#episode 1 review

[theyanderespecialist]

EPICNESSQUEEN's 👑 (MY) Thoughts on Bleach Season 1 Episode 1 (Rewatch 📺) 

[cheslock]

Okay I survived episode 1. I watched it in both sub and dub. I cannot stand Clayton's voice in the dub though omg 🤮😭 And I'm very upset that Cheslock isn't Cockney like I always pictured. Obviously it would be hard to find a cockney VA but he still sounds too posh. He literally sounds more punk in the Japanese wtf lol. I also can't speak for the fakeness of the accents... some of them sounded bad to my ears. They made McMillan Scottish, I assume because of his name. Somehow I never thought of him with a Scottish accent but it's cute. Also Victoria saying the word "Campania" threw me all the way off. Is it not "cam-pan-ya"?? She says "camp-uh-knee-uh"... What?

The intros and outros are *really* good. Also they follow the manga pretty closely from what I recall, even mimicking exact panels. The background music made scenes way more dramatic which was both cool and also intense since it's already like whoa in my brain 😅 and the artists for this seem to have drawn some of the buildings based on Eton because there's parts that I don't remember being in the manga but that I recognize from my visit to Eton before. That was a trip of a flashback lmao.

I'm still mad about "DRUDGES" 💀 out of all the words they could have picked to replace "fag" why this... It's awful.

Anyway overall I'm pleased with the adaptation so far... But I'll stick to the sub.

[arwatchesandreads]

Silent (J Drama) Episode 1 Feelings

Set up of the first episode is just heart breaking, they show many moments that are foreshadowed and go straight into the relationship between the two and what happens between Tsumugi and Sou in a way that felt nostalgic but also bitter sweet.

They foreshadow with a scene with Tsumugi and Sou in the winter, and tells him that when the snow falls its silent. Then the scene cuts and brings to present day where its raining, and she mentions its too loud.

There is also a scene where she mentions that they had an earphone exchange for Christmas, and how the earphones stopped working 3 years ago which is foreshadowing that Sou lost his hearing entirely 3 years ago as well.

They manage to make my heart hurt the whole episode by the way they set it up.

Minato finding out that Sou was deaf through his sister and having a whole breakdown genuinely hurt me. You could see the pain that Minato was feeling. The actor did a wonderful job portraying this.

The denial seen in Minato and Tsumugi hurts.

Aoba accidentally meets Sou and tries to talk to him, but he signs a bunch and explains everything but of course she doesn't understand anything. You can also see the pain in her face throughout this.

[ragenerds]

Rediscovering the Magic: Chip 'n' Dale: Rescue Rangers Episode 1 Rewatch

Relive the nostalgic magic of Chip 'n' Dale: Rescue Rangers! 🐿️🌟 Join us as we dive into the iconic theme song & hilarious plot of the first episode. Check out our full reaction on YouTube for a dose of 90s nostalgia! #ChipnDale #90sCartoons #Nostalgia

Welcome back to the nostalgic world of the 90s! Chip ‘n’ Dale: Rescue Rangers, a beloved animated series, is making a comeback, and we couldn’t resist the temptation to dive back into its first episode. From the iconic theme song to the charmingly nonsensical plot, we were instantly transported back in time. Join us as we relive the magic of this classic show! A Melody That Stays with You The…

[thecitybee]

Five pizzas and a wedding ring...

Y'all this man's SWEETEST dream for the past six years has just been getting to meet her, share a meal with her, and fall in love with her in a world that never died.

Like real people do.

[hermanoga]

It's Kinda Nice to Help People Find Their Precious Thing : The timeless journey of love, regret, trust, death and hope through Shiguang's life in Link Click Yingdu Episode 1

part -1

It's a very personal rambling actually, not a very critically sound one, if you still wanna read, just letting you know, you are not alone, I went through a lifetime of emotions while watching this.

What’s wrong with the timeline? : Before discussing this, I want to talk about Lu Guang’s age. I have this formula,

Lg’s age : X + 3n, X= his original age, n= the number of times he has dived back in the past to reach the situation of our timeline where Cheng Xiaoshi survived season 1 and made it to the end of the season 2. I am presuming that ‘n times Cheng Xiaoshi dies’ stopped in our timeline, so let us denote our timeline as ‘n*’, which has successfully changed Cheng Xiaoshi’s fate. (For people thinking, where did I get that ‘3’ in my formula, the episode of the lost child in season 1 says that the kidnapping of that little boy happened three years ago, when Shiguang were supposed to be in Yingdu. Basically Shiguang first met and went to Yingdu in 2018.)

The first four minutes of the episode 1 (Successfully made me cry like a wounded hyena left in the middle of a cold desert): What timeline is it? It is one of those timelines of ‘n’ where Cheng Xiaoshi died. Cheng Xiaoshi dies in every nth timeline, except n*. The first time he dies, let us call that timeline ‘n0’. And the first four minutes, let’s suppose it is nEp-1. Is n0 = nEp-1? If yes, then why Vein is punishing Lu Guang for changing the past? It implies that Lu Guang attempted (and succeeded kind of? since he is accused of changing the past) to change the past before? Why would he? For what reason? I have an answer to this convoluted question – Vein is punishing a past Lu Guang (‘innocent’ Lu Guang who didn’t dive and do shit) for the deeds a future Lu Guang committed. Eh? Every theory I suggest contradict with the thing I say next.

Still what I feel is that the narrator Lu Guang who gives the ‘butterfly effect’ speech is not the one who dives in the given visual. The hesitation in the visual suggests that Lu Guang is diving for the first time. I don’t have galaxy brains to understand the timeline theory anyways. And it is probably too early to start guessing.

Basketball symbolism: Life, death, trust, partnership.

I think now we all understand that the basketball motif really stands for a deeper philosophy of life and companionship. And Haoling actually puts that theme in big fat words in case someone missed, “It is so precious to have a trustworthy partner in life”. It is not about basketball. The exposition of first 1 minute 25 seconds deals with it.

1:26 – I howled. That’s not the point. The point is that Vein is actually interested in shooting Lu Guang, he wants his life, not Cheng Xiaoshi’s, he just physically defeats him. (My poor kitty, what the fuck did you do to deserve this, if my theory is right then…). Cheng Xiaoshi fucking dives to take the bullet.

Now, um. Why am I re-watching this? Cheng Xiaoshi dies and transfers his diving power to Lu Guang, the basketball symbolism recurs. Qiao Ling is dead and captain Xiao is dead too. Good. Cheng Xiaoshi says sorry for some reason and asks Lu Guang to save ‘them’, it’s his death wish. So, I am presuming that Lu Guang started diving because it was Cheng Xiaoshi’s last wish to Lu Guang (I need ibuprofen). From my perspective, Lu Guang when he dives, he is not sure what he is able to achieve. He probably goes back to the past just to relive those moments, those three years again. If everything goes well (LMAO my audacity) and Cheng Xiaoshi survives in this Yingdu arc, I am presuming that is our story then will be directly continuing in the two seasons.

Now let us heal a bit. First of all, congratulations to all, Lu Guang is gay. I don’t care what anyone opines, he is gay. He is the owner of that freaking Shakespearean sonnet book and he is the literal tsundere, come on, guys, it should be canon now.

Lu Guang holds his hand as if trying to say, “Please, don’t go”.

You are in acute denial if you say the visuals are not romantic. The white butterfly sits on the basketball he is holding.

That visual is so pretty! The butterflies remind me of tgcf ngl.

Bro, what kind of house does he live in. He is damn rich.

Cheng Xiaoshi : Partner, lets play basketball together again tomorrow. And the content smile Cheng Xiaoshi gives.

Still, somehow, The Eye is the most moving piece of animation I have ever seen, it feels like life with all heartaches and smiles present. I will carry this song with me till the end of time.

Oh, also. How are Vein fans doing? Just checking :D

This song is causing me physical angst.

I wish I can cosplay in my uni’s anime club’s event one day.

Okay so, a friend of mine pointed out that Lu Guang cosplayed as the hero of that RanXi chronicles when there was an attempt to dress Xiaoshi as the heroine. Ok.

Lu Guang checking that damn watch once in a while breaks my heart.

Parallel narrative, foil characters again – metanarrative, two-folded narrative embedded within the narrative (that girl’s story about perseverance, hope, regret, passion, taking the damn risk and further hope, story of RanXi chronicles and Lu Guang explicitly saying how he relates to the story of RanXi’s heroine)

Now I am saying again, I am Sapphic and Qiao Ling, that is Sapphic behaviour, my love, me and my Sapphic friends approve. “That girl is so lovely” the way she says it. AND YES QUEEN! Link Click never forgets to address social issues. Btw, I personally related to that girl when she was rebuked vehemently for voicing her career choice. My acceptance of what I really wanted to do in my life and pursuing it changed the trajectory of my life too. Life is not a flower path but “there are no regrets in dedicating your life to something you care about” – again it echoes the central theme of link click.

Also, (with a shiver) I am realising how the interpretation of the first and second season is rapidly changing (and I like it).

Cheng Xiaoshi, are you jealous?

The chibi shifts are so cute!

Lu Guang has this deep sense of lack of agency, understandable because it arises from the agony of the death of a loved one and this depressive existentialist mood makes him conform to the ‘power’, even though he can be rebellious but that threshold is only initiated with Cheng Xiaoshi’s active intervention.

Again saying, idk what kind of concept of queerness people (most of them who are not queer at all, how do they know what queerness is? How are you dictating?) have, but your friend’s image reflecting in your eyes when he brings a moral and ideological change to your mind and shatters your conformity, that surely is. This continuously happens in season 1 and 2, but we don’t get to know, you know why? Lu Guang’s pov was silenced deliberately. Without him soliloquizing, it’s impossible to know what his real emotional undercurrent is. The way Haoling crafted Lu Guang as a complex and delicate character, man. Man, I would die for him.

Btw, I too agree that putting a hand over his mouth is the second best option to silence him.

Ik it's bittersweet, but princess Guang-guang, don't run away from your fated prince! ( HOW THE FUCK AM I CRYING AGAIN)

this roughly wraps up to 34:30. I can't do more pain today, maybe tomorrow.

[btr-rewatch]

The boys in every episode: "Big Time Fever"

[5star-usopp]

ONE PIECE LIVE ACTION MY BELOVED

Ep 1 first thoughts:

- They did it, they actually managed to pull this off

- I love the dynamics between the crew

- The Roger execution scene was epic “conspiracy against the world government”!

- Momoo is in the opening map lol

- In the scene where Nami shows Luffy she stole the keys, you can see Zoro randomly walk past the door in the background 😭 classic lost Zoro wondering around energy

- Why am I emotional? So fun to watch

[unladyboss]

CARMY WASN'T READY. THE RESTAURANT WAS READY. THE BEAR SEASON 3 SEASON 1

Season 1 episode 7 Review.

The dish that Sydney sent to the random stranger who turned out to be a critic, got them rave reviews.

CARMY was mad. He seemed jealous. He said they weren't ready for what a good review would bring

It got me thinking

When he sent out the dish with the bleeding heart to Sydney, she smiled, took pics and ate it all up. A great review

I think he must have seen her

It's possible he wanted to talk to her but HE wasn't ready for what a good review would bring (SYDNEY).

So he may have watched and then walked away. Opportunity missed

Then one day Sydney walked into his life again and she wasn't afraid to be herself and do what she set out to do, so he was jealous of her bravery and mad at himself.

So he called her impatient and freaked out on her

But when he finally comes into himself, he'll experience what he's been missing

He knows he's missing something but has yet to feel it.

All of it

To touch it

[draculathedansemacabre]

Have you heard the first episode of Dracula: The Danse Macabre yet?

If not, you should do so today!

Tune in and discover the show that Wooden Overcoats's Felix Trench calls "a joy" and "a bloody treat."

[cheslock]

I'm finally watching episode 1 of the Weston arc anime and I'm so mad about them changing the word fag... Obviously I know why but STILL 😩 my very clever blog title pun will mean nothing to the new fans now. 🥲

[jbuffyangel]

Hot and Cold: Arrow 1x22 Review (Darkness of the Edge of Town)

There is no episode that exemplifies the disjointed nature of Season 1 more than “Darkness on the Edge of Town.”  We have Exhibit A: an OTA field op and the smoaking hot chemistry of Stephen Amell and Emily Bett Rickards igniting in an elevator shaft of all places.

And Exhibit B: the other show. A frigid black hole I feared we’d never escape from.

Let’s dig in…

Olicity and OTA

Let’s start with the positive since there is soooooo much freaking positive! It can take time for a television series to find its footing in the first season.  Unfortunately, nowadays if the audience isn’t binging the entire season in 24 hours, the show gets canceled. But blessedly, this was 2013. Network TV was still the supreme ruler, and Arrow was pulling big enough numbers for the CW to allow for some leeway.

Twenty two episodes of leeway. Arrow finally found its groove and latched on to the mystical “it factor” that keeps an audience watching - Oliver, Felicity and Diggle. The chemistry and dynamic between these characters and the actors who play them is undeniable and it creates an action packed, laughing out loud, and sizzling hot episode. The writers are having FUN in “Darkness on the Edge of Town" and it shows, which means we get to have fun too.

Oliver decides to question his mother regarding the Undertaking, but she refuses to confess. So, Oliver and Diggle take a more brutal approach. The Hood kidnaps them both and beats the crap out of Oliver until she coughs up the information. It’s always hilarious when this show acts like David Ramsey can fit in Stephen Amell’s suit.

The burgeoning relationship between Oliver and Felicity is very much in its infancy. Oliver is fully in denial about feeling any type of way toward his IT girl. Never is that more apparent then when Oliver and Diggle return from the confrontation with Moira. Diggle gets a few solid whacks in, which I’m sure felt amazing given the absolute jackass Oliver was being the past few episodes.

Felicity has a much harder time concealing her feelings towards Oliver and it’s clear she worries about him. She is always the first to ask if he’s okay, offer a supportive ear to listen or shoulder to cry on. However, Oliver seems to draw a line in this episode when Felicity reaches to touch the bruise on his face. That small step was too much. He physically keeps her at arm’s length because the intimacy of Felicity’s concerned touch is not something Oliver is ready for. There is still a very big wall hiding all that pain, regret and unworthiness.

Source: @lyricalarrow

Admitting he remembers the exact day they met, however, is absolutely no problem. We shall come to discover just how much Oliver remembers about that day in later seasons. I have a lot of male friends and I guarantee you I don’t remember the day we met. However, the day I met my husband is burned into my memory.

The team determines the only way to stop Merlyn from leveling the Glades with a man-made earthquake machine is to find the location of the device. Unfortunately, Felicity is unable to hack Merlyn’s system so she needs direct access to his mainframe inside Merlyn Global Headquarters. LET'S DO CRIMES!

Oliver makes an appointment with Tommy (more on that later) while Felicity continues to up her adorability factor by dressing up as Big Belly Burger employee delivering lunch to a security guard otherwise known as John Diggle.

The burger is laced with benzodiazepine, so it knocks out the other security guard and gives John free reign to control the elevator & cameras. Do we know how Diggle is able to pose as a security guard? No. Do we care? Nope. Let the hijinks commence!

Oliver and Felicity make their way to the elevator, but not until Oliver unloads an unwelcomed dudebro hitting on Felicity.

Jealousy looks so good on him. The way Stephen Amell plays this scene, with his nails-on-a-chalkboard look at the word “sweetie” to robotically knocking the papers out of the elevator, is physical comedy at its best. Something Amell rarely gets to do, but he’s great at it.  

The mainframe is on the twenty fifth floor, but the elevator only goes up to the nineteenth, so Oliver and Felicity have some climbing to do. It seems Felicity is thinking of a certain kind of climbing as well and really who can blame her?

Source: @lyricalarrow

Oliver lifts her WITH ONE ARM out of the elevator, which is so freaking hot I cannot.

Then, very gently, bends down to wrap his arm around Felicity’s waist and loop her arm around his neck. Oliver is moving with the precision of a jungle cat, but it also feels like an incredibly elaborate way to grab hold of someone. It has a very superhero sweep-her-into-my-arms sensuality to it. The mission is giving Oliver plenty of reasons to touch Felicity and he doesn’t seem unhappy about it, particularly when he softly tells her, "Hold onto me tight."

Is it warm in here? Holy Moses, Oliver Queen. Get control. This man is a god to women, so he clearly understands the connotations of, “Hold onto me tight.” There’s a thousand different ways to say that platonically, but nope! Oliver charges headlong into the blinking neon lights of SEXUAL INNNUENDO.

Felicity’s Freudian slip didn’t feel so Freudian either. She knew exactly what she was saying and leveled her full meaning in a single look. I thought the elevator was going to combust from all the heat. If you are looking for the text book definition of undressing someone with your eyes than look no further than these two. They way they hold the gaze. WOW. Can we have all the nakedness now?!!! It’s a sin against science for Oliver and Felicity not to bang regularly BECAUSE THE CHEMISTRY.

THIS IS NOT THE BEHAVIOR OF A MAN MADLY IN LOVE WITH LAUREL LANCE.

This scene has the classic Superman and Lois Lane feel to it.

Source: @olicitygifs

Oliver is doing his vigilante thing, but his partner in crime isn’t the leading lady of Arrow. It’s a supporting character who’s feeling less and less supporting with each episode.

Unfortunately, Felicity is about to be discovered while Oliver is held up by Malcolm Merlyn, Thea and Roy Harper. This is a very popular day to visit Merlyn Global. Oliver’s frustration under his cool and calm exterior builds the tension nicely and we do wonder how Felicity is getting out of this jam. Never fear! It’s John Diggle to the rescue. Top notch comedy from both Rickards and Ramsey.

Source: @olicitygifs

Their first official team mission outside of the bunker is a wild success. Felicity still has to search through all of Merlyn’s data to determine the location of the device. Despite all the heat, hilarity and hijinks on this side of the show, Oliver makes an abrupt decision regarding the other side of the show that makes absolutely no sense.

Lauriver and Merlance

Still feeling warm friends? Well don’t worry. I have a nice bucket of ice cold water to dump on you.

As predicted, Oliver’s love confession messes with Laurel’s mind and obliterates any clear path back to Tommy. He drops this bomb on her and they have not spoken for a WEEK. Of course, this is all Laurel has thought about and she makes a rather elaborate speech admitting she has feelings for Oliver too.

Yeah, none of this is a surprise. Tommy knew Laurel had feelings for Oliver. We knew Laurel had feelings for Oliver. Hell, even Oliver knew. The only one who wasn’t admitting it was Laurel, so at least she’s finally being honest about things. You don’t get a love triangle if the central figure in the love triangle doesn’t have feelings for two people. The issue is who does Laurel love MORE.

Laurel: Maybe Tommy was right. Maybe he and I weren’t meant to be.

She had a clear answer last week. It was Tommy. She absolutely wanted to get back together with him, but Oliver decided honesty was the best policy on this one subject only. This line enrages me because Oliver has distracted Laurel from the man she is truly meant to be with. I will die on this hill, friends. DIE. ON. THIS. MERLANCE. HILL.

Laurel: Tommy’s a good guy. Are you?

Oliver: I didn’t have an agenda. I didn’t mean to make it more difficult to fix things with Tommy.

Oh for fucks sake. Yes, you did Oliver. That’s exactly why you said it. This is just a straight up lie. Oliver absolutely wanted to confuse Laurel. He just doesn’t want to look like the bad guy for doing it. This is some A+ Ollie behavior.

After Laurel makes a wonderfully impassioned and heartfelt speech about her feelings for Oliver, after probably obsessing about it for seven days straight, Oliver dumps her. AGAIN.

Oliver: Nothing’s changed. My life hasn’t changed. I haven’t changed.

I am infuriated on Laurel’s behalf with this flip flopping back and forth. The time to make this speech was last week in the hospital hallway. That was the moment to let her go and put Laurel on the plane with the man she belongs with, but Oliver couldn’t do it because it was too damn hard. It was just cruel and horribly unfair to both Tommy and Laurel because Oliver has absolutely no intention of being with her. But now it’s too late. The information is out there. You can’t put the toothpaste back in the tube, my dude.

Laurel pays her father a visit to basically get his permission to date Oliver again. Yeah, let’s make the man who lost his daughter to Oliver’s selfishness sign off on banging his other daughter again. This show.

Quentin’s speech is equally as empty as any speech Laurel’s made about seeing the change in Oliver because we, the audience, have not been privy to those moments. We’re just supposed to take their word for it even though the last time Quentin saw Oliver Queen he was trying to arrest him for drug trafficking. But sure, Quentin thinks he’s “changed.”

In order to make this storyline work, you have to give proper attention to the Lance family interacting with Oliver and the writers do not seem interested in doing that. All the important emotional growth takes place off screen and we’re supposed to accept it as fact because the characters tell us.

Meanwhile, they are organically growing the relationship Oliver has with Diggle, Felicity, hell even Roy! So we know the writers are capable of SHOWING these moments of character evolution. They just choose not to when it comes to the Lance family. It’s why the show feels so completely disjointed.

Oliver pays Tommy a visit and wants to have a chat.

Source: @queensarrow

So it's safe to say Tommy is still pissed.

Oliver encourages him to work things out with Laurel – kind of?

Oliver: Lord knows, I am guilty of a lot of things between us, but not you are her.

What’s infuriating about this conversation is that Oliver still refuses to accept any kind of responsibility in their break up. Oliver pretends to be a friend to the all feminists and touts Laurel’s independence and free will. She makes her own choices and she chose Tommy.

Tommy’s point is clear, even if it is self pitying; Laurel is not dealing with all the information. If she did have all the information then she would choose Oliver. From Oliver’s standpoint, it doesn’t matter because he can’t be with her.

That’s not reassuring to Tommy nor is it supposed to be. If the elements keeping Oliver and Laurel apart were removed (the Hood) then Oliver wouldn’t think twice about making a move on Laurel. And Tommy knows this. These are not the actions of a best friend, which is why he’s so pissed.

Now, Tommy’s big mistake was throwing in the towel too early. He should have NEVER given Oliver an opening with Laurel, but he did and it set them on this path. No we have to watch it play out.

Oliver: I promised myself that when I crossed all of these names off the list, I’d be done, but taking down these people, it doesn’t honor him. I was just treating the symptoms while the disease festered. I stop the Undertaking… I wipe out the disease.

Diggle: What are you saying Oliver? You would hang up the Hood?

Oliver: Merlyn’s plan is what I returned from the island to stop.

Does anyone else have whiplash? Oliver does a complete about face and determines he can be with Laurel since he only needs to cross one name off the list instead of dozens. He’s just missing one step, gee what could it be? Oh! I know. OLIVER STILL HAS TO CROSS MERLYN’S NAME OFF THE LIST AND STOP THE UNDERTAKING. Talk about counting your chickens before their hatched.

A hero’s journey is a very specific type of story. Joseph Campbell outline seventeen stages in 1949 and Christopher Vogler created an updated version in 2007 for screenwriting. I’m not going through all seventeen steps, but we can skip to the very last one regarding this storyline.

Freedom to Live/Return with the Elixir – meaning the hero has faced their internal and external struggles, has conquered the demons around them and earned the right to live as they choose. From a spiritual sense, the hero lives without fear of death.

It’s similar with Vogler’s elixir stage. From a community perspective, the hero has found the magical way to heal their wounded land. They are bringing hope, life and freedom back to their loved ones. In doing so, it gives the hero a personal victory. They’ve earned the right to experience peace and joy, which can be represented in a wide variety of narratives.

Oliver is hero. Arrow has made his endgame very clear - save Starling City. Has he saved the city? Has he stopped Malcolm Merlyn? NO. So why is his leather clad ass running all the way back to Laurel Lance to enjoy the fruits an elixir he has yet to procure? If Laurel is endgame, this makes absolutely no sense. This is too fast. It’s too abrupt. It doesn’t feel earned because it hasn’t been earned.

Clearly, the initial plan was to put Oliver (Green Arrow) and Laurel (Black Canary) on parallel, if not intersecting, paths. I’m not saying Oliver cannot be with Laurel as they evolve into superheroes together. But this is the first freaking season you guys! He hasn’t done a damn thing yet! Neither has she. And yet, here Oliver is, knocking on Laurel’s door, looking for some fruit.

Oliver: Ever since I’ve been back, we’ve been doing this dance. We come together and then I pull away.  Something pulls me away, but I think finally that something might be over.

Laurel: What are you are trying saying?

Oliver: That you know me better than anyone. And that you are more important to me than anyone. I just hope I didn’t wait too long to say it.

If Laurel has no clue Oliver is the Hood then can he really claim she knows him best? It sounds good to say, and probably what Laurel is dying to hear, but it rings hollow because there’s no evidence of this anywhere on the show. Laurel was wrong about who Oliver is all season. We are just supposed to accept some verbal acknowledgment of change, that she knows him better than anyone, but without any television scenes to back it up. That’s not how storytelling works, Arrow writers.

Sorry to beat a dead horse, but I warned you I wasn’t done with this topic - Oliver is still lying to Laurel. There should be more talking. What are those things pulling you away, Oliver? Why are they over? Are you a hooded, crime fighting, serial killer who has been mysteriously stalking me all year? Those are just some ideas off the top of my head. There is no person on this planet that Oliver needs an honest conversation with more than Laurel Lance, but nope. They jump straight to sex.  

Let’s talk about the sex. This has been built up all season. These two characters belong together. They are bulldozing over Tommy Merlyn to be together because they are this passionate romance that time cannot quell. It should be like the fourth of July in Laurel’s apartment right now.

Source: laurelscanary

Instead, of heat we get frigid. Fish have hotter sex.

I’m willing to acknowledge "Radioactive" was the hit song of 2013 and every show on the CW was using it. It has a very sexy beat and big crescendo. It sounds like a good song to use during a sex scene.

Except for the fact that it’s called RADIOACTIVE with lyrics like, “This is it, the apocalypse.” This is not the romance your Plan A couple usually requires in a scene like this. They had Blake Neely for a composer. Where’s Oliver and Laurel’s love theme? We'll probably get it in the season finale but anything would be better than "Radioactive."

Source: laurelscanary

Next issue. Black socks and jean shorts?  Wardrobe – what were you thinking? Nobody felt the need to tell Katie to take off the sox? Details matter!!

Source: laurelscanary

Stephen Amell and Katie Cassidy kissing are like watching two pieces of flat cardboard trying to hump each other. Can they choose a direction? Are we biting or no biting? Are we using tongue or no tongue? Can Oliver unbutton his shirt or does Laurel need to help? Is Oliver going to drop Laurel while trying to get her sweatshirt off? It was just so awkward from start to finish. ZERO SPARKS.

Source: habibialkaysani

And for the coup de grace, they leave the curtains pulled wide open, so Tommy can see them screwing from the street. The look of utter devastation on his face is heartbreaking and that’s the final image they leave us with as their love scene fades to black. Oliver and Laurel reuniting are not framed as a good thing. It’s framed as a betrayal, because that’s exactly what it is.

Source: @queensarrow

Even worse, Felicity finds the device while Oliver and Laurel are asleep and HE LEAVES. No note. No, honey I have to run out and save the city real quick, but I’ll be back for round two later. Nothing. But please, tell me again how much Ollie has changed.

When I watched this episode live I was horribly disappointed the big reunion with Laurel and Oliver fell flat. This was really my last gasp trying to be a Lauriver shipper. And I use the term “trying” loosely. I was more or less looking for any redeeming qualities in this love story, but after this hypothermic love scene I was officially out. I could not ship these two. I could never forgive them for betraying Tommy. But I feared Arrow would never move on from Oliver and Laurel.  

Of course, their real intention becomes all too clear later. Arrow was trying to blow them up to make way for something infinitely better.

 Theroy

Speaking of flipping back and forth, these two break up every other week. Roy is clearly committed to finding the Vigilante, which leads them to Merlyn Global and a run in with Oliver, the disapproving older brother. Again, Stephen Amell’s acting is superb.

I loved the way he said “What” to Thea and the firm alpha male handshake he gives Roy, warning him to stay away.

Obviously, Roy accomplished his goal. He found the Vigilante. Roy just doesn’t know it. He thinks Oliver Queen is too much of a wimp to ever consider him as the man in the hood. Thea was good and ticked off with that “wimp” remark. Enough to dump Roy. She will not tolerate any slander of her brother. #QUEENSIBILINGSFOREVER

But this is like the fifth time these two broke up, so it’s losing the impact. This isn’t all about the Hood’s identity and thanking him for saving Roy’s life. He wants to BE the Hood, so Roy can protect the people he loves and never lose anyone again. The question is – who did Roy lose? Unfortunately, Thea storms out before we get an answer, but hopefully one is coming in the season finale. (No I do not remember who).

Long story short, yes I like these two, but the faster the Arrow writers move the characters into the Hood storyline the better. Otherwise they are just marooned on their own show like Laurel Lance Island.

Stray Thoughts

Yao Fei died! It’s so sad and traumatic. I forgot he’s shot in the head. Really didn’t need to see that twice.

Fyers is shooting down a commercial airliner to destabilize the Chinese economy. It’s always about money for these assholes.

Walter wants a divorce and I would say their differences are irreconcilable. Moira is getting what she deserves. You can’t kidnap your husband for six months and then offer him tea and crumpets when he comes home.

"Who the hell is Felicity Smoak?" Uh oh. Quentin has Felicity’s name. That ain’t good.

“Is the other archer working for Merlyn?” Please don’t make Diggle look this dumb again.

Merlyn versus Oliver battle was EPIC! The fight scenes this season are so stellar.

“Psychopaths are color coding themselves. That’s helpful.” HA!

Listen to the Watchover podcast reaction to 1x22!!!

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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!

[deliciouskeys]

So I liked what we have of season 4 a lot?! I don't know if I set my expectations really low, maybe didn't expect to get that fandom feeling back, but I think I can say with certainty that I've enjoyed e1-3 of s4 more than e1-3 of s3, and mayyyyyybe even more than e1-3 of s2. Some of the storylines don't interest me, but that was true of prior seasons too.

Things I am loving so far...

(under cut because there may be teensy weensy spoiler references)

Sister Sage! Yes, she says the lines that are in the trailer, but they are so misleading about the type of character she is. I LOVE her so far.

Homelander's frustration with being adored no matter what he does and his ennui about being surrounded with sycophants (which tbf, he engineered). I am SO glad they're walking that back to some degree. Related to point 1 above, I am delighted by the way he goes about solving this problem.

Every single scene with Ryan is so fucking good?? Like, Cameron Crovetti is the ideal Ryan of my mind's eye when I write fic. I feel SO bad for him. But I am loving the divorced plot and them jockeying to be his dad. Some of it reads like fucking fic, in a good way too. Like I can't believe the conversation between HL and Ryan after he comes back from Butcher's place actually happened on TV and not in my head.

I am actually SO SO happy they decided to outsource Billy Butcher's shitty tendencies to his Tyler Durden. I did not expect him to fucking apologize to Ryan for the S3 debacle. Even ~I~ felt apologized to for that "necessary for the plot but makes zero sense outburst".

I am loling every time Noir speaks. I don't know why, but I'm finding it hilarious.

I think they're actually doing a good job with A-Train's storyline, or a better job than I expected to justify how he becomes their new double agent.

I'm enjoying Chace Crawford's work in season 4. I like that he's sincere about the comic relief role.

Hughie is so charismatic, and for the first time in 4 seasons I think he elicited tears in me (in the scene right before his mom shows up when he's listening to his dad's messages).

I like Ashley's dialogue more this season than season 3. Part of that may have to do with me enjoying her character when she's angry rather than scared shitless or "trying to imitate HL"

I welcome the larger Victoria Neumann presence, and can't wait to see more about her past.

I enjoyed BIlly Butcher using a crowbar in a fight

I enjoyed seeing Antony Starr playing a mommy and a daddy and a.... secret third thing in the mirror.

What I'm meh about...

I hate to say this but the Boys' storylines are mostly dragging and feel disconnected. I'm already tired of Frenchie and Kimiko refusing to talk to each other and attempting to drink/drug their problems away. The mystery about why Frenchie is distraught was mostly solved right away, and Kimiko's mystery is still some derivative of her backstory in S2. It just doesn't feel connected.

Mother's Milk is fine, but I do think his character took a turn toward the unreasonable in season 3, and it has sort of continued. It's not clear to me why he's kicking Butcher out of the team multiple times, especially when Butcher saves them, and clearly has nothing better to do with his time. It feels especially cruel to kick him out when he tells him about the terminal illness.

Annie's storyline is.... fine, I guess. Maybe it will develop into something more interesting, but it feels like the writers don't exactly know what to do with her now that she's out of the Seven. I don't know why Firecracker had to have a personal vendetta against Starlight beyond being a symbol of 'wokeness'. I guess I'll wait to see if Annie's meangirl past becomes relevant as the season goes on.

Firecracker is okay. I'm amused that Homelander seems bored and annoyed by her, so I take it it's fine if we feel the same way too. It's certainly an interesting addition to the Seven to have someone so underpowered.

Hughie's mom frustrates me so much I wanted HL to come and laser her instead of Hughie after that chase. Her explanation made it worse for me, not better. I await to be proven wrong, but so far I think Hughie is being a really kind person to her. "Your father didn't want me to talk to you". But you were allegedly talking to him for years? And you son is in his 20s, I think you could have contacted without his daddy's say-so. UGH.

I don't really care about this so much, because I don't like character deaths, but it is pretty funny when Vicky doesn't kill Hughie or Butcher, and when Homelander is nerfed beyond all belief and is unable to laser Hughie in a closed space. I'll chalk it up to him losing a step or fifty with the enlargement of his prostate.

[kyouka-supremacy]

(╥﹏╥)

[shizukateal]

Grimm Variations - Episode One Review: Cinderella

Ok, starting with the heavy hitter aren't we Grimm Variations? Really have that much confidence in yourself in spite of your kinda ugly art direction? Ok. Alright. I see how it is.

GATHER 👏 ROUND 👏 CHILDREN 👏 LET'S 👏 TALK 👏 ABOUT 👏 GOOD 👏 VS 👏 BAD 👏 SUBVERSION 👏 SLASH 👏 DARK 👏 TAKES.

This is actually a pretty fascinating example, since it has both cases simultaneously.

(sorry for the shitty gif, I don't know how to reduce size without sacrificing quality)

Let's start from the beginning: This version of Cinderella takes place somewhen at the intersection of the Meiji and Showa Periods in Japan, which is to say in the Roaring 20's. Instead of our usual protagonist, the story centers on Makiko and Sawako, our prospective Evil Stepsisters, as their mother Tsuruko, a former geisha, marries Viscount Otawara, who has a single daughter: Kyoko. Kyoko enthusiastically welcomes her new family with open arms, even gifting precious things to her new sisters, who clearly love the luxuries of the social ladder that they've climbed. However things take a turn for the dark as Kyoko starts manipulating everyone around the house with wounded gazelle gambits to convince them that her sisters are mistreating her and usurping her place. The story thus becomes about Makiko and Sawako going to the ball (hosted by a count's son) to try and escape their Evil Little Stepsister.

There's also some background stuff at the start of the episode about the brothers grimm and that little girl Charlotte up there, who appears as a living doll of Kyoko's, but since none of that is explained here we're just gonna focus on what this dark take says thematically about the tale of Cinderella.

Right from the beginning the overturn starts when the first scene makes it clear that Cinderella's dad holds all the power in the relationship with the Evil Stepmother, whereas the Grimm and Perrault versions make her the one wearing the pants. It's never explicitly stated in either of them, but it's natural to infer that the Stepmother is of a higher peerage than Cinderella's Dad to explain how she would hold power over him and his daughter when trying to rationalize the story, and it's a common plot point in adaptations. However, this alone a subversion does not make. After all, if you read trashy romance in aristocratic settings (like I do), you know that it is extremely common for social climbers to be presented as sniveling usurpers, who get arrogant and greedy and turn into bullies the moment they have a modicum of luxury and rank in spite of their Inferior Manners (unless they are the protagonist of course). Lots of Cinderella stories follow that formula.

And that's exactly what Kyoko uses against her stepsisters.

Makiko and Sawako are stupid. If their unrefined manners are forgivable and a simple matter of environment and time, the way they openly slobber over and covet the riches of their new house makes them no favors. When they think one of the servants stole jewelry from them (and it was a piece that Kyoko had given them at that) they immediately get angry and physically aggressive towards a person whom they were equal in rank perhaps mere days ago. It takes them too long to stop and realize that hey, no servant would openly flaunt a piece they'd stolen from their master, so maybe something else is afoot, but by then it's too late. The other servants of the house can no longer trust them, so of course they continually take the side of the poor, defenseless little mistress Kyoko.

The tale so turns into an interesting mix of one-part hitchcokean aristocratic horror-thriller, impulsed in part by the flaws of the protagonists, and I'd say around a quarter-part view into the hypocrisies of class. Makiko and Sawako's refusal to engage with the servants with respect and compassion, trying to act the rank they've ascended to, cuts them from a support network, even as they are handed wealth and luxury. However it is undeniable that because of their lowly origins and etiquette people view them with scorn, distrust, and antipathy, a fact that is driven home when they are the ones who get mean whispers and comments upon entering the ball. They don't stop from being victims in the narrative just because they aren't likeable. By contrast, Kyoko may wear old plain clothes and do house work, but because she's nice to the staff and is seen as the legitimate blood heir, everyone looks at her with compassion and chucks her unnaturally cheery disposition towards her circumstances to good breeding, to the point that she gets away with poisoning her stepmother for years until she dies.

Likewise, at the scene of the ball the sisters fail spectacularly at captivating their prospective Prince with their uncouth behavior, so all our Cinderella has to do is be pretty and make a scene in front of everyone for things to take its predestined course. Tsuruko dies that night thanks to her stepdaughter forcibly feeding her one last cup of bleach before she leaves. And even though everybody witnesses the sisters grieving over their mother's corpse, nobody has sympathy for them the next day, when Makiko becomes the head of the family at Kyoko's (clearly secret) behest. The moment the Prince appears and declares his intention to marry Kyoko, Makiko and Sawako are expediently given the boot to the ass and thrown out of the house. Thus both of them are forever expelled from aristocratic society... and forever free from Kyoko.

Cinderella has followed her usual course of ascending to a higher to a social strata while reclaiming her lost position thanks to the intervention of a powerful man... But it's the Evil Stepsisters who have escaped an abusive situation by leaving the comforts of status behind, which goes very specifically against the message the original story gives. What's more this is due to their own character development: they knew that Kyoko would sabotage them if they tried to escape her via marriage, so they baited her into pulling a stunt and deliberately sabotaged their own chances with the Prince so that he would take her away from them.

THAT, my guys, is actual subversion. THAT is commentary. It's impeccably brilliant...! Or at least it would be were it not for the biggest flaw in the story: Cinderella herself.

Near the end of the first act the sisters try to warn their mother about Kyoko's nefarious acts. Of course, she doesn't believe them. After all, she asks outloud, what does Kyoko get out of acting like that? It seems that the scriptwriter didn't realize that asking that question explicitly in dialogue would put it at the forefront of the audience's thoughts before the whole thing went into print.

I mean the script makes Kyoko talk about her family being her precious "dolls" or whatever but that explains absolutely jackshit when her attitude is so inconsistent. Keep in mind, this Cinderella kills her own dad when he unwittingly threatens to disturb her status quo and starts the second act by saying out loud that she fears the situation she's created might end, but after the sisters do succeed in suckering her she just goes "oh well :) thems the breaks" and it's implied she'll move on to torturing the Prince for shits and giggles and that's it.

Alas, however, I must be fair and truthful in my final assessments. I came into this series expecting vapid edginess and mediocrity and while it hasn't exactly disappointed on that front, it has just enough thematic juice to move into the tier I was most afraid of: trash but still good enough to be frustrating. Join me next week for more suffering if it keeps up this way.

[btr-rewatch]

The boys in every episode: "Big Time Crib"