#engage with your audience
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Sometimes the point of a story is to be very realistic in its portrayals of people and/or the world it is set in.
Other times, the point of a story is to be a power fantasy, or a nice black & white escapist fantasy, or a horny fantasy, or all sorts of other fantasies that provide people with a fun and cathartic break from reality and all its gray areas and unfortunate truths and overwhelming systemic power structures that leave us feeling helpless against faceless enemies we don't always know how to fight.
Sometimes, "this story is unrealistic," is the point.
Seek realism when it serves the story. Throw "realism" out the window when something else will serve your story better.
#writing advice#writing 101#creative writing#daily writing advice#a book is not a classroom#its purpose is not to teach objective truths#but to engage emotions from an audience that needs to feel what your story provides
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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there should be a ninjacon panel where 'experts' debate if fictional jutsu could be accomplished in real life or not
#the difference between tori and itachi is that#itachi will tell you your wrong at a much lower threshold of wrongness than tori#but he won't think it's worth telling you unless you're already engaging with him because he does not actually care#meanwhile tori is AT the audience questions mic#she IS ranting about something you don't understand#and she IS being very aggressive#the only reason she doesn't get escorted out is that she's 17 and the height of a large child#reborn au#toriverse#on the flip side imagine you are some schmuck ninja from like. hot water country#your village doesn't even exIST anymore#the only high rank jutsu you ever do is sometimes you use clones for cleaning#you make your living doing demeaning interviews as a ninja expert#and you look out into the audience. and the actual hatake kakashi there. watching#the next year he's with the. the actual hokage#what do you even do
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I've been seeing a bunch of people adding disclaimers to their billford posts clarifying that they have critical thinking skills about abuse and abusive relationships, and I 100% understand that impulse. When I first made this blog I added disclaimers like that onto nearly everything. But, if it makes the folks adding those disclaimers feel any better: after I stopped writing essays trying to prevent people from taking my billford posts in bad faith, absolutely no one got mad at me in my inbox or on any of my posts, and I've been posting about billford for years now. In my experience the majority of people who are uncomfy with this ship nowadays will simply block and move on. Some folks will disagree no matter how many disclaimers you add, and that's ok
#godsrambles#another thing i realized once i started engaging with this ship is that literally everyone who was still posting in the tag-#-DOES have an extremely nuanced understanding of their relationship and has plenty of critical thinking skills#i feel shitty for ever needing to have a realization about that in the first place tbh!#but i get that when youre surrounded by people saying 'ugh how can people not realize how awful it was in canon' you can get worried about-#-people assuming the same of you unless you loudly announce 'i have critical thinking skills i prommy:(' on every post#just wanted to say. hey. listen. its ok. its ok to join in wholeheartedly#the hypothetical no reading comprehension billford shippers youre worried about? practically nonexistent#youre also kinda shitting on the very people who would love to talk about their dynamic with you when you try to distance yourself from them#which i very much dont mean in a 'how dare you' kind of way#i just mean it in a 'ive been there and believe me youll be so much less stressed if you let yourself post for the audience-#-who will already assume good faith on your posts instead of posting for the audience who will most likely just block you anyway
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Can I hear more about the worm vs the boys please if you want to expand on it on tumblr? I love worm and I don’t really like the boys and I can't quite explain to myself why
Yea absolutely! Im sure there's some other Wormblr posts out there that go into this in more depth but I can paraphrase what I was saying to my friends.
We were mainly discussing the concept of "edginess" and excessive anger, violence, and shock value in media and I brought up Worm and The Boys as examples so that I could sort of warn my friend about the tone of Pact without directly spoiling anything. My main thesis is that Worm is incredibly super duper edgy, however it doesn't come across as nihilistic and misanthropic like The Boys does.
I feel as though too often The Boys is usually taking the stance of "well humans suck so if you gave humans superpowers they would find unique ways to suck and the only thing separating normal people from monsters is power. So no one should have power" which I don't inherently disagree with to an extent. It's an exaggerated critique of capitalism and celebrity. But it's also such a gross way to look at humans/the nature of humanity.
Contrast with Worm that says "bad people with superpowers will use their powers to do uniquely horrible things. But good people with superpowers will also be out there doing uniquely and incredibly good things for the benefit of humanity. Every human as the potential for abhorrent cruelty. But it is just as true that those same humans all have the potential to do good."
I think it's really important that the two final and most major antagonists in Worm are motivated by nihilism and hatred of humans. Jack Slash and Scion both have the philosophy of "Humans are cruel. The parts of humanity that are good are losing out to cruelty. Why try and fight it. It's easier to just kill everyone". Contrast Taylor who, I'm 99% sure, never for a second questions if humanity is worth saving. Everyone around her in Gold Morning says "there's nothing we can do so we should at least die happy" and Taylor says "I cannot die happy unless I spend every second of my last day fighting for the miniscule chance to save humanity from extinction". Taylor and the fucking insane lengths she will go to save humans when she doesn't even like them all that much is the heart of Worm. (And like don't get me wrong worm is also about Taylor fucking failing to not partake in human cruelty at basically every opportunity. Quite possibly the worst anyone's ever done it. But that doesn't change the fact that she is trying and in the doing is pushing the audience to try as well)
And on the other hand I think the attitude of The Boys kind of just IS Jack Slashs. I honestly cannot even fathom what the take away is meant to be beyond "people are fuuucked up dude". If I wanted to be especially cruel I would say that I think a large majority of fan base for The Boys was generated on the basis of shock value and the incredibly strong performances from the cast. It's easy to get in to season 1 because it presents a horrible world with no redeeming qualities but you can assume in later seasons "they're gonna figure it out! Good will win out! Or at least good will lose for reasons that connect with the audience and make it a tragedy" but three seasons later theyre floundering to find a message and a reason people should care about the world and it's characters.
At the end of the day TLDR I think worm works because it has something to say and uses edge to support the thesis. The Boys exists more as a framework to explore cruelty in fiction and I just don't think it has a lot to say outside of that.
#theres other things too#like i think worm is better at balancing the gore with lighter moments#and watching the boys feels more like youre being held hostage in a nonstop trauma conga line#we could also get into the politics and how worm is actually willing to engage with critiques of systems as a whole#but The Boys genius critique of american capitalism is just 'would work better if we put good people in charge instead of bad people'#I could also go on about how the first person perspective and taylor being entirely unreliable encouraged audience participation#Worm asks us to see taylors point of view and decide on our own if we agree#you can watch The Boys with all of zero introspection#you could just say Wow Those People Are Bad and never have to wonder if you could ever reach a point where you did the same things#but im not sure i could organize any of my other thoughts into anything coherent so this is all i got for now
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Me-typical niche complaint here but I notice with a lot of historical fiction/fantasy settings by Indie Queer Creators, if they engage with the concept of sex work at all via their protagonists hiring sex workers it VERY OFTEN goes either like 'they actually just hire them to hang out (no sex) and everyone at their local brothel loves them' or 'they're actually SOOO nice and so good at fucking that everyone at their local brothel loves them' and it's just like. I don't know if there's something actually questionable about this and what it says about the author's perception of sex work that I'm failing to articulate or if it's just corny as fuck but man I hate it
#It's like simultaneously not wanting to engage with the often ugly reality of sex work in the historical context but also lampshading it#by having your protagonist be like an outstandingly good client/some warped ideal of 'morally pure'#Not suggesting you have to do the exact reverse and make it a horrific situation I just kind of want to see situations that are#utterly banal where your protagonist is one of dozens of clients that a worker has sex with because that is their job.#Probably not all that significant to them.#You can still use that framework to explore whatever you're trying to explore by including it to begin#Like if they're grappling with loneliness or exploring their sexuality or whatever the fuck#without tripping over yourself to make sure your audience knows your character is one of the Good Ones#It can just be like. Morally neutral
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It was quite worrying walking down the main shopping streets of my city during pride and seeing that barely any of them have any pride flags or anything in the window. Rainbow capitalism will not save us but it is so unnerving when even last year most shops had some kind of bunting in the window and this year it was only three or four. Like idk it feels emblematic of a worsening or idk souring attitude towards queer people that is definitely influenced by rampant transphobia in the uk. Which is why it’s so upsetting when cis queer people join in on transphobia in hopes of distancing themselves from the current social and political undesirability of transness.
#idk idk it just makes me nervous when businesses won’t even trot out a bit of rainbow bunting for one day#like I don’t need McDonald’s to pretend to love gay people but it really does feel like showing support of lgbt people is now seen as a#liability rather than profitable#and I think that that’s ultimately a step back?#idk there’s been a lot of Christian proselytising in town that has been really like gathering audiences and engaging people when most people#used to ignore it and walk right past it and it all just feels a little bit scary#when i say Christian proselytising i mean explicitly homophobic Christian proselytising#which also just sucks to have to hear on your way to work.#I’m a fucking person not a sign of the end times#anyway I had a good time and my city’s pride is quite small and very sweet and it was a good day but like. uh oh.#this has all been said before and better by other people
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This is going to sound really weird, I know, but I seriously feel like there's a number of like, British communists who desperately wish they were Eastern European??? Like they think that by being into political side of communism (usually not the kind that existed in Eastern Europe), they can be chummy with people who actually grew up in Eastern Europe and were raised with the communist era somewhere in the background their whole life, usually without knowing the nitty gritty of theory but with a lot of cultural herritage from that time...
Like no, there's a big difference between being British, being raised in British culture, with cultural institutions, history, traditions, then getting into communist theory and just assuming that you know everything about life in communist Eastern Europe, and then pulling a "how do you do fellow commies" to people from Eastern Europe whose associations with communism are much different, and they will see you as detached and insensitive at best.
#hatter blathers#ive seen a lot of people like that in the de fandom#and yes this post was inspired by a certain indie game that has been making rounds recently#like... you make a game thats so clearly inspired by de. you clearly want to establish a similar tone in your world#but you cant. because youre trying to make it into a reflection of the uk.#i dont know. its just kinda killing me. i dont know whats more outrageous#a de styled game having a landlord or a gender clinic. both of these things just clash so hard with what i associate with des tone#and from what i can see the tone is all flipped#des world is grimy and poor and has a ton of issues but the overall tone is very hopeful id say#because the world parellels harry: he sucked and was awful but he has a ton of potential and can turn for the better#while in this game the overall tone is everything is shit and theres no hope in anything#and like... again. the author can do whatever they want. but the game is so heavily inspired by de that its impossible to not compare#this whole game feels like a terminally online british communist who marinated their brain in leftist online spaces played de#and all they got out of it is WOW this game has based communism AND a funny failure man as a protag??? and nothing else beside it#again. its great if you love the game. im sure that the creators put a lot of love and passion into it and have a desire to show something#important to them#i just dont think its that good. the writing is corny and too reliant on le internet funnyspeak#and they take a blatant inspiration from de without seemingly understanding what made the game engaging and so moving#plus its taking a sucessful eastern european story and world and forcefully twisting it to fit the british mold while neutering#its very essence#so you can probably see why im not very stoked on it#but again i just dont think im the target audience for it. if you liked it then thats great
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Yknow, pvp civ is actually pretty damn good when evbo isn't making meta/fourth wall breaking jokes every minute and pissing me off
#uzuyaps#Another thing was ofc evbo being annoying and weird abt wanting tabi to be his girlfriend but that bit is thankfully over!#Tbh I actually laughed out loud at the joke abt evbo talking abt his relationship woes in the recording he accidentally sent to parrot#And not wanting him to see. For some reason the way he said it was so funny to me 😭#And I'm giving evbo the benefit of the doubt and saying he's probably going for a similar thing w/ all the meta stuff#That joke abt him not doing actual internal monologue/narration and him just talking out loud.. that joke abt his videos being personal#and him not wanting anyone else to see UNLESS theyre a hypothetical audience of thousands!! 🤑🤑#And stuff like that makes me feel like hes Setting Up Something#But idk#The thing is evbo is really good at setting up a story and getting you engaged when he wants to. But it's kinda ruined by the need to#Constantly make references about that stupid guard room and how lazy he is for not having designed it yet 😝 like SHUT UP I DONT CARE!!!#ABOUT THE STUPID ROOM!!!!!!!!! IM TRYING TO GET INVESTED IN YOUR WORLD!!!!#BUT BECAUSE YOU FEEL THE CONSTANT NEED TO POINT OUT THE WAYS IT ISNT REAL I CANT!!!^@/@/+:2>+<!%^!;!
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okay so. kind of a weird thing. i just finished the dp&w making of, which was reasonably fun but pretty missable, and right as it finished i realized that shawn and ryan ALWAYS used "deadpool" to refer to the character. never his name. i mean maybe once or twice that i forgot but virtually never. they and hugh did say logan and wolverine about 40/60, but honestly that still feels weird to me coming from a fandom context. and, idk. there's a gap there. it feels emblematic of the gap between the people who get to make this kind of movie (cis white men), and the people who don't (us, for the most part). and how what they see as the most important elements of the story and characters are fundamentally out of alignment with what we want. there's a lot of overlap, which is why we're drawn to this stuff in the first place, but it's never going to actually line up. idk it's pretty disheartening but we carry on i suppose.
#deadpool and wolverine#turns out the Slash Fan Experience gets more and more uncomfortable as queerness becomes more and more tantalizingly possible#(but never actually reached)#like in 2000 it was like. well obviously they're not going to have the male hero and his best friend kiss onscreen#obviously they didn't mean to tell that story. but we found it so we can have fun playing with it and making it ours.#but in 2024 it feels more like chasing the carrot tied to your head#deadpool#(YES i know there are lots of movies with queer people in them now. im talking about This Kind of Movie.)#(big budget. engages directly with the cultural mythos. aimed at a large audience. fun and easy to engage with.)#(the stuff that attracts fandoms)#(and the stuff that i tbqh LIKE. i like slick glossy expensive movies with great acting and fun characters)#(that are easy to watch but reward a second viewing)#(and i love characters with a cultural history that by all rights should be public domain at this point)#(like. i fucking despise the MCU but i loved it at first bc it was My Kind Of Thing so exactly)
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showing up to anti-zionist community rosh hashanah services tonight like "hello i am ready to weep & maybe do some arson. does anybody want to burn anything down"
#i am tired i am sad i am terrified#i am also having some big feelings about online leftist tactics of guilt/shame/condescension when speaking to their own base/potential base#i am constantly overwhelmed constantly feeling helpless i do NOT actually need to be told i am not feeling guilty enough#or i'm never doing enough. that i owe everything always including relentless emotional attention to global atrocities#because traumatizing yourself with a 24/7 feed of death & disaster is activism and/or penance for the crime of living in the imperial core#please fucking learn how to motivate & engage people via shared empowerment#get the words mutual aid out of your fucking mouth unless you are ready to actually build supportive coalitions#if all you want to do is yell & shame people into donating to something that is not mutual aid. it's charity#it positions your audience as powerful & owing money out of pity/guilt to an underclass#which is whatever. people in crisis just need money to survive. but stop pretending you're doing revolutionary politics#if you can't be assed to treat people like comrades
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I'm dead bored at work rn ( stuck holding the doors open for x hours while the building is evacuated due to unidentified smoke don't worry about it), what are some of y'all favorite submissions from this blog's 4000+ (wow!) backlog?
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Any advice for when the audience is not suitable for created content? In specific for when there are clearly too young but engage rather vigerously.
my grandad used to say that a problem without solution is already solved. now come sit in the backyard with me
#dear friend. if youre a (ugh) content creator you simply cannot control how the audience is gonna engage with your material#the kids will lie about their ages and engage with it regardless of your pleading#i did it and im sure you did it as well#the only thing you can do is keep creating#best wishes#tessa answers!
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I'll never in a million years understand the whole "x fandom/shipper dni" because... someone who likes a ship or media you don't like engaging with your posts isn't gonna make that magically appear on your dash? And it also won't make all the fans of that thing suddenly flock to your blog/account?
For instance, I don't like Drawn Together. No shade to fans but the humor is a little too crude for me and the most annoying guy I ever met irl never shut up about how it was the best cartoon in the world so it really soured my opinion on the show as a whole.
But if DT's #1 fan found my blog and started spam liking/reblogging stuff from me it would literally change nothing in my life? Even if they start following nothing will change. They'll keep posting their DT stuff and I'll be none the wiser because it's in THEIR blog. Unless I'm following them back I'm not seeing their content on my dash.
I understand dni's when it's racists or transphobes or whatever because a blog is a very personal thing and the danger of a personal post reaching bad people is very real if you allow these people to start spreading your posts to their circle.
But someone liking a fandom/ship? Even if it's the most annoying fandom in the world, usually they are annoying among themselves! A random Homestuck blog isn't gonna go to a random Genshin blog and go "Hey by the way" just because of a liked/shared post.
#and honestly vetting fans of things to engage with you is gonna limit your audience SO MUCH#using the term audience for the lack of a better term#and specially becauseI see a lot of artists doing that#like gurl you really cutting the reach of your art in half by doing that!#this post brought to you by: someone I blocked with 15+ fandoms in their dni
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