#eve crenshaw

[simquoya]

damn, ma

Lotus is sitting nervously in her living room, fidgeting with her hands as she waits for her mother, Eve, to arrive. She knows that Eve can be unpredictable and inconsistent, and the news she's about to share could trigger her mother's past addiction issues and emotional instability.

When Eve finally arrives, she greets Lotus with a cold stare. Lotus takes a deep breath and nervously blurts out, "Mom, I'm pregnant." Eve's expression immediately turns from cold to furious, and she starts yelling at Lotus, accusing her of being irresponsible and making a mistake.

As Eve continues to berate Lotus, Sami walks in the door and immediately senses the tension in the room. He asks what's going on, and Eve turns her attention to him, accusing him of taking advantage of Lotus and impregnating her for his own selfish reasons. Sami tries to defend himself, but Eve is too enraged to listen.

Finally, Sami has had enough and tells Eve to leave their home. Eve responds by saying, "See, it's already starting. He's pushing your momma out. After you have that baby, you're next." Lotus breaks down in tears as Eve storms out of the house.

[alwaysbewoke]

1. “Angela Davis: An Autobiography” by Angela Davis 2. “Elite Capture: How the Powerful Took Over Identity Politics (And Everything Else)” by Olúfẹ́mi O. Táíwò 3. “Digging our own Graves: Coal Miners and the Struggle over Black Lung Disease” by Barbara Ellen Smith 4. “1919” by Eve L. Ewing 5. “Assata Taught Me: State Violence, Racial Capitalism, and the Movement for Black Lives” by Donna Murch 6. “Finding my Voice” by Emerald Garner 7. “From #BlackLivesMatter to Black Liberation” by Keeanga-Yamahtta Taylor 8. “Let This Radicalize You: Organizing and the Revolution of Reciprocal Care” by Kelly E Hayes and Mariame Kaba 9. “An Enemy Such as This: Larry Casuse and the Fight for Native Liberation in One Family on Two Continents Over Three Centuries” by David Correia 10. “101 Changemakers: Rebels and Radicals who Changed US History” by by Michele Bollinger and Dao X Tran  11. “Class War, USA: Dispatches from Workers’ Struggles in American History” by Brandon Weber 12. “#SayHerNameBlack Women’s Stories ofPolice Violence and Public Silence” by Kimberlé Crenshaw and African American Policy Forum 13. “An Asian American A to Z: A Children’s Guide to Our History” by Cathy Linh Che and Kyle Lucia Wu 14. “Repair: Redeeming the Promise of Abolition” by Katherine Franke 15. “Haunted by Slavery: A Memoir of a Southern White Woman in the Freedom Struggle” by Gwendolyn Midlo Hall

x

[phoenixlionme]

My Favorite Fictional Couples Part 47

NOTE: Be respectful of my choices; the OTPs are not ranked, just of who I thought when making this list.

The Haunting of Hill House: Theodora "Theo" Crain + Trish Park = Thrish

2. Illumination Studios' Migration: Dax Mallard + Kim = Daxkim

3. Disney's Kim Possible: Senor Senior Junior + Bonnie Rockwaller = Jonnie

4. Disney's Strange World: Ethan Clade + Diazo = Ethiazo

5. Jackie Chan Adventures: Jade Chan + Paco = Jaco

6. Never Have I Ever: Ben Gross + Devi Vishwakumar = Benvi

7. How to Get Away With Murder:  Annalise Keating aka Anna Mae Harkness + Eve Rothlow = Annaleve

8. Drake and Josh: Josh Nichols + Mindy Crenshaw = Joshaw

9. Brooklyn Nine Nine: Raymond Holt + Kevin Cozner =Holtzner

10. Dirty Dancing: Johnny Castle + Frances "Baby" Houseman = Castlebaby

[hitchell-mope]

Hypothetical titles for season sixteen of 88

The academy. Season premiere. Part one. Findlay’s out for Lucia’s blood when she finds out that Barnaby has been accepted into The Cabal Academy in California. First appearance of Winslow Fegley as Barnaby Sullivan and Walker Scobell as Jonah Sullivan.

Orientation. Season premiere. Part two. Sidney accompanies Barnaby to the Academy’s parent and child orientation weekend. With this episode Barnaby Sullivan is downgraded to a recurring role

Three branches. Birch’s team, ACS&Associates and Solaris’s squad band together when the precinct burns down overnight.

Empty nest syndrome. Jonah, feeling suffocated by a very clingy Findlay, sneaks away to Drummond’s apartment in Greenwich to get some time for himself.

Kicking her ass into gear. Drummond admits Findlay back into Melinda’s office to combat her empty nest syndrome. Guest starring Alfre Woodward as Dr Melinda Crenshaw.

Family law. With the precinct rebuilt. The team help Maybelle on a missing persons case involving her ex husband. Final appearance of Paul Rudd as Conrad Rhys. Guest starring Laverne Cox as Maybelle Archer an Liv Hewson as Conrad and Maybelle’s child Mattie Rhys

Mixed doubles. Drummond’s satyr instincts cause trouble when Odessa signs them up for a charity tennis tournament with Lysander and Tina.

Interstate PTA. Still trying to deal with her empty nest syndrome, Findlay makes the mistake of applying for the Cabal Academy’s Parent-Teacher Association. This leads into a crossover that continues into the Cabalibu episode Parents Weekend.

Au naturel. The team takes a case involving a ritualistic murder at a male oriented nudist colony located just outside Long Island Sound. Guest starring Henry Cavill as Christopher Laurent the centaur leader of the Laurie Colly.

The celestial funeral. The Christensen family gathers together to say a last goodbye and renewed hello to Adam and Eve. First full appearance of Matt Lanter and Adrienne Palicki as Adam and Eve Christensen.

Contrition. Findlay has to deal with a seemingly new and improved Eve begging her for forgiveness for the hurt she caused the Five Families

A steely grey Christmas. Midseason finale. Part one. Barnaby has decided to stay at the Academy for Christmas which, naturally, does not go over well with Findlay.

A steely grey Christmas. Midseason premiere. Part two. Odessa, Cain and Derek play a Christmas Carol on Findlay’s dreams to get her out of her holiday funk. Guest starring Lucas Till as Cain Christensen and Daniel Radcliffe as Derek Christensen.

To forgive, benign. Birch’s team works to reunite the werewolf cub with his pack before his pack finds them. This is a crossover episode continuing on from the Cabalibu episode To Were(wolf) Is Human

Running mate. Part one. President DuPont asks Findlay a favour that she feels morally required to turn down. Guest starring Amy Acker, Liz Hurley, Meryl Streep and Anna Sophia Robb as the DuPont family.

Presidents of politics past. Part two . As a compromise. Findlay holds a seance for the DuPont family to help the president decide wether she should run for reelection or not. Guest starring Melissa McCarthy and Kathryn Hahn as Amelia and Marguerite DuPont

The devil wears Manolo’s. Lucia takes over Jonah’s tutelage for the day while Andy is otherwise unavailable causing Findlay no end of stress.

Dry. A run of the mill investigation into a daylight axe murder becomes delicate when the suspect makes their escape through a mosque at the height of wedding season.

A little party never killed nobody. Arlene gets confronted by an old friend at her Fifth Avenue set birthday party. Guest starring Anna Kendrick as Sandra Kilmer

How the other half lives. Arlene tries to prove to Sandra that she hasn’t changed her principles. But it looks like Sandra has an ulterior motive for her visit

Tried, tested and true. Findlays professionalism is put at war with her fangirl inclinations when Emerson Davenport is held hostage along with a focus group. Guest starring Chris Pratt as Emerson Davenport.

My three dads. Odessa gets an welcome surprise when her extremely estranged biological father turns up at the Spratt house. Guest starring Stephen Amell as Matthias Wayne

Solo mission. Season finale. Part one. Drummond takes revenge on Myrna Bale when his biological grandparents are killed in an engineered car crash.

Unlikely allies. Season finale. Part two. Drummond gains some surprising help as his war against Bale reach’s its apex. Guest starring Adrienne Palicki as Eve Christensen. Final appearance of Kristen Chenoweth as Myrna Bale. With this episode Barnaby Sullivan is upgraded back to a series regular

[anotherpairofglasses]

A Few of José Esteban Muñoz's (1967-2013) Influences

Eve Kofosky Sedgwick (1950-2009), prolific queer theorist and Muñoz PhD advisor

Gloria Anzaldúa (1942-2004), wrote Borderlands/La Frontera: The New Mestiza and cowrote This Bridge Called my Back

Cherríe Moraga (1952-), wrote cowrote This Bridge Called my Back

Kimberlé Crenshaw (1959-), coined the term intersectionality, critical race theory scholar and attorney

Stuart Hall (1932-2014), cultural theorist

[ramp-it-up]

Damage, Pt. 2

Pairing: Rafael Casal x OFC Holly Woods

Word Count: 3.8 K

Warnings: 18+ Only, Minors DNI. RPF  Read at your own risk. Pining, angst, FWB, graphic sex, protected sex, talk of getting tested for STD’s, Krispy Kreme, and all the feels.

A/N: It’s my birthday and I missed Rafa and Holly, so I wrote my own deliverance. At this point, these two are so oblivious, it isn’t funny. This happens just after Last Christmas.

This December adventure began early that morning, as Daveed and Rafa taught your writing classes and then hosted a Holiday showcase for your kids. 

They donated their time and talents as a favor for you. It was so damn cute and thoughtful that you’d thanked Rafael and then kissed him under the mistletoe. Almost as if you were in a relationship.

Almost.

You weren’t in a relationship, however. You’d only shared two nights together, as friends who fucked, and you had an understanding that it wouldn’t be any more than that. Rafael and you had an agreement to service each other for the time being, no commitment, no feels. 

And who were you to him? He was a creative, a star who could jet off around the world in a moment’s notice for a glamorous affair.  You were just a school teacher who worked every day in LA. Rafael would never want you for his girl. So this situationship served a utilitarian purpose, not a romantic one. 

After the kiss, Rafael’s mind was whirring. He slowly backed away and checked the time, noticing that it was just after 9 pm. The night was young. He didn’t want the night with you to end. 

Rafael felt the urge to be with you again, but he didn’t want to push his luck. You were so dope and the fact that you didn’t know it made you even more so.  You were refreshing with your intelligence, adding to the facts that you did not give a fuck who he was, did not play to his ego, and did not want him to wife you.  

That last part was refreshing, but also troubling as he evaluated his feelings for you. But there were no feelings to be involved; you’d made that clear.  If he fell for you, you’d probably end it. You clearly didn’t want to be bothered with his lifestyle, and frankly, he didn’t deserve you. 

But he could possibly have tonight. It would be the last chance to be with you before you went to Houston to visit your family for Christmas, and the thoughts of you he’d had since Tuesday couldn’t wait another week.

You gathered yourself together and got your emotions in check.  You told yourself that you were just fond of him as a friend, but that’s where the sentiment ended.  You only had to repeat that to yourself about three times before your heart started to slow down.

Rafael smiled at you, crossing his legs and leaning on your desk while watching you work, finally getting your things together so that you could leave.  It had been a long day.

You were wearing your work clothes, white button down shirt, black pencil skirt and heels. Your Christmas cardigan had been discarded when you started cleaning up. That skirt was fit. ting.  Damn, that ass.  You were all covered up, but the clothes got him a little hard. 

You watched him watching you and gave him a smile that made his blue-greens light up.

“Did you have fun with my badass kids today?” 

Rafa laughed at your joke. He saw how much you loved your students. 

“They’re not bad. Some kids just need different ways to learn and show that they’ve learned. But you know that already.”

He shook his head at you. He could read you like a book.

“You try to pretend that you’re mean Ms. Woods but I know better. They wouldn’t love you so much if you were mean to them. Like young Timothy. He sure does love you a lot. You’re… what is it he called you?  His Cutie Pie?” Rafa looked at you with a cocked eyebrow. Timmy was his nemesis.

There was something in his voice that made you stop and look.  Could Rafa be jealous of a kindergartner?  Nah. But he was certainly worked up.

You smiled mischievously, walking towards him with some workbooks in your hand.

“I am ‘Mean Ms. Woods.’” 

You came close to him and leaned beside him to put the workbooks on your desk. Standing in front of him, your legs on either side of his, Rafael got caught up. He kept his hands clasped in front of him and eyes on you as you got close. But he couldn’t help but lean in, try to look down your shirt and kiss you on your neck.  

You stepped back before his lips made contact, teasing him.  The way he huffed and clenched his jaw got you going. That smoldering look and flashing green eyes always did.

You  definitely wanted to give him some, if he wanted, after what he had pulled off today for your kids.  You were happy that he seemed to want you too. But you were chilling. You wondered about other women in his rotation. 

You laughed a little and smiled, shaking your head at yourself.

“What?” 

Rafa smiled, seeing that you were flustered about something and hoping that something was him. He knew the cat and mouse game was just beginning.

It had been just three days but he was feening for you. Especially after seeing you with your kids this morning. You were something special. Someone he couldn’t let… He stopped his train of thought as you started talking.

“Timothy is a handful.  Mischievous, hella smart, quick witted. And a little charmer. He’s always trying to get a kiss. He has a ton of potential. Reminds me of someone else…” 

Rafael’s quick wit turned you the fuck on. Not to mention his face. And... Whew. Your thoughts were getting out of control. 

The way you were smiling at him made Rafa‘s heart leap. He tried to push the emotions down and just feel the physical.  But he did care about you. A lot. 

“Ok, enough about Timenstien.  Let’s talk about adult things…”  He just wanted to pick you up and carry you outta here the way you cocked your head at him.

“...Like the arrangement for benefits without borders. The tests, the shot… “ You just continued to stare at him.  When you licked your lips, Rafa put his hands in front of him to cover up his hard on.

You laughed again. “‘Benefits Without Borders,’ you should copyright that.”  

“Yeah, or call it, ‘FWB Raw’” Rafael had jokes.

You cracked up.  “I can’t with you, Rafa.”

Rafael’s face fell. “I mean your jokes, I can’t with your jokes. Sheesh.” 

You turned around to gather more books. Rafa fixed his face, but his eyes couldn’t leave your ass.

“Anyway, I already started the process. I went and was able to get an appointment Wednesday after school, so the shot should take effect next week.”

After the night you’d had Tuesday, you definitely wanted to experience that again. It was fortunate that your doctor had an opening on such short notice.

Rafa’s heart leapt when he heard that, but his face showed no emotion, just a cocked eyebrow when you turned back around.

“Word?”

“Word. Yeah, I’m actually leaving Sunday morning, Christmas Eve, and won’t be back until the 30th...So.”

“So…” Rafa’s eyes, they were changing colors on you. It put you off balance.

“So, if we go get the tests tonight, next week might be available for no barrier method benefits between friends  That is if you still want to….” You bit your lip. Rafa cleared his throat and you saw a smile playing around his mouth.

“Let’s think about the last time when that almost happened.” And he paused so you could go there. You had to lean on one of the children’s tables to think of the shower. You were most definitely wet right now.  

Rafa watched you as you had to open your mouth to breathe.Yes, he was definitely about to get some tonight. He wanted more than just sex, but right now he would take what he could get. Then your face changed to uncertainty.

“By the time I get back, you’ll probably have other plans for New Year’s weekend…”

Rafa was confused. “Nah, I’m going next door for Utkarsh and Naomi’s party… aren’t you?”

“Yeah, but you-- we-- might have dates or something.”

Ohhhhh. That’s what was up. Rafa nodded.  Shit.  You might have someone else in the rotation.

“Yeah, yeah, yeah. True that.  There’s a couple of people, I mean. A few.”

Rafa was lying through his teeth, no one in his phone could hold a candle to you. Sure, they were ready, willing and able. But they were not you. And you didn’t have to know that.

“See, so…”

Rafa mourned the lost vibe.  He sighed and ran his fingers through his hair, not caring how it looked anymore. You watched him and longed to have your fingers in his mane, but you were chilling.

“Look. The other night we said that this was a special deal between us. I don’t wanna tie you down.  We’ll just see how things go, I mean, you might hook up in Houston…” He watched you, waiting for you to deny it.

You didn’t deny it simply because you did not know how to say that the only one you wanted to take advantage of the situation was him. You just stared at him. When you didn’t say anything, he went on.

“...old flames, new boos, whatever.  The tests will be good information to have in any circumstance.  I say we go for it.”

"Let's get it!"

An hour later you were at the Krispy Kreme donuts on Crenshaw on the way to your place. You had already dropped your car off and were now chilling with the homie after getting tested for STDs. 

You were staring in the window of the bakery, watching the donuts getting that hot glaze now and licking your lips.  They were so tempting. You were thinking donuts and Rafa was thinking the same about your lips.

"I don't think these will help with my anemia."  Your little laugh was so cute to Rafa.

The only bad news you’d got from the blood tests was that you needed more iron. You were both clean and ready to go.

"Let's get some. That glaze does something to me. I just want to lick some of that creamy stuff from around that hole..." Rafa was staring at you while he spoke, the “Hot Donuts Now” sign casting an eerie red light on half of his face.

"You’re so nasty...." you giggled.

Rafael screwed up his face. 

"What? I'm talking ‘bout some donuts.  I don't know what you're talking about." Rafa felt irrationally happy being here with you. Because you were a great friend. Yeah, that was it.

You got a dozen and left on the way to your house.  You stole a donut while riding. You looked at him while licking your fingers.

You’d decided that you wanted to have him before you left, even if you had to use protection. After you ate the donut, you put your thumb in your mouth, sucked for a second, and removed it with a loud pop, still staring at Rafa.

He almost pulled over to the side of the road.  But he was determined. "Hmmmm." Was all he replied as he tightened his grip on the steering wheel.

You put your hand on Rafael’s knee and moved it up a few inches to his dick. It was appropriately swollen. You smiled and started stroking it through his pants.  You felt it get harder. 

"I’ve been thinking about you a lot tonight. What you did for the kids was so… It was nice. On the other hand, I can’t wait for you to fuck my throat."

Rafa almost choked on nothing. You always surprised him and made him feel like an insecure, horny teenage boy.  But he wasn't going out like that. You were just a few minutes from your place.

"You know what. I'd love to see those tits right now."

“Right now? While you are driving?”

“I’m grown. Been driving since I was 15. I got this.”

You giggled, but reached up and unbuttoned your shirt. Your breasts were bathed in the moonlight, sitting perky and upright in your sheer black bra. Holy fuck. Your nipples were calling to him.

He'd distracted you from his dick, but his mouth was watering.  All he wanted was to fulfill your dirty fantasies. He reached your apartment and turned off the car.  You leaned back against the window. Rafael turned towards you, appraising you impassively. He had to use his acting skills to seem calm. Damn, you had him twisted.

"Touch them for me."

You licked your lips at his command.

"But I think I still have some glaze on my..."

Rafa just stared at you.

You did as you were told and pulled your bra cups down, freeing your breasts.  You started feeling and pulling on your nipples.  Your eyes were half closed in ecstasy as you started moaning and fogging the windows of Rafa’s car. He was right there with you as he palmed himself through his pants and feasted his eyes on you for a few minutes.

He leaned over and took over your breasts with his mouth. He licked and sucked each of them, making you wet all over again.

“Mmmmm. So sweet.” He looked up at you, his breath fanning your face from below.

You giggled. “It’s the icing from the donut.”

“Nah girl, it’s just how you taste. Like the sweetest ambrosia.”

Damn, his words. Rafael Casal and his damn words. You just stared at him, speechless.

Rafael drew in a ragged breath and reached over to pull your bra up and button your shirt just enough to be decent going into your apartment. It was so tender. But in a no feels kind of way.

“Let’s go on up.”

Rafa peered into your soul. Sure, you wanted him. But was it really just for friendship and occasional dick?

“Eager, are we?”

His voice did something to you. The soft tenor and the earnestness of his requests of you made you melt. How did he do things to you without touching you? You didn’t want to analyze it too much, so you threw the question back on him.

“You’e not?”  Your challenge threw him off. He chuckled to hide his nerves.

“Yes, I’m eager Holly.  I’ve been thinking about the last time since the last time. I want you.”

You closed your eyes and licked your lips, trying to center yourself. “That’s cool.”

You reached for your bag and moved to get out of the car.

“Hold on,” Rafa moved quickly to get out and go around to open the door for you, his chivalry not unnoticed by you. Again, the little things made you want him even more.  This was not going to be good for your heart when he decided to move on.

You led the way to your place and started up the stairs to your apartment before him.

It seemed as if that ass was going left to right in slow motion as Rafael watched it intently. He shook his head to see if he was bugging. When you glanced at him over her shoulder, he knew.

He grinned at you and looked back at it when you turned back around, catching a glimpse of a garter belt on your thighs through the slit in your skirt as you climbed the stairs.

Holy fuck! He had to have you. He rubbed his fingers right before reaching out to verify, then drew them back, because it wouldn’t do to fuck you outside on the stairs of your apartment building.

Rafa gave you some space as you opened the door, but as soon as you were inside, he pushed you up against the wall, hands everywhere.  It seemed as if he’d waited forever and not just three days. You had him addicted. 

You moaned as Rafael started kissing down your neck to your cleavage, dropping your bags on the floor by your feet. He saw a peek of your black bra through your shirt. He remembered the garter set and had to see the entire affect. He backed up, taking you in from head to toe.

"You wanna take those clothes off, or do you want me to rip them off?"

You smiled. "I guess I'll choose the first option."

You slowly unbuttoned your blouse, and peeled the skirt from your hips. It was so seductive that by the time you were done, Rafa had undressed as well, his thick dick in his hands, getting it ready for you.

You stood before him, in a sheer black lace bra and garter set, with no panties. The fact that you had been like that all day under your clothes made him get even harder. And you were looking at what he was holding and licking your lips.

"You hungry?"

"Yes. Please."

"C'mere."

Rafael laid you down on the couch. He turned your head and filled your mouth as he stood at one end of the sofa. He used his free hand to twist and flick your rock hard nipples through your bra. Damn, he loved it when you moaned with his dick in your mouth.

“You like that Holly? This what you wanted?”

You were ravenous, stroking off what you couldn’t fit in your mouth naturally. And you were busy, so you just nodded. Rafa continued to torture your nipples with one hand, but moved his other hand down to your clit, swirling insistent and concentrated circles around it.

You were so worked up that it did not take too long for him to manipulate an orgasm from you. “Damn, girl.” 

He was in heaven as you came with your mouth around his dick. Good thing, it muffled the sound. He was concentrating on not shooting off down your throat as he watched you, writhing in your garter set and licking his fingers, and then moving down to eat some of your delicious cream. 

Rafa held your hips down mercilessly as you fought your next orgasm.  He tongued you through it, taking all that you had to give him and successfully keeping you from running from it.

When he rose from between your legs, and wiped his face with the back of his hand, you looked as if you were going to sleep, your eyes vacant and rolling back in your head.  You were in shock from all the pleasure.

"Get that ass up."

You languidly obeyed and stood before him, eyes glowing and sexy ass lips smiling. Something in Rafael’s heart lurched and he couldn’t explain to anyone why. He was mad for some reason. 

Conflicted with different emotions, he just grabbed your waist and roughly turned you around, grabbing your arm and twisting it behind your back as he bent you over the arm of the couch.

You looked amazing in what you were wearing. He rubbed your ass before he smacked it, hard. Rafa was rewarded with a moan and an arched back. 

“Are you ready for this dick?” He smiled as he put the tip alllllmost in.

“Wait…”

Then he remembered.  “Shit.” 

He went into your bedroom, seeing your suitcase set up and mostly packed for the trip.  He brushed away the feeling that he had at what that meant and quickly went to your bedside table for a condom. He didn’t want to lose the vibe.

He came back into the living room to the sight of you still bent over, head resting on the couch cushion.  He stroked himself to full staff again, put the condom on, and lined up with your cunt.

“Still ready?” 

He didn’t have to ask as he heard your moan and felt you try to push back to take him.  He stilled your movement with this hand on your hip, wanting to prolong the anticipation.  His heart skipped a beat as you asked him for it.

“Please, Rafa, please give it to me…”

“Damn.”

He sank into you, none too easily. 

“Fuck, you’re so tight. And so wet. I love to see you cream for me, Holly. Can’t wait to feel it again.” He couldn’t wait until you returned, so that he wouldn’t have to worry about condoms. That is if you hadn’t…

He brushed the thought of you with another man out of his mind and slapped your ass, angry again.  You whimpering beneath him had him almost out of control.  You, it seemed, were on the same page.

“Oh, Rafa.  I’m so close already. I’m going to….” Rafa just kept hitting that spot, making your knees buckle. You were grateful for the support of the couch arm.

“Fuck, Rafa… I’m gonna c-c-cummmmmm.” You started pounding around him, and he grabbed the back of your neck.

“Fuck, fuck, FUCK, fuck, fuck.” Rafa had no other words at the moment.

You were screaming into the couch cushion as he emptied his cum into the condom, his hips stuttering and erratic in their rhythm. 

He leaned over you and onto your back after he was spent, for just a few moments. Then, he straightened up and made his way to your bathroom to get rid of the condom. 

Rafael washed up a little and looked at himself in the mirror. It was hopeless.  He brought out a washcloth for you and found you curled up on the couch.

“Let me..” Rafa approached you to clean you up, and you let him, trying not to register the intimacy and tenderness of the act.  He was just being a good friend.

When he was done, you thanked him and went to the bathroom, shaking your head at yourself in the mirror. You felt helpless and a slave to the feelings that weren’t supposed to be there.

You made your way back into your bedroom, took off the garter and hose, and pulled on some sweats and a tee.

In the living room, Rafa was dressed as well. And standing by the door. Your heart sank a little. But you smiled and went toward him.

“Thank you, that was just what I needed after a long week. You headed out?”

Why didn’t you just invite him to stay over?

“Yeah, I better go. You probably have a ton to do before you leave.”

Rafael didn’t know how to say that he wanted to stay, but if he did, he would wind up saying too much. “Can I have a hug?” He needed you in his arms, just one more time.

You smiled at him. “Is it even a question, after what we just did?”

You were sad that he didn’t want really to hug, he just wanted to fuck. He was just being nice, but that didn’t keep you from burying your head in his chest and squeezing tight as you went into his embrace. 

Rafael inhaled the scent of your hair and closed his eyes as he cradled you, holding you close to his heart. “You have a safe trip, and a good time with your people. Merry Christmas again, Holly.”

Your eyes welled up as you kept your head in his chest. “I will, Rafa. Thank you so much again for today. It was everything. Merry Christmas, Rafa. Have a good one.”

You lowkey wiped your eyes on his shirt before you looked up at him and smiled. You gazed at each other for a minute before he let you go.

“See you in a few days. You know, maybe.” He fumbled for the doorknob behind him.

You laughed and smiled, catching his heart. “Yeah, see you next week. Possibly.”

“Bye Holly.” He’d finally found the doorknob and was backing out of it.

“See ya, Rafael.” You were shaking your head at him as you closed the door.

You leaned against it for a long time as Rafa made his way to the car, and banged his head on the steering wheel.

You both were idiots in love. And you didn’t even realize it.

-------

Let me know if you liked it! Like, comment, reblog, please. 😁

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[ricrom199]

Blog Post #4

Q.1 Can algorithms ever be truly unbiased, or are they innately biased because they were created from humans?

       Computer science algorithms are biased due to the perceived stereotypes of the world and only further perpetuates those stereotypes, intentionally or unconsciously. It is evident that Google promotes oppressive symbols and literature that disproportionately affects people of color, women, and socioeconomic minorities. In Algorithms of Oppression, Noble presents information regarding internal controversy over the “antidiversity manifesto” which was harsh on the diversity of the company and stating men were superior at computer science to the females. On further investigation into Google, the site had either no filter, or intentional coding choices to discriminate against people of color, women, and especially black women. The site allowed racial slurs as suggested searches and had images of black people under “ape” and “gorillas.” All of these issues combined explains that algorithms, artificial intelligence, or any form of coding will ever be unbiased due to the nature of prejudicial people creating it.

Q2. How can a person’s given name impact the successes and hardships they will face throughout their life?

       In the white-dominated United States, many names heir from European heritage. These names are seen as normal, and names traditionally from African, Islamic, and other foreign cultures are looked down upon as unprofessional, and even to the point of judging a person professional competence based on their name. Ruha Benjamin explains her personal struggle naming her son due to the prejudice and discrimination people face with “black sounding” or “Arabic” names. She explains that this decision of his name will follow him the rest of his life and influence his job opportunities. People with “white-sounding names” receive call back for interviews fifty times more than “black-sounding names.” Names are even stereotyped to the point of racist and xenophobic beliefs, which is still perpetuated in the algorithms and technologies created. In an audit of the government website of California gang members 87% were either black or Latino, however, a significant portion of the names were attached to children of a few years or less with Latin or black sounding names just do to an algorithm, a non-white name, and a zip code.

Q3. How was the internet unintentionally racist since its creation?

       In her work, The Revolution Will Be Digitized: Afrocentricity and the Digital Public Sphere, Anna Everett critiques the ethnocentric formation of the internet and explains why socioeconomic minorities were left behind. In the 1970s when the internet was first invented, it was a white male dominated field and was only accessible to the elite. Like all new technology, it was extremity expensive when it first came out and was only accessible for the rich and the connected. It was not until the 1990s when African American presence on the internet became well known. It was not until 1995, 25 years following the first webpage that Yahoo created an Afrocentric search engine subset with culturally specific information. Since its creation the internet and computers have been elitist and not allowed all social groups to engage and enjoy. Now with technology and distance learning, good products and fast internet connectivity is essential to got to school and eve later in life for many different career choices.

Q4. What is the term intersectionality and how does it relate to racial/gender biases?

       According to Dr. Kimberle Crenshaw, intersectionality is defined as the combination of different social categorizations such as gender, race, socioeconomic status, etc., and how the combination of a person’s intersectionality will affect a specific person. She gives the example that in public schools, black girls are six times more likely to be suspended that white girls, which is an issue of the intersection between race and gender. To analyze this issue, one must investigate with both unique spectrum of views of race and gender to understand how the intersection of these two identity characteristics affect social development.

References:

Benjamin, R. (2020). Introduction. In Race after Technology Abolitionist Tools for the New Jim Code. essay, Polity.

Everett, A. (2002). The Revolution Will Be Digitized: Afrocentricity and the Digital Public Sphere. Social Text, 20(2(71)) pp.125–146. Doi:10.1215/01642472-20-2_71-125.

NAIS. (2018, June 22). Kimberlé Crenshaw: What is Intersectionality? [Video] YouTube.

Noble, S. U. (2018). Algorithms of oppression: How search engines reinforce racism. New York University Press.

TED. (2016, December 7). Kimberlé Crenshaw: The Urgency of Intersectionality. [Video] YouTube.

[thatsonemorbidcorvid]

“Newton became part of a community of victims-turned-survivors trying to make change. “When I started joining in I found myself around a lot more people of colour. Isn’t that strange?” she says. “Well, because there are so many women of colour who’ve been abused, and who are the spine of their community or the spine of their family. Black women are truly the nexus where all of this overlaps. Think of what else has the potential to heal if we support and care for Black women.”

Newton has an activist soul, turned outwards to the world, magnanimous and wise, sharpened into an instrument of power. Alongside her TV and film commitments she advocates for the African American Policy Forum and the #sayhername campaign founded by her friend Kimberlé Crenshaw, who coined the term “intersectionality”. She is also a board member of Eve Ensler’s V-Day, through which she has supported women survivors of sexual violence in Congo with the City of Joy project, and helped establish One Billion Rising which campaigns to end violence against women, spurred by the UN statistic that one in three women will be abused in her lifetime.”

[simquoya]

Random OC Question: What is the most irrational superstition your OC has?

meet mable and eve crenshaw, grandmother and mother to our beloved, lauren "lotus" crenshaw. grandma mable believes she is cursed, and that curse has been passed on to her daughter, which... well... you know, generations...

thank you for the ask! i had to consult with chatgpt for this one lol.

[blackkudos]

Nipsey Hussle

Ermias Joseph Asghedom (August 15, 1985 – March 31, 2019), known professionally as Nipsey Hussle (often stylized as Nipsey Hu$$le), was an American rapper, activist, and entrepreneur. Emerging from the West Coast hip hop scene in the mid-2000s, Hussle independently released his first mixtape, Slauson Boy Volume 1, to moderate local success, which led to him being signed to Cinematic Music Group and Epic Records.

Hussle became known for his numerous mixtapes, including his Bullets Ain't Got No Name series, The Marathon, The Marathon Continues and Crenshaw, the last of which rapper Jay-Z bought 100 copies for $100 each. After much delay, his debut studio album Victory Lap was released in 2018 to critical acclaim and commercial success, and was nominated for the Best Rap Album at the 61st Grammy Awards in 2019. Two posthumous Grammy Awards for the songs "Racks in the Middle" and "Higher" was awarded to Hussle in the Best Rap Performance and Best Rap/Sung Performance categories, respectively, the next year at the 62nd Grammy Awards.

Also known for his entrepreneurship, Hussle inaugurated the Marathon Clothing store, which he founded along with partners Carless, the head of the agency, Karen Civil and his brother Samiel Asghedom in 2017, and started a co-working environment which he named "Vector 90". On March 31, 2019, Hussle was fatally shot outside his store Marathon Clothing in South Los Angeles. Eric Holder, a 29-year-old man who had confronted Hussle earlier in the day, was arrested and charged with murder on April 2, 2019.

Early life

Ermias Joseph Asghedom was born on August 15, 1985, in Crenshaw, Los Angeles, California, to Angelique Smith, an African-American woman, and Dawit Asghedom, an Eritrean immigrant. He was raised in the Crenshaw neighborhood of South Los Angeles with his brother Samuel and his sister Samantha. Asghedom attended Hamilton High School in the nearby Castle Heights neighborhood, but dropped out before graduating. At the age of 14, Asghedom left home and joined the local Rollin 60's Neighborhood Crips, a sub-group of the larger Crips gang primarily based in his home neighborhood of Crenshaw. His stage name, a play on the name of comedian Nipsey Russell, originated as a nickname given to Asghedom by a childhood friend. At the age of 19, Asghedom's father took both him and his brother Samuel on a trip to Eritrea, East Africa for three months in 2004. Asghedom credited the trip with inspiring him to become a community activist with an "entrepreneurial spirit".

Music career

2008–2010: Bullets Ain't Got No Name series

In December 2005, Hussle independently released his first mixtape, Slauson Boy Volume 1, to moderate local success. His debut project helped to build a small regional fanbase on the west coast, and eventually led to Hussle being signed to Cinematic Music Group and Epic Records. In 2008, Hussle released the first two installments in his Bullets Ain't Got No Name series of mixtapes, which helped to bring Hussle's music to a larger audience.

Nipsey's profile continued to grow into 2009, when he collaborated with Drake on the song "Killer", and also appeared, along with Snoop Dogg and Problem, on the song "Upside Down", from Snoop Dogg's 2009 album Malice n Wonderland. He also released the third instalment in Bullets Ain’t Got No Name, as well as his commercial debut single, "Hussle in the House". Despite the song, which samples Kris Kross' 1992 single Jump, being well received by critics, it failed to make any impact on the charts.

After Epic experienced financial issues in 2010, Nipsey opted not to renew his contract and left the label. Not long after going independent, Hussle appeared on the song "We Are the World 25 for Haiti", and was featured by XXL Magazine as one of its "Annual Freshman Top Ten", a selection of ten up-and-coming hip-hop artists to watch. XXL labeled him "Most Determined" of his class, and LA Weekly called him the "next big L.A. MC". Hussle was expected to release his debut album, South Central State of Mind, in October 2010. Prior to release, the album was supported by the single "Feelin' Myself" featuring Lloyd. While the production was set to be handled from J.R. Rotem, Scott Storch, Mr. Lee, Play-N-Skillz, Terrace Martin and 1500 or Nothin', the album was set to be featured with the guest appearances from Trey Songz, Jay Rock and Sean Kingston. Concurrently, he announced that he planned on releasing a mixtape with fellow rapper Jay Rock, titled Red and Blue Make Green. Following the release of a music video for "Feelin' Myself", the album was set for a December 21, 2010, release; however, both of these projects were eventually postponed indefinitely.

2010–2013: Leaving Epic Records and

The Marathon

series

After leaving Epic, Nipsey founded his own record label, All Money In. On December 21, 2010, he released his first All Money In Records mixtape, titled The Marathon, which featured guest appearances from Kokane and MGMT. On November 1, 2011, Hussle released a sequel titled The Marathon Continues, which featured L.A. rappers YG and Dom Kennedy. On April 17, 2012, Hussle released a collaborative album with fellow rapper Blanco, Raw. The album featured guest appearances from YG, Mistah FAB, Yukmouth, B-Legit, Kokane and Freeway.

In May 2012, Nipsey released a single titled Proud of That, marking his first collaboration with Florida rapper Rick Ross. Nipsey was subsequently featured on Ross' Maybach Music Group's song "Fountain of Youth", which appears on the label's second album Self Made Vol. 2. The music video was released on October 1, 2012. Rumours began to circulate that Nipsey would sign with MMG, and in December 2012, Hussle himself hinted at signing, however, he also said that he was still looking for the right label.

Hussle said that he would be releasing his third and final installment of The Marathon mixtape series with TM3: Victory Lap in 2013, after it was pushed back from its initial December 2012 release date. He also announced that he was planning on releasing a joint mixtape with a fellow West Coast rapper and frequent collaborator YG. Hussle performed at the 2013 Paid Dues festival on March 30, 2013 in California. After deciding against signing to a major label, due to a lack of creative freedom, he choose to make Victory Lap his debut album.

2013–2019: Crenshaw and Victory Lap

Beginning in 2013, he released various songs from his upcoming mixtape Crenshaw, including the 9th Wonder produced track "Face the World", and a The Futuristics and 1500 or Nothin' produced track "Blessings". On August 6, 2013, Hussle announced that Victory Lap would now be released as an album, rather than a mixtape. Prior to the release of Victory Lap, Nipsey announced on September 16, 2013, that he would be releasing a new mixtape, Crenshaw (hosted by DJ Drama), on October 8, 2013. On September 24, 2013, he revealed the track list for Crenshaw, which contained guest appearances from Rick Ross, Dom Kennedy, Slim Thug, James Fauntleroy II, Z-Ro, Skeme and Sade, among others. The production on the mixtape was handled by The Futuristics, 1500 or Nothin', 9th Wonder, Mike Free, Ralo and Jiggy Hendrix, among others. He also released the "Crenshaw" documentary that day in promotion of the mixtape. On October 3, 2013, he released another trailer for the mixtape, and attracted attention when he revealed 1,000 hard copies of the mixtape would be sold for $100 each. Jay Z personally bought 100 copies. He reportedly sold out all 1,000 copies in less than 24 hours, effectively making $100,000.

Upon the release of Crenshaw, Hussle said that Victory Lap would be released in 2014. On November 20, 2013, Hussle confirmed that Victory Lap would feature production from Ralo, 1500 or Nothin', The Futuristiks and DJ Mustard. He later confirmed more producers, including Don Cannon and DJ Khalil on the album. After the year went by with no new releases, Hussle released a new mixtape, Mailbox Money on New Year's Eve 2014, again releasing 1000 hard copies for $100 each.

Nipsey made a number of guest appearances throughout 2015 and 2016, working with Jadakiss, Trae Tha Truth and YG. In 2016, he released another mixtape, titled Famous Lies and Unpopular Truth. He commented on the 2016 US presidential election by releasing the single "FDT" ("Fuck Donald Trump") with YG; the song was written about Hussle's positive experiences with Mexican immigrants in the United States, whom Trump had criticized.

After numerous delays, Hussle's debut studio album, Victory Lap, was released on February 16, 2018, debuting at number 4 on the Billboard 200, selling 53,000 album equivalent units in its first week. The album was met with universal acclaim from critics, and numerous songs entered the Billboard Hot 100, including "Double Up", "Last Time I Checc'd" and "Dedication", marking Nipsey's debut on the chart as a lead artist. Victory Lap was also nominated for a Best Rap Album at the 61st Annual Grammy Awards in 2019, but lost out to Cardi B's Invasion of Privacy. Over 1 year after its release, the album reached a new peak of number on the Billboard 2000 in April 2019 after Hussle's murder on March 31. His single "Racks in the Middle" featuring Roddy Ricch and Hit-Boy also reached a new peak of number 44 on the Hot 100, following his death.

Business ventures

Hussle's nickname came from his entrepreneurial spirit. He shined shoes for $2.50 to pay for school clothes at age 11 with a goal of a hundred shoes a day. Hussle sold his mixtapes out of a car trunk at a neighborhood strip mall at the intersection of Slauson Avenue and Crenshaw Boulevard. After leaving Epic Records, he founded his own record label. Hussle experimented with unorthodox sales strategies by selling expensive copies of certain mixtapes even while the songs were distributed for free.

Hussle's Marathon branding inspired Steve Carless in 2013 when he founded Marathon Agency with business partners Karen Civil and Jorge Peniche. They designed the talent-based brand to attract a diverse set of clients in all stages of their careers. In October 2016, Carless, the head of the agency, told Billboard that Hussle had invested "like over six figures" in the Marathon Agency and described him as "kind of like our silent partner."

Hussle opened the Marathon Clothing store on June 17, 2017, which he founded along with partners Carless, Civil, and his brother Samiel Asghedom. Opening the store at this intersection in the Crenshaw commercial district was important to him because he wanted to invest and provide opportunities in his neighborhood of Hyde Park. The store is billed as a "smart store," which bridges the gap between culture and technology by giving customers access to exclusive music and other content created by rappers through an app created by software engineer Iddris Sandu. The year before his death, Hussle had bought the L-shaped small shopping center where his store was located. His partner was real estate investor David Gross, who is also a South Los Angeles native.

All Money In

Hussle created the record label All Money In after leaving Epic Records. He released his first major project, The Marathon, through the new label on December 21, 2010. He released subsequent projects under his label, including The Marathon Continues (2011), Crenshaw (2013), and Mailbox Money (2014). He also signed other artists, including J. Stone, Cobby Supreme, Cuzzy Capone, BH, Pacman Da Gunman, and Killa Twan.

Releases

The Marathon - Nipsey Hussle (2010)

The Marathon Continues - Nipsey Hussle (2011)

Crenshaw - Nipsey Hussle (2013)

Mailbox Money - Nipsey Hussle (2014)

25/8 No Breaks - J. Stone (2014)

Boyz N Tha Hood - BH (2015)

Slauson Boy 2 - Nipsey Hussle (2016)

Neighborhood Watch - J. Stone (2016)

Victory Lap - Nipsey Hussle (2018)

6 Days - J. Stone (2018)

No Guts No Glory - Pacman Da Gunman (2019)

The Definition of Loyalty - J. Stone (2019)

60TH ST - Pacman Da Gunman (2019)

Acting career

In 2007, Hussle played a small role in Bone Thugs-n-Harmony's semi-autobiographical film I Tried, which was directed by Rich Newey. In 2010, he starred in the film Caged Animal, alongside Ving Rhames, Gillie Da Kid and Robert Patrick. In 2015, Hussle was featured in a cameo "The Sexy Getting Ready Song" in the pilot episode of Crazy Ex-Girlfriend, rapping two bars.

Community activism

Hussle wanted to focus on "giving solutions and inspiration" to young black men like him. He denounced gun violence through his music, influence and community work. He spoke openly about his experiences with gang culture.

He funded improvements to neighborhood schools and spent time with students, also participating on panels about growing up in the area and the influence of gang culture. Hussle started a co-working environment which he named Vector 90. From his own experience, he believed that the Crenshaw area as being under served and that young people would benefit from communal workspaces. He wanted youths to be able to take classes in science, technology and mathematics at the center. In March 2019, Hussle had contacted officials from the LAPD to arrange a meeting with him and Roc Nation about what they could do to help prevent gang violence in South Los Angeles. The meeting had been scheduled to take place on April 1.

Hussle was murdered on March 31. According to Los Angeles Police Commissioner Steve Soboroff, department officials will meet with Hussle's representatives at a future date on these issues, to continue the activist's work in his honor.

Personal life

Hussle and actress Lauren London began dating in 2013. They had a son together born in 2016. London has a child from a previous relationship with fellow rapper Lil Wayne, while Hussle had a daughter from a previous relationship. He remained very involved in South Los Angeles with his businesses, charitable activities, and the homes of family and friends. The locations for a magazine shoot were in the neighborhood.

Death

On March 31, 2019, Hussle was shot at least 10 times in the parking lot of his store, Marathon Clothing, in South Los Angeles at about 3:19 p.m. Gunshot wounds included a shot to his right chest, a shot that entered into his abdomen near his navel and severed his spine, a gunshot wound to the right side of his back that penetrated into his chest and struck his lung, and a gunshot wound to "the posterior top" of his scalp. Two others were wounded in the shooting. All three victims were transported to a hospital, where Hussle was pronounced dead at 3:55 p.m. He was 33 years old. Rapper GBO Gaston claimed to have killed Nipsey Hussle on an Instagram post before the suspected perpetrator was arrested. Police have identified 29-year-old Eric Ronald Holder Jr. as the suspect.

Investigators believe Eric Holder, the suspect, was known to the rapper and that the shooting was possibly motivated by a personal matter. On April 2, 2019, Holder was arrested by the Los Angeles Police Department and was being held in solitary confinement.

Hussle is buried at Forest Lawn Memorial Park in Southern California. His brother, Samuel Asghedom was appointed the permanent administrator of Hussle's estate.

Memorials

Upon hearing the news of his death, numerous celebrities offered their condolences on social media. Los Angeles Mayor Eric Garcetti also offered his condolences to Hussle's family.

Hussle's memorial service was held on April 11 at the Staples Center in Los Angeles, with tickets provided free of charge.

A letter from former president Barack Obama praised the rapper for his work in the community:

The 25.5-mile (41.0 km) funeral procession wound through the streets of South L.A. including Watts, where he spent some of his formative years. Mourners gathered at the Watts Towers along the route. The crowds lining the streets demonstrated the impact he had on this community.

Hussle's longtime friend and collaborator YG dedicated his performance at the 2019 Coachella Valley Music and Arts Festival to the memory of Nipsey Hussle.

Legacy

A petition was started to rename the intersection of Slauson Avenue and Crenshaw Boulevard near Hussle's store Marathon Clothing to "Nipsey Hussle Square". On the day of his funeral, the council announced it was set to be renamed Ermias "Nipsey Hussle" Asghedom Square to honor him and his contributions to the neighborhood.

There was a strong artistic response to Nipsey Hussle's death. Within a few months, over 50 murals dedicated to the rapper were painted in the City of Los Angeles. One mural is in an alley near the strip mall where he was killed. Hussle's store has remained closed since his death.

Puma released the Marathon Clothing collection in September 2019 with 100% of net proceeds to the Neighborhood ‘Nip’ Foundation. The AMB store opened in September 2019 on Crenshaw Boulevard. This is another clothing company founded by Hussle with Cobby Supreme who was one of his best friends and an artist.

The season 2 premiere of the CW series All American included a candlelight vigil at Hyde Park with a eulogy by the character Flip Williams (played by Lahmard Tate). Tattoo artist Keenan Chapman painted a mural just for the episode. The series included "Grinding All My Life" in its pilot, and series star Daniel Ezra was a fan. Characters from the series wore clothes from the Marathon store. Hussle had planned to appear in the season 1 finale but had "scheduling conflicts".

Inspired by the books that Hussle had mentioned in interviews, songs and motivational messages, local chapters of The Marathon Book Club have formed. The list includes self-help bestsellers, cult classics and little-known books by black authors. Michelle Obama included "Hussle and Motivate" on her 2020 workout playlist.

At the 2020 Grammy Awards DJ Khaled, Kirk Franklin, John Legend, Meek Mill, Roddy Ricch and YG gave tribute to Hussle in honor of his legacy.

Ava DuVernay may co-produce and direct a Nipsey Hussle documentary or Netflix series.

On March 6, 2020, thrash metal band Body Count released their seventh studio album titled Carnivore. The album features a song titled When I'm Gone which was written for Nipsey Hussle by the band's singer and fellow Los Angeles rapper Ice-T. The song features a spoken introductory part in which Ice-T says of Hussle, "the outcry of love and support after his death was incredible, but it inspired me to write this song." The song also features guest vocalist Amy Lee from the band Evanescence who is also credited by Ice-T as having co-written the song.

[heroicadventurists]

2020 Eisner Award Nominees

Best Short Story

“Hot Comb,” by Ebony Flowers, in Hot Comb (Drawn & Quarterly)

“How to Draw a Horse,” by Emma Hunsinger, The New Yorker, https://www.newyorker.com/humor/daily-shouts/how-to-draw-a-horse

“The Menopause,” by Mira Jacob, The Believer, https://believermag.com/the-menopause/

“You’re Not Going to Believe What I’m About to Tell You,” by Matthew Inman, The Oatmeal, https://theoatmeal.com/comics/believe

“Who Gets Called an ‘Unfit’ Mother?” by Miriam Libicki, The Nib, https://thenib.com/who-gets-called-an-unfit-mother/

Best Single Issue/One-Shot

Coin-Op No. 8: Infatuation, by Peter and Maria Hoey (Coin-Op Books)

The Freak, by Matt Lesniewski (AdHouse)

Minotäar, by Lissa Treiman (Shortbox)

Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Sobek, by James Stokoe (Shortbox)

Best Continuing Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)

Criminal, by Ed Brubaker and Sean Phillips (Image)

Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)

Daredevil, by Chip Zdarsky and Marco Checchetto (Marvel)

The Dreaming, by Simon Spurrier, Bilquis Evely et al. (DC)

Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José et al. (Marvel)

Best Limited Series

Ascender, by Jeff Lemire and Dustin Nguyen (Image)

Ghost Tree, by Bobby Curnow and Simon Gane (IDW)

Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)

Naomi by Brian Michael Bendis, David Walker, and Jamal Campbell (DC)

Sentient, by Jeff Lemire and Gabriel Walta (TKO)

Best New Series

Doctor Doom, by Christopher Cantwell and Salvador Larocca (Marvel)

Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)

Once & Future, by Kieron Gillen and Dan Mora (BOOM! Studios)

Something Is Killing the Children, by James Tynion IV and Werther Dell’Edera (BOOM! Studios)

Undiscovered Country, by Scott Snyder, Charles Soule, Giuseppe Camuncoli, and Daniele Orlandini (Image)

Best Publication for Kids

Akissi: More Tales of Mischief, by Marguerite Abouet and Mathieu Sapin (Flying Eye/Nobrow)

Dog Man: For Whom the Ball Rolls, by Dav Pilkey (Scholastic Graphix)

Guts, by Raina Telgemeier (Scholastic Graphix)

New Kid, by Jerry Craft (Quill Tree/HarperCollins)

This Was Our Pact, by Ryan Andrews (First Second/Macmillan)

The Wolf in Underpants, by Wilfrid Lupano, Mayana Itoïz, and Paul Cauuet (Graphic Universe/Lerner Publishing Group)

Best Publication for Teens

Harley Quinn: Breaking Glass, by Mariko Tamaki and Steve Pugh (DC)

Hot Comb, by Ebony Flowers (Drawn & Quarterly)

Kiss Number 8, by Colleen AF Venable and Ellen T. Crenshaw (First Second/Macmillan)

Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O'Connell (First Second/Macmillan)

Penny Nichols, by MK Reed, Greg Means, and Matt Wiegle (Top Shelf)

Best Humor Publication  

Anatomy of Authors, by Dave Kellett (SheldonComics.com)

Death Wins a Goldfish, by Brian Rea (Chronicle Books)

Minotäar, by Lissa Treiman (Shortbox)

Sobek, by James Stokoe (Shortbox)

The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)

Wondermark: Friends You Can Ride On, by David Malki (Wondermark)

Best Anthology

ABC of Typography, by David Rault, translation by Edward Gauvin (SelfMade Hero)

Baltic Comics Anthology š! #34-37, edited by David Schilter, Sanita Muižniece et al. (kuš!)

Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)

Kramer’s Ergot #10, edited by Sammy Harkham (Fantagraphics)

The Nib #2–4, edited by Matt Bors (Nib)

Best Reality-Based Work

Good Talk: A Memoir in Conversations, by Mira Jacob (One World/Random House)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Kid Gloves: Nine Months of Careful Chaos, by Lucy Knisley (First Second/Macmillan)

Moonbound: Apollo 11 and the Dream of Spaceflight, by Jonathan Fetter-Vorm (Hill & Wang)

My Solo Exchange Diary, vol. 2 (sequel to My Lesbian Experience with Loneliness), by Nagata Kabi, translation by Jocelyne Allen (Seven Seas)

They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)

Best Graphic Album—New

Are You Listening? by Tillie Walden (First Second/Macmillan)

Bezimena, by Nina Bunjevac (Fantagraphics)

BTTM FDRS, by Ezra Claytan Daniels and Ben Passmore (Fantagraphics)

Life on the Moon, by Robert Grossman (Yoe Books/IDW)

New World, by David Jesus Vignolli (Archaia/BOOM!)

Reincarnation Stories, by Kim Deitch (Fantagraphics)

Best Graphic Album—Reprint

Bad Weekend by Ed Brubaker and Sean Phillips (Image)

Clyde Fans, by Seth (Drawn & Quarterly)

Cover, vol. 1, by Brian Michael Bendis and David Mack (DC/Jinxworld)

Glenn Ganges: The River at Night, by Kevin Huizenga (Drawn & Quarterly)

LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)

Rusty Brown, by Chris Ware (Pantheon)

Best Adaptation from Another Medium

Giraffes on Horseback Salad: Salvador Dali, the Marx Brothers, and the Strangest Movie Never Made, by Josh Frank, Tim Hedecker, and Manuela Pertega (Quirk Books)

The Giver, by Lois Lowry, adapted by P. Craig Russell, (HMH Books for Young Readers)

The Handmaid’s Tale: The Graphic Novel, by Margaret Atwood, adapted by Renee Nault (Nan A. Talese)

HP Lovecraft’s At the Mountains of Madness, vols. 1–2, adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)

The Seventh Voyage, by Stanislaw Lem, adapted by Jon J Muth, translation by Michael Kandel (Scholastic Graphix)

Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)

Best U.S. Edition of International Material

Diabolical Summer, by Thierry Smolderen and Alexandre Clerisse, translation by Edward Gauvin (IDW)

Gramercy Park, by Timothée de Fombelle and Christian Cailleaux, translation by Edward Gauvin (EuroComics/IDW)

The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)

Maggy Garrisson, by Lewis Trondheim and Stéphane Oiry, translation by Emma Wilson (SelfMadeHero)

Stay, by Lewis Trondheim and Hubert Chevillard, translation by Mike Kennedy (Magnetic Press)

Wrath of Fantômas, by Olivier Bocquet and Julie Rocheleau, translation by Edward Gauvin (Titan)

Best U.S. Edition of International Material—Asia

BEASTARS, by Paru Itagaki, translation by Tomo Kimura (VIZ Media)

Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)

Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)

Magic Knight Rayearth 25th Anniversary Edition, by CLAMP, translation by Melissa Tanaka (Kodansha)

The Poe Clan, by Moto Hagio, translation by Rachel Thorn (Fantagraphics)

Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)

Best Archival Collection/Project—Strips

Cham: The Best Comic Strips and Graphic Novelettes, 1839–1862, by David Kunzle (University Press of Mississippi)

Ed Leffingwell’s Little Joe, by Harold Gray, edited by Peter Maresca and Sammy Harkham (Sunday Press Books)

The George Herriman Library: Krazy & Ignatz 1916–1918, edited by R.J. Casey (Fantagraphics)

Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)

Madness in Crowds: The Teeming Mind of Harrison Cady, by Violet and Denis Kitchen (Beehive Books)

Pogo, Vol. 6: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Best Archival Collection/Project—Comic Books

Alay-Oop, by William Gropper (New York Review Comics)

The Complete Crepax, vol. 5: American Stories, edited by Kristy Valenti (Fantagraphics)

Jack Kirby’s Dingbat Love, edited by John Morrow (TwoMorrows)

Moonshadow: The Definitive Edition, by J. M. DeMatteis, Jon J Muth, George Pratt, Kent Williams, and others (Dark Horse Books)

Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)

That Miyoko Asagaya Feeling, by Shinichi Abe, translation by Ryan Holmberg, edited by Mitsuhiro Asakawa (Black Hook Press)

Best Writer

Bobby Curnow, Ghost Tree (IDW)

MK Reed and Greg Means, Penny Nichols (Top Shelf)

Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)

Lewis Trondheim, Stay (Magnetic Press); Maggy Garrisson (SelfMadeHero)

G. Willow Wilson, Invisible Kingdom (Berger Books/Dark Horse); Ms. Marvel (Marvel)

Chip Zdarsky, White Trees (Image); Daredevil, Spider-Man: Life Story (Marvel); Afterlift (comiXology Originals)

Best Writer/Artist

Nina Bunjevac, Bezimena (Fantagraphics)

Mira Jacob, Good Talk (Random House); “The Menopause” in The Believer (June 1, 2019)

Keum Suk Gendry-Kim, Grass (Drawn & Quarterly)

James Stokoe, Sobek (Shortbox)

Raina Telgemeier, Guts (Scholastic Graphix)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Penciller/Inker or Penciller/Inker Team

Ian Bertram, Little Bird (Image)

Colleen Doran, Snow, Glass, Apples (Dark Horse)

Bilquis Evely, The Dreaming (DC)

Simon Gane, Ghost Tree (IDW)

Steve Pugh, Harley Quinn: Breaking Glass (DC)

Rosemary Valero-O'Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)

Best Painter/Digital Artist

Didier Cassegrain, Black Water Lilies (Europe Comics)

Alexandre Clarisse, Diabolical Summer (IDW)

David Mack, Cover (DC)

Léa Mazé, Elma, A Bear’s Life, vol. 1: The Great Journey (Europe Comics)

Julie Rocheleau, Wrath of Fantômas (Titan)

Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)

Best Cover Artist

Jen Bartel, Blackbird  (Image Comics)

Francesco Francavilla, Archie, Archie 1955, Archie Vs. Predator II, Cosmo (Archie)

David Mack, American Gods, Fight Club 3 (Dark Horse); Cover (DC)

Emma Rios, Pretty Deadly (Image)

Julian Totino Tedesco, Daredevil (Marvel)

Christian Ward, Machine Gun Wizards (Dark Horse), Invisible Kingdom (Berger Books/Dark Horse)

Best Coloring

Lorena Alvarez, Hicotea (Nobrow)

Jean-Francois Beaulieu, Middlewest, Outpost Zero (Image)

Matt Hollingsworth, Batman: Curse of the White Knight, Batman White Knight Presents Von Freeze (DC); Little Bird, November (Image)

Molly Mendoza, Skip (Nobrow)

Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)

Best Lettering

Deron Bennett, Batgirl, Green Arrow, Justice League, Martian Manhunter (DC); Canto (IDW); Assassin Nation, Excellence (Skybound/Image); To Drink and To Eat, vol. 1 (Lion Forge); Resonant (Vault)

Jim Campbell, Black Badge, Coda (BOOM Studios); Giant Days, Lumberjanes: The Shape of Friendship (BOOM Box!); Rocko’s Modern Afterlife  (KaBOOM!); At the End of Your Tether (Lion Forge); Blade Runner 2019 (Titan); Mall, The Plot, Wasted Space (Vault)

Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Heroes in Crisis, Superman: Up in the Sky, Superman’s Pal Jimmy Olsen (DC); Bitter Root, Pretty Deadly, Moonstruck, Redlands, The Wicked + The Divine (Image); Reaver  (Skybound/Image); Daredevil, Ghost-Spider, Silver Surfer Black, Superior Spider-Man, Venom (Marvel)

Emilie Plateau, Colored: The Unsung Life of Claudette Colvin (Europe Comics)

Stan Sakai, Usagi Yojimbo (IDW)

Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Comics-Related Periodical/Journalism

Comic Riffs blog, by Michael Cavna with David Betancourt, www.washingtonpost.com/entertainment/comics/

The Comics Journal, edited by Gary Groth, RJ Casey, and Kristy Valenti (Fantagraphics)

Hogan’s Alley, edited by Tom Heintjes (Hogan’s Alley)

Inks: The Journal of the Comics Studies Society, edited by Qiana Whitted (Ohio State University Press)

LAAB Magazine, vol. 4: This Was Your Life, edited by Ronald Wimberly and Josh O’Neill (Beehive Books)

Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com

Best Comics-Related Book

The Art of Nothing: 25 Years of Mutts and the Art of Patrick McDonnell (Abrams)

The Book of Weirdo, by Jon B. Cooke (Last Gasp)

Grunt: The Art and Unpublished Comics of James Stokoe (Dark Horse)

Logo a Gogo: Branding Pop Culture, by Rian Hughes (Korero Press)

Making Comics, by Lynda Barry (Drawn & Quarterly)

Screwball! The Cartoonists Who Made the Funnies Funny, by Paul Tumey (Library of American Comics/IDW)

Best Academic/Scholarly Work

The Art of Pere Joan: Space, Landscape, and Comics Form, by Benjamin Fraser (University of Texas Press)

The Comics of Rutu Modan: War, Love, and Secrets, by Kevin Haworth (University Press of Mississippi)

EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)

The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, edited by Andrew Blauner (Library of America)

Producing Mass Entertainment: The Serial Life of the Yellow Kid, by Christina Meyer (Ohio State University Press)

Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi et al. (Palgrave Macmillan)

Best Publication Design

Grunt: The Art and Unpublished Comics of James Stokoe, designed by Ethan Kimberling (Dark Horse)

Krazy Kat: The Complete Color Sundays, by George Herriman, designed by Anna-Tina Kessler (TASCHEN)

Logo a Gogo, designed by Rian Hughes (Korero Press)

Madness in Crowds: The Teeming Mind of Harrison Cady, designed by Paul Kopple and Alex Bruce (Beehive Books)

Making Comics, designed by Lynda Barry (Drawn & Quarterly)

Rusty Brown, designed by Chris Ware (Pantheon)

Best Digital Comic

Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)

Black Water Lilies, by Michel Bussi, adapted by Frédéric Duval and Didier Cassegrain, translated by Edward Gauvin (Europe Comics)

Colored: The Unsung Life of Claudette Colvin, by Tania de Montaigne, adapted by Emilie Plateau, translated by Montana Kane (Europe Comics)

Elma, A Bear’s Life, vol. 1: The Great Journey, by Ingrid Chabbert and Léa Mazé, translated by Jenny Aufiery (Europe Comics)

Mare Internum, by Der-shing Helmer (comiXology; gumroad.com/l/MIPDF)

Tales from Behind the Window, by Edanur Kuntman, translated by Cem Ulgen (Europe Comics)

Best Webcomic

Cabramatta, by Matt Huynh, http://believermag.com/cabramatta/

Chuckwagon at the End of the World, by Erik Lundy, https://hollowlegcomics.tumblr.com/chuckwagon

The Eyes, by Javi de Castro, https://www.javidecastro.com/theeyes

Fried Rice Comic, by Erica Eng, https://friedricecomic.tumblr.com

reMIND, by Jason Brubaker, https://is.gd/T7rafM

Third Shift Society, by Meredith Moriarty, https://www.webtoons.com/en/supernatural/third-shift-society/list?title_no=1703

[deadpresidents]

��On the eve of the release of his debut album last year, Hussle unveiled Vector 90, a shared workspace in South L.A. to help connect young people in impoverished communities with opportunities in Silicon Valley and beyond. He was involved in the new Destination Crenshaw arts project.

Hussle also invested in bringing back World on Wheels, the Mid-City roller rink popular in the ‘80s and ‘90s as neutral turf for kids near gang-scarred South L.A. It reopened in 2017.

‘In L.A., you have to grow up fast, and this was one place kids could go to have a party and be safe,’ Hussle told The Times that year.

L.A. City Councilman Marqueece Harris-Dawson released a statement Sunday, saying, ‘Hussle had a vision of a neighborhood built for and by the sons and daughters of South L.A. During his life, he moved from shadows into the bright hope of freedom and community revitalization.’”

[dragoni]

Remember: just a few weeks ago, Trump, Crenshaw and other Republicans were inciting hate against Omar by (falsely) suggesting she had been disrespectful to the memory of 9/11. But it’s not as if she invited the Taliban to Minnesota on the eve of the 9/11 anniversary, right? 

— Mehdi Hasan @mehdirhasan

Republican president Donald J Trump invited Taliban leaders to Camp David for a secret meeting days before 9/11.  #TalibanTrump

Trump used Twitter to call off the secret 

[skamofcolor]

why are you one of the Eve haters? Is it just because she's not a POC?

Lol, so the short answer is yes.

But if you feel like reading me rant, here’s my longer response. This is just gonna be about the casting and styling because I think that’s the part that most important in terms of this blog. I do have my own thoughts on characterization, but let me not get into that here, lol.

When the casting call went out, the show said it could be for a queer woman of any ethnicity. So maybe this was on me, but that alone sparked a hope that they would be casting a Woman of Color, particularly someone who was a Black stud/butch/tomboi/masc/etc. lesbian in that role. When I found out that they cast a skinty feminine white woman instead, it was extremely disheartening. There was literally no reason why they had to cast her as white. Even if she is Grace’s cousin that A) is a choice made by the showrunners and B) doesn’t rely on whiteness to be true. Multiracial families exist.

My issue is that someone’s ethnoracial identity absolutely cannot be thought of as a separate entity from their gender/sexuality.

Okay, so let me explain.

Every version of Eskild is not only vital to their Noora’s storyline, but to their Isak’s. And for me, that’s why Eve’s casting made no sense to me the most. Now, to be fair: we had a submission earlier that said it wasn’t right that no Eskild was getting the same scrutiny as Eve, and I think that’s a fair assessment (and the submission is worth reading). No other Eskild has gotten this kind of criticism for being a white cis guy.

But for me personally, when it came to the other remakes, my annoyance was always at the lack of diversity in the Isaks first and foremost. This is because it stood to reason that whomever was cast as Eskild would have to match up. I think at a certain point I was resigned to the idea that each remake would have cis white gay Eskilds for cis white gay Isaks. Would it have been really nice to have more gender/racial diversity? Yes, of course. To me though, it didn’t feel as pertinent for those remakes to cast diverse Eskilds. Both because of my resignation and also because… tbh this kind of matching made sense to me in terms of an intersectional lens - meaning the types of discrimination that Isak faced should match up with Eskild, in order to really make the Pride lecture make sense. Right or not, it’s how I felt. Obviously other folks, especially lgbtq+ MoC who don’t have any rep in the Skams, can and might feel differently.

Now, when I’m saying intersectional lens, I want to be clear. When Kimberlé Crenshaw  first coined intersectionality (though ofc her focus was on Black women specifically, not all PoC) she wasn’t really talking about identity at all, she was talking about discrimination. it means that the oppression people with multiple marginalized identities face has to do with overlapping forms of discrimination.

Isak only has one marginalized identity. On the discrimination he faces from that alone, Eskild can wholeheartedly relate. That’s what make that mentorship/friendship so important and more equitable.

Shay on the other hand has multiple marginalized identities: woman, Black, lesbian. The discrimination she faces isn’t just because she’s Black, or just because she’s a woman, or just because she’s a lesbian. They all intersect, and the sexism, antiblack racism, and homophobia she will face are  inextricably intertwined. There is no and never will be a white lgbtq+ person can ever, nor will ever, understand what it means to navigate the world as an lgbtq+ Person of Color.This is the heart of my disappointed with Eve’s casting.

Again - as a Black lesbian, Shay will have to deal with sexism/antiblackness/homophobia. All as one, all informing each other, and inseparable. This is something a white woman, even if she experiences sexism/homophobia, will never, ever be able to grasp. Even if Eve were butch, she wouldn’t ever be able to understand this experience. White women do not experience sexism the way a Black woman or an other WoC does. White lgbtq+ people do not experience homophobia or transphobia the way a Black person or an other PoC does. There is no possible way for them to know what we go through.

And so. The idea of having a white woman lecture Shay on Pride? On the discrimination she’s going to face? On the history of lgbtq+ liberation in the U.S? Specifically when it was started by trans women of color? It’s ugly to me.

It’s true we don’t know what they will do in Shay’s season. But I can’t stop thinking about this. I’m not speaking for all lgbtq+ PoC, just from my experience. I honestly do know that there are lgbtq+ PoC who are really freaking excited about Eve. And that’s great for them, honestly. If other folks can still see themselves in Eve and feel represented, that’s a good thing.

But for many of us, we didn’t/don’t have any lgbtq+ characters of color to look up to. The majority of lgbtq+ characters in the U.S. media have been white. Even in 2018, 58% of lbpq+ characters in the media were white. And even when we do get lgbpq+ characters of color, most of them weren’t stud/butch/tomboi/masc/etc. or gender non-conforming. Rarely are they trans or nonbinary. They didn’t and don’t reflect a lot of the realities that we live in. This lack of visibility means something. When every lgbtq+ person you see on TV is white, it’s alienating. (See this Autostraddle survey for more on this data.)  

But I can’t feel that way. Because I was a Shay, and in my experience, being lectured to by white people only served to push me deeper into the closet. It only made me think that being gay was for white people. Because their whiteness protected them and they got to be out in a way I thought I would never be. That is, until I met older lgbtq+ PoC. Who looked like me and shared my cultures and got it. And yes, she’s a TV character. But I’m devastated that from what we’ve seen, Shay won’t get this.

Fine, though, they cast who they cast. My biggest issue is in terms of presentation and style. First, it literally makes no sense to me why Eve isn’t a butch lesbian. Second, I HATE the way they styled her in hipster faux-poverty aesthetics.

We look at the role of Eskild and his characterization, his femininity is a huge part of who he is. It’s a massive part of the Pride lecture he gives Isak, especially because a large part of Isak’s internalized homophobia comes from just wanting to be “normal.” Eskild is not ashamed of being flamboyant/feminine because it’s who he is, and he said a big fuck you to gender roles and expectations. This is the same with the other Esikld remakes that we’ve seen. They show that being who you are is never a stereotype.

Binaries are fake and socially constructed, yes. BUT with Eskild’s femininity in mind, it would only make sense to make Eve butch. There is a massive stigma against GNC lesbians/queer women not only in general society but in lgbtq+ spaces. This is not to bash or police feminine/femme lgbtq+ women (I’m one of them!) but it’s also to acknowledge that the ways in which butch/stud/tomboi/masc/etc. women express themselves makes them extremely visible, and that’s not a privilege. Butch women face high rates of sexual violence and assault based on their appearance in the same way that feminine gay men do.

And even with the increase in lgbtq+ women in media (again see the Autostraddle survey) the majority of portrayals are NOT of butch/stud women. Which fucking sucks because that’s erasing a huge population within lgbtq+ communities. It’s not that having a butch white woman lecture Shay really makes it any better for me personally, but it would’ve made so much more sense to have Eve be butch. Because that’s the direct correlation to Eskild’s femininity.

Finally, once you cast someone you can style their character anyway you want. Just because Eve’s actress dresses/looks as she does doesn’t mean Eve has to. So why did the showrunners chose to style Eve the way they did? Rather than do something actual subversive, they styled her like every other 20-something middle class white hipster who relies on an aesthetic of poverty. (I know one of her defining character traits now is that she never has any money, but… something about that framing feels like it’s supposed to be kitschy and not because she’s literally impoverished. Could be wrong, but look at Grace in comparison.).

Personally, this stylization is especially hard to witness because of how many white lgbtq+ people I know who dress and act exactly like Eve. It’s not something that’s specific to white people - I’ve seen plenty of middle to upper class PoC aestheticize poverty too - but this kind of thing is often rooted in the junctions of class and whiteness. For more on this, I would really suggest reading this article. It really gets into this like… fetish that middle/upper class lgbtq+ people have for “looking” poor.

Anyway this is really long so let me wrap up. My issue here is mainly what my issues has consistently been with some of these shows. The showrunners want to include “diverse” issues and (for the most part) a “diverse” cast but it seems like they don’t have a crew that have strong race/gender/class analyses. Eve could’ve really been something but from casting and styling alone, her character already falls flatly for me.

So, yes. At the base of it is because she’s not a Black stud, but it goes deeper than that, too.

- mod Jennifer

[golifefan]

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