#even if you are lonely for a while

[frostedmelone]

There's so many people I've met on the internet through the years that are always so used to people being cruel or rude to them and when I'm nice they always say they love being around me but it just makes me so...... sad. Like everyone deserves someone who is genuinely kind to them and yeah joking around and being mean to your pals is fine when you respect boundaries but when it's a constant thing it just weirds me out. I love being nice to people. I love spreading kindness. What do you get from being a huge jackass to everyone, including people who you claim to be very close to? I dunno.

Everyone deserves to be loved by their friends!! It's one of my favorite things to make my friends smile and make them feel good about themselves. It feels like everyone is always so ready to put their friends down for a joke. I love lifting mine up!!! Maybe it's just me. But I am a lover at heart.

[spicyvampire]

Great's Dying Brain vs Reality : The aftermath of Great and Tyme's first date

4MINUTES (2024) EP. 3 // EP. 6

[signanothername]

Dream’s room within Nightmare’s castle

This comic takes place after Nightmare’s theoretical death that I discussed before >:)

A bit of context under readmore

[maddymoreau]

Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.

When asked, “Do you wish to see your father?”

Diavolo responds:

“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.

Along with how Diavolo describe his father.

It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.

Diavolo can tell when others are lying but is unable to understand his father’s intentions.

Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.

His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.

The isolating childhood he experienced riddled with his strict father constantly scolding him.

Despite everything MC is so important to him he wants to see his father again so we can meet.

[greencarnation]

eleven is fascinating to me because he came right off the back of tens horrible traumatic breakdown after he lost everything and he immediately tried to establish himself as the opposite of that. he is funny and goofy and almost childlike, and he bulldozes on in his adventures with amy like nothing happened at all. but then something happens and his masks slips and it's like oh! the core of this man is still anger. he is so so angry all of the time and this façade is the only thing stopping him from being consumed by it. he isn't over any of it and he hasn't moved on. he is wearing a fez and laughing but under that all that exists is age old anger and grief and it is going to consume him

[eat-rock]

“nobody understands me” but not in the “edgy suffering from teenager syndrome mad at mom” kind of way, but the “lonely isolating young adult realization that the specific combination of mental illnesses and past experiences i’ve had have resulted in a pattern of behaviors that are often misinterpreted and misconstrued by others” type of way

[topnotchquark]

Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.

Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.

And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.

But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[julesart04]

[idrilearfalas]

If Marvel has a heart the series will end with Mobius and Loki driving together a jet ski, laughing and teasing each other but clearly in love, and then the camera will move to Sylvie, watching from a distance, someone next to her we don't see yet.

And she tells them, "You see? I wasn't lying"

And the camera shows this other person and it's our Thor (audience goes OMG), teared up but with a smile on his face saying, "You weren't. He really is happy"

[babymorte]

if he says he’s into you but still interacts with other girls he’s not interested don’t fall for the lie

[that-foul-legacy-lover]

i saw the hollow/puppet reader request, and i thought about how cool it would be to have that + Nanook floating limbs (honkai star rail)

and then i thought about how if it were me, i’d end up shoving things through/in the hollow limbs as a fidget and like, no self control

THEN i imagined everyone else just panicking because im literally shoving items through my limbs and *oh my god what if it gets stuck?! what if you break something!* and *OH MY ARCHONS PLEASE STOP SHOVING THINGS INTO YOUR TORSO SO YOU RATTLE LIKE A MARACA!!*

anyways,,, just thought i’d share these lovely thoughts with someone

hang on i have to google something... yeah this is hilarious!!

Foul Legacy thinks that you're brilliant- he's seen Childe hauling supplies on his back and under his arms far too many times, so having extra storage seems like a wonderful idea!! he loves the rattling sound as well, nudging you cheerfully and trying to guess what you've got stored away this time, even if it concerns everyone else. to be fair to them, Zhongli has had to help you remove a chunk of crystal lodged in your arm more than a few times, despite him gently reminding you not to store items in your limbs. but Legacy's claws are long and nimble- anything else you get stuck up there, he can yank right out for you if need be. it doesn't hurt you much either way, since your limbs float all about, which he also absolutely adores

they make it much easier to pet Legacy and scritch behind his horns, just letting them float up instead of him having to crouch down. not that it stops him from doing that, since sometimes he just loves to be closer to your height, quite literally face-to-face. occasionally he'll nab one of your arms, biting and nuzzling it very carefully so he doesn't scratch it. the openings of your limbs are concealed by starry, shining matter, like the night sky and Legacy's wings. it's a connection between the two of you, see, both nonhumans and speckled with starlight. your eyes are bright like the sun, and Legacy's shine like crystal, an Abyssal monster and an artificial puppet so happy in each other's arms

[naamahdarling]

.

[neodiekido]

special sort of deep sad fondness for v3 tsumugi shirogane. i can't articulate this very well but she makes me feel very sad. junko is iconic and we love her but i think i like tsumugi just a little more as a mastermind for what she represents

[toxiccaves]

just a few doodles since its been a lil bit

[unamazing-sheep21]

The Traveler's loneliness

When you REALLY think about it, The Traveler themselves is one of ( if not) the most heartbreaking character in all of Genshin Impact I'm so serious. They barely have any genuine friend they can share or is willing to listen to their problems with. They never do this with Paimon because they know what they're worried and scared about is far too heavy for her to handle. Like in the Sumeru quest in the first dream they're cannonicaly deathly afraid that their family bond with their twin isn't enough to bring them back together. They always make time to listen to and help their friends ( and ENEMIES sometimes, i.e Scaramouche) go through their struggles but not one of them ever ask The Traveler how they're doing. Not one of them steps up and is as earnestly willing to help the Traveler as they did everyone else. And like.. that's so heartbreaking. We've never even seen them cry.

Even after saving/help saving five countries they're only barely an inch to finding what's going on with their sibling. The only person who could possibly understand them , and is consequently the one leading the group that's causing all the trouble for her Teyvatian friends. On TOP of that there's the fact that they'll always be an outsider no matter how much they do for Teyvat. The fact that they actually love Teyvat so much but can never connect with it the way everyone around them does. ( My headcannon is that Traveler does all these things not just because they think it's right but also because they don't want to be useless to Teyvat, and that they don't want to be hated and singled out just for being an outsider). And on TOP on top of that Traveler has been lied to and manipulated and betrayed and looked down upon more times than they can count even by people they call friends ( Kaeya, Zhong Li, Childe, Raiden etc etc).

And furthermore it's canon that they're slowly loosing their mind from all of this. Look at the Caribert quest, and the recent Lantern Right trailer where they're eating with their sibling, their crazy dreams about their twin where it seems like they're there with them. LIKE UUUUGH. Aether/Lumine is actually SUCH an interesting and complex character they make me SICK.