire concept of the white stag, YOU (general you, not you anon) are purposefully taking it in a negative way because you like being pissed off. what an obnoxious way of engaging with the story!

and i feel the same here! the main criticism i see of rhaenyra is that a) she’s not allowed to get her hands bloody/she’s always in the right and b) they’re making it seem as if she has the divine right to commit violence due to the prophecy. there is absolutely no narrative basis for these readings though, it’s COMPLETELY people projecting.

the reason she doesn’t do anything earlier in the season is because she also isn’t doing anything in the BOOK during this section because of her grief. i think criticism of HOW they wrote that is valid - the fact that she doesn’t speak at all in the first episode was a heinous choice, i get what they were going for, but it fell so flat that as Professional Writers they should have realized they were missing the mark there - but this constant “rhaenyra doesn’t get her hands dirty” “rhaenyra is too perfect” is so fucjing obnoxious. they’re ✨building up to it✨ guys, it’s why they did the stuff with Aemond not meaning to kill Luke and then actively attempting to kill/harm Aegon, it’s why the Green Council goes from squabbling to actively suppressing Alicent’s voice, it’s why Rhaenyra's convos with Jacaerys have gotten increasingly more angry, on and on. Sorry you all wanted Rhaenyra to be a Born Evil Queen, but if they’re not doing that with Alicent, why would they do that with Rhaenyra? "Oh they only had Jacaerys call the dragonseeds mongrels because-" my comrade in christ they took Alicent making the decision to lock the smallfolk into the city and gave it to Aemond to make her look better and make Aemond look worse it's the exact same thing and they're doing it because they're trying to have a conversation about the cyclical rot of feudalism and the way these people are completely trapped by their own design in this cycle of violence!!!!

and YES very much, this gets into point b which is like....THIS is Mad Queen Rhaenyra, THIS is Rhaenyra the Cruel! It's Rhaenyra holding onto this prophecy that gives her the divine right to be violent, that represents her father choosing her over everyone else, that represents her own worthiness as a ruler, that every single fucked up thing she's suffered is worth it because the fabled hero will come from her line, because Jacaerys will follow her onto the throne and there will be unending peace, because Viserys chose HER he loved HER he only ever loved HER, and she HAS THE RIGHT but what does "have the right" even mean. "oh they always portray her as morally in the right" NO THEY DO NOT YOU ARE MAKING THAT UP. Rhaenyra thinks she's morally in the right and the show is constantly making her face the consequences of her own actions, and showing that (again, and I cannot overemphasize this enough, just like Alicent, just like Viserys, just like Aegon, and while they do it sloppily with them, just like Aemond and Daemon!) Rhaenyra will close her eyes to the glaring faults of the people around her and the violence she is helping to perpetuate because to her in the end, all of this suffering has to be worth it and she has this fancy little prophecy that is showing her it is worth it. That's so interesting! It's fascinating! "Well I think she-" Well that's just your opinion man! I'm having a fucking ball watching her step closer and closer to the edge and insisting that she's staying still, she's playing safe, it's everyone else that is taking the leap. That's fun, that's engaging, that's a good way of depicting that dichotomy of how greatness can so easily turn to madness.

[arumidden]

Agatha All Along Finale Thoughts (A Lot of Them)

Honestly, found the finale kind of a let down. It felt so lackluster and wobbly compared to how insanely strong and awesome Lilia’s episode had been last week. I have a LOT of thoughts and here’s what I felt about each part (spoilers below cut):

About Rio/Death:

I feel like a lot about Rio/Death kinda of fell flat because of a) how they fought her, and b) Agatha turning into a ghost.

The fight felt weirdly lackluster to me. Partly because it somewhat devolved into CGI effects when this whole show has relied on more practical stuff, but also because of the way Agatha flip flopped between (seemingly) legitimately trying to offer Billy to Rio and trying to defend him by sacrificing herself. Clearly, Agatha is projecting Nicholas onto Billy, so why even bother with her still offering him up in the final battle? Why not have Agatha say that she’s not gonna let Rio take another boy she cares about before his prime and give her a heroic sacrifice and redemption?

Since we know that Rio said Billy would have to kill himself, since Rio can’t kill him herself, so why not instead have Rio try and egg Billy into offing himself by feeding his fears that by trying to find/save Tommy, Billy has killed an innocent boy. Rio hands Billy her knife and Billy tries to kill himself but Agatha stops him, takes the knife and stabs herself instead.

Plus, Agatha turning into a ghost so quickly really cheapens Rio as a villain. The whole point of her is that she is inescapable, and this is Agatha finally reaching the end of the road, both the Witches’ Road and her own life. For her to come back as a ghost immediately shows that this ending has no real importance or weight, and that Rio/Death is a kinda pathetic villain. All that build up just for Agatha to essentially escape immediately? Why not have Agatha reach the afterlife, see Nicholas, and feel like she needs to help at least one other boy achieve his live goals before she can stand to face Nicolas? So she begs Rio to let her right this wrong and Rio maybe reluctantly agrees? Or maybe even Rio says that Agatha got a long time before Rio lets her go again, and have Agatha return as a ghost only after Billy has reached some other hardship in the future and he summons her for help, letting her serve as a surprise return?

About Nicholas:

How does Nicholas’ story make any continuity sense? Doesn’t this episode contradict the hallucination Agatha had in episode 3? Why would she hallucinate seeing Nicholas’ cradle with the darkhold inside of that never even happened? Everyone else had hallucinations that were accurate and reflected their real traumas. Why does Agatha have one that is based on rumors? Is it meant to be that Agatha’s worst fear/trauma is what the others think of her? Cause that seems incredibly out of character.

Also, was Agatha killing witches to keep Nicholas alive longer, or just because she was greedy and wanted their power? I really wasn’t sure; it wasn’t super clear.

Why not have Agatha be tempted by the darkhold and sacrifice Nicholas for it, only for her to regret it and try to bring him back, so she kills witches/makes human sacrifices to Rio in an attempt to balance it out? This way, the line about the truth being worse than what actually happened is still correct? Cause honestly I don’t know how the truth is somehow worse than the rumor that she sold Nicholas for the darkhold. The kid just died randomly in his sleep.

About The Road/The Ballad:

I’m also not a huge fan of the Ballad being something Agatha and Nicholas just made up. It feels like it cheapens both the experiences of the coven as a whole and especially Lorna and Alice’s deaths. Their whole lives circled around the song, so for it to all turn out to be one of Agatha’s cons feels dirty.

Plus, if the ballad was a real song (whether the Road itself was real or not doesn’t even matter), I think it could have been a better push for Agatha to become a better mentor for Billy. The idea being that Agatha had tried to reach it in the past but failed because she just wasn’t Scarlet Witch levels of powerful would’ve given her a reason to steal other witches’ powers, thinking that she could maybe get around Rio and bring Nicholas back to life by defeating the Road. At some point, she’s become so powerful but still can’t reach the Road, so she figures it must be a myth and concedes to using it as a con to trick witches, only for Billy to finally open/create the Road himself. This shows Billy as being on a whole other level of power from Agatha, setting him up to be even more powerful than her or Wanda.

About Jen:

Hell yeah Jen survived the road. But what did she do that was so important in the last trial? Didn’t Lilia say Jen was going to be important? All she did was figure out how to unbind herself, and then Billy and Agatha figured out the rest in their own. Also, her leaving without tying up the loose ends or even saying goodbye to Billy afterwards felt wrong. Her arc was coming to care about the others. So why did she disappear as soon as she left the road? I think Billy being shocked to see her all covered in dirt in his room would’ve been a better ending, especially since I think she would be more empathetic towards Billy and understanding of his fear that he killed the others on the road. Plus, she could’ve then asked him if he got what he wanted out of the Road, which he could use as his segue into Finding Tommy.

[thecarnivorousmuffinmeta]

What if Edward met Nahuel during the time in New Moon he travelled to South America? ( i.e Edward finds out about hybrids)

1)How would this change his relationship with Bella? Would he consider himself a worse monster?

2)Would Edward tell the rest of the Cullens and Bella about this new discovery? What about the Denalis? (Aro finds out by touching Edward's hand in Voltera. )

3)Would Edward have sex with Bella in their honeymoon?

How Would this Change His Relationship with Bella?

Yup, he'd think he's even worse.

Even his carnal desires, which he'd thought were that of a normal man's and not corrupted by vampirism (which only wanted the blood) were a vestige of his humanity but it turns out that no, that's the demon too, and it wants to procreate.

Everything Edward feels for Bella is the product of a demon and he can only cling to his platonic love for her, because that, surely, that is real and a product of who he really is.

Would Edward Tell Anyone?

The Cullens, yes, more specifically Carlisle. Carlisle's the oldest, Edward respects him the most, and he has medical opinions to say whether or not this is even possible. A few experiments later and Carlisle can feel very weird and say "yes, actually, it is" as he can observe swimmers in a microscope and realize what he'd never ever considered.

Bella, no.

He (rightly) would fear she'd want a child with him, that she'd think children are an option, when Nahuel's mother had a gruesome pregnancy which ended with her being eaten alive by her child. Nahuel was alright enough, for a vampire, but Edward would be condemning Bella to the worst death imaginable and she's so self-sacrificing that she'd probably do it so that Esme and Rosalie could have a niece/nephew and Edward could have a child. (He is absolutely correct about this).

Edward keeps it to himself and simply tells her that sex isn't possible/advisable and that she can't have children as a vampire and they can't adopt either.

He also probably wouldn't tell the Denali as Carlisle would advise against it and Edward knows it'd bring up painful memories because of Sasha. It's not much use knowing that Sasha could have made a baby in a different manner if she'd turned a male vampire to do it for her.

As you mention, Aro does find out, but I imagine Aro sends out Demetri to find Nahuel, get the scoop, and they quietly put an end to Joham and probably take in the scattered sisters and kill those who are uncooperative so as to keep this hush hush. This isn't something they really want people knowing.

Would Edward Have Sex with Bella on the Honeymoon

I imagine experiments occur with condoms to see if they're a viable solution: will they stop Edward's vampire sperm. Even then, though, there's always a risk even in human intercourse (the condom could tear/have holes in it) and Edward wouldn't want to explain why he's using one when he's supposed to be a virgin, vampires aren't supposed to have STDs, and he's not supposed to be able to have children.

Even if he secretly got Bella on birth control or convinced her into it, that might not work either, as those are methods to contend with human sperm and there's no guarantee this stuff works exactly the same way as Nahuel was not a product of solely human sperm.

Edward doesn't take the risk.

However, I imagine he doesn't tell Bella up until they're on Isle Esme as he still wants a honeymoon, he wants the wedding, he wants everything and even to make love to her: he just can't.

The honeymoon ends early in disaster, Bella is humiliated and devastated Edward did this to her and doesn't trust her or himself, and I imagine there's long phone calls to Alice where she asks if this is really going to work or not. She probably ends up getting turned by Carlisle and Bella and Edward's relationship never recovers.

[bonzos-number-1-fan]

Sam Messed Up + Tria Prima Ramblings

There are a few solid CAT# but one I really like is that it's based on if an incident affects the body, mind, or soul of the victim. This started off as an offhand example I used to explain how they could work, but there are a lot of fun links to it and will now make a semi-baseless accusation to continue to support it

Sam can't file documents correctly even when being told explicitly what to do.

Anyway, CAT#'s have been shown to have the following values, either in the show or on the Klaus doc: 1/2/3/12/13.

It stands to reason that if 13 can exist these are non-mutually exclusive categories and so 23 and 123 can also exist. And if an incident can be both 1 and 3 it would appear that these represent discrete facets of an incident's manifestation.

Given the show's obvious alchemic motifs it's not a huge leap to link that to the tria prima, alchemy's three primes; soul, spirit (mind), and body. These are represented by sulfur (🜍), mercury (☿), and salt (🜔) respectively. Each of which can be found on the OIAR's logo.

The strongest link here is that 3 is Body/Salt/🜔. Daria's transformation (full) was CAT3, ink5oul has 🜔 on their insta bio, and body is even the third thing in the list. Which is a great start.

We've also got transformation (eyes) at CAT23 which also helps back that up. There was an elemental of paranoia and mental manipulation to it as well as the transformation itself. That tracks really well for Spirit/Mercury/☿, which in alchemical terms is mind as most people would think of. CAT2 was also the watching doll which does also track.

The problem for me is with the last of our categories. CAT1 in the show has only been seen for reanimation (partial), combined with the extra context that said reanimation was "amalgamative", and I don't think that lines up well with a basic idea of Soul/Sulfur/🜍. If this was CAT13 I'd be all over this but I think given there is a strong emphasis of the physical body being an important detail here then it's not entirely convincing. Greater context could make it a stronger case though, if lots of undead ends up in CAT1 then it'd probably a sure thing.

The real problem with this idea is that Dr. Webber's incident seems to almost entirely disprove it. It was CAT2 and while it obviously had a strong mental component it's undeniably a huge physical transformation so it'd have to be CAT23 to really make this all make sense.

Which brings us to Sam. Sam definitely made one obvious mistake with the case number of Ep 3's incident. I think he also made a major mistake in its header. Both of which have solid foundations in the show's text. But I also think, somewhat seriously, that a third mistake has been made with the metatextual reason of obfuscating the meaning of this system.

So, after the incident plays and Sam talks to Alice about it she pretty explicitly tells him what it should be filed as. She says "“Infection” comma “arboreal”. Cross link it with “guilt” if you’re feeling fancy.", but this is what we get instead:

CAT2C8175-03042009-22012024 Infection (full body) -/- arboreal

Ignoring the header for the time being there firstly a very obvious and inarguable mistake. He missed out the R, and they all get the R because it's just a label. The header is also close to being different than what Alice mentions and arboreal as a crosslink specifically doesn't seem to fit in with the more emotional or mental elements crosslinks have had to that point. Arboreal doesn't fit in with regret, trespass, or dysmorphic, but guilt does. Which would make this the seemingly more correct case number and header:

CAT2RC8175-03042009-22012024 Infection (arboreal) -/- guilt

But based on the tria prima theory I'm now wondering if it's not meant to actually be this:

CAT23RC8175-03042009-22012024 Infection (arboreal) -/- guilt

And the 3 was removed to obfuscate the case numbering format. Because the stuff that was "wrong" is fairly obvious to find if that's all that was wrong with it but removing a digit from the CAT# is basically impossible to show unless you know for sure what's meant to be there. It's the sort of mistake that hides really well in ignorance, which makes it a great data point to screw with because of how it breaks ideas.

[a0random0gal]

If you had the chance to change something about the dance of the dragons (TV show or book), what would it be? For example, how a character dies, which team a house is on,or an entire character personally. How would you change it to make the story better, in your opinion?♥️🖤💙💚

Ohh anon i've got a list.

When it comes to the tv show there are a few choices the writers made that just don't sit right with me.

Laenor

I do like the characterization they went for, he's a pretty cool dude who really loves his weird, dysfunctional family. What I really don't like is how they handled his death.

See I truly can't stand it when a character is sugar coated just because they're the protagonist and thus must be righteous and always objectively correct.

So to witness the writers white wash his murder, having him flee to essos instead of being killed by Rhaenyra pisses me off. I get that after showing them being good friends it would be very odd to have her kill him.

But that's the thing, they should have opted for a more ruthless Rhaenyra in the first place!

Laenor's death in the books (at least for me) was the first instance of Rhae Rhae making morally wrong choices in order to pursue her ultimate goal. It was compelling! Here she just takes the easy way out, without having to make a tough choice.

Also his survival really fucks her up when you really think about it. Now all her sons are bastards since her marriage to Daemon isn't valid, and for the upcoming season 2, how are they going to handle Addam and Seasmoke? Laenor is still alive, his dragon won't accept a new rider. This doesn't make any sense and just causes plotholes what the actual fu-

Sidenote: After Laenor's very moving speech on how he was done goofing off and was now willing to really step up for Rhaenyra and their family it's super strange to imagine him ditching them all immediately afterwards Lol.

Rhaenys

My gosh, where do I even begin with this woman?

She too is pretty cool at the start, but then episode 9 rolls around and I roll my eyes.

She's so hypocritical. She tries to shit on Alicent for "toiling in the service of men." When that's all she does in the goddamn story!

She wants Baela to get Driftmark, tells Corlys about it, he shuts off the whole plan cause he wants a kid who he's not even related to on the driftwood throne, and when she complains about it he dismisses her.

So what does feminist Rhaenys do about it?

She... submits to her husband, something she conveniently forgets about when talking to Alicent. My god. Just remove this entire exchange, it hurts to watch.

And the coronation scene, Jesus Christ! It was so cool in the books, why did they have to ruin it? Had they replaced it with something better I wouldn't have complained, but this is just, the worst.

Rhaenys shows how badass she is by.... Brutally crushing hundreds of small folks to death and almost slaughtering the greens.

Cool, cool, absolutely necessary. Thanks Sara.

And you know what's even more infuriating? When she flees to Dragonstone to inform Rhaenyra of all that happened. She says she didn't kill the greens cause she didn't wish to start a war. I'm sorry what?

That would have ended the war at the start! As glad as I am that Rhaenys didn't barbecue them it makes absolutely no sense!

If she had killed them there would have been no dance in the first place!

I hate these dumb show only moments. They needlessly complicated an already complicated story and just mess everything up.

There's probably other stuff I could rant on, like how Aegon was made a rapist sorely to make the audience think:

Oh look! The greens are so baad, they believe a rapist alcoholic douche should be in charge instead of our empowered dragon queen, they sure do suck!

Or how house Velaryon was disrespected and mistreated by D*emyra but still somehow decided to support Nyra's claim.

They didn't really have a motive to be greens though, so I think they should have stayed neutral. Their fervent black support makes no sense.

The writers really should have given them more reasons to back up the blacks or had their beloved queen treat them better so that their loyalty made more sense ( I mean holy hell I wonder how they will handle the two betrayers and Corlys's arrest lmao).

But other greens have already shat on these awful decisions and I won't beat a dead horse.

Book

When it comes to fire and blood I surprisingly have very little complaints, except of course, the Jaehaera situation.

My poor baby deserved better, I've made a post about it in the past

(where I ranted and said stuff I kind of regret now, don't post while very angry guys I don't recommend it)

tackling how the little queen was unnecessarily killed off and how her death genuinely adds nothing so why was it added? God I get upset just thinking about it lol.

Some people say George did it cause he needed Aegon's kids to be born after Viserys's, and apparently he couldn't fathom a married teen not having kids until her 20s, which is veery weird.

The more plausible theory is that he got rid of her cause he wanted more Velaryon queens to showcase how close they used to be to the Targs.

Which is something I had understood already thanks to Alyssa, the sea Snake and all the Velaryons who were masters of ships but whatever.

[goldeneyedgirl]

Sonya! (Imagine, for a moment, that Tumblr Staff actually fixed the bug that means I have to screenshot and tag you @sonyawix for replies.) I missed you!

Jasper's just there realising that a couple of decades of training and practice with the Cullens was no match for a tiny teenage girl who looks at him like he's the second coming. She did more for his self-esteem in one night than anyone has done for him since he was human.

Jasper's softer in STL and his trauma has already been sorted, organised, and filed in his mental storage unit so he just has to simp over worry about Mary-Alice. Mary-Alice has the trauma conga-line but it gets pretty soft for both of them starting next chapter.

But it's why Jasper chapters are usually easier to write.

And listen, we all switch hyperfixations. I read a whole bunch of MCU fics that had Correct Vibes but Incorrect Takes, and beautililies had to stop me from writing MCU fic before I worked on Jalice fics. Also the idea I am carrying 70% of your Jalice experience is fucking wild. What do you want? I feel like I need to give you something because 2024 was not my most active year ever.

My little Mabel has recovered from the infections she had well, but decided to keep things interesting and acquired an ear infection which has since been upgraded to a double ear infection because what's more fun than a lot of credit card debt? Even more credit card debt! She is why I can only stare longing at Coach bags and not own fun stuff like that.

And honestly, I join you in solidarity that my sister and father are also Shitty Fucking People. Sometimes, people are rancid, and we just need to salute their bullshit and carry on our merry way.

It is law that if you bring up Anathema, I post something. I picked this scene WIP because Alice being a dramatic teenage girl is somehow so funny in my head? I can't wait to get to a scene where she's dramatic in front of Jasper and he's just "...you're adorable, you know that right?" And she's like, "absolutely not."

But for now, Alice makes a small scene.

“This is to never get back to the Clearwaters,” I could hear Freddie saying to Charlie Swan in a low voice. “Any of them. I trust you, Charlie.”

Charlie sighed. “Fred, I’ve known you a long time, and I don’t like this at all. What is so important you have to meet with them alone, without Sue and Billy knowing?"

Silence, and I was tempted to creep up the hallway to be able to hear better.

“… This is about Alice and her well-being. If… I have reason to believe that if Sue, Harry, and Billy knew more about Alice’s … health and genetic make-up, they would be deeply unhappy."

That was most likely an understatement. I had a feeling that if Sue found out that I was biologically half-vampire, I would be persona-non-grata in the Clearwater household. There was a fifty-percent chance that Harry would hunt me for sport, honestly. His aim with a shotgun was second-to-none.

//

Dr Cullen had brought his wife, and there was something almost funny seeing them in our home - they were both dressed in very stiff, fancy clothing, standing in the entrance looking awkward. I was in the kitchen finishing the washing up in pyjama bottoms and a t-shirt; both Freddie and Charlie were still wearing work clothing.

The apartment was still mostly in the late 60s style from when it was built. Lots of brown and yellow. Freddie always intended to renovate, but we never seemed to get around to it - moving all the books would take us days, and we’d have to stay downstairs. It was cozy up here, and if we made any changes, it would be to clean out the third floor.

“Hello Alice.” Mrs Cullen smiled so warmly at me, but I felt oddly shy, offering a little wave as I put plates back into the cupboard.

“Turn on the coffee maker, love, before you go,” Freddie said, and I got the message that this wasn’t going to be a meeting I was included in. I wasn’t upset about that; somehow Dr and Mrs Cullen were far and away more intimidating than Jasper was. Somehow the golden eyes and the pale skin that looked so right on him made me nervous around them.

Thankfully, Dulcie was having dinner with her brother’s family tonight. It meant we could have this meeting at home and she’d probably bring home left-over dessert. Hopefully that really good blueberry donut thing that Mrs Stanley usually made for Dulcie’s birthday.

It also meant that whilst I had been told I wouldn’t be joining in on the meeting today, there was no one in the house that would check to make sure I was wearing headphones and watching movies on my laptop instead of eavesdropping for all I was worth. And in my defence, I had to know what Freddie was telling everyone so I didn’t mess up the story later on. It was just planning ahead.

//

“He can read minds?” I shrieked, giving myself away instantly.

Charlie Swan swore, sloshing his coffee in surprise, as the rest of them spun around to look at me in the hallway.

“Alice,” Freddie groaned but I didn’t care that I would be doing extra cleaning this week or whatever as punishment.

A girl’s mind is private. There are things happening up there that die with me, okay?

Things like me contemplating the logistics of having sex on a gurney now that I’d met Jasper and realised he was a foot and a half taller than me, and probably 100lb heavier.

Or the fact that whilst my visions hadn’t been instructional, so to speak, they had given me a certain amount of reference material to reflect on. I might never have been a Girl Scout, but I do like to be prepared.

And the idea that one of the Cullens could mind-read and had probably told the entire family that a good fifty-percent of my brain power was solely dedicated to what I had seen of Jasper’s body in my vision at any time was… not ideal. Not at all how I planned to integrate myself into their lives. I was aiming for lovable future daughter-in-law, not mouth-breathing creeper.

“Edward considers the contents of everyone’s mind private, unless harm would result in keeping it secret,” Mrs Cullen quickly reassured me. Please. I had seen Leah and Seth together; I knew what siblings were like. There was no way in hell that Jasper hadn't been informed that I had absolutely noticed he was ripped when he helped me up.

“I’m taking a lot of emotional damage learning this,” I said slightly hysterically. “Can he hear everything?”

“Only when he’s present.” Was Dr Cullen laughing at me? He looked amused.

“Alice,” Freddie sounded tired. “There are brownies in the downstairs freezer if you want some dessert.”

Huh. It was bad if Freddie was bribing me with the catering supplies.

“That would help,” I said, trying to walk through the kitchen to get a knife with some kind of dignity. “You understand why I would be uncomfortable with a teenage boy reading my mind, right?”

“I think we’re all on the same page about that,” Charlie said. He didn’t look amused.

"Alice, I really don't think there's anything in your head that Edward Cullen would worry about," Freddie said, obviously trying to sound comforting and mostly made me want to slam my head against a wall.

"I've had unmonitored access to the internet since I was eleven and no boyfriend! Or girlfriend! There's plenty up there I don't want Jasper's brother knowing!" I snatched up the cake knife and looked over to see Freddie looking like he needed a drink, Charlie Swan looking the most uncomfortable I had ever seen him - and that included the ass-injury incident - and Mrs Cullen trying very unsuccessfully not to laugh at me.

"And now I've made it worse. I'm calling Cynthia!"

It's not the fact that my father was a vampire that makes me a freak. I manage to do that all by myself.

[bella-goths-wife]

A plan set in motion

Evil trio x reader, yandere cullens x reader

You sat with Victorias head on your lap in your room as the tv played. The four of you had gone further into Seattle and changed motels but Vicky still wanted you to room with her.

You had come to find that the group was pretty nomadic. They preferred to travel than to stay in one place. This was a lifestyle you could see yourself liking, you had always wanted to explore.

“(N/n) which of these guys would you date?” Victoria questioned out of no where while pointing at the tv the two of you were watching

“Why?” You questioned with a puzzled look

“Well if I’m gonna help you find a mate, I need to know your type of guy” she said nonchalantly

“Who says I need a mate” you asked confused

“I do” she announces “having a mate will bring out your happiest self, it’s like you’ve finally found a piece of yourself you always needed. I want that for you”

“I’m pretty happy here” you reassured as you went to play with her hair admiringly

“Just humour me” she says playfully

“Fine” you sigh out “I guess id go with joey”

You pointed to the darkly dressed boy on the tv screen. He was a bounty hunter who tested the limits of his team and questioned authority.

“Oo someone likes a bad boy” Vicky giggled out

“Shut up” you throw a pillow at her face

She pulls an offended look before hitting you back. The attack only stopped when the door opened and James with Laurent walked in

“Sorry to bother you ladies” James said as he sat down, Victoria instantly joined him and he put his arm around her

Laurent came to sit next to you, he ruffled your hair affectionately and you laughed gently.

“What’s up” Victoria asked with a kiss to James’s cheek

“We wanted to discuss you, y/n” Laurent said as he turned to look at you with a serious look

“What about me?” You asked before a panicked thought crossed your mind “your not sending me back are you?!”

“Of course not” Victoria reassured while Laurent gently stroked your hand

“We wanted to talk about what the cullens did to you” James clarified

“I’ve told you everything, I promise” you say quickly

“We know, but there’s some stuff they’ve done to you that you don’t know is wrong” Victoria said “we just want to make sure you know what they did”

“What do you mean?” You asked fearfully

“They shouldn’t have binded your chest” Victoria says with disgust in her eyes “they were trying to keep you younger, if you were a human it could have seriously hurt you with how tight they wrapped the bandages”

“It’s fucking disgusting” James scoffs out angrily

There’s a moment of silence as you contemplate what they said, you knew the cullens were abusive but some things they did to you went completely over you head.

“We want to help you” Laurent breaks the silence

“You’ve already helped me, I’m away from them” you said with relief on your face

“But they will never stop looking for you” James said and you felt an anxious feeling build up “even now they have connections looking for you”

“What do we do then?” You asked and James and Victoria share a look

“We kill them” Victoria states

“Impossible” you dismiss the idea “many clans have tried and failed”

“But many clans don’t have they’re prized possession with them” James corrects

“And with the human pet they have, they’re vulnerable” Victoria says with excitement

“How would we even do this?” You question doubtfully

“We make the cullens think James is after the human” Victoria explains “they’ll rush her off and prepare for a fight which gets her away from lover boy and has the family separated”

“I’ll then lure the human away with threats of killing you, that gets her to a location away from the other vampires where I will drink her blood and kill her” James carried on “this puts Edward in a vulnerable spot but also while the others are on a wild goose chase looking for the girl, we pick them off one by one”

“We start with Alice, so she can’t see the rest of our plans” Laurent pipes up “then Victoria will target Rosalie and I will take on esme”

“With the women gone, it puts the men in vulnerable positions because of the mate bond” you say as the plan pieces itself together

“Exactly” James says with a proud smile “I will take on Edward and Victoria will handle Emmett all while Laurent kills off Jasper”

“What about Carlisle?” You ask fearfully

“We leave him for you” Vicky says with a smirk

“I won’t be able to take him on alone, I’m too weak I was never taught to fight like the rest” you confessed

“We will be there to help, we just need his precious daughter to distract him until we get there” Laurent explains “but you will kill him, it’s your right”

“We’ll train you to fight” Victoria reassured “and we’ll make sure you get to be the one to kill him”

“I don’t know if I can” you say sadly, not because you cared for Carlisle but because your fear of the patriarch paralysed you

“Aren’t you angry?” James questioned with confusion “these people humiliated you, abused you and exploited you and you don’t feel rage over it?”

“Of course I’m angry” you defended yourself “I’m furious, but anger doesn’t make me a better fighter”

“But we will” Victoria jumps in “we will teach you to use your anger, to make it your power”

“Take this revenge and know for the rest of eternity that you won against those sick bastards” James encourages “know that you fought back and won after they disgraced you over and over again”

You feel motivation and rage fill every pore. You see they’re eyes on you and feel happiness come to you. They want to help you, to protect you

“Are you in?” James asked expectingly

You imagined tearing Carlisle head from his shoulders, lighting ablaze his pot like body and watching it burn.

“Yes” you nod your head “I’m in”

And with that, your revenge had formed into a plan

[generalallxsanjishipper]

Some incorrect\extremely correct quotes for my EXTREMELY FAR AWAY IN THE FUTURE ADP FIC (and in part in TIALAMYDK LMAO)

***

Alice *after entering Douxie's mind for several minutes, on the floor*: Oh, wow. Your brain is a disaster

Douxie *also on the floor*: Yeah, I know

Alice : Ever thought about doing drugs?

——

Zoe: Casperan. 

Douxie: Ashildr.  

Zoe: Clumsy dumbass. 

Douxie: Angry Chiwawa. 

Claire: *confused* What are they doing? 

Archie: Insulting contest. 

Claire: Ah. 

Zoe: Old Man. 

Douxie: Dwarf. 

Zoe: Flat ass.

Douxie:  Useless Half Lesbian

Zoe: Knucklehead

Douxie: Mosquito

Zoe: Peter Pan

Douxie: *Suddenly grinning* Pinky pie. 

Zoe: EXCUSE ME?

Douxie: HA! *Claps hands with a smug face* I WON! 

Zoe: HOW DID YOU JUST CALL ME?! I'M GONNA FUCKING END YOU! 

Alice: Now, now… 

——

Douxie: Hello, my name is Failure, and you're watching my life crumble into pieces.

Douxie: *waves his fingers and sings like he is in a Disney Channel intro*

——

Simon: Why are you on fire?

Douxie: This is just how my day is going.

——

Douxie: Everybody shut up, please! I'm thinking.

Zoe, patting him on the back: Well, don’t think too hard. I wouldn’t want you to hurt yourself.

Douxie: Oh, for the bloody sake, Ashildr!

——

Jim: I’m here for the cult stuff.

Alice: How did you find us?

Jim: I saw your ad on craigslist.

——

Alice: To be honest, I'm kinda pissed that I'm not asleep in bed next to the love of my life in a cottage with no obligations other than watering my vegetable garden.

——

Archie, looking at Douxie, Alice, Simon and Zoe: Okay, so I need to become a therapist faster.

——

Simon, on the phone: Oh, hey man… Sorry for accusing you of murder last week.

——

Alice: Someone take me to art museums and make out with me.

Zoe: But they said not to touch the masterpieces.

Alice: Well somebody's got to pin the artwork to the wall.

Douxie, on a mic that he brought by himself: This is Douxie, those idiots are fucking around in the East wing again.

Douxie:*drops the mic on the floor and leaves, muttering about being a third wheel*

——

Zoe: Mom liked to say ‘you can be part of the problem or part of the solution,’ but I happen to believe you can be both.

——

Jim: Who's in charge here?

Zoe, shrugging: Usually whoever yells the loudest. So, me.

——

Barbara, seeing both Douxie and Alice on wheelchairs: I hope you have an explanation for this.

Alice: We have three, actually! :D

Douxie: Pick your favorite.

——

Alice: *venting endlessly to Simon about her week*

Simon, every once in a while: *in a monotone* Wow, that is so wild.

——

Alice: Yeah, well I've never died so how do I know that Gods or... God are real.

Nari:*appears*

Alice: WHAT THE FLIP

Athena:*appears too*

Alice:*looses her flipping mind*

——

Zoe, to Claire: Well, one of us has to be wrong and it’s not going to be me.

Claire:

Claire: Yes, it's you, actually.

——

Alice, *talking about Zoe*: She's the girl of my dreams!

Douxie: You say to most of the girls that they are the girl of your dreams.

Alice: I have a lot of dreams.

——

Douxie: The next time I open up to someone, it'll be my autopsy.

——

Simon: Sorry I can’t be emotionally vulnerable with you, it'd ruin the mystery.

——

Zoe, *talking about one of her first meeting with Douxie*: And then he ran into my knife. He ran into my knife several times.

Jim: You mean you stabbed him?

Zoe: He ran into my knife.

Douxie: She ran into my knife, too.

——

Zoe: I don’t even have time to tell you how wrong you are.

Jim: Okay?

Zoe: …

Zoe: …

Zoe: Actually it’s gonna bug me if I don’t, so...

——

*Zoe and Alice are texting*

Zoe: Your ass is like…

Zoe: Spacious

Alice: WHAT

Zoe: Sorry, I didn’t want to say fat because it might trigger your ED

——

Bastard number 1:*sarcastically, while leaving* I hope you all make it to adulthood.

Jim: That’s... a great prayer.

Simon: A needed one.

Douxie: A needed one indeed.

——

Simon: I will send my army to attack!

Simon: *makes roaring noises*

Simon: *releases a dumpster of raccoons*

Jim, next to his Vespa: WHOA

Jim: THEY WERE YOURS????

——

Zoe, singing to the tune of I Kissed a Girl: I killed a guy, and I liked it-

Douxie, whispering: Should we call the exorcist?

Alice, also singing: The taste of his cherry chapstick.

Simon, appalled, but looking apathetic: Call the exorcist.

——

Zoe: Alice and I are no longer dating.

Alice: Zoe, that’s a horrible way of telling people we’re married.

——

Zoe: Hey, quick question. How petty am I allowed to be?

——

Alice: What if the person who named Walkie Talkies named everything?

Alice: Pregnancy tests are Maybe Babies.

Toby: Socks are Feetie Heaties.

Jim: Defibrillators are Heartie Starties.

Douxie: Nightmares are Dreamy Screamies.

Claire: Stamps are Lickie Stickies.

Zoe: I hate you guys so much.

——

Alice, looking through their clothes: Has anyone seen my top?

Simon, grabbing his mint gums without looking at her: Zoe's in the kitchen.

[meimi-haneoka]

Cardcaptor Sakura Clear Card Chapter 75: Comments + JP-ENG translation differences

Hellooooo everyone! Welcome back to my post with the commentary and translation differences for Cardcaptor Sakura Clear Card! We finally reached chapter 75!!! I'm glad to inform you all that even this month we didn't have any major (or even little) discrepancy between the ENG and JP versions, there's just some nuance here and there but nothing really impacting the correct understanding of this chapter.

Moreover, we still don't have any announcement for the last chapter of Clear Card, neither on the color spread nor in the editorial text at the end of the chapter (where usually the place for them to advertise stuff related to the next release is). We didn't even get an announcement on the twitter account...

Therefore, I'm confident enough to say that Cardcaptor Sakura Clear Card Arc won't be over in chapter 76, and they might really keep going till chapter 77 (double 7, lucky CLAMP number!). I know that this month we don't have translation mistakes, but if you still want to read my ramblings about some very important themes in Clear Card, then look at the gif of the month and follow me under the cut!! 😂

(my friends of a certain Discord server will be happy to see this gif, hahah)

The Color Page

The color spread this time is very special, not only because it gives us the opportunity to see the color scheme of ✨The Outfits✨ of the finale for both Sakura and Syaoran, but because there's an additional surprise too! Let's start with the color scheme, which as I strongly anticipated is the same of the costumes for the Alice in Clockland play (white - black - golden). Not only that, but also the poses and elements of the color spread are basically rehashing the color spread of chapter 64!

I absolutely loved this parallel. Especially because you can clearly see some kind of "the situation is very different now" message behind it. If Sakura looked somehow "lost" in the color page of chapter 64, she now looks confident, resolute, she gives off the aura of "leave it to me, I'll make things right!" and I really love it. I love this Sakura who's in charge because she finally found herself and what she wants to do with her powers: helping a beloved one finding her true smile again by bringing back the most important person to her! Syaoran is still looking cool, determined and serious (as opposed to 'snobby' before, but are we really sure that the one in ch. 64 was Syaoran? and not Kaito? 😂the absence of the body -which now is fully visible in the color spread of ch. 75- kinda suggests that that one wasn't the real Syaoran). The clock and clock gears of ch. 64 are now replaced, still in the very same position, by cool metallic elements, Kaito's pocket watch and a big Moon. Precisely the protagonists of this chapter! Now that I listed all the things I liked about this color page, I have also to point out that their expressions kinda look "weird" or "off-model" to me. I can't pinpoint exactly what's wrong, but it's something about the eyes: the irises are probably bigger or darker than usual. Not a big deal, anyway.

Off we go!

We start the chapter immediately explaining the big question that arised at the end of chapter 74: if this is a rewritten world and the Clear Cards have disappeared (and Sakura didn't have any recollection of them), what is the Dream Wand doing there? Kero asks about it and Sakura explains that when she went to open the jewelry box (remember it? It appeared in the very first chapter of Clear Card, and Sakura placed both the hairpin she received from Yukito as a present and the Star Key in there) before going to Yukito's house, she found another key together with the Star one. Sakura thinks that this key is the one that existed in their world before it was rewritten, and Kero can distinctly feel Sakura's power coming from it. Sakura agrees and says that for this reason, this time she'll be going with this wand.

So the Dream Key also survived the rewriting. Makes sense, it either survived on its own (and somehow ended up in the box) or Sakura must have left it at home in the box before the play, probably sensing something and listening to her magic intuition (that got even more refined in the latest period).

Tomoyo intervenes saying that the earcuffs of their outfits are actually transmitters: Sakura and Syaoran can communicate among eachother of course, but also send back audio and video to her device. Nakuru can't help but marvel at the hi-tec device and Tomoyo proudly announces that this is one of the hottest items of Daidouji Toys!! It made me smile to read that company's name again here in the finale, it really feels like tugging at our nostalgic heartstrings (because honestly Daidouji Toy's devices were the coolest thing in the old series!). Sakura can't really help but agree that this is a very special outfit, just like Tomoyo told her! Sakura does something that left me a bit speechless for a second: she summons the Fly Card using the Dream Wand! How cool is that? After all, the Dream Wand is still made of Sakura's power, so it really doesn't change much and she can use the Sakura Cards (also reborn under her power) with that magic tool too! Back with the Clow Cards there was a problem because the wand was made out of Sakura's power, but the Cards were still under Clow's, so that's why she had to make them be reborn under her name. Here we don't have this kind of problem anymore! Sakura supplies Syaoran with a cool pair of wings, and here I really have to say it: fandom, you complained so much about Kaito rewinding time and "erasing" cool winged Syaoran, and CLAMP heard you! Now you can have him back! 😂😂😂Honestly this one made me smile so much because I wondered if they felt guilty about that scene, or they simply had planned to revive it anyway since the beginning 😂I clearly remember Ohkawa said in one of their Spaces that they received quite a number of complaints about that particular scene 😆 Kero asks Sakura why she gave the Fly Card to Syaoran, and what she's going to do for herself: Sakura answers that Momo (how cute, she calls her Momo-san, just like that one time they met back in chapter 49 ❤️) told her that there are still Cards around that didn't disappear, and they used to help her before the world was rewritten (little difference in the ENG version: they made her say "they were by my side").

That said, she confidently calls for the FLIGHT CARD and the cute bow that we learned to love along the series appears on her back, all excited and affectionate like usual! Sakura thanks her for waiting for her and I found that so sweet....this is another one of those scenes that I feel like are catering to the fandom's wishes and preferences, since I've seen countless of disappointed/worried comments during the past months about Flight disappearing along with the other Clear Cards, and this is something that even CLAMP talked about (again in one of their Spaces) so they definitely were aware of it. Eriol and Kaho comment from England, impressed but nonetheless confirming that the Card definitely is made out of Sakura's power, just like the magic circle that appeared under Sakura when she used it (of course it's different from the one that appeared when she used Fly). Sakura walks to Akiho and as I imagined from what she said last chapter, she asks her to let her borrow the precious pocket watch for a while.

Akiho of course agrees. I loved the emphasis they gave to the "handover" of the watch, because it enhances the perception of how important that item is. Akiho is entrusting to Sakura literally the one and last thing she's got left of her most important person, whom she's missing terribly, and the fact that she's willing to separate from it and entrust it to Sakura just goes to show how much she believes in her. And the "handover" is watched carefully by everyone with a smile on their faces.

It's time. Sakura and Syaoran are all ready to go, not before saying "We'll be going, then (See you later)". A word I always loved from Japanese language is 行ってきます, ittekimasu, a word used to announce that you're leaving, but in the same word is also hidden the promise that you'll be back. And I think there's no other word that her loved ones, particularly Akiho, need to hear from her right now. I also love to bits the expression she's having while she says it. Confidence in the shape of a young girl ❤️

Convey your feelings

So off they go, high in the sky, with the big moon in the background and Kaito's pocket watch held tightly in Sakura's hand. Sakura takes the chance to thank Syaoran for coming with her. Her unwavering, loyal beloved boyfriend. He'd never leave her alone, facing something unknown and possibly dangerous like this one. And he takes the chance of their current privacy to thank her too: slightly embarrassed, with a sweet smile, he's grateful to her for saying that he's her most important person, shortly ago. ❤️ This is another thing that I've heard many people being slightly disappointed about last month, the fact they hadn't shown Syaoran's reaction after Sakura said that, and in one of the answers to my asks I said that I would've found it rather inappropriate if Syaoran and Sakura had that kind of conversation and started to be a lovey-dovey mess in front of a person who had just found out that the pain she's been feeling all along was because she was missing her own most important person, but not only that, also that her memories, family and all of her world had been rewritten, it was all a lie. Someone's world is literally crumbling under their feet and I didn't think it was the right moment to show a romantic scene between those two right in front of her. Thankfully CLAMP had already in mind to move that kind of conversation to later on. And since they work on 1/2 chapters ahead of what's been published, they were probably already drawing that scene before chapter 74 was even out.

Sakura, unrestrainable by now in her self-confidence, says something really precious that I'd say is my favorite line of the entire chapter:

JP: "When I've found out that this world had been rewritten, I've thought about it. If there's something I want to say, I have to spell it out. Even if the important words we say were to be rewritten, it's not like they'd be erased, because they'd be staying in our hearts"

Sakura understands that if she wants to make sure that her "important words", her feelings will STAY even after a major rewriting like that, she needs to spell them out. Remember Tomoyo, in the old series? "No feeling will come across if you don't say it aloud". And so in this way Sakura is making sure that the person who hears it will remember it even against the strongest of magic, because those words will never disappear totally. The brain might forget, but the heart doesn't. Syaoran of course agrees with that sentiment. And I really want to say that I think this same concept will be of utmost importance in reuniting Kaito and Akiho too. Their bond, their shared memories, the time spent together, the words that were said (Akiho worked so hard towards the end of the 'old world' to convey her feelings to Kaito in a way that wouldn't scare him), all of that surely stayed inside their hearts and it's only waiting for the trigger to make them remember and reunite.

We switch back to Yukito's home, where everyone goes back inside to spy to check on the flying couple from Tomoyo's tablet (while still in a videocall with Eriol and Kaho), but while Touya is going back in himself, he sees that Akiho keeps standing by the door, eyes fixed on the moon. Out of all of them, she's obviously the most stressed up one. She can't relax and wait like everyone else. Her heart must be in the grips of anxiety, hurt and probably fear too. So Touya, our big brother with a heart just as big as him, tries to comfort her and calm her down, telling her that Sakura might be a tad too impertinent and with a tendency to kick, basically a "monster" (I know in ENG they translated 足癖が悪い with "she got two left feet" and technically it might not be wrong but I've seen the same term used to indicate any kind of bad behavior that makes use of the legs/feet incorrectly, so included kicking - like, using this expression with a horse it would mean that horse kicks a lot. So when I saw that, I was reminded of how Sakura used to kick Touya precisely when he called her "monster" 😂), but she keeps true to what she says. "If she said she'll look (for that person), she'll do so. So let's wait for when she'll call you...together". And while he says so, he pats her head affectionately. Gosh, the way he behaves with Akiho is so different than what he does with Sakura, right? 😂 But that's just an indication of how special the bond with his true sister is...Touya gets tsundere and a bully only with her. 😂 I remember he patted Mirror's head too (while she was disguised as Sakura), back in chapter 38. He's really a kind onii-chan but he only gets stubborn with his little sister 😂 I found so moving the little detail of Akiho wincing for a moment when Touya patted her head....a sign that she isn't used to that kind of display of affection? Definitely. And the more I thought about this, the more the words from the chapter of her backstory came back to my mind, "there was no one who would pat her head".... And then, of course, I just couldn't avoid thinking about all the times Kaito tried istinctively to reach for that head too, to console her, or even to just hold her, and always stopped that hand hurriedly. Seeing Touya managing to do what Kaito always wanted to do on instinct, and sabotaged himself, hurt quite a lot. But it's also a proof of how different their situations are. How different their circumstances are. How different their feelings for Akiho are. No matter how kind Touya can be with basically a stranger that was somehow entrusted to them by another stranger, and how much he can empathize with her situation, he can never be the guy who literally gave all of himself for Akiho.

Still, I think this scene reinforced my idea that when they'll bring Kaito back, Touya will be waiting for him with his fist ready to land on his head 😂because he really just can't stand that he hurt his adopted sister this much. No matter if he did it for her. He'll really be merciless with the most important people of his sisters, if they make them cry! 😅

Akiho is finally reassured by Touya's sweet gesture (there's a lot of love in this rewritten world, my gosh! Everyone is so affectionate or displays affection in a more evident way!). But while here we have a poignant scene of brotherly affection, nearby the group of nosy people just witnessed the scene between the two lovebirds Sakura and Syaoran about the "most important person", so Nakuru sighs at the missed opportunity to see Touya's HP and MP go straight to zero, because he wasn't there with them to watch it! 😂😂Yukito of course doesn't skip a chance to join in making fun of his boyfriend, saying that he would've surely made a scary face. 😆The way the little group makes fun of Touya behind his back moves to compassion even Kero and Suppy, who say that they feel bad for him! 😂😂😂 I think all these little comedy skits of this chapter are probably here to defuse the tension a little bit, probably also because of what's about to come. Remember that sensei is balancing the narrative weight on the total volume, so adding more fun scenes now might make up for later, when it won't (of course) be possible or appropriate to insert any (yea, it'll only be time for tears later, right, sensei?).

Back to our flying couple, Syaoran asks Sakura more clarifications about what she said earlier regarding the pocket watch, that it'll "show them the way". Sakura says that she can feel magic power coming from that watch, and it doesn't belong to anyone she knows. The kids, in unison, say that if they trace the magic back to its owner, and they follow it, they'll be able to meet "the person who's missing". Syaoran got the perfect magic tool for that.

He summons his famous compass, and asks Sakura to place the watch over it. In a very cool scene worthy of the next head of the Li clan, chanting the long and famous activation spell for his compass (which includes Chinese characters but spelled with the Japanese "on" reading), Syaoran traces the owner of the pocket watch....back to the moon. The poor guy is confused and thinks the pursuit failed, because he can feel the watch carrying moon power inside of it (yep, reminder that its owner's magic is Moon type, just like Syaoran! And the ENG said there are "traces of it", but the JP doesn't say it's only "traces", the whole watch might be imbued of Kaito's moon power), so probably that's why the compass is pointing at the moon.... But Sakura suddenly figured it out: the compass is correctly pointing at the moon, because that moon....IS NOT THE REAL ONE!

With a swift movement worthy of the coolest ikemen on earth, which startles even her boyfriend (😂 it's already full of comments about how Sakura is particularly handsome - yes, handsome - in this chapter 😂), Sakura summons Sword! Loooong time no see! So long, in fact, that I've been notified that the Sword Sakura is holding a few pages later is the wrong one! Yes, because when Sword was reborn under Sakura's name as a Sakura Card, its appearance changed slightly! 😅The one Sakura holds in this scene is the "Clow Card" version!

This is how Sword was supposed to look...will CLAMP notice the mistake and fix it in the tankobon? Anyway, Sakura jumps towards the giant moon (that at some point we can see it's literally flat, like a cover for something else), and splits it open!!! I mean!!! What did this girl eat for breakfast, today? 😂😂😂She's absolutely cool and keeps showing how much she's grown both magically and in her capacity to listen to her intuition. Eriol and Kaho immediately comment on that fake moon, and Eriol in particular said something that alarmed me at once: "It's something that was created by a considerable amount of magicians. And they used even an ancient magic ritual, at that." There's no trace of doubt in his speech, so my mind immediately runs to them, the real disgrace of this arc: the Association + Squids (Akiho's Clan). When you talk about lots of magicians, and ancient rituals, you can't just avoid thinking about them right away. But why, and how did they create that fake moon? Too soon to have clear answers right now, but our watchers from England point out that for Sakura to see through that deception as soon as her attention was brought onto it means that her powers really became considerably strong! But here comes the comment that sets this situation apart from what we have seen till now in Clear Card: this growth in power is totally intentional! Because Sakura now has something she wants to do.

You see, this task Sakura gave herself isn't only to Akiho's benefit. This situation also probably gave Sakura the key to not cause her powers to go haywire anymore. Because, as I always suspected (and this conversation gave me more elements to make me think I was right), her power previously went out of control because she didn't know what she wanted to do with it. She didn't find a purpose for it. She didn't figure out yet (nor probably even thought about) what she wanted to do with her natural gift... (and here we go back again to the thematic I talked about in my post of last month, the "what can I do with my innate capabilities?" and Sakura right now decided "I want to use it to make the people I love happy"). She used to look at it as some thing "remote" from her, something that she'd rather not use (remember when she had put her Star Key away in the box saying "it's better if I don't use it anymore"?) but magic is literally part of her, so rejecting it would only hurt her more and cause the mess that we have all seen in these 7 years of serialization. And so probably, no matter what training she might have gone through, the problem wouldn't have been solved anyway, unless she'd set her mind straight on what purpose give to her magic, stabilizing it once for all. I think this is a very important part of this story because it all goes back to the search of her identity, which is such a crucial thematic in this arc.

And you can really see it in how beautiful Sakura looks in this panel. This is the beauty radiating from a person who's confident and knows what she's doing, knows what she wants.

Sakura and Syaoran finally go inside the "door", let's call it like that, which originated from the split of the fake moon. They do not know what awaits them on the other side nor what will happen, but they both bravely proceed ahead.

And what they find in front of their eyes is some kind of very weird environment. Eerie, even. The space is completely white, and they're fluctuating among warped clockworks and what looks like disassembled clocks: I found that very fascinating and I can't wait to see how this space will look like once it'll be animated.... The compass' beam keeps indicating where the owner of the pocket watch is, and Sakura and Syaoran follow it diligently, till they finally reach their goal.

*Sigh*

And then they see it. Trapped inside what looks like a circular cage, sleeping peacefully, a black dragon. Yes. That dragon. The one we've seen in Sakura's dreams ever since chapter 2, the one that appeared on the cover of the book they used the day they engraved the artifact in Akiho, the one that appeared as a decoration on the last outfit Kaito wore till he disappeared, and the one that looked like the symbol that appeared when the Seal of D. manifested to engulf Kaito in chapter 70. And this is also how this chapter ends (of course!!! with the worst cliffhanger!). The editorial text in Japanese present on the left of the very last page says "Guided by the pocket watch, what is it that they found...? Next issue, Sakura will appear with a super luxurious furoku!!"

Now, I'd wait before giving for granted that that thing is really Kaito. CLAMP are absolutely no strangers to lead their readers to think something (especially at the end of a chapter) but then revealing in the following one that it was something else.... Moreover, this dragon appeared in such different situations, that it's really hard to pinpoint (and predict) exactly what it represents. So I'm not gonna go out on a limb and say that Dragon-chan is Kaito. We'll know soon what CLAMP have in store for us.

Sure, I keep missing Kaito like crazy, but I think one way or another in next chapter we'll finally see him. Especially cause it's almost certainly the second-to-last one 😅 On that regard, I enjoyed the content of this chapter and even though it might be normal to think "what are they even doing, wasting time and pages like this? get to the point!", I want to trust Ohkawa and let her lead me where she wants to bring me to. I want to appreciate the journey for how she created it, with the pace she thought for it. Once it'll be over, it'll be hopefully easier to see if this relaxed pace ended up producing a series that is easy and interesting to read, or if it caused things to be rushed at the very end. Moreover, I know everyone is somehow expecting a battle ahead, but I'd be actually surprised if it happens at all. If it does, I don't think it'll be against the Association (because they're simply too many and too powerful for Sakura to fight against them). It might be against the dragon or....it might just be that this will be about finding a way to free Kaito, and then putting him in the condition to choose to go back to Akiho's side. And at that moment, Akiho's turn will finally arrive. I think this finale will be mainly based on emotivity and important talks. If anything, the main "battle" they'll have to win will be convincing Kaito that he deserves to live a happy life too.

Chapter 76 will be published on CLAMP’s Youtube channel on August 1st, while the relative Nakayoshi magazine will be released on August 3rd!

Soooo it's time for me to wrap this post up (where I mainly talked about my thoughts and impressions on the chapter, how lovely 😆) and I'll surely be waiting for you all here once again at the beginning of August!! In the meantime, my inbox is open for your asks! 👍 See you!

[so-many-fandoms-here]

(English isn’t my first language so feel free to correct any mistake you notice <3)

It’s valentines day y’all! And because I am lonely today I‘m writing this!

How Alice In Borderland characters react to you asking them to be your valentine

• Characters: Shuntaro Chishiya, Hikari Kuina, Suguru Niragi, Takatora Samura (Last Boss)

• Genre: fluff

• Warnings: hints that they may have sex

𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧𖡼.𖤣𖥧

Shuntaro Chishiya

Acts like it isn’t a big deal but is beyond happy

„If I wanna be your valentine? Sure, why not?“

Will take you out to dinner after his shift

He even has flowers for you <3

He won’t break his facade and won’t give you a single hint about how excited he is

Maybe a nice walk after you ate

Will bring you home

When you offer him if he wants to come inside he will gladly accept

If you don’t he will ask you for your plans at the weekend

„It was a nice evening. May I take you out again? How about saturday?“

On his way home a smile is glued to his face

I don’t think valentines day would have any value inside of borderland but I add a little something anyways: He will probably go on a little walk with you, chatting about anything besides death. He will be even more careful to show no emotions. Bonding in Borderland isn’t the smartest thing to do but he is aware that there could be something between you. Will eventually walk you to your room and maybe will spend some more time with you there.

༺♡༻

Hikari Kuina

Absolutely thrilled that you asked her out

„Of course. I‘d love to be your valentine!“

Of course she brings you flowers

You’ll go an a long walk in the evening

After you either go to her or to yours to warm up with a cup of tea

„May I stay?“/„Do you wanna stay?“

You two will laugh a lot together

„You wanna go out again soon?“

Inside of borderland you two will also go for a walk and ending up in one of your rooms. „Let’s go on a real date after we made it out of here.“

༺♡༻

Suguru Niragi

This man will act cocky as hell

„Be your valentine? Oh so that’s what‘s going on between us.“

Just as you start to question why you even asked he adds: „But yeah. We’ll have a nice evening.“

Well saved Niragi, well saved

If you want to have flowers you asked out the wrong person

Will take you out to a bar or to the movies

Won’t admit that he was quite excited about it

„Let‘s spend the rest of our date somewhere more private, you down?“

„We should do this more often.“

Inside of Borderland you two will most likely have sex. But not this let’s-have-a-bit-fun-while-we’re-here-sex more like i-won’t-admit-it-but-i-like-you-sex

༺♡༻

Takatora Samura (Last Boss)

He‘ll look at you like you just told him you’re from the area 51

„What?“

Wants to say yes but thinks it’s a prank

After a while where you just look at him waiting for a response he realizes that you’re being serious

His heart drops to his stomach

„Y-yeah. Sure.“

Has absolutely no idea what to do as soon as he‘s at your door

You have to guide him. This man never had a date before

You take him on a walk, talking about deep things like the meaning of life and stuff

When you invite him to stay for the night he will stay awkwardly in your room at first, not knowing what to do

Guide his ass down on the couch or your bed before he stays there all night

After a while he will warm up again just like on your walk

You’ll be the one asking if he wants to go out again and again he’s too stunned to speak, thinking your messing with him

„Yeah. I‘d- I‘d love that.“

[horizon-verizon]

"jaehaera can't die because martin said she is important as heir to aegon ii"

and HOTD and ryan don't care about that(??) If Ryan doesn't kill her just to throw a tantrum and show how much better he is than Martin about F&B he won't even discuss jaehaera being heir, she will be thrown aside by aegon iii and how he will have more right to the throne than his female cousin.

It's a cycle of misogyny for ryan in HOTD/F&B, Rhaenyra can't be queen because she's a woman, Alicent can't be regent because she's a woman and Jaehaera won't be seen as an heir because she's a girl, she will be thrown aside

@theprettiesthead

Jaehaera was never an heir for Aegon in F&B. He never even saw her as his heir presumptive, like Maegor did with Aerea and Rhaella. So if Ryan "won't even discuss Jaehaera being heir", he'd be correct. If he keeps to Jaehaera being killed, Aegon III can't be held to the "she will be thrown aside" rationally by anyone bc Aegon was never responsible for Jaehaera's death in the first place; Unwin Peake is the best candidate for that. But if he doesn't as you mentioned, he doesn't have show!Jaehaera killed off by the end of HotD, that impression on the audience could have strength and many more people would have ground to just say "two canons", GRRM "changed his mind" , or that "unreliable history book" to argue either/both why they "like" this ending or that Jaehaera does become Aegon's children's mother/Daemon Blackfyre's grandmother. Their biases against the tb, if they have any, will also become the stronger as to them accusing the child Aegon III of maliciously setting aside such a poor, good girl like Jaehaera even in canon.

Rhaenyra not being able to be queen for more than a few months was already canon. Alicent not being made a regent at all is also canon; Aemond was made Prince Regent in canon instead despite bk!Alicent's pre-war efforts and principal act in the beginning of the conflict. So Ryan/the writers depicting these is fair play.

So it's not a clarification of a cycle of misogyny for Ryan in this hypothetical. It's him rewriting stuff and passing them off as "true" ot the book or "better" when they are just distortions that impair the "points" being made in the orig canon.

[xxgoblin-dumplingxx]

What about the oddduck asks? Do I need to break out the “bad anon” squirt bottle again?

No, I just needed someone to ask me something so I could write this 🤣

"Why are you so nervous, Smallville?" Lois asked, standing on her toes to kiss his cheek, eyes teasing. "I don't care that your best friend is a girl-"

"It's not that," he chuckled. "Y/N is... different. Not quite everyone's cup of tea."

"Is she one of those people that says she's blunt and is really just a raging bitch to everyone?" Lois asked.

"Oh gosh no," Clark said, "She's just- a little odd."

"Like 'needs to be medicated' odd or-"

"Neurodivergent odd," Clark corrected gently. "She hyperfixates on stuff and she can seem a little spacy or aloof if she's in a rabbit hole."

"Rabbit hole?"

"That's what we started calling it when she was little- Like Alice following the white Rabbit, she just sorta tumbles down until she hits the bottom."

"Cute," Lois said, crinkling her nose. "So, she's not rude just not a people person-"

"It gets better once she gets to know you," he assured her. "When we were kids I thought she didn't like me until some older boys were making fun of me and she just stood in front of me and stared at them until they went away."

"Stared at them?" Lois asked, laughing.

"Sure. The creepy little girl stare... she's still really good at it."

"And the rest is history?"

"Well yeah," he said, "Ma and Pa already knew her grandparents and they were all just thrilled we were buddies... Not like people and their kids got any nicer to her."

"Oh."

Clark nodded a little sadly, "Sometimes people would pretend to be nice to her to get to me. And other times they'd just... well. Let's just say I've broken up with people for treating her badly."

Lois nodded, understanding now why this was important. And she just hoped she could at least grin and bear it.

_________________

Clark tried not to scowl at his wife who was gleefully telling his Ma about Bruce Wayne coming to visit you when you'd been in New York to give a lecture at NYU.

But, even he had to admit, it was better Bruce than the last guy. And it was better that you weren't just alone. And that's when he heard it. The crack in your voice when you said 'Stop!'.

And he didn't want to hear you telling your mother off but he did, "I gotta go," he said, picking up his keys.

"Clark what-"

"I'll explain later but-"

"I'll make up the couch," he heard Jon call from the other room.

"And I'll heat up the pie," Martha said, watching him pause to kiss his wife on the way out the door.

"Do you want me to come?" Lois asked, stroking his cheek. "Just tell Pa to grab a jar out of the cellar," he murmured, his lips close to her ear, "and don't let ma hear you."

"Don't let Ma hear what?" Martha demanded.

"Nothing," they chourus, and before Martha can demand her son answer for himself, he's gone. To try and intercept you. Remind you that there's places where who you are is enough.