#especially since I know OP

[impishtubist]

There seems to be a level of symbolism being lost in the Tall Sirius debate that I think we need to address because it's A Problem. You don't need to have read the books or watched the movies to hear me out here.

This debate, at its core, isn't pettiness about whose HC is correct or better. It's an issue with gender representation in the way this character is being written over and over again in blatantly misogynistic and often transphobic ways.

Taking any character from any fandom or any original work and making them tiny, defenceless, hysterical, out of control, incapable of independent thought, born only to find love with a Good man, and valuable only for their attractiveness or sexual willingness is misogynistic. These are long-standing, harmful, and very gross tropes used to belittle women-identified and femme people for centuries in Western lit. There are real life consequences to believing these things about women-identified and femme-coded people, even in fiction.

Making that character exist only for the purpose of being sexually desirable to a strong, emotionless, cool-kid bro dude in need of being cared for and fixed and healed - and who is too Good and too smart and too perfect for the fucked up little femme character whose fault it is for making his life harder - is inherently harmful. To everyone.

That relationship dynamic isn't healthy and, frankly, seeing it over and over again scares me and makes me worry for many people in this fandom when they step away from the screen. This is like DD:DNE levels of fucked up but there are no tags for us to avoid it because many people don't see it for what it is.

This is like 1940s rom-com shit. We pick these representations apart all over social media, so why is it okay in this fandom? Writing these things isn't cute or romantic or funny, and it shows that some of us aren't the feminist, queer, and trans allies we proudly say we are.

On top of all of this, taking an already very queer-coded character and writing them with the above tropes while they are trans-coded, gender bending, crossdressing, non-binary, androgynous, and/or otherwise gender non-conforming adds the extra layer of transphobia frosting to an already fucked up cake. It's spray-painting the trans-as-mentally-ill-fetish tag all over this fandom and, as a trans person, it hurts me very deeply to see this. I only read fics recommended to me by friends now because I Cannot Deal with the distress this causes me any longer.

These representations are harmful to everyone regardless of sex, gender, or sexual identity, but especially so for trans, non-binary, intersex, and gender queering folx.

We don't give a shit if Sirius is tall in your HC (even though he is in canon). The problem is that it's a red flag for the rest of this very fucked schemata of woman-, queer-, and trans-bashing that it seems many people aren't seeing or questioning. You can write harmful things even if everyone in the fic is gay for each other.

I don't have much to add to this (I'll let everyone else tear each other apart in the reblogs/replies while I eat a bag of popcorn lmao) except to say that YEAH, short Sirius in fics is now a red flag to me. And it shouldn't be! It didn't have to be this way! But now I don't trust a fic unless it's written by someone I know or it's recommended to me by a trusted mutual.

[introspectivememories]

cannot stop thinking about how jealous tye hearts and strawhats must be of each other because like imagine you're a strawhat. your captain is in the middle of a war and sees his brother die in front of him. you and your crewmates are scattered across the globe with no way to reach him. you don't even know if he's still alive until months later when he reappears on the front page of the newspaper with message for you guys. later when you're all reunited with a new alliance on the way, you find out that this weird ass pirate and his crew was there post war. weird ass pirate and his crew patched your captain up. weird ass pirate and his crew was there in your captain's darkest hour and you weren't. it should've been you by his side and it wasn't. and on the hearts side of things, your captain leaves you behind to fight his abuser. he does not let you come with him. you live on a submarine. you've all seen each other at your worst moments. you've seen how much doflamingo scares your captain. you've been working on this plan for fucking years and instead of letting you stand by the man you have chosen to follow he sends you away and instead takes strawhat's crew as backup. you dont even know if he's alive until the news comes out. strawhat luffy and his crew were there as your capatain faced his abuser and you weren't. it should've been you by his side and it wasn't.

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[kurozu501]

do you ever think about how oda fooled us all with garp's silly little "teehee im not going to capture you im your grandpa after all" routine in water 7 and then this "kill me or ace will die" moment happened and it was the last time luffy and garp ever interacted in over 500 chapters and 14 real life years now. We haven't seen luffy really think about garp or mention him to anyone else since. This could very well end up being their final interaction in the series.

[moongothic]

You know, I would love it if we could see Mihawk just. Get slightly fucked up by someone, have his sword stolen and watch him figure out how to fight with some random ass sword instead

I just think. It'd be neat.

Like we kinda know how The World's Greatest Swordsman fights with his itty bitty knife, we know what kind of damage he can do with his iconic Yoru

I just think it'd be fun to see him fight with a regular katana and try to get his stolen sword back or summin' IDK

[shima-draws]

So. I just watched One Piece: Film Red,

[mwagneto]

The thing is that yes, 13 herself is good, but the show as a whole just wasn't great during her run. Something something there's a baby in this dumpster

yeah like i recognise that most ppl just disliked the show even if they liked her but that's like... almost worse to me? coz i rly love her seasons like i hate the big twist as do most ppl but like it's literally doctor who i'm used to bad decisions. but like the episodes themselves are fine? good even?? i mean there's some i think suck ass like rosa or kerblam but a lot of them are like really good??? and it literally just. makes me really sad that ppl put up with 6 seasons of moffat but literally immediately gave up on 13. like it was actually fucking insane to watch how hyped everyone (EVEN non dw fans) was about her turning into a woman and then the fandom just. disappeared. like idk obviously i cant fault anyone for liking/disliking whatever they want but it makes me so fucking sad.. i like her & her era so much and it seems like 99% of people are only willing to acknowledge it even exists when they wanna make a gender joke abt tennant or when it'd look weird to not include 13 so they include her even tho they know nothing about her or completely misinterpret her as a silly goofy friendly #girlie coz people are chronically incapable of engaging w text if it's a woman

[eohachu]

well I enjoyed the film so much that I completely missed this. honestly idek what to say. I'm so tired

i don't agree with op's opinion on the plot itself but the rest—oof.

[demonio-fleurs]

can we talk about the fact that according to the new sbs it was hajrudin, gerth and goldberg (the new giant warrior pirates) who saved the books of ohara???? who helped ensure that ohara won????? that their legacy and all their hard work lives on????

like holy shit i cannot WAIT for elbaph and if oda doesn’t give me robin interacting with them and thanking them for saving the books then i’ll write it myself!!!!

[nullroid]

Inktober 25: Folk

A fresh-water spirit that haunts the place that his lake used to reside

Insta | Redbubble

[luvsavos]

the smoke bomb thing against fatalis will forever be fucking hilarious to me. who would win, God or smoke bomb

[scarycranegame]

saw a tweet today that went something along the lines of "early selfshipping was so funny.. like, y'all are drawing your self inserts killing each other because you ship with the same character when you should be mad at the character, they're the slutty one"

and while yeah i considered Slutty F/O™ and got so horny i almost passed out, i also considered. uh.

tw for domestic abuse, implied false accusation of cheating, and suggested masochism under the cut

antis dni, reading this post will obviously make you more violent towards real people than you already are (at least, according to your own logic)

proship/comship/profiction/etc. safe!

(also, for any of you who need to hear this: your f/o would never ACTUALLY cheat on you! they're flattered that they get so much attention from their fanbase, but in reality they love YOU more than anyone else in the whole universe!)

imagine beating your f/o senseless every time you see someone else shipping with them <3333

(bonus points if your f/o likes being beat up :3)

[sskk-manifesto]

(´；ω；｀)

[nururu]

begging @otaconsloverboy and @grouchydonut to get into one piece and cosplay it with Kam and I.................

[moongothic]

Crocodile having such an explosive debut in his early 20s and such deep trust issues could also point to him having an even EARLIER start a la Shanks as an apprentice or something to an older pirate and their crew as a child/teenager — doubling down on the humiliation factor from facing off whitebeard as also a failure to “come of age” and broader sense of betrayal in watching eager encouragement fickly turn to “what did you THINK would happen”s like the kid who gets egged on by their peers into doing something dangerous and then immediately abandoned when they hurt themselves

Can't say if he did have like an early start for sure, since we really don't know anything about Crocodile's early childhood

But simply considdering how Oda typically layers backstories, I absolutely agree, I do think it's more than likely he has somekind of pre-Whitebeard trauma, be it either unrelated childhood trauma or early-pirating-life trauma (or something else)

Like the way Oda structures backstories, although we always remember like The Big Life-Changing Tragedy that happens at the end of the flashback, more often than not the flashback already begins with something horrible to indicate the character's already had a rough life

Robin was already alone, abused and rejected by most of Ohara even before the Buster Call Incident (followed by a life of running in fear for decades)

Franky had already been abandoned by his family before he lost Tom and got ran over by a train

Law had already lost his entire family before Doffy killed Rosi

Etc etc. Like not all the flashbacks are entirely like this, especially the East Blue-saga ones, but the backstories have been growing in complexity and structure, adding layers to the tragedies (like 🧅 onions 🧅) as the story has gone on

And with Kuma, his backstory doesn't end at two layers of tragedy. Like there's the early childhood tragedy of slavery, then there's the tragedy of losing his loved one in the most cruel, inhumane way possible, and we know there's at least one more gut-punch of a tragedy coming in the next two chapters to finish it all off

So with Crocodile especially I feel like... Like yes, possibly getting betrayed once in his life and having his dreams crushed by Whitebeard could break the man's psyche. But considdering just how seemingly broken his psyche might be, I do absolutely believe there's more layers here. Like his trust must've been broken more than once for him to end up the way he has.

Which alone gives Crocodad a bit more plausibility in my mind, because being rejected by the person you loved and trusted the most would most certainly break your heart (even if it was understandable why). And that really would make for a fine Final Nail on the Coffin for Crocodile's ability to have faith in others

But to really get that broken trust to be an on-going theme in his life that just happens again and again.... yeah it needs to start earlier

Personally, I think some kind of early childhood trauma would make the most sense, at least to me, not just because it could help Crocodile get started "on the wrong foot", but also because Rough Childhoods is just. A General Theme in One Piece lmao. Of course, it wouldn't be The Key Life-Changing Tragedy (I think Dragon would be that), just a "bad start"

[lookwhatyoudidithasanxiety]

*Taking a more cautious tone* Are you okay Lunar?

Lunar: It...Chip said something about this version. What was it? He never actually said.

Sun: *whispering* Is that...Moon?