#era: me

[my-darling-boy]

I was at a bookstore looking through the art section and I saw a spine that said The Camden Town Nudes which was interesting because this didn’t seem like the bookstore where I would ever find something like that and I wanted to have a casual look but like. This also wasn’t exactly the bookstore where you felt like you could look at naked pictures let alone just suggestive paintings of them, it’s a really small shop as well, so I was like right I’ll just take a quick peek, I’m an art student, I love history, maybe I’ll buy it. I looked both ways and saw the shopkeep had left momentarily and no one was about, so I opened it and found it was an entire book featuring nude Edwardian women all painted by Walter Sickert between 1905-1912 and it was actually quite a revolutionary set of paintings for its time given that it featured very raw depictions of working class nude women in dark London instead of the elegant, white bedsheet clad, Demure middle and upper class women usually depicted.

And of course RIGHT as I flip to this lady’s boobs practically taking up an entire double page spread, every customer in a 5 mile radius appeared from around the corners of the shelf including the shopkeep and immediately regressing to a wet, pathetic Edwardian man from 1908, startled, I dropped the large book which caused a giant SLAP on the floor in this already silent store thus causing all patrons to look down at me scrambling on my knees to close a giant book of Edwardian boobs and let me tell you it would not have been nearly as funny had I not immediately felt like some Edwardian local pervert who just tried to sneak a cheeky peek at the erotic book in the bookstore only to drop it dramatically causing a scene, red up to his ears trying to shove it back on the shelf. Like such a casual and normal thing in modern day but looking at Edwardian women suddenly turned it into this egregious act as I apparently became possessed by the spirit of a moustached man in a bowler hat and morning coat going Good Heavens I mustn’t gaze upon these images in public lest the constable haul me away!

[evercelle]

it was all so simple then

[idontmindifuforgetme]

ever since i was a little girl i knew i wanted to have life experiences that were so utterly different from everyone else in my age group

[cahootings]

“their relationship is too deep to be sexual” what’s deeper than dick in hole. please tell me

[castielsparkle]

[charmwasjess]

I’ll never quite get over just how integrated kids are into daily Jedi life and the implications of that.

Dooku’s Temple "job" for years seems to have been “teaching lightsaber preschool.” Sifo-Dyas, the guy with the scary doom visions? Oh yeah, they have him working with infants, bringing babies to the Temple as a Seeker. Jocasta Nu is constantly depicted interacting with the younger generation of Jedi, teaching, helping, or mentoring. In TCW, she knows all the Padawans on sight. 

There’s just something really ordinary and charming to me about this. Sure, Dooku is a terrifying 2m of spider limbs in a robe, but he’s still going down on one sinister knee to check out the little crying kid who got a finger crunched by one of those wooden training swords. How many of the TCW-era Jedi were once babies who played with Sifo-Dyas’s hair loopies or cuddled on his chest as he pointed his T-6 back toward the Temple after another successful Seeking mission? (Space is, after all, cold. 🥺) You just know Jocasta is in very reluctant possession of knowledge of every single teen Padawan drama, crush, or breakup. She tries to stay out of it, but she’s broken up fights and pulled particulars into her office for tea and a gentle lecture on the inherent self-destructiveness of gossip. 

And these are not “just some” Jedi - they are all combat trained, politically important, at the top of their rank and even each sit on the Council at some point in their lives. The Jedi Order really went “super powerful space wizards with laser swords, yeah, but they should also all definitely know how to change a diaper." 

[dangeroustaintedflawed]

[anne-is-confused]

only you.

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[letswonderspirit]

Some drawings

[that-bitch-kat3]

sirius: remus isn’t a hear me out because everybody wants to fuck him

james:

peter:

remus:

james: i do think that’s something you should look into on your own time

[fence-time]

[ceruleanheaven]

james otter

[a-great-tragedy]

Based on what I know, I do not think Sirius and Regulus were even taught being gay was possible. I think Walburga/Orion refused to teach them it even exists. So I imagine them finding out like this:

Sirius: Yeah, if I was a girl I would probably date Remus to be honest. Such a shame it’s impossible for me to like him.

James: Impossible? What do you mean??

Sirius: Well you can only like people of the opposite gender.. right?

James: …No, you can like people of the same gender, that exists. It’s a thing.

Sirius: ( °ㅁ°)

Sirius: I must tell Reg

[calmlb]

“Chuuya wasn’t in Dark Era, why is he in this art??”

wdym, he’s right here 🤨

[o-wild-west-wind]

While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).

At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).

Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).

As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?

It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.

And especially given the state of US politics right now…this is just all more relevant than ever.