#even if he TECHNICALLY never did anything

[brbsoulnomming]

Heart On Your Sleeve Part 5

Part 1 | Part 2 | Part 3 | Part 4

written for steddiebigbang2024 and belatedly posting here!

This part includes the Russian torture scene, so adding a warning for gore/violence just to be safe!

-----

Eddie comes by Scoops, once Steve gets the job there.

The first time, he laughs at the sailor hat for a minute straight until Steve rolls his eyes and calls back, “I'm taking my lunch!”

“Now?” Robin bitches. “Did you actually get a girl to fall for those ridiculous li-” She cuts off as she comes out of the back room and sees Eddie. “Oh. Huh.”

Eddie flashes a sharp toothed smile at her, and Steve rolls his eyes again and elbows him.

“I'll be back before the actual lunch rush hits this way,” he tells Robin, untying his apron and depositing it to the side of the counter.

To Eddie, he says, “Here, since this brought you so much joy,” and drops the sailor hat onto the top of Eddie's head.

Eddie gives a squawk and squirms around like he's trying to bat him off, though Steve notices he doesn't actually push him away as Steve adjusts the hat to his liking.

“There,” Steve says, shooting Eddie a teasing little grin as he steps back. “You keep that on the whole time, and I'll buy you lunch.”

“A small price to pay for a free meal,” Eddie says solemnly, but his eyes are crinkled a little like they do when he smiles, and he doesn't take the hat off the entire time they eat together.

—

He and Eddie sit out back behind Scoops, passing a cigarette back and forth. It's the end of Steve's shift, and technically he doesn't have to stay anymore, but he's not in a hurry to get home.

Dustin's away at camp, after all.

“Why the hell are you working here?” Eddie asks, sounding like he's been mulling it over for a while.

Steve snorts. “Needed to work somewhere.”

“Okay, fine, but haven't you done the lifeguard thing for like three years?”

Steve - didn't actually expect Eddie to know that, and he shoots him a little smile before he rolls his eyes. “Not a real job, according to my dad. It's just hanging out at the pool all day.”

Eddie scoffs. “Would your dad even know a real job if it bit him?”

“My dad's never really had to work for anything,” Steve mutters. “I didn't get into any of the colleges they wanted me to, so I needed to be taught a lesson. Pretty sure he was hoping it'd humiliate me.”

Eddie tips back, looking him over. “You don't look very humiliated.”

Steve shrugs. “Because I'm not. Yeah, sure, the outfit and the hat are stupid, but work is work. Ice cream makes people happy, I make people happy, it could be worse. Besides, he has no idea what I'm even making here. Every paycheck is a little more I can stash away where he can't touch it.”

Eddie's watching him very closely now, in a way that Steve's never seen before.

“How long have you been doing that?” he asks quietly.

“What, saving money that my dad doesn't know about?” Steve asks.

“Yeah.”

Eddie's face is serious - far more serious than Steve's ever seen him, than he thinks the situation warrants. Steve frowns.

“Since I got my first job, I guess? Anything I ask for from him comes with some kind of string attached, and I got tired of paying for it.”

Eddie's quiet again. “You've gotten in a lot of fights the last couple of years,” he says, slow and careful like he thinks Steve might bolt. “Lot of bruises.”

He clocks on to what Eddie's trying to get at, then, and a rush of relief washes over him as he hurries to set him straight. “Oh, no, my dad's not abusive or anything, just an asshole. He's never hit me.”

Eddie considers that. “Your dad can be an abusive piece of shit without ever hitting you.”

Steve licks his lips, takes his turn watching Eddie a little more closely. “Sounds like you're familiar with it.”

Eddie laughs, sharp and humorless. “Come on, man, you know who my dad is.”

“I know what people say about him,” Steve agrees. “But I've learned not to listen to rumors.”

Eddie flicks the cigarette butt off into the distance.

Steve gets out another one, puts it between his lips to light it. He takes a long drag, then - pulls his heart out of his chest, setting it between them before he passes the cigarette over.

Eddie's eyes drop down to his heart as he takes the cigarette, but this time he doesn't say anything.

Steve still doesn't ask to see his, even though he's tempted.

“You can listen to these ones,” Eddie says after a while. “They're mostly true.”

“You deserve better,” Steve tells him.

He looks over when Eddie doesn't say anything, finding him watching his heart. It's beating strong and steady.

“So do you,” Eddie says without looking up.

They sit in silence for a while longer, until the cigarette is gone.

Then Steve tucks his heart back into his chest and stands up. “Come on, I'll get us lunch.”

Eddie scowls at him. “You bought last time.”

“Yeah, but a conversation like that deserves a burrito bigger than your head, and I've got employee discount,” Steve counters, holding out his hand.

Eddie concedes, accepting his hand up.

—

Steve keeps making up excuses to buy Eddie lunch after that, every time he comes by at the end of an early shift or close to his lunch break on a later shift.

One day he gets them both pizza from Sbarro, and they sit at one of the sticky plastic tables in the food court. It's so small their knees knock together as they devour their slices, but -

But it also means that Steve can tuck his ankle up against Eddie's, hook his foot half around it, and have an excuse if he needs one.

He doesn't need one.

Eddie doesn't move his foot away, but he does shoot wide eyed little looks over at Steve like he's not sure whether this is a joke or not, and -

“Hi,” Steve says, soft and ridiculous and holy shit, he has to have something better than hi.

But apparently hi works, because Eddie ducks his head, looks back up at him with something soft and wary and surprised all at once.

“Hi,” Eddie says back.

And that's -

It's something.

—

Steve gets closer to Robin - their bickering has started to become playful, and even though her teasing's never been mean, now it sounds almost fond. She still gets annoyed when customers watch them work in complete sync and think they're a couple, but now she just rolls her eyes and complains to him later instead of throwing things off by trying to protest it.

It's nice. He thinks he might be winning her over, and it makes the days pass a lot quicker.

—

He doesn't see Eddie for a week after their pizza lunch.

He tries not to think much about it, just tells himself that if he hasn't seen him by the time Dustin comes back from camp, he'll call him.

—

This isn't like any beating he's taken before.

Steve'd thought he was prepared. He was prepared, at least in the beginning. Billy did just as much damage, even if it was in a shorter span of time, and the ache in his ribs and stomach and face is familiar.

He can handle it.

Besides, it doesn't matter how much they hurt him - protecting Robin and Dustin and Erica is more important than anything else.

"Let's take a look at his heart," one of the soldiers says. "See how honest he's really being."

Steve's pretty sure he makes a choked off little guh.

He doesn't want to let them anywhere near his heart.

But on the other hand - he isn't lying as much as they think he is, and maybe that will prove it? They'll have to undo his hands to get him to take it out, and he briefly considers trying to get the drop on them, but he has to concede that probably won't go very well for him.

It's not like they're really asking for his opinion, anyway.

They aren't making any move to untie his hands, either, and Steve's brow scrunches in confusion.

He sees one of them holding what looks like a mix of a gun and a taser. It - honestly, it looks pretty stupid, like a prop in a bad movie, and he wrinkles his nose at it.

They press it up against his ribcage, pull the trigger - and fuck, he jolts back with the force of it.

His chest splits open.

The shock of it makes him numb for a precious few moments, staring down at the gaping hole in his own chest. The pain doesn't hit him until they take his heart out. It feels like it's being carved out of him, ripped from his chest as though he were being mauled by a wild animal, and he has the somewhat hysterical thought that he shouldn't be alive for this.

His heart was torn out of his chest, and somehow it's still beating, erratic and racing.

"Hmm," one of the soldiers says, tilting his heart this way and that. "Feels real."

The soldier squeezes it, and this time Steve screams at the pressure tightening around his heart, making him convulse in his bonds.

The second soldier laughs.

"They're making such good fakes these days," the second soldier says.

The first soldier relaxes his grip, and Steve sucks in ragged gulps of air, too disoriented to really understand what they're saying.

"Much more sophisticated than patches and paint," the first soldier agrees. "What good would a spy be if he showed his real heart?"

"No," Steve protests. "It's real, come on, you can feel it."

There’s no sign of deception from his heart, but it's beating too wildly from the pain to really make a difference.

"We'll see about that," the second soldier says, handing a switchblade to the first.

The first soldier presses the flat of the blade against his heart. "Let's see what's underneath if we shave a little off?"

—

Steve doesn't really remember anything after that. He must have passed out, because the next thing he hears is Robin's voice, and he realizes he's in a different room, tied back to back with her.

His chest aches.

Everything aches, really, but his chest is the worst of it.

Steve looks down, sees himself solid and in one piece again. He might have thought the whole thing was just a pain induced hallucination if it weren't for the unstable beat of his heart. It's pulsing unsteadily, and he feels as though if he even breathes too hard, it might burst into pieces with the next beat.

But he's not alone now.

He's with Robin, and she makes everything better, and even though his heart beats too fast when he thinks of how much he likes her - it's the good kind of too fast, not the kind that makes him think his heart is going to explode.

He is pretty sure that his heart is going to explode, though, that they're probably going to die here. He knows Robin is thinking the same thing - he just knows, like going through Russian secret agent torture together has made them automatically on the same wave length.

They were heading towards being friends before this, he knows, wonders if maybe they could have ever been for real.

It's a shame he doesn't think he'll ever get to find out.

—

Dustin and Erica find them before Steve loses any fingers.

Which is good. He might not be on the basketball team anymore, but he still plays with Lucas sometimes, and he likes all of his fingers attached to his hand and not on the floor of a secret Russian base.

He tells Dustin that as they're escaping from said Russian secret base. Dustin looks a little pale, hugs him tight around the middle, which makes Steve laugh - it should hurt, he thinks, but he doesn't feel a thing.

The only thing he feels is kind of floaty, and the itchy, overheated sensation he always gets when he's had his heart locked inside his chest for too long.

When no one's looking, Steve takes his heart out of his chest.

His stomach turns.

Whatever he's feeling about it seems distant, too far removed for him to be able to react to it, but the physical sensation of his stomach heaving is present and accounted for.

It only barely looks like a heart. The shape of it is hardly visible, more like a double handful of the precut chuck roast he gets to use as stew meat, sluggishly oozing every time it beats.

The thought of putting it back in his chest makes his stomach heave again, but even like this, he knows he can't keep it out in the open.

He rips off the red scarf from his Scoops uniform, wraps it around his heart to hold it together, and ties it off.

There.

Now no one will notice.

This is already written, and my plan is to post one part a day until it's all up here!

-----

Part 6

Taglist (always happy to add more to this if anyone wants): @fairytalesreality @lostonceandneverfound @wheneverfeasible @awkwardgravity1 @theintrovertedintrovert @thewickedkat @ravenfrog @scarlet-malfoy @missmagillicuddy @xxfiction-is-my-realityxx @ollyxar @cringe-culture-is-dead-99 @thedragonsaunt @makewavesandwar @ajeff855 @mae-liz @the-fantastical-asexual @jettestar @warlordess @samsoble @persnicketysquares @cryptid-system @my-love-of-books @mydysfunctionallife @dreamercec @holyangelstudentuniverse

[suzukiblu]

Day twenty-nine of “obligatory sugar baby Kon” behind the cut. prev: (( chrono || non-chrono ))

“The mahjong tiles are new,” Cissie observes, watching Tim just a shade too sharply. He internally hopes the others get here soon. He and Cissie arrived about the same time, and when she texted Bart to remind him they were all meeting up he showed up five seconds later, and Suzie was excited to see them but almost immediately ran off to get something. And Cassie and Kon had both said they’d be late–Cassie’s mom made her stay home for dinner, and Kon had just said something about something called “the Evil Factory” and a mission report he had to finish and then hung up without elaborating, which had totally not made Tim quietly insane or anything. 

The Evil Factory. What. What even is that? 

Tim needs to look into some things, clearly. 

“I’ve learned not to ask,” Tim says, and the look Cissie is giving him turns very pointed. 

“But you’re asking me about school?” she says. 

“Yes,” Tim says, because it’s not like she’s not perfectly aware he just did that, but also he doesn’t actually have to explain himself, so he just stops there. 

Cissie stares blankly at him. Tim keeps a neutral but approachable expression on his face. Filling an awkward silence is the first mistake any witness–or suspect–makes. 

She narrows her eyes, just barely, then opens her mouth to speak and–

“CISSIE,” Cassie wails from down the hall, and a second later she’s bolting into the room at full-speed and throwing herself at Cissie. Tim reflexively grabs for his bo and Cissie grabs for her–uh, bow–and Cassie makes an absolutely agonized noise and buries her face in Cissie’s lap. “I quit. I quit the team. I’m gonna ask Wonder Woman if I can move to Themyscira and I am never coming back.” 

. . . alright then, Tim thinks, just barely raising his eyebrows behind his mask. Maybe not a supervillain attack, then. 

“I’d really prefer it if you didn’t, actually,” Cissie says. “So like is this about your mom or–?” 

“Kon’s wearing clothes,” Cassie cuts her off despairingly, voice muffled in her folded arms and Cissie’s lap. 

“. . . I mean, I’d hope so?” Cissie says, patting the top of Cassie’s wig with a bewildered.expression as she sets her bow back down on the table. Tim–well, he might not hope that Kon was–never mind. But that seems like a pretty weird answer to that question either way. 

“You don’t understand,” Cassie groans. “I ran into him outside–he’s texting somebody or something, I don’t know, he said he was gonna be a minute–and he said ‘hi’ and he was wearing clothes and I tripped! I tripped in mid-air! I tripped in mid-air and he tried to help me up and I think I blacked out or something and then he laughed and he’s wearing clothes, Cissie!” 

Tim feels like maybe this is in some way “girl talk” and he shouldn’t necessarily be here, but also: what the hell is Cassie talking about? 

He also wonders who Kon’s texting and has the vaguely-annoyed thought that Cadmus might be bothering him or something. 

The subtle alert that means someone just texted Tim Drake’s phone goes off on his communicator and he makes a mental note to check it as soon as he can get a moment–it might be Dana or Mrs. Mac, or maybe one of the guys at school needs something, or . . . well, it could be his dad, technically, but statistically that’s not very likely, so– 

. . . why does he feel like he’s missing something right now, he thinks to himself, repressing a frown. What would he be missing? 

“Question: is this response proportional, or is this a ‘Code Superboy’ situation?” Cissie says. Cassie just groans all the more despairingly into her arms, not lifting her head at all. 

“This is a code black Superboy situation,” she says, and Cissie winces and pats her head again. Assuming their definition of “code black” aligns with Tim’s, that means “panic reaction; breakdown of mental/physical responses and capabilities”. So . . . yeah, that seems like a weird answer too. Just because Kon’s . . . what, outside and doing whatever he’s doing on his phone? While . . . wearing clothes? 

Tim really does not understand this conversation, yeah. 

Definitely a girl thing, he decides.

[heartfullofleeches]

What are Remmy/Sammy/Liu/Carnis/Clem/Aspen/Blacksmith doing for thanksgiving?

Also happy thanksgiving! I hope you’re feeling better and in less pain!

Remmy:

Prior to the date, he's insisting to his folks they don't need to drop by for a visit. They're both so busy with their own lives, and there's a certain someone he'd like to spend at least one Thanksgiving alone with to enjoy that quiet, domestic bliss before his family bombards them with a million questions about their future together.

"My parents couldn't come out this year... You wanna maybe stop by? I'll prepare something just for the two of us and if things feels a little lonely we can set the table with family.. Other family, I mean. The dolls... Does that sound too silly?"

Sammy:

Would sooner hole himself up for another sleepless night in the funeral home than spend the holiday with his family, but they always managed to wear him down- Possibly due to the venue being closed, but who's to say. He might be able to skip this years festivities if he has already made plans with someone else. His father would still be the grumpy hard ass he is, but any signs of wedding bells in the future and his mother will send him in your direction with a pie in hand.

Liu:

On holidays like Christmas and Thanksgiving, Liu celebrates by donating their time to local food kitchens. They have nobody else to spend the day with before meeting their darling, and if they're completely alone on those days it puts them in a bad headspace. Giving back and helping out their community is another thing that grounds Liu with their humanity as their species typically cares only for themselves/the family it creates.

If their darling is in the picture, Liu halfs their day so they can spend the rest of the night with them warming up the feast they prepared in preparation.

Carnis:

"I'm t-thankful for sweets, and a warm place to sleep, and...and hot baths, and... you... Y-you're at the top of the list,but I t-thought that'd be pretty obvious... by now.."

Carnis has never heard of Thanksgiving- They don't know much about any celebrations beyond their birthday, but that technically can't be called a holiday - not until they meet you anyway. What better way to show their gratitude than to offer their meat- No? Then at least them set the table. They aren't the greatest chef right off the bat, but there must be something they can help you with. They'll get pouty if you attempt to do household chores in their stead.

They get like that any other day too, but how are they supposed to show their appreciation if you take over from them?

Clementine:

"Dinner will be ready in approximately one hundred and twenty... Correction, make that one hundred and fourty five seconds... You would like me to sit you?.. Strange."

Keeps to herself and for a period, actively seems to avoid you. She has lot to do in the kitchen afterall- Certainly isn't grappling with an bothersome emotions over not being your true family whether platonically or romantically. That would be ridiculous.

Aspen:

It's not a holiday he would celebrate on his own, but he with take whatever excuse he can muster to prepare a big meal for his spouse. Prods his darling for cherished memories of events past. While his own remains a secret, Aspen lives for the remnants of darling's life before they became one.

There are some traditional Thanksgiving foods that he does not fancy, but he will make for darling if he is a fan. Scolds them if they dare bring anything store bought into his kitchen, but if darling is sneaky enough later that evening they'll find him scarfing down a can of cranberry sauce.

Blacksmith:

"You required one of these feathery creatures, did you not? I can remove its head if the stare of its soulless eyes offends you."

Gods in their time held their own traditions, but even then Blacksmith rarely had the grace to be apart of the festivities. It's a great honor for you to share this holiday with them, and he will do everything in his power to be the model guest. It will try to be on their best behavior for you, but there are no guarantees.

[acid-vanir]

In terms of the acc abilities bestowed on adepts, technically everything is known to be available to both genders, pretty much any school the Bene Gesserit could infiltrate and already has. The main thing is supposedly Other Memories, bg sisters have had the Sight, both Hasimir Fenring and Paul could possess the Voice and prana-bindu training, but Other Memories of male line ancestors allude bg sisters and men just die during spice change unless theyre Abomination. Its hinted that the reason for this is a psychological block of both men and women blanking that part of their psyche, my theory is that its more overwhelming to come to understand the first person perspective of so many atrocities that it breaks the mind/sense of self/moral soul or what-have-you, like the way the Tleilaxu killed their created Kwisatz by turning into a total inverse of itself psyvhologically that it committed suicide. Imagine knowing what its like to gun down children from a race you dont recognise as human after living a life of modern moral sensibilities and finding out that surviving that experience is a seminal event that lead to your birth, now spread that happening over the thousands of millenia stretched every which way across the billions of moral codes and diseminated religions that themselves have been pulled apart by bg and nobles and grassroots causes and and and

Reverend Mothers are HIGH level bg acolytes and even they cant stomach it, the only person who ever did was Leto II, and he never knew anything else.

Ok genuine question for Dune fans who have read more of the books than I have (I tapped out after Dune Messiah):

Is there ever an in-world explanation offered for all the misogyny and gender essentialism of the world of the Imperium? If we're out here reinventing feudalism, what's the logic behind also bringing back primogeniture and succession through the male line and general Fantasy Medievalism Gender Roles with it? Why can't there be an Empress on the throne? Why do the Bene Gesserit only accept women? Why do people generally buy the idea that there are certain powers only available to either women or men?

By Paul's time I can accept that all this stuff is just baked in to social norms within the Great Houses in a "this is how it's been for thousands of years" way. And like, the existence of what's essentially a shadow government of women exercising informal power over the Great Houses makes a lot of sense as a response to their exclusion from formal political and social power.

But in Dune: Prophecy we are much closer to the birth of this system out of a cataclysmic reorganization of human society, and I find myself wondering about the logic a lot more. And I can't tell if there's a piece of lore I'm missing or if this is just a big pile of Frank's Unexamined Gender Stuff.

[batmanfruitloops]

I gotta know about the Drcrane au, is it only inspired by Frankenstein in the sense of reanimating/making a person from the dead or are there other elements?

Like does Jonathan hate Ed like Victor hates the creature after making him? If so that’s so tragic. :(

Or is it like one of the au’s where Victor loves his creature?

Does Jervis take the place of Clerval? Or does Ed take the place of Clerval?

Why does Jon create Ed? Did he know Ed before hand and reanimate him or did he create him fully from scratch? If he created him fully from scratch what was the reason?

LASTLY is Ed similar to the creature in being somewhat of a mess of parts or is Ed “perfect”? Basically what I’m asking is does Ed only have his head recognizable as Ed or? 

Sorry I know this a lot I just really love Frankenstein and wanted to know about the au.

@quackerzzz

I haven't actually read the book, so it's just based on bits and pieces of themes and concepts that I like about the story, as well as inspiration from Frankenstien-related media. Things like Tim Burton's Frankenweenie and Young Frankenstein but it's been a while since I've watched either movie. However, I was mostly inspired by seeing someone else make a Frankenstein au with Jonathan and Ed. Unfortunately, I never saved it or anything and I'm not sure if I could find the post again, especially since it was someone else drawing pictures for the person's au. If I do find it again, or if someone knows what post I'm talking about, I'd love to credit them. I'll leave a description of what I saw in the post at the end of this one in case someone recognizes the description.

Anyway, I'm fascinated by medicine and love all things biology, so I'm more fixated on that aspect of Frankenstein's story than the themes of human hubris. I'm just curious what would happen if you brought someone back to life in such a way? In the world of medicine now, we can technically bring people back to life with resuscitation. People can be dead for hours and be brought back. We can also reattach limbs and transplant organs. So like, conceptually, you could make a Frankenstein. So what better way to explore that idea than with the blorbos, they are my little Muppets to put into whatever situation I want.

Jonathan wouldn't create Ed for the same reason Victor creates the monster but it's still a similar theme. Jo would still be very interested in psychology but based on the time Frankenstein takes place, it wouldn't be an established discipline. I'm pretty sure it wouldn't even have a name to it yet. So he'd be trying to explore psychology and his peers wouldn't really understand what he was doing and look at him like a dog chasing his own tail. Psychology is notorious for not being taken seriously, even among academics. Since you can't really measure anything. So Jonathan would be pretty frustrated. Because of this, he'd become proficient in things like physiology and neurology. Knowing how the human body physically works, especially the brain can get him closer to unlocking the secrets of the mind.

So Jonathan creates Ed to further his understanding of the human body and its relation to the brain. He wouldn't be doing it for the sole purpose of bringing Ed back to life but would be curious if it's possible (maybe even subconsciously hoping it would happen, it would be nice to not be alone). He wants to see what the brain is capable of. It's mostly an intense version of using electricity to move the muscles of a frog. If the brain suddenly has power, what will it decide to do? Would it truly be alive?

Ed isn't someone Jonathan knew, he's pretty much made from scratch. He was Ed when he died but he is still Ed after he's reanimated, he just can't remember. His body was in pretty poor condition when he died (I'm not entirely set on the details), he at least had gotten ill and likely was mutilated in some way. Ed's body is essentially a base for Jonathan to work off of. He keeps his head and then other bits and pieces from there. Ed is an unclaimed cadaver when Jonathan goes looking for parts. Jonathan feels he's technically free to use those parts for his experiments. Ed is just what he needs.

Ed is perfect after he is reanimated in a medical sense. With minimal issues, his brain accepts everything that didn't originally belong to his body. The blood type is the same, it's in the correct place, and all the blood vessels and nerves are connected as they should be. It all acts as one body. Eventually, he'd look like a normal person with only the scars from the operation, but he'd look horrific before his body healed—like a walking piece of sad jerky.

Jonathan doesn't hate Ed but he's not really sure how to handle him at first. He didn't expect Ed to be fully alive and he wouldn't expect Ed to live very long. He'd be scared to get attached for this reason. So there's a lot of strain on their friendship at first. Jonathan hardly has positive interactions with anyone and still grew up in a horrible environment. So to be thrown into a situation where he suddenly has to care about someone is very stressful. Ed is also a very clingy and affectionate person so that makes it a billion times worse. They do still become best friends as they normally do, it just takes a lot more work than usual. Before then Jo does try his best to take care of Ed even if he's being distant.

Jervis I don't think would be an equivalent to Cerval. I didn't know about this character. Instead, he is a tailor/hatter. He knew Jonathan before Ed was created but is not friends with him yet, they are good acquaintances. Jervis is one of the few people Jonathan has had a positive experience with but he's still shy and has a hard time getting close to people. Jo appreciates Jervis a lot even if he's not close with him, Jervis actually treats him like a person and doesn't guak at him. Jo especially appreciates Jervis's kindness because he is a tailor. Jervis has to get so physically close to Jonathan to tailor his clothes properly and yet he makes no comments on Jonathan's appearance or demeanor and just makes friendly conversation. He's very happy to go see Jervis any time he needs his clothes mended or something (even though he could mend it himself;)). Jo is able to fully become friends with Jervis after Ed's creation and the Dork Squad is together yet again.

-Fluffy

(Post description I was talking about undercut)

There are two drawings I'm pretty sure, In the first one Jonathan is saying something along the lines of "I need to work so don't bother me" and Ed replies with "No problem" Then the next drawing is Jonathan sitting at a table with a pencil and Ed pushing him out of the way reaching for Jonathan's pencil and saying "my turn!" and there's an arrow pointing at Ed that says "learning to write."

[the-wet-noodle]

Little idea for the MaSm fandom bc of the new episode.......

(putting under cut bc it's kinda a ramble. Sorry for horrible spelling and strange formatting. I can't stop repeating words🤕)

okay but seriously the amount of hate I saw for roxy in the comments and live chat of that video was actually insane???? Like what, she literally saved sun technically.

And while yeah, it was for a semi selfish reason. But I feel like most of it was genuine worry for sun. Because honestly, moon is being an absolute freak rn. Yet people are literally hating on her RN for actually no reason.

Sun literally tried to do the same thing, Not to mention murdering two people(though the murder was pretty justified seeing as it was mostly for the CONSTANT harassment from them). But holy crap man.

Like both sun and moon have done horrible things and no one says anything about it. But the second Roxy, who is one of the only good people in the Plex steps in, it's suddenly the most horrible crime ever.

All because she got in the way of a ship. In which the relationship was NOT CONSENSUAL MIND YOU. It makes no sense.

Moon was so weird for that, even MONTY offered help(even if he was bribed). I love moon and all but dude.....

Like I feel like a lot of people don't understand how objectively horrible moons actions where.

And don't get me wrong, I absolutely LOVED it. I'm all for toxic yaoi and yandere tropes, but hating a character for literally saving someone from that is insane. Because bet you, if it was eclipse or something that did it instead of Roxanne, he would get 0 hate.

Also I don't see any hate on the other characters that literally helped with the cure, which is insane and kinda weird. Like Freddy was literally the one who MADE the anti-potion.

Anyways, I'm kinda happy sun ran off with Roxy because, yes, I love sun x moon. I think they are pretty cute too, also the fact that she treats him the best.

Anyways, moon needs to pull himself together, sun needs to calm the hell down, and Roxy needs to be a little less self centered.

My perfect solution to this? MAKE THEM ALL KISS, THEY WANT TO ANYWAYS. Pizzaplex polycyle, the solution to all problems.

I might draw that later honestly.

Anyways, idk what I'm doing I never make posts like this

[sankta-wraith]

I am officially done with Ten’s era! The End of Time was such a beautifully done episode, especially the end. I started crying when he did his speech to Wilfred, and I didn’t stop till he became Matt Smith. Having him see everyone for the last time was so heartbreakingly sweet. To absolutely nobody’s surprise, the one that hit the hardest was when he saw Rose. It’s not just because I am a hardcore timepetals shipper, although that is definitely part of it. His visit to Rose was different than the other ones.

With everyone else, he chose the moment in time very specifically. It was always a moment when a) they’d know him, and b) he could do something for them (save their life, tell them the name of cute guys at the bar, or give them a wedding present.) It wasn’t just so he could see them again, it was so they could see him one last time, the way they’d known him.

With Rose, he didn’t even know what year it was. He didn’t go to a specific time and place he just went to her. And he wasn’t going to say anything. He interacted in some way with everyone else, but with Rose he just stood there. If she hadn’t turned he probably would never have said anything. His goodbye to Rose wasn’t even supposed to be a proper goodbye. It was just a chance for him to see her, one last time, through Ten’s eyes. But then she does turn, and he asks her what year it is, and when she tells him 2005 it changes something, because this might be the last time he’ll see her, but for her it’s just the beginning. He might be dying, but in a few months, the Rose standing in front of him is going to meet a stranger in the basement of a shop and both their lives are going to change forever. For him it’s the end, but it’s all ahead for her.

It also brings his story with Rose full circle in a way. She is the reason he regenerated into Ten in the first place. He was born in front of her. She was the first person he was with Ten’s eyes, the first voice he heard with Ten’s ears. She is an integral part of Ten. It’s fitting, I think, that she is both the first and last person he sees as Ten.

The fact that he said goodbye to Rose last is so important, because everything else meant the end of something but seeing Rose meant new beginnings. I think it helped him view his regeneration as less of an end and more of a beginning.

He still doesn’t want to regenerate. When he said “I don’t want to go” it broke something in me. He’s done so much in Ten’s body. That’s the body he kissed Rose in (even if it was technically Cassandra.) Jenny was created from that body. He met Martha and Donna and Wilfred in that body. He was even human in that body. He’s loved and lost so much as Ten, and he’s not quite ready to go.

All in all, Ten’s era was spectacular. I don’t care how long this show goes on for, he will always be special to me. Goodbye David TENNANT. You did a phenomenal job, and I will see you in a few regenerations!

[aamy2100982]

VENOM WAR #5 Just some of my thoughts, big Spoiler Alert for those who haven't read it yet

I actually read it yesterday the 27th, but decided to post today because I needed to think a bit. Not my favorite Venom comic by far.

☆ So finally we have desidated piss-colored Venom, wohooo *low tone

I still think the design is mediocre. But at least I have a better answer as to why it's yellow. Also, I'm glad the first host to try it was Dylan. I was afraid they introduced the new host too quickly, because I've already felt like these last few comics are jumping from point to point like a machine gun.

☆ This whole panel is so sad

Dylan not wanting to hurt his father and Symby not wanting to hurt their lover.

It hurts my heart Symby admitting that they loves Eddie in all his forms even in Meridius one.

Even worse Meridius mocking xd

☆

Just say you hate yourself, dude. it's easier

☆ Can my man take a break? For ONCE?

He got shot, his son stab him, and now he stab himself. Who's left to stab Eddie? Flash? Sleeper? Toxin? Holy crap...

Not even Maridius saved! Anyway he's dead now, I was expecting something more dramatic, but whatever, man, okay I guess.

At least the panel looks cool. Dylan always taking his enemies by surprise, never turn your back on him.

☆ And Lee is there

I have to look up again what his deal was in all this, because I don't remember if he's alive or dead.

Now that the symbiotes are dying is he going to die too? Or is he finally going to do something interesting after all this time?

I've always felt that they wasted Lee's potential and could do something interesting with him. So I hope he doesn't just die... again...

☆ At least Flash is okay now. At this point I'm wondering if Anti Venom has a conscience or is just a permanent part of Flash. Also technically part of Eddie... gay.

I hate how cute Sleeper looks, it's not like you just witnessed the death of two gods, nah. Now you can go back to loaf like a lazy cat.

I find Toxin's face funny :|

☆ Goodbye old Dylan :(

you did well, i'm going to miss you

I don't think many people really liked him that much, and he was actually a bit of a confusing character at times, but I loved his design.

A little in disbelief that this is the end for him. I'd like to assume there's a little more.

☆ But good things don't last. I guess the symbiote is toxic for Dylan now? Is the symbiote toxic to all the other symbiotes now? If anything, the symbiote thinks it's going to die now and that's why it decided to leave?

I'm just going to put the biggest and louder

SIGH

I can... I knew they weren't going to stay together because Symby is getting a new host now, but damn. Does anyone else feel like the unions feel anti-climactic in this comic? I guess they were just in a bit of a rush to wrap things up.

Which is... understandable. They've been doing this crap for like 3 years now, it was time to let it die. But it makes me so sad that Dylan is alone again

The only good thing I can take away from it is that at least the comics are more self-aware that Symby is Dylan's father.

Which means Dylan is going to try to commit patricide again.

Understandable. My poor baby is 14 years old and has no one to turn to.

His brother I guess (Sleeper), I don't know if Flash could take him under his care, anyway Dylan is almost as stubborn as his father to simply get a tutor and go back to his normal life. Probably and technically, we know that now he is going to dedicate himself to hunting the All New Venom

☆ The fact that the symbiote is now toxic to other symbiotes is just an excuse for it to not rejoin Dylan? Because that sounds like bullshit.

And yes, I GET THE POINT. If Dylan joins the symbiote it creates this apocalyptic future that Old!Dylan is trying to prevent... I know, but it still seems unfair to me.

☆ Funny how all this was happening next to a church. Let's not lose good customs

I wasn't understanding what Carnage meant by "Partner".

I think is referring to Meridius or Cletus. So now they're both single, lonely, and hurt.

(My bad! He doesn't say partner, he says parent! Silly me, sorry xd)

Does this mean Eddie thinks the symbiote is dead?

Nice Father-Son reunion, I'm honestly excited to see what nonsense they're going to do!!

[thedevilworksharder]

Devan can't help but chuckle between kisses, choosing to practice some kindness and not mention the emotions his opinion of JP seems to call forth. "I'm pretty cute, yeah, I understand your struggle," he hums, nipping at his bottom lip. He pulls his head back and reaches up to grab his jaw, looking JP's face over. "I'll be honest, my love, I amn't the relationship type a fella. Hm?"

There's a long pause as his own confession, or the implications it brings with it, momentarily leaves him trying to find his balance. Devan hadn't intended to bring up the past. They're not someone who apologises for things, they're not someone to regret. And he won't, and he doesn't. But there is a conversation, an explanation, that has thus far remained unspoken that they realise JP has a right to be privy to.

And so they sigh. "C'mere to me, yeah?" he starts, sitting up with his legs crossed under him, fully facing the man. "I left before." Simply stating facts, he did do that. "But it wasn't to do with you." Well... "Technically it wasn't. It was to do with you, but it ain't in the way you're thinkin', see." There's a tension in the manner Devan is speaking, like it's hard to get the words out, even though his body language is relaxed; there's a frown on his face like he's thinking hard, examining each word he says step by step before slotting it into a sentence. "I realised that if I stayed, we'd have become somethin'. An' I probably wouldn't have ever left." They shrug. "Or at least not in any timely manner anyway. An' I wasn't ready for it. Lord, I ain't ready for that shite now an' I might just never be. Right?"

Devan tries to recall any serious relationship he'd been in in his life and comes up blank. Before anything serious could even threaten him, he'd leave. The only commitment he'd ever had was to his job, and even that required a certain non-committal to places, people, and situations. They'd been all over the world, explored cultures with people from these places, dove into histories, shared so many moments with so many people... and none of them ever stuck. Not for lack of potential or chemistry, but simply because he'd rip the seed from the soil before anything could actually bloom.

And it was always fine that way. But he'd been too late ripping out the seed with JP. And they figured, if they just didn't water it, it would die on its own. But then it didn't, did it?

"I didn't come here for you, lad," they shrug again, no dismissal in their voice, no intention to hurt him, no sharpness or condescension, just... honesty and sincerity. They hadn't come here for JP, they hadn't even expected JP to be here. "But ya are here now, an' so am I. Na, that's not--" It's the first time in their whole relationship, past and present, that Devan has ever taken words back. His words have always had precision to them, they are chosen carefully, Devan knows what he's saying and he's always meant what he says.

It's a realisation that strikes him too, in the moment that it happens, and instead of frustration or embarrassment or shame, he simply chuckles. "You fuck me up, John-Paul." Their hand wraps around his throat and they lean closer to give him another kiss. "I got some priorities straight these past few months, in that people can make or break ya. Never thought they were more important than the thrill a the job. You're mine now, aye? An' I'm yours. An' that doesn't mean I'm your boyfriend, or you're mine, it doesn't mean we have so start tellin' people we're gettin' married."

His hand on his throat squeezes, lightly, but with intent, the determination in his eyes evident of a person who has done bad things for less and would do worse for him. "You're mine. You're in my skin. You're in my mind. No one's gonna take ya from me. Not even me."

His focus broke when Devan finally broke the silence, shaking his head gently. John-Paul's embarrassment over this still being such a big deal flared up. He shouldn't have said anything. He shouldn't have said anything. He fucked up. Already. He knew it. How could he have thought someone as open as Devan would be okay hiding? He continued to silently chastise himself for the assumed failure, slowly blocking out everything around him.

But then Dev was making his presence known and John-Paul's worry began to slowly dissipate. His hands easily found themselves resting at their hip and sliding along their arm to hold onto their wrist. "Don't. It's not the same with them," he said of his siblings, shaking off their perceived ignorance of his 'love' life. "I know they wouldn't care. It's just never come up, so I never said anything," he explained it away. "It's everyone else that worries me. Not to mention there's alot of baggage behind why I've kept it to myself."

John-Paul's brow furrowed in worry when they admitted it was going to be a problem, he really didn't want that, but his expression turned to one of confusion as he went on. The knit in his brow softened as they continued, realizing they weren't leaving. That they were choosing to stay. Each kiss sent a chill up his spine. Each compliment stole his breath away. Self doubt clenched at his chest. He feared he wouldn't be able to live up to the image Devan had of him - his talent to screw up even the surest of shots undeniable.

It was Devan's value of him that nearly sent him over the edge. He had to squeeze his eyes shut to avoid the tears now threatening to dampen his eyes. He didn't know how to handle all the praise. All of Devan's wanting of him. That they were on his side. Other than his siblings, who he still sometimes believed felt more obligation by blood to be there, no one willingly made his protection a priority. And not his physical protection, he could handle himself without a doubt, it was his emotional insecurities that need the helping hand. But it was overwhelming to actually find it (in the apocalypse no less) and his words refused to form. He leaned them up just enough to press a kiss to their lips after the promise to defend his honor.

"I don't think you'll need to do that. At least not yet," he finally managed to choke out, swallowing back the lump forming in his throat with a small, nervous, short chuckle - joking in the face of seriousness his usual coping mechanism to break the weight of his anxiety. "Just give me a little more time, okay?" he asked genuinely, a thumb caressing their cheek. "That's all I need. And I promise it won't be long. It's hard to hide how much I like you," he admitted with gentle teasing in his voice before pressing another kiss to his lips.

[missing-sector]

I just found out that David X Cohen did a reddit AMA. Link: https://www.reddit.com/r/IAmA/comments/1hgdrt/i_am_david_x_cohen_head_writer_on_futurama_ama/

Ramble under the readmore.

One of the questions asked was if there was an episode he wished he could improve. To my surprise he mentioned “In-a-Gadda-Da-Leela”.

It’s a small thing, but I’m glad one of the writers (in fact, the head writer) is able to look back, spot the issues an episode has and admit to them. Still doesn’t excuse the fact that the episode was written that way in the first place.

But it does help me feel a little better seeing this sort of acknowledgement from someone so pivotal to the show. Gives me a bit more hope about the revival. (Still apprehensive about the episode titled “Zapp gets cancelled” because cancel culture isn’t really something cishet white dudes are good at being normal about. Then again the episode hasn’t even come out yet. Maybe the title is just there to throw everyone off).

[girlivealwaysbean]

it's not sinking in that today might be the last day in my house and town for many months to come

[proudfreakmetarusonikku]

to the person who sent the ask- yeah, it’s extremely fucking concerning dream positioned himself as the victim and deflecting by saying “it’s out of context!” and not giving it (which, I’ve watched the streams, they aren’t any different in context, if you meant something different tell us because it looks creepy as shit in context too) when people pointed out he kept making sexual jokes about a sixteen year old after being told to stop. He admitted to regretting the 16 year old is legal comment (which I personally don’t forgive him for because he was still minimising it instead of going “yeah that was fucked I straight up should not have done that and it was my fault.”) so it’s not like he stands by all of them, but the fact he considers Tommy making paedo jokes Because An Adult Is Actively Being Weird To Him worse than him making blatantly sexualised jokes is fucked. I don’t think he’s a nonce I think he’s stupid and arrogant and doubles down on doing awful shit but it’s like. I think Tommy has every right to say whatever he wants about Dream due to that, it’s not suddenly not traumatising because it’s not Meant to be, there’s a reason we have legislation on child stars now. The internet is in it’s like 1930s Hollywood area where you can just do whatever you want and there’s no safeguards, and that’s something that should be spoke up about before we get more Shirley Temples and Judy Garlands.

[sysig]

Anime good :) (Patreon)

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.

[get-back-homeward]

Davidwache Police Station | Painting by Klaus Voormann Prior to being deported, Paul McCartney spends a night in the Davidwache police station.

In the meantime, the final four could start playing [at the Top Ten club] now, and move themselves into the bunk-bed accommodation at the top of the building.c Tony Sheridan was already here, possibly others too, and the Beatles were welcome to shoehorn themselves in. It was neither the Ritz nor the pits. John was the first to move. Then Paul and Pete went back to the Bambi to grab their gear.

The place was in near darkness, as usual. They had to strike a match to see their way about … and then they decided to leave Koschmider a little gift. Pete had a few “spunk bags,” and he and Paul had the idea to hang them on nails in the wall in the long concrete passageway and set light to them. “The place was dank and dark,” says Pete. “They spluttered, they stank, and OK, maybe they singed a tiny bit of tapestry on the wall. It caused nothing but a little smoke and a few scorch marks and then they went out.”41 It was the ultimate fuck you, Bruno, or so they thought.

They got to play one night in the Top Ten, and it seems to have been a good one, pulling business away from the Kaiserkeller, but it was just this one night. Having been shafted once by Eckhorn, when he’d prized away the Jets and Tony Sheridan from the Kaiserkeller, Koschmider wasn’t going to sit back and let it happen again. He might also have guessed the Beatles would make some grand gesture for his “benefit”—they could even have hinted of it—because an inspection was made of the Bambi’s rooms very quickly. When the stinkende qualmende Piedeltüten were found, he decided to form the view it was an attempt to burn down his cinema, and informed the police.

The chronology of events over the next twenty-four hours is rife with confusion and contradiction, but may have gone something like this. Paul was picked up by the police while walking along the Reeperbahn, taken by car to the Davidwache police station (two hundred meters from the Top Ten) and locked in a cell. Pete and John were also arrested. Koschmider didn’t know which of them was responsible for the “attempted arson,” so the Polizei rounded them all up. As Stuart wrote in a letter back to Liverpool a few days later:

I am living in the lap of luxury and contentment. Better than the cell I spent a night in last week. I was innocent this time though accused of arson—that is, setting fire to the Kino (cinema) where we sleep. I arrive at the club and am informed that the whole of Hamburg Police are looking for me. The rest of the band are already locked up, so smiling and very brave on the arm of Astrid, I proceed to give myself up. At this time I’m not aware of the charge. All my belongings, including spectacles, are taken away and I’m led to a cell where without food or drink I sat for six hours on a very wooden bench, the door shut very tight. I fall asleep at two in the morning. I signed a confession written in Deutsch that I knew nothing about a fire, and they let me go.42

John was also allowed to go. It was now clear who’d done the dirty deed, and for them the ordeal continued; Paul would always remember the little one-way peephole in the door of their detention room, through which he sensed they were watched. It seems he and Pete were then allowed to leave, but a few hours later—early the following morning—they were dragged out of their Top Ten bunk beds and interviewed a second time. Pete suggests they were taken to Hamburg’s main prison at Fühlsbuttel, Paul remembers it being “the Rathaus … it doesn’t mean rat house, it just felt like one.” They were interviewed by an official of the Bundeskriminalamt (Federal CID), one Herr Gerkins, and it was definitely inadvisable to snigger. Instead, they requested permission to contact the British Embassy, like people did in the films, and were refused; then they were taken for a car ride. “We tried our best to persuade him it was nothing,” Paul says, “and he said, ‘OK fine, well you go with these men.’ And that was the last we knew of it. We just headed out with these couple of coppers. And we were getting a bit ‘Oh dear, this could be the concentration camps’—you never know. It hadn’t been that long [since the war].”43

Criminal charges were not pressed, but Koschmider, inevitably, had the last laugh. It wasn’t a camp to which Paul and Pete were being taken, but the airport—and in handcuffs, according to Stuart. They were being deported, and banned from reentering Germany unless they lodged an appeal within a month. Auf Wiedersehen, Piedels! Handed their passports at the gate, they were put on the London plane, set to fly for the first time in their lives. It then got even tastier for Koschmider because Eckhorn was billed for at least part of the cost of the plane tickets. Bruno must have been rubbing his hands with joy.

—Tune In, Ch. 17 (Oct 1–Dec 31, 1960)

Sources: 41 Author interview, March 7, 1985. Pete says (Beatle!, p72) there were four rubbers and always speaks of them in plural, Paul speaks of one. 42 December 12, 1960, sent to Ken Horton. This letter provides the only suggestion that John was arrested in the roundup; he’s not mentioned in other accounts. 43 Interview by Paul Gambaccini, Rolling Stone, June 12, 1979. Rathaus means “city hall.” Instead of the main prison at Fühlsbuttel, it’s more likely Paul and Pete were taken to the remand prison near St. Pauli called Untersuchungsgefängnis (easier done than said).

[crownrots]