#ended up sappy

[turtletoria]

the krampus incident from the book of bill if it was out of character and stupid

[starflungwaddledee]

happy birthday. you are so, so loved

[ninakoll]

had the joy of taking part of @enstars-secret-santa this year and draw something with crazy:b for @starswallowingsea ✨ happy holidays!!!

[viminoo]

baberoe dancing sketches

[ruporas]

bound to want (part two) /// part one rest of pages under READ MORE after ID

[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.

It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."

Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.

A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.

A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.

A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.

A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."

"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.

If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."

Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.

"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."

A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.

The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.

The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.

Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."

With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.

"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.

This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."

The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.

Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."

In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."

The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.

The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...

That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."

The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]

[yukiire]

the hell marine festival event and power couple card still have my heart, shoulder and neck

[edwardbabygirlteach]

I’ll always find you.

As pirates.

As creatures of the night.

As life long friends.

I promise that I’ll always find you, in any reality.

[sysig]

Caughtcha, gotcha, not letting go ♥ (Patreon)

[marimayscarlett]

The year 2024 is coming to an end... and I can say it has been a wonderful year in this fandom 🤍

After last year, I did not expect that we could experience and witness such a carefree year and amazing tour of the band, and I am incredibly happy and grateful for it. Rammstein brings me so much joy, and watching some recordings from this year's tour today fills me with such a warm and nostalgic feeling – it was simply magical.

I'm so thankful for this band, and especially for this community here. So open, warm-hearted, and accepting, it's a joy to be a part of it. Have a wonderful New Year's Eve and a good start into the new year 🤍

[personthattoleratesme]

Phil having fun making a video so he immediately wants to do it again with Dan that’s such married behavior I can’t do this anymore

[satsuha]

octopath traveler 2 is my favourite game of all time... i love the characters and the world and the story and the art and the music and how every part of the game is made with love and care. i love that it feels like the culmination of all of team asano's previous projects, with its core coming from octopath traveler while their advancements in hd-2d from the isometric camera angles from triangle strategy and the more varied character animations in live a live remake also work to elevate the style of octopath 2. i also feel little touches of the bravely series here and there from the unique character outfits to the "fourth wall breaking" moments such as the loading screen changing throughout your game and moments where gameplay functions like boost are out of your control (hikari's last challenge scene).

i love that every protagonist has a unique voiceline for every reaction to every other protagonist, and that characters who can summon npcs even react uniquely to their own story's major npcs. protagonists get their own unique spin on practically every skill voiceline, even down to something as miniscule as ochette not being able to pronounce hp thief properly (in japanese). every interactable npc has a unique line for each success and/or failure of a path action, showing how that npc would react to each particular traveler. i love that all of the protagonists have unique run animations that perfectly match their characters, alongside their already unique idle/damaged/victory/level-up poses.

i love that the team came up with a unique alphabet for solistia, even coming up with different variants for toto'haha and hinoeuma despite them never being used in-game aside from text on character portraits. i love that yasunori nishiki (composer) is so invested in the series that he personally requests precise moments in the story where certain songs play, and that he has personally taken the time to write out his thoughts on every piece of ost (and had it translated to english!) for fans to enjoy. i think it's incredibly sweet how much he likes agnea and how everyone on the team agreed that it made perfect sense for her to be the only one with a unique final boss theme and with the last scene in the game also being shown in the first scene of her story, i think it's a beautiful showing of just how much music and what agnea represents means to the game.

i love how it stayed true to its roots, taking everything i loved from the original octopath game and improving it and adding things i didn't even know i wanted. i've seen plenty of criticism and have a handful of my own but honestly when i boot up the game and hear the main theme swell again i feel like it doesn't even matter anymore... this game is just so special to me.

happy second anniversary, octopath traveler 2. here's to many more!

[orokay]

My (hopefully) last batch of large ko-fis for a while!

I had an interview for the paid training opportunity through ovr on Thursday so I'm waiting to hear back from them to know for sure, but regardless of if I get it or not, I'm going to be taking a much needed break from larger ko-fis to recuperate and draw for myself. In the meantime I'm going to keep mini's open, so if you're interested in supporting me until I (fingers crossed) start this new job in February, please check out my commissions page on ko-fi! I’m currently unemployed! If you’d like to help me out you can buy a mini or donate to my ko-fi! Thank you so much for all of your support!🌺

I don't want this to turn into a novel, so I'll try keep this brief, but I want to thank you guys from the bottom of my heart for supporting me through this period of my life. It's been a really rocky road, but I don't know where I'd be without the generous support of all of you guys who commissioned me, donated, and boosted my posts. Thank you so so so so so much! I want to send a special, huge thank you to Jax who commissioned me almost every time I opened them. I can't tell you how happy I was every time you popped up in my emails. You've been a dream commissioner to work with I honestly don't have the words to express how much working with you meant to me! Thank you again! I hope I'll be able to draw more of your characters for you in the future! ♥

[i-really-like-phrogs]

Re-design of my un-named Beetlejuice OC from back when I was thirteen

Original Reference under the cut:

[livwritesstuff]

so those following my steddie-dads series may know that Steve and Eddie named their daughters after important people in their life. Moe (or Lucy Maureen) gets her middle name from Eddie’s mom. Robbie (Amelia Robin) is named after Robin, obviously. Their third and final baby Hazel’s middle name is James, after Hopper.

In the aftermath of all the shit they went through in Hawkins, it didn’t take long for Jim to add Steve to his collection of “kids who pretend to be punching bags for people they care about” (his words). By the time Steve was stepping into adulthood, Hop was Steve’s dad in everything but blood and legal title (and that was even before Steve’s estrangement from his actual father), and when Hazel was born in 2007, he and Joyce were Steve’s second call (Robin being the first, obviously). 

Two days later, their plane touched down in Boston.

Hazel was asleep when they arrived, and didn’t stir even while Steve passed her into Hopper’s arms

“Christ, she’s small,” Jim says quietly, looking down at the little baby.

“She’s actually bigger than Robbie was,” Steve replies, “Crazy different from the older two now though.”

For a second, Steve just watches, watches as Hopper adjusts the sleeping baby, watches him run a finger over her little cheek.

“Did you see her name, hon?” Joyce asks him, gesturing to the name embroidered on Hazel’s little hat (Steve had told her the name in advance, learning from experience that it wasn’t wise to catch them both off-guard at once).

Steve watches Jim squint to read the pink stitching, holding back a dumb comment about how he needed his glasses.

“Hazel…James,” Hop mumbles. He pauses, clears his throat, “That’s…what a name. Where’d you guys come up with that one.”

“After you,” Steve tells him, “In case that wasn’t clear.”

Jim is quiet for a long time, and Steve couldn’t say anything else around the tightness in his throat even if he wanted to, so he stays quiet too while Ed wraps an arm around his waist and presses a firm kiss to the side of his head. 

“It’s a big honor,” Hopper finally says, his voice wrecked, not taking his eyes off the baby.

Steve can only nod.

“Well deserved,” Eddie tells him seriously, “She’s got big shoes to fill.”

Then, because he can’t help himself, he adds, “And if she starts spilling classified government secrets, we’ll know who to blame.”

[korogie]

hai. dnf baby

Haiiiiii

[vargaslovinghours]

And never let you go ♥

Bonus without the overspill lighting: