#especially with alliteration

[rancidarling]

username ideas for myself ig

goresprout (if my blog is gone forever)

digitaldetritus (sounds cool?)

cardiovascularwhore (inside joke with my.... not my friend anymore ig....)

blutturntmichan (Cutthroat reference)

[almostaknight]

the lannister siblings when you piss them off and don’t have a jawline crafted by the gods:

[mediumgayitalian]

writers reblog with your three favourite literary devices mine are repetition alliteration and metaphor

[weirdopponent]

FRUITS THAT COULD HAVE BEEN GROWING ON THE TREE OF KNOWLEDGE

The apple, the classic, bright red like struck skin

fits firmly in your palm.

You crush it in your teeth and between your jaws, it snaps like broken bone.

Scavengers feast on what remains, what you leave behind.

The pomegranate, cut in half, bleeds like a heart

from four chambers, from its severed veins

which it doesn't need anymore, taken from its body like this

The peach falls to the ground and no one catches it in time

and it bruises readily, tenderly

martyred for the health of the earth

The cherry grows in pairs

One holds the other which holds the other back

When you split them apart, the ladder of your ribs aches in sympathy

The apricot shines golden from its perch in the golden sun

reminding you of the guardians blinding halo, its fierce flaming swords

Is it ever blinded? The fruit is sweet on the tongue

A banana?

That's just silly.

[sysig]

The heart grows ever fonder ♥ (Patreon)

[ares-ariborn]

this is the most adorable moments i've seen with the turbots on s10 lol

[sock-to-the-third]

Nothing but silence, a soggy, soothing silence.

The Physical Culture Peril by PG Wodehouse

[lovelysimies]

worst welcome wagon one could withstand }:(

[dontmindme2600]

Listening to any of those YouTube video game songs at my age makes me physically cringe (no offense to anyone who does) but that rap Dan Bull made for Fallout 4 before it released absolutely FUCKS and has genuinely the most creative lyrics I’ve seen from any of those types of channels. Like the alliteration??? Holy shit. Like I’ll still be embarrassed but I can’t help listening to it, it literally sounds canon, dare I say better than something that would come out of Bethesda

[fierykitten2]

A few headcanons about Snacksworth’s treats:

The Proto Beasts and Neo Swords love their respective modern-day counterparts’ treats (Blueberry and Cherry just coming up to me and mugging me for the Suicune and Virizion treats I used to catch Scarlet and Violet respectively)

Glastrier treats have Iceroot Carrots and Spectrier treats have Shaderoot Carrots

Disappointingly I can’t think of anything else right now also both of those felt very obvious

[ereh-emanresu-tresni]

Honestly extremely biphobic that I can't automatically know every language

[alliterationbrainscratch]

Sing those Songs that offend the Censors

///

Pop my Pills from a Pez dispenser

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[britishchick09]

i had an ai write a blurb for the rewrite! :D

In "Phantom of the Opera Rewritten," follow the story of Christine, a timid singer who discovers her true potential under the tutelage of an enigmatic masked maestro, otherwise known as The Phantom of the Opera. Set in the romantic city of Paris in the year 1888, this reimagined tale of passion, ambition, and tragic love will transport you to a world of soaring melodies, haunting harmonies, and unforgettable characters. Will Christine find her voice and impress the audiences of the grand Paris Opéra? Or will the Phantom's mysterious past and tormented soul keep them both from living the life they deserve? Dive into this captivating retelling of a timeless classic and experience the magic of the world's most iconic musical like never before!

[vaspider]

Tell me about a turn of phrase that introduced you to the power of language, especially if it comes from a source that most people disregard.

I'll start: one of the first times I really fell in love with a line from a song was when I heard "I'd Really Love To See You Tonight" on the radio.

The chorus goes:

I'm not talking about moving in

And I don't want to change your life

But there's a warm wind blowing the stars around

And I'd really love to see you tonight

I have been obsessed with the line "there's a warm wind blowing the stars around" since I was something like 6 years old. It's so beautifully economic in its word use, isn't it? You know that the night is clear and beautiful, it's windy but warm, it's a perfect night for being outside and looking at the sky. In eight words, even as a small child, I had a perfect mental image of what that night looks like.

The other one that always comes to mind is the Muppet Christmas Carol song "It Feels Like Christmas," for one line only:

It is the summer of the soul in December

The "s" sound in summer, soul, and December all fall on the beat. It is a perfect example of using consonance (as opposed to alliteration, which would require those sounds to all be at the start of the word) in lyrics or poetry, and is one of the first times I really remember that concept sticking in my mind. (I use consonance very heavily in my poetry, so that's, like, formative.)

Tell me about the language that showed you what language can do - and for my sanity, please make it cool stuff and not like "and that's how I learned how shitty propaganda works," bc while that is in fact part of how language works, this is Tunglr dot com and I'd prefer to have a nice time today. Thanks.

[choccy-milky]

finally drew clora and seb's kids!!🙌🙌

Celeste Sallow: OK THIS IS THE NAME IM SUPER PROUD OF BAHAHA because not only does the name celeste relate to the stars (in typical ravenclaw fashion...clora picked the name) but celeste sallow is also an alliteration. BUT, its an alliteration that begins with a C, which means clora gets to match with celeste in the form of both of their names starting with a C, whereas sebastian gets to match with celeste because both of their names are an alliteration/they're alliteration allies🥹ITS THE BEST OF BOTH WORLDS!🥳

Lewis Sallow: as for lewis, if you've read my fic then you know that seb has a vendetta against names that start with an L bahaha, but 'lewis' was actually HIS idea. when celeste was born, seb wanted to find a muggle story to read to her, since clora's favourite story is ALSO a muggle one (sherlock), and he wanted to stick with tradition. so he ended up finding alice in wonderland, which he loved because of how adventurous and clever alice was and of how much she reminded him of clora and celeste (both personality and looks wise). it became his favourite for those reasons, to the point that when they had lewis, sebastian overcame his L-name hatred by naming their son after lewis carroll.

Houses: celeste could have been sorted into either gryffindor or slytherin, but ultimately ends up in slytherin because she wants to be like seb. kinda like how clora also probably could have been in gryffindor, tbh. as for lewis.....him being 10000% in ravenclaw doesnt need any explanation BAHA, just look at him.

Appearance: since clora has a tiny bit of veela blood in her, thats obvs passed down to their kids, too, and so they mostly take after her as a result of it. but there's still little bits of seb that shine through in each of the kids: for lewis its his brown curly hair, and for celeste its her complexion/freckles. and the fact that celeste looks so similar to clora only doubles up sebastian's stress/protective instincts when he watches her BAHAH. he's ofc still proud that she takes after him so closely, but seb also cant deny that he wishes it had been their SON that had taken after him instead, to keep her out of danger.

Celeste & Lewis: for celeste and lewis’ relationship, celeste is a super proud big sister, and treats lewis kinda like how seb treats clora. if there's anything that needs to be done, she offers to do it for him. and although she doesn’t have the patience to read stories herself, she loves playing outside and having lewis read to her in the background, and loves to act out/use his stories to fuel her imagination. and lewis makes sure to pick stories that he KNOWS she’ll like (which mostly involve heroic and daring feats of adventurers or pirates. he's tried to read more classic fairytales and romances to her a few times, but celeste always gets bored). she loves to draw though, so sometimes when lewis reads books that have no pictures, she'll draw them herself.

Celeste & Seb/Clora: celeste is a daddy's girl LOL and always tries to impress seb with the stuff she does, especially after hearing how HE was at her age, and so its half to impress and half because shes competitive that she wants to do the same/be just as good. and seb always gets a kick out of hearing her feats in the crossed wands club, or in defense against the dark arts class, and he also goads her on, telling her she'll have to do better than that if she wants to be as good as HE was. and whenever celeste gets detention, clora always stresses and asks why, whereas seb just tries to keep the smirk off his face. as for celeste and clora, clora also reads to celeste, and bakes and cooks with her, which is something celeste actually likes doing. not only because it keeps her busy and she likes to help and get messy in general, but also because she likes the fact that it results in good food afterwards LOL, and constantly asks when things can be taken out of the oven. also, for as tomboy-y as celeste is, she honestly doesn't mind/likes the clothing that clora puts her in and likes when clora dresses her up, bc it makes her look like one of the princesses from the storybooks, and it just amuses her more than anything else. once she enters hogwarts, though, its mostly trousers. but she still DOES like the occasional girly clothing.

Lewis & Seb/Clora: lewis is a momma's boy LOL and unlike celeste, doesnt care about duelling or of proving himself or anything like that, and is only concerned with stories and his future studies. so ofc clora had to show him sherlock, which he naturally loved. it even inspired lewis to want to write his own stories, so that he could challenge his own skill and see if he could, but also because he wants his mom to read them, and likes the idea of writing his own sherlock-esque story with equations and mysteries to be solved that he can offer her. lewis also wants to write a book for celeste as well, bc although he wont admit it, he basically wants to write a story tailor-made for her and her interests. one that he thinks will have everything she’d love in it. and part of it is genuinely because he WANTS to do it for her, but the other part of it is also for his ego, and to see if he CAN write a compelling story, and write something that would actually get THE hyperactive celeste to sit down and read it in its entirety (not to mention of her own volition). as for with seb, lewis looks up to him more than anyone else, due to how well-rounded he is and how hes so good at practical stuff AND studying, and he kinda sees seb as a main character/protagonist from one of his books, and uses sebastian as inspiration for his own stories. if hes stuck on what he thinks the dashing main character should do next, he'll ask his dad what HE would do, which results in seb getting very weird questions that he nonetheless is always happy to answer. also, when lewis is older and finally learns the full story of what happened with clora and seb and ranrok and rookwood, he writes their story in novel form, except he just changes their names/some of the details, and it becomes a best seller LOL. and i didnt know where to put this, but the four of them all read a story before bed every night, with lewis in the middle and seb and clora on either side of him. though celeste stands at the foot of the bed, basically doing a charade/mime show of what theyre reading, and putting on a little play to go along with it BAHHA.

OK thats all i can think of for now ive yapped enough😩 if youve read all of this ur a real one.... ive also considered giving them a 3rd (and last) child, which would be a boy that looks exactly like seb, and seb would just be praying like please.....let this son take after me🧎‍♂️🙏 BAHHA