#engage with your audience

[rinkisaha123]

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[cavilsoft]

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[write-to-tell-your-story]

Sometimes the point of a story is to be very realistic in its portrayals of people and/or the world it is set in.

Other times, the point of a story is to be a power fantasy, or a nice black & white escapist fantasy, or a horny fantasy, or all sorts of other fantasies that provide people with a fun and cathartic break from reality and all its gray areas and unfortunate truths and overwhelming systemic power structures that leave us feeling helpless against faceless enemies we don't always know how to fight.

Sometimes, "this story is unrealistic," is the point.

Seek realism when it serves the story. Throw "realism" out the window when something else will serve your story better.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[mixelation]

there should be a ninjacon panel where 'experts' debate if fictional jutsu could be accomplished in real life or not

[godsfavoritescientist]

I've been seeing a bunch of people adding disclaimers to their billford posts clarifying that they have critical thinking skills about abuse and abusive relationships, and I 100% understand that impulse. When I first made this blog I added disclaimers like that onto nearly everything. But, if it makes the folks adding those disclaimers feel any better: after I stopped writing essays trying to prevent people from taking my billford posts in bad faith, absolutely no one got mad at me in my inbox or on any of my posts, and I've been posting about billford for years now. In my experience the majority of people who are uncomfy with this ship nowadays will simply block and move on. Some folks will disagree no matter how many disclaimers you add, and that's ok

[felonytaxevasion]

Can I hear more about the worm vs the boys please if you want to expand on it on tumblr? I love worm and I don’t really like the boys and I can't quite explain to myself why

Yea absolutely! Im sure there's some other Wormblr posts out there that go into this in more depth but I can paraphrase what I was saying to my friends.

We were mainly discussing the concept of "edginess" and excessive anger, violence, and shock value in media and I brought up Worm and The Boys as examples so that I could sort of warn my friend about the tone of Pact without directly spoiling anything. My main thesis is that Worm is incredibly super duper edgy, however it doesn't come across as nihilistic and misanthropic like The Boys does.

I feel as though too often The Boys is usually taking the stance of "well humans suck so if you gave humans superpowers they would find unique ways to suck and the only thing separating normal people from monsters is power. So no one should have power" which I don't inherently disagree with to an extent. It's an exaggerated critique of capitalism and celebrity. But it's also such a gross way to look at humans/the nature of humanity.

Contrast with Worm that says "bad people with superpowers will use their powers to do uniquely horrible things. But good people with superpowers will also be out there doing uniquely and incredibly good things for the benefit of humanity. Every human as the potential for abhorrent cruelty. But it is just as true that those same humans all have the potential to do good."

I think it's really important that the two final and most major antagonists in Worm are motivated by nihilism and hatred of humans. Jack Slash and Scion both have the philosophy of "Humans are cruel. The parts of humanity that are good are losing out to cruelty. Why try and fight it. It's easier to just kill everyone". Contrast Taylor who, I'm 99% sure, never for a second questions if humanity is worth saving. Everyone around her in Gold Morning says "there's nothing we can do so we should at least die happy" and Taylor says "I cannot die happy unless I spend every second of my last day fighting for the miniscule chance to save humanity from extinction". Taylor and the fucking insane lengths she will go to save humans when she doesn't even like them all that much is the heart of Worm. (And like don't get me wrong worm is also about Taylor fucking failing to not partake in human cruelty at basically every opportunity. Quite possibly the worst anyone's ever done it. But that doesn't change the fact that she is trying and in the doing is pushing the audience to try as well)

And on the other hand I think the attitude of The Boys kind of just IS Jack Slashs. I honestly cannot even fathom what the take away is meant to be beyond "people are fuuucked up dude". If I wanted to be especially cruel I would say that I think a large majority of fan base for The Boys was generated on the basis of shock value and the incredibly strong performances from the cast. It's easy to get in to season 1 because it presents a horrible world with no redeeming qualities but you can assume in later seasons "they're gonna figure it out! Good will win out! Or at least good will lose for reasons that connect with the audience and make it a tragedy" but three seasons later theyre floundering to find a message and a reason people should care about the world and it's characters.

At the end of the day TLDR I think worm works because it has something to say and uses edge to support the thesis. The Boys exists more as a framework to explore cruelty in fiction and I just don't think it has a lot to say outside of that.

[toxicanonymity]

[some-stars]

okay so. kind of a weird thing. i just finished the dp&w making of, which was reasonably fun but pretty missable, and right as it finished i realized that shawn and ryan ALWAYS used "deadpool" to refer to the character. never his name. i mean maybe once or twice that i forgot but virtually never. they and hugh did say logan and wolverine about 40/60, but honestly that still feels weird to me coming from a fandom context. and, idk. there's a gap there. it feels emblematic of the gap between the people who get to make this kind of movie (cis white men), and the people who don't (us, for the most part). and how what they see as the most important elements of the story and characters are fundamentally out of alignment with what we want. there's a lot of overlap, which is why we're drawn to this stuff in the first place, but it's never going to actually line up. idk it's pretty disheartening but we carry on i suppose.

[prolibytherium]

Me-typical niche complaint here but I notice with a lot of historical fiction/fantasy settings by Indie Queer Creators, if they engage with the concept of sex work at all via their protagonists hiring sex workers it VERY OFTEN goes either like 'they actually just hire them to hang out (no sex) and everyone at their local brothel loves them' or 'they're actually SOOO nice and so good at fucking that everyone at their local brothel loves them' and it's just like. I don't know if there's something actually questionable about this and what it says about the author's perception of sex work that I'm failing to articulate or if it's just corny as fuck but man I hate it

[lucydacusgirl]

It was quite worrying walking down the main shopping streets of my city during pride and seeing that barely any of them have any pride flags or anything in the window. Rainbow capitalism will not save us but it is so unnerving when even last year most shops had some kind of bunting in the window and this year it was only three or four. Like idk it feels emblematic of a worsening or idk souring attitude towards queer people that is definitely influenced by rampant transphobia in the uk. Which is why it’s so upsetting when cis queer people join in on transphobia in hopes of distancing themselves from the current social and political undesirability of transness.

[imadhatt3r]

This is going to sound really weird, I know, but I seriously feel like there's a number of like, British communists who desperately wish they were Eastern European??? Like they think that by being into political side of communism (usually not the kind that existed in Eastern Europe), they can be chummy with people who actually grew up in Eastern Europe and were raised with the communist era somewhere in the background their whole life, usually without knowing the nitty gritty of theory but with a lot of cultural herritage from that time...

Like no, there's a big difference between being British, being raised in British culture, with cultural institutions, history, traditions, then getting into communist theory and just assuming that you know everything about life in communist Eastern Europe, and then pulling a "how do you do fellow commies" to people from Eastern Europe whose associations with communism are much different, and they will see you as detached and insensitive at best.

[uzukali]

Yknow, pvp civ is actually pretty damn good when evbo isn't making meta/fourth wall breaking jokes every minute and pissing me off

[owlbelly]

showing up to anti-zionist community rosh hashanah services tonight like "hello i am ready to weep & maybe do some arson. does anybody want to burn anything down"

[dadrockconfessions]

I'm dead bored at work rn ( stuck holding the doors open for x hours while the building is evacuated due to unidentified smoke don't worry about it), what are some of y'all favorite submissions from this blog's 4000+ (wow!) backlog?

[mxwhore]

Any advice for when the audience is not suitable for created content? In specific for when there are clearly too young but engage rather vigerously.

my grandad used to say that a problem without solution is already solved. now come sit in the backyard with me