#even background characters

[eeveekitti]

i just remembered that my mom called thad a

" golden retriever boy "

do with that what you will

also im still sad he got almost no screentime in episode 3 but . that's probably for the best considering what happened

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[livingmeatloaf]

There is only one way to make a truly wonderful Avatar adaptation, not matter how bad it turns out to be:

A professionally shot, full length stage production of the Ember Island Players' Fire Nation propaganda version of the events

[somerandomdudelmao]

Part 12!

It came out pretty chaotic haha. I don’t regret anything though~

Part 1 Next

[galactic-rhea]

More silly Luke Skysilverfoxwalker doodles

in my mind, almost nothing of the sequels is canon, but Luke is still grumpy and somewhat depressed, his dad tries to help tho

[maskofnova]

The other homestuck post I had in me, its the year of the cringe weirdo couple, my beloveds.

[blackkatdraws2]

The narrator and the ugly ahh protagonist [Blank Scripts AU/non-canonical]

[redysetdare]

All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.

[firestorm09890]

there's a part of canto vi I've been thinking about since it came out, and it doesn't actually have anything to do with Heathcliff.

this

She is bitter as fuck and as time goes on she's getting worse at keeping it down. Sinclair's the one who started it, by talking about how sad it is that they'd never get to see color, and Rodya starts to get a little irritated over it (yeah, sure, pity the Backstreets folk and their poor miserable little lives, privileged nest boy), but she's obviously trying not to straight up call Sinclair a privileged nest boy because she doesn't want to. But then Yi Sang and Ishmael join in on talking about how sad this place is with no color and she just can't keep her opinion down.

But that makes the atmosphere tense, and she hates a tense atmosphere, so she changes the subject and her tone, not giving a damn about how obvious it is. also, haha, ice and cold references.

And actually, this doesn't really have much evidence to support it, but I wonder if she holds a higher level of resentment for Sinclair in particular.

Canto II had some discussion about how Rodya wishes she was special (and while I think what Sonya said about her killing the tax collector just to feel special is absolute bullshit, I do also think there is some truth to her wanting to feel special), and introduced us to the concept of The Sign in a way that was vague and more like foreshadowing than actually introducing it. Then Canto III was all about The Sign, and how special Sinclair is, and since then we've had people talking about signs and stars and a new birth of the world and it's all stuff Rodya doesn't get to be part of.

I don't think she wants to hold resentment for Sinclair, and she especially never wants him to know, but going back after all this time and rereading this one interaction with him in Canto II felt pretty jarring.

the more important part of this is the way it feels like she's making a joke at Heathcliff's expense, for being poor, like even though she's also from the Backstreets she feels she's "above" it.

She absolutely does not feel this way.

On my way to find the first passage, I reread some other interesting stuff:

Once again, there's the harsh juxtaposition between casual, fun-loving Rodya, and tired, poor man's advocate Rodya. Almost everyone on the team speaks through the lens of a Nest dweller (I have to wonder if learning that Heathcliff was apparently raised in a mansion made her even more bitter), and the way she's so short with her mention of the Sweepers makes me think she's thinking about how painfully obvious it would have been to any other Backstreets dweller. And then, right after, dropping back into her casual voice, and Sinclair revealing that Rodya used the fucked up Backstreets creature to tease him...

Other obvious moments of Rodya being bitter as hell about rich people include this part of S.E.A.

and this part of her observation logs on Spiral of Contempt (actually, nearly everything in that log that isn't about the physical abnormality has to do with how much she hates how rich people look down upon the poor)

Hong Lu's canto comes after Don's, and then after his is Ryōshū's, who, based on her source material, probably served one of the most awful, contemptuous rich people the sinners have access to, and I really hope at some point here Rodya gets to snap in a big way

...hey so I wrote this entire post at 1 in the morning and then saved it to drafts because I didn't want to post something at 1 in the morning. the Timekilling Time trailer came out about two hours later, featuring both Rodya... and the long-awaited return of the Yurodiviye. so now it's past 3 in the morning for me but I'm posting it now anyway because ohohoho seeing the Yurodiviye again has given me SO much energy

I have a feeling all this is going to be very relevant extremely soon

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[gingermaple]

nightmare blunt rotation

[forgettable-au]

In case you're curious this is all art related to my AU!

Art/mini comics dump

Papyrus does NOT like hotland, something about that place really gets on his nerves...

Second one is just based on a crack comic I made when I FIRST made this au lmao, wanted to redraw it and post it. It's not serious at all

Then some concept art:D

[canisalbus]

I did a little pixel headshot of Vasco! I was originally planning on doing it for artfight but I ran out of time and motivation, so here it is now. I'm a little out of practice with canine faces, and I find drawing gradients in pixels difficult, but overall I'm pretty happy with how it turned out

.

[ignitesthestxrs]

there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.

and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.

idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.

which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'

*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!