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popentertainmentmusic · 2 years ago

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SPINNING GOLD (2023)

Starring Jeremy Jordan, Wiz Khalifa, Jason Isaacs, Jason Derulo, Jay Pharoah, Michelle Monaghan, Dan Fogler, Sebastian Maniscalco, Winslow Fegley, Ledisi, Sam Harris, Caylee Cowan, Chris Redd, James Wolk, Tayla Parx, Lyndsy Fonseca, Peyton List, Pink Sweats, Casey Likes, Alex Gaskarth, Michael Ian Black and Vincent Pastore.

Screenplay by Timothy Scott Bogart.

Directed by Timothy Scott Bogart.

Distributed by Hero Entertainment. 137 minutes. Rated R.

Neil Bogart was a larger-than-life legend in the music business, even if very few people other than music nerds like me still have a clue who he was.

Bogart ran Casablanca Record and Filmworks, which after a very rocky start became the most successful independent record label of the 1970s. Bogart worked with and/or discovered such acts as KISS, Donna Summer, Gladys Knight & the Pips, Bill Withers, The Village People, Parliament/Funkadelic and Joan Jett & the Blackhearts. He worked hard, lived hard, partied hard. He ran up monumental debts and threw legendary parties. He ran afoul of music biz execs and the mob. All of that before dying way too young at 39 of cancer.

It's a fascinating, under-explored story about the highs and the lows of the music business in its glory days. Bogart’s son Tim has long felt that it was important to tell his dad’s story and has been working to get his dad’s story on film since the 1990s. (Early on, Justin Timberlake was in talks to portray Bogart, although eventually he had to drop out because his musical schedule was packed, and he could not fit it in.)

Now, finally, after decades of waiting, Tim Bogart has gotten his father’s life story onscreen. He did it in a way that his own dad would appreciate – going the independent route and taking on the tough work (screenwriting and directing) himself, and basically willing it into existence.

“Getting that story out… is… moving for me,” Bogart told me in a recent interview. “I do think this is a great parallel in the perseverance and the dream I had in making it.”

Bogart has captured a fascinating look back at the wild west days of the old music world, sex, drugs and rock & roll back when it was safe and normal. Like many recent music biopics, Spinning Gold is a mix of hard reality and fanciful romanticization. Sometimes it feels like a serious gangster drama of the 1970s, at other times a jukebox musical with some damn good music provided by current singers playing the legends of days past.

While most of the celeb singers have the voices to pull off the roles, they mostly look almost nothing like the performers they are playing, such as Donna Summer, Gladys Knight and Bill Withers. Also, a personal note to Wiz Khalifa, in 1976 almost no one had nose piercings, not even someone as wild and funky and willfully out there as George Clinton. So you may want to take those things out when portraying a real-life character from another era.

However, I suppose this is not supposed to be a tribute act. The song is the thing, and mostly the re-recordings of legendary hits of the 1970s work surprisingly well.

Holding it all together – the ringleader of the film portraying the ringleader of Casablanca – is Broadway and TV star Jeremy Jordan (Newsies, Little Shop of Horrors, Supergirl) who can access both Bogart’s showmanship and hard-nosed determination. It’s a fascinating bit of myth-building.

“That was kind of Neil's vibe,” Jordan told me in that same interview. “He just wanted to make you dance and wanted to entertain. He was a showman.

“He's writing his own ending, and it is really kind of beautiful and magical and different in that way,” Jordan continued. “We don't feel tied to ultra reality, and this is the exact perfect way that this happened. It doesn't have to be [real] because it was sex, drugs, rock and roll. It was the journey as opposed to the actual truth of it all.”

You could say that about the 1970s in general.

Spinning Gold is spinning some fascinating tales of life on the periphery of superstardom and the high you reach by going all in and creating some genre-defining art. Plus, it’s got a great beat, and you can dance to it. What more can you ask?

Jay S. Jacobs

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#Spinning Gold #2023 #Music Review #Jeremy Jordan #Jay S. Jacobs

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tctmp · 2 years ago

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Animation Adventure Comedy

#lyle lyle crocodile

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filministic · 2 years ago

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8-Bit Christmas (2021) dir. Michael Dowse

#8-Bit Christmas #2020s #movie #8-битное рождество #Winslow Fegley #Bellauna Resnick

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brainlesspen · 1 year ago

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Come Play (2020) Ending Explained

Come Play (2020) is an American horror thriller film, written and directed by Jacob Chase. The movie features Gillian Jacobs and Winslow Fegley in the lead roles. Here, we examine the enigmatic ending of Come Play and the deeper themes and messages embedded in its haunting narrative.

Come Play Movie Story In A Nutshell

* * * Spoiler Alert – If you haven’t seen the movie yet, turn back now! * * * The story revolves around a young boy named Sam, who is on the autism spectrum. Sam spends much of his time watching cartoons on his mobile device, particularly SpongeBob SquarePants. His parents, Sarah and Marty, are frequently caught in arguments, leaving Sam feeling isolated. One night, while Sam is in his room, he encounters a mysterious monster named Larry on his mobile device. Larry is not like other monsters; he just wants a friend. As Sam becomes engrossed in the images on his phone, the lights suddenly go out, plunging the room into darkness. Terrified, Sam tries to barricade himself in his room but cannot stop the door from opening. It turns out this was all a dream, and Sam awakens to his concerned mother.

The following day, Sarah decides that Sam needs more social interaction and schedules him for speech therapy. Unfortunately, Marty, his father, is unable to take him because of a work commitment. At school, Sam receives special treatment due to his autism, which doesn't sit well with some of his classmates. They cruelly bully him, leaving Sam feeling isolated and hurt. His mother, Sarah, desperately seeks ways to help him connect with others. Meanwhile, Marty stumbles upon a mysterious tablet at his workplace, the lost and found box. Unbeknownst to him, an otherworldly figure forms behind him as he takes the tablet home. Sarah, struggling to connect with Sam, decides to host a sleepover for him and his friends. During the sleepover, the children inadvertently summon Larry, the same monster from Sam's dreams, through a mysterious app on the tablet. When they reject Larry's offer of friendship, chaos ensues, and they blame Sam for the ordeal. Read more, Countdown (2019) Ending Explained Desperate to find a solution, Sarah discovers that Larry feeds on electricity. She replaces all the light bulbs in the house, hoping to deter the mysterious entity. However, Marty remains skeptical of her claims. As the situation escalates, Oliver, one of the boys from the sleepover, realizes that Larry's world is different from theirs, and the tablet serves as a window between the two worlds. In an effort to protect Sam, they destroy the tablet. Sarah continues to seek help for Sam's speech issues, while Sam makes a new friend, Byron, who is understanding and supportive. However, Larry, now without a means to cross over into their world, takes drastic measures by attacking Marty, who ends up in the hospital. Sarah decides to break all electronic devices in their home to stop Larry, but it only infuriates the creature. Larry emerges from the screen, and it becomes clear that Sam is his target. In a tense showdown, Sarah confronts Larry and offers herself as his friend to protect Sam. In doing so, she sacrifices herself to ensure her son's safety. Before she leaves, she shares a heartfelt moment with Sam, finally gaining his trust. Come Play's ending is a haunting, bittersweet story about Oliver, a character struggling with communication and autism. He uses his tablet to escape his troubled world, where he is bullied and cast out. The monster of Larry symbolizes Oliver finding a friend in technology, which starts to conflict with his real-world life. Oliver's mom, Sarah, becomes part of the "blue light" world, allowing Oliver to live. As Sarah dies, she finally sees her son, Oliver, and speaks his first words in front of her. In the end, Sam, now able to express himself, writes a poignant sentence: "Mom loves me."

What Happened to the Mom at the End of Come Play?

At the end of the movie Come Play, the mom, Sarah, makes a courageous sacrifice to protect her son, Sam, from the malevolent monster, Larry. Sarah realizes that Larry is after Sam and that he feeds on electricity from electronic devices. To ensure Sam's safety, she offers herself as Larry's friend, sacrificing her own well-being. In a heartfelt and tense confrontation with Larry, Sarah willingly enters Larry's world to become his friend, leaving Sam safe in their own world. This decision is a selfless act of maternal love and protection, as Sarah is willing to face the dangers of Larry's world to ensure her son's safety. The film ends with Sarah in Larry's world, symbolizing her unwavering commitment to keeping Sam out of harm's way, even at the cost of her own presence in their world. Come Play's third act follows Oliver and Sarah, a family trying to escape from Larry, a storybook monster. After a scare at their dad's parking booth, they manage to escape to their home. However, in a final confrontation, Sarah dies, and Oliver's dad is confirmed to be alive. Oliver plays with his mother's ghost in the dimension Larry lived in, using technology to reveal the sketch underneath. Oliver's mother now lives in this unseen world, revealing the family's past and the dangers of the monster.

What Is the Monster in the Movie Come Play?

In the movie Come Play, the monster is a sinister creature named Larry. Larry is a malevolent entity that exists in a parallel world accessible through electronic devices such as smartphones, tablets, and screens. He is a tall, shadowy figure with long, bony fingers and a distorted, unsettling appearance. Larry is lonely and desires friendship, but his methods of seeking companionship are terrifying. He preys on vulnerable individuals, particularly those on the autism spectrum, by luring them into his world through electronic devices. Once inside his world, Larry attempts to form a connection with his victims, but his actions and presence are menacing and disturbing. Throughout the film, the main characters, particularly a young boy named Sam who is on the autism spectrum, must contend with Larry's relentless pursuit and the terrifying consequences of his attempts to befriend them. The story revolves around the characters' efforts to protect themselves and find a way to prevent Larry from entering their world.

Is Larry Real From Come Play?

No, Larry, the monster from the movie Come Play, is a fictional creation for the purposes of the film. Larry does not exist in reality; he is a supernatural entity crafted for the horror-thriller storyline. The movie uses the concept of a malevolent creature that exists within the realm of electronic devices as a source of fear and tension, but it is purely a work of fiction and special effects created for cinematic entertainment.

What Happens in Come Play’s Ending?

In the thrilling conclusion of Come Play, the sinister entity known as Larry continues to pose a grave threat. It is revealed that Larry possesses the ability to travel through electrical currents, enabling him to infiltrate any mobile device to communicate and wreak havoc in the physical world. Sarah's Desperate Battle to Save Her Son Larry's malevolent intentions become chillingly clear as he launches an attack on Marty and endeavors to harm Oliver, with the intent of forcibly transporting him into his own dark and eerie realm. Sarah, Sam's determined mother, embarks on a heroic quest to protect her son at any cost. Sarah takes a bold and drastic step in a dramatic turn of events. She goes on a rampage, systematically destroying all the electrical devices in their home, especially those equipped with screens. It's her desperate attempt to sever the connection between Larry and the physical world. As a result of her actions, Larry manifests in physical form, no longer relying on electronic devices as conduits. The Terrifying Chase Leads to the Field Sarah, accompanied by Oliver, flees to a nearby field. In this open and electricity-free environment, they hope to evade Larry's relentless pursuit. However, the menace of Larry persists. As if by fate, an abandoned mobile device that had been discarded by bullies earlier in the film lies concealed in the grass, allowing Larry to maintain his presence. A Mother's Unwavering Love Throughout the movie, the strength of the mother-son bond is vividly portrayed. Sarah's unwavering determination to safeguard Oliver, despite the numerous challenges she faces as a mother, is at the heart of the story. Gillian Jacobs delivers a powerful performance, showcasing a mother's fierce fight for her child's safety. Read more, Underwater (2020) Ending Explained In the climactic moments of the film, Sarah's ultimate sacrifice becomes the defining moment. Her willingness to give everything, including her own safety, to protect Oliver underscores the profound lengths to which mothers will go for their beloved children. While her fate is undeniably tragic, it's a poignant reminder of the boundless love and sacrifice that defines the essence of motherhood. What Happened To Sarah?

In the climactic moment of Come Play, as Larry menacingly reaches for Oliver, Sarah, his mother, realizes that she must make an ultimate sacrifice to save her son. She bravely steps forward, takes Larry's hand, and offers, "I'll be your friend, Larry." It's a pivotal moment, especially considering Oliver's struggle with maintaining eye contact throughout the story. In an instant, both Sarah and the enigmatic creature vanish. A Transformative Loss and Reckoning After Sarah's selfless act propels her into Larry's world, Marty, Oliver's father, undergoes a significant transformation. He becomes a more involved and attentive father to Oliver, as they navigate the profound loss of a wife and a mother, respectively. Despite the harrowing events that have transpired, it becomes evident that Oliver has not entirely lost his connection with his mother. In a touching twist, Sarah can still appear to and interact with Oliver. Marty witnesses these interactions through the camera of his phone in the film's final scene. Sequel Potential and Unresolved Mysteries

The conclusion of Come Play leaves room for intriguing possibilities, including the potential for a sequel. The fact that Oliver can still communicate with his mother suggests that the story might continue. Larry's return to their world remains a looming possibility, given the filmmakers' creative exploration of how he interacts through electronic devices like phone cameras. Furthermore, the film's ending raises questions about Sarah's whereabouts in Larry's world. Perhaps Oliver will embark on a quest to find her, reminiscent of the premise in the movie "Insidious," which delves into the enigmatic realm known as "The Further." Supernatural and paranormal horror films, especially those that explore otherworldly settings, have a track record of success in the genre. While the future direction of Come Play remains uncertain, recent news of a fifth installment in the popular "Insidious" franchise underscores the potential for longevity when handling such material effectively. Whether Come Play evolves into a sequel or explores new dimensions of its chilling universe, it has certainly left audiences eager to uncover more of its mysteries. Come Play is replete with plenty of subliminal messages. Firstly, the occurrence where Larry can only be seen through a smartphone or other mobile device might be interpreted as a representation of the risks that contemporary kids face due to their growing dependence on technology in daily life. This makes Come Play a narrative about how people in the modern world—especially kids—are becoming more and more dependent on screens and technology. Furthermore, Larry may represent more than simply a terrifying creature who preys on little children; he may also represent something deeper. Another way to look at Larry would be as a symbol of Sarah and Marty's struggles to deal with parenting Oliver. Come Play may even reveal to its audience at the very end that Larry wasn't the true antagonist. Aloneness, dread, and loneliness are the true villains, and that's what Larry represents. With an autistic main character and a real, emotional arc to the plot, Come Play, in any case, approaches the monster movie subgenre in an intriguing way.

Answers to Common Questions

In the final moments of the film, as Larry's presence is felt in Oliver's room, Sarah, who has returned from Larry's world, reassures her son, saying, "I will protect you," symbolizing her unwavering love and dedication to her child's well-being.

Summary

Original Title: Come Play Other Titles: Vem Brincar (Brazil), A Maldição de Larry (Portugal) Genre: Horror/ Supernatural Runtime: 1hr 36min Original Language: English Written and directed by Jacob Chase Tagline: He's good at taking friends. Release date: October 30, 2020 (USA) Read the full article

#2020 #comeplayfilm #brainlesspen

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peachz-reviews · 2 years ago

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Lyle, Lyle, Crocodile [2022] - Javier Bardem, Winslow Fegley, Shawn Mendes - News and Reviews - PeachZ

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hitchell-mope · 1 year ago

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Hypothetical titles for season sixteen of 88

The academy. Season premiere. Part one. Findlay’s out for Lucia’s blood when she finds out that Barnaby has been accepted into The Cabal Academy in California. First appearance of Winslow Fegley as Barnaby Sullivan and Walker Scobell as Jonah Sullivan.

Orientation. Season premiere. Part two. Sidney accompanies Barnaby to the Academy’s parent and child orientation weekend. With this episode Barnaby Sullivan is downgraded to a recurring role

Three branches. Birch’s team, ACS&Associates and Solaris’s squad band together when the precinct burns down overnight.

Empty nest syndrome. Jonah, feeling suffocated by a very clingy Findlay, sneaks away to Drummond’s apartment in Greenwich to get some time for himself.

Kicking her ass into gear. Drummond admits Findlay back into Melinda’s office to combat her empty nest syndrome. Guest starring Alfre Woodward as Dr Melinda Crenshaw.

Family law. With the precinct rebuilt. The team help Maybelle on a missing persons case involving her ex husband. Final appearance of Paul Rudd as Conrad Rhys. Guest starring Laverne Cox as Maybelle Archer an Liv Hewson as Conrad and Maybelle’s child Mattie Rhys

Mixed doubles. Drummond’s satyr instincts cause trouble when Odessa signs them up for a charity tennis tournament with Lysander and Tina.

Interstate PTA. Still trying to deal with her empty nest syndrome, Findlay makes the mistake of applying for the Cabal Academy’s Parent-Teacher Association. This leads into a crossover that continues into the Cabalibu episode Parents Weekend.

Au naturel. The team takes a case involving a ritualistic murder at a male oriented nudist colony located just outside Long Island Sound. Guest starring Henry Cavill as Christopher Laurent the centaur leader of the Laurie Colly.

The celestial funeral. The Christensen family gathers together to say a last goodbye and renewed hello to Adam and Eve. First full appearance of Matt Lanter and Adrienne Palicki as Adam and Eve Christensen.

Contrition. Findlay has to deal with a seemingly new and improved Eve begging her for forgiveness for the hurt she caused the Five Families

A steely grey Christmas. Midseason finale. Part one. Barnaby has decided to stay at the Academy for Christmas which, naturally, does not go over well with Findlay.

A steely grey Christmas. Midseason premiere. Part two. Odessa, Cain and Derek play a Christmas Carol on Findlay’s dreams to get her out of her holiday funk. Guest starring Lucas Till as Cain Christensen and Daniel Radcliffe as Derek Christensen.

To forgive, benign. Birch’s team works to reunite the werewolf cub with his pack before his pack finds them. This is a crossover episode continuing on from the Cabalibu episode To Were(wolf) Is Human

Running mate. Part one. President DuPont asks Findlay a favour that she feels morally required to turn down. Guest starring Amy Acker, Liz Hurley, Meryl Streep and Anna Sophia Robb as the DuPont family.

Presidents of politics past. Part two . As a compromise. Findlay holds a seance for the DuPont family to help the president decide wether she should run for reelection or not. Guest starring Melissa McCarthy and Kathryn Hahn as Amelia and Marguerite DuPont

The devil wears Manolo’s. Lucia takes over Jonah’s tutelage for the day while Andy is otherwise unavailable causing Findlay no end of stress.

Dry. A run of the mill investigation into a daylight axe murder becomes delicate when the suspect makes their escape through a mosque at the height of wedding season.

A little party never killed nobody. Arlene gets confronted by an old friend at her Fifth Avenue set birthday party. Guest starring Anna Kendrick as Sandra Kilmer

How the other half lives. Arlene tries to prove to Sandra that she hasn’t changed her principles. But it looks like Sandra has an ulterior motive for her visit

Tried, tested and true. Findlays professionalism is put at war with her fangirl inclinations when Emerson Davenport is held hostage along with a focus group. Guest starring Chris Pratt as Emerson Davenport.

My three dads. Odessa gets an welcome surprise when her extremely estranged biological father turns up at the Spratt house. Guest starring Stephen Amell as Matthias Wayne

Solo mission. Season finale. Part one. Drummond takes revenge on Myrna Bale when his biological grandparents are killed in an engineered car crash.

Unlikely allies. Season finale. Part two. Drummond gains some surprising help as his war against Bale reach’s its apex. Guest starring Adrienne Palicki as Eve Christensen. Final appearance of Kristen Chenoweth as Myrna Bale. With this episode Barnaby Sullivan is upgraded back to a series regular

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