#japanese drama review

[vivianstravelblog]

Asian Drama Review: I Cannot Reach Out

~ Warning! Minor Spoilers! Japanese Drama Review: “I Cannot Reach You” 君には届かない。Kimi ni wa Todokanai [2023] ~ REVIEW I was over at my friend’s place for Christmas when I mentioned that a popular Japanese BL drama had recently been added to Netflix USA. So, we checked and discovered that “I Cannot Reach You” has eight episodes, each lasting only twenty minutes. We decided to binge-watch it after…

[arwatchesandreads]

Silent (J Drama) Episode 1 Feelings

Set up of the first episode is just heart breaking, they show many moments that are foreshadowed and go straight into the relationship between the two and what happens between Tsumugi and Sou in a way that felt nostalgic but also bitter sweet.

They foreshadow with a scene with Tsumugi and Sou in the winter, and tells him that when the snow falls its silent. Then the scene cuts and brings to present day where its raining, and she mentions its too loud.

There is also a scene where she mentions that they had an earphone exchange for Christmas, and how the earphones stopped working 3 years ago which is foreshadowing that Sou lost his hearing entirely 3 years ago as well.

They manage to make my heart hurt the whole episode by the way they set it up.

Minato finding out that Sou was deaf through his sister and having a whole breakdown genuinely hurt me. You could see the pain that Minato was feeling. The actor did a wonderful job portraying this.

The denial seen in Minato and Tsumugi hurts.

Aoba accidentally meets Sou and tries to talk to him, but he signs a bunch and explains everything but of course she doesn't understand anything. You can also see the pain in her face throughout this.

[absolutebl]

This Week in BL - 2 GREAT Shows but everything else is kinda blah

Organized, in each category, with ones I'm enjoying most at the top. Happy new year, BLabies!

Jan 2024 Wk 1

Ongoing Series - Thai

Last Twilight (Fri YT) ep 9 of 12 - This show is really earning its chops, and these actors are executing beautifully. I think this is a great BL, and it reminds me quite a bit of ATOTS, only the physical comfort between the actors is more genuine and easy to watch. Unfortunately a guitar came out. Nice communication tho.

That was a very lovely romantic sex scene. Very prettily done. Classy boys, very classy.

Gah what a beautiful final scene with Day saying the last thing he wants to see is Mhork. Pure unadulterated romance of the highest order.

The Sign (Sat YT) ep 7 of 12 - If killer, why hot? Poor Tarn compelled to try to rescue everyone else from their fate, because he cannot save himself from his.

Meanwhile Phaya is finally learning that you catch more water snakes with honey lube than vinegar.

Stellar confession from Phaya brutally honest and very fated mates.

And another lovely sex scene, so I guess that was a vision and not a fantasy Tharn had.

Lets be clear those two shows were GREAT everything else this week was kinda blah.  

For Him (Thurs iQIYI) ep 6 of 12 - I find the backstory very odd. Are they twins? What happened to Blue? Am I meant to care? Do I care? 

Twins the series (Fri GaGa) ep 10 of 12 - I mostly just feel sorry for First. He’s so rightfully confused. Zee/Sprite keeps blowing hot and cold because they two different people! The after sex cuddle was cute. 

Pit Babe (Fri iQIYI) ep 8 of 14 - Love getting more JeffAlan. Also I switch favorite character allegiances in the trash watch happening here.

Cooking Crush (Sun YT) ep 6 of 12 - Didn’t air this week and I hardly noticed. 

You and My Stars YT 1 of 2(?) - school kids, love triangle, it’s cute enough.

My Universe (Sun iQIYI) 1626 ep 20 of 24 - Just so boring. 3/10 

Ongoing Series - Not Thai

VIP Only (Taiwan Fri Gaga) ep 8 of 10 - I’m not into the love triangle. Although I kind of like the new suitor, he’s honest and a good communicator. I appreciate these things in a BL boy. But I begin to wonder if triangles should be left for KBL. Also, this should have been an 8 epper, 10 is too long.

Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 5 of 8 - No ep until Jan 12 

I Became the Main Role of a BL (Japan Sun Gaga) ep 1-3 - AKA BL Drama no Shuen ni Narimashita: Crank Up Hen - A rising star is paired with an (older) former child actor (doesn’t think he’s good enough) in a BL series. It’s fun, built on a dynamic of off screen paralleling the on screen, so near constantly meta. All the tropes are there but are as a result of the filming process. The star turns out to be obsessed with the former actor and very dorky about it. In fact, everyone in this show is a little gremlin weirdo (affectionate). There’s tons of scenery chewing miscommunication drama, slapstick, voice over head hopping, and eccentric sides characters. “And he comes with feathers” applies to a number of my friends. You know I don’t like stories around fan obsession, but otherwise this was enjoyable. 8/10

A nice start to the JBL year. Keep em coming, Japan.  

It's done I Need to Catch up

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have a spare day.

It's Airing But...

[INTERNATIONAL] Cherry Magic (Sat YouTube) ep 3 of 12 - yeah Japan put the smack down on our boys. Sadness. You can use a VPN if you like. Read all about it here.

Playboyy (Thurs Gaga) 14 eps - Dear Playboyy, it's not you, it’s me… I hate you. You’re about as deep (and as palatable) as a shot glass of cum. While I'm sure you’re someone’s kink, you're my weakest link. Goodbye. I DNFed this at ep 5. Frankly I'm impressed with myself for getting that far.

Night Dream (Sat YT) 6 eps - It’s a pain to track down and I really didn’t like the first episode so… DNF  

The Whisperer (Sun ????) 10 eps - Thai horror BL that ALSO involves cheating (what joy is mine). I don't think even the perfect single dimple can motivate me to watch. Word is... it's terrible.

7 Days Before Valentine (Weds WeTV) 10 eps - Giving me Luminous Solution vibes. I'm waiting to binge if safe.

Dead Friend Forever (Thai Sat iQIYI) - horror, meh, tell me if it's worth my time?

In Case You Missed it

All my year end round ups (so far) are as follows:

TOP 10 BL Trends of 2023

Top 10 BL Secondary Pairs of 2023

2023 BLs Best Trope Execution Awards! TOP 10

Best Back Hugs Thailand & Elsewhere

BL 2023 - Cute Bits of Domesticity

BL 2023 - Boys Feeding Boys

BL 2023 - BOOP!

All the BLs Announced for 2023 that didn't happen

Next Week Looks Like This

Starting This Week:

1/9 Time the series (Thai Gaga, WeTV, Channel 3) 10 eps - MFlow Entertainment brings us yet another "fix the past" narrative. After witnessing the gunning down of his beloved, a heartbroken actor uses a magic pocket watch to go back in time and discover the truth and maybe fix it.

1/11 Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Gaga) - Soga, who, after a divorce and relocation to Osaka, seeks solace in dining at 26-year-old Sakae's restaurant. Unbeknownst to Soga, Sakae sees him as more than just a regular customer.

More Coming Jan 2024

Beside You (Thai YouTube)

Love For Love's Sake (Korea ????)- based on the Manhwa ‘Love Supremacy Zone’ by Hwacha. A young man is dropped into a game based off a novel he loves. His mission is to make another player, YeoWoon happy. But then the game starts unfolding completely different from the novel.

Ossans Love Season 2 (Japan ????) - five years later, will anything have changed? This is Japan so... probubly not. I won't be watching this.

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

Yes, you SHOULD apologize!

This was a FANTASTIC moment! Last Twilight

Night Dream referencing the Shrimp Trope.

Some didn't like this bit BUT I love a claiming moment, even in a briefing room... especially there.

I ALSO love a good Grandma Moment in a BL.

Such a good sex scene. The Sign

(Last week)

[mintyxxie]

I've seen it all - Rating all adaptations of Cherry Magic ✩

☾ ⋆*･ﾟ:⋆*･ﾟ

Okay, so I tried to hunt down every adaptation of Cherry Magic! Thirty Years Of Virginity Can Make You A Wizard?! and watched them all.....like the chronically online loser expert I am.

THIS HAS SOME SPOILERS.

ˏˋ°•*⁀➷ Ratings:

[If I missed any adaptation lmk and I'll watch it and rate it!]

So here are my ratings (in the order in which I watched/read them):

Manga (The original source material, 2018) [6/10]

Thai drama (2023-2024) [9/10]

Japanese drama (2020) [8/10]

Anime (2024) [7/10]

Japanese Movie (2022) [note: this was a sequel to the J-drama]

Chinese Radio Drama (2019) [8/10]

Important note: I'm not sure if the radio drama and the drama CD are the same thing, just in case I'm going to separate the two. I couldn't find the OG Japanese drama CD with English subs anywhere so if any one knows where to find it then lmk. Not paying 20 bucks because I am below the poverty level (fully embodying the college student aesthetic <3).

: ̗̀➛ The Manga (2018)

My favorite volume cover <3

→ General thoughts:

This might be a little dumb but honestly, I had no idea that this manga was pretty recent. I thought that this was an older 2000's manga. I only found out when I looked up the production year for this blog post LMFAO.

Building on that, the art style is fairly unique and a breath of fresh air from the typical late 2010s manga art style. It definitely gave me nostalgia—but with less secondhand embarrassment. Also my favorite part is MC's emo bangs...when he's an office worker.

I found it fun how they didn't start off the series by glazing the male lead and his achievements (which was done in almost every other version.). This approach made the male lead a lot more approachable in my opinion and lessened the gap between the two.

The manga at the very start is extremely focused on the two main characters. They don't really introduce or highlight other characters until later on. (most notably Fujisaki and with the exception of MC's bestie). Manga is also pretty fast-paced in comparison to the other adaptations in my opinion. This is mainly because doesn't really spend a lot of time building up tension or introducing the characters. If anything it feels like the mangaka was going through every arc/major character interaction as if they were bullet points. You can also argue that the other adaptations are slow-paced in comparison to the manga, but in this household the majority rules.

Not a lot of focus on visual elements (unless it's to show emotion). The background is pretty basic and kept to a minimum which helps keep the focus on the relationship between MC and ML.

At the very start, the focus is put more on the awkwardness between the two characters. It's really light-hearted and doesn't particularly hold any strong tension or emotion. I like that because technically speaking the two of them are experiencing something new, I'm TIREDDD of seeing a character fall in love for the first time ever yet miraculously be an expert at it. The awkwardness of a first love and the inexperience that comes with it is a breath of fresh air when put into the context of two adults.

One thing that I really liked about the manga (and the series in general) is how the MC talks about the ethics of his mind-reading ability and actually feels guilty about taking advantage of it. I appreciate how he also comes clean to the ML. The ethics of these abilities, especially mind reading, is so interesting to me, especially considering how it's usually glossed over.

Also...I really appreciate how the MC doesn't look like a 16-year-old twink. He looks his age, a rare sight nowadays.

The perspective of the male lead is shown pretty early on. There isn't a lot of build-up for the alternate perspective. It felt pretty underwhelming when the ML revealed why he fell in love with MC. In my opinion, it failed to draw out strong emotion from the reader. The part where the male lead gets borderline sexually harassed at work also fell flat. I read it and thought "ok...well...that just happened" and quickly moved on.

[The flat delivery of the more emotional and "heavier" scenes is a consistent ick of mine. The manga does an amazing job of communicating the awkward and comedic properties of the series but completely fails at drawing out heavier emotions from the reader. This could just be a me thing though. I blame this fact on the lack of proper build-up and transitions. The switch between emotions happens too quickly, and the manga lacks proper transition panels, making character interactions seem inorganic. The series generally capitalizes on the "out of pocket" aspect of the character's thoughts and emotions. Everything is so random and unexpected which is what makes it funny and interesting, this however makes love confessions and more emotional scenes fall flat because, in the context of the series, these scenes are NOT meant to be comedic. Trying to blend serious and funny is generally difficult and something that a lot of mangakas struggle with. ]

Anyway, the ML's perspective is always a treat. Just a poorly built-up one. My man is also a whole green forest, I'm so happy that he didn't end up forcing himself on MC and instead respected his boundaries.

One thing that I noticed while re-reading the manga is how expressive the characters are, especially the male lead (finally out of cold aloof male lead jail). His awkward wink was so adorable tbh, a funny contrast to his extremely horny thoughts.

“But Mimi, isn't this contradictory? you *JUST* said that the manga suffers from sung jinwoo syndrome (A severe lack of emotional build-up which leads to extremely flat emotional scenes)!" Before you crucify me allow me to elaborate....

It’s simple, deeper emotions generally require more build-up, especially emotions (and emotional themes) that deviate from the main genre. Shyness, awkwardness, happiness, etc are all naturally a part of the traditional romcom slice-of-life genre. If the main emotion(s) that the reader gets across is light-hearted then the story naturally builds up to it and is something that the reader expects so they come into it prepared to feel said emotions. If you try to introduce an emotion such as sadness in this context then naturally you would need to properly build it up in order for the reader to properly feel and process it since it isn't expected (Even things done for 'shock' value still need appropriate build-up, it would just be done properly.). The characters here are very expressive in terms of emotions, but character expressiveness doesn't necessarily carry along to the reader.

I also love the side couple. Their mutual love for the cat is the highlight of the entire series tbh. ITS SO CUTE.

Anyway, to save you the pain of me ranting about the side couple ima make it short and sweet (look at how nice I am....I might make a separate post just to have a yap fest about them). The build-up towards their relationship was so well-written (dare I say even more than the main couple?). I'm so happy that they got their own happy ending.

→ Rating ✩✩✩✩✩✩

6/10

Honestly, this rating was a tough one for me to give because on one hand, the manga excelled in many ways and this is the original source material so it felt weird to give it a rating lower than its adaptations. However, I have quite a bit of reasons for my ratings, all of which were mentioned throughout the previous section but I'll summarize.

The manga left a lot to be desired when it tried to communicate deeper feelings, the characters felt awkward and the interactions felt really inorganic and flat during the "emotional" scenes. I don't really think it's an issue with the art style itself but rather an issue with the panel handling and management. There weren't a lot of transitional panels that helped strengthen the main emotional panels. I don't know if that makes sense because I don't really know the proper terminology but I hope that gets my point across. This is honestly a big thing because this is a romance slice-of-life manga where the main appeal and point of it is the emotions and the interactions between the characters. It's a very character-focused genre, and in this case where world-building is near nonexistent all the pressure falls on making sure that the two leads have smooth interactions. Which I feel like it didn't meet.

: ̗̀➛ Thai Drama (2023-2024)

Best Cherry Magic promotional picture in my very humble opinion.

→ General thoughts

This adaptation establishes really quickly the difference between MC's and ML's positions at the company. Not only does it establish this fact pretty early on but it also reinforces it quite a bit.

MC's relationships with those around him are a lot stronger than in any other adaptation. He also seems more well-liked and more socially active in his workplace. The intern is introduced pretty early on which is something that I appreciate. The birthday party was SO CUTE OMG. It was so funny and adorbs to see MC awkwardly giving ML a piece of birthday cake even though they never really interacted much till that point. Also, it helped establish a stronger bond between MC and Fujisaki (since she was a part of this small birthday celebration).

There is also the addition of Mrs. Cupid (I forgot her name so that will be the name that I'll use for her, also I think that this was a cultural addition) was pretty interesting. Her role as a mentor/mother figure to MC helped show that he isn't some reclusive hated loser in his workplace.

There's a LOT of emphasis on the relationships between characters in the workplace, which is a notable change when comparing it to other adaptations. It could be a cultural thing? This is my first Thai drama and delve into Thai media so I could be wrong (please don't beat me up). MC here is way more social. The intern is a lot more relevant here and is the reason why MC had to stay overtime.

The ML here is SO MUCH MORE awkward because the series establishes the difference between their positions pretty early on. It makes the difference between how he acts for the company (super put together and cool) and how he acts in front of MC (eagerly & shyly asking him about getting ice cream after the thank-you dinner) so CUTE. This is also something that differs from other adaptations because in the others they weren't able to choose where to eat.

The personality of Tsuge was so different it gave me whiplash. Like a complete 180. He gives off more playful and childish vibes here, starkly contrasting his quiet and aloof OG persona. He's also a lot more straightforward and bossy LMAO.

This and the rest of the adaptations have an advantage. They can use auditory elements to bring emotion to the scenes which I think is something that helps exaggerate events. For example, when ML was asking MC about the thank-you dinner, MC was listening to his thoughts and was very awkward. The typing heard in the background and the lack of background music help bring the scene to life by 1. making it look even more awkward since both ML and MC stay silent for extended periods of time and 2. Reinforcing the comedic office sitcom feeling (not genre because technically this isn't a sitcom).

There was also this arc of the fake boyfriend trope where MC was egged on to be the fake BF of Fujisaki. Honestly, this adaptation brought more personality and life to Fujisaki as a character and employee. The appearance of her shitty ex was an interesting bonus and helped deepen her character.

Honestly, a lot of scenes here changed, it would take me a lot of time to sit down and break down every scene change individually. I have to say that all the changes changed how the series felt and how the relationship between the characters came across. One thing that I have to mention is that not only have a lot of scenes changed but a lot of things are out of order. I'm not really complaining though because it didn't really stick out to me as nonsensical when watching, it made sense why they made the changes and honestly, I support some of it. I'm mildly upset that the scene where the voucher was expired and this ML had to pay was cut off, but other than that no major complaints.

The misunderstanding also dragged on for a lot longer & the way he dramatically passed out??? hello??? It strays off from the original more and more every episode. It feels like I'm watching a different show.

I'm really happy that they delayed the ML's POV. The build-up here was a lot more intense than the original. I really liked how they portrayed the dismissal of ML's hard work and preferences in favor of his looks, kind of a "stay in your own lane and use your pretty face" thing. The portrayal of the sexual harassment towards ML was also a lot smoother, more emotionally intense, and heavier here, a lot more emotional. These changes made the scene between ML and MC a lot more special in my opinion, and made me feel a lot of sympathy towards the ML. He also actually cried here and the scene was a lot more emotional. This also applies to when ML went into detail on why he fell in love with MC, it was really touching. The problem of the lackluster emotional scenes in the original was fixed here.

The side couple also faced a lot of changes, all of which were welcome in my opinion. The series went into a lot more detail between the two from the start, and the personality of Minato was a lot nicer here too. The side couple felt a lot more dynamic and human.

There were a lot of scenes between Fujisaki and Rokkaku, which was interesting, to say the least. I don't know how I felt about that, it wasn't bad, just weird considering the original.

→ Rating ✩✩✩✩✩✩✩✩✩

9/10

I think that the experience of watching this is extremely different from reading the original material. If we’re accounting for accuracy, this series would lose a lot of points, however if you're just watching this for fun the experience is extremely enjoyable.

I really like how this version communicates the character dynamic between the male lead and the main character. My only ick is that it made the main character a lot more popular than he originally was, thus making the male lead have a crush on him seem less surprising in a way? Also in a way that took away the funny, "I hate my shitty cooperate job and all my co-workers" feeling.

: ̗̀➛ Japanese Drama & Movie (2024)

Bunching them together because the movie is a sequel to the drama

→ General thoughts

The J-drama shows you more aspects of the MC's life and general personality before he got his power. In a way, it showed how lonely he is (via the fact that only his mom and long-time friend greeted him on his birthday).

The drama introduced a lot of characters at the beginning, and it made MC's friend, Tsuge, extremely relevant early on. This part makes the viewer more invested in the side couple and the side stories involving them a lot sooner.

Honestly, though, my favorite part is the little shop owner. In the other versions the place where he gets his lunch is at a convenience store and the only relevant interaction is when he touches the cashier's hand and she starts tweaking over how gross it is. Seeing the shopkeeper side-eye him for always ordering double mayo was really funny to me, and in a way, it added more personality to the world around him and the interactions that he has outside of the main plot (this is something to note because the J-drama shows a LOT of his time outside of the office, something that stands out when comparing it to other adaptations).

The addition of the asshole co-worker was an interesting addition/change from the original. In the OG, MC was the boss who was being an asshat, which is why he stayed overtime, in the case of the J-drama it was actually his co-worker and it was MC who offered to take over the assignment. This change made MC look like a pushover & it followed regular office comedy plots.

Many micro-interactions were also added, which added more depth to their relationship. My favorite example was how the drama expanded on how the MC was touched by ML giving him the scarf (because during that scene MC heard ML's thoughts about how mistreated MC is and how much he appreciates him :3). I also love how it revealed that ML specifically made a traditional Japanese breakfast because he knew that MC would like it. It showed how much ML really cared about MC and how he kept track of his likes and dislikes even without interacting with him a lot.

I also love how ML defended MC when asshole co-worker berated him for 'being unreliable'. He was so passive-aggressive it was so cool honestly. Also for some reason, Rokkaku was shown to be around ML a lot more often and was shown a lot earlier (though he didn't outwardly have major parts till later). Also here MC was given more overtime work, this time because ML heard about it when MC was first given the task he immediately was able to compile data and help MC from the get-go. I really liked this small change because ML improved MC's work-life quality, which was pretty shit. Also here there was no dinner coupon, instead MC did it of his own free will (went to ML running to ask him to get dinner with him, though he was inspired by his co-worker bringing it up first).

Similar to the Thai drama, their dinner date got interrupted by a company dinner :(. Though they never had a chance to be 1 on 1 here which made me (and the ML) sad.

For some reason here MC never gave Rokkaku medicine? Rather it was Rokkaku who offered to go and get some for MC from the convenience store.

The biggest interactions that changed in my opinion were the interactions between MC and his friend, Tsuge. For example, instead of meeting at Tsuge's house they instead meet at a restaurant. His advice to MC was also different, telling him to ignore ML and that what matters the most is MC's feelings, contrary to the OG where Tsuge suggested that MC take advantage of ML's feelings. I feel like this small change in how Tsuge approached advising MC helped reinforce the idea that MC tends to be a pushover who puts other people's feelings above his own (since he felt the need to specifically tell MC to focus on his own feelings). He was also so iconic for telling MC to not fall in love with someone, instead, MC should just get a cat if he's lonely.

The side couple here was also introduced a lot earlier.

Although small, these additions help add more character depth to the main character which makes the experience more enjoyable IMO.

Just like the other adaptations, a lot of the ending scenes were left out, though in this case, they produced a movie to act as a sequel to the drama for the sake of including the left-out material (ML meeting MC's parents, etc). I feel like because of that the movie is a must if you truly want to get the true feel of the ending. Also, a lot of scenes were skipped or smushed together (kind of a 3-in-1 type thing).

They kept edging us with the kiss scene low-key. I'm not even a big fan of them; I just got annoyed by how I felt like a pig on a stick.

→ Rating ✩✩✩✩✩✩✩✩

8/10

Overall, pretty lovely.

I found it pretty interesting how they added things and expanded on pre-existing scenes while simultaneously skipping over and combining original material. I don't really understand why they picked certain scenes over others, well to a certain degree I kind of do but at the same time, there was tons of original material...why add/expand on things unnecessarily when you already have long and expanded upon scenes.

Rokakku's interactions with MC changed a ton here, which is mildly sad.

I like the added mico interactions outside of MC's workplace.

: ̗̀➛ Anime (2024)

→ General thoughts

Out of every adaptation this stayed the closest to the original material. Honestly writing the analysis for the anime was really hard for me because there really isn't much for me to say. It fixed a big issue that was in the manga, and that is the lack of proper panel transition. The reason why I'm mentioning this point here rather than under any other adaptation is because this stayed the most loyal to the original material.

There really weren't any big changes so there isn't much to comment on. However, I set up a split screen between the anime and manga JUST so I could analyze things piece by piece and this is what I found:

After the conversation with Tsuge, it shows MC's walk home his contemplation about this whole thing, and his reaction to his friend being a virgin too. There are also some micro-interactions between the two (MC & ML) that were added, but nothing too different for me to specifically point out.

The scene with the cake guy was slightly changed here in the anime. The anime added an interaction between MC, Fujisaki, the boss, and other employees who were trying to find out what happened to cause the cake guy to get mad at ML prior to MC officially stepping in, something that didn't really happen in the manga. On that note, there were a lot of added micro-interactions between MC and Fujisaki.

A minor change that could simply be attributed to translation is that in manga MC said that he didn't hate the kiss while in the anime he said that it didn't bother him, just a small detail that made me a little sad TT.

There are some minor setting changes here and there, for example, MC originally gave Rokkaku medicine on the bus because he was car sick, in the anime he gave him medicine during karaoke because he was having stomach problems due to being drunk.

Dare I say that I HATED Rokkaku's voice actor, it's the same sound someone makes when they're nose is stuffy/they're not breathing through their nose. It got on my nerves. On a similar note, I feel like this shows how important voice actors are. I'm used to Rokakku having a younger, playful, and generally softer voice which gave him a carefree "he was the popular easy to get along with guy in high school". In the anime though because of his voice actor, his personality came off as "The really simple-minded comedic relief guy that secretly has lore". So interesting to see how even the smallest changes can completely change the impression of a character!

I kinda wish that the hot springs scene remained intact instead of it getting changed into a sauna because the concept of "Water conducting intense thoughts" is really funny. Though it was changed to steam to better fit the setting, I feel like it was an extremely unnecessary change.

The sexual harassment scene stayed really close to the manga but with greater emotional impact, specifically his facial expressions. Though the background music didn't really match the seriousness of the scene, his facial expressions and the general mood of what he was conveying (Since he was talking about how his character and hard work are reduced to the fact that he is good-looking), it's still a marginal improvement. This made me upset because the anime could've utilized more appropriate background music or just not add it at all. My ick with the background music was quickly resolved with the following scene where MC consoles ML after the whole ordeal. This makes me really happy because it, for the most part, achieved what the manga failed to do. Also, I find it funny here how ML specifically thought that the MC is a pushover because he lacks tact.

Flashback/ML's POV also came later than the Manga, thankfully a running theme between all adaptations. The selfie scene also changed, it was a lot less 'appropriate' here (not in a to the reader way but in a context way) because in the original they took the selfie on a company trip while here they took the picture in a random park.

The side couple comes here a lot later too, I think slightly later than the manga, which is weird but it also makes sense and flowed well here. I don't have much to complain about, I did like their interactions here a lot more though. I should also note that their relationship is slightly faster-paced than other adaptations.

The sound effects and OST were awesome though and really helped reinforce the emotional aspects of scenes. This also helped with the abrupt emotional changes in the scenes.

I do have to say that I had very high hopes for the anime because out of every adaptation, this has the most freedom in terms of properly communicating character dynamics and plot points. It can use a range of effects without looking out of place or weird because this is animated. This did NOT disappoint thankfully.

→ Rating ✩✩✩✩✩✩✩

7/10

Oof, this was a hard one to rate, I saved it for last.

I don't know, out of every adaptation this was easily my favorite, but lets be honest...there are quite a bit of issues. I think that the main one is the background music for the sexual harassment scene.

"Mimi, why do you care so much about it?" Well, it's not necessarily because sexual harassment is a serious topic (which it is, but not the main reason why I'm so bothered), rather it's mainly because the male lead was venting about how all of his hard work is dismissed just because "he's pretty". I feel like this was a perfect example that encapsulated his main complaint about his workplace and the main reason why MC's actions really touched him. It's really important to his character so seeing the scene not be portrayed properly really grinds my nerves.

: ̗̀➛ Chinese Radio Drama (2019)

→ General thoughts

THIS WAS SO DIFFERENT. Take a seat because a yap fest is about to take place.

To be honest, this is my first time listening to a Radio Drama (yes a lot of first times here, I'm a sad media virgin, all I do is read shitty manhwa, manhua, manga & fanfiction and read the occasional web novel). I didn't know what to expect since the medium is pretty limited since the plot can only be conveyed through voices. This did not disappoint. The voice actors are super expressive and effectively communicate character emotions.

This starts off strong with an appointment with a psychiatrist. MC really thought he was going insane and honestly? I too would shove myself in a psychiatrist's office the second I started hearing people's thoughts. I loved this approach, super realistic. My usual ick of characters randomly manifesting powers in an otherwise non-fantasy setting is how they immediately accept it and adapt to it.

The first change is how he finds out about his ability, by far this is my favorite (touching a co-worker and hearing her cuss out your fellow employees and boss). We unfortunately didn't escape the ML glazing session (yes I get it he's so alpha in the company,,,,I heard the same sentence 10 times already from 10 different sources my brain is FRIED). GOOD NEWS though because MC also got a mini glazing session...ha you thought...the sec mc touched his boss he got brought back to reality (heard a bunch of insults about how dull he is).

The drama CD really REALLY enforces the fact that MC isn't liked by his fellow coworkers, for some reason everyone and their moms take pleasure in insulting him, which is my biggest fear. Imagine you develop the ability to hear people's thoughts only to find out that half of your workplace hates your guts? I'd immediately cease my oxygen dependence.

Also, we're back with the shitty co-worker. Honestly, it's hard for me to tell what is going on because many names changed which would've been fine if the OG plot was completely preserved except it's not. I don't have visual clues so I'm kinda tweaking.

Anyway, now on to the major plot changes:

Rokkaku is now a poor intern getting pulled into random tasks via MC's co-worker friend. For some reason, most adaptations tend to mess around with Rokkaku's character. Also, the elevator scene slightly changed, instead of MC trying to guess ML's crush he immediately reminded himself that he's experiencing a hallucination (which happens quite frequently throughout the radio drama. I think that I can safely attribute this change to the fact that he went to see a psychiatrist the second he noticed his newfound ability. Generally, it takes MC 10 thousand business days to come to terms with his new ability.

MC here is a lot more of a realist, not that he was particularly lacking in the realism department before. It just seems like a more prominent character trait here.

Here MC stays late because of his co-worker friend (maybe I should change his nickname to asshole #2). Also, MC here takes an obvious role in helping teach and instruct Rokkaku. We also get more character background info on Rokkau which I think is pretty interesting. Rokkaku here is a lot more responsible too. Also here instead of simply helping MC finish his work, ML instead offers to do the whole thing himself.

It takes a while for there to be any mention of his 30th birthday. The reason why MC slept over at ML's place also changed. Also I can't get over the scene where ML admits to the fact that he bought a set of PJs JUST BECAUSE HE THOUGHT THAT MC WOULD LOOK GOOD IN THEM???? No matter how many times I watch it I still find it wild LMFAOOO. Also for some reason ML undresses in from of MC and MC points out ML's muscles which is so different from the OG because originally it was because of the hot springs + MC never loudly commented on ML's physique. MC looked like a pervert LMFAO. Also, ML never mentioned that he worked out/kept up with his body for MC, so it made the scene a lot more awkward IMO. ML's house is also different, in here he has an extra bedroom while in the other adaptations, MC slept in the living room.

It was so adorable when ML came over JUST to cover MC with a quilt. Also, my guy was battling demons trying to stay a green flag.

They expanded a lot more on the BBQ scene, which was so nice! I loved seeing the two of them have a normal conversation for once, both gushing over their favorite manga. I feel like this made their relationship progression a lot smoother because in the other adaptations they never really had the opportunity to actually engage in a long and meaningful conversation. Most of the time conversations are very one-sided and awkward since MC is reading all of ML's thoughts thus decreasing the amount of naturally born conversation between the two. Not only do I like it because of their conversation but also their interaction flowed very naturally. This time ML was the one who held on to the vouchers (mildly similar to the Thai ver), thus when it was time to pay it was more so an act of responsibility rather than altruism. They also added a movie date after the BBQ, except MC dipped and ruined the whole moment.

Just like the Thai drama, it would be easier for me to list all the similarities than differences to the manga. I think that in this case, the many changes are easily justifiable because this format (radio dramas or any audio-only mediums) is really limited. Typically creators can rely on visual clues and/or descriptions to enhance character dynamics and interactions. Thus it's natural for the producers of this drama to drag out character interactions and add some to get the same feelings and character dynamics across. You can argue that audio-dependent mediums have an advantage compared to novels but there isn't a novel for cherry magic. You're adapting an audio-only drama from a written-visual medium, which is pretty different. You can easily translate written words to spoken audio but visual cues are lost to translation.

One problem...the sexual harassment scene here was portrayed very similar to the anime. Sighhhhhhhhhhhhhhhhhhhh. The background music wasn't as bad but cmon.....

THIS HAS FIRE OPS AND EDS. I love the songs, honestly just listen to the radio drama for the music.

→ Rating ✩✩✩✩✩✩✩✩

8/10

I really liked this one, again if we're going for accuracy then this would get a low rating, but we're not yahoo!

I really liked how the characters were portrayed, their relationships, etc. I feel like this version really perfected the characters.

I kinda wished that there was more focus on his life outside of the office and that there was more character background info.

ˏˋ°•*⁀➷ Conclusion:

Honestly, my favorite part of doing this whole thing is seeing how culture impacts stories and adaptations. The two that changed the most details were the Thai and Chinese adaptations so it's pretty neat to see how Japanese cultural details were switched out. I think that the office worker environment and interactions between co-workers and the differences between the Japanese version, Chinese version, and Thai version are the most interesting. (yes repetitive but we're not in English class now are we?)

Every version is different, and I loved comparing and seeing how every medium communicates the story a bit differently. There are benefits and negatives to picking a specific medium, looking at Cherry Magic was an interesting case study (I know that I haven't gone into detail on how the specific medium caused changes and instead just talked about the changes but trust I was thinking about it.). I might do an analysis in the future solely focusing on that, but who knows.

☾ ⋆*･ﾟ:⋆*･ﾟ

THANK YOU @mil0nes FOR EDITING MY GOD AWFUL WRITING. Hmu whenever you need a kidney I WILL give you mine (if we're incompatible then I'll sacrifice someone for you babe..Just don't quote me in a court of law xx)

If you read the whole thing then tysm !!

I'll probably make one for Semantic Error soon. ^^

[redsamuraiii]

My Undead Yokai Girlfriend (2024)

A student in Kyoto struggles in life, as he falls behind in school and is unable to get a girlfriend like his peers. Out of desperation, he turns to a mysterious scroll he found which contains a love spell which he hope to grant his wish to get a girlfriend.

But he did not realize that it's actually a forbidden spell to break free a Yokai who was imprisoned in the past by Samurai. In the beginning, it was fun and games, as they get into a chaotic relationship until a Samurai from the past appears to hunt her.

It gets worse when the Yokai detects the presence of the descendants of the Samurai who killed her family and imprisoned her in the past that she began her quest of vengeance, not knowing that the leader of the Samurai himself has returned.

It's a surprisingly good series that I binged watch it over the weekend! It's one of those shows where you do not judge by its plot which I thought to be a cheesy romance comedy (although it is like that in the beginning) but it takes a serious turn along the way.

It's a good mix of comedy and seriousness, the comedy aspect is where the Yokai struggles to figure out everything modern as the student's friends and family got involved in their shenanigans. The serious aspect is when the killing starts and the police gets involved.

The vibes and action scenes reminds me of House of Ninjas, and the cinematography and sceneries are just beautiful to watch. Like House of Ninjas, there will definitely be a second season! If you like those "time travel" fantasy genre, this one is for you!

[smeraldopookie]

[afabstract]

Happy of the End Review: Love, Trauma, and Despair Collide

Happy of the End is a dark drama that explores a tumultuous relationship between two broken men, Chihiro and Keito. With themes of trauma, abuse, and survival, this noir-like series offers a grim, complex take on love and despair.

Sneha Jaiswal (Twitter | Instagram) “I want to die” Those are probably not the first words you’d expect to hear after a kiss. But, well, the Japanese series Happy of the End isn’t your typical romantic drama either. Kashiwagi Chihiro is young, beautiful, penniless, disowned by his family for being gay, and thrown to the streets by his latest lover for being unfaithful. One day, at a bar, he…

[pillarboxed]

Look Back (2024) Review

Director: Kiyotaka Oshiyama

Runtime: 58 minutes

Language: Japanese audio; English and Mandarin subtitles

Certification: PG (Singapore), P12 (Malaysia)

Via @lookback_anime on X

Look Back (2024) is an anime film that faithfully adapts Tatsuki Fujimoto’s one-shot manga of the same name. If the adaptation had been even more faithful by treating the manga as the final storyboards, the barely one-hour runtime would probably have been even shorter. However, writer-director Kiyotaka Oshiyama makes tweaks and additions that increase the runtime and the emotions.

Look Back follows two girls, Fujino and Kyomoto, as they grow up pursuing their artistic ambitions. But when a horrific tragedy strikes them, Fujino is forced to reflect on why she even draws in the first place.

The changes Oshiyama has made really work in his favour. After watching the film, I read the manga, and I’m glad he expanded on its contents—especially the scene in which Fujino skips through paddy fields in the pouring rain. Before this, Fujino had decided to give up on drawing because she felt like no matter how much effort she put in, she couldn’t get better than Kyomoto, her truant schoolmate. Discouragement from her older sister and a friend gets to Fujino too. When she finally meets her “rival”, however, Kyomoto exclaims that she’s a fan, asks for an autograph, and declares Fujino a manga genius. During their interaction, Fujino seems like she doesn’t really want to be doing this, but when she leaves, she can’t help but succumb to her excitement. While the manga uses a two-page spread to emphasise the moment of Fujino skipping through those paddy fields, the film gives us a lot more time.

We start with an aerial shot looking at Fujino as a tiny dot moving along a path that cuts through silvery pools of water. The camera smoothly moves down and pushes close to her from behind, revealing that she isn’t lightly skipping but very forcefully driving her arms and knees up. When we get to see her face, she has such an intense expression: her brow is scrunched up and her lips are pouting. I wouldn’t call this a look of joy. Still, she leans to the side and sweeps her arm through a furrow, sending water splashing out. She keeps skipping towards the camera and us all the while. My guess is that more than joy, she feels vindicated. Asked about scenes he’s “particularly happy with” in an interview with Anime News Network (ANN), Oshiyama points out this one. With its energy—and that wonderful juxtaposition between Fujino’s facial expression and body language—this is my favourite scene of the film. I love it.

I’ve mentioned that I’m not keen on melodrama in previous reviews. However, I’ve come to realise that exaggerating emotions can often work really well in animation, including in Look Back, with the film being more sentimental than the manga. And yes, I do like the anime better.

In that same ANN interview, Oshiyama points to the montages of Fujino hunched over her desk while “the scenery outside the window [changes]” as visuals that “accurately represent the emotional difficulties of being a creator���. Although I prefer the anime overall, I have to say that I relate more to how the manga portrays this struggle.

When we first meet Fujino as a professional manga artist in the film, we get a montage of her working at her desk, with the images changing drastically. The scenery outside changes with the seasons, her hair grows from short to long, and the actual office she’s in changes. On the other hand, the manga gives us five panels which all look almost the same. The seasons outside don’t change. The location doesn’t change. What changes are the position of her body and the angle of her drawing tablet. They’re subtle changes. Unlike the film, this portrayal is not romantic. It’s monotonous. Based on my own experiences of creating, this depiction feels more real.

Via @lookback_anime on X

“I guess you could say, on some level, [Look Back is] meant to be an affirmation for creators like us,” Oshiyama says, in response to a question about the film’s messages. “So, my hope is that by showing characters pouring themselves into working hard to create something, people will appreciate that hard work is still meaningful.”

Now that I’ve graduated university, I’ve spent a lot of time writing. So, it seems like I’m often just sitting and staring at my laptop screen. I frequently think, “What am I doing?” Though I do prefer the film as a whole, it’s those monotonous manga panels of Fujino hunkered down over her desk that have comforted me. But it’s the film that led me to reading the manga.

Rating: 4/5

Look Back is currently showing in Singapore.

Last updated: Oct 14, 2024

[tinyreviews]

Tiny Review: Monster 2023. Excellent writing. Must Watch!

I am so mad at this movie. Because the marketing(title, poster, logline) grossly misrepresented the genre and story. Look at the poster. You’d think it’s some kinda horror, or a story with a horrible reveal or ending. It’s none of that.

I put off watching this because I thought there would be gore or children harmed or children being the villains or something like that.

In actuality, it’s a damn good piece of writing, an excellent puzzle even. A human puzzle that we get to piece together in realtime. What a feat! MUST WATCH!

Monster (Japanese: 怪物, romanized: Kaibutsu) is a 2023 Japanese psychological dramatic mystery thriller film directed and edited by Hirokazu Kore-eda from a screenplay written by Yuji Sakamoto. It stars Sakura Andō. The film was the last scoring project by Ryuichi Sakamoto, who died two months before its release; the film is dedicated to his memory.

[tobeornottotc]

The date is my favourite part of the episode (well everything is tbh) but the way Kiyoi is secretly smiling in his head about how good his man looks, and Hira just doesn’t see it because of years of internalised self hate and self depreciation because of how the world treated him.

Hira feels seen and safe by Kiyoi from the start it’s what he clinged to along with his beauty it was the catalyst in him the drive to make him want to stay alive and actually enjoy it, he finally found hope in the depths of his despair and yet we see he still is blind to himself.

Because that hate and pain don’t go away when it comes to how low he he feels. That love that should be poured on himself he gives it all to Kiyoi and that love then is poured onto him by Kiyoi in return who also wanted someone to love him whole heartedly. 

People have no idea what they do to me, how perfect they fit for each other in this world that feels unsafe and unstable to them, they are each other’s safe zones, comfort, places to feel seen, allowed to be free, and allowed to cling onto something stable that grounds them, uplifts them and gives them joy to do life everyday. For 2 Years that’s all they saw in each other, and I’m so happy to have them back. 

[vivianstravelblog]

Asian Drama Review: My Personal Weatherman

~ Spoiler-Free Japanese Drama Review: “My Personal Weatherman” 体感予報 (2023) ~ REVIEW I saw a clip of “My Personal Weatherman” on my Instagram feed and noticed a domineering lead in a visibly toxic relationship – I responded with sign me the fuck up. As I mentioned in a previous review, I currently have a Viki account and was ecstatic to find it available there. Plus, I didn’t know that the final…

[captaingimpy]

13 Assassins (2011) Review: A Modern Masterpiece in Samurai Cinema

13 Assassins, directed by Takashi Miike, is an electrifying revival of the samurai film genre. It stands as a modern counterpart to classics like Kurosawa’s Seven Samurai, blending reverence for tradition with a willingness to push boundaries. Miike’s direction is as precise as it is chaotic, delivering a film that speaks to the soul of the samurai ethos while challenging our understanding of…

[nyasialiveshere]

Fav dramas review : Heaven's Coin

Idk how to explain the ways I love old japanese dramas, but it's truly something occasionally and randomly I want to talk about. Hardly anyone has reviewed, recapped or discussed some of my favorite stuff in the media, but... I just feel that if only one person who never heard about it or hasn' t watched it in years can learn about a beautiful piece of work. Isn't that what art is all about. Countless times I've picked up albums that never charted or flew under the radar, but somehow it was either the best thing I'd listened to in years or spoke to me so deeply and directly, I was like I'm so glad nobody ever picked up this thing. I'm so glad it collected dust for years in a bookstore or comic shop cause if not then I'd probably never find it.

Especially in the internet age where due to how for profit everything has become it's no longer easy to find out about things that are no longer for sale or that have been locked in a vault so to speak. Jdrama's was a booming industry. Japan had dominated asian cinema for a long time since the 1950s possibly even before. They are master storytellers and love tucking in messages of morals all throughout the story even if the story is presented in an amoral way.

They make it clear that even though the villain isn't ever going to be truly punished and the hero might suffer more than they ever will. Right and wrong is so obvious even a child could understand it.

p.s this review is very bias

Main characters Takumi, Aya and Shuichi (with his annoying self)

That is where Heaven's Coin come in. Loosely based off of a German fairy tale of a girl who gives away all of her coins to everyone until she is left with nothing but later given the stars in return.

First off this is taking place in the 90s the pinnacle of Dramas putting disabled characters in the forefront of television. To americans this is no big deal because we see in comparasion a lot of diversity in television. But in Japan and Asia due to discrimination it is considered taboo and a lot of time disabled characters were often not shown or ignored.

The main character Aya is amazing and is the strength of the entire show. She is shown as smart, crafty and able to think her way around situations where people underestimate her. She was extremely well written and not made into a stereotype at all. Women in this show surprisingly are not cliche like you would assume coming from a conservative country like Japan. They all have a distinct personality and go toe to toe with the male character. Not like you would see in modern shows where women are kind of masculinized in order to seem tougher than men, nor like when women catch temper tantrums to get what they want. In fact the female characters seem more level headed and it's the male characters that are more irrational and emotional. Usually acting in their own selfish interest leaving the women to pick up the pieces and figure out how to go on. Aya was abandoned as a child and had to learn how to survive through being very perceptive to emotions, facial expressions and reading lips. She doesn't let people get in her way, but has a soft heart and puts other people before her self in pretty much every situation.

I fell in love with the character after realizing she was always sacrificing herself for others even in situations where she didn't know what was going on. I don't wanna say the character was made with a feminist lens in mind, but I do think the use of female characters in the show is multifaceted. The males have more power, but the women have more strength if that makes sense.

Shuichi is nice overall, but to me he taught me that kindness and weakness is the worst combo one can have. To me his inability to make a decision always ended up hurting those who he loved most. He was selfish and with his desire to always be the good guy and seem impartial he caused destruction everywhere he went. He never stuck to anything he said and was always going back and forth trying to have it all. I believe that concerning the love triangle he was only there to keep confusing Aya. What I mean is he only went to the small country village Aya lived to mess with his father, a big city doctor, who wanted his son to take his place. Then later on when back in the city he becomes engaged to a rich heiress breaking Aya's heart.

I understand he lost his memory and everything, but the reality is he should of taken the woman he loved with him. Getting confused and falling in love with someone else is a curveball. But he should of been a man and confessed his plans to his family instead of keeping it all hidden. That right there shows that he was ashamed. Aya sadly due to believing she would never find anyone who loved her passionately fell for Shuichi because she believed he was the first and only person who would ever love and care for her, so she should take what she can get. Even after everything was settled Shuichi still couldn't be a man and do what he needed to do for Aya. But in the end Aya was abandoned as a child so she was used to being ignored and avoided. So Shuichi's lame I'll love you from afar style worked for her because it was what she was used to. Anyway personally he gets on my nerves a bit and should have left Aya alone after he got his memory back.

Last but not least, Takumi. Portrayed as the loyal son to Shuichi's prodigal son......or vice versa. He is the one who stayed in the family and did as his parents desired. He is all the more screwed up for it to. Not only is he a playboy with mother wounds, he also has dad issues. He's shown as a screwed up hopeless individual. He's emotionally volatile and takes his anger out on anyone in his way. He is also shown as the one who tries to get in the way of Aya and Shuichi's true love. He falls in instalove with Aya and immediately becomes semi obsessed with her and stops his playboy antics and even becomes more mature and sensitive for her. Believing she is an innocent woman and can redeem him. He obviously thinks she will never have any opportunities with other men, so she is stuck with him so to speak. It seems he likes that idea very much. But when he finds out his brother is her true object of affection he snaps and turns violent on both Aya and his brother. Now saying all that it might seem like the show would end there and he'd be gotten rid of like any villain but no. Despite his outburst and violence he is almost shown to be the true hero of the show. Falling deeper and deeper in love with Aya the more he becomes aware of her affection for his brother. It may be related to his insecurity about his father loving his brother more than he loved him and wanting to beat his brother. Or remembering that he never got the sweet affection from his mother as a child and wants it from Aya. It's hard to say

The show is emotionally complex and even though I hate medical drama's typically; I couldn't help but love this show. It was interesting, emotional and had a very human vibe to it.

Aya and Takumi were the most interesting because usually it's the woman in a movie or show that wants to change herself for a guy but here it's reversed. It's Takumi who behaves more like a girl with a crush concerning Aya and works hard to both communicate with her but also win her love. It's problematic, but I can see where the writers were coming from. It's supposed to be off putting and conflicting. Shuichi was quiet and reserved and Takumi was brash and loud, but in the end Shuichi ended up hurting more people with his inaction than Takumi did with his hands.

It's from an era where writers took a bit more chances with daring storytelling...7/10 it's a short show but it's so interesting and has rewatch potential. The actors played the heck out of the characters to the point where it really felt natural.

Also yes it is on available in different places on the int. There is a third season that I have never found, it looks very tropical lmao but I doubt it takes place on the beach they just did it to look cool I think. No idea where this one is but can they please film more drama's like this it looks so Blue Lagoon (I watched it on tv when I was 15 in 2015ish idk on cable and the film style is like better than they do today there's a lifetime remake but its not very good) but anyway it looks great but impossible to find.

[ogradyfilm]

Recently Viewed: The First Slam Dunk

This one was kind of a cheat. The Japan Cuts screening of The First Slam Dunk sold out almost immediately after tickets became available to the public. That’s hardly surprising: it’s an adaptation of a beloved manga series, the popularity of which rivals Dragon Ball both in its native country and abroad. Fortunately, the venerable GKIDS had already acquired the foreign distribution rights, so I was able to catch it at AMC tonight. I’ll just pretend that I saw it at the festival…

Regardless of the venue, the film is a spectacular sports drama, depicting basketball with an immersive intensity reminiscent of Raging Bull’s approach to boxing. The animation, which borders on naturalistic without sacrificing the exaggerated expressionism that makes cartoons so universally appealing, emphasizes such minute details as glistening beads of sweat, the folds and wrinkles in the fabric of the uniforms, and the rough texture of the ball—tactile sensations that make the audience participants in the action, rather than passive observers. The conflict isn’t merely physical, however; through editing, voiceover narration, and a nonlinear narrative structure that offers brief glimpses of the characters’ backstories and motivations, director Takehiko Inoue delves into the psychology of the game. Slow-motion, for example, extends crucial seconds to excruciatingly tense minutes. At the opposite end of the spectrum, the players occasionally move with such speed and desperation that they appear to outrun color, sound, and even the very medium, literally unraveling into sketchy line art.

In terms of its plot, The First Slam Dunk is a fairly traditional underdog story—and that familiarity doesn’t diminish its quality in the slightest. Deliciously suspenseful, emotionally engrossing, and inherently cinematic, the movie is a triumph of style and substance; it deserves every bit of the critical acclaim and commercial success that it’s earned.

[redsamuraiii]

Shiko Funjatta / Sumo Do, Sumo Don't (2022)

Such a great lighthearted and uplifting drama that makes you feel good when you're down. Been searching for this type of traditional sports or martial arts dramas like the Hollywood's Cobra Kai series.

Shiko Funjatta is a sequel to the original Sumo Do, Sumo Don't in the 90s. The show focus on the new and younger characters while featuring the original characters returning as "mentors".

I love that every character have their own character development, despite their own baggage of life which was pulling them down at the beginning which often prompts them to run away again.

A drifter, a recluse, a gym buff, a dancer, a salaryman, a runner, joins the Sumo Club headed by a loner. Seeing the chemistry and dynamics of these unique characters alone is intriguing to watch.

Sumo is something that you don't see often in films in terms of what it takes to be one and the rigorous training involved. For one I had no idea that you need to be flexible like Yoga to be in this sport.

[cherry2stems]

Hiiii

This is kinda a long shot but does anyone have experience translating for Viki or any other foreign language television streaming service? I’m working on a project for a final and I would like to interview someone and ask about your experience! Thank you for your time