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#especially within fandom spaces
tariah23 · 2 months
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This goes for any sort of ship bullshit tbh. Like, ppl really think that shippers, especially those hardcore ones, care about canon… most of these people are heavy into fanon anyway. Also, even outside of shipping, people are going to HC regardless lmfao. It’s like the people who complain about stuff like this cannot wrap their heads around the fact. “It’s canon so you shouldn’t care about this anymore,” “why are you drawing that despite canon,” like this will forever be a nothing ass, boring complaint.
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arolesbianism · 7 months
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(off anon so that it notifies me if you respond) you are so so so so so so so so real with your prsk/bandori ship preferences. unspeakably real
It's my aromantic swag 👍
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feedthefandomfest · 3 months
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Comment Bingo: Old Fic Edition
Very simple rules: connect 5 squares in a line by commenting on fics that suit the task in each square
Very simple goals: encourage readers to comment on older fics; encourage fandom writers to KEEP WRITING
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STEPS:
Download Bingo Card HERE (png) or HERE (jpg) or HERE (pdf)
Complete the tasks on the card, marking off each as you go, until you've completed 5 in a line (vertical, horizontal, or diagonal; NO double-dipping; center ♥️ is a free space)
POST your winning card (or list your filled squares) and tag @feedthefandomfest! Glory in your victory.
SEARCH TIPS:
This card requires some familiarity with AO3's search filters. Once you've narrowed your results according to fandom/ship/additional tags, certain squares require you to sort the results by Date Updated, which is the default. Other squares require you to search for fics posted within a certain range of years, which you can do by scrolling on the search menu to More Options:
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Note that to enter a date range, you must format the date as shown.
REWARD:
✨ victory badges ✨
New badge for this card, but here are examples from previous cards:
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Tag me when you earn a bingo (or double, triple, quadruple... FULL CARD bingo) and I'll reblog a shiny badge with your name on it to commemorate the win.
FAQ:
Can I comment on tumblr or only on AO3?
Either one is great! This card especially is more designed with AO3 in mind, but some can be adjusted to suit tumblr as well, so I say go for it. Tumblr fics deserve love, too.
Can one comment count toward multiple squares if the fic fits more than one category?
Since the goal is for as many fics to receive comments as possible, try to comment on a different fic for each square.
Is there a time limit?
Nope! Take your time or set your own deadline, whatever works for you. This blog is still in its early experimental stage, so feedback welcome. Play around and let me know what you like and what might be added/changed—including ideas for squares on future cards!
Do I have to record progress on the actual card?
Nope! If it’s easier to keep track in a different way, that’s fine. This is all very honor system, so if you say you earned a Bingo, we’ll call it a win 🎉
Some people have been tracking not just completed tasks, but the fics they read along the way, so that when they post a bingo, they can also promote the fics/authors in a little rec list. Not required, but definitely cool to see!
Can I adjust the task in a particular square to suit my comfort level?
Of course! If you deliver something in the spirit of the task, then it’s all good. Use your best judgement in constructing a comment that will make the author smile, and you can consider it a job well done.
In general, so long as each square has produced at least one comment, you’re golden and I salute you 🫡
Happy commenting!!
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jesswritesthat · 2 months
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Atsumu Miya: Second Choice
Fandom: Haikyuu!! — [ Masterlist ]
Summary: ~2.2k, fluff
• You were never first choice, so it comes as a surprise when he notices your presence before anyone else.
Warnings: None
>>>>——————————>
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It was always the same, you'd watched as people flocked to beauty, straight past you every time. In reality when you became friends with Sachiko it was because she had a great personality, you couldn't have possibly predicted she'd become the most beautiful and popular girl in school by the time you'd reached Inarizaki High.
Regardless of her sparkling status, she remained your best friend and you'd usually be found together throughout the school premises along with anyone else who joined you at the start of first year.
When the Volleyball team grew more intoxicating, it was Sachiko who'd excitedly dragged you along to one of their home training matches. It's where you first laid eyes upon the famous Miya twins, a vicious team of spiker and setter with a serve worthy of award among them. Already they had personal fans and the cheer squad screaming their praises, you're surprised they didn't get mauled in the hallways.
Now you'd seen them, you recognised them in school and they apparently had space to breathe aside from the odd confession here and there. You'd regularly seen that with Sachiko though, she'd often be either pulled to the side or you'd bear witness to some lovestruck soul gushing their heart out for her.
It was humbling in a way, you were the one who goes unnoticed but notices everything. Including if feelings were reciprocated, and you're certain you deducted gossip before it even became that, you'd been getting accurate in predicting things lately. However, you never predicted one of them to notice you.
Especially him.
"Hey, ya in one of my classes right?" In honesty you didn't even realise it was you this voice was addressing since Sachiko lingered by your side, not until a careful tap drew your attention to the blonde twin rather than your locker.
"Huh? Oh I think so, it hasn't been long enough to learn everyone's name yet. You're the volleyball player though."
"Ah, have ya seen me play? Like it?" His head tilted in curiosity, proud smirk upon his lips.
"You were really good, you have great form when you serve." With that you nodded to him, slipping on your shoes and walking off with your best friend quickly following in tow.
"Woah— wait up!" You didn't even look back in the swarm of leaving students. "I didn't get yer name..."
———
It wasn't until a week or so later did he 'confidently' interact with you again, this time his call far more effective in hailing your attention.
"(L/n) (Y/n)!"
Immediately you spun to the origin, finding none other than Miya Atsumu dodging a group of fangirls rather effortlessly on his way to you.
"You know my name."
"Yeah 'course. You know who I am so it's only fair." It was surefire charisma, one you'd soon extinguish.
"Miya Osamu isn't it?"
"Ye—Hey?! YA GOTTA BE KIDDIN'!"
"'Tsumu shut ya mouth!" The namesake twin glared harshly at his counterpart, quickly flashing a calmer look when you'd addressed him.
"Ah, hey Miya-san. I apologise, that was my fault for winding your brother up."
"Dumbass has control of his own mouth." Osamu politely assured, meanwhile Atsumu reclaimed your peripheral with a childish pout.
"So ya knew ma name all along and decided to be freakin' mean about it? On our second meetin' too."
"I couldn't resist, you're so cute when you're mad."
"I'm— oh ya think I'm cute?" Atsumu stammered slightly, your smirk only widening upon noting the crimson tips of his ears. Honesty leaving your lips soon after.
"I think you're both handsome, as does a majority of the school body. See you Miya-san and Miy—"
"Call me Atsumu!"
"See you in class, Atsumu." You actually looked back this time, an unfamiliar and unexpected feeling flourishing within you.
———
Part of you wandered if it’d be different this time, maybe you’d found someone who was there for you and not Sachiko. Just this once. You’d spoken more in class, studied together, traded snacks, and genuinely became friends over the course of two months.
Ironically it was the same blonde who tugged you from your reverie at the your locker where you’d first spoken.
"Yer friends with Sachiko aren't ya?"
This was it, the moment you realised he was just like all others and for the first time in a long while, you were truly disappointed.
"Yes I am, and she is amazing."
"I'm aware, could ya introduce me?" He’d spoked so casually, completely unawares of the charade you donned.
"What? Too scared to introduce yourself?" Atsumu was taken aback by your mockery, smirk growing as you persisted. "She doesn't bite y'know, that's my job."
This was the second time you'd left him speechless, slamming your locker door and disappearing into the halls with a wave.
From then on you'd see them happily talking to one another, it was hard seeing them together, amusing considering you'd only known the blonde not even half the year, yet you'd liked him more than you considered possible.
The first time you'd walked into the classroom finding the pair conversing at her desk, it was like Atsumu was desperately trying to convince her of something. It was only for a brief moment but when the setter turned to see you with a suddenly concerned look, you realised you hadn't worn a facade. You were meant to smile, instead you must've looked saddened - briskly you offered a weak smirk, and span to leave the room with additional flare as to minimise suspicion.
You’d only made it three steps down the hallway when a grasp on your wrist limited your escape.
"Hey you okay?"
"Yes? Why wouldn't I be?" Came your upbeat response, even if he portrayed a careful worrisome look on his handsome features.
"Ya... ya looked upset."
"Really? Are you sure?"
"I'm observant y'know, gotta be fer volleyball so yeah, I noticed your little slip." He was more forward this time, gesturing to you with a tilt of his head - even if he was head over heels for Sacchan, at least he still genuinely cared about you.
"It's nothing, just realised I've got a test today and that's depressing enough." You thought it was acceptably convincing, though the calculating gaze he'd locked onto yours made you reconsider.
“(Y/n) I know I can be annoyin’ but I’ll do anything I can to help y—“
“I’m fine.” You instantly corrected, reaffirmation following. “I’m fine, Atsumu.”
A gentle pat on his chest told him not to worry, and the nod you gave said you wanted to be alone. So, he let you walk away, your wrist slipping from his grip.
———
Even weirder than the smitten pair hanging out was that your conversations with Sachiko seemed to revolve around him too. Which by your deductions, meant he’d certainly made more of an impression on her than anyone else recently. Maybe Atsumu really had a shot with her…
"Atsumu is so hot isn't he?"
"I guess he keeps in shape, he has to if he wants to improve his skills."
"Uh yes... his hair suits him though, brings out the colour of his eyes~" She gleamed, searching for your reaction and once more her face dramatically dropped at the deadpan reply.
"Makes him easier to differentiate from Osamu."
"True, but I'm asking if you find him attractive?!" Her impatience had gotten the better of her, voice raised slightly out of desperation.
"Isn't that a question you should ask yourself? I haven't heard you go on about a boy this much since middle school." You quipped, raising a quizzical brow at her.
"It's not like th—"
"Oh hey! Sachiko, (Y/n), you wanna come to practice today?" Atsumus’ hollering tone interrupted the conversation, the blonde strolling into your classroom like he belonged there.
"Yes, we'd love to." Sachiko of course was ecstatic to agree, why would she say no since he’s ’so attractive’. Yourself on the other hand had replicated the Thor meme perfectly…
"Would we though?"
"Yeah ya would! C'mon~" You hadn't the chance to protest further when Atsumus' hands clamped your shoulders steering you in the direction of the gymnasium with a giggling Sachiko skipping behind.
———
When Atsumu had asked you to meet him after school before practice started toward the end of the year, you expected something food related or about homework answers, not whatever this was.
Here he stood, flowers in hand and apparently a homemade bento box offered to you with a growing blush painting his handsome features and an aura of flustering about him which was unusual in itself.
"What are you doing?"
"I'm— isn't it obvious?!"
"I have literally no idea what's going through your thick skull, Sachiko will like the flowers though." You answered honestly, crossing your arms.
"They're not for her!"
"Oh... Suna...?"
Atsumus brows furrowed at your wit, shaking his head with a huff.
"Alright ya got me, they're for Sachiko. Yer gonna deliver them since yer her best friend. Thanks and make sure ya eat some of the bento 'cuz there's stuff yer will like in it. Later!" He basically threw the flowers at you and pushed the bento box into your chest prior to storming toward the exit.
You stood dumbfounded, flicking between the two items when he placed his forehead against the door with a defeated sigh and spun on his heel.
“Go! Go on, the team are here and I don’t want ya getting hit with a face full of leather and petals.” He’d stubbornly commented, ushering you out of the gym.
Still, you shouldered your sadness, wearing false confidence like your favourite outfit as you went to find your friend (completely oblivious to the embarrassed mess whining to his teammates inside).
Sachiko squealed when she saw you, leaving her work unattended and rushing to your side admiring your haul.
"It finally happened! Oh my goodness!"
"Yeah yeah, blondie came through congratulations." You boredly spoke, placing the items down whilst she basically vibrated with pure joy.
"Congratulations indeed! Are you happy?"
"Eh. He did say we should share the lunch."
"That's... weird?" Sachikos’ prior energy disappeared as she looked to you in confusion.
"I know, that's what I thought. Apparently there's things I like in it."
"Well obviously. Atsumu made it for you."
"No, he made it for you."
A moment of silence passed, yourself and Sachiko locked in a puzzled stare off.
"Nah, let's be honest, Osamu probably made it~" You dismissively waved your hand once placing the items on her desk, although it was only you who found humour in the situation.
"No (Y/n) I'm serious! Atsumu has been asking me about you and your preferences for months and I've been super excited about it. He even wanted me to find out if you liked him or not —of course IF I found out, I would've kept it to myself— but he really likes you."
"I thought he was into you, I mean everyone is into you." You adamantly justified, as if it explained everything but Sachiko was just as passionate.
"Not him, why do you think he keeps asking you to practices or bugging you every 5 minutes?"
"To get close to you? I don't know."
"No! To get close to you!"
Widened eyes and a look of pure shock told Sachiko her words had finally resonated with you, the truth burned brightly and she could only smile as you ran.
Abandoned were the flowers as you dashed through the halls and came to a skidding halt before the gymnasium - fingertips hesitantly pausing against the door upon hearing Atsumus' cursing whines.
"I didn't even get to say! They just ran off to Sachiko!"
“Ya literally said ‘Go’.” Osamus voice maybe?
“Yeah well, I don’t ever wanna walk away from (Y/n), but it feels like they’re always walking away from me…” Atsumu trailed off, more emotion than you thought lacing his words.
"Maybe ya shouldn't have lied?" That was definitely Arans’ blunt advisory tone.
"I had no choice! They were lookin' at me with their stupid pretty eyes and askin' if it was for Sacchan and I didn't wanna disappoint 'em."
"Yer an idiot." Osamu gladly highlighted, the perfect moment to walk in and make your presence known you decided.
"I know! But—"
"Atsumu?" At the sound of your call, the entity of the team turned in your direction, the setter being the first to respond.
"Huh?! (Y/n) what are you doing here?"
Osamu and the rest of Inarizaki seemed to understand the underlying tension and were quick to evacuate the area.
"I came to tell you that Sachiko liked the flowers." You awkwardly started, Atsumu running fingers through his hair with a quiet voice.
"Oh, right."
"As did I, and I think I'd like to get you something in return."
"Eh?"
"She told me what was going on." You filled in, hands behind your back fiddling with your fingers.
"She's lying! I do not like you at all, let alone find you attractive or anything!"
Much like you predicted, he'd jumped to conclusions and had inadvertently dropped himself in it and exposed the truth Sachiko had enclosed which earned your witty reply.
"Funny, I never mentioned anything about liking me. That’s good to know~"
"Wait— then what?" Atsumu defused, utterly confused and blushing.
"And it's a shame, I was about to confess my feelings for you but I see there's no need since you 'don't like me at all'." You shrugged haphazardly, a hint of sarcasm lacing your tone but it was your statement that revitalised his spark. Enough to abruptly skid in front of you with a commendable justification when you’d started to turn around.
"You still can, nothin' to lose and all that." A half smile was sent to you, hazel eyes meeting yours. “And please, don’t walk away from me this time.”
"I didn’t want— I mean I—“ A wistful sigh escaped you, confession imminent. “I really like you Atsumu, you're both an incredible player and a cool person so I’m glad I got to tell you that.”
“I like ya too (Y/n)! So much, and I feel more confident playing when ya come and watch. Yer smile really hypes me up y’know. If yer up for it, I’d love to spend more time with ya.”
"Yeah, I’d like that."
That evening, he’d offered to walk you home and there was still one thing you wanted to say after all that.
“Hey Atsumu?” A hum signified his attention. “Thank you for noticing me."
"Noticing ya?"
"Yeah, I just… I appreciate it."
"No I mean, noticing ya? I haven't noticed anyone else since I met ya."
<——————————<<<<
[ Masterlist ]
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cy-cyborg · 1 year
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This is just a not-so friendly reminder to non-disabled people, especially authors, people in fandoms or in media analysis circles: Cripple/crippled is not just a fancy way of faying "badly injured". it's not an adjective you can just throw in to spice up your sentence because you used "injured" or "disabled" too many times in that paragraph, or because you feel like it gives your writing some extra "oomph".
Cripple is a slur.
A slur the physically disabled community has been asking people not to use for DECADES, since at least the 1970's (50 years). It's a slur with centuries of abuse behind it, centuries of being used to justify physically disabled people as less-than, centuries of demonisation, mistreatment, ostracization, and murder.
Some people within the physical disability community are reclaiming it, that's where movements like cripplepunk (also known as crip-punk or C-punk) come from. That's fine, I'm not talking about that. I love the cripplepunk movement and everything it stands for: being unapologetic about our disabilities and not changing ourselves for the comfort or convenience of able-bodied folks. But the people who use it in that context understand the history of the word, they know how it was used to hurt us, and they understand that not everyone in the physically disabled community is comfortable with the use of the word, especially those who were around when someone being labelled as "crippled" was seen as a valid reason to treat them as less than human. They understand the impact of the word.
But If you, as an able bodied person, casually uses "cripple" in your work, at best you are showing your disabled audience that you haven't been listening to us, at worst, you show you don't care about weather we feel safe in the spaces you have created.
And for able-bodied authors specifically, even if your character is physically disabled, I'd still recommend avoiding it unless you're prepared to do a LOT of sensitivity readings from multiple sensitivity readers. I've been physically disabled since I was 1 year old, I learned to walk for the first time in prosthetics and have been using a wheelchair since I was in school, I have no memory of life as an able-bodied person, and even I don't feel comfortable using the word cripple in my work.
It's a loaded word, with a lot of implications and a LOT of very dark, and for some people, very recent history. It's not a sentence enhancer to just throw in willy-nilly. Please.
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huginsmemory · 1 month
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On ad astra per aspera ✨
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Can we talk about the repeated use of ad astra per aspera? Cause uhhhh it shows up twice, once on the website and once in the Book of Bill, and OH BOY this has connotations, both for Bill and Ford's relation in the literal and figurative meaning on the word, and for Bill's own history:
(extra addition added 16/09/2024! 🌝 )
First, in the website (if I recall correctly) if the phrase ad astra per aspera is inputted into the computer, you get the two pages on Bill's 'funeral':
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And within, in the pages, at the very end before signing there names is the phrase itself (highlighted in red) .
Secondly, a joke version of it is seen in the Book Of Bill, specifically on the night where Bill and Ford fucked 'one thing led to another':
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In this one, it's clearly a joke off of aspirin used for his hangover, used again to close the entry.
Now the phrase ad astra per aspera itself means 'through suffering to the stars', which also has... wider connotations then just these two piece alone, which I'll unpack later. But first, the interesting choice of connection of these two pieces;
Both times the phrases occur, they occur closing the entry; a bit too much of a coincidence to me (and in this fandom there is no such thing as a coincidence). Considering that the 'one thing led to another' night is a night that was important to their relationship as it hints at the intimacy they had with each other, it showing up again in Ford's 'funeral' entry about Bill feels very much like an allusion to that night. Especially considering in the funeral entry Ford is very open about how much he cared about Bill, with how he at one point "considered him the centre of his life". The entry from Ford reads as someone who is moving on, and part of this is acknowledgement of the grief and sadness for the more positive part of the abusive relationship that he lost. As a result, having him acknowledge the intimacy of their relationship, it makes sense for him to tongue in cheek allude back to his first writing down of the phrase, where they were quite clearly implied to fuck be intimate.
While it alludes to their Bill and Ford's intimacy, the literal and metaphorical meaning of the phrase also rings true here; through suffering to the stars. If we talk literally, then through Ford's relationship with Bill, something that ultimately was full of suffering, he built the portal, and ended up wandering the myriad worlds out there in space; one may say out there among the stars. He literally was out there wandering the stars as a result of suffering.
Now metaphorically, the phrase means through suffering/adversity one gains beautiful/worthwhile things. Considering this entry is Ford moving on from Bill, this is very apt; again, their relationship caused Ford immense suffering, and as he is now letting that relationship and suffering go, he's instead prioritizing creating healthy relationships with Stanley, the other twins and Fiddleford (the something beautiful and worthwhile part!). In fact, the entry on Bill's funeral is half on him strengthening his relationship with Mabel, the shooting star, another layer of wordplay; case in point about the healthy relationships. He's weathered through his abusive relationship, to discover and create a loving family.
It doesn't quite end there however; although that's fairly it for specifically Ford and Bill's relationship, we also haven't talked about what the stars mean to Bill himself. Which, well; it's very clearly implied that Bill accidentally killed everyone in his dimension in an attempt to show his parents (and other people in his dimension) the stars. And on top of that, to quote; "I looked up and saw the stars. And I was ready to become one of them". Which he then in a way, becomes, considering the page in journal 3 on constellations, in which Ford remarks that one of his favourite constellations is the constellation 'William' (obviously Bill). It's a bittersweet immortalization of himself after everything that occurs around trying to see the stars for Bill.
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So I find it very interesting that for Ford, a phrase about suffering and stars is something he ends up correlating to his relationship with Bill, considering that to Bill, to get to the stars is something he deeply suffered for as a result. It's also important to note that Bill's suffering was something that occurred out of love, and ultimately an attempt to be understood and create a deeper relationship with his parents where they could trust him. And then for Ford, all this while later, to look up to the stars (to see them) and to see the Bill constellation and go 'oh that's one of my favourites' is fulfillment. Because Ford during that time trusted and cared deeply for Bill, fulfilling that relationship of trust, love and understanding(at least surface level, considering the way they banter together), that Bill had yearned for when he was younger and killed his plane.
So all in all(tldr): ad aspera per astra, (through suffering the stars), is quite the fun phrase to unpack in regards to Bill and Ford's relationship, considering the deliberate reference to the phrase on the entry about the night 'where one thing led to another' and Bill's funeral entry. The phrase is a combination of references; tongue in cheek allusion to the intimacy, but also references to the literal (space fugitive) and figurative (abusive relationship, to loving family again pipeline) hardships Ford endured as a result of the relationship. There is also irony in the way that Ford seems to correlate this phrase about suffering and stars with Bill and his relationship, considering that out of an effort to be understood and share the stars with his parents, Bill accidentally killed his whole dimension; later he also made a constellation of himself. As well, as Ford says that one of his favourite constellations is a constellation that's clearly Bill in Journal 3, it alludes to that Bill's wish to show his parents the stars and be recognized is fulfilled by Ford (pre-portal incident that is).
EDIT: extra details added on the constellation piece as of Aug 14 2024 (less than 24 hours after og posting, because I'm deranged). Big thanks to @bowl-o-nudel for the nudge :)
Edit (16/09/2024): I've had a few people say that the saying has appeared in Journal 3 multiple times, and having reread journal 3, to my delight it is indeed correct! And oh the CONTEXT they give. The two instances are those seem below; the first appearance in the title page of Journal 3, and second time is a page from when the twins graduate.
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As well as all the parallels of how the phrase is applied for both Bill and Ford, as @zoizyboigy suggested, it seems to be a phrase that Ford takes as his own motto. It seems to be a highly personal motto to him; after all, they all are written around important turning moments in Ford's life; graduating, the journals which where to be his ticket to fame, fucking a triangle finding acceptance and intimacy with Bill , and lastly, moving on in his life from Bill and his destructive obsession with recognition. 
And it makes sense WHY this motto is one that is highly personal to Ford; the first time it is seen chronologically is when he's graduating, chosen when he believes he's going to be accepted into the university. It's a motto he chose because he was excited, because he thought he was already through his suffering and arriving to the stars of his fancy university, where validation and acceptance would abound; only that doesn't happen, and the suffering part within the motto is the only thing that's accurate, especially as that's when he rejects Stan. It's a motto chosen in celebration, that becomes a reminder of the failure to become someone who is accepted and important (and his prioritization of validation over relationships); it's now something he holds that reminds him of the validation he believes he deserves and he obsessively chases. 
And that's why you see it in the journal pages, because these journals are going to change his life, he's going to become finally a person of importance and be accepted with the information he's compiled in the journals. And in the same way, you see it after Bill (and interdimensional being of ancient knowledge) and him are intimate; he's become someone of importance to Bill, he's been accepted by Bill, even attractive to Bill (romance Ford seems to have terrible luck in).
And that's why you see it at the end of Ford's farewell to Bill; it's another turning point, it's Ford letting his obsession with world validation go which characterized it's meaning from the beginning, Ford letting go of his relationship with Bill, which it also came to mean, and instead celebrates his acceptance within his family and the strengthening of those bonds, and of prioritizing healthy, loving relationships.
Ps, if you enjoyed this meta post, I've also made another one, on exceptionalism!
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communistkenobi · 1 year
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I’ve been thinking a lot about fandom recently, both as someone who has engaged with it regularly for over a decade on various platforms and also as someone who has increasingly become disenchanted with those spaces. Not only because of pervasive issues of (especially anti-Black) racism, misogyny, transphobia/homophobia, and the like, but the particular way those things take shape within fandom.
At the most basic level I think fandom has a fundamental methodological problem with the way it approaches texts, be they shows, books, movies, etc. What I mean is that people almost invariably approach fandom at the level of character, often at the level of ship - your primary way of viewing a text is filtered through favourite characters and favourite relationships, as opposed to, say, favourite scenes, favourite themes, favourite conflicts.
This is reinforced through the architecture of dominant platforms that host fan content, particularly AO3 - there are separate categories for fandom, character and ship, and everything else is lumped together in “Additional Tags.” You cannot, for example, filter for fics on AO3 by the category of “critical perspective” or “thematic exploration”. There is no dedicated space for fan authors to declare their analytical perspective on the text they are writing about. If an author declares these things, they do so individually, they must go out of their way to do so, because there are no dedicated or universally agreed-upon tags to indicate those things, and if your fanfiction has a lot of tags, that announcement of criticality gets mushed together in a sea of other tags, sharing the same space with tags like “fluff and angst” or “porn without plot.” Perhaps one of the few tags closest to approaching this is the tag “Dead Dove: Do Not Eat,” which doesn’t indicate perspective or theme but rather that there is, broadly, some kind of “problematic content” contained therein - often of a sexual nature, frequently as a warning about “bad” ships.
Now this is not an inherent problem, as in, it is not inherently incorrect to approach a text and primarily derive pleasure from it by focusing on a given character or relationship. And I think a lot of mainstream media encourages (even requires) audiences to engage with their stories at these character- and ship-levels. The political economy of the production of art (one which is capitalistic, one that seeks to generate comfort, titillation, controversy, nostalgia, or shock for the purposes of drawing in viewership, one that increasingly pursues social media metrics of “engagement” and “impressions”, one that allows for the Netflix model of making two-season shows before cancelling them, as well as a whole host of other things) enforces a particular narrative orthodoxy, one that heavily focuses on the individual interiority of specific characters, one that is deeply concerned with the maintenance of white bourgeois middle class values of property ownership, the nuclear family, normative heterosexual sexuality and gender, settler-colonial ideas about community and environment, etc. If you do not care about the familial drama surrounding Shauna cheating on her husband in Yellowjackets, for example, because you think the institution of monogamous marriage and the nuclear family is stupid and violent and heternormative, then you will have a difficult time engaging with the show in general. We exist within a deeply normative (and frequently reactionary) media environment that encourages us to approach art in a particular way, one that privileges the individual over other narrative components (settings, themes, conflicts, ideas, political and moral perspectives, structure, tone, etc).
All of which culminates in priming fans to engage with art at these levels and these levels alone, even when that scope is deeply inappropriate. A standout example I recently encountered was browsing the fandom tags on tumblr for the movie Prey - a movie that recontextualises the original Predator film by setting it in colonial America to make the argument that the horrific violence of white colonists and imperial soldiers is identical to the violence we see the Predator do to human beings. It is a movie that makes the argument that, despite this alien monster running around killing people, the villains of the franchise are these occupying soldiers and settlers, an alien force who themselves have just as little regard for (indigenous) human life.
And when browsing the tags on tumblr, what I found was dozens upon dozens of horny posts about how hot the predator monster was. Certainly there were discussion of the film’s narrative, and these posts got a good amount of notes, but the tags were heavily dominated with a focus on the Predator itself. People were engaging with this film not as a solid action movie with interesting and compelling anti-colonial themes, but as a way to be horny about a creature that is, ironically, a stand-in for white settler indifference to (and perpetuation of) indigenous suffering. And if this is your takeaway from an extremely straightforward film with a very clear message, this is not merely a failure to comprehend the content of a text, this is something beyond it - a problem that I think is due in part to the methodological problem of approaching all texts as vessels for bourgeois interiority, individual but ultimately interchangeable expressions of sexuality, perhaps best-expressed by the term “roving slash fandom,” a phenomenon wherein fans will move from one fandom to the next in search of two (usually white, usually skinny) guys to draw and write porn of, uncaring of any of the surrounding context of the stories they are embedded in, and consequently dominating a large sector of fandom discussion.
This even gets expressed in the primary ideological battleground of fandom itself, the ridiculous partitioning of all fan conflict into “pro-“ and “anti-“ shipping compartments. Your stance on engagement with fandom itself historically was (and still is) always first filtered through one of these two labels, describing your fundamental perspective on all texts you engage with. And both of these two labels are only concerned with shipping, as if all disagreements about art can only be interpreted through the lens of what characters you think are acceptable to draw or write having sex. Nowhere in this binary is space to describe any other perspective you might take, what approaches you think are valuable when interacting with art, what themes or stories you think are worth exploring. It’s not just that the pro/anti divide is juvenile and overly-simplistic, it is a declaration that all fan conflict must be read through the lens of shipping and shipping only - the implication being that any objections raised, and criticisms offered, is ultimately just bitching about ships you don’t like.
Which, again, I think is a fundamental error of methodology. It leaves no space for people to discuss the political and moral content of a work, the themes of a piece of art, the thorny issues of representation not just as expressed through individual characters but entire worlds, narratives, settings, and themes. You are always hopelessly stuck in the quagmire of “shipping discourse,” and even rejecting that framework will inevitably get you labelled as either pro- or anti-ship anyway - and you will almost invariably be labelled an “anti” if you express any kind of distaste for the bigoted behaviour of fans or the content of the text itself, again reinforcing the idea that this is all just pointless whining online about icky ships you personally hate.
And this issue is best perhaps epitomised by reader insert fanfiction, circumventing any need for you to project onto a character by literally inserting yourself into fiction, primarily in order to write/read about a character you want to fuck. This then intersects in particularly disgusting ways with real world politics, such as reader insert fics about Pedro Pascal going with you to BLM protests. Even if this is (incredibly over-generously) interpreted as a very poor attempt at being “progressive,” it still demonstrates that many (white) fans are often incapable of thinking about anything outside of a character-centric perspective, quite literally centring themselves in the process, and consequently they think it’s totally appropriate to do things like that. The fact that this is also frequently a racist lens is not coincidental, because again, a chronic focus on (fictional) individuality prohibits any structural perspective from entering the discussion, which necessarily excludes a coherent or useful perspective on systemic issues, where people come to the conclusion that the topic of police brutality is little more than a fun stage to enact whatever romantic shenanigans you want to get up to with a hot guy.
I will stress, again, that it is not a moral sin to have a favourite character, nor is it bad to enjoy reading about two guys having sex in fanfiction. I enjoy and do those things, I engage with fandom often through a character-centric lens (see my url) - because it’s fun! But I think that this being the dominant mode of engagement inherently excludes and marginalises all other approaches, and creates a fandom space where the most valuable way to talk about media is to discuss which two characters you most enjoy imagining fucking each other
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sentimentalalien · 2 years
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Vent tags plz ignore
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carnivore-voyeur · 5 months
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Minors should not be going into adult spaces and then calling adults creeps for enjoying adult content made by and for adults. This is especially true for the Ghost fandom, and it's weird that we have to remind minors in this fandom that Ghost makes adult content for adults.
This was never an issue before the Impera era, but now I see so many judgmental videos about adult fans just existing and enjoying adult content within the Ghost fandom. I'm blaming TikTok and Stranger Things for the boom in minors coming into this space with this entitled mentality.
There's a simple solution to all of this. Stop going into adult spaces and then being surprised when there's adults there. They're not "cringe" for enjoying adult content. You are cringe for imposing a Hays Code level of censorship on adults within adult spaces.
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fozmeadows · 2 years
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tools not rules: the importance of critical thinking
More than once, I’ve talked about the negative implications of Evangelical/purity culture logic being uncritically replicated in fandom spaces and left-wing discourse, and have also referenced specific examples of logical overlap this produces re, in particular, the policing of sexuality. What I don’t think I’ve done before is explain how this happens: how even a well-intentioned person who’s trying to unlearn the toxic systems they grew up with can end up replicating those systems. Even if you didn’t grow up specifically in an Evangelical/purity context, if your home, school, work and/or other social environments have never encouraged or taught you to think critically, then it’s easy to fall into similar traps - so here, hopefully, is a quick explainer on how that works, and (hopefully) how to avoid it in the future.
Put simply: within Evangelism, purity culture and other strict, hierarchical social contexts, an enormous value is placed on rules, and specifically hard rules. There might be a little wiggle-room in some instances, but overwhelmingly, the rules are fixed: once you get taught that something is bad, you’re expected never to question it. Understanding the rules is secondary to obeying them, and oftentimes, asking for a more thorough explanation - no matter how innocently, even if all you’re trying to do is learn - is framed as challenging those rules, and therefore cast as disobedience. And where obedience is a virtue, disobedience is a sin. If someone breaks the rules, it doesn’t matter why they did it, only that they did. Their explanations or justifications don’t matter, and nor does the context: a rule is a rule, and rulebreakers are Bad.
In this kind of environment, therefore, you absorb three main lessons: one, to obey a rule from the moment you learn it; two, that it’s more important to follow the rules than to understand them; and three, that enforcing the rules means castigating anyone who breaks them. And these lessons go deep: they’re hard to unlearn, especially when you grow up with them through your formative years, because the consequences of breaking them - or even being seen to break them - can be socially catastrophic.
But outside these sorts of strict environments - and, honestly, even within them - that much rigidity isn’t healthy. Life is frequently far more complex and nuanced than hard rules really allow for, particularly when it comes to human psychology and behaviour - and this is where critical thinking comes in. Critical thinking allows us to evaluate the world around us on an ongoing basis: to weigh the merits of different positions; to challenge established rules if we feel they no longer serve us; to decide which new ones to institute in their place; to acknowledge that sometimes, there are no easy answers; to show the working behind our positions, and to assess the logic with which other arguments are presented to us. Critical thinking is how we graduate from a simplistic, black-and-white view of morality to a more nuanced perception of the world - but this is a very hard lesson to learn if, instead of critical thinking, we’re taught instead to put our faith in rules alone.
So: what does it actually look like, when rule-based logic is applied in left-wing spaces? I’ll give you an example: 
Sally is new to both social justice and fandom. She grew up in a household that punished her for asking questions, and where she was expected to unquestioningly follow specific hard rules. Now, though, Sally has started to learn a bit more about the world outside her immediate bubble, and is realising not only that the rules she grew up with were toxic, but that she’s absorbed a lot of biases she doesn’t want to have. Sally is keen to improve herself. She wants to be a good person! So Sally joins some internet communities and starts to read up on things. Sally is well-intentioned, but she’s also never learned how to evaluate information before, and she’s certainly never had to consider that two contrasting opinions could be equally valid - how could she have, when she wasn’t allowed to ask questions, and when she was always told there was a singular Right Answer to everything? Her whole framework for learning is to Look For The Rules And Follow Them, and now that she’s learned the old rules were Bad, that means she has to figure out what the Good Rules are. 
Sally isn’t aware she’s thinking of it in these terms, but subconsciously, this is how she’s learned to think. So when Sally reads a post explaining how sex work and pornography are inherently misogynistic and demeaning to women, Sally doesn’t consider this as one side of an ongoing argument, but uncritically absorbs this information as a new Rule. She reads about how it’s always bad and appropriative for someone from one culture to wear clothes from another culture, and even though she’s not quite sure of all the ways in which it applies, this becomes a Rule, too. Whatever argument she encounters first that seems reasonable becomes a Rule, and once she has the Rules, there’s no need to challenge them or research them or flesh out her understanding, because that’s never been how Rules work - and because she’s grown up in a context where the foremost way to show that you’re aware of and obeying the Rules is to shame people for breaking them, even though she’s not well-versed in these subjects, Sally begins to weigh in on debates by harshly disagreeing with anyone who offers up counter-opinions. Sometimes her disagreements are couched in borrowed terms, parroting back the logic of the Rules she’s learned, but other times, they’re simply ad hominem attacks, because at home, breaking a Rule makes you a bad person, and as such, Sally has never learned to differentiate between attacking the idea and attacking the person. 
And of course, because Sally doesn’t understand the Rules in-depth, it’s harder to explain them to or debate with rulebreakers who’ve come armed with arguments she hasn’t heard before, which makes it easier and less frustrating to just insult them and point out that they ARE rulebreakers - especially if she doesn’t want to admit her confusion or the limitations of her knowledge. Most crucially of all, Sally doesn’t have a viable framework for admitting to fault or ignorance beyond a total groveling apology that doubles as a concession to having been Morally Bad, because that’s what it’s always meant to her to admit you broke a Rule. She has no template for saying, “huh, I hadn’t considered that,” or “I don’t know enough to contribute here,” or even “I was wrong; thanks for explaining!” 
So instead, when challenged, Sally remains defensive: she feels guilty about the prospect of being Bad, because she absolutely doesn’t want to be a Bad Person, but she also doesn’t know how to conceptualise goodness outside of obedience. It makes her nervous and unsettled to think that strangers could think of her as a Bad Person when she’s following the Rules, and so she becomes even more aggressive when challenged to compensate, clinging all the more tightly to anyone who agrees with her, yet inevitably ending up hurt when it turns out this person or that who she thought agreed on What The Rules Were suddenly develops a different opinion, or asks a question, or does something else unsettling. 
Pushed to this sort of breaking point, some people in Sally’s position go back to the fundamentalism they were raised with, not because they still agree with it, but because the lack of uniform agreement about What The Rules Are makes them feel constantly anxious and attacked, and at least before, they knew how to behave to ensure that everyone around them knew they were Good. Others turn to increasingly niche communities and social groups, constantly on paranoid alert for Deviance From The Rules. But other people eventually have the freeing realisation that the fixation on Rules and Goodness is what’s hurting them, not strangers with different opinions, and they steadily start to do what they wanted to do all along: become happier, kinder and better-informed people who can admit to human failings - including their own - without melting down about it.   
THIS is what we mean when we talk about puritan logic being present in fandom and left-wing spaces: the refusal to engage with critical thinking while sticking doggedly to a single, fixed interpretation of How To Be Good. It’s not always about sexuality; it’s just that sexuality, and especially queerness, are topics we’re used to seeing conservatives talk about a certain way, and when those same rhetorical tricks show up in our fandom spaces, we know why they look familiar. 
So: how do you break out of rule-based thinking? By being aware of it as a behavioural pattern. By making a conscious effort to accept that differing perspectives can sometimes have equal value, or that, even if a given argument isn’t completely sound, it might still contain a nugget of truth. By trying to be less reactive and more reflective when encountering positions different to your own. By accepting that not every argument is automatically tied to or indicative of a higher moral position: sometimes, we’re just talking about stuff! By remembering that you’re allowed to change your position, or challenge someone else’s, or ask for clarification. By understanding that having a moral code and personal principles isn’t at odds with asking questions, and that it’s possible - even desirable - to update your beliefs when you come to learn more than you did before. 
This can be a scary and disquieting process to engage in, and it’s important to be aware of that, because one of the main appeals of rule-based thinking - if not the key appeal - is the comfort of moral certainty it engenders. If the rules are simple and clear, and following them is what makes you a good person, then it’s easy to know if you’re doing the right thing according to that system. It’s much, much harder and frequently more uncomfortable to be uncertain about things: to doubt, not only yourself, but the way you’ve been taught to think. And especially online, where we encounter so many more opinions and people than we might elsewhere, and where we can get dogpiled on by strangers or go viral without meaning to despite our best intentions? The prospect of being deemed Bad is genuinely terrifying. Of course we want to follow the Rules. But that’s the point of critical thinking: to try and understand that rules exist in the first place, not to be immutable and unchanging, but as tools to help us be better - and if a tool becomes defunct or broken, it only makes sense to repair it. 
Rigid thinking teaches us to view the world through the lens of rules: to obey first and understand later. Critical thinking teaches us to use ideas, questions, contexts and other bits of information as analytic tools: to put understanding ahead of obedience. So if you want to break out of puritan thinking, whenever you encounter a new piece of information, ask yourself: are you absorbing it as a rule, or as a tool? 
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reddesires · 1 month
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It Was Everything.
Part 3 of Is It Casual?
Previous Part
Logan Howlett x Mutant Reader
Warning: Angst (with happy ending.)
Fandom: Wolverine/X-Men
A/N: ngl I struggled so bad when writing this like omfg, I'm tweaking with how much I had to push myself to write this Ugh. I think this is the longest I've ever written a fic like, bro. I was so stressed. I hope you guys like it, I tried my hardest 😪
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You can feel the frustration building in your chest as you stand outside the Professor’s office, the conversation you had just moments ago echoing in your mind as you sharply bite down on your lip as you try to keep your cool, your eyes narrowed as you briskly walk down the hall.
Whatever is going on with your mind, it’s holding you back and it's becoming more burdensome as you try to reach your former potential, the sharp pains radiating deep from within the recesses of your head.
Your hand clenches and unclenches in agitation, everything seems to have a domino effect all around you, and it all starts with your lack of control over your mutation.
The Professor has been more than encouraging as he walks you through your sessions and he’s scoured through your mind countless times looking for the source of your problem but is cut short as it seems like your mind has built up defenses against outside potential threats, blocking out other telepathy users from reaching the vulnerable parts of your mind.
You’ve poked and prodded in an attempt to get past some sort of breach, but the lightning bolt of pain that passes through you is precise, leaving you defeated and with a bloody nose to prove it. You've expressed your desperation to Storm and she tries her hardest to comfort you with the idea that it’ll take more time for you to make a breakthrough but you’ll get there, and though you appreciate her optimism you have been finding it more and more hard to share the same sentiment.
The others have noticed that you have been walking around with that dark cloud over your head and they have made an effort to take away your attention from it but it always creeps back up slowly but surely.
Logan is especially worried about you and how much it’s been weighing down on you and though he doesn’t say a lot of his worries aloud you can see it through his actions and the way he looks at you. The way he lays his hand gently on your back as he sees you deep in thought and the way his gaze catches yours as he intends to bring your attention on him and him only, he’s become possessive of your attention not accepting the weak smile you throw at him in an attempt of appeasing him.
He always manages to make your breath hitch and catch in your throat as brings himself into your personal space, it’s almost like he's relying on some underlying feeling and he’s allowing his body to act on it and it’s gotten to the point where he’s been open enough to display this in front of the others earning some raised eyebrows which is met by his blank stare.
There are times where you stand toe to toe with him and as he looks down at you with that smug smirk you find yourself mirroring back his expression relishing in the self satisfied feeling that builds up from your stomach. Whenever he was around, it was like a switch went off in your body, and there was an instinctive way your body reacted, like it was as easy as breathing, no effort at all.
If only you felt that way all the time, have that confidence dancing on the tip of your tongue instead of that bitterness, the bitterness that lingers as the remnants of your paramnesia lays locked away from your use, your only allowed to use it in small intervals before the pain becomes too unbearable for you. As you walk with your head down, your nails dig into the tender skin of your palms, you hear your name being called from behind you, and you look back, unclenching your tight fists.
“Oh, hey Jean.” You feign your happy tone as she walks up to you with a small smile. “Hey, you doing okay?” Her tone has that worried edge again, and it does make your smile waver before you sigh decidedly against continuing to fake your way through the unsavory conversation coming your way.
“The Professor still hasn't been able to get past the blockages placed in my mind. He thinks I built it in an attempt to protect myself as a last resort.” Jean nods, a contemplative look on her face, her brows furrowed as the gears turned in her head.
“That would make sense, but does that mean there was someone trying to get into your head?” You can only shrug your shoulders falling back down heavily as you felt just how tumultuous this topic actually is. Was it really an outside source?
All these unanswered questions you have and so little to show for it, you are constantly told to have patience and the answers will come to you soon enough but the fact that those answers are blocked off from you along with your mutation makes you irate.
Jean places her hand on your shoulder, her smile sympathetic as she looks you in the eye seeing the frustration bleeding into your expression and the air is filled with a tension you're unsure of as she considers her next words.
“Maybe..I could take a look?” You raise an eyebrows as you fully comprehend her words, it does raise an interest in you but you're apprehensive as you think of the possibility of your defenses hurting Jean if she tries to get through what the Professor can't get pass himself, you open your mouth to voice your worries but she beats you to it.
“I'll back out if things go awry, I just want to see if I can see anything the Professor can't.”
You weakly smile, nodding. “Okay, but please don't push yourself. I don't want you to get hurt.” She nods quickly as she standing in front of you, you lower your head slightly as she places her fingers on your temples and you know that it wasn't necessary for her to do so but she's more than likely using you as an anchor to reality to pull her back from the complexity of your mind if need be, your sure she'll have to pull back since your fortification is aggressive in nature.
“Take a deep breath and relax.” You do exactly that, you try your hardest to keep all distractions at bay and open your mind up to her to the fullest extent but you know there's only so much you could do before she hits that blockade.
You can feel her fingers twitch on your temples and you're aware of where exactly she is in your head as she looks for any sign of frailty or low security but your mind holds up against her, as she looks through the memories available to her trying to decipher where it all went wrong, she gasps in sudden surprise as your defenses grab hold of her, the pain radiating to her own head in bursts.
“Jean! You need to let go.” You hurriedly say, squeezing your eyes shut as you try to will your mind into not retaliating against Jean. “I'm trying..” Her voice strains as she tries pulling back, her chest heaving in panic, with all the strength you can muster, you take hold of the connection between you two forcefully pushing her out of your head, your sudden action causing you to fall to your knees as you breath heavily, the sweat on your brow now noticeable to you as you panically look back up at Jean.
She's already looking down at you, her breathing slowly returning to normal as her hand is gripping the side of her head. “Are you okay?” You asked worriedly, she nods hastily as she nervously smiles in response as she extends her hand to you, you grab it exasperatedly, feeling the adrenaline rushing out of you just quickly as it came in.
“You nearly gave me a heart attack, Jeanie.” You laugh breathlessly. She shakes her head, mirroring your laugh. “I nearly had one myself. Your mind is on high alert. I felt the pain when it grabbed hold of me.. But it immediately stopped when you broke the connection..”
You sigh as you wipe your brow “Now you know what it's like being in my mind.” Her smile’s incredulous as she places her hand on your shoulder, and you know for a fact that she's shaken just by how strong the security of your psyche truly is. “That's one hell of a mind then.”
○●○●○●○●○●○
As you walk to your room, you're filled with thoughts of what just happened. Going into your head is not only dangerous for you but others too, so what could you possibly do?
If you don't do anything then your mutation will stay dormant, you’ll be left with little to no access to the full scope of your powers and though you know the others will never think lesser of you if that was the case but it's not how you want to go on, whatever happened to you it’s taken a part of your identity and you refuse to give up on that half of you.
The chatter of the buzzing students pulls you from your identity crisis as you look up, smiling and waving back to the students who happily crowd around you, their voices intermingling as they whine and express their want for your classes again.
“Hey hey, you know what's up, I'll be back and teaching all of you soon again.” The statement only seems to pull unanimous whining as they complain of how they are forced to do textbook work instead of the interactive lessons you've been adamant about doing with your students.
“Who’s your sub?” You smile, crossing your arms. Rogue, who has been standing to the side of you, laughs as she crosses her own arms. “Who do you think?” Rogue is a part of the class you teach for the older kids in the school.
Your class is an extracurricular class that helps the students understand their powers with more in-depth understanding and ways to use their mutation for more than what they think is the only option for them.
Gives them more purpose to life and a safe way to explore their powers in a more logical sense. Your class is a fan favorite since you tend to stray away from all the boring textbook assignments and come up with interactive lessons and projects.
“Hmm, why do I have a feeling, Mr. Howlett has been covering for me?” The groans and laughs uproar from the students, and Rogue shakes her head, her smile only growing as she looks at you.
“History is definitely more in his depth, Ms.Anamnesis.” You try to cover your laugh with your hand as the students complain of how boring it's been, but you hold your hands out, quieting your teenage crowd.
“Hey, cut him some slack! I know I'm more your vibe, but just endure just a little longer. Now get to your last period before you're late!” You place your hand on Rogue’s shoulder, squeezing it lightly as you smile at her.
“Don’t let them bully him too much, okay?” She puffs out air in amusement as she waves her hand. “As if they would do it to his face, that old man scowl intimidates everyone.” She giggles before she turns to her last period. “See ya later!”
You smile widely, waving back to her. You’ve always enjoyed Rogue’s company and your proud of how far along she's come since the first day she arrived to the mansion, you’ve always put yourself in a position to welcome the new children who come to the school, always quick to comfort and get to know the child so they could have some sort of connection while getting adjusted to their new environment.
You also treated Logan the way you would with a new student, allowing him the space he needed but always available when needed, you were not afraid of rejection or the hard exterior that protects the vulnerability that lays below that, he was rugged and harsh but your kind and nonchalant behavior got through to him and soon enough he became comfortable and open to your reasoning, you would never tell him outright that your method was a well used tactic, you’d feel he'd take offense despite it working well with him.
Speaking of the devil, he turns the corner with his all too well favorite brand of cigar hanging out of his mouth, the smoke haloing around his head. “You know how the Professor feels about you smoking inside during school hours.” You smirk, tilting your head, his eyes snap in your direction as he takes the cigar out of his mouth.
“Well, it’s a good thing he's not around then.” He smirks in response as he steps in front of you teasingly, blowing the smoke up above your head. Moments like this makes you question whether Logan puts up the brooding front of the others intentionally because he tends to fall into this laid back and smug air whenever your within his sights, your convinced that if he could he would push every button of yours possible just so he could have an excuse to be in your space.
His moodiness is few and far between the two of you as he much prefers your small glares and witty comebacks. “I shouldn't be surprised when it comes to the likes of you.” You roll your eyes as you flick your wrist, the cigar slipping from his fingers and up into the air far from his reach as you take advantage of your telekinesis to smugly stare back at him, his disgruntled grunt a sound so pleasing to your ears.
“Always one to put me in my place, huh princess?” You shrug, twirling your fingers as the cigar in the air imitates the movement. He looks to you with a raised eyebrow. “Who else will if I don't?” He smacks his lips, tilting his head as he heavily places his hand on top of your head causing you to lose focus and the cigar to fall down right into his palm as he puts it out with his closed hand.
“Wouldn't have it any other way, darlin.” He practically purrs in your direction as he leans closer into your space, you just push your open palm against his cheek pushing him away as if you were annoyed but you wouldn't admit that you enjoyed him most when he acted this way, but it does little to deter him as you can feel his amused expression against your hand.
“Yeah, yeah. Whatever.” He pulls back chuckling, as he runs his hand through his hair, the little tufts cause a smile to pull over your lips amusingly. “Anyway, we're training today in the danger room, so get ready.” He's quick to lightly flick your forehead playfully as you groan at the mention of training.
You and Logan aren't paired as often as he would like when it came to hand to hand combat training, it happened very rarely so he's always on top of the schedule for those times and although you did enjoy training with Logan, it could be pretty brutal when it came to the soreness of your bones the day after, it was an upside that Logan looked pretty good in those tight compression shirts you convinced him to start wearing for training.
“Ugh, fine.” Your lackluster response brings a glint to his eye as he ruffles your hair. “Don't be late.” You mockingly mimic him as you sludge your way to your room to get ready, mentally preparing yourself to get thrown around the danger room in the least sexy way possible.
○●○●○●○●○●○●○
You breathe in deeply, stretching your neck side to side loosening you limbs in front of the steel door to the danger room, you know you could do all this inside but you couldn't help but stall knowing that Logan was waiting for you inside, he more than likely knew you were outside anyway due to his enhanced hearing but you really didn't care as you try to calm your beating heart.
This isn't anything new to you but it is without the full scope of your powers at your benefit, it often gives you an upper hand knowing that you have a multitude of options when it came to both of your powers but your basically down to only 1 option with a small interval of time with the other, you'll have to make due.
As you tap the screen opening the door, you see Logan stretching his arm above him, the other hand gripping his right elbow as he tugged in the opposite direction, the movement causing his tight black shirt to ride up giving you an eyeful of his sculpted abdomen and the happy trail leading down into his sweatpants, you quickly look away coughing into your closed fist.
“Glad you finally made it. I thought you were gonna run off again.” His small grin is telling that he knew you were stalling, and you couldn't help but roll your eyes as you threw your towel to the side before cracking your knuckles, relieving the tension in between your fingers.
“Uh-huh, as if that would ever happen.” As you crouch touching your fingers to your toes, he stands cracking his neck, his head flicking to the side, his eyes hooded as he towers over you. “Let's see what you got today, Kid.” You jump up, flicking your finger under his chin as you turn your body away from him as you walk to mats, hyping yourself up.
“Sure thing, ol’ man.” You just know that he's taken slight offense to that as he makes his way to the opposite end to you, the narrow of his eyes and the slight condescending smirk making you feel like your heart may have skipped a beat, he's probably gonna make you eat your words, you don't know if you should be scared or excited.
“We'll see who's old by the end of this.” The two of you position yourself, the tension of the air shifting entirely as you stare the other down. “We'll see.”
The stare down was intense as you observed the other's stance, it was almost like a game of chicken, challenging the other to make the first move but Logan isn't known for his patience as he rushes forward toward you.
You run forward with your hands clenched and when your just within reach of him, you skid to the side completely springing yourself into the air, your hands pushing downwards using your telekinesis to propel your body up and over him as you shift your body around last second kicking him in the back sending him stumbling foward, he's quick to turn grabbing your wrist and swinging your body in the opposite direction.
You crouch, your fingernails digging into the mat to prevent yourself from slamming into the wall behind you. Logan surges forward grabbing you by the waist and allowing his body to fall forward in a attempt of slamming you into the ground but your open palms allow your mutation to stop the momentum as you knee his shoulder, freeing yourself from his tight grip. you twist yourself, lifting your leg up and over his head and onto his opposite shoulder, his head now between your thighs and completely under your mercy as he tries tossing you off.
You slap your hands over his ears, your mind allowing you to emit a high pitched static in his ears causing him to yell out and a feral growl rips from his chest as he manages to toss you off of him, you skid a foot away and before you know it he's on all fours, using his claws to propel him forward towards you and as you try to create distance between the two of you, it's no use as he manages to pin you down.
Your deep breaths intermingle with his as he has you pinned between his body and the training mat and as he gazes down at you, his eyes shift from your eyes and lips, his mouth slightly agape displaying his sharp canines. His smirk finds its way back on his lips as he pushes your hair from your face, his eyebrow raising teasingly.
“Who's old now?” You huff, suddenly raising both your legs pushing into his stomach and kicking him off of you and jumping up, back into position as you motion a ‘come hither’ to him with your fingers. “We're not finished yet, ol’ man.”
●○●○●○●○●○●○●○
There it is, the ache and soreness settling in your bones that you've been dreading the day after. You knew that training with Logan was gonna become a competition of who was gonna tap out first, it only ended on a agreed truce since you two refused to give in for hours and others needed the danger room for their own training sessions, the mat was in dire need of replacement from all the claw marks that shredded through it.
As you lay in your bed trying to stretch out the pains in your body, you hold your hand out in front of you, your big mission is just on the horizon and all you have is your telekinetic power to make up for it. Dragging yourself out of bed for the recap meeting with the Professor was excruciating in all ways to be expected.
The grunt and groans only increasing as you heard multiple knocks on your door, one is fast and is intentionally rhythmic and the other loud and with an all familiar annoying edge to it, your door swings open with swiftly as your met with the faces of your beloved friends who love getting on your nerves.
Logan and Ororo smile at your laid out figure sprawled out on the floor, your whines and groans only egging them on to annoy you even more.
“Get her, Logan.” He salutes Ororo as he’s quick to scoop you up on his shoulder, your yells echoing down the hallways as you kick your feet and hit his back. It doesn't faze him at all. “Quiet down, girl.” His hand smacks down hard on your ass, your indignant scream loud as you smack the back of his head in retaliation. “You asshole! Put me down!”
As he strides down to the lower floors, you all pass by Scott, and he’s not even surprised by the commotion as his head turns slowly following after your movements before sighing, shaking his head.
“Logan, can you stop roughhousing her.” Scott follows after while you yell in agreement, kicking your legs. “yeah, you brute!” He chuckles as the hidden door to the elevator opens only, then he puts you down.
“You like it.” You scoff before turning to Ororo with a scowl. “I can’t believe you let him treat me this way.” She pulls your arm stepping into the elevator, a grin on her lips as she innocently lays her head on your shoulder, fluttering her lashes at you. “There’s only so much I can do, sweetness.”
You roll your eyes as you pull Logan by the front of his shirt into the lift. He stumbles in his arm, stretched out, caging you between him and the wall as he grins slyly at you. “Hey.” You're quick to flick your wrist, causing him to be pushed into the side of the elevator. “Move, you dog. Scott, get in." Scott is lowly laughing into his fist, clearing his throat, but the smirk is obvious as day on his face as Logan scowls at him. “Let's hurry up before we're late.”
○●○●○●○●○●○●
The atmosphere is serious as you go over the details of the mission. You're up against the Acolytes, and you are to retrieve their documents for their next plan to exterminate the human race once again. They have resorted to taking in innocent mutant children, manipulating them into thinking that in order to have a safer life, they'll have to take on humans.
Your task in this mission is to defend against the enemy mutants outside the compound along with Logan, Scott, and Colossus while Jean, Storm, and Rogue make way into the compound to get to the documents and rescue the mutant children.
You are to fight until the government can step in and arrest the enemy mutants, or at least until you have the desired results, then can you retreat.
“We are fighting against those who have turned their back on humanity. Be on look out for Magneto,” You can feel the irritation building in your chest, the twitch in your brow grabbing Logan's attention as he’s leaned against the wall next to you, his hip bumping into yours. You nod in acknowledgment, bumping him back.
“Remember we fight as a team, stick together.” Scott's voice is tense with encouragement. He looks around the room, a way of reassuring you all of your purpose to this team. “Let’s suit up.”
Sharp and short, it’s showtime.
○●○●○●○●○●○
It's times like this that wrings your insides with unmeasurable nerves as you approach the designated spot of operations, the black bird within the cover of Storm’s dense clouds.
You worry for the safety of your team and your ability to protect them from the uncertainties that hover over you all, the air thick with unspoken apprehension, the tangibility of the situation heavy on your shoulders.
You outstretch your hands out as you shroud the teams minds with comforting images taking advantage of the easiness of manipulating deja vu, easing the tension by triggering that sense of familiarity.
You felt like you were choking on the on edge atmosphere, so when there’s a unanimous sigh released, you felt your taut shoulders drop with relief.
“Approaching at approximately 0500.” Storm voices as she switches notches on the panel in front of her, you sigh deeply cracking your knuckles releasing the tension from your hands, Logan mimics you from the side of you and as you look at him, he shoots you a reassuring smile.
“Relax, Princess. I got your back.” You smile back, your hand reaching towards him, he’s quick to envelope your hand with his, the hold anchoring the both of you.
“Right back at ya, Wolvie.”
○●○●○●○●○●○●○●○
Panic struck through you as you watched the chaos ensued around you, the wind blistering your skin from the sudden snow storm Ororo commenced.
You blocked the path that the others took into the compound throwing a huge pine tree in the direction of the enemy mutants, pushing them far back into the battleground where Logan and Scott parlayed their attacks.
Colossus was occupied with Juggernaut as their fight tore down half the forest. As you turned to back up the others, you felt a startling pain take hold of your head gripping your head as you looked at the source, a woman’s hand held out as she attempted to mind control you, her face contorted with strained effort.
Your teeth grinded harshly, you eyes narrowing as you allowed the defenses in your mind to strike her with precise aggression, she screams out in pain, her hands grabbing her head, shaking her head incessantly
You jump up and rush towards her. You towered over her hunched over figure, cupping your hands over her ears and emitting a high-frequency ring into her ears immediately knocking her out. You took off towards Logan and Scott, blocking the flame wall from Pyro with your telekinesis, protecting Scott from getting caged in, you pushed back against him.
“Scott, shoot the headlight!” Scott nods as he laser the headlight over Pyro, causing it to topple over him immediately, ceasing his fire show. You quickly tear off his wrist, contraping tossing it behind you.
“Where’s Logan?” You ask Scott as he looks around in search for the dark haired man, it wasn’t long before the two of you heard his rage filled scream from the crumbling compound, you two ran in that direction.
“You need to look for the others, take them to safety!” You yell to Scott, he quickly nods as he heads in the opposite direction where Jean and Ororo last was, you hoped that they all made it out safely. 
Your blood ran cold as you took in the scene before you, Magneto had Logan pinned to the wall, your fingers tingle with the pulse of your power, your breathing heavy as you stalk closer the lights flickering with energy building around you.
Your anger boils over as Magneto sends Logan flying through the walls causing the metal ceiling to pin him down, his lack of movement causing an angry yell to pull from you as you lift all objects around you, the static of your powers sizzling in the air and catching Magneto’s attention.
“Oh Anamnesis, how nice of you to join us,” You toss everything in your path in his direction, your hair standing from the overwhelming power stemming from your body. “I see someone’s been practicing.” He chuckles as he blocks the debris. You clench your teeth as you levitate off the ground, and the compound shakes all around you.
“It’s too bad the same can’t be said for Logan.” All the windows crash in as you throw your hand in his direction. “SHUT UP!” He tries to block but the glass shards slice through his skin, a expression akin to panic crosses his face, you can feel the immense rage building in your body as you continue to power up your mutation and you ignore the growing pain in your head until you feel a snap in your mind.
Everything rushing back to you as the blockades and defenses deteriorate, the memories and the anguish pulling you into the depths blinding you to everything as your scream echos to unbelievable distances, your mind pushing out the deafening sound waves and illusions right before Magneto’s eyes.
He backs away as the walls and roof top of the compound comes crumbling down. He retreats before he can be pulled down with the building.
You hear the Professor’s voice in your mind, pushing past the anger and anguish that you're drowning in. “Come back to us, don't let it control you.”
Your powers slowly falter as you close your eyes allowing the Professor's voice to talk you down, you allow your body to fall to the ground as the tears well up in your eyes before your head snaps up.
“Logan!” You run over to him, lifting the debris off him. He’s still as you try to wake him. “Professor! Logan’s not waking!” You sob, the panic enveloping you as you bring him to your chest.
“Please Lo! Wake up!” You shake him, but it’s no use as you don't even see a flutter of his eyes. “I can't seem to get through to his mind,” the Professor’s voice echoes in your mind, your eyebrows furrow as your teardrops land on Logan's cheek.
“Something seems to be blocking me.” You sob as you bring your forehead down on his, your hand going over his eyes. “I'm so sorry, Logan,” you whimper, undoing all the blockades and delusions from his mind. “It was all my fault. It was me.” You caress his cheek as you cry in silence before the Professor speaks up.
“It's done with, worry, not child,” You squeeze your eyes shut in shame as you hear the acknowledgment in his voice. “He’s gonna be okay.” You can only hope so.   
○●○○●○●○●○●○●○
The familiar smell of the antiseptic smell in the infirmary fills your senses as you sit by the table that Logan's laying on, you have refused to move an inch in fear of not being there when he wakes.
The steady beep on the heart monitor doing little to settle your nerves, he's gotten so many head injuries that you worry he may never wake up, you've checked him over a hundred times already, every cut and bruise long since healed by his impressive regeneration.
Jean has been constantly reassuring you that he'll pull through, worriedly looking over to you each time she steps into the lab but she knows better than to try and pull you away from him during a time like this, you and Logan are two of the most hard headed people there ever was to walk this earth when it comes to each other.
You gently caress your fingers over his knuckles, your eyes red and hazy as you think back on everything that you blocked out of your memory, the long nights spent in each other's arms, the warmth of his body on yours, the way he tasted right on the tip of your tongue.
You sigh deeply, you truly are way out of your depth, it was dumb decision after dumb decision, you could've killed yourself and possibly mess with Logan’s mind irreparably, the pain of not being his truly was a big pill to swallow, the love you have for him may have been the death of you otherwise.
Your head snaps up when you hear the groans escaping Logan, his body twitching and his face scrunched with an indiscernible expression. “Logan? Can you hear me, love?” Your only met with a groan before he springs up, the all too familiar ‘snikt’ of his claws reverberating off the infirmary walls, his head turns in a panic before his hazel eyes land on you, his voice breathy and with a relieved edge when he says your name as he jumps off the table enveloping you into his arms.
You wrap your arms around his neck, and his face is buried into the crook of your neck as he lifts you off the floor. “Oh God, Logan. I was so scared.” His grip tightens as he refuses to release you from his hold. “You're all alright?” His voice is muffled as he asks the question, you nod feeling the tears already welling up in your eyes. “Yes, everyone's safe.” He sighs deeply as pulls back to look you in the face, past the relief that everyone is okay, there's the anguish you've been dreading, everything is intact in his mind and you're confronted with the aftermath of your actions.
“Why?” The question comes out choked as he tries to understand your actions, his eyes glassy but stubbornly refuses to shed any tears. “I'm so sorry, I never intended to hurt you.” He pulls away from you as he looks to the door, his body desperate to escape the pain taking hold of him, he feels all the emotions gripping his subconscious as all the memories of you return to their rightful place. “I trusted you, you promised..”
Your hand reaches out, but you drop your hand out of defeat. There is no way of excusing your actions, and you hurt him while trying to protect what was left of your aching heart. “It hurt too much, I just wanted it to stop..” he turns to you, the furrow of his brow making your heart hurt wildly at the thought of him being angry at you, but you deserved his anger, his resentment.
His chest heaves as he looks you over, his mind trying to conjure anything up to help him fully access the situation, to somehow alienate his emotions from you. His hand reaches out towards your face as if he was gonna brush back the strand of hair in front of your eyes before he snaps his hand back and storms out the door, your tears trailing down your face in silent resignation.
○●○●○●○●○●○●○
That night, you laid in your bed as sleep evaded you. You stared up at the ceiling of your room. It was like everything was coming back to you with vengeance, biting at every surface on your body as punishment.
The empty feeling that consumes you is painful and dull at the same time, you try to hold back the tears but they slip out of your eyes with no effort, sticky and hot against your skin as your eyes stare with an empty gaze into the darkness. You would be haunted by this feeling. You would never forgive yourself for the harm that you caused.
You wouldn't forgive yourself for breaking your promise to Logan. Your thoughts stall as you hear a knock at your door. You groggily pull yourself from your bed as you wipe your eyes harshly, the puffiness of your eyes causing you to sigh. You pull your oversized flannel that you stole from Logan down to cover the top of your thighs as you open your bedroom door. 
Logan lurches forward, kissing you roughly as he pushes his way into your room. You yelp in surprise, but your eyes flutter close as he pulls your body into his before he pulls back “You fucked up bad but God, I love you.”
He kicks the door closed with his foot as he lifts you up and you immediately wrap your legs around his waist. “I'm so sorry, Logan.” You whisper into his lips as he trails down your neck, his teeth nipping at your skin.
“Apologize by being mine and only mine, doll.” His tone is aggressive with want as your hands run through his dark hair, his dog tags clinking in the otherwise quiet room. “I love you, Logan.” He's quick to kiss you again as he sits on the edge of your bed, his hand gripping the back of your neck.
“I love you too, this whole damn time.” His voice is genuine, and his eyes tell you everything you need to know. This whole time, it wasn't just casual. It was everything.
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《 TAGLIST 》
@flower-majesty-anon
@fandomsunited
@plan3t-plut0
@thewiselionessss
@the-queen-of-sorrows
@nerrivm
@aliisa-jones
@solarbxby
@uhnanix
@appetencyfortacos
@abarelyexistentbeing
@scarlett-witchhh
@butchers-girl
@thecraziestcrayon
@onlythehobi
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Note
the previous ask with battling anti-blackness in fandom had something I wanted to ask about. I'm not sure what aggressions look like in fandom communities especially when it's hidden as drama and dog whistles. So what are some things people can look out for?
80 Examples of Fandom Antiblackness
63 MORE Examples of Fandom Antiblackness
Why "curate your space" doesn't work with antiblackness
My apology to Black fans for being chased out of fandom
Feel free to peruse the tags. That last one has over nearly 90k, and even within it, are "allies" that are not quite understanding the point.
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olderthannetfic · 7 months
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Getting this off my chest:
Back from a small fanfic hiatus, and I am absolutely flabbergasted by all of the fic authors now practically begging their readers to READ THE TAGS.
I’ve been seeing this warning written in summaries, in author’s notes, highlighted in all caps in the actual tags. I’ve read so many apologies written by authors in the comments in response to people chastising the author for writing what they wanted to write, for what they tagged correctly — for what essentially comes down to nothing more than having had other people actively ignore their tags or read despite them.
And there seems to be this bizarre, somehow largely accepted idea that it is the creators job and responsibility to beseech their readers to ‘use caution’ and to ‘stay safe’, to ‘be mindful of their health’…
I am beyond confused here.
Since when??? did exercising the most basic form of common sense and acknowledging one’s personal yeas and nays, likes and limitations, become some other random stranger’s burden rather than one’s own? And especially a random person who tagged their work correctly??? Does no one remember how to harness their own powers of discernment and self-regulation???
This little jaunt back onto ao3 has been unlike any that I’ve ever experienced before. What. Happened?????? Who is this new, apparently severely emotionally unstable and obstinately tags-reading resistant audience everyone has come to focus on?
It all feels so out of touch. The basic concept of ao3 is for the reader to seek out what they want, not what they don’t want. And to actually read. But there seems to have been an extremely strong shift away from reading. On ao3. A site built specifically for reading and writing. (And other fandom artistic pursuits, but not my focus, atm; though I’m sure whatever this is has crept steadily into all spaces there.)
Plummeting reading comprehension must be somewhat to blame; the popularity of fanfic amongst younger and wider audiences, as well. But… young people have always been there, as far as my own experiences go, and it was never like this. It’s as if too many readers don’t know how to make good or even practical decisions for themselves anymore, that they’ve lost the skill of choosing, and now believe that they must consume everything that passes before them; — that they have, for some reason, adopted the belief that any turmoil or dislike or discomfort felt within themselves is harm purposely being done to them by the author.
Idk. Idk, idk, idk. It’s just such a bummer to see how much nervousness and distress has entered the community. Authors notes and comments used to be hilarious fun, or a peek into someone else’s real-life world, used to be casual and full of personality, whereas nowadays, there seems to be an underlying hesitancy and distrust, a sort of growing divide between writers and readers, groups which, until recently, very much were not mutually exclusive.
--
Idiots have been around forever. The more you cater to them, the more entitled they get. It's best to shut that shit down fast and use no warnings that indicate a willingness to entertain stupid complaints.
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motziedapul · 6 months
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If you don't mind my sharing my own, probably less spicy POC rep in audio drama take: the AD community's tendency toward celebration of "representation" within the medium as if this rep applies to anything substancially besides queer characters is exausting. Sure, queer rep is important but so often reading "there's rep for everything!" and the cast is like, 95% white? Or, bafflingly, people claiming diversity for something that is entirely fanon? Mmh.
Hi anon!
My take is just about as spicy, honestly.
There's a tendency to value "racially ambiguous" characters played entirely by White actors over actual BIPOC characters
(usually with BIPOC actors, though I'm not as strict about this since I don't mind White actors playing BIPOC characters so long as BIPOC voice actors can play White characters and no BIPOC actors lose voice acting opportunities. And as long as more attention is given to BIPOC creators than we're getting currently).
It sometimes feels as though BIPOC (Black, Indigenous, People Of Colour) characters and creators are overlooked in favour of characters who are ostensibly White but drawn by fandom as BIPOC.
I've seen a lot of support in the community from fellow audio drama people; I've felt uplifted by my fellow creators who are White, and I always appreciate and value that. And obviously some shows are just well made and part of their success is based on other factors.
But as someone who's also aware of audio drama fandom, it's easy to see how much favour is given to White Characters drawn as BIPOC in comparison to characters who are BIPOC in text, and I'm not sure why.
That's my spicy opinion. I follow a few BIPOC creators but I can only name two that have an amount of success comparable to White audio drama creators (Gabriel Urbina of W359 fame and Octavia Bray of Atypical Artists), but my knowledge is limited.
And that's not even getting into female led audio drama, but I do love the success of creators such as Lauren Shippen in the space.
I'm not here to yuck anyone's yum or blame anyone for this phenomenon, but I do think it's worth thinking about. Why I see 50 brown Jonny Simses for every canonically brown Samama Khalid. Maybe it's all a coincidence based on other factors. Maybe White characters invite more imagination in their depiction or something.
I don't mind BIPOC depictions of ostensibly White or "racially ambiguous" characters, but I'm not a big fan of if they outnumber depictions of canon BIPOC characters. I just think the latter deserve more love.
I'm no expert. Also I'm mostly in the horror space, apart from my love of Life With Leoh (a sci fi romcom). My knowledge is very limited so if anyone would like to contradict me, I welcome it (especially if it means discovering more BIPOC led shows).
I don't want this to just be about complaining, so please feel free to shout out some fantastic BIPOC led audio drama (either created by or with a majority BIPOC cast) or even share some art you've done of characters from them and I'll happily share them.
My favorites are Wolf 359 (by Gabriel Urbina) and Life with Leoh (by Octavia Bray)!
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cy-cyborg · 6 months
Text
We have communities - Writing disability quick tips
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So often, stories centred on disabled characters, especially in modern settings, emphasise how lonely or isolated the character is because of their disability, especially if it’s a newly acquired disability or one that non-disabled people assume would have a big impact on our ability to do “fun stuff”. This will often be accompanied by statements of “no-one understands what living with [insert disability here]” is like!
And while isolation and loneliness are things a lot of disabled people deal with, a lot of us are not completely alone either, especially in the modern day.
Just like any group of people with shared experiences, we find one another. Sometimes this is through formal systems; some spinal rehabilitation centres for example, will pair newly paralysed people up with a mentor who’s had a similar form of paralysis for much longer to help guide the person while the adjust to their new disability. Other more formal systems can look like disability sporting organisations - the one I used to work for used to specifically encourage very newly disabled people to join so they didn’t feel like the had to learn everything about their disability alone, or support groups.
Other times though, these communities are much less formal. They may look like online forums, such as the ones on Reddit, built by and for disabled people to talk about their experiences and seek recommendations from others in the same boat, or parts of larger social media sites. For example, on Tumblr, there aren’t really any formal groups, but thanks to the hashtags we use in our posts, we often find one another fairly quickly there. We sometimes also carve out our own little subsections of fandom or hobby spaces, brought together by the shared interest itself, how things like disability might impact the way you interpret or interact with it, and how we can modify it (in the case of hobbies) to make it work for us.
A lot of disability communities, formal or otherwise, also form out of necessity, such as advocacy groups run by and for disabled people, and those built around ensuring the rights of disabled people are protected.
Isolation and loneliness are problems within the disabled community that many of us deal with, but this tends to be more in the context of isolation from the wider public, exclusion from public spaces and events (despite there being laws that are supposed to stop this because they’re often not enforced), disconnect from non-disabled friends and family, etc, most of which are the result of systematic issues or the lack of understanding or care and support from non-disabled people in our lives. Not always, but often.
The communities made by and for disabled people though are often (at least in part) made to help make up for this, and they’re more common than you might think, you just have to know where to look. It would be nice to see more creators reflecting this in their work a bit more often, or at least acknowledging that they are there, even if your character chooses not to engage with them.
However, as a reminder to authors and creatives: These communities, especially the online ones, are for disabled people, they are not there for you to use as a reference as a creator. Some communities are ok with you being there to learn, so long as you listen and don’t try to speak over/bombard their members with questions. Others are not. The ones that are, typically will have something written somewhere if it’s online (e.g. subreddits that accept writers wanting to write disabled characters will often have it written in the “about” section or the rules). There are also dedicated groups and platforms for non-disabled people seeking to learn more about us and our communities, which can be excellent resources for creatives like writers. Just remember to be mindful of where you are and respectful of people’s spaces and boundaries when doing your research.
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noxcheshire · 4 months
Text
Might be blasphemy within the Danny Phantom fandom but I just cannot see Danny x Sam being an actual ship regardless of it being canon in the actual show and now book.
Even as a kid I thought it was weird and couldn’t figure out why that bothered me, and I think now it’s because I never saw any indication of Sam or Danny ever being actually romantically attracted with each other. To be fair I saw that show when I was little, and maybe I’ll see those romantic moments that the show was building to if I can find actual length videos of the episodes.
But at this moment, I can’t recall ever having seen it.
And it baffles me, because I kinda don’t feel like Sam really loved Danny, even as a friend. And I think that really showed in the episode with her wish that changed the structure of time and space so that Danny never died and she was never friends with Danny and Tucker.
If she loved Danny, regardless if it was as a potential lover or friend, she would never have allowed him to die. Not once, but twice.
The first, okay, it was an accident. Kids do dumb things all the time, the more potentially dangerous it is the better — but the second time? The second time was deliberate.
She put him into that suit, without explanation, and without assurance. Nothing but a change of his hero signature.
She didn’t hesitate to let him die again, instead of asking herself if she could stomach watching him go through that again.
What person who loved you could do that to you? Could stand to see you go through that pain?
I feel a good example of love as well, especially in the show, is Jazz. She loves Danny, as a sibling, as a friend, and with all that love she would choose to walk herself into that portal then to let Danny do it instead.
She shows that deep love for Danny to the audience by choosing to protect him from their parents so they would never know he is the ghost boy that they want to rip apart molecule by molecule because she doesn’t want to take the chance of loosing him twice.
Jazz wanted to do that.
So why couldn’t Sam?
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