#even if it's definitely wrong

[jerrylewis-thekid]

Dean Paul Martin Jr. with his two mothers 🙄​

[sunderwight]

SV AU where Shen Yuan transmigrates into a kind of mimicry demon.

He still gets tasked by the System with replacing Shen Qingqiu, except this time he actually has to pull off an imposter role on multiple levels, while the real Shen Qingqiu is stuck in a coma due to his qi deviation. Initially he thinks the situation is going to be temporary -- just take over until he figure out how to get the original goods to wake up -- but Shen Jiu's condition proves to be more difficult to repair than just waiting. Shen Yuan buys special side missions from the System to find items and artifacts to keep Shen Jiu alive, mainly because he doesn't want to be stuck playing this part until Luo Binghe kills him, but also after the first couple of times Shen Jiu regains some consciousness (not enough to leave his bed), Shen Yuan starts to feel kind of... bad for him. Too. Despite everything.

Shen Jiu, of course, is deeply suspicious of this doppelganger that has obviously taken advantage of his weakness to infiltrate the sect and steal his identity. He initially theorizes that the creature must be keeping him alive because it needs some aspect of his vitality in order to keep posing as him, but as they share more encounters is forced to concede that the thing might just be insane? And weirdly softhearted. Over time and by feigning sleep to listen in on Shen Yuan's muttering, he figures out that this all has something to do with Luo Binghe, which he's not pleased about. But he can't deduce what. (Luo Binghe doesn't get to move into the side room in this version of the story, because Shen Yuan has the house on lockdown for obvious reasons, but he does still get to make Shizun's meals!)

Anyway, Shen Jiu doesn't manage to conveniently wake up before the Immortal Alliance Conference. Shen Yuan has to throw Luo Binghe in, which he hates, but along the way he manages to recover that magical flower macguffin that won't work on Without-a-Cure (which he doesn't have in this AU because his species is immune to it), brews a tea that finally fixes Shen Jiu, and then fucks off to go mope about Binghe being in the Abyss.

Shen Jiu doesn't tell anyone about his demonic replacement, for a variety of reasons. One, he's punishing the other peak lords for not figuring it out themselves. Two, he's punishing himself for the fact that a literal demon replaced him for like 3 years and everyone considered it an improvement. Because it was. Three, he has mixed feelings that might potentially amount to not wanting to hunt down and kill Shen Yuan, but he's not admitting that even to himself.

Everyone thinks that Shen Qingqiu's return to asshole form is a result of Luo Binghe dying, and that his sudden new research projects are part of him like, trying to make sense of a senseless tragedy, and coping. But no, he's still trying to figure out why the fuck Luo Binghe was important and why Shen Yuan inserted himself into their lives only to basically just do Shen Qingqiu's job while he was indisposed, and then fuck off the moment Luo Binghe left the picture again.

After... healing Shen Jiu. Also. For some unfathomable reason.

But this version of the System's just happy that the plot is back on track! And surely it will stay back on track. Yes? Problem solved, right? Shen Yuan? Definitely nothing is going to mess with the rest of the story, cough cough, wait why are you visiting User 01, and what would you, a demon shapeshifter, need with a Sun & Dew seed...?

[charlie-artlie]

needed to get this out of my system. dont come for me abt the timeline. its true in my heart

[kayleerowena]

horror barbies legally distinct pink-themed horror dolls available now from your local t-shirt store!

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[trappedinafantasy37]

POV: Evil murder kitten tries to evil murder you in your sleep. She's desperate for a reason not to evil murder you because she does not want to.

[mikkeneko]

....now considering whether I want to write a 'Find the shapeshifters' fic for SVSSS too

[puppetmaster13u]

The Au is Ra has been using the Lazarus pits for so long that causes him to see Danny like a human or his normal Phantom form Ra the only one that sees Danny like that

I love the idea of Deadly Decision getting together but Ra has no idea that Danny is no human he just thinks that Danny has his own Lazarus pit hidden somewhere away from him

Like Danny is full blown glowing white hair, green eyes, Sharp Fangs, an electrical being

Ra point at tall being of Life And Death it looks like he's about to rip you apart: This Is My Wife Danny.

Like sometimes people just ask him if he sees anything unhumanly about Danny and

Ra is like: What Are You Talking About ?

Danny's in the background forming Stars into his hand I'm trying to make himself a new sword

Talia and Dusan we're raised by Danny and Ra they just gotten used to also considering getting to be a normal human they find it hilarious to play along with their other two siblings Dan and Danielle that Mom is human

Slade: I've been meaning to ask what about that monster Ra has locked up back there

Talia: You Mean Mother

Slade: that's your mother I didn't know Ra al Ghul was attracted to on human beings

Dusan: what do you mean unhumanly our mother is perfectly normal he's not even assassin

Danielle walking out of his shadow: Maybe Your Mother Was The Weird One

Dan floating near Talia: Get the hell out how dare you disrespect our Mama

All of them are girlboss, gatekeep, and gaslight people into believe Danny is normal

Damien will give warning that his grandmother does not look like a Human they were all expecting meta not electric being

Danny got so used to Ra al Ghul no his Husban treating him like a normal person when he's like this that he forgot that everyone might not that treat him like that

Honestly? I love this.

And you know what? Danny might need someone like that, who even as his humanity slips away still treats him as human, as not an eldritch creature of Space, of everything Between. Someone who treats him as well, him. Is his and Ras relationship healthy? Well maybe not in human terms, but do either of them count as such anymore?

The idea of the kids playing along is also amazing lol. Especially that Jordan and Ellie? Definitely same hat as Danny. Sure their forms still look sort of human, but that just makes it very uncanny valley. So others and siblings who treat them the same? They need it just as much- if nothing else than to not become so arrogant and uncaring of humanity that they could watch the world end without a blink.

Which, Damian! I bet Danny absolutely adores the grandbaby. I bet he crafts little ice bats and miniature planets to swirl above his crib. I bet he has a literal strip of space and stars on his ceiling. And Damian isn't the only grandbaby too- Dusan has a daughter in some timelines too. Not to mention Ras' adoptive daughter Nyssa, who he gave one of the Lazarus Pits to.

But speaking of Damian, I have to know what that would mean for Jason. Who was practically completely braindead before being thrown into the Pit. Who would have probably met Danny while there because I can't see Danny not also gently doting on another grandson.

Gosh I honestly am just really enjoying this whole thing lol.

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[lgbtlunaverse]

Most annoying NMJ or JC take is when someone that dislikes them is like "oh you're a fan of him? *scoff* Well obviously you've only seen cql, where he was super watered down. In the novel he's a dislikable asshole and that's the objectively superior canon I'm working from instead of your woobified fanfic." Meanwhile your main canon is novel canon and you genuinely find novel Jiang Cheng and Nie Mingjue complex sympathetic characters.

[lambmotifz]

sam isn’t an alpha, he’s a feral, rebellious omega. you know this stereotype that all omegas are sexually passive and naturally submissive? sam never fitted into the ideal omega image and he only willingly submits to his mate (dean), no one else

[lesbians4armand]

once again i really do think armand’s morality and view of his own morality is summed up by “i tried to be good, am i no good?” because he KNOWS he’s not, but he so desperately wants to be good in any way he can be, so that he can be desired. and this in turn means he is deep in denial about any bad he has done other than the deep seated feeling that he is simply “bad” as a vague concept and not the sum of his actions. anyway who’s up thinking normal thoughts about characters.

[sukibenders]

The Arcane fandom, especially on TikTok is never beating the allegations because why, now, some fans act like it's too inconceivable to imagine that Ambessa was, not only, pregnant twice but gave birth twice as well? And their reasoning for this is "She looks like the type to get a man pregnant instead" or "She's too tough for that, I just can't see someone like her going through that." There are layers to these statements because, for one, just because someone, especially a woman, is a dominant force doesn't mean that they can't get/don't want to become pregnant (do you believe overtly dominant men can't be fathers?) It's also very weird because the undertones of misogyny and misogynoir and the overt masculinization of black women are there because, not only are they viewing pregnancy and giving birth, in general, to be viewed as something "weak" (even though it's grueling hours of labor that results in tearing the body apart, sometimes even death) but also attempts to strip Ambessa of her nuance. Yes, she is strong and very dominant, but she also deeply loved her children, who she birthed, and when one was taken away from her it changed her deeply. It's very gross to view a character like her in this way because it also reflects how you view dominant women in real life, pregnancy, and childbirth as a whole. Like how are you going to praise Arcane for having such a wide and diverse ensemble of female characters, but then have misogynistic takes like this? Make it make sense.

[wonderfull-star]

I like that face Dev makes.

He just a smol baby 🥺

[lady-raziel]

hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...

[daisukesuniverse]

ik this isnt mouthwashing related but idk where else to post this so heres my glorious angel pakunoda