#especially knowing that in the script it was directed to all of them

[rainbow-sunshine-unicorn]

The one thing that seeing the full s2 script solidified for me is that Edwina’s defining character flaw is not naiveté but self-absorption instead.

A lot of people attribute Edwina not clocking anything before 2x06 as ‘innocence’ or argue that it was because she was ‘sheltered’. But honestly, the truth is she had it pointed out to her, not just by Kate, who kept trying all the way leading upto the wedding, but even by Daphne, Anthony’s own sister. Yet, she disregards both their perspectives, because it didn’t happen to her.

When Kate tells her about feeling humiliated by Anthony, Edwina’s main argument seems to be that he didn’t really do anything to humiliate her. When Daphne points out that Anthony is not even-tempered, Edwina’s main argument seems to be that he’s even-tempered with her. That’s what counts to her. Even over and above how he’s with his family.

I think that having Kate focus all her attention on Edwina during her childhood, made Edwina direct her own attention inwards, towards herself. That’s how she grew up. We know that Kate sacrificed and scraped pennies to keep them afloat and later to get them to England. So, it’s reasonable that Edwina was her sole focus while she was growing up and that’s what Edwina internalised.

You can even see both their character flaws play out in the scene where Kate has just woken up from her coma.

Even as she’s recovering from a life-threatening head injury, Kate is focusing on Edwina and Edwina is focusing on herself.

I especially think that the things Edwina did end up noticing make this argument stronger. The moment she actually looks at Anthony at the altar, she’s able to piece together the story. Had her obliviousness been due to innocence, she would have not have drawn the conclusion that she did. To know that Anthony “would never look at her, the same way he looks at Kate”, she has to recognise and interpret the signs of love, attraction, and desire, which she does very readily.

Then, why did she not see it before? Because she simply never paid attention to it before. And I’m including Anthony in this, because when she really looks at his face, on the altar, she’s able to tell immediately. All throughout the season, she’s only been paying attention to how he makes her feel, rather than him.

Kate’s character flaw is self-sacrifice and Edwina’s is self-absorption and both of these things drive the season 2 plot.

[gunsatthaphan]

GMMTV 2025 trailer reviews

as usual and because I'm getting some asks, here are some initial thoughts on the trailers from today (in order of release, BL/GLs are marked with a 🏳️‍🌈, favorites with a 🌟):

Dare You to Death 🏳️‍🌈: Strong start!! I did not expect JoongDunk to make another comeback but I didn't expect that from any the other pairs either and yet here we are lol. This looks interesting, I'm digging the MOD vibes and I'm charmed by inspector!Dunk lol. I also like how the romance doesn't seem to be the main focus. I'm not always a murder mystery fan but if the script is good then I'm into it. and I am very intrigued by this! .

Head 2 Head 🏳️‍🌈: I was praying for a more interesting story for SeaKeen's second project and my prayers were heard. Trailers can be deceiving and I don't know how it will all turn out but this looks pretty good to me. New being the director is not something I would have guessed, it looks like he's branching out afterall. the Bad Buddy/rivalry vibes fit them better than the one-sided flirting in Only Boo imo and the future visions/foretelling trope intrigues me as well. I'm sad we're not getting RyuJava as the side couple as they both have different partners in this lineup but it's okay. This might be the first time where I'm certain that I will tune in for a New show lol. Well done! .

Burnout Syndrome 🏳️‍🌈🌟: FIRST HIGHLIGHT OF THE NIGHT!!!!! This looks absolutely BOMB I'm so obsessed lmao. I followed my personal annual ritual of saying I don't want another OffGun show and then ending up being captivated by the trailer lmao. I don't wanna compare this to any of their previous shows though because for one Nuchy is the director which is amazing and also Dew is part of it lol? He is the last one I expected in a show like this, let alone a bl lol. He always kept his safe distance so this is a surprise lol. Him making his bl debut alongside OffGun is risky however, especially since his acting is not exactly oscar-worthy so I hope he works on that. But all in all this excites me a huge amount. also lowkey hoping they keep the soundtrack bc it's fire lol. Super hyped for this one!!!!! 🧡 .

I Love A Lot of You: This is one of the 2 lakorns in the bunch and I feel bad but it didn't intrigue me at all. The schizophrenic plot seems strange and I'm not feeling a spark between the characters. Good for Nanon for making his comeback though plus good for the 4EVE members for breaking into the acting business lol. .

Whale Store xoxo 🏳️‍🌈: This looks cute!!!!! I can already tell that Maewnam is a more likable character than Sun in 23.5 lol and I feel like this is a step-up for MilkLove, even if not a big one. The plot seems light and easy but I'm okay with that as long as it's not high school. I'm also excited to see June again, it's sad that ViewJune is over but Mewnich is an excellent addition imo. I loved her in Mission Fan-Possible so I'm pretty excited for this! .

Only Friends: Dream On 🏳️‍🌈: WELL WELL WELL. What do we have here 😭 The trailer was definitely overstimulating me lmao, I'm still not sure what exactly is going on, I had to watch it 5 times to even grasp anything. I remember Mix teasing Jojo at the end of Only Friends that he wants to be part of a sequel which was played off as a joke back then but boy did they fool us lmao. Never in a billion years would I have expected this to actually happen. I'm not a fan of second seasons, though I'm not sure if we can count this as such? It's more of a spinoff. Still something they have never done before so this is interesting. OhmLeng and JossGawin joining EarthMix is an interesting choice but very welcome. JossGawin getting a second gig before their first one even aired is giving big d*** energy lmao but good for them!!! I knew OhmLeng would get another show and my guess was that they'd be part of an ensemble so yay I was right lol. The plot - in old OF tradition - looks messy as hell and since Ninew is directing, I'm expecting a similar energy throughout the show. Not sure how I feel about Boston being there though. He was my least favorite in OF. But we shall see. I'm loving the Romeo + Juliet theme though which I'm 100% sure is Jojo's doing lol. What can I say. I'm ready for another messy clusterfuck. Bring it. .

That Summer 🏳️‍🌈: I'm happy to see that WinnySatang are getting their own show, about time!! I hope Winny works on his acting a little bit because I didn't love his performance in We Are. Satang is still out-acting him so I hope that changes. Satang being a prince is my favorite part of it all like Damn right he is lol. I love him. Ryu and Mond as the side cp is interesting and I'm always up for a good soft beach-lovestory. Also Jojo is behind it so obviously I will tune in. .

My Romance Scammer 🏳️‍🌈: Tbh I keep forgetting that Ohm Thitiwat is with Gmmtv since he hasn't really been participating in anything since he joined lol. But it's nice that he's debuting now and the fact that he's paired with yet another Fluke makes it so much better lmao. I like their energy together so this could be good. I'm not a big fan of JuniorMark, it looks a bit chaotic plus New is directing so I will be on guard lol but I'm putting it on my list nonetheless. .

Melody of Secrets 🏳️‍🌈: ForceBook are trying hard to break out of their previous roles and I appreciate that but unfortunately it's not working. at least not for me. I like them as people but as actors they have never struck a chord in me and never will. All their characters are the same to me. But people have different opinions. Good for them for trying out a different genre but the plot confuses me and I'm not hooked so I'm likely skipping this one. .

Love You Teacher 🏳️‍🌈: OY, we got a weird one on our hands lol. They had me in the first half of the trailer, PerthSanta have a decent chemistry and the teacher theme is cute. but then... Santa wakes up... as a....7 yr old???? lots of things not sitting right with me about this lol. Santa has a juvenile acting style which is not necessarily a bad thing but did they really have to take it that far lol. Not sure how this will turn out, it could go either way. I just wish they hadn't added the line "if he'll be a kid forever could you still love him even though you hate kids?" bc uhm... nah. idk I'm gonna tune in though and see how it goes. .

MU-TE-LUV (mixed): Yay this looks interesting!!!! I was hoping for another multi-plot show since they haven't done one of those in a while. And this has definitely sparked my interest. The stories are very different, I like the pairs, it's nice that OhmLeng and SeaKeen are part of it as well, plus the drag group looks like they're gonna be a lot of fun. Reminds me of the old gmmtv days. I'm in!!! .

Cat For Cash 🏳️‍🌈🌟: It took me a while to gather my thoughts for this and my initial reaction was what in the feverdream am I looking at, but after watching it a few times I see it a little differently. Anyone who follows FK knows they were never the ones to conform to the big crowds, they don't accept roles just for the heck of it; they move around in their little bubble and only do something if they're 100% behind it, no matter what genre. Which is why I trust them with any project they do, as with this one. They have expressed that they wanted to move away from the heavier plots in the future, which doesn't mean they were forced into anything, but a project like this feels like they get to relax a little after being on the grind for the last 2 years lol. They said they wanted to do something silly and fun and now they get it. It's small and lighthearted with an admittedly very silly plot and yes it might flop but to hell with it. They seem excited about it and that's all I care about. They got the show they wanted so I consider every part about this a win ✌🏻 .

Girl Rules 🏳️‍🌈🌟: ON MY KNEES for this one ohmygod 😭 I can't believe Jojo finally gets to do his messy GL that hes been talking about for so long lol and the cast is absolutely DIVINE. Not only did I not expect NamtanFilm to get another gig right away but I did not expect MilkLove to go raunchy so fast lmao. But ohmygod I'm SO seated. We got the mix & match in the good ol' Jojo fashion and everything that comes with it. Everything about this is up my alley. Sign me up. .

Boys In Love 🏳️‍🌈: This seems basic but it's nice to see some new faces. Mick finally gets to debut, plus I'm pleased that I was right about ChokunAston lol. PoddPapang were not hiding anything so they didn't come as a surprise, still I wish we had gotten them as mains. I'll still take it though. Considering that this is the annual newbie-show, it doesn't look too bad. I'll tune in. .

My Magic Prophecy 🏳️‍🌈: This is a big surprise for me, not because of the plot but because of JimmySea lol. After Jimmy said he will go abroad next year and he doesn't know if he will have projects etc., I took that as a confirmation for no JS series in 2025. Now I don't know if this will actually air in 2025 or if it will be pushed into 2026 but yeah I did not see this coming at all. JimmySea going back to their fantasy roots with this one, Sea is continuing his theme of seeing things he's not supposed to lol, I just hope it won't be too similar to Last Twilight. Not plot-wise but acting- and character-wise. Sea's acting is always excellent but Jimmy's characters all blend together as his acting stagnates a bit. But it's too soon to tell. It's going on my watchlist! .

A Dog And A Plane 🏳️‍🌈🌟: Speaking of surprises, this is another one lmao. Like how are we getting the third TayNew series in a row?? Insane. I usually expect the worst so I thought of Peaceful Property as their last joint project for a while. But apparently they never thought of quitting and it looks like I'm getting another comfort show 🥺 I have a ton of respect for them as actors, I was so impressed by their performances in Cherry Magic and Peaceful Property so ofc I'm super excited about this one. Newie as a flight attendant dating the plane Captain and Tay as a paramedic? They did that just for me. I love it. I also can't wait to see MarcPoon again!! Finally they're getting different roles. Plus it is yet another Jojo project so we're in good hands. .

Me And Thee 🏳️‍🌈: We're continuing the theme of "I never thought this couple would get another show together" but that's what the whole point of "riding the wave" seems to be about. But anyway. PondPhuwin usually go for whatever the fans want so I'm sure this will blow up just the right way. The story seems fun, though I'm a bit fed up of the mafia theme. But for now it's just a trailer. I might tune in. .

WU: I'm very confused by this, the trailer gave us no information, all I know is SkyNani are still going strong in the bromance/borderline bl department so good for them I guess lol. I can't really say anything else about this since we don't know much and haven't seen much except for some long stares and another red thread reference. I'm not saying everything should be bl but HSF is already queerbaiting and it looks like this one will follow that lead so I'm not too thrilled about it. No idea what this bromance-hype is all about, I really don't get it. but oh well. .

Memoir of Rati 🏳️‍🌈: This one has really nice visuals and an interesting plot, my only concern is GreatInn as Wandee was a disaster but I want to believe that was due to the bad script. I think they could redeem themselves with this. The genre, characters and costumes seem very fitting for them and AouBoom are also a nice addition. I was expecting them to get their own show but so be it. It is also Gmmtv's first period BL which is exciting. And it looks so pretty!! The French irritates me a bit but whatever lol. It's going on my list. .

Ticket To Heaven 🏳️‍🌈🌟: We have arrived at the last highlight of the night and my goodness. What a treasure they kept for the end. I can't remember the last time I was this captivated by a trailer, I felt this in ever fiber of my body. The visuals are outstanding and the production of the trailer alone is insane. I don't want to say anything wrong but the theme of Catholicism in association with guilt, faith and sexuality in particular is not something I would have ever associated with Gmmtv. I have seen mostly Western productions like Skam tackle stories about spirituality and sexuality and unorthodox bl productions tackle themes of sexual awakening and self doubt so I consider undertaking this kind of narrative in the mainstream Thai media environment as quite bold. Not that these issues are any less real there but it's uncommon, and translating them into cinematic context adds an extra layer of intricacies. So this is a risky production but this trailer gave me full-body chills so I'm very much looking forward to it. GemFourth are not my favorite actors sadly but if they get this right, they could easily redeem themselves. This is a clear highlight for me. .

Conclusion: This lineup has been full of surprises but in the best way possible. When they announced "Riding The Wave" as the tagline for the event and after Tha gave the speech about the company's ambition to go for what's popular, I was worried that the quantity would once again drown out the quality. And I know these are just trailers and we have made the experience that even the best trailer can have the most frustrating outcome but to me today's announcements all look very promising. I liked some more than others but objectively speaking, if they put the same effort into the actual productions as they did with those trailers, then we're in for one hell of a year lol. I'm keeping a positive mindset about everything, I'm thrilled about most announcements, my personal highlights for now are Burnout Syndrome, Cat For Cash, Girl Rules, A Dog And A Plane and Ticket To Heaven. This is the first lineup that has almost no lakorns as 18 of 20 productions are lgbt-themed. Almost all fixed couples are coming back with the addition of a few new ones which I like. And we got a few unexpected combinations which I am always a big fan of lol. Personally I can see the ambition and aspiration in everything and I am eager to see what they make of it. I'm expecting about half of these shows to be pushed into 2026 and since they usually air the shows in the same order they announced them in, that will most likely be the second half of the lineup.

If anyone read this far, thank you and sorry for rambling, I just wanted to put my thoughts out lol. let me know your thoughts if you want!

xxx

[twelvetapsleft]

[04tenno]

Wow just like Kiryu

[kittyfrisk9]

IdeaDpxDc: A nice moment with a sleep demon.

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Dead On Main.

---

Danny accidentally absorbed some of Nocturn's powers (like in the Vortex episode), and now, with these new temporary abilities, why not take advantage of them? Like a kid with a new toy, Danny (or should I say Phantom: with a new design) has fun every night going from dream to dream.

The dream world is so strange! Without the constant threat of a dream entity trying to take over the world and all that. Now he has fun exploring the most unusual parts of his classmates' subconscious, or anyone's in general.

Even though he knows he shouldn't be doing this (after all, he's a responsible adult now), spying on other people's dreams isn't exactly something a mature person would do.

On the other hand, Danny is the responsible adult; Phantom is the one who uses his new powers recklessly. Plus, no one in Gotham knows who Phantom is, and at the end of the day, he's not hurting anyone. Point in his favor!

It was all fun and games… until he felt it: the unpleasant taste of a nightmare, distressing and desperate. Phantom knows he has to intervene, because, unlike Nocturn, he does not delight in the suffering of others.

So he goes. And what he sees shocks him.

Resonant laughter of a psychopath, the constant pain of flesh being beaten, and the devastating reminder that no one came to help. Phantom doesn't just see it, he feels it. Gross. What is this? Why would anyone be hurting a child? Then he understands: this is not just a nightmare, it's a memory, and someone is suffering from reliving it.

He absolutely will not allow this nightmare to continue.

...

Jason hasn't been having good days lately, mostly because instead of going to therapy, he's chosen to sweep his trauma under the rug and aggressively throw himself into crime-fighting. He's not good at dealing with his emotions, especially when he's been tormented by the same damn nightmare over and over again.

He knows the script by heart, he knows how it will end, but he still feels the same fear as the first time.

His head hurts.

"No, not again," he thinks in terror. Once again, he's tied up, unable to move or call for help. It's colder than he remembers. The walls have a grotesque tint, with laughter written in every corner. But the worst thing is the silence… until the sound of clashing metal begins to resonate.

Everything is a thousand times worse. He's sure the original scenario wasn't like this, but his terrified mind refuses to accept it.

The metallic sound resonates louder, each crash rumbling in Jason's chest. His breathing quickens, and then he hears it: that laugh.

A deep, distorted echo of laughter that seems to come from every direction. The laughter snakes around the grotesque walls, filled with the same letters that repeat his agony. “Ha… ha… ha…” fills the air, louder with each invisible step that approaches.

Then, he appears.

It’s not the Joker he remembers from that fateful night. This one is worse. Bigger, more deformed, with a smile that seems to tear at his own face. The colors of his suit are darker, more twisted. It’s as if his mind has amplified him, made him more monstrous.

“My, my, how little Robin has grown? But… something remains the same, doesn’t it? No matter how many times you live it, it always ends the same way. And to think that you were my greatest work of art!”

His voice is mocking, but behind the mockery is pure cruelty, a wicked amusement that lights up in those crazy eyes.

The Joker leans towards Jason, his face invading the small distance between them. The sound of metal continues to echo, and Jason knows what's coming next.

"Oh, I almost forgot…" he says, pulling out of nowhere an iron crowbar that gleams in the dim light of the nightmare. "It wouldn't be a good memory without this, would it?"

That's when the pain begins. Jason doesn't want to scream, and he won't. Even though that abominable creature is just a representation of his killer, he won't give him the luxury of listening to him suffer. The blows continue, and Jason bites his tongue. It's just a nightmare, it's not real… it's not real.

It's not real.

It's not real.

It's not-

"Hey… Are you okay?" he hears him ask. His shocked gaze turns to where the clown should be and discovers that he's gone. In his place, there's a handsome young man: short, slightly messy black hair, expressive purple eyes, and a body almost completely shrouded in dark shadows.

The mysterious man had a cosmic air about him, surrounded by a mix of special effects of stars and galaxies. Something magical.

And new.

Jason honestly doesn't know what he's seeing, or why he's seeing it. "What?" he says, unable to find another word to describe his situation.

The entity laughs at his stunned state, a reassuring echo very different from the joker's laughter. Then he snaps his fingers, and suddenly he's no longer in that ugly room. He's now in a field of flowers, beautiful and vibrant, looking out at a starry sky.

Okay, this is the part where he asks his brain how he went from being in a nightmare to being with a handsome guy under the stars, hands free and untethered.

"Relax, you're not crazy," the being says as he lies back in the grass. “You were in pain, and I didn’t like it, so I got you out of there. Don’t worry, that abomination won’t bother you again.”

Jason blinks twice, bewildered, not understanding anything. “You… saved me?”

“You could say yes.”

“Why?” He shakes his head. “No, wait, that’s not the question. Who…?” Looking back at the being, he decides to change his question: “What are you?”

He seems to have taken the being by surprise.

It clasps its hands together as it looks up at the sky, trying to act normal. Jason narrows his eyes. “You can call me Void.”

“Did you just make up that name?”

The being looks away, seemingly embarrassed at being found out. “Yeah…” And suddenly exclaims, “Ah, ancients! I'm not supposed to be doing this, much less with one of the bats."

That last sentence had given away more than it should have.

"Hey, how about we admire the night view and then pretend this never happened?" Void suggested with a hopeful smile, turning to Jason.

Maybe it was the soft scent of the flowers, the calm atmosphere, or just the tiredness after so many nights of endless nightmares, but Jason, without thinking too much about it, walked over, lay down next to Void on the grass, and said, "No."

He needed a break.

...

And that's how Jason befriended a dream demon. And how Danny pretended to be a dream demon until Nocturn's powers wore off. He couldn't let the bats find out his identity.

After that, they spent more time together, fell in love, there was drama and there was closure. In the middle of all that, Danny started having tea with Alfred in the dream world, and at other times, he had fun bothering the other bats in their dreams.

But that's another story.

---

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Part 2

[prael]

Chemistry

Jenna Ortega x male reader smut [Commissioned fic]

Masterlist word count: 9,196 Kofi(donations/commissions)

"You know that's not my thing, right? Why even bring this to me?" You throw the papers down on her desk and they spill over the wooden surface.

"Did you even look it over?" She sighs, holding out her hands for you to take them back, "This could help you break out of the R-rated mould you've found yourself in."

"Look it over? You know this isn't my genre."

She rubs her forehead as though she's stressed, "Look, we all have to make concessions, right? It's a few months of filming and a lot of money."

"It's fucking romance," you dismiss.

She raises her voice in response, "It's your fucking career."

"What's that supposed to mean?" You push back, and she's taking a glass from the shelf behind her desk and emptying the whiskey within it in one practised motion. She's keeping her cool and taking a moment to simmer down by cleaning up the papers. The silence tells you as much as her words could. She's trying to help you like she always has.

She says, "You know what it means. You're no George Clooney. You're no Vince Vaughn. One trick ponies are rare. You gotta work on your range."

You stay quiet, clenching your jaw because you can't argue. This is what she does: tells you what you need to hear instead of what you want to hear. She's tough love and always has been. Took you under her wing and at times carried you to where you are today, so who are you to question her judgement?

"Did you ever stop to think 'why'?" She asks before taking a drink. "Why would I bring you a part that I know you're going to hate?"

You cross your arms, remaining silent as you stare at her. She smirks before answering her own question.

"Because I know who they're eyeing for the leading actress. Jenna Ortega. You know she's all the rage these days. Netflix deals and music videos. She's fuckin' viral and she's fuckin' money. Her name is gold so I want you on her fuckin' hip." She takes another sip, watching you absorb the information she's feeding you with an unrelenting stare.

She always gets like this, all the foul-mouthed excitement is enough to convince you that she really believes what she's saying.

"Alright. Got a pen?"

-

Pre-production is... well, it's different. It all feels a little foreign to you, right from the off with the script reading, because it's obviously such a different vibe than anything you're accustomed to. It's all so light and breezy and a little comical. You don't do comical.

There's no deep-seated angst, or hatred festering below the surface of your character, rather he's kind, loving, funny, a little bit of a klutz. It's a long stretch from the characters you usually play—murderers, drug dealers, car thieves. Now the viewers are supposed to like you?

Most days on set aren't that far outside of your comfort zone though—you don't think. You go through the motions like you always do, take direction and talk to the production crew, and keep it cordial and civil with the cast, especially with Jenna. Up until now, your characters have had a few brief scenes. It's all coffee shops and public parks, pretty places with lots of wide shots and lingering looks in the script, and you aren't sure how comfortable you are with it.

"Camera two," The director calls and you and Jenna take up position.

You grab her hand, and her smaller fingers curl around yours instinctively, holding on tight. She smiles at you and says softly, "Just like we talked about, okay?"

You nod and rub your thumb over hers to ease her nerves. There was this awkwardness for the first few days that has gradually eased away, the two of you talking more often. Not work stuff, which might have been smart. Just small talk. About food and places you've visited, TV, and bands, it kept things light and amicable.

"Quiet on the set."

Silence falls, and your heart rate speeds up. Your breathing is a little laboured as you wait.

It's the first time you're supposed to kiss her and somehow it doesn't feel like just acting, not really. Acting for you is fighting with some rogue cop or soldier, all stunted rage and brute force. Or you're stalking someone through the dark streets at night, the cold metal of the gun in your hand biting at your skin while you focus on nothing but landing a kill shot. There was never anyone looking at you the way Jenna is right now.

She's biting at her bottom lip, hazel eyes peering through impossibly long lashes to stare at you. You've been told this scene is important because it's a bit of a catalyst for the rest of the movie. She's looking at you, you're looking at her, and then when they call 'action' it's supposed to be one of those moments where fireworks erupt and the earth moves. That's what they want; a connection.

"Action."

Jenna bites her lip and brushes a strand of hair behind her ear, glancing up at you nervously. She's so much more practised than you, so much more effortless with putting on her act. All you have to do is smile and lean down to meet her lips. That's all there is to it, as the director says: just like that, perfect. But you want him to call cut. To say it's too staged, or the lighting is bad, or that the location isn't right.

No such luck.

You move slowly like she needs to be savoured. Of course, you've been coached, there's stage direction in your head in addition to her hand on your forearm.

Your lips brush hers tentatively, once, twice, and you tilt your head a little further to bring her closer. Close, but still not quite... until she breaks character and giggles into your mouth.

"I don't think you're supposed to be laughing," you joke, and there's an eruption of frustration from the other side of the cameras at a ruined take. You aren't bothered though, and neither is Jenna by the looks of it. She's half hiding her face against your chest and grinning like an idiot.

"I'm sorry," she says weakly, pulling away. "It's so hot in here."

She fans herself and starts pacing, while the director calls out, "What the hell was that?"

You wave a hand, "Sorry, my bad." You try to take the blame. "Can I get five minutes?"

The director sighs and gives in with a shrug. "Five minutes!"

"Really, you don't have to—"

"It's fine," you explain quickly, before turning to the line producer who just happens to be passing, "Hey, can someone cool her down? Maybe some water?"

"I'm fine," she tries to argue.

"You're flustered," you tease.

"You were doing this thing with your eyes. I don't know how to explain it. It was kind of intense, I had to laugh," she laughs again, and it's an easy, airy sound, the kind that soothes, and you decide that you like hearing it.

"I was? Damn," you sigh, running a hand through your hair.

"I know this isn't usually you're thing, I'm guessing it's your first kiss on camera? Just relax. It'll be nice," she shrugs, clearly far more sure of herself than you.

-

You're deep into the filming now. You think you're selling it, this whole relationship thing, making it seem natural as well as making the people around you believe that the chemistry is there. The weirdest thing of all is that you really enjoyed kissing her. Or, at the very least, you haven't minded it thus far. You don't know if that's the right feeling to have, there's no guidebook for this—not that you've read.

Off the set, she's nice, she's friendly and eager to get to know you. Maybe it's weird that she's trying too hard, maybe she just wants to work as seamlessly as possible. Regardless, it seems to be helping, because now, when it's your turn for coverage, you're more than happy to lean in and capture her lips. She's gotten bolder and so have you, to the point where she runs her fingers through your hair and kisses you back, so when 'cut' finally comes and the mood is broken, it takes a few moments to reorient yourself to the real world.

It's easy, you decide.

Now, the two of you have been joking about today for a while. She's been running this rhetoric of how excited she is for the car scene.

You remember your first read of the script and how this part had you almost cancelling the gig. So, sitting here in the backseat, with cameras fitted all around you and Jenna in your lap, is just a reminder of the monumental shift from where you were then to where you are now.

"Just ignore them," Jenna instructs and kisses you lightly. "Do whatever feels natural." She's echoing the words of the director, though from her they're much more relaxing to hear. You kiss her, her body languid and warm, pressed flush against yours. The touches you feared come so naturally now as you put a hand on her waist and trace her ribs, dragging her shirt up a little bit more with each pull.

There's something rather enticing, you must admit, about putting hands on her slender waist, even if it's under the watchful eye and strict instructions of the camera. Especially when her tongue does that thing where it flickers past her lips and finds your own. Fuck, she's good at this. There's no other word for it.

There has to be a call for a 'cut' coming soon, right? It was supposed to be a brief make-out, so says the script, but they don't seem too interested in stopping either of you anytime soon. You've heard that it's normal, to feel aroused while filming, but it certainly doesn't feel right. The fear is seeping in the longer this goes on; fear that Jenna will feel exactly what you're scared she'll feel.

But those short jean shorts she's wearing while sitting atop your lap, hips flush with yours, tend to elicit some automatic reaction, whether you want it to or not.

"Alright, cut! Great work everyone. Break for fifteen!" The director yells, the tension snapping immediately as Jenna rolls away, giggling.

She says something to you, you don't catch what as you blink in her direction, but she's already climbing out of the car, bending forward ever so slightly to give you a tantalising show of her ass before shutting the door behind her.

A few minutes later you've made your way to the drinks trailer for some much-needed water, that's when there's a tap on your shoulder and the unmistakable strawberry scent that accompanies Jenna hits your nose.

"You look a little shocked, is everything okay?" She has this wry smile on her face that turns your stomach a little bit.

"Yeah, I'm fine," you respond stiffly, cracking open the water bottle and taking a long drink. You nod towards her and state, "Good work out there."

"I should say the same to you," She's closer than before, the tip of her shoe bumping against yours as you stand with the picnic table at your back. "You're a natural. And the boner? Nice touch," she mocks.

She's far too cavalier for your liking right now, and more than a little brazen.

"Don't look so freaked out. No one is going to say anything. It happens all the time, don't worry."

"Do you just have a thing for humiliating me, Ortega?" It's a thing the two of you have been doing for a few days, the fake sternness and the use of surnames, like you're pretending to be angry with each other.

"What if I do? Are you going to go file a complaint?" She sings, tracing her finger down the centre of your chest.

"Watch it, Ortega," you respond half-heartedly, and she steps a little closer.

"How about you keep the boners to a minimum from now on though. It's distracting." The smirk on her face grows only more devious before she winks and then turns away, vanishing into the crowd and leaving you alone and in need of a very cold shower.

-

On-screen chemistry is the single most important thing in a film like this. If you don't make the watchers believe that the two of you are madly in love, then it's all pointless. You're getting good at this, playing this game, this new facet to your role. You think about the warmth of Jenna's kiss and her fingers curled around the nape of your neck; the feel of her in your arms.

Each take gets harder to finish. Make no mistake, it's not that the kisses are a problem, in fact, they're actually a little too easy.

You're both laid in a bed, under the covers, you're on your back and Jenna is half-draped over you. Her hair is a purposeful mess and there's lipstick on your neck. The implication is clear, the two lead characters hooked up for the first time, and you're simmering in the morning after, caught by your character's phone ringing beside you on the side table.

Jenna is quiet, watching the sheets twitch every time you move. You can tell that she's thinking by the furrow in her brow and the way she bites on her lip. The cameras are rolling and you need to answer the phone. There's no one on the phone, of course, that gets added in post. For the purpose of the scene, it's your ex-girlfriend who can't quite let you go.

"Why do you keep calling me?" You look weary like your heart is about to give up. The line is silent, but you know the script. "I don't care if you're upset with me, it's over. It's done. There's nothing left to say."

Jenna props herself up on one elbow, facing you with her dark eyes, her tousled hair falling over her shoulder. She is, in a word, mesmerising, and it feels wrong to turn your face away from her, even to add more angst for the camera.

"I'm hanging up," you continue, staring back at her.

Jenna pushes her hand under the sheets and balls it into a fist. She hovers it right over your crotch. Her character is supposed to jack you off while you're on the phone until you manage to hang up. That's what's supposed to happen.

You fake a gasp as her hand begins to move. When she bites down on her lip in response, it's the hottest expression you've ever seen. You swallow hard and your cock gives an honest twitch that feels as though it catches her attention for a fraction of a second. Her eyes widen and flick to the source of the movement, her jaw clenches and it brings you an almost unwanted satisfaction.

Each fake stroke presses down onto the growing ridge of your hardening cock, but neither of you breaks character or even dares to break eye contact. You keep up with your lines, and the strain in your voice is all too real, "I don't care how torn up you are about this, me and you are finished."

The ache in your muscles builds heat prickling under your skin, setting you on fire. You tighten your jaw in response as a means to control yourself. Only for Jenna to do the unthinkable. She lowers her hand and glides it down the length of your hard cock before wrapping her hand around it.

What's she doing?

She grips tightly, and even though there is a pair of underwear separating the two of you, it's still her. For the first time in the duration of this shoot, you drop out of character completely, staring at her in utter disbelief. What are you supposed to do in this situation? You can't just say something, it's going to get you both in trouble.

She strokes you beneath the bedsheets in tandem with the scene, so no one else has a chance of knowing. So, you keep talking, murmuring some fake dialogue and struggling with every word.

"It's—mmh," you turn your head, squeezing your eyes closed and steeling yourself. This is madness, utter madness. The throb of your cock only worsens the longer her hand keeps sliding, stimulating. It's a hellish limbo. "It's not fair for you to harass me like this, delete my number will you?"

This is the point where the ex-girlfriend realises something is wrong. In the script, she's figured it all out. She recognises the whimpers in your voice, and you're supposed to deny it. But Jenna won't stop touching you, pushing down harder, applying more pressure and using the full length of your erection as her playground.

Your breathing is heavy and strained. You try to clear your throat subtly, "No, no I'm not with someone right now." You glance at Jenna who grips tighter and smiles devilishly. "You have no idea what you're talking about. If you think, for even a second—"

You try your best to focus on your performance, but with the physical distraction, all your carefully practised lines start to fall apart, coming out jumbled. Jenna is rubbing harder, stroking faster, and her hand feels so good around your cock.

This is the point where your ex shouts, and you finally hang up the phone and drop it onto the floor, kissing Jenna fervently.

"Cut!" The director calls. "Perfect. Absolutely perfect."

Suddenly, the two of you are apart. A rush of cold air floods the space between you. Reality checks in again, reminding you that this was not in the script.

"You good?" Jenna asks, and you nod back. She looks proud of herself, the cheeky little smirk that crosses her features is all too telling. A reminder of just how insufferable she can be.

"What was that?" You lean closer and whisper, trying to make sure that the rest of the cast and crew can't hear you.

"That was acting." She responds confidently.

The director interrupts by calling your name and saying, "Alright, next scene. Going to need you under the covers. Prepare the phone call."

Now it's this whole role reversal, Jenna's character gets her own phone call from her own ex. That's the concept at play here. Meanwhile, you're down between her legs. The script says to 'mimic oral sex' which sounds... so much easier than it actually is.

Aiming to ignore the whole ordeal, or at least your conversation and what it could mean, you duck down beneath the sheets to prepare. She's lifting them up and watching you get into position. She's spreading her legs, while a team of assistants adjust the sheets over you to dress up the shot.

Looking up at Jenna under the sheets, through the darkness and at the apex of her thighs, this feels so wrong. She's... pretty. No. You stop the thoughts in their tracks. This isn't a time to indulge. You're filming a movie, playing a role. In reality, this is your job. There's a script, there's a purpose.

Still, the whole situation just feels so strange.

"Action," the director yells.

As per the script, Jenna drops the sheet as the phone rings. Now it's just you and everything below her chest, trapped under a blanket. Your hands are barely hovering near her thighs, and revenge is on your mind. If she can toy with you, you can toy with her.

So you hold her spread legs, grip them firmly just as you hear her answer the call, "If you want to grovel, then go ahead and grovel. Just remember the last time." Jenna's voice is perfect for her character, and just as it's always been, full of attitude and feisty. She's passionate, especially when it comes to putting her acting on display.

Alright, 'mimic oral sex'... first it's kissing. Lightly placed, right at the top of her thigh, little pecks to tease and taunt. You feel the slight tremble beneath your fingertips as she attempts to carry on the faux conversation. They said you shouldn't touch her. They said she shouldn't touch you.

But you feel the heat coming from her. You're mere inches away, and sure, there's the cotton thin fabric of her underwear blocking the way, but even still you catch the barest hint of her scent—sweet and musky. You grip her thighs more intensely and press your lips against the fabric.

"It was one kiss," Jenna continues, and her voice betrays her now. A subtle tremor that undermines how put together she had seemed moments before. It's enough to have you smirking.

You roll your tongue over the shape of her through the fabric, testing your limits. There's only so much you can get away with, but you'll push it. Push it as far as you can, this is the bed she made.

Jenna rolls her hips towards you, and, of course, the cameras can't see this, all they can see is her on the bed holding the sheets and pretending to talk to her ex.

"It didn't mean anything..." She tries again and fails, a breathy moan forcing its way out and revealing the growing pleasure, the need growing in her voice. She has to place her free hand over her mouth as you continue to taste her, your tongue working over her panties with no hesitation, all rhythm and no breaks.

You continue, running the flat of your tongue over her, flattening the damp fabric against her cunt, and you feel her throbbing. It's undeniable, the way she tenses under your grip and shifts ever so slightly, each slight movement an obvious clue towards her struggling with maintaining her composure.

It's not difficult to hear the change in her voice. The shake and strain of each breath only grow worse the more your tongue curls against her panties. Sure, you haven't yet come into contact with bare skin, but simply knowing just how enraptured she is by the teasing, is enough.

You can't help the slight chuckle that follows, and why would you? This whole performance is starting to become very personal, and when you squeeze her thighs, and apply pressure until it's enough to bruise, you can hear the soft mewl as she fights her way through a rather passionate phone call.

"Why don't you just fuck off?" She hangs up the phone and throws it to the side. In a moment, the same hands are wrapping around your head and dragging you close. As if there was any space left to separate you. "Oh god yes!" she moans out—it's all the script. The scene is supposed to continue until there's a fade to black. No one needs to know that the moan is real.

At the very least, she tries to contain herself. Though her hips swaying, and bucking rhythmically against your face say something very different. And the heat radiating from her core is undeniable. The cotton of her underwear sticks to her so heavily, clinging to the slight folds and wrinkles. Enough to get a good idea about what's going on behind it. That there is indeed a welcoming, quivering cunt that might benefit from an enthusiastic tongue.

Jenna's groans take on a noticeable tempo. "Don't stop, don't you dare stop. Fuck. Yes!" Her words are spilling out messily. For a moment, her responsibilities seem to vanish. She's abandoned her character and resorted to feeling your tongue against her pussy with such ferocity that, were it not for your hands pinning her down, she might have suffocated you in that tantalising heat.

As the cameras continue to roll, with filming still going on above the sheets, the pace only grows hastier.

You're aware of your heart rate spiking, the sudden realisation, the knowledge that someone might be onto the two of you, that you've crossed the imaginary line that exists between the bedroom scene. With the flicker of your tongue, that line gets a little more blurred.

And Jenna seems to be in no hurry to stop either. What was supposed to be just acting becomes a carnal need. Her hips wriggle frantically against your gyrating mouth.

"Cut!" Comes the much-needed command, and you rip away from beneath the sheet.

Jenna's chest heaves, her thighs tremble and her toned stomach tenses. You struggle, forcing back the burning desire to claim her, devour her, kiss her senseless.

It's just acting.

-

Filming goes late into the night, as it so often does. Jenna has a series of scenes with the supporting cast, and you're only there to support them. Still, you make sure to keep watch from the sidelines. She's beautiful when she acts, all passion and fire. That's another reason you're so drawn to her. Everything is so easy for her, flawless. Talented little minx.

Hours after sunset, you stop by her trailer to check in, like you so often do.

You knock, and seconds later she peeks out of the door, saying, "What? What did I do now? Oh, it's you." The harsh greeting melts away into relief, and you grin at the reaction.

"Damn, maybe I'll go then." You make a gesture to turn away, and Jenna grabs your wrist and pulls you inside with all her strength.

"Are you stupid?"

"Me? No, the very definition of sanity." You laugh and follow her further inside. It's bigger than your own, with a seating area and everything. Not that you can focus on the surrounding amenities. Because her black, lace thong is the only thing she's wearing, and, for a second, it leaves you speechless. It's impossible not to stare at the way her round little butt perks out behind her.

Jenna asks, "Like what you see?"

"What happened to your clothes?"

"My clothes are fine, I'm in my trailer aren't I? Nothing strange about relaxing like this." She says as she saunters off, the golden curves of her back highlighted by the single lamp she has lit in the corner. She stands in her kitchenette, bare back to you, pouring herself a glass of red. Her thong contrasts starkly with the honey colour of her skin. She stretches an arm back, and half glances over her shoulder.

"I can feel you staring, you know?" Jenna says, pausing for a moment while the cogs turn in your brain. After a while, there's no point in resisting. So, you close the distance between you, stand behind her, and embrace her thin waist.

"Am I bothering you?" you question, pressing closer.

"Only a little," she leans back into the touch. "But that doesn't mean stop."

An unseen force guides you. Perhaps it's those thoughts that came to mind when you were holding her, on set. What would happen if you just got to know her better?

Your mouth feels so dry from the nerves, but you drag a hand up the length of her waist, over her taut stomach, before cupping her breast. Jenna closes her eyes and hums in response, and when your palm rubs against her bare nipple, her mouth falls open.

You sink to her ear and bite it gently while catching her nipple between two fingers, which elicits a sharp gasp from her lips. You pull her firmly against your chest, and her back presses to your shirt. Fingertips brush her belly, stroking from hipbone to ribcage.

"I figured we had a little unfinished business. Remember?" You kiss her earlobe and grin, fully aware she can't see the expression.

"It did seem to me like you were quite close to being finished," she teases. Your fingers curl and squeeze the swell of her breast, earning a groan. "Tell me. How was my performance?"

"Could use some work," you mumble, kissing the side of her neck. Jenna's breath shudders when your teeth drag against her throat. She sets the glass down, freeing her hand to rest on your forearm. Holding, or perhaps holding on, you can't tell. Either way, it's an invitation to keep going.

"You think so? Looked to me like it was the best performance you had ever seen—ahem—felt."

You chuckle in her ear. All the while, her breathing becomes a little heavier. She even reaches a hand back, curling fingers in your hair to make sure your mouth remains on her. It sends an alarm bell ringing in the back of your head, a warning, a red flag, a stop sign. But what if you don't?

"I'm not like my character," she whispers. "She's all romance, nice dates and lovey-dovey shit."

"No?" you whisper.

"No," she says sternly. She twists under your grasp to face you. Your hand lands on her hip, and before she's looking up at you with her lips parted, she murmurs, "But I do enjoy being eaten out."

This time, Jenna pulls you down into the kiss. The sweet pout of her lips draws you in. She tastes sharp, like the wine, but her mouth is warm and inviting. You take her bottom lip between your teeth, and she moans, her painted nails scraping through your hair. You feel her hands fumbling, then the thud as your pants fall.

"Fuck me," she breathes the command when your palm finds the swell of her breast again. She's pushing you back, guiding you across the room, pinning you onto the arm of her couch. She lifts her knees and presses it between your legs. She pins you there and continues to kiss you, harder, rougher.

She grabs the collar of your shirt, and then the buttons begin popping. The air brushes your chest making you even more aware of the insanity unfolding in her trailer. As she unravels the rest of the shirt, Jenna pulls back, standing up with a cocky smile on her face.

There's not a chance to speak, or even comprehend, for that matter. She puts her palm on your bare chest and forces you back. You crash into the cushions, and the next thing you know, Jenna swings a knee over your head.

In an instant, she's hooking her thong to the side, then taking a handful of your hair and sitting on your face. Your hands move automatically, gripping her thighs, pressing thumbs into the soft, ample flesh. Your tongue brushes across her pussy, and the feeling of your tongue flicking across her makes Jenna let out a beautiful, quivering moan.

Her scent intoxicates. It's divine.

With strong hands, she leads your movements, grinding forward against your mouth. Daring, unashamed, desperate. She's just as much an animal as she is a woman, and that realisation makes your body tense. You part her tender folds with your tongue and taste the warmth of her nectar, causing Jenna to keen.

Her cheeks grind against your lips as she quivers atop you. Her sighs alternate between delighted huffs and breathless moans. As long as you're licking, the sounds keep coming. If anything, they grow stronger and more desperate. She won't hold back, and it makes your head spin, your focus becoming a singular, dizzy blur.

Her juices coat your mouth, slicking your chin and running down your throat. She tightens her grip on your scalp as if trying to punish you. But really, her actions only draw you closer. The taste of her makes you drunk, and not the kind that comes with a hangover in the morning, no. But the kind that makes the rest of the world and its expectations dissolve, leaving just the two of you in the remaining silence.

Jenna's pussy is a beautiful thing, you realise. Swollen and dripping, deliciously wet. It's a tempting treat just begging to be toyed with. You tongue her clit, rolling it back and forth. When you get just the right spot, a tremor passes through Jenna's frame, a hard squeeze of your scalp, as though it had been scalding her.

"Fuck, so good," Jenna groans. "Keep going. Just like that."

More noises pour out of her and splash into your ears, exciting you in a way you've never been before. And the little shimmies she gives you aren't unpleasant, or unwelcome, far from it. Those subtle dances send waves through you and make the motions of your mouth automatic. Your tongue can't get enough. Neither can your hands. You bring them higher, taking her firm ass, sinking fingertips into her plush, round cheeks and pulling her onto your face.

The movement makes her laugh. "Look at you, so excited. Hungry, are we?" You stroke your tongue up the length of her glistening wet cunt, and Jenna twitches on top of you. Her delight returns, a cry of joy and want. "Go on, eat it. Eat that fucking pussy."

The muscles in her abdomen tighten. Sore and taught, every part of her shivers and shakes, twitching and fluttering with your movements. She cries out in ecstasy, as driven mad by your tongue as you are by her taste.

Her thighs clamp around your head. You can feel her begin to writhe, twisting left and right as the pleasure rages through her. She can't control her hips, keeping them glued to your mouth and twitching violently.

Jenna cums, and her juices flow into your mouth. You drink the reward of your handiwork, as her words become hazy murmurs. An erratic pattern of curses and blasphemous platitudes. As if singing all her highest praises.

When she stands, her legs wobble with the aftershocks of an orgasm, but her posture says there are still things she wants, things only you can give her.

It takes seconds. Jenna's thong is on the floor and then she's pulling at your waistband, tugging them down until she has your cock free. Her nails scratch along the length of your length and her palm settles around it.

"Fuck, you're so hard."

Jenna strokes your shaft and gives it a playful squeeze. You watch the heat shimmer and roll around in her eyes as she sizes you up, and the way your cock gives a stubborn and needy twitch. She seems to like that, too.

When her eyes go lidded and she lowers her head down, opening her mouth and slipping her tongue across the head, you almost can't comprehend how good it feels. Your spine tightens, everything goes rigid, and you're left without a shred of control over your voice. That seems to matter not at all to Jenna.

"Hold on," she slips the head of your cock between her lips, just barely, and smiles around it as she smears your precum across her tongue. Before she looks up, meeting your eye, and then forces her head down further, wrapping her warm, wet mouth around as much of you as she can manage. You both gasp as her tongue sweeps along the underside, and you see her cheeks puff out for a moment, then relax once she settles into a rhythm.

It feels amazing, un-fucking-real. Jenna is bobbing her head up and down. Blissful moans leave her with every pass, and the lust-fogged look she gives you should be illegal. Wet sucking and slurping fill the trailer, drowned out by her hums of adoration. Each one sends vibrations shuddering through your cock.

You thread your fingers in her hair. It's a token act, your control as she moves means nothing. In a blink, she's sucking the length of you down to the very base. She struggles a little when you hit the back of her throat, but pushes through, going again and again, deeper and harder each time. Tears threaten in the corners of her eyes. Still, she won't stop.

"Jenna," your voice is thick and strained. "I'm going to—"

A few more passes of her hungry, slippery mouth have you finally toppling over the edge. If she has any intention of pulling away, the temptation or aversion isn't potent enough for her to react. She kisses and slurps, bobbing feverishly, drinking your spurts of cum and caressing your length with her soft, swollen lips.

Jenna stays with you in her mouth, breathing heavily, the look of satisfaction on her face intense and perverse. She takes her time to gently nurse the last pulses from your erection until you're twitching and overstimulated. Only then, and after a minute longer, does she finally concede and pops her mouth off your cock.

The emptiness it creates feels too much like a loss, and yet, all you can do is stare at her, heart hammering and unable to feel anything past the aftermath.

Jenna perches herself on the coffee table, her legs pressed together and angled to the side, letting her hair fall over her bare shoulders. With one hand, she cleans her mouth and smiles at you.

"I guess this puts a line through unfinished business, huh?" She laughs a little. "Long day tomorrow, best get some sleep."

Then just like that, you're half-dressed, watching her slip off to the tiny bathroom to clean up. A few minutes later the trailer door swings shut, clicking behind you.

Outside, the night air is cool and bitter. It snatches the warmth away from the memory of her touch.

-

They're saying it's going to be a success. Critics have reviewed the project already, including early screenings, and private showings. The reception is very positive. That's great, you know it is, and everything is piling up and coming to a close now. All that's left is one last night, the premiere itself, the main event. This will determine the fate of the film, whether it's a runaway hit, a fantastic start to awards season, or a straight-to-streaming disaster.

"Been a while," the voice behind you says and you turn to see Jenna at your shoulder. She looks exquisite, elegant, and alluring in her gown.

"Understatement." You take the time to look her over again. It was only a couple of months ago you saw her naked and had her on your face. It feels so distant, and almost like a dream. Maybe it is, given how quickly she went cold afterwards.

"Red carpets aren't really my favourite thing. It's... all overrated, isn't it?" She sighs.

"Yeah, you told me."

"I did?"

"At the party, on the last day of shooting. You said, and I quote, 'I hate red carpets, everyone is so fake.'"

She rolls her eyes and laughs. "I must have been drunk."

"You were very drunk," you confirm. "Remember? And you were doing that thing with your foot."

Jenna tenses. "I did, didn't I?"

It was a few hours into the party, and most everyone was way too drunk to even make sense. You found yourself sitting down, trying to stop your head from spinning the way it was. Then she came and sat across from you. Apparently, she'd been drinking more than usual, given the wide-eyed look she had when she'd approached.

"You're handsome," she told you and flashed a drunken smile.

"You're drunk enough to say that to anyone."

"You're smart," she leaned closer, and even in the darkness of the room, you were mesmerised by the way her tanned skin contrasted with the tight, white dress. "You're talented. I'm glad they cast you." She runs her foot from your ankle, along the inside of your leg.

Her toes met your knee. You think you stopped breathing as she traced circles on your inner thigh. You looked up at her face, and she was smiling, a devilish one that said she knew exactly what she was doing.

"You smell so good. Like coffee and mint. It's infuriating." Her shoe slid higher, pressing against the crotch of your pants, and she frowned. "No reaction. Maybe you're shy? Oh, wait."

She pulled her foot back and then bent to the side to reach down under the table. After a few seconds and a few confused expressions, as she fiddled with something out of sight, her shoe fell to the floor. Jenna slid the sole of her bare foot between your legs.

"That's better, right?"

She sat up straight and clicked her tongue. You couldn't believe it. Barefoot, hair down, smouldering gaze and curling her toes against your crotch. It was a lot for you at the time. She smirked, shifting again and sipping a glass of champagne before putting it to the side.

"So, how has it been? This whole romance thing?" She stepped closer with her toes and her heel pressed over your cock, digging in slightly.

"I hated the idea of it. Didn't want any part of it. But being here with everyone has made me change my mind. I've done well."

She started to rub the underside of her foot faster, creating an overwhelming amount of friction. And her smug, smiling face wasn't helping your cause at all. Then she leaned closer, so her chest was bunched up and exposed. She teased the top of your cock with her toes and rested her chin in her hand.

"I think you just have to accept it. Learn to enjoy it. It helps that everyone was so nice to work with."

"Was I?" she asks with a flirtatious lilt, pressing her toes harder against your stiffening cock. "Was I particularly nice to you?"

You choke out a laugh. "You don't need me to tell you that you're nice to look at. But you don't need me to tell you you're more than a pretty face either."

"Do me a favour, undo your trousers."

Now? Really?

"Seriously? Here?" You're sure your voice was shaking.

"Now or never."

The pressure in your loins was undeniable, and you went to work unzipping and undoing buttons. Discreetly you pried them open and pulled down your underwear. Your cock sprung free, and you sighed in relief.

She rested a hand on your arm. It was surprisingly comforting. Then she pressed her foot down to angle your cock against her instep, slipping her soft, warm skin up and down your shaft, barely rocking it back and forth.

"That's better." She smiled sweetly, teasing the head with her toes. "You were nervous." She circled the tip of your cock with her big toe. "That first day of filming, you were so worried about messing up."

"Well, yeah. New role, new movie, no way of knowing."

"Hindsight is always 20:20, but you worry too much. Don't spend so much time thinking about what can go wrong, focus more on the things that can go right."

"Like this?"

"Like this," she grinned as she spoke. Her foot pressed harder and moved faster, stroking you up and down and you did everything you could to keep a straight face as people walked by. Each with an innocent conversation, unaware of what was going on beneath the table. "Besides, you did alright."

Alright. Not great. Not good. Alright.

It's about as much of a compliment on your work that Jenna has ever given you verbally, though you wondered if the foot on your cock is indicative of anything.

"Thank you. I, uh, appreciate the feedback."

"We make a good team." Her eyes narrowed as she focused on getting you off and her top lip stiffened. "Solving problems. Improvising scenes." Her foot kicked up a gear, in a blur, up and down, faster and faster.

"Jenna, I'm—"

"Great on-screen chemistry. Great off-scene chemistry." She pushed you right over the edge with her sole on the underside of your cock. The look on her face said it all. A smile so wide as she felt you twitch against her, throbbing, shaking, and pouring cum right over her skin. "Though you are rather easy to manipulate, aren't you?"

She shot you a wink as she cleaned her foot with a tissue. "See you around."

That image has been burned into your head for a long time since then, though you work to shake it out of there while walking the red carpet. It's all camera flashes and the chore of being paraded in front of them. You follow her lead, and she meets the press with the very embodiment of what they'd want—grace, charisma, flair and passion.

You answer a few basic questions that can't reveal anything interesting or new. Something about keeping the magic, and hopefully breaking it when you win a bunch of awards. Wouldn't that be nice?

"Where do you think this opportunity takes you after the film is released?" one interviewer asks.

"Obviously, any opportunity to work with other amazing talents is an honour. I don't know when, if, or what the offer will be, but I'm certainly happy to be working again."

"And if you had the opportunity to work with Miss Ortega again?" It's a question that she overhears, and she throws you a look over her shoulder.

You try not to stammer. "Of course, if I was fortunate enough, I'd take it. She's... unparalleled."

-

This has never been your favourite part, it might even be the worst. Sitting through your own premiere, watching your own work, it's like a long, self-aware nightmare. It's a natural reaction, but that's little consolation, particularly when you know what scene is coming next. It's some over-complicated form of torture to watch yourself get a handjob on the big screen. Everyone's watching. Including Jenna, sitting next to you.

This is the cavalcade of self-humiliation.

To your surprise, Jenna reaches over to slip her fingers between your own. It's the gentle and comforting squeeze that's accompanied by a sly smirk from her when you glance in her direction. Her eyelids lower and an undeniable tension builds between the two of you. She leans in to whisper to you.

"About last time..."

You smirk. "Am I supposed to know what you're talking about?"

"The ending was abrupt, don't you think?" Her teeth catch on her lip, and those sinful eyes narrow.

"A little."

"Follow me."

Jenna stands up without waiting for an answer. Being in the back corner of the screening makes it fairly easy to slip out after her. When you reach the corridor leading to the bathrooms, Jenna looks you over and smirks.

"Tell me," she laughs out the words as she brushes a few strands of hair out of her face and pins you against the wall, "How often do you think about that night in my trailer?" She pushes up onto her tip-toes, wraps an arm around the back of your neck and pulls your ear to her lips. "Don't lie to me, I know you've thought about it."

Her tone is a familiar temptation, and you've missed it. The sensual inflexion in her voice winds its way through every bone and tendon until it's there, inside and immersing you in the raw carnality that Jenna makes you feel. "All the time."

"Me too." She pulls on your wrist, leading you again and heading for the bathroom. You let her, and she pulls you into a cubicle with her, closing and locking the door behind you. "And how many times have you got off imagining it, picturing it." Her hands stroke along the front of your trousers, and the button pops open in her fingers. You don't even get to reply before she says, "Yeah, me too."

There's something perverse about hearing her say that. Something lewd in the way she smiles at you and peels down your trousers and underwear and instantly slumps to her knees. There's no teasing, no showmanship, nothing but blunt hunger, naked and fierce.

"You're beautiful," you whisper, and her eyes dart up, and her lips pause just as she's about to take you. Her hot breath spilling over the tip of your cock.

"Shut the fuck up," she laughs. Her gaze narrows. She sinks her wet, warm mouth down onto your length, swallowing it bit by bit. When the head touches the back of her throat, she giggles as her eyes water.

A moan involuntarily slips out. Your hips buck forward. Jenna's tongue is like velvet, rolling around the tip of your cock, then enveloping your shaft. You can't help the thrusting. It's automatic, primal, a natural response to being encased in her intoxicating mouth.

Jenna looks up at you, cheeks hollowed, eyes wide with anticipation. She pops her mouth off your swollen cock with a wet noise, and immediately, her fist closes around it, jerking you. She smiles. "Wanna do it?"

"That's how you're going to ask?" You scoff, leaning against the cubicle wall, a slight grin pulling at your mouth. "Is the art of seduction really that dead?"

"Well, forgive me if I don't quote poetry at you and cover myself in rose petals," she says as she climbs back to her feet and places her hand on your shoulders. She guides you to take a seat as she jokes, "Poetry bores the shit out of me."

It's almost too fast when her slim hands lift her dress up to her waist. She watches your face, her teeth pin her lip as she reaches down to hook her panties to the side. She slips a finger inside her already dripping pussy. You throb, hard as a rock, when her hand withdraws and she's reaching up and pressing the gleaming digit against your mouth.

You taste her wetness, licking your tongue against it. "Fuck," you growl, the urge to have her, devour her, ravage her takes you.

"You want it?" Jenna sways her hips and bites her lip. Her tight little body was made for sinning, it's plain and simple. You can't resist touching her, teasing your hands up the back of her thighs and around the ample curve of her ass, then pulling her onto your lap.

"Want it," you breathe the words against her lips. Her hand settles around the base of your cock and drags it across her slick pussy. She sighs into your mouth when your thumbs dig into her hips. That's an invitation to slide inside her.

Then you fill her. Her lips seal onto yours, her eyes flutter closed, and a sweet, deep, hungry sound of satisfaction leaves her. It's a sudden rush, everything about this situation, here and now, is a euphoric madness.

She looks incredible above you, her round, firm tits straining against the dress fabric, beads of sweat at the hollow of her collar and the heat in her eyes. Perched on top of you, Jenna rolls her hips forward, grinding against your lap, coiling that hot, wet flesh around your cock.

"God, your cock feels so fucking good," she gasps as she rides you, the way she moves her hips, the wild shifts and squeezes of her tight cunt around you bring the knot in your stomach already. You buck up into her and a ragged cry tears from Jenna's throat.

You seize her hair and kiss her, swallow her cries and moans, her gasps and whimpers, drink every little sound she makes and lose yourself in the rocking grind of her hips. You're both animalistic now. Her with her bouncing, grinding and needy fucking. You with your digging fingertips and the pounding of your crotch against her. It's filthy, it's unhinged.

"This might be the last time we—"

"Shut up," you interrupt.

"Last time we do this."

"Shut the fuck up," your hands dig into her waist, pulling her down and plunging your cock deep.

"Tell me," she says breathlessly, slamming her hips to meet your thrusts. "If we end this right here, is that good enough?"

"Fuck no," you hiss the words. You reach up to pull down her dress, prying her perky, bare breasts free and enveloping one in your mouth. Your tongue traces the nipple and you draw it in deeper. Jenna slows to a firm grind, holding your cock tight inside her before she snaps forward, locking her arms behind your head. You feel the shudder inside her, feel her clenching on you.

It's a deep, powerful moan, straight to your ears, as she cums. Pulling back and grabbing your face in her palms, forcing you to look right into her eyes. The blissful, fucked-senseless expression on her face is priceless, so is the dizzying, tightening feel of her cunt. Jenna collapses, huffing and panting, while you still hunger for more.

You pick her up and slam her against the cubicle door. It rocks under the impact. She giggles and takes a handful of your hair.

"Go on, fuck me. Like it's the only time you're ever going to get the chance."

So, you do. What more could you ever do? Is there anything more rational than drilling Jenna Ortega against a door in a movie theatre bathroom?

"Good, yeah," she wraps her legs around your waist and curls fingers in your hair. "You're getting there." She tilts her head and you claim the side of her throat, biting her neck. "If I tell you that you can cum inside, will you fuck me harder? Is that it?"

You groan into her neck, grip tightens, and you draw her body right to yours.

"If I tell you how badly I want to feel you cum, that it's driving me crazy, would that make it better?" She tightens her thighs around your waist and huffs out the words as though the effort is too much. "Go on. Do it."

The door rattles on its hinges, but you hardly even notice. Everything is her. Her body, her eyes, her voice, her. Your fingers lock around her waist, hold her tight while you pound her. The sweat-slick strands of her hair hang across her forehead, her skin glistens, and you're mesmerised by how good she looks while you fuck her.

You sink your teeth into her shoulder as you fill her. You lose control, twitching, and buried to the hilt, a groan into her skin as you twitch inside her. Cum spurts, your body shakes, her sex pulsates and clenches. She milks everything, and the next thing you know, you're falling back onto the seat, her collapsed on top of you and heaving. Gentle movements of her hips keep the sensations alive until you have nothing left to give her.

Overstimulation sets in quickly, her fingers slowly entwine with yours as you sag back against the seat, trembling and spent. The pair of you stay there, sweat-drenched, messy and grinning, sharing the tangle of soft noises in the silence.

"So, that was..."

"Pretty fucking good," she cuts you off. She rests her head against your shoulder, her hands settle on your arms, caressing you.

"That's what I would have said," you tell her, as you run your hand over her thigh and palm her ass.

"Damn. We might as well get married and drive off into the sunset." She laughs, and you chuckle with her.

"Or maybe we could just do this again sometime?" you ask with a slight grin.

She considers it. Pouting her lips and twitching them side to side. Her expression takes on a knowing edge, something mischievous as she looks you over and replies. "I'll see you around, maybe."

Now that...

That's just cruel.

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[cameronspecial]

Idk if you still take requests but if you do I would love to see a drew x reader where they have to do a sex scene (like in hellraiser) it’s so hot

Just Acting

Pairing: Drew Starkey x Reader

Warnings: SMUT

Pronouns: She/Her

Word Count: 1.0K

Masterlist

Sometimes when as an actor, the lines between what is real and fake can get blurred. The worst is when that happens during an intimate scene, especially if that scene is so primal with the coworker she has a crush on.

Drew’s grip pulls her head back so that his face is next to hers. His barely covered dick hits against her bum. She lets out pants as instructed and does her best to focus on acting instead of the numerous people behind the camera. “I knew you were a little Slut. Look at you taking it so good,” Drew growls in her ear in character as Alex Tanner, a professional escort. Her character, Stacy Morris, moans out and looks him in the eye with a small nod. “So good. Harder,” she asks in a babble. He chuckles, his hand going to grip her breast only covered in a skin-coloured nipple cover. He gives it the script squeeze before faking pulling out of her and flipping her on her back. He pulls her onto his lap so she is straddling him and the make believe thrusting continues. She bounces with him and struggles to conceal her real moans as his hard length slams against her protected pussy. “YES, ALEX. KEEP GOING,” she screams, running her fingers through his hair to yank on it. Her hands fall to his back and tear down it, which creates beautiful red steaks. 

She presses her lips against him and their mouths move in tandem. This is just acting. This isn’t real. She reminds herself, over and over again. “Cut,” the director calls out and it takes the actors a second to process the command. They begin to slow down and their breaths can be heard throughout the stage. Sweat runs down their faces and they look at each other with embarrassed smiles. She hates to admit that she got caught up in the moment and by the look on his face, he might have too. The director comes over to inform them that they got the shot and that they are moving to the next scene. 

———

Y/N is moving around her hotel room getting ready for bed when a knock comes at her door. She slips a strand of hair behind her ear and goes to get it. “Hey, Drew. Is everything okay?” she greets, steeping back to let him into the room. He looks nervous as he bites the corner of his lip. “Yeah, I was just wondering if we can run through the scene we did this morning. I know Wayne said we got it but…umm… I don’t feel like we did.” Her heart skips a beat at the reference of the scene. Her cheeks feel like an inferno. She nods, “Uh…yeah, of course. Anything to get the scene right.” He smiles shyly at her. “Cool. We don’t have our modesty wear; however, we are both adults so are you okay with being naked? We can practise fully clothed, if you prefer though.”

The gurgle in her stomach begins to grow. “I think we can do it naked. We are professionals after all.” He nods and they both awkwardly get stripped down. She isn’t surprised by the size of his length and she knows it isn’t going to be actually inside her, yet it doesn’t stop her from squeezing her thighs together in need. His heart stops when he notices the movement. 

She gets on the bed on all fours and looks back at him when she feels his hesitation. “It’s okay. We are just acting, right? This is for our job,” she reassures. His head bobs and he gets settled behind her as he is supposed to be for the scene. They go through the scene and everything feels like acting until she is straddling him. This new position means that their genitals are in direct contact and he shifts under her. He can feel how wet she is and he yarns to be buried deep within her. He notices her expression turning to uncertainty, so he pulls away. “Are you okay? We can stop if you feel uncomfortable,” he says. She shakes her head, “No. No. I’m fine. I can keep going.” To make her point clear, she does as she is scripted to do and rises to pretend to sink down on his cock; however, as she goes to pretend to ride him, she feels his tip fall at her entrance.

Their eyes meet and they stare at each other for a few seconds, trying to figure out what the other is thinking. Since nothing is said, she continues to allow his length inside of her. Her moans fall on his ear and this encourages Drew to begin bucking up inside of her. She bounces with the help of his hands on her ass to meet his movement. The two of them fall into pleasure and it starts to go off-script. His eyes lock on her breasts bouncing in front of him and he can’t help but lean forward to take one into his mouth.

She squeals in delight at the feeling and laces her fingers through his hair so that he stays in place. “Drew,” she calls out. They both freeze. The utterance of his name breaks the spell over them and it is time to admit what they are truly doing. “This isn’t just acting anymore,” he murmurs against her neck. “I want this to be real and if you don’t, then tell me now and I’ll leave.” She pulls his head away so she can crash their lips together, “This is very real to me. I want that too.” He smirks at her and his movements slow down. He flips them so that she is on her back and he is on top of him. His thrusts may have slowed down but they still reach every part inside of her that she needs. They are both brought to their orgasm and his movements stop while they recover. He slips out of her, dropping to her side on the bed. She looks up at him with doe eyes and snuggles himself into his side. He kisses the sweaty border of her hairline. “Please tell me this is real. That this isn’t us just acting or a dream,” she whispers. He lets out a low chuckle, “I promise. This is real and it definitely won’t be the last time we do that. I love you, Y/N.” She sighs in his hold. “I love you too, Drew.”

Taglist: @loves0phelia @thelomlisrafecameron @wickedlovely121 @thepatriarchykeychain @drewsmusee @starkowswife @maybankslover @forstarkey @loving-and-dreaming @magicalyoura @rubixgsworld

[nalyra-dreaming]

Be careful, it's one of a kind! - Or: the trial script.

I took a few screenshots and put them through the editor, and there are a few interesting tidbits of information that can be gleaned from the few shots we got of the final trial script:

Supposedly the trial was written by the "Vampire Santiago", and the "Vampire Samuel Barclay". With... "additions made" by the "Vampire Lestat de Lioncourt".

Now the last part is particularly interesting, because as we see in the screenshots we get, that there are quite a few "additions" that Armand makes, but he is not listed there.

We now have (additional) confirmation by Assad (at the SDCC 2024 panel) that Armand was the one who orchestrated Claudia's / their deaths, so let's keep that in mind here. Especially since he is not listed.

"Our red curtain. Our spotlight. Santiago acting as master of ceremonies. But this is the only part of the play that will mimic our normal fare. That and our finale."

There's several aspects to this.

We know that - at least in Armand's tale - Santiago "took over". "Master of ceremonies." But only acting, not actually being. The "mimic our normal fare" both hints at this being not what they normally do, and, given the mock aspect of the trial - it acknowledges the farce it is. It is not a play, not a trial, but something in between, framed as neither, while implementing both.

Santiago's entry speech. With an interesting annotation by Armand: "You are standing half in and half out of your light."

Only, Santiago isn't actually standing in and out of the light. (At least in the version we got to see.)

Now, those who know the books know that the force of Lestat's personality is often called a "light", and not always in a wholly positive manner.

For example there is this comment by Nicolas, which refers to it:

And for every aspect of our proposed damnation you found exuberance, and there was no end to your enthusiasm and the passion coming out of you-and the light, always the light. And in exact proportion to the light coming out of you, there was the darkness in me! Every exuberance piercing me and creating its exact proportion of darkness and despair!

The lights of the stage obviously put them all into focus, too, something that was forbidden before Lestat came and destroyed the old ways. The "walking in the places of light" was one of the things the Children of Darkness accused Lestat of when he encountered them.

I think the comment there is a kind-of-meta comment, of Armand being half in shadow hand half in light. There is a choice here, for light or darkness.

Here, he chooses darkness.

Some things we haven't heard in the episode:

"If the prosecution's evidence convinces you to condemn those HERETICS for the heinous trampling of the vampire laws we will carry out our sentence before your very eyes as only we at the Théâtre des Vampires know how: slowly, inventively, gruesomely."

And then, this lovely stage direction 💀:

"Agency: If and when Claudia or Louis speak, (drive) them together, close their throats, (Santia)go will address it with the audience, as per the below:"

"I don't need to hear from you..."

That part we heard in the trial.

Apart from the stage directions and the part we didn't hear Armand's notes are also interesting once more: "Remember to comment...." and something starting with "Fi"... "Fine" - or "Find their thoughts" (could fit I think). Because this note, even largely unreadable proves once more that Armand was fully in on what they did to Louis and Claudia there. Made sure that the blows... would land.

This one. This one we didn't get to hear! (The part after "Tik Tok")

Santiago reading from her diary: "He soaks in the light from everyone around him, making it all about Lestat. This is most definitely about you and your death."

Light reference again! (See the quote above.)

And (accompanied by Armand's notes to have Santiago hand the diary to the audience):

"I know she was your favorite. I know she was your baby lu. But she had us all fooled. She's the best actor of all of us. She lies so sweetly, doesn't she. But look closer. When the mask falls away, she's a monster."

Oof. When the mask falls away... Pot to kettle.

"I can't hear you." - say it louder.... Lestat.

And then: Lestat's entrance. Being seated in an especially prepared "Bergere en cabriolet".

And here we have another "I can't hear you! Let me f...". It's the counterpart to the blend-over (below), another read from Claudia's diary there, after Lestat talks about loneliness and Louis "abandoning him". (Btw, I don't buy this shift to blame to Louis and Louis "hunting" Lestat for one second, for the record^^. I think that was all very much BS for the trial, in order to make Louis seem guilty to the audience.)

Armand's comment (on Lestat's first lines) makes it seem as if Lestat was less than enthusiastic - or weak. Now, I said before, I think there's quite enough evidence to suggest that the "real trial" might have gone a bit more like in the book, with Lestat mostly out of his mind and his mind meddled with as well (see below).

But the counterpart to the blend-over is actually the most interesting one, imho:

(This is a hard one to see, it's only seen in blend-over and Louis' hand moves across it before the scene fades to Armand scribbling down the note!)

"It This is too early for Lestat to acknowledg[e...]"

This is too early for Lestat to acknowledge. Louis and Claudia, would be my guess. This direction is proof that Armand made directions for Lestat especially as well. It's the only one (we have so far) where he actually writes the name.

Armand knew he could make this direction. And he made it.

Given Lestat and their history this, for me, is proof, that Lestat's mind has been meddled with as well, at times at least. Because there is no way that Lestat would have followed Armand's directions there, imho. Would not have done something, especially in that moment, where they set up the execution.

Yes, Sam is on record saying that Lestat played along with the play itself so he could get into the audience's heads, and therefore make it easier for him to make them shift Louis' sentence to "banishment" (that's where the "additions" come from, in all likelihood), but there, at the point of judgement and the execution being set up he does not look at Claudia (but he does look at her afterwards!), he's staring straight ahead, swaying on his feet.

Taken out of the equation, so to speak.

(That's an extra shot btw, extra shots always carry meaning.)

So.

Quite the script. -.-

Clear stage directions for Santiago, Lestat, and the other coven members should Louis and Claudia try to do something.

Now. I know there have been a lot of posts about Armand "master mind" or "villain" or victim, or what not. And I am glad that Assad has been so very clear on that just recently, though all of it is already given with what the show gave us, imho.

Armand did plan the trial. Did master-mind it. Did pretend. Did direct. Did lie.

He orchestrated their deaths.

And Lestat interfered with Louis' death. At the very least.

And.. Armand continued to betray Louis. For 77 years.

I said it before, I don't quite buy the tower scene, I expect it to get more context, at the very least.

It will be very interesting to see if they return to the trial next season, and in what capacity.

Because all the "hints" are, all the evidence is there already.

[1shirt2shirtredshirtdeadshirt]

Today on popping the corn and feeding the children, what do you folks think of this discussion? :)

I'm always curious to hear what other Trek fans, especially queer Trek fans, think about our place in Trek history and how we fare as the queer participants within our fandom. What have your experiences been like?

Overwhelmingly I've found a great reception and a welcoming attitude, but I admit that has increased considerably since the 90s. However, there are still some Trek fans who seem to be vehemently in denial about queer history in Star Trek, or the fact that anyone who has worked on Trek has pro-LGBT attitudes. This always surprises me considering some of the blatant queer content we have already seen in Star Trek such as the Jadzia Dax and Lenara Kahn kiss.

Anyway, I enjoyed the discussion that followed and seeing the overwhelming outpouring of support coming from Star Trek fans in response to this thread.

Here was my two cents contribution:

"No, what they said was factual.

Have you forgotten Nichelle Nichols was indeed an African American woman in the core seven bridge crew back in 1966?

Or the fact that Gene Roddenberry went out of his way to write The Motion Picture Novel, creating the term "T'hy'la: friend, brother, lover" so that fans could choose which interpretations of Kirk and Spock they saw fit? He also embraced K/S fans and hired a number of them to write the earliest Star Trek novels, including the very first official one (The New Voyages Vol. 1 & 2) which included slash fiction as well as Gene's approval/forward in the books.

In case anyone has forgotten, here's a little bit of background on Gene Roddenberry and his perspectives on queerness in Star Trek.

He admitted that in his early life he was very affected by how society and culture treated the LGBT community, and that he too found himself subjugating and judging others for that lifestyle because it was what people did at that time. As he got older and had more life experience, he began working with a number of queer artists in Hollywood -- and through TOS, a number of queer individuals began asking questions about Kirk and Spock.

Instead of vehemently shutting down this perspective, Roddenberry was intrigued, and saw potential to tap into a large audience (LGBT) that most others didn't want to go near or acknowledge publicity-wise. He saw it as an opportunity to expand the fanbase while also pushing yet another envelope.

But with the heat already on the show for what they'd already pushed, he found he was often stuck between what he'd like to do and what production would let him get away with. There are a number of Kirk and Spock scenes in scripts that got cut out for leaning a little too obviously romantic. Tiny trickles of that content still made it in were infamous moments like the backrub scene in Shore Leave. Even the 2009 movie had a K/S moment while Spock Prime and Kelvin Spock talked that was written and filmed that was cut out of the final product.

Queer subtext and coding has always been relentlessly weeded away at with an excuse ready to go for why they always try to cut us out, but we all know it's because they are scared of the homophobic backlash and ratings hits. Look how violently homophobes went after the gay romance episode of The Last of Us **just this year**. This has always been our reality, so for someone like Roddenberry to make efforts in the 70s? That was massive.

But Gene as well as the queer/slash Trek community managed to accomplish some things in the 70s which I'm surprised more folks don't talk about or give much credit.

In the same TMP novel which features "T'hy'la" and the famous footnote, Gene cleverly wrote Kirk with a bisexual/pansexual lens: Kirk describes himself as *preferring* women but being open to "physical love in **any** of its many Earthly, alien, and mixed forms." (Direct quote from Genes book). Basically, Captain Kirk was DTF with whoever if there was a connection, which was a very progressive take for a character in a novel written in 1979, but made sense for the future which would have a lot less hang ups about sex and love compared to our current rather puritan/conservative society.

I also prefer women, but I married a man. Shout out to Gene Roddenberry for giving us a seat at the table back in the 70's when folks *still* try to insist there is no place for K/S or queer concepts in Trek, because he made efforts -- however small -- to employ queer people and show queer perspectives. According to David Gerrold, LGBT+ representation was a big thing that Gene personally pushed for in TNG and wanted various depictions of love/couples in the Risa scenes, to name one example.

In the 70s, fanzines led to meetings and swapped fanmade magazines, which got so big that they needed hotel centers, then convention centers, then one day the TOS cast came to one and what we know as modern fan conventions were born -- inspiring even George Lucas who attended Trek conventions in the 70s and saw how popular Trek was in syndication; it was a great climate to launch his Space Opera. Star Wars then became so huge that we got TMP.

But none of that would have happened without the level of organization, passion, and creativity that those fans poured into Star Trek and their characters after it got cancelled and went into syndication.

Without queer folks we wouldn't have George Takei, Theodore Sturgeon who gave us Tribbles, Bill Theiss and his amazing TOS costumes, Mike Minor's art direction, Merritt Butrick, David Gerrold (writer for TOS, TAS, TNG) to name a few of many queer contributors to Trek that Roddenberry respected and tried to go to bat for wherever he could in a climate that was absolutely impossible to gain an inch in.

At a time during the 70s and 80s when so many people resented and feared the queer community and wanted us to disappear, especially in the 80s during the AIDS epidemic which many homophobes claimed was "God's punishment to the gay community" or "Gods's answer" to our "hedonism", thinking we'd gotten our just desserts and should just disappear . . .

During that time, Gene Roddenberry gave us queer folks a place to say: "You know what? Sure. Write your stories. TV says you guys shouldn't exist, they pull books with queer people off the shelves and burn them. Laws exist specifically to forbid you guys from loving each other, and call you mentally ill. You can't even hold hands in public. But I'm going to validate you guys and invite you to write novels or work for me, try to see what we can get by production, and allow you to see yourselves in my characters if you want to. There's a place for you in our fandom."

He gave us bi/pan Kirk, he gave us K/S is open to interpretation. In Phase 2 Kirk's surviving nephew Peter, son of his brother Sam from Operation: Annihilate!, was going to be written as gay and living on the Enterprise with his partner -- that also got chopped and reworked into a script that wouldn't get used until decades later. That was huge at a time that being queer was officially listed as a mental illness, and villainized due to the AIDS crisis.

So before you try to dismiss or tell K/S + queer Trek fans whether or not they deserve a seat at the table, remember that Gene Roddenberry was among the **first** to pull that seat out for us in a climate that was ruthlessly against LGBT+ folks." -- 1Shirt2ShirtRedShirtDeadShirt

P.S: Have some cute bisexual/pansexual K/S pride gifs. :) Pride month is a hop, skip and a jump away.

LLAP!🖖💚

[gguk-n]

Can you please write second change romance with Lando where reader tells him "Love me. chose me. for once in your damned life, fight for me!"

Reader is working at sky sports as a journalist. I hope you like it. I hope I did it justice.

Track of the Heart

{Reader's POV}

I knew the world was a small place and some times you run into people you are actively trying to avoid. For me, that was Lando Norris.

We were both young and in love. He was my first serious adult relationship. I loved him deeply; if you asked drunk me, I'd probably say that I still love him. But that was the past. He broke up with me because his fans didn't like me. The hate had gotten to the point that I had stopped using my phone except to call or text my friends and family and Lando knew. I had told him through tears about all the mean things people said about me. Part of me hoped that he would tell them off for it but what I didn't expect was for him to disregard it and let it get so bad that even at races people would name call me, even in front of Lando and he would do nothing. It affected my health, my mental peace and my studies. So, I did what was best for me; walked away.

That was 3 years ago. Right now I was standing face to face with the man that broke my heart. I knew when I applied for a position at Sky Sports that I would run into Lando. Luckily, I had stayed clear of him for the year that I had interned there; by only going to cover other sports and minor leagues. Today, the team was short staffed, they needed someone to help make the scripts and organise the cue cards, so they brought along a couple new hires. I did everything in my power to evade the race because it would mean being stuck on an F1 venue for a whole weekend with my ex. My direct superior wouldn't listen to any of my crap, as he put it and told me to pack my stuff and to meet him at the venue.

So here I was, awkwardly standing, in front of the supposed love of my life. He looked shocked to see me before his eyes flickered to the Sky Sports entry pass, as if a switch flipped. He smiled and greeted; "You're finally a sports journalist, like you always wanted to be. Congratulations" he said while raising his hand to shake mine. Out of courtesy, I moved all the files in my hands to my left and shook his hand. "My colleagues were saying you had your maiden win this season, so Congratulations I guess." I retorted. I adjusted the files in my hands, almost dropping one, which Lando quickly caught with his hand. I thanked him and left to see the team with all my files.

{Lando's POV}

Her hands were still soft like I remembered them with a sweet tinge of vanilla, her favourite body lotion. She had coloured her hair recently and she looked so much more professional and put together then I remembered. I guess it comes with the job. Hearing her congratulate me felt like home even if it felt like it was laced with sarcasm, like the only thing that ever mattered. How did I even celebrate a race without her? She was still clumsy I thought as I caught the file she almost dropped. The weekend just got more eventful I thought as she walked away.

--------------------------------------------------------

{Reader's POV}

If there is one thing I will advice you is that don't be a hard worker especially in a situation if it will land you working with your ex for the whole year. One of the members from the F1 team went on maternity leave and she spoke so highly of me that I ended up working on the races till she returned. Now to my horror, all the fans still remembered me. Even after 3 years, they did not hesitate to start up rumours about me and Lando being together and that we never really broke up and it was all a publicity stunt. I had to speak to my bosses to let them know that all of that was in the past and that I wasn't dating him anymore; they didn't care unless it affected my work.

Working at the paddock wasn't easy and Lando didn't make it any easier. He acted like a menace before and after interviews especially if I was around. Sometimes I wanted to strangle him.

{Lando's POV}

Being around her reminded me why I had fallen in love with her in the first place. She brought the idiotic side of me out. "Mate, you need to stop annoying Y/N. She'll strangle you one day." Carlos said while they were on the drivers parade. "She wouldn't. There's a reason she's tolerating me." I said. "Yeah, sky sports pays her to do her job." Carlos laughed. Part of me wanted to believe that she tolerated me because she still loved. But I knew that was selfish of me, since the reason we broke up lay heavily on me.

This made me want to be closer to her. I guess proximity made the heart softer. I found myself bringing her snacks or treats during her long days. Slowly but surely I found myself back in her arms. We didn't out right say it, but we were dating each other. She made the weekends even more enjoyable. It was exhilarating to be running around trying not to get caught; until we did get caught. It was like a switch flipped inside her and she stopped seeing me.

{Reader's POV}

The gifts and the sneaking away and having someone care for me got to me. Before I knew it I was back in Lando's arms. I knew getting back together with Lando was a bad idea. All my suspicions were confirmed when a picture of us leaving together from a club in Las Vegas made rounds. The hate was worse then before; it's like they forgot there was a person behind it all. I couldn't even shut off social media because of my work. I didn't want to be seen with him anymore; I was going to stop reporting for F1 and live my life covering other sports. Hopefully they didn't find me there. Lando was still persistent even after I had stopped talking to him and cut him off.

"Babe, you gotta stop running away from me." Lando spoke cornering me, out of breath from the running. "I have work to do, if you'll excuse me Mr Norris." I said. "Since, when was I Mr Norris?" He questioned. "Since a while, I never should've gotten back with you." I declared. "You don't mean that." Lando stammered. "Actually I do." saying that broke my heart because deep down I loved him but it didn't feel like he loved me. "But I love you. Don't you love me?" he asked. "It doesn't matter what I feel, when you'll never reciprocate it." I pointed out. "What do you mean?" he pleaded. "Lando, the exact reason we broke up was because you couldn't stick up for me. I knew you and yet I got myself involved in this." I sighed. "But, baby I need you." he voiced. I laughed, there were tears in my eyes, "Not enough to stick up for me." "What's gotten into you?" Lando probed. "Nothing's gotten into me, I should've stayed away from you. Your fans hate me, they always have. They want me fired; did you know that?" I asked. Lando was at a loss for words.

"You know when we broke up I wanted you to want me. But you love your fans more." I commented. "It's not like that I love you more, I missed you a lot after we broke up." he said. "Not enough to clear the air anyways." I voiced out. "What do you want me to do?" Lando asked trying to reach for my hands. "Love me, choose me. For once in your damned life, fight for me. If you really want me you'll do something, or you can watch me walk away for the second time." I stated while turning on my heels and leaving.

I did not expect Lando to do what he did next. He made a statement on every social media account of his, even Quadrants; it read-

Hi guys, Lando here. I would like to let you all know that I love Y/N Y/L/N who is currently working for Sky Sports F1. We used to date a few years ago but we broke up because of my foolishness. Fate gave me another chance and I don't want to blow it. If any of you have any issue with her, keep it to yourself. Because she is here to stay for as long as she will have me. Kindly refrain from sending her any hate if you love and support me. If you do send hate, I will be forced to take legal action to protect the love of my life.

I was sat in shock reading the statement. I can already imagine the train wreck McLaren PR must be in. I was pulled out of my thoughts by a knock on my door. I opened it to find a sweaty Lando with a big bouquet of flowers, chocolates and a couple gift bags. "I know this isn't a lot, but this is a start. Let me apologise. I'm sorry for all the hurt I caused you. Please take me back." he said with tears in his eyes. I wrapped my arms around his neck. "I love you too Lando Norris." I declared. Lando dropped all the stuff on the ground and wrapped his arms around me. "I won't let you down, I promise." he said. "I'll hold you to it." I said. "You can hold it against me for the rest of our lives." he told. "I don't think you want me that long." I laughed. He broke our embrace to cup my cheeks, "I'll have you as long as you'll let me stay." and pressed a kiss against my lips. "I think I'll like to have you inside for now." I said while pulling him in and closing the door.

[shdysders]

dorothea

pairing: jenna ortega & female reader

summary: in which jenna left her small town to chase down hollywood dreams, that meant leaving you too.

word count: 1.5k

author’s note: fully based on taylor swift’s song dorothea. lmk what u think!

Growing apart.

It was like a curse.

A curse that nobody could escape or prevent from happening. It happens to the best of people. Even to people that thought they'd be friends for an infinite amount of time. 

It happens to everyone as they grow up. You find out who you are, what you want, and everything might be different from what your best friend want to do.

Although that wasn't the case for you and Jenna.

Like two peas in a pod, that's what family and friends would use to describe your friendship. You were always together and never apart.

Sleepovers every weekend and playdates for hours on days that were free. Shared birthday parties and same celebrity crushes. Same dreams for the future and same fears of dying or aging.

It wasn't shocking, really; you and Jenna were more alike than she was with her own siblings.

You sometimes found yourself wondering if Jenna ever stopped her busy lifestyle to think about you and what you used to be.

If she ever thought about the nights were you found yourself in each others rooms, pulling all nighters and gossiping about whatever til it was almost sunrise.

Laughing until your stomach's began hurting, which always ended up with your parents telling you guys to quiet down.

Or when you guys would run down to the park and play on the swings, whenever you had spent hours listening to your mom and dad fighting, sometimes even trying to joke about the things they had yelled. Making a lark of the misery.

When you guys would write your own scripts, for the movies you guys were going to direct when growing up, where you would be the stars.

Or when you would act them out, whether it was in recess at school, or in the middle of the night.

That was all memories now, just thoughts that would eventually come back to the surface of the mind, in a faded and distant manner.

Jenna had other people to relive those memories with now. Shiny new friends that she had managed to get since she left town, the small settlement were everybody knew everyone.

Everybody knew who Jenna was in the town where you grew up, but they knew who you were too. Now everyone in the whole world knew who Jenna was, and you remained being known in a petite village, nowhere else.

The only place you would see Jenna now was at a tiny screen in a cinema hall or in vogue magazines. It was where you and her had planned to be together. Supermodels in fancy clothes, like the clothes you would steal from her older sisters.

However, you had nothing but good and well wishes for her, you truly hoped that she was living her best life, and based on the articles and headlines you saw, it looked like she was.

Just because you weren't able to get the life you wished for didn't mean she couldn't have it, she wanted it too, and she deserved it, you knew that.

The town was the same as it ever was. Nothing had changed since Jenna left for other things, which she probably would've have liked.

Jenna had always wanted to just get away.

Away from the small town where you could barely have any secrets without everybody figuring it out.

Ever since you were six years old, you and Jenna had been making up a whole plan on how everything would go down. The plan of escaping to Hollywood.

How you would make it there after hours of trains and buses, and when you would arrive, everyone would know who you were, the second you stepped a foot into the town.

And even though Jenna already got that, without having to escape in secret and without anyone knowing. You hoped she knew that it would never be too late to come back to your side. Even after the way she left you.

Although you knew she wouldn't return home, especially not since you knew how her eyes looked when she was acting back when you were younger. All filled with stars of excitement and wonder, you could remember.

You didn't see that glow in her eyes anymore, not on social media nor in articles about interviews. She looked tired, tired from being known and always being in the spotlight, tried from being known for being in contact with other famous people.

And if she ever started to doubt her current friends; unsure if they were consorting with her because of her popularity or not, either that or if she was just overly tired of them, you hoped she was aware that she would always know you, if she wanted to.

Jenna was currently one of the most known actors in the whole wide world, people talked about her everywhere. She was like a queen, part of the royal family, but the 'none regal' kind.

She was selling dreams by just signing autographs, partnering with make up brands to sell products, being in the cover of magazines of all kinds, she was selling everything. And from her you'd buy anything.

Did she ever stop and think of you?

Did she ever think about the time you skipped half of the high school prom just to piss her mom off?

You remembered that night like it was yesterday. None of you had dates for the night, and eventually you guys got bored of all the dancing and seeing couples kissing, so you ran off, making her mother go absolute insane; she was all for the proms and pageant schemes.

Jenna also loved dressing up and playing with clothes, you always used to do that when you were having play dates as kids, and embarrassingly enough it happened a few times while you were older as well.

Now Jenna was dressing up in fancy clothes for what it seemed like every week, cameras constantly flashing onto her for perfect pictures, people screaming for her attention.

Everybody wanted to be her. Everybody wanted to be Jenna Ortega.

Even your friends spoke about her and how they wanted to be a famous actor in Hollywood. However, you couldn't find yourself focusing on that.

All the thoughts that came to mind was if Jenna still had the same soul as the one you met under the bleachers.

It had been in the first day of first grade, when the teacher had been introducing the class to all of the rooms and halls.

And when it had been time for the gym area to be shown, you got scared of all the people and ran behind the bleachers to hide. By the time you'd gotten there, a brunette was already there.

She was shorter than you, her hair was the same length as yours, and eyes were darker. A friendship necklace was draped around her neck, and when you had asked her who the other half belonged to, she had replied that nobody had it, and that you could have it if you wanted to.

You would probably never find out if she was the same person with the same generous soul now, you weren't sure if she even remembered the time you first met, if she even remembered you at all.

She probably didn't remember the time you guys had your first kiss with each other. It was only practice for future reference and eventual middle school crushes, but it was still a great memory of yours.

Memories of her were something that fogged your mind at least once a week, but they probably didn't affect Jenna at all. She went on with the shows and interviews, not looking influenced at all.

But it was great. You loved watching Jenna fulfill her dreams, even though you never got a chance to be a part of them like it had been planned.

You hoped that she would eventually find her way back to you, because it would never be too late for that, although it might've felt like that some days.

Jenna was known over the whole world, but like you two had talked about in previous years, you knew the Hollywood life came with lots of stress and pressure. So you knew that was a struggle she was going through.

She would eventually grow tired of being famous, that's something you had thought multiple times, that she would eventually become tired of being known for knowing famous people. And if she ever did, you would be happy to tell her that she would always know you.

Your head would always perk up whenever Jenna's name was mentioned, you would always greet her family members if you saw them, you would think about her on her birthday, and pray that she would think of you on yours.

Jenna was still so unconditionally important to you, and you wanted nothing but the best for her.

She would always know you, if she wanted to.

[melon-kiss]

I know some of you don't speak Polish and we can't afford to translate 40-min-long chaotic interviews for you and I'm a bit bored (meaning: my brain wants a break from writing but I'm stubborn and I want to finish it TODAY), so I thought I'd give you a bit of a trivia based on interviews with the actors and the crew of 1670:

throughout all the interviews, no one really asked if we're getting season 2. I mean, someone did and the response was: "Well, we know nothing" but nobody really asked if they had any IDEA about what would happen in the next season

I'm not sure about the actors but the creative and directive levels went to a series of lectures on how people lived in Poland in the XVII century

they received a substantial funding, especially considering the directors were complete "no-names"

filming took 3 months, December through February 2022 if I recall

they all lived in an open-air museum in Kolbuszowa; in fact, almost all of the building were already there, they only had to build the house, the barn and the forge

there was no delay in filming, which is apparently rare in the industry but that was because they had a very tight schedule and couldn't afford staying longer in the museum

the last episode was filmed on one day and that was the last day of filming and because of technical issues with cameras working in the inn (the short shot of Maciej serving the pig to the Adamczewskis' table had to be re-done 20 times!), they had to completely rearrange the wedding party scenes, turning them into long shots; the entire labor/dancing scenes were supposed to be shot from 13 (!) different perspectives and be arranged in a "music video fashion"

one of the first episodes (if not THE first episode) to be filmed was episode 7

the script was written with Bartłomiej Topa (Jan Paweł) in mind, however, the actor wasn't really convinced about participating in this project and took his sweet, sweet time to decide on it; same goes to Dobromir Dymecki (Bogdan). Topa says it wasn't because he didn't find it good - it was because he was afraid that the project would be underfunded and therefore fail as projects like that usually don't get the attention they need in Poland

Bartłomiej Topa said he portrayed Jan Paweł as evil and conniving for the first two weeks of being on the set and the first scene they recorded was the one with the "Adamczycha" sign falling down; only after that time, after one scene in particular (don't remember which one, sorry), he finally saw the true nature of his character and changed his approach to the portrayal

surprisingly, Michał Sikorski (father Jakub), unlike Topa, thought of his character as a silly, innocent man and he changed his mind only after seeing the Aniela-Maciej dance scene where he says Love is peaceful, love is kind, love is... unacceptable - he understood he got to play a villain

the actors were FORBIDDEN to improvise; their lines had to be memorised prior to filming

they shot the barrel-cleaning scene (the thing they do before blowing the magnate's son's head up) for 2h because Bartłomiej Topa and Andrzej Kłak (well, he plays Andrzej) couldn't stop laughing; Topa mentions he doesn't even remember how they managed to get it done

all the mud was brought there ON PURPOSE

Kirył Pietruczuk (Maciej) is a debutante when it comes to film, however, he is the only actor in the crew with an acting degree; not only that - he graduated with honors

when asked about this, Michał Sikorski said: "Well, but it doesn't matter, does it? Because, even thought I haven't graduated, I got to play a nobleman and he... well..." (obv that was A JOKE; he is like the sweetest person ever!)

he also said he wrote a "Maciej's journal" during filming and spent a lot of time creating a backstory for his character; he said it was helping with the a-chronical shooting; he read one of the entries out loud in his interview

he jokingly said his favourite episode is the last one because he got to kiss Martyna (Aniela) there

as mentioned before, casting Maciej's role took the longest. They interviewed about 300 candidates and none of them fit. Kirył recalls it was right after he signed a deal with an agency for the first time in his life and he immediately received a call after his first cinema audition and it was 1670, of course! However, he reports that the process was extremely long - he had to go through several stages, each one of them revealing more and more of the script and he wasn't informed it would take that long

The creators said they looked for someone who'd understand the character and his role in the film - as he is the eyes and ears for us, people from XXI century. "He's basically like a viewer of the events, one of us", Kordian Kądziela (director, episodes 5-8) says. It was important he had a good chemistry with Martyna (she was the first and only "Aniela" he had to do short scenes with and the chemistry was immediate) and was able to break the fourth wall properly - he had to have the talent to comment current events with just one look and I personally think he does it perfectly. The actor was also supposed to be "easily likeable by girls"

The first scene they shot together - meaning as Aniela and Maciej - was the dance scene and Kirył says it's his favourite scene in the entire show

Kirył said the scene with the magnate's son was initially very aggressive on his part, however, after speaking to the directors, he decided to tone it down as it was, indeed, not fit for the character to be this angry

they all said, once they got down to it, they had a feeling they were a part of something special

Feel free to add your trivia or correct me if I'm wrong.

[xx-dinah-writing-xx]

A Lazy Morning with Matt

Matt Smith x Reader

Fluff

She stirred slightly, the bed shifting as she became aware of the weight and warmth next to her. Matt was still asleep, his face relaxed, with one arm draped lazily across her waist. His chest rose and fell in a gentle rhythm, his breath soft against the side of her neck. His tousled hair was a delightful mess, strands sticking up in all directions from tossing and turning in the night. He looked peaceful, more relaxed than he ever did when they were out in the world, surrounded by cameras, fans, and the hectic life of an actor. Here, he was just Matt—her Matt.

Y/N shifted a little, careful not to wake him, but her movement must have stirred him because she felt him stretch beside her, his arm tightening around her waist as he murmured something incoherent into her hair.

“Hmm?” Y/N smiled, her voice still groggy from sleep.

Matt’s voice was a low, husky whisper, thick with sleep. “What time is it?”

Y/N glanced over at the small clock on the bedside table, blinking against the soft light of the morning. “A little after nine,” she whispered, turning back to him.

Matt groaned quietly, but it wasn’t the sound of annoyance. It was more of a satisfied noise, like he had all the time in the world to enjoy being in bed with her. “Too early,” he mumbled, pressing his face into the crook of her neck.

Y/N laughed softly, running her fingers through his messy hair, enjoying the simple act of being close to him. “We could sleep in a bit longer.”

“Or,” Matt said, his voice still muffled against her neck, “we could just stay here all day. Forget the world. Just you, me, and the blankets.”

Y/N chuckled, her fingers tracing idle patterns across his back. “Tempting offer. But I think we’ll have to move at some point. You know, food, shower, basic survival.”

He lifted his head just enough to peer at her with one eye open, a lopsided grin spreading across his face. “I suppose. But we can delay that for a while, yeah?”

“Yeah,” Y/N agreed, her voice soft as she leaned in to kiss the top of his head. “I think we’ve earned a lazy morning.”

Matt hummed contentedly, settling back down, his body molding perfectly against hers. It was moments like this that Y/N treasured the most—the quiet, intimate moments where it felt like they were in their own little bubble, away from the chaos of the outside world. No scripts, no cameras, no lines to memorize or scenes to shoot. Just the two of them, wrapped up in each other.

The room was filled with the soft sounds of their breathing, the occasional rustle of the blankets as they shifted slightly, and the distant noise of the city waking up outside. London had its charm, but it could be overwhelming sometimes, especially with the constant demands of Matt’s career. But here, in their bed, none of that mattered. Here, it was just the two of them, wrapped up in warmth and comfort.

Y/N shifted slightly, rolling over to face Matt fully. He had his eyes closed again, but there was a lazy smile on his lips, as if he knew she was watching him.

“You’re staring,” Matt mumbled, his voice teasing.

“Can’t help it,” Y/N replied, a playful smirk tugging at her lips. “You’re pretty cute when you’re half asleep.”

Matt cracked one eye open, giving her a look of mock offense. “Only half asleep? I’m pretty cute all the time, love.”

Y/N laughed, her heart swelling with affection for him. “Alright, you’re right. You’re devastatingly handsome even when you’re snoring.”

“I don’t snore,” Matt shot back, though the grin on his face told her he knew she was teasing.

“Oh, you definitely do,” Y/N teased, nudging him playfully.

Matt chuckled, the sound low and rumbling in his chest as he shifted onto his back, pulling Y/N with him so she was resting against his chest. “You’re full of it,” he murmured, his fingers absentmindedly running through her hair.

They lay like that for a while, content to just be close, listening to each other’s heartbeat, their bodies tangled up in the soft sheets. Y/N could hear the faint sounds of the world waking up outside—the distant rumble of traffic, the occasional honk of a horn, the murmur of voices from the street below. But all of that felt far away, like it belonged to another world. Here, in their little cocoon of blankets and warmth, it was just the two of them.

“I love mornings like this,” Y/N said softly, her fingers tracing the outline of Matt’s collarbone as she spoke.

“Me too,” Matt replied, his voice equally soft. He pressed a kiss to the top of her head, his lips lingering against her hair. “I wish we had more of them.”

“We will,” Y/N said, her voice filled with quiet certainty. “We’ll make time for them.”

Matt smiled, his hand resting gently on the small of her back. “I like the sound of that.”

They fell into a comfortable silence again, the kind that only comes from knowing someone so well that words aren’t always necessary. Y/N could feel the steady rise and fall of Matt’s chest beneath her, the rhythmic beating of his heart a soothing lullaby that made her feel safe and content.

After a while, Matt’s stomach growled loudly, breaking the quiet. Y/N couldn’t help but laugh, lifting her head to look at him. “I think someone’s hungry.”

Matt grinned sheepishly, rubbing the back of his neck. “Yeah, that would be me. But I still don’t want to move.”

Y/N rolled her eyes fondly. “How about I go make us something? We could have breakfast in bed.”

Matt’s eyes lit up at the suggestion, a playful glint in his gaze. “Breakfast in bed? You’re spoiling me now.”

“Consider it a reward for being so cute,” Y/N teased, slipping out from under the blankets.

Matt reached out, grabbing her hand before she could fully get up. “Don’t be gone too long.”

Y/N smiled down at him, leaning in to press a quick kiss to his lips. “I’ll be quick, promise.”

She padded softly out of the bedroom and into the kitchen, the cool tiles beneath her feet a stark contrast to the warmth of the bed. The kitchen was small but cozy, with its light wood cabinets and open shelving filled with mugs, plates, and the occasional plant. It was one of Y/N’s favorite rooms in their flat, filled with memories of late-night tea, shared meals, and lazy mornings like this.

She quickly set about making breakfast, deciding on something simple—scrambled eggs, toast, and fresh fruit. As she worked, she could hear Matt moving around in the bedroom, probably rearranging the pillows and blankets to create the perfect nest for their breakfast.

After a few minutes, she loaded everything onto a tray—two steaming mugs of coffee, plates of eggs and toast, and a bowl of mixed berries—and made her way back to the bedroom.

Matt’s face lit up when he saw her, his eyes sparkling with that familiar mischievous glint. “You’re amazing, you know that?”

“I do,” Y/N replied with a grin, carefully setting the tray down on the bed. “Now, dig in before it gets cold.”

They sat together, nestled in the blankets, sharing the simple meal and enjoying the quiet. Every now and then, Matt would steal a berry from Y/N’s plate, and she would pretend to scold him, but they both knew she didn’t really mind. It was all part of the playful rhythm they’d fallen into over the years, a routine that felt as natural as breathing.

After breakfast, they lay back down, their plates set aside, and Matt pulled Y/N back into his arms, holding her close as they basked in the warmth of the morning sunlight.

“I could stay like this forever,” Matt murmured, his voice sleepy but content.

“Me too,” Y/N replied, resting her head on his chest once more. “Me too.”

And for that morning, at least, the world outside faded away. It was just them, wrapped up in each other, savoring the simple joy of being together—no rush, no distractions. Just love, warmth, and the quiet intimacy of a lazy morning in London.

[archibaldtuttle]

Alien : Romulus - a 7/10 reason to stop making Alien films

This review will be spoiler-free

When I came out of the theater yesterday, after having gone through a viewing of Alien Romulus, I caught myself agreeing with my friends - this was pretty good!

And I am beyond poisoned about the Alien franchise since Ridley Scott got his grubby paws all over it with Prometheus. The only reason I made the effort to move my ass to the theater to see this one was because he wasn't directing (and also I didn't have to pay for it) (thanks sib).

I knew Alvarez from two of his previous films, the 2013 remake of Evil Dead and Don't Breathe. I am pretty mixed on both - they demonstrate solid filmmaking abilities and (in the case of Evil Dead), a deep respect for franchises he's adding to. However they are also a little heavy on the jumpscares for my taste, and in the case of Don't Breathe I just can't praise the film without having to mention that the third act twist is gross in an entirely unnecessary, shock-value way, that does nothing for the film thematically.

That did give me some hope for Romulus however, because that third act twist told me Alvarez likes talking about rape and impregnation. And contrary to Don't Breathe... that's right at home in Alien.

So what about the film then? It's good. Solid premise, I like that we're finally, finally, seven films in, seeing the planet-side society that births all those rundown spaceships. Good pair of main characters with on one side a demonstrably resourceful Rain and on the other a very nuanced look at the franchise's synthetics with Andy. The others are more forgettable but I can't blame that too much on the film - they're well characterized in a few short scenes and that's all I can expect really. The build-up is solid, the various ticking clocks and sources of tensions well established.

What I find particularly notable is the really good setpieces and the use of facehuggers in a way I've wanted to see for a long time. Very good physical effects supplemented by good to ok-ish CGI. The writing is very heavy-handed - I wish more people looked at what O'Bannon did with exposition before they write their own Alien scripts. I do give credit to Alvarez and his co-writer Sayagues for the cool concepts explored and the way they thread Andy's character exploration through them.

The editing is mostly blameless - I wouldn't call it great or even that good, especially with how hectic it gets during some more action-ey scenes, but you can tell Roberts isn't specialized or even used to horror films. I guess he took from his experience on Pressure which would explain a lot... The score is really good, one of the highlights of the film in my opinion - I've liked almost all I've heard from Wallfisch so I wasn't surprised to find out he did this one.

So why did I give this review a very baitey title. It became clear as I was watching the fourth, then the inevitable fifth act unfold, that we were, collectively, scraping the barrel on what can be done with Alien. Prometheus and Covenant, beyond the fact that they were garbage movies, were already trying desperately to find new things to do with the concept. Romulus succeeded, for the most part, in finding new ways to twist it into something interesting, something we hadn't seen before (or at least not entirely). And I'm pretty sure that's it.

I don't want more directors to spend months racking their brains to try and find three or more scene setups that haven't already been done in seven main films, two AVP films and countless video games, in order to string them together into a coherent 2 and a half hour flick. I don't think it's impossible, Alvarez clearly demonstrated that he could do it and I'm pretty sure other people could. But why waste so much time, talent and energy on a series that objectively does not need expanding upon?

I know why, it's because the current studio system is allergic to anything that doesn't have brand recognition. But I think it's sad. And I think it would be a lot more gracious to put an end to a franchise after a pretty good film that did all it could to honor its predecessors rather than try to keep squeezing more out of it until it turns into the horror version of Star Wars.

[herefortheships]

More interesting info. from an interview with Jay Prychidny, editor for Beetlejuice Beetlejuice

Lip synching to Richard Marx's "Right here waiting" was pretty much Michael Keaton's idea! Betelgeuse was supposed to verbally say those words to Lydia, something like "I'll always be here waiting for you". We owe the serenading scene to both Michael and Tim; Prychidny doesn't make it very clear if that was mostly Michael or Tim, but it definitely came from them.

Depending on how that was shot, it could have come off as stalkerish/creepy, but also as romantic and even sad because Betelgeuse is letting Lydia know he will always be waiting. That entirely depended on how the scene was directed, but especially coming out of the couples counseling scene with the Babyjuice and all that... I feel there was definitely a risk of the moment coming off with a darker vibe. Having Betelgeuse serenading Lydia to a love song instead, that was definitely the right choice. Not only did it elevate the scene, it also sealed the tone as romantic! It ended up coming off as Betelgeuse's own brand of romance, attempting to be romantic for his lady and let her know how he feels, and I LOVE Michael and Tim for that. It also ended up becoming one of the most memorable scenes in the movie.

Here's the excerpt from the interview:

With Beetlejuice, how much material did you have to play with there? How many options did Michael Keaton give you?

In terms of line delivery, it’s not like Michael was giving different line options, but frequently, what you get back is not what was in the script. So you read the scene, you know what they’re going to shoot, and then you get the scene back, and sometimes it could be almost nothing that was written on the page. Catherine [O’Hara] was the same way too. They worked through the script. They figured out amongst themselves what works for them and how they can make it better. How can you change it? How can you do something surprising?

For example?

One perfect example is when Michael does the lip sync of Richard Marx’s song. “Wherever you go, whatever you do, I’ll be here, right here, waiting for you.” That was written as a dialogue scene between Lydia in the attic and Beetlejuice down in the model. But they didn’t shoot it. They just got to set, like, “Oh, we don’t need to do this dialogue.” Instead, they just sang the song. They didn’t know if they had the rights to it. There were no options. On the page, he said something like, “I’ll always be here waiting for you.” I think that just gave them the idea of like, “Oh, that sounds like that song. Let’s just do the song.” They lip-sync and grab a guitar. All of this is happening on the fly.

(*Sentence bolded by me)