#especially near the end
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phayz · 9 months ago
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(headphones recommended)
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silverskye13 · 10 months ago
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I do be kinda bonkers nutso over RnS and I lobe poetry so..... RNS POETRY BASED OFF OF THE LAST CHAPTER AND FROM HELSKNIGHTS POV!!! (Plus a helsknight Doodle)
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Through flesh thine dagger breaks.
I mustn't flinch in the face of pain.
For I know my friend may cause death.
You hath protected yourself in panic.
I wonder what you had been put through.
For I know that the harm is not from our world.
The dagger back in your hands.
I send you to prevent rust.
For I know you don't want to, you must.
Pouding radiates through the house.
I rush in to more panic.
For I know you need help.
Wrapped in my shadow of strength.
I let you rest.
For I know that later, you must recall the pain.
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sleepanonymous · 11 months ago
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youtube
One of the earliest videos of Sugar I could find, I think they played it maybe 3-4 times before this ritual (can anyone tell what I'm researching for a couple of asks right now? lol).
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twd-obsessed-bitch · 2 years ago
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Imagining Rick and Michonne finally reuniting.
They're fighting the same horde from opposite sides and as it diminishes they see eachother. Rick sees her first,
Michonnes all decked out in her new armour so Rick doesn't immediately recognize her, just sees her as an ally that moves very familiarly he starts trying to move towards her to see if they can find an exit together,
Michonne see him and freezes. Just for a second, but long enough for a walker to get too close for comfort. He's older, has a beard again and is in something she knows her Rick would never wear if he was back home, but it's him.
She sees him coming closer and knows how he is. He's so sentimental, he hasn't seen any of his family in like 7 to 9 years at this point (after he left we had the 6 year jump and then we had like 3 other month long to year long jumps) she knows that if he realizes she's who she is that it'll get one or both of them killed, so she turns her back in his direction. Keeping herself shielded from him until the fight is over.
He yells at her, and as much as it absolutely rips her heart out to do so she ignores him, knowing she can't look at him fully just yet. He yells again, this time followed by a "there's an exit this way! C'mon"
She turns, keeping her face away from him, by this point he knows this 'mystery woman' is hiding something from him by hiding her face but he can't tell, he assumes its a CRM soldier that knows him. But he's Rick Grimes and at his core, he saves people.
It's alot of blood, guts, gore, and effort, but they make it out, into a building to hide out in, they barricade the door, working in tandem just as they used to, like not a day has passed since they last saw eachother, like nothing's changed, even though everything has.
Rick doesn't even need to get a full sentence out before Michonne is helping him with a cabinet, between the darkness of the building and the helmet on her head he can't make out her face. They aren't safe yet so she doesn't want him too, the moment he realizes she knows they're both going to freeze, to break. The doors boarded, the rooms safe, it's quiet except for their harsh breathing. Michonne is turned away from him. She still can't bring herself to believe its truly him even though she saw him. It was him right?
She takes her helmet off. Rick's breath catches in his throat as he sees her dreads fall out of the helmet, it can't be. Michonne turns, slowly, it's torturous, they're both holding their breaths.
They stand before eachother, facing eachother, both slowly taking the other in, processing that after almost a decade they're reunited.
It's really him.
It's actually her.
Rick's the first to move. Michonne is still struggling to process that he's actually alive, that he's actually in front of her, that he's moving closer, never in her life has she been as frozen as she is right now, except maybe when she looked at RJ for the first time.
Rick's hands are on her face, but it's his lips on hers that break her out of it. It's needy, it's possessive, it's like taking a breath of air after being underwater for a second too long.
It's everything she's needed since that moment she saw him blow himself up all those years ago.
It's hello, I'm sorry, I found you.
She pulls away from him, holding his dace in her hands and then she laughs.
He joins in, holding her back just as delicately, like if they held to hard the other would disappear in their fingertips in a puff of smoke. Like how it has happened in one to many dreams.
"Hi" is all she says, it's soft, softer than she's been able to be in too long.
"Hey," he returns, just as softly, "I've missed you."
That's what starts the next wave of emotions, the tears. Michonne's eyes well up before she can even process what she wants to say. Tears are free falling by the time she chokes out her next sentence mere seconds after the words hit her ears.
They talk, it's about all they do for hours, they settle in for a long night, hearing the dead bang on the doors that are secured. They find something that could have once resembled being comfortable. Rick starts a small fire, just for warmth.
They lay together, entwined in each other's limbs, every possible part of them touching the other, and they talk.
About what Rick's been up to, about Daryl moving into the woods to search for Rick, about how michonne went out everyday for months, searching for him. She conveniently leaves out that she was increasingly pregnant in those months, not knowing how to tell him that he has a son.
She tells him about Judith, how she's grown into a strong young woman, how she's exactly a mix of him and Carl. How brave she is and how she told Michonne to leave to find Rick. She tells him of the time she trusted somebody from the past and they kidnapped Judith, and that her and Daryl went through hell to get Jude back.
How Michonne couldn't bare to lose another piece of Rick.
Rick tells Michonne how he never stopped fighting to get back to them, but everytime he left, everytime he got close, the CRM came and stole him back.
Michonnes seen the soldiers, dead ones anyways. The only breathing one she came across was on his way out. Begging her to put him out of his misery. She did, in return for a map, and any information he could have about Rick.
She didn't get any. Just the map.
Michonne falls asleep first, after so long of being alone. Both back in Alexandria and on the road. The comfort of the man laying next to her, his calm breathing, it lulls her straight to sleep.
Rick kisses her head, promises he's not going anywhere and that they'll see eachother in the morning, and sets up to keep watch.
He's wired. He's overthinking. The CRM are looking for him and this time they might get Michonne too. He can't have that. There's also a voice in the back of his head that's telling him she isn't telling him something.
She stuttered while talking about the kidnapping, when he was listening to her he thought it was just because it was hard to admit she had killed kids. But now, he can't put his finger on it. She also hesitated while talking about looking for him, like she wanted to say something but couldn't bring herself to do so.
A night of overthinking later and he's somehow convinced himself that she moved on. She found Judith a new dad and herself a new person. It's the only thing that makes sense in his head. The trauma of Lori and Shane shaping his mind in a way he didn't want to think about. It happened before.
When Michonne wakes up, she finds him across the room, completely opposite her.
"Just tell me it's not Daryl." he says when he noticed her awake. The bitterness in his voice cut through her. He's completely 180'd and she can't figure out why.
"What's not Daryl?" she asks, cautiously, confusion evident not only on her gave but in her voice.
"your new man." Rick spits.
"I only have you."
"Then what aren't you telling me?"
Michonne's breath catches in her throat, she still doesn't know how to tell him. After years of not seeing him, not knowing if he's alive or dead, she doesn't want one of the first things he hears from her to be that he has a son who doesn't know his father.
She stares at him, no words can come out.
"Well?" Rick asks, his patients thinning,
She cant say anything, she just shakes her head, there's to many emotions in to quick of succession.
"Who's the other man." it's not a question, "it's not like I can blame you for moving on. I mean you thought I was dead for fucks sake. But did you even wait? To see?" he's spiraling, his words are venom but she can see the hurt in his eyes.
"Rick," she starts, finally a word able to escape. Her shaky tone is reminiscent of a person shushing a wild animal.
"it is Daryl isn't it? Who else would get you to mov-"
"Rick Jr." she cuts him off, her voice confident and it silences him, for minutes they sit in agonizing silence while Rick processes her words.
"Excuse me?" he asks, his voice cracking.
"Rick Jr," Michonne repeats, "is the only new man in my life."
It feels like their words are shattering all over again,
Rick, who was so sure she had moved on within a handful of months, and with hsi best friend, his brother. Hearing he has a namesake. A son. His eyes swell with tears, the information completing its route through his brain.
"I have a son?" its barely a whisper, every syllable shaky and hesitant.
"Yes. I found out right after you blew up the bridge." Michonne starts, feeling a weight off her chest as she moves closer to him, she holds his hand while she tells Rick everything she can about RJ.
They spend days holed up on the building, hiding from walkers and the CRM, talking and more. They make a plan. Rick finding out that he no longer has one kid to get back too, but two rejuvenates his energy to fight.
They fight their way all the way back home. Back to Alexandria. Spending months fighting side by side. They fall right back into their banter, Michonne teasing Rick about being an old man whenever he groans climbing on to something. They're happy. They're strong. They're together.
Almost a full year passes by the time they are knocking on the gates of Alexandria. Things have changed, aged, but it still looks like home. It's Aaron who opens the gate
He blurts out a "holy fuck you're alive." Before giving them both a hug.
They all laugh, Rick throwing out a "I could say the same about you." Before brushing past him looking at the community he once called his home. Completely rebuilt for the third (fourth?) time.
"Where's Jude?" he asks
"not here" Aaron says, and before he can continue Rick cuts him off
"what do you mean not here?" he growls out
"she's living with Carol in another community, it's called the commonwealth." he turns to Michonne "you've missed alot." they both laugh at the obvious, "I can take you to her, let me give them a heads up and get Gracie." Aaron states starting to walk away.
"Hey Aaron," Rick yells before Aaron can get too far
"yea?"
"don't tell her. I wanna surprise her." they both smile and Aaron nods before walking off
Three days later and Rick is all but shaking in anticipation, seeing how big Gracie has gotten took his breath away. How big has Judith gotten? How big is RJ? He never met his son before and yet he can't picture him bigger than a toddler.
Michonne grabs his hands when they see the gates. Aaron pulls out his walkie talkie and announces that they're coming in, the gates open and Carol and Ezekiel are waiting on the otherside waiting to greet them. Aaron couldn't hold his tongue telling Zeke, who couldn't hold his tongue and told Carol. They all vowed to secrecy about telling Judith, wanting to respect Rick's wishes.
There's hugs, long ones.
"it's been too long old friend." Ezekiel states after pulling away from Rick.
"that it has king." Rick says with a nod and a chuckle.
"ah, it's Governor now." Ezekiel laughs, the smile on his face unwavering.
Carols barely holding her tears together, she hasn't seen anybody from her original found family in so long and seeing Rick causes her emotional wall to crack. Their hug is long and sweet, before Carol pulls away telling Rick to follow her to the school to see Judith, class is almost over anyways. She links arms with Michonne for the walk, catching up with her old friend.
They get outside the school with minutes to spare. Rick's hands are shaking, he hasn't felt this nervous in a while. Will she recognize him? Will she run to Michonne and then have to be told who he is?
A bell tolls. Rick's breath catches.
Kids file out if the school, one after one, he doesn't recognize any of them, and it hits him. Will he know who she is?
As he starts to get stuck in his thoughts again he hears a yell. And it takes him back.
"DAD!!" Judith yells, abandoning her post where she waits for RJ and running at the man, her memory of him may have faded but he is so long from forgotten.
Rick bends down as she gets closer, the Impact of her tackling him with a hug knocks the breath out of him and he falls over.
"Judith!" he yells, hugging her tightly and kissing her head. "you're so grown up." he adds as tears start falling freely. He's missed her so much. He's missed so much.
"Judith?" a smaller voice yells from the crowd and it causes the two to separate. "Jude?"
"Over here!" Judith yells, her cheeks wet as she looks at Rick, "I knew mom would bring you back." she states and Ricks heart breaks for his little girl.
"MOM!" a little boy in a sheriffs hat yells as he makes it through the crowd, spotting his mom and running over. Michonne bends down and picks him up in a hug, swinging him around while telling him how much she's missed him.
When they separate RJ stares at Judith and Rick confused, and they all freeze. Time seems to stand still as Rick looks into his sons brown eyes.
Everything starts moving at once as both Judith and Michonne grab RJ's hands and gently pull him towards Rick. Michonne and Rick are both crouched to be at RJ's height and Michonne is the first to speak.
"Baby, this is your dad." she says, her voice soft as she watches the realization cross her sons face.
"Yhe brave man?" RJ asks, remembering the stories Judith would tell him.
"The very one!" Judith pipes up.
"Hi buddy." Rick says shakily.
Without notice RJ jumps onto Rick, hugging him, his right arm catching around Michonne's neck and his left arm catching around Judith's.
When they all pull apart, Rick is staring at his family speechless. He never thought he'd be here again. He thought he had lost them forever and that his kid(s) would grow up without him. Forgetting his existence, and yet. Here they are.
Growing up but not all grown up, remembering him and excited to have him back.
"We're safe here." Judith says, looking at both of her parents. "please don't leave again."
"Never again"
"I'm right here."
They both speak at the same time, their hearts breaking for their daughter. She's grown up so fast in so little time, and they weren't here to help her when she needed it.
But they're here now.
And they're here to stay.
Together.
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yoshiebear · 2 years ago
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"I've got this friend" is probably one of 5sos's best songs, or at least a really good one. Super disappointed that there's only one (to my knowledge) version of it, and it's live. Everywhere I've looked is the same live audio from Amsterdam.
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technically-human · 1 month ago
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Part two of the reverse verse is here! The reverse boys meet the original boys. They're not really getting along as well as I had hoped...
Again, this was a commission for @i-am-as-normal-as-you-are and they asked for angst/funny vibes... I think it's mostly just angst though. Oh, well...
Part one
#dead boy detectives#dbda#payneland#edwin x charles#reverse verse#there's a lot i could say about this one#the idea of someone telling edwin he's go to hell is absurd as it is#edwin telling edwin? lmao#the charles... oh they hate each other#reverse charles is angry (he always is) because this other version of himself was spared hell... in exchange for edwin going there?#obviously it doesn't work like that. og charles hadn't even been born when his edwin was sent to hell#but anger is not a rational thing. especially not for this boy#og charles? you don't want to know what he's thinking#i'm telling you anyways#he... kind of agrees. if someone had to go to hell#why edwin? why not him? there is an universe in which that happened#so why not this one? unfair#then again... look at this charles who did go to hell#he's explosive. he's DANGEROUS#he shouldn't be near edwin#if og charles had gone to hell would he be the same? would he be too angry to be trusted? would he be like his father?#and if so would that really count as saving edwin at all?#if this is the kind of best friend poor edwin would end up with?#on a happier note though#physical contact!! reverse charles loves it#i don't have all the details but his hell was on the rage ring so it was different to the dollhouse.#and it was a very violent place so boy loves gentle touches#luckily edwin is more willing to give them to him with each year#i think what the edwins are feeling is a lot more clear#but still would love to hear your thoughts
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clegfly · 5 months ago
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me when I rescue a girl and she hits me in the face with a fucking pillow
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Help motivation hit again but I had less time
@clegfly you know exactly what scene this is
Also WHAT the ONE reason why I don’t draw Hero is because of his ridiculous to draw hair and that’s the ONLY part I have to draw RRRR
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christakisbang · 1 year ago
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our big haengnim~ stay healthy! don't get sick! i'm always ready to hug you tightly so be prepared~
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shkika · 1 year ago
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I just hope you don’t come to regret it..
You can think of this comic as a part 2 to the UI leaking the rot comic. Please check it out! (x)
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turtleblogatlast · 8 months ago
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Here’s a thought-
When Splinter says Leo’s the leader at the end of Season 2…pretty sure he was joking.
After so many high stakes and high emotions, he (a bit cluelessly) makes a joke to add some levity, just to make things a bit easier for he and his sons to digest everything that happened. It was a lot that happened, so it makes sense that Splinter wants to make things that much softer for everyone.
But- making a joke like that, after everything they all just went through…I can definitely see how the events of the movie pave out in response.
For example, by joking about Leo in particular having the responsibility of a leader, that puts him directly in the sight of Raph’s building anxieties. Because after everything, it’s clear that Raph really started taking the hero name seriously to the point that he started undermining his own fun and childhood in the process. So in the eyes of a Raph who is so worried about what could happen if they’re not prepared again, Leo in particular kind of stands almost as a point of danger in that aspect.
And with the joke of Leo “leading” in any capacity ringing out over them, it’s easy to blame Leo and Leo alone whenever he goes and goofs off with Mikey and Donnie. I think as well that the concept of a leader being spoken after the Shredder just pushes more weight on Raph’s shoulders and makes him realize how much goofing off they did before when they should have been better heroes (despite them all just being kids...)
Raph knows his brothers are good, he knows and has pride in them and himself in turn, but it terrifies him to know that they won’t be ready for the next big threat, and Leo directly going against this caution even more than usual just pushes Raph to want to try more.
As for Leo- keep in mind what happened all throughout “Many Unhappy Returns.” Keep in mind what happened all throughout the series in general. In the former, Splinter more than once points out how he would rather have his other sons with him than Leo, especially because they “would take this seriously”…even though Leo was taking it seriously. (Not that Splinter should be expected to read what Leo was doing when Leo wasn’t making his plans clear, but that wording sticks with kids.) Even after Leo’s plan pulled through, Raph’s the one who spoke in trust of Leo, not Splinter.
As for what happens in the series in general…well, we see Leo mess up a lot, apologize a lot, get his brothers out of messes a lot, and even when he does well or is responsible it’s either glossed over or still seen as goofing off (no I will never be over that moment where Leo almost got Gus’s tags and got screwed over out of pure bad luck.)
So imagine hearing a joke like that as Leo, who for a good chunk of especially the start of the series has been a lowkey voice of reason. The idea that Leo being responsible for the team is nothing but a joke…? It’s understandable that it could feel like a blow, that it could push him to want to try less.
Especially after everything they just went through.
They’re heroes. | They’re kids.
Why shouldn’t they care? | Why should they care?
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gingermaple · 9 months ago
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train ride!
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smilepebble · 3 months ago
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to be clear i don't think tpc posting a single emoji reply to the rrt port announcement is enough to actually like... mean anything. i don't think there's any use saying this is evidence for a new pmd until something more substantial comes up
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ebonynightwriter · 3 months ago
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makorra request for @girlwiththeglow
it was fun to revisit these two after all these years 🥰
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bixels · 5 months ago
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So I l’ve been getting into your ko crisis story lately (it all sounds rlly awesome btw) and i was curious - you’ve said in the tags in a previous ask that ash is comphet, so is that gonna play a major role in her character arc/journey in any way?
Yeah, the story basically covers her journey of redefining her identity as a queer Asian-American disabled woman in a sports-entertainment industry, which is a media landscape that specifically targets, exploits, and fetishizes people like her.
#ask me#itsthequeercryptid#i don't have much more to say on this cuz as of right now it's in like. early early development process and i'm not a queer woman so#i don't have much authority to say how i want this part of the story to go. even if it's my story i don't wanna set anything in stone yknow#but like. ashley's arc is realizing that she's been performing to appease people both in and out of her life. as both a daughter and a#pro boxer. and that she shouldn't have to force herself to be someone she's not. which in the story continuously hurts her#she doesn't need to validate her existence and find worthiness as a disabled and queer woman#especially to other people#one story beat i drafted is that ashley nearly gets s/a'd by a potential agent (keep in mind the project's inspired by psychological dramas#thrillers like utena and perfect blue) and it's one of the first big moments that causes her to have a crisis of identity#growing less and less comfortable in her skin - both organic and nonorganic - as she realizes how her body is perceived/ exploited/#/objectified as a vehicle for inflicting and absorbing violence. both physical and sexual. especially by men#and near the end of the story the beat is reflected/flipped when she comes together with noora and it's gentle and intimate#but again this is all very iffy. i'm not sure how appropriate this would be as a male writer.#i'm waiting to work with other writers who are more knowledgable on this before moving forward with anything
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undistortedworld · 2 months ago
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Lan Xichen is dead. Jin Guangyao holds his body.
for @crithir for the @xiyaogotcha4gaza !! i really hope you like it!!! :D i got a bit carried away with this one but i couldnt help it, its SUCH a good and crunchy prompt, i live for the angst <333
ID under the cut! (ive not written a video ID before so i apologise if its not great and welcome feedback!)
[video description:
frame 1: JGY holds LXC's limp body in his lap, one hand cradling LXC's head and the other clutching LXC's own hand against his bleeding abdomen. LXC has a vacant expression and JGY looks shocked and horrified, unable to process what he is seeing. There is blood coating JGY's hands, LXC's robes, and pooling out of LXC's mouth and nose. The animation style is wobbly with sketchy hatched shading.
frame 2: The perspective is angled upwards towards JGY's face from behind LXC's head, highlighting JGY's expression. JGY continues to look horrified and blinks as tears stream down his face.
frame 3: The perspective switches to look down on LXC's expression from above JGY's head. His eyes are clouded over, mouth slightly ajar. There is blood staining his forehead ribbon, trailing from his mouth and nose, and splattered on his cheek.
frame 4: The perspective returns to how it was in frame 1. JGY blinks the tears from his eyes and looks distraught, before ducking his head to hide his expression. Lines indicate he is shaking. He clenches LXC's hand tighter for a moment before letting go to grab LXC's opposite shoulder to pull him closer and more securely in his arms so that LXC's head is by his chin. The perspective zooms in as JGY raises his head to show an expression of murderous rage towards the viewer. The screen gets darker and vignettes as it zooms in. JGY's face is dark, the only facial features visible being his eyes in bright contrast. Red lines of light shoot from the corners of his eyes to indicate the power of his rage.]
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wingsy-keeper-of-songs · 10 months ago
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Into the West by Annie Lennox
Tav Question
What is your Tav’s theme song?
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