#emily demon form

[grazinight]

🍎👑

[anonymouscheeses]

The Morningstar family :)

First off, king of hell himself, Lucifer! I incorporated all of the animals he transformed into in the battle with Adam scene(goat, horse, snake, and duck but i wont include duck since hes obsessed already) Because I kept looking up what animals lucifer has been depicted as and was like, yeah nvm let's jst use this one scene and call it a day. His wings are black instead of white with black tips to further imply lil bro is a fallen angel. Made him doll-like to be similar to his daughter a bit but also they aren't freaking carbon copies of eachother, she is unique I swear guys. He's also not an all powerful being, he has limits, he gets tired quickly and his physical strength is LOW ASF he cannot throw a punch for the life of him. Personality wise, he is judgemental, prideful, and neglectful. But it's okay cuz he's silly 😐 /j he is super different, and it takes years for Charlie and him to be on speaking terms. He's trying, but is that enough?

Lillith!!! The first succubi, from what I know. I didnt include succubi features because I'm an idiot and forgot that was a concept. Sure it may not be canon anymore, or at all maybe, but I would've liked to make it true ☹️ there's not alot known about her in the show and we don't know why she is in heaven (if that's even her tbh). So once we know I'll either rewrite that or keep it as it is, not sure. But this Lillith does own Alastor's soul, she knows that he is one of the most unusual and powerful sinner in hell, so once she flees to heaven she gains his soul to keep an eye on Charlie, in return she gives him influence over hell(being that she influences hell with her voice) The radio station and all, since that's pretty much all he wants. He gives her info on the hotel's progress and how Charlie is doing, she just wants to be there. Personality is uh, calm, ambitious, and generous, yet negatively she is strict and wants things her way. She is the one closest to Charlie and very dear to her, which is why Charlie always tries to call her instead of Eve or Lucifer. Even though Charlie knows now she won't pick up the phone anymore, maybe ever again. It still comforts her to call anyways.

Lastllyy, Eveeee!! She's a pretty silly lil gal. She ate the apple of knowledge, so she was cursed to forever be reminded of it when she sees her tail. Oh yeah, they are also all married! Lillith's ring is under her glove. Anyway, she is pretty powerful despite her having no demon form. She already looks demon enough to fit in. So she does, she goes into pentagram city often and creates bonds with the people. Some know she is Eve and some just see her as a friendly yet powerful individual. Her magic is similar to Charlie's, she got the fireworks coming out of her finger from Eve, and they both can heal their body parts. Charlie doesn't know it because she hasn't needed to yet. Eve uses her charm to be friends with the people of hell, Lillith uses it to gain an army for the fight against heaven, Lucifer couldn't care less and coops himself up in his castle. Personality wise, she is very golden retriever, peaceful, and honest, yet also neglectful being that she spends time with demons rather than her own daughter. (She's barely there with Charlie even before she disappeared along with Lillith. But when they moved to the hotel she tried to make up for it.)

She regretted the marriage. For years.

The potential of Lillith angst is immeasurable, it's painful. Imagine being the first woman, forced into a marriage with a controlling man, falling in love with an angel, the other angels forbidding that, you both try to get Eve to join your relationship, she takes the apple but evil and such take over the world, and then because of your lover's dreams you are all sent to hell. Freaking horrible.

Demon forms!! Charlie gained Lillith's demon form, but I may give her dragon wings to make up for it. Messy doodle I knowww *sob*. Eve doesn't have one because the elder angels stripped that away form her because they were terrified of all of them having stronger forms. They are also ALL cursed with different features. Soo uh, Lucifer has one red eye to remind him of his evil side, he also has all sort of animal details and doll features because he's a mess and a control freak! :3 Lillith has horns, hooves, and a tail because she joined the devil. Eve is blind, the angels ripped her eyes out because she dares to willingly see the devil and his bride, she has wings on each side of her head because she was also a fallen angel(it was hell, because she was unhappy in being Adam's wife, it was temporary as she made herself go to hell instead of being kicked out.) She has a snout and ears too, cuz goat, and a tail with a shape of an apple at the end. Eve was done the worse oh lawwdd 😭😭

BABY CHARLIE!! She at one point HAD to have worn overalls. Right? PLEASE?? I don't know how to draw toddlers bear with me here.

Emo Charlie! Yayy.... she got her period so now she's an adult. 💀 little does she know it's actually a trauma response to being neglected so she tries to get attention by being weird!! 😃👍 (I ruined emo Charlie now)

(I have no idea how to do aesthetics... I'm in pain.)

When I said Lucifer is judgemental, prideful, and neglectful, I meant it. He's a horrible person. But he's trying to be better. That doesn't make him good nor excuse his behavior, he deserves the consequences. Which is why I don't like Lucifer in the show. He is NOT a good person but in one episode he is deprived from the karma of YEARS of neglect and shame. He just says "oh ill support you now" despite two episodes later the message is that actions speak louder than words which only applies to Vaggie for some reason. Why is Lucifer all of a sudden the exception? Oh right cuz he's a silly dad with depression so it's fine(Sorry but this genuinely pisses me off). And people in the fandom have demonized Charlie for being "mean" to him, when she is honestly so valid for reacting like that. The thing is, I don't hate Lucifer. Which is why I hate him if that makes sense. I hate that I like a character that shouldn't be liked yet. This should have been an arc for season 2. This scene should have been the start of the journey. The scene I drew out above is in ep 5 and it's the only interaction they get (it replaces the more than anything scene)

Charlie has no idea how humans/sinners work. She likes to observe them but never quite gets the purpose of their actions. She's emotionally unintelligent like in the show. Which lemme just say, is a FLAW. Characters have FLAWS PEOPLE. If I see another person shaming her for indirectly hurting Angel in episode 4 I'm going to lose it 🥰 she doesn't get emotions, she doesn't understand how people work, because she's been in isolation her entire 200+ years of living maybe less. But still this is all new to her and she is not at fault at all for that (im projecting probably) 🙄 (this is before Vaggie is revealed to be a fallen angel ofc). She's so in awe at her people, it's like a new world and she just wants to understand. It's kinda creepy but y'know it's a Charlie thing. Vaggie also is emotionally unintelligent but that's because she never used to focus on relationships or bonding. Which causes bad communication and problems between the two, YAY DEVELOPMENT!!

Idk bro I just wanted to draw her full demon form again. Uhh from the last time I drew I gave her... a new outfit, darker fur to match her skin, uhh, and dragon wings. Ya thas all but I like this one so much more already lmao. I got the fire hair idea because when she gets angry in the show(+pilot) her hair would defy gravity and it would remind me of yknow.. fire.

They're first meeting went swell! Unlike Lucifer and Vaggie's... but that's for later. Emily grew up afraid of hell but especially Lucifef and turning out the way he did. She still is but she's getting used to having the monster of her bed time stories be a short gummy bear. (Takes place when Charlie and Lucifer are in... better terms I guess) Also, Vaggie and Lucifer's first meet? Not great. Let's just say... Vaggie replaced Alastor and it become "Hell's Greatest Pal" or somthn like that. But yeah, Lucifer didn't really like Vaggie, not because she's a woman n homophobia hellll no his wives are wives, but because he didn't think she was good enough for her. Being a sinner n all. He's a hypocrite like that 😭 plus, he knew Vaggie was a fallen angel but he's not a monster so he didn't say anything. Just passively jabbing at the fact she is in the song to make her scared.

And one last doodle before I sign off!

These six bro... my absolute favorites <3 if you want please send in a request of them and their relationships I'm so desperate I love them sm (especially chaggily butttt lucifers stolen wives(that's the ship name I made 😭) too)

I hope you liked my rambel... my rewrite.... my redesigns.... and my stupidness... have a great day lmao

[valorianknights]

Here's my take on Emily's Demon form.

Ya know, if she falls.

(I feel like she will tbh)

[seramilla]

Lucifer is hosting a party for the general public so some of the sins are innvited and the overlords are invited. Verosika goes to see her Odette and to hang out with Ozzy, after a while no one can find either of the carmine girls, charlie, or vaggie . Carmilla had brought Emily and sera as her plus ones and they can’t find Emily so it’s worrying everyone where Charlie,Emily, the carmine girls or vaggie.

In reality, the girls had gotten a little tipsy and decided the party was boring. So they went eat a random dinner then Clara had gotten the genius idea to fly around since most of them were angels or half angels. Expect Charlie doesn’t have wings so instead Charlie hangs onto Odette as they fly around crazily.

Meanwhile at the party sera, verosika, Carmilla and Lucifer are all worried because they can’t find the girls.(verosika is only worried about her Odette)

I accept this scenario, and raise you the following: Emily isn't a big drinker, and she more or less follows the others to make sure they stay out of trouble. When they're done eating, Charlie is showing them around the new hotel, and they go out onto the roof. Clara has the idea to go night flying with Emily and Vaggie, but Emily is against it and refuses. But Odette reveals that, surprise! She has started to gain some control of her angelic abilities, and can bring out her wings, with a little concentration and effort.

She only realized she could control them better after the nightmares started getting worse, and they are easier to bring out when she's tipsy or her inhibitions are low. Charlie decides to hold onto Odette, literally, but Odette has a lot of false bravado and almost faceplants Charlie into the hotel garden because gosh darnit, she drank too much and can't fly straight. They've all made less-than-responsible choices that night. It's not an excuse for nearly dropping Charlie, though.

Luckily, Charlie isn't hurt. She's starting to master her own demon capabilities, so a fall from a few stories up doesn't really faze her. Though, the force of her landing leaves a decent-sized crater in the ground outside, which everyone can hear from the hotel, and it scares the shit out of Lucifer. He's looking his daughter up and down, making sure she's okay, and she's just laughing hysterically at their stupidity, assuring him she's fine.

Verosika is a little concerned, because Odette hadn't yet told her she was trying to get control of her wings. She didn't even know she could bring them out on her own when she's awake. Odette didn't want to worry her, but Verosika's definitely starting to worry now.

[deadghosy]

AND NOW….WHAT WE ALL HAVE BEEN WAITING FOR…. PENGUIN! READER IN COURT.

HAZBIN HOTEL X PENGUIN! READER pt.4

Prompt: after lute’s acting out and hell’s celebration. A court was ordered for the custody for you.

“We are here in court today to discuss the home and place that reader should be in” says sera as she eyes Lucifer and his daughter that’s beside him.

Charlie smiles at the thought of winning this time as she smiles at her father who seemed to be a nervous wreck. He is hair was messy but almost kept as he kept fidgeting with his hands.

“Okay let’s start,” she says as she pulls up some cards. “Please no definitions this time.” Sera says strictly. Charlie gulps as she pulls out another bunch of cards. “Okayyy..no defining..but I have kept record on how comfortable they are with the hotel and the residents” she says with a small smile as Lucifer glances at his daughter hoping she could change the seraphim’s mind.

“Do you have any proof of this suppose claim?” Sera says with a raised brow. “Why yes! I do and my dad also has some. Right dad?” Charlie says looking at Lucifer who jumped at the sudden spot light. “Uh- yeah, yeah. I have some proof and rebuttals.” Lucifer says sitting up correctly.

Sera and Emily look at each other as a ball rises into the room. The angels seem to look each other and watch the ball carefully. Charlie smiles ready to show them how you belong in hell with them, for family of course.

“Oh oh oh, I would love to watch this shit show.” Adam says pulling up popcorn out of nowhere as the ball in the court starts to play. Lute grabs two movie glasses to wear with him and herself.

*flashback*

You were sleeping peacefully in Lucifer’s bed as he made you another duck toy as you woke up to smell pancakes beside you. You grabbed the pancake and ate them with a cute smile and squeak/quack. Angel busted in the ring leader’s door to grab you up and take you shopping as you got dressed.

Charlie and vaggie were talking downstairs as Lucifer was after Angel trying to pack up reader’s small little bag just incase there is trouble, like a small phone, small juice box, a rubber duck that turns into a monster to protect the penguin. And while type of stuff. Of course Angel rolled his eyes and took it for you as you two exit the hotel with vaggie and Charlie saying bad. You looked visibly happy as Lucifer gave one more goodbye kiss to your forehead.

*end of flashback*

The court chatters seeing such wholesome moments like that in hell. Adam rolls his eyes as lute basically breaks a mug beside her in anger seeing the angels nod and smile.

“How do we not know that you forced them to basically like that shit show of your hotel? You bride them with something?” Adam says rolling his eyes “Probably threaten them like the bastards you are.” Lute says as she glares longer at the two Morningstars.

The angels whisper gossiping about this. Charlie looks nervous as Lucifer looked as if he got sent to a death sentence. But Charlie then stood up with a nice compute looking around. “Don’t you ever think about what they want?! They’re our friend, heck even our family at most. PLEASEE…we just want them to be here with people they feel comfortable and loved around.”

“BLAH BLAH BLAH!” Someone says, ruining the soft moment as the court looks at Adam and lute who are scowling at the demon princess. “Why keep spitting these bullshit out your mouth and just admit that heaven is their rightful place? I mean, HAHA- they love me and plus they love the food here even better.” Adam says with a snarky smirk and lute smiling evilly.

Charlie’s demon form was slightly slipping from anger at adam’s words before lucifer had put a hand on his daughter’s shoulder. “Adam, that is no way to talk to my daughter” Lucifer says with a scowl at Adam. Adam just smirks as lute was beside the first man throwing her middle up at him. “Ah please, you’re gods most hated thing to ever exist. Why let an ANGEL, who is supposed to be here, go live with you?”

Charlie opened her mouth to speak, “it was a rhetorical question.” Lute says with blunt venom. Charlie closed her mouth embarrassed. The court whispered and gossiped with a few nods as they did agree you were one of them that accidentally got sent to hell instead of heaven itself. 

Sera felt a heated stare from the devil himself, he kept his deranged look from the stress of this. The last time he had to be in court was when he got sent to his own kingdom.

“DONT you care Sera! They are just a person who can’t control who loves them! They love us…and maybe..you guys as well.” Charlie says as she hesitated on saying how you loved heaven as well. She stared around sera as well as sera closed her eyes not wanting to hear it. Emily glanced at the older seraphim uncomfortably.

Her first sentence made it feel like Deja vu in front of the whole court as Adam exclaimed, “HOLD ON HOW BITCH! You don’t get to sing in court ever! Plus.” He says smirking. “Of course they love us, we’re fucking heaven for crying out loud.” Sera sighs, “Adam, please no interrupting in court.” Adam scoffs sitting back down with lute who glares at Lucifer with full of hate. “Fuckin' bitch.” Adam grumbles under his breath.

Charlie growls under her breath to Adam as she pointed to Adam, “well, what do you have for claiming they even love heaven at all! What and where is your proof.” Adam smirks as lute flies, getting a presentation. “I’m glad you asked bitch, LUTE HIT IT!” “GREAT PLEASURE SIR!” Lute yells back smiling as she starts up the slideshow.

*flashback*

You were cuddled by Adam as he was hand feeding you some of your favorite chips flavor. You made a nice purr sound as you snuggled against Adam, adam’s tough facade faded as his eyes soften. “You like me right? You won’t leave me?” You nodded to Adam as you nuzzled your face in his pudgy body. Adam smiled and looked forward at the tv.

The next day was you and lute having a flying race. With your cute chubby penguin body, you couldn’t fly well. But lute just smiled and picked you up to her chest and starts to fly around heaven. You smiled as you quacked out how beautiful and exciting this felt to fly with someone you deem who you liked. You clearly liked the fresh and heaven air as lute put you to the ground to go get ice cream with you.

*end of flashback*

Adam smiles with a laugh as lute and fist bump at the presentation they made of you basically feeling cozy as heaven here. The angels awe and coo at adam’s part of the flashback as some clapped at the nice friendly encounter you had with lute in the second part.

The court whispers again as Emily and sera look at each other. Emily grabs onto sera’s hand as sera glances at Emily and her hand. And finally at the Morningstars who have a pleading smile as you are beside them playing with a train you. Sera lets out a deep breath and opened her mouth for the whole court to hear.

“The court has spoken. The rightful place the reader belongs in, is……”

CLIFF HANGERRRR💗

taglist: @caffieneaddictt18 @galaxywing-has-adhd @aria-tempest @chefysawesomeideas @zamadness @libraryraccoon @ilovelyneysm07 @speckle-meow-meow @timeageusveryquickly @skymac712 @loyx2 @nicoblob @badatpunz @listenerchan

[thaoworra]

The Science Fiction and Fantasy Poetry Association recently released the poems that made it to the finalist stage for consideration for the 2024 Rhysling Awards for Short and Long Speculative Poems of the year. Congratulations to all of the nominees! This will be the 46th year these awards have been conferred!

Short Poems (50 finalists)

Attn: Prime Real Estate Opportunity!, Emily Ruth Verona, Under Her Eye: A Women in Horror Poetry Collection Volume II

The Beauty of Monsters, Angela Liu, Small Wonders 1

The Blight of Kezia, Patricia Gomes, HWA Poetry Showcase X

The Day We All Died, A Little, Lisa Timpf, Radon 5

Deadweight, Jack Cooper, Propel 7

Dear Mars, Susan L. Lin, The Sprawl Mag 1.2

Dispatches from the Dragon's Den, Mary Soon Lee, Star*Line 46.2

Dr. Jekyll, West Ambrose, Thin Veil Press December

First Eclipse: Chang-O and the Jade Hare, Emily Jiang, Uncanny 53

Five of Cups Considers Forgiveness, Ali Trotta, The Deadlands 31

Gods of the Garden, Steven Withrow, Spectral Realms 19

The Goth Girls' Gun Gang, Marisca Pichette, The Dread Machine 3.2

Guiding Star, Tim Jones, Remains to be Told: Dark Tales of Aotearoa, ed. Lee Murray (Clan Destine Press)

Hallucinations Gifted to Me by Heatstroke, Morgan L. Ventura, Banshee 15

hemiplegic migraine as willing human sacrifice, Ennis Rook Bashe, Eternal Haunted Summer Winter Solstice

Hi! I am your Cortical Update!, Mahaila Smith, Star*Line 46.3

How to Make the Animal Perfect?, Linda D. Addison, Weird Tales 100

I Dreamt They Cast a Trans Girl to Give Birth to the Demon, Jennessa Hester, HAD October

Invasive, Marcie Lynn Tentchoff, Polar Starlight 9

kan-da-ka, Nadaa Hussein, Apparition Lit 23

Language as a Form of Breath, Angel Leal, Apparition Lit October

The Lantern of September, Scott Couturier, Spectral Realms 19

Let Us Dream, Myna Chang, Small Wonders 3

The Magician's Foundling, Angel Leal, Heartlines Spec 2

The Man with the Stone Flute, Joshua St. Claire, Abyss & Apex 87

Mass-Market Affair, Casey Aimer, Star*Line 46.4

Mom's Surprise, Francis W. Alexander, Tales from the Moonlit Path June

A Murder of Crows, Alicia Hilton, Ice Queen 11

No One Now Remembers, Geoffrey Landis, Fantasy and Science Fiction Nov./Dec.

orion conquers the sky, Maria Zoccula, On Spec 33.2

Pines in the Wind, Karen Greenbaum-Maya, The Beautiful Leaves (Bamboo Dart Press)

The Poet Responds to an Invitation from the AI on the Moon, T.D. Walker, Radon Journal 5

A Prayer for the Surviving, Marisca Pichette, Haven Speculative 9

Pre-Nuptial, F. J. Bergmann, The Vampiricon (Mind's Eye Publications)

The Problem of Pain, Anna Cates, Eye on the Telescope 49

The Return of the Sauceress, F. J. Bergmann, The Flying Saucer Poetry Review February

Sea Change, David C. Kopaska-Merkel and Ann K. Schwader, Scifaikuest May

Seed of Power, Linda D. Addison, The Book of Witches ed. Jonathan Strahan (Harper Collins)

Sleeping Beauties, Carina Bissett, HWA Poetry Showcase X

Solar Punks, J. D. Harlock, The Dread Machine 3.1

Song of the Last Hour, Samuel A. Betiku, The Deadlands 22

Sphinx, Mary Soon Lee, Asimov's September/October

Storm Watchers (a drabbun), Terrie Leigh Relf, Space & Time

Sunflower Astronaut, Charlie Espinosa, Strange Horizons July

Three Hearts as One, G. O. Clark, Asimov's May/June

Troy, Carolyn Clink, Polar Starlight 12

Twenty-Fifth Wedding Anniversary, John Grey, Medusa's Kitchen September

Under World, Jacqueline West, Carmina Magazine September

Walking in the Starry World, John Philip Johnson, Orion's Belt May

Whispers in Ink, Angela Yuriko Smith, Whispers from Beyond (Crystal Lake Publishing)

Long Poems (25 finalists)

Archivist of a Lost World, Gerri Leen, Eccentric Orbits 4

As the witch burns, Marisca Pichette, Fantasy 87

Brigid the Poet, Adele Gardner, Eternal Haunted Summer Summer Solstice

Coding a Demi-griot (An Olivian Measure), Armoni “Monihymn” Boone, Fiyah 26

Cradling Fish, Laura Ma, Strange Horizons May

Dream Visions, Melissa Ridley Elmes, Eccentric Orbits 4

Eight Dwarfs on Planet X, Avra Margariti, Radon Journal 3

The Giants of Kandahar, Anna Cates, Abyss & Apex 88

How to Haunt a Northern Lake, Lora Gray, Uncanny 55

Impostor Syndrome, Robert Borski, Dreams and Nightmares 124

The Incessant Rain, Rhiannon Owens, Evermore 3

Interrogation About A Monster During Sleep Paralysis, Angela Liu, Strange Horizons November

Little Brown Changeling, Lauren Scharhag, Aphelion 283

A Mere Million Miles from Earth, John C. Mannone, Altered Reality April

Pilot, Akua Lezli Hope, Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)

Protocol, Jamie Simpher, Small Wonders 5

Sleep Dragon, Herb Kauderer, The Book of Sleep (Written Image Press)

Slow Dreaming, Herb Kauderer, The Book of Sleep (Written Image Press)

St. Sebastian Goes To Confession, West Ambrose, Mouthfeel 1

Value Measure, Joseph Halden and Rhonda Parrish, Dreams and Nightmares 125

A Weather of My Own Making, Nnadi Samuel, Silver Blade 56

Welcoming the New Girl, Beth Cato, Penumbric October

What You Find at the Center, Elizabeth R McClellan, Haven Spec Magazine 12

The Witch Makes Her To-Do List, Theodora Goss, Uncanny 50

The Year It Changed, David C. Kopaska-Merkel, Star*Line 46.4

Voting for the Rhysling Award begins July 1; a link to the ballot will be sent with the Rhysling Anthology, as well as with the July issue of Star*Line. More information on the Rhysling Award can be found here.

[barblaz-arts]

Hi! :) Back when viv was still developing hazbin and making speed draws, she would often draw art of vaggie with these unique eyes surrounding and staring at her, and the art would display vaggie feeling annoyed or uneasy. I find it still very interesting and was wondering if these were eyes that represented all the demons she killed and her guilt? or had to do with something else entirely. We’re still not completely sure if these are still present in current hazbin rn but I was curious on what your take, theories and over all thoughts are on it! Love your comics and AUs on Chaggie sm and can’t wait to see more!

Oh yeah that! I always did find that pretty neat when it came to her earlier arts. Even more interesting, is that this concept was carried over even in one of her trading cards.

I think the eyes are meant to represent a lot of things tbh, especially since eyes in the show had been associated with both Heaven and Hell.

Let's look at Hell's side first.

Your interpretation about the eyes being the demons she killed I think is one of the things it's supposed to mean. I don't know the source, so I dont consider this info canon, but I found out somewhere that the eyes that can be seen all over Hell is supposed to be what remains of the demons the Exorcists have killed. Like being cleansed by angelic steel can't completely erase them but simply make them part of Hell, if no longer sentient.

I have my doubts though, because in the intro backstory, the eyes seem to have already been in Hell before the Exterminations began.

And in the intro, the eyes showed up specifically after Charlie talked about Sin worming its way to humanity because of what Lilith and Lucifer convinced Eve to do. If this timing is in any way relevant, the eyes could be related to Roo aka The Root of Evil instead.

I'm not sure if other characters were drawn with these disembodied eyes as much as Vaggie has been. But at the very least, I think Vaggie's the one drawn the most often with them.

Anyways, considering all this, the more obvious and plausible answer could be that the eyes was just Vivzie's way of foreshadowing her guilt over Exterminating demons. But if Vaggie can be allowed to be more involved with the biggest bad of the show in a more direct way than just her close proximity with the main protag, then maybe it's even meant to foreshadow even more than we already know. I don't have a lot of hope for this tbh. It's not like Vaggie was a very important angel. Exorcists gave me the impression that they could be pretty low in Heaven's hierarchy. So like, idk why this could foreshadow a connection with Roo, but it is a super interesting thought to entertain lol

Now on Heaven's side though, the eyes could also just be for a touch of tragic irony I guess. Angels in the old testament looked a lot closer to this...

... Lotsa eyes and shit. And that's why the seraphs like Lucifer, Sera, and Emily could manifest multiple extra eyes in their "true forms".

But Vaggie was stripped away of everything that physically made her an angel. Lute took away her wings, halo, and even one of her goddamned eyes. Ain't it ironic that she has only one eye when the most powerful angels have been shown with a whole dang lot? Seems to me like it was another cruel way of Lute's to show that Vaggie "has no place in Heaven". And the eyes haunting Vaggie could be a manifestation of her thoughts of it being true.

So to tie this all together(except for the Roo thing), you're right. It could be the guilt over what she did to Hell's denizens. But it could also be an ironic, symbolic reminder that she was an exile of Heaven.

[voxisdaddy]

Collection of Pleasure

Hazbin Hotel NSFW Headcanons…

Fandom: Hazbin Hotel

Pairings: Alastor | Lucifer | Vox | Valentino | Velvette | Charlie | Vaggie | Cherri Bomb | Rosie | Carmilla | Adam | Lute | Emily | Saint Peter

C/TW: 18+, NSFW, MDNI, reader written as fem, cussing, various kinks, collection of a few subs x dom!reader, mainly the ladies are domming/topping lol, not proofread, some are bad im sorry, carmilla has two though bc its carmilla

In which in at least one NSFW headcanon for each character...

My personal NSFW headcanon for several Hazbin Hotel characters. This includes some of the main cast, the Vee’s, the angels, and some of the other characters ♥︎

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Alastor likes being the predator chasing his prey during his rut...

Sex with Alastor is pretty rare, happens occasionally but usually it's for special occasions like an anniversary. His ruts however? His favourite thing to do (aside from you) is have you run around the forest in his room while he hunts for you in his demon form. He can very easily catch you but he likes to let it play out before he pounces on you for like, two weeks. Goodluck lol

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Lucifer is an insatiable beast...

When he started crying and was quivering so bad one night, you thought that enough was enough and climbed off of him only for his hips to desperately follow you, thrusting into nothing. Despite his tears from the overstimulation you've given him for several rounds by then, he looked at you with teary eyes and begged you to not stop. A safe word was set in place because of that, so you made sure when to stop when he genuinely wanted you to stop. But despite how teary eyed he gets or how much he begs, he never uses it.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Vox likes to watch himself...

"Oh you mean like in front of a mirror?" NO. Well yes but actually he loves getting it on with you in his office because all his monitors will showcase how well you're either riding his dick or fucking his ass with a strap. A few monitors will display his weeping face though thanks to you. He thinks it's humiliating and will try and change them to literally anything else but he can't exactly focus on anything when he's so lost in pleasure. So his weeping face and him getting railed it is. It's like he's your own porn star. This porn star whimpers "mommy" too so have fun with that.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Valentino is capable of getting fucked dumb...

I know it might be hard to believe with him, but it is possible and it's why he's so obsessed with you. He's very experienced in sex, obviously; doming, subbing, top, bottom, doesn't matter. It's all good. The way you can somehow fuck him so good and bring him to so much overstimulation that all he can do babble incoherently? Mans is down bad for you and grows more romantically attached to you than he thinks. Often times the night after a particularly passionate and heated session, he heads to the studio with a slight limp in his step. The first time people saw him limping like that paired with his surprisingly decent mood that day, they knew; oh you're fucking good.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Velvette is a pillow princess...

I 100% see her as a dom, and she very well can dom, but she's selfish and wants all the pleasure with minimal work. With the way she acted, especially when it comes to teasing you, it really through you in a loop when you got to bed that evening. Okay so you're topping-no big deal. The real surprise was when you found out she didn't wanna do anything to help you get off. Oh well. Sitting on her face and using a vibrator against her clit is motivational enough for her to pleasure you too.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Charlie has a little bit of an exhibitionist kink...

a little bit. Kind of? Okay but you know the large window in her room we see her by in episode 1? Has rode your strap and/or fucked you with a strap right in front of that baby. Granted it's pretty high so not like anyone can easily look in anyways but it's still just not private enough that it does something to her. If she's ever potentially really ticked off sometimes she'll eat pussy aggressively while you're pressed, bare tits and all, against the glass.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Vaggie likes titi's...

Whether your big breasted or sporting itty bitties, her hands immediately go to fondle them during heated make out sessions. She's kinda shy in the bedroom so don't take her boldness to grope your chest as her being dominant-she just can't help herself from groping you. Sometimes after sex she'll kiss your chest. Depending on where she kisses and if she'd biting or not, it may lead to another round.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Cherri Bomb is the only person who can rival Lucifer over…

Eating pussy. Whether your sitting on her face or her head is buried between your plush thighs, my girl loves to eat. And she eats like her life depends on it. Even when you think she may need a breather and try to move she’s very quick in pulling you back and keeps you there firmly, often smirking when you’re overstimulated and squirming.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Rosie loves thighs...

Call her old fashioned (cuz she is) but seeing your exposed thighs just does something to her. I mean how scandalous! She spends a majority of her time in Cannibal Town which is trapped in the 1910's. Everyone is dressed in only the most stylish and modest clothing from that time period. So if you ever come strutting about, publicly or privately, in a little something that exposes more of your figure and especially your thighs, expect to have dozens of hickeys decorating your inner thighs by the next day.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Carmilla always says she has no favourite sex position but she does...

it's 69. She prefers to be at bottom since it makes it easier for her to finger you while simultaneously assaulting your clit with her tongue. And of course while you're down there she likes to keep you trapped with her thighs. Because i mean look at them thighs!!! MMHHMMM!!! I see her leaning more towards dom so like, if you're able to focus on eating her out without getting distracted as little as possible then she'll reward you good.

I have two for Carmilla that I desperately want to share so here's my second one; she loves having you keep her strap warm while she does paperwork. Just you sittin pretty on her big plastic dick, occasionally gripping your thigh when you squirm too much. Will play with your clit if you're being needy-try not to squirm too much though or else you ain't getting anything once she'd done her work for the day.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Adam secretly cherishes your more intimate sex...

As much as a dick (master) this guy is, he definitely has his vulnerable side. During some make up sex after an argument and temporary separation that could have very easily lead to your guys break up, he found himself unusually emotional as he was balls deep in ya. He didn't cry, as if he'd allow himself to do that especially at a time like sex, but he felt it. The pull at his heart strings, the relief that washed over him that you two were still together, the way your lips uttered his name like a prayer., It was a surprise to him and one he'll never forget.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Lute cums surprisingly fast via fingering...

You found this out when opting to use your fingers to do the job over the dildo, strap, and vibrator. She already knew she came fast via fingering but didn't want anyone to know that-she came almost embarrassingly fast and it sometimes felt like it wouldn't stop. This hit her ego a little bit considering that she's stubborn as all hell but she could barely defend herself when she kept cumming around your fingers. Safe to say you had quite a lot to lap up that night.

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Emily gets wet easily...

is it really that surprising? You found this out when you were kissing at her neck and reached down to her uplifted dress and felt that slick wet feeling between her legs. She was very flustered and even more when you teased her for getting this wet over a few neck kisses-there was only one hickey (so far).

𓈒ㅤׂㅤ𐙚 ࣪ ⭒ Saint Peter has a thing for light bondage...

Nothing hard obviously but his wrists being bound together or to the bed via rope or handcuffs gets him going. It puts him in a position where he's completely at your mercy. Blindfolding him is on the table as well-his other senses are heightened as fuck making him react more enthusiastically to your touches and whispers. Even though he's into it it's also a double edges sword cuz this guy needs to touch you and not even being allowed to look at you either has him whining.

This has been in my drafts for weeks lol some of these aren't to my personal standards but I was really running out ideas that were both fitting to the character and weren't too basic/a repeat of another's. I didn't wanna exclude some people from my original roster so I toughed it out lol

sometimes my posts get shadowbanned for literally no reason and at random so it would mean the world if you reblogged this thank you <3 no pressure tho!

[1anxiousbeancrying]

A silly thing I noticed is that the exorcists wings are so fucking large.

Like substantially bigger than most angels we see. The biggest set of wings we see in the series are Lucifers in more than anything but it's mostly for show, whenever he's fighting he has them a lot smaller even in his demon form.(Maybe they just get in the way idk).

Seras are quite big but that's only because she's very tall, Emily's look the same size as Lucifers.

The wings are large enough to entirely cover the exorcists body, also I think this is one of my favourite wing shots in the series.

Like there wings are so big compared to winners and other angels, maybe they can't change the size of them like other angels, or maybe it's for intimation, it could also be for speed since exorcist are pretty fast (because from what I've seen the exorcists are tiny) I'm also loving lute in this image.

Like even vaggies are huge ld say they absolutely put poor husks to shame in size.

I've always headcanoned that wing size and spikes on halos indicate rank or positions in heaven, like since the exorcists out rank the winners their wings would be bigger.

The wings have got to be a pain to move around with though, no wonder vaggie put them away so fast I don't think they would fit through the doors.

[lxkeee]

HEAVEN AND BACK!

—CHAPTER THREE

Pairing: Lucifer Morningstar x Alastor's Mom! Angel! Reader

Fandom: Hazbin Hotel

Genre: Romance, love at first sight.

Warnings: none.

Notes: sorry it took awhile, I got lazy lmfao. Also, I listened to caramelldansen when writing this.

CH. ONE | CH. TWO | CH. FOUR | NAV.

It has been a few days since Alastor's mother decided to stay at the hotel, the woman fits right in perfectly with the sinners in the hotel.

Almost.

The angelic woman couldn't get a chance to get to know better hell's very own King, Lucifer.

As Alastor always tries to come in between her and the man.

Is this what Adam called "Cock blocking?" She heard the man say that before and before Adam could explain it to her, Emily explained that it's something where 'You try to talk to someone but somehow there's something or someone stopping you from doing so?' that's what the girl said but did also tell her to not use that term.

How strange.

She sighs, running a hand through her [h/c] locks, careful not to accidentally scratch her own deer antlers. The woman is currently in her 'demon' form, large deer like antlers that are on top of her head, she made sure not to wear bright colors and instead chose to wear something on the darker shades of red, her wings are hidden while her halo was transformed into a golden necklace that hung around her neck.

She rests a leg on top of her other leg as she sits on one of the many cushioned chairs of the hotel, she looks down from the second floor balcony, getting a good view of the hotel's lobby.

“Pray tell, what really brings you here in hell oh dear mother of mine?” Alastor asked beside her, standing beside the seat she sat on, his hand holding his cane-like microphone, he looked at his mother with a grin, though, a confused look in his eyes. He knows his mother, he got his personality from her after all.

Like mother, like son.

[Y/n] giggled, “Overseeing this hotel's progress, isn't that an enough reason to be here?” she answers, eyes closed with a gentle smile on her face. Her eyes opened to see her son's disbelief smile.

Alastor tilted his head slightly, grin widening, “I doubt that is the reason, I was so sure that the celestial realm denied Charlie's plans so,” he says, pausing a bit as he hummed to himself as if he was thinking, “—I was rather surprised that heaven decided to change their minds.” he says with a smirk.

He knows she's hiding something.

[Y/n] can't help but let the sides of her lips twitch upwards to a slight smirk. Clever boy. She thought to herself.

With a defeated sigh, she chuckled after, “There is a reason but heaven cannot disclose that yet. That is the only thing I can tell you.” she explained before raising an eyebrow at him, “Is that an enough reason?”

Alastor tilted his head slightly, his smile widened, humming as he thought to himself, “Hmm... I supposed that is an enough reason and I should stop bothering my mother about it.” he says with a smirk.

[Y/n] playfully rolls her eyes at her son, eyes fixated down below to the lobby of the hotel, [e/c] eyes focused on a certain blond fallen angel who's currently drinking a glass of wine at the bar area.

“Enough of that, I would like to ask you why do you keep on trying to stop me from interacting with him?” She asked, head turning away from the scene below and once more looked at Alastor whose smile had slightly lowered in annoyance, a small scoff leaving past his lips.

“Do I really need to give you a reason, dear mother of mine?” Alastor asked, tilting his head, his voice sounding almost a grimace thinking about the shorter man making moves on her.

[Y/n] just raises her eyebrow at him, a small hum escaping her lips, “Please do.”

Alastor hums, dark red eyes looking down on the folks currently in the lobby, “He's a man, mother. In fact, he's the king of hell. I don't trust him.” he grumbles, the smile on his face is gone and is now replaced with a small frown.

[Y/n]'s face softened, she knows her son's disapproval in men, especially if said men have an interest in her. Her last marriage was a failure and filled with pain and Alastor was by her side through it all.

She can understand why he hesitates, why he tries to put distance between her and the men that come to her life.

"Alastor, sweetheart. Don't worry about me,” She says softly, a small gentle smile on her face. Her eyes closing and opening as she glanced at the people down below, her smile widened as she saw sinners mingled with one another.

She's glad. She's glad that there are souls who are willing to try and earn redemption.

And she's here to guide them.

Alastor looked at his mother, his usual grin now back on his face.

“Besides, the man seems nice. It must be lonely being the first fallen angel.” she says softly, she can't imagine the pain Lucifer must've dealt with. She read about him when she was in heaven, she was curious about the first fallen angel and the heavenly libraries were filled with eons and eons of information and she read everything she can about him. Sera even warned her in case she turns to heresy and Sera made sure to remind her to keep her loyalty to heaven and avoid getting influenced by him.

Alastor hums, “I suppose,” he says with a small nod before giving his mother a side eye, “Though, I don't think I'll be comfortable with the possibility of calling him...” he paused and gave a small gag, “—father.” he says with disgust.

[Y/n] chuckles, “Me? Marrying the king of hell? What an ambitious dream would that be.” she says with a small laugh, flicking her hand sassily.

“I just want to be his friend, the man seems like he hasn't formed any meaningful relationships during his life.” she says with a small giggle and Alastor had to fight back from laughing, “Indeed, he has not.” he agrees with a small chuckle.

“Don't be mean, I didn't raise you like that.” [Y/n] chuckles, elbowing her son on his side which made Alastor let a small grunt before pouting at her, “Apologies.” he says, tone clearly not genuine which [Y/n] can clearly tell.

She sighs exasperatedly.

Alastor chuckles his eyes closing before opening once more to look at his beloved mother, “Oh and another thing,” he spoke, [Y/n] looked at him a quirked eyebrow, a small hum escaping her lips, “Hmm?”

“I would like to express my gratitude in what you have down to the hotel's garden, you've brought life to this godforsaken place. I am sure these sinners haven't seen any kind of greenery ever since they have died.” Alastor grins, his eyes darkened from amusement over the misery of these loathsome sinners.

[Y/n] chuckles, though, questioning where she went wrong in raising him.

“It was nothing, I thought the hotel needed a little green that's all! All of these reds are hurting my eyes.” she says glancing at Alastor with a judgemental look in her eyes.

Alastor just rolls his eyes at her which earned him another harsh elbow to the sides.

Lucifer was admiring the lush garden of the hotel's backyard, he has never seen such greenery before—he did but it was eons ago when he was still divine, but it was eons ago and has already forgotten what it looked like—a large willow tree at the side just by the door to the hotel, the once dried up fountain at the center is now back and running, multiple plants surrounded the area and grass, good heavens, he doesn't remember when was the last time he touched grass.

He doesn't know when was the last time you touched grass, dear reader. Go out sometimes, it'll be good for you.

What was he thinking again? Ah, grass.

‘I broke the fourth wall? You're just seeing things, sweetheart.’ he thought in amusement, eyes staring off somewhere as if looking at something... Or someone.

He just chuckled in amusement before walking towards one of the bushes of roses, the heels of his shoes clicked against the pebbled pathway and he stopped in front of a bush of white roses, the fragrance of the flower immediately filling his nose.

It's been so long. He forgot what roses smell like.

Lucifer's eyes sparkled in awe, his wine red like eyes filled with wonder, his right gloved hand gently caressing the petal of a white rose, feeling its softness—just one of the few species of flowers that bloomed in hell for the first time.

“Do you like it?” a feminine voice spoke out—a voice familiar to Lucifer, a voice belonging to a certain radio demon's mother, the silkiness of her voice—it made Lucifer shudder, “I thought the garden looked bare, I thought some greenery would fix it.” [Y/n] chuckles softly.

Lucifer turns around and sees [Y/n] standing behind him, her hands behind her back. The red knee length dress hugged her curves perfectly—it stole Lucifer's breath away, she's gorgeous.

He chuckles, placing his right hand back to his cane, “Indeed, it has been quite long since I've seen such beautiful flowers.” he says, his voice filled with longing and a hint of sadness that [Y/n] didn't fail to notice but decided not to point it out, “They are lovely, I am grateful for being presented with another opportunity to see such beautiful flowers.” he spoke softly, irises glancing at the flowers briefly before looking back at the taller woman.

[Y/n] chuckles softly, “It's a pleasure,” she says with a small smile, taking slow steps as she walked by his side.

“It was fun growing them and an honor to give the princess of hell her own garden of flowers.” she says with a slight chuckle.

“And with that, I am forever grateful.” Lucifer says with a small smile, eyes shining briefly and for once, it's not dull.

[Y/n] was glad to see the shine on his beautiful eyes, and also seeing a genuine smile on the man's face.

After all, you're never fully dressed without a smile.

“You are most absolutely welcome, sweetheart.” she says with a grin, amusement dancing in her eyes as the rosy spots on the man's cheeks seem to redden even more.

“Ex-excuse m-me?!” he stammers, the endearment catching him off guard, it has been quite some time since someone called him something so... Affectionate.

[Y/n] tilted her head slightly, a feigned confusion on her face. Who knew the king of hell is quite easy to tease?

“Hmm? Is something the matter?” she asked softly, a hint of playfulness in her voice, “Is the nickname not to your liking? Would you prefer darling instead?” she asked teasingly.

Lucifer has never been more flustered in his entire existence.

“Are you normally this mischievous?” he asked, his hand covering his face while his other hand gripped into his cane.

“Usually I'm more.” she answered honestly with mischief on her lips.

“Of course, you're the mother of a certain radio demon.” he said with an exaggerated sigh making [Y/n] chuckle.

“Speaking of him, where is he? He usually stays by your side.” he deadpans, his hand that was covering his face lowered back to hold his cane, he's been wanting to interact with this woman properly ever since he met her but that damn radio demon kept her away.

[Y/n] hums, “I am not entirely sure, I'm sure he is somewhere around the hotel.” she says with a hum in her voice, glancing at the side to see a certain demonic shadow quickly leaving.

This damn brat, she'll teach him a lesson later.

Lucifer just hums, thank Satan. He can't stand that demon and his annoying grin.

Finally recomposing himself, he grins at her.

“Well then, I hope everyone in the hotel is treating you well? I haven't gotten the chance to ask you as a certain someone kept getting in the way.” he says with a small smile but his voice strained a little when he mentioned a certain someone.

[Y/n] hums softly, leaning down slightly to reach the rose bush, her hand gently caressing the petal of a white rose, “Everyone has been nice so far, I'm glad you asked.” she says cheerfully.

“I'm glad.” he says with grin.

“I am glad too.” she said softly with a grin.

Maybe, hell isn't too bad.

Both of them thought at the same time.

© LXKE 2024; please do not steal, translate, or repost my works as your own.

TAGLIST:

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[apoloadonisandnarcissus]

Understanding “Wuthering Heights” inspiration in “Nosferatu” (2024)

Did anyone ordered the horror version of “Wuthering Heights”? Because Robert Eggers delivered.

Ellen and Orlok are toxic as hell; this should go without saying. Their whole deal is about pure obsession, persecution, sex and death. It’s a blend of hatred and passion, all consuming and self-destructive, inspired by Catherine and Heathcliff from Emily Brontë’s “Wuthering Heights” as confirmed by Robert Eggers. Orlok both disgusts and attracts Ellen. It’s “unhealthy and parasitic form of love” and there’s a “mutual yearning” between these characters, and a love triangle with Thomas, like Lily-Rose Depp says, as Ellen is in love with them both:

“This demonic, dark fairy tale could be a young woman torn between two men, both representing different parts of what she wants. The desire and disgust serves as a mirror for the shame that we feel, certainly the shame that I’m sure a lot of women felt at the time.”

We are also told Ellen both hates and enjoys her psychosexual connection (dreams, possession, etc.) with Orlok, being riddled with guilt and shame, due to Victorian views of sex (as Lily-Rose Depp explains).

Catherine and Heathcliff from “Wuthering Heights” are one of the darkest pairs in English literature, and even Robert Eggers call them “one of the great demon lover stories of all time”, and how the reader is always wondering about the ambiguity of Heathcliff’s feelings for Catherine, if he loves her or not, if he wants to possess or to destroy her. Robert Eggers also said he returned to “Wuthering Heights” a lot while writing “Nosferatu” script.

“At first it was sweet, I had never known such bliss. Yet it turned to torture, it would kill me. […] He is my shame! He is my melancholy! He took me as his lover then, and now he has come back. He discovered our marriage and has come back!”

“Wuthering Heights” (2011)

How deep does this inspiration runs in the film? Can it help us to understand Ellen and Orlok’s dynamic? And the love triangle with Thomas? And even the ending?

This “ambiguity” also seems to be Eggers’ goal with Ellen and Orlok’s relationship on his adaptation of “Nosferatu”: the dialogue shows the hatred, while the love is represented in the symbolism of the lilacs, and the lust/passion with their body language.

We have some interesting references to Catherine on Ellen’s backstory (when she talks to Von Franz); she liked playing in the woods as a child, and her father called her “his little changeling girl” (as in the European folklore of children kidnapped by fairies or demons and a substitute being left in their place), implying she was mischievous and wild, like Catherine herself. In her teenage years, like Catherine, she develops an intense, passionate and secret relationship with Orlok/Heathcliff. While Catherine and Heathcliff had the moors, Ellen and Orlok had a garden of lilacs (according to the prologue, and since we have no other indication, let’s assume that was their usual “meeting spot”).

In both cases, these relationships are socially inappropriate and sort of forbidden (Heathcliff’s ethnicity and poverty; and Orlok is a undead demon vampire), and they would make Ellen/Catherine into a social pariah, dead to society (in Ellen’s case, literally) should they commit to it. Which is why they don’t, and choose Edgar/Thomas instead.

“Wuthering Heights” (1992)

Ellen’s wild and passionate affair with Orlok came to an end when she met and married Thomas Hutter; like Catherine and Heathcliff when she met Edgar Linton. Both Thomas and Edgar are gentlemen, graceful and well-mannered, embodied with civilized virtues. Catherine loves Edgar because he’s handsome, young, cheerful and rich, and marries him to fulfill societal expectations, but her love for Heathcliff is ever present, haunting and tormenting her.

I’ll add a personal note here: while I loved “Nosferatu”, I think the previous relationship between Ellen and Orlok should have been more fleshed-out on-screen, during the prologue. Because the entire story feels a bit contrived due to that lack of context. We only saw her summoning him and when he revealed himself to her, and the rest of the clues about their shared past are all over the place, and are causing a lot of misunderstanding on the audience. Eggers probably didn’t want to “humanize” his monster too much and keep the horror element, but the message gets a bit “lost on translation”.

Why does Ellen loves Thomas? She says to Von Franz she became “as normal” when she met him, and we have several mentions of how his love saves her. He represents her chance at a normal life (societal expectations), and she sees him as her savior. In a way, Catherine also saw Edgar as her “savior” from a life of poverty, the life she would have had if she married Heathcliff, even though she considers him her soulmate. Ellen’s “epilepsies” stopped when she met Thomas; as Catherine also loses her “wild ways” when she meets Edgar. Nevertheless, Orlok’s memory is always haunting her (like Catherine with Heathcliff), as symbolized by the lilacs on her wedding outfit, her gowns, and even her perfume.

Thomas also shares similar traits with Edgar: kind, polite, loyal and is a good and supportive husband to Ellen/Catherine, even though they don’t fully understand their emotional turmoil/darkness, they stand by them. Both characters have a gentle and nurturing nature, and try to provide Ellen/Catherine with a comfortable and stable life. While Edgar is rich, Thomas is hard-working. They will both be grieving widowers. Like Edgar, Thomas is the antithesis to Orlok/Heathcliff in this story. Edgar is a model of tenderness and constancy, like Thomas himself; while Heathcliff/Orlok are the complete opposite.

“Wuthering Heights” (Minisseries, 2009)

Like Catherine and Edgar, Thomas and Ellen’s love is marked by kindness, and a desire for stability, but is always haunted by Orlok/Heathcliff passionate and destructive love/obsession. In both stories, this leads to tragedy, suffering and emotional pain for the three characters.

In her heart, Catherine wants to be with Heathcliff, but her mind tells her she must marry Edgar. She’s deeply conflicted about the whole ordeal, torn between her love for two men, and her own nature vs. social expectations of her. This is also what we see with Ellen, when she tells Thomas about her dream of marrying Death (Orlok) on their wedding day. And how she has never been so happy in her entire life as in that moment. And the scent of lilacs was strong in the rain, symbolizing her connection with Orlok.

Both Orlok and Heathcliff become obsessed in getting revenge for the way Ellen/Catherine left them, planning their entire existences around the goal of destroying Catherine and Edgar’s families, after he returns to Wuthering Heights. Which is, pretty much, what Orlok does in “Nosferatu”, by targeting Thomas and the Hardings. Heathcliff violent, bitter and vengeful nature is revealed in this plot, and he’s ruthless and merciless.

Which, again, is very similar to Orlok’s actions in Wisburg (even thought they were already a part of the original story, Eggers gave it a new layer of intention). However, and even though he feels deeply betrayed by Ellen, Orlok (like Heathcliff) never targets her, directly, but wants to torment her by destroying her loved ones, as revenge for leaving him and marrying Thomas/Edgar instead. "You are my affliction", says Orlok. Of course, this is taken to an extreme on “Nosferatu” because it’s a horror film.

“You teach me now how cruel you've been - cruel and false. Why did you despise me? Why did you betray your own heart, Cathy? I have not one word of comfort - you deserve this."

Once he returns to Wuthering Heights, Heathcliff visits Catherine and Edgar’s house often, and Catherine herself can’t take her eyes off him; which parallels Ellen’s “hysteric fits” in “Nosferatu”; as Orlok coming between Ellen and Thomas. Like Catherine, Ellen is also distress by these visits (“epilepsies”) but finds it extremely hard to resist engaging with Heathcliff/Orlok: “his pull on me is so terrible, so strong”. Catherine and Heathcliff’s separation did not change their feelings and they yearn for each other even more; in “Nosferatu” this is visible in Ellen and Orlok’s body language.

“You loved me then, what right had you to leave me? What right, answer me, for the poor fancy you felt for Linton? Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart, you have broken it; and in breaking it, you have broken mine.”

When Edgar realizes the depth of Heathcliff’s influence on Catherine, he feels threatened, insecure and jealous. We see this on “Nosferatu” when Thomas has sex with Ellen after she tells him “you could never please me as he could”, as he gets insanely jealous of her words. This scene is also a reference to Catherine weaponizing Edgar and Heathcliff jealousy against each other; when she taunts Edgar for being weaker than Heathcliff, and rubs her marital happiness on Heathcliff’s face (we see this when Ellen tells Thomas to let Orlok see their love).

Like Edgar, Thomas also loves Ellen, deeply, but her “divided affections” cause him emotional pain and frustration, especially as Ellen/Catherine is drawn back to Orlok/Heathcliff: “Stop this, Ellen! I love you!” Even when Ellen’s connection with Orlok consumes her, Thomas remains loyal to her, like Edgar with Catherine. In “Nosferatu” we don’t know, but in “Wuthering Heights”, Edgar buries Catherine on the moors, after her death, and then has himself buried next to her, decades later, instead of his family crypt.

“Heathcliff would as soon lift a finger at you as the king would march his army against a colony of mice.”

We also see the rivalry between Thomas and Orlok in “Nosferatu”. Like in the original “Dracula” novel, the Count lures him into a trap by making him travel to his castle, where he steals the silver heart locket Ellen gave him, and bitterly says to Thomas “you are fortunate in your love”. Orlok smelling the strand of Ellen’s hair is also a reference to when Heathcliff does the same to Catherine. And then tries to kill him, but he manages to escape. Like Heathcliff, Orlok also speaks ill of Thomas to Ellen herself, weaponizing his greed, while implying Thomas doesn’t really love her. Heathcliff also says Edgar just performs his duty, while he’s the one who truly loves Catherine.

Heathcliff and Edgar’s fights cause the deterioration of Catherine’s health until she locks herself in her room, spiraling down into delirium and depression, tormented by nightmares and hallucinations. Catherine’s madness appears to be the reference for Ellen’s mental condition in the film. Catherine is also distressed and protests over Edgar’s response to her illness (retreating to society and his library). In “Nosferatu”, we can see this with Ellen’s distress over Thomas leaving her, at the beginning of the film, as he dismisses her prophetic dreams as “fancies”.

“Because I'm weak, my brain got confused, and I screamed unconsciously. Don't say anything; but stay with me. I dread sleeping: my dreams appal me.”

Catherine’s madness is a combination of things we also see in Ellen’s character. At its core is Catherine obsessive, tumultuous and passionate connection with Heathcliff. We see this with Ellen and Orlok, and she calls him “her melancholy” and “her shame”, as they share a deep, sexual and spiritual bond. Like Catherine and Edgar, Ellen’s marriage to Thomas is rooted in security, stability and social respectability, and it should be everything she’s supposed to desire and aspire, but it’s unfulfilling and suppresses her true nature (in Ellen’s case it’s her supernatural abilities, and she also wishes Thomas was more passionate).

This is also align with Lily-Rose Depp words:

“I think in a lot of ways, he's [Orlok] almost a symbol of the things that you don't want or that you shouldn't want, and yet you are so drawn to. I think a lot of what Ellen is going through is an internal battle between all of this darkness that she's always had within her, and then the light that she's trying to cling to. I think he [Orlok], of course, is the manifestation of that, of that darkness. We definitely wanted it to feel like a love-triangle in a lot of ways and it's a love story in the end. I think she really loves Thomas and I think she does though have this twisted yearning for this darker realm, and I think [Orlok] is the embodiment of that.”

Catherine feels trapped by her life choices which are a consequence of Victorian society, which has strict expectations of women regarding marriage, class and behavior. Her all-consuming love for Heathcliff, her unfulfilling but agreeable marriage to Edgar and her identity crisis, create a profound internal conflict that lead her to her tragic decline and premature death, as a consequence of her depression.

Both men suffer deeply with her death; Edgar with calm sadness (which is what we see with Thomas at the end of “Nosferatu”) while Heathcliff is full desolation and anguish, begging for her ghost to haunt him as he begins a path of self-destruction. Catherine’s ghost indeed haunts Heathcliff for eighteen years, and we see a reference to this on “Nosferatu”, too, when Anna Harding tells her husband: “Clara asked me today if Aunty Ellen has become a ghost.”

“It would degrade me to marry Heathcliff now; so he shall never know how I love him: and that, not because he’s handsome, Nelly, but because he’s more myself than I am.”

Like Catherine, Ellen doesn’t reveal the depth of her feelings for Orlok/Heathcliff to him until the bitter end, nor any character in the story, besides Nelly and Von Franz (and even then is very cryptic, which makes the audience think she has none, and that’s why the lilacs are there). But both Orlok and Heathcliff are very much aware of them, as Heathcliff says “you know as well as I do, that for every thought she spends on Linton, she spends a thousand on me!”

Orlok: “Your passion is bound to me.” Ellen: “You cannot love.” Orlok: “I- cannot. Yet, I cannot be sated without you. Remember how once we were? A moment. Remember?” Ellen: “I abhor you.” Orlok: “You are false!” Alexa play “Wuthering Heights” by Kate Bush

Catherine loves Heathcliff because their souls are the same: “He's more myself than I am. Whatever our souls are made of, his and mine are the same.” In “Nosferatu”, this translates in the covenant between Orlok and Ellen: “As our spirits are one, so too shall be our flesh. You are mine.” They also share the same nature; when Ellen says she has felt Orlok crawling like a serpent on her body, he says it’s her own nature, a nature she denies (“you denied yourself”). And while Catherine loves Edgar, she recognizes their spirits are “as different as a moonbeam from lightning, or frost from fire”; which is the same with Thomas and Ellen, as he worries about money and social status, and she doesn’t, he’s more restrained in his affections, while Ellen is more passionate.

This is aligned with Robert Eggers explanation, and so, indeed, the “Wuthering Heights” inspiration is very clear in this story:

“Ellen’s husband loves her, but he can’t understand these ‘hysteric’ and ‘melancholic’ feelings she’s experiencing, and he’s dismissive of her. The only person she really finds a connection with is this monster, and that love triangle is so compelling to me, partially because of how tragic it is.”

Edgar/Thomas represents safety and social stability (society), while Heathcliff/Orlok embodies wild passion and freedom (nature) in Catherine and Ellen’s narratives. In Ellen’s case this is even more evident with the corset symbolism (restrictive and cagey); in every scene she has with Orlok, she never wears a corset, as she’s usually on her nightgown. The only exception is when she wears her wedding dress in their final scene, and even then, she ends up fully naked before him, fully liberated from social restraint, fully embracing her nature (which can also be a reference to Carl Jung’s “assimilation/integration of shadow” theory).

Eggers also makes the distinction between “love” and “passion” in his script; Thomas is “love” while Orlok is “passion”. This has occult meaning, but it can also be a way of showing to the audience this polarization/dichotomy in Ellen’s narrative. Because Ellen equals “love” with “sacred” and “salvation” in the script; while “passion” is “unclean” and “abhorrent”. Which is very much in line with Victorian views of sex (passion) and marriage (love); “passionate sex” is sin and unholy (demonic); while “marriage” is love sanctified by religion (sacred).

Ellen spent the second act of the movie talking about how Thomas love has “saved” her from her connection with Orlok, and on the third act is Thomas himself who wants to embody the “savior” role; as he’s determined to destroy Orlok, and then runs to try and save Ellen. But Ellen begins the third act by saying to Von Franz: “I need no salvation”, and how she has always been true to her own nature, as Von Franz asks her to be true by it now, because only her can redeem them. But Ellen accepting her true nature means accepting Orlok, because they are one spirit, like Catherine and Heathcliff.

“I am Heathcliff! He’s always, always in my mind-not as a pleasure to myself, but as my own being. So don't talk of our separation again - it is impracticable.”

But Catherine wants to “have her cake and eat it too”, by having both Edgar and Heathcliff in her life, until she’s faced with the impossibility of having both, and is forced to choose.

We also see this happening in “Nosferatu”, but, unlike the novel (where it’s Edgar who gives her an ultimatum), here it’s Orlok who forces Ellen/Catherine to choose between him or Thomas/Edgar. It wouldn’t make any sense to be Thomas, let’s be honest. In both cases, this is not really a choice, because Catherine choosing Heathcliff would mean leaving her husband, damaging her reputation beyond repair, and she would be ruined. It would be want we call “social suicide”, nowadays. Ellen choosing Orlok means choosing “dead to society”, too, literally.

“Will you give up Heathcliff hereafter, or will you give up me? It is impossible for you to be my friend and his at the same time; and I absolutely require to know which you choose.”

The hopelessness of Catherine and Heathcliff love (besides all the angst), it’s that they can’t ever be together in life, and yet desire it strongly, which leads them both to their ends, on a path of self-destruction. They eventually blame each other, despise each other, while being drawn and attracted to one another. As Catherine goes deeper into madness, the more consumed and obsessed with Heathcliff and death she becomes, to the point she equals her love for him with death itself.

In “Nosferatu” we see this with Ellen and Orlok, too: “He stalks me in my dreams, all my sleeping thoughts are of him, every night-” and how she refers to Orlok as “death” (as he literally is in this story). Like Catherine and Heathcliff, it’s impossible for Ellen and Orlok to be together in the living world, as they can only be united in spirit/death: “you are not for the living. You are not for human kind”. And like Catherine and Heathcliff, this sets them both on a path of self-destruction, and torment for everyone around them, which only ends with their deaths.

Catherine is unable to choose, which will culminate with her premature death, as she’s tired and feels trapped in this physical world. This is what we see with Ellen in “Nosferatu”, since she saves Thomas’ life (+ everyone else) and dies alongside Orlok, breaking the curse of Nosferatu.

In “Nosferatu” we also have the reference to Catherine’s window, as we always see a window in connection with Ellen and Orlok. Symbolically, windows are a veil between life and death, and barrier to the supernatural. In “Wuthering Heights”, Catherine is often at the window, her ghost makes apparitions at the window, Heathcliff begs her ghost to come through his window. Doors and windows are usually connected with Catherine and Heathcliff’s separation and his inability to reach her. In “Nosferatu”, we also see this: in the prologue, Ellen’s window is wide open (when she meets and develops a relationship with Orlok), then it’s shut (symbolizing their separation) until the third act, when she asks him to come to her (union).

“He [Heathcliff] got on to the bed, and wrenched open the lattice, bursting, as he pulled at it, into an uncontrollable passion of tears. ‘Come in! come in!’ he sobbed. ‘Cathy, do come. Oh, do—once more! Oh! my heart’s darling! hear me, this time, Catherine, at last!’”

But does Ellen “have her cake and eat it too”? We have to look into “Wuthering Heights”, again:

As Catherine faces her imminent death, she and Heathcliff reach the height of their passion for each other, declaring that their souls will never be separated. Death separates them and it is death itself which unites their souls. We see this with Ellen and Orlok’s covenant in “Nosferatu”: “you shall be one with me ever-eternally”.

“I’ll not lie there by myself; they may bury me twelve feet deep, and throw the church down over me, but I won’t rest till you are with me. I never will!”

In death, Catherine realizes it was folly to choose Edgar over Heathcliff, because she has betrayed and killed herself in her process. “Can’t you see!? It doesn’t matter! We should never have married! We are already dead!” Ellen shouts at Thomas, after she accuses Orlok’s passion of turning to torture, “it would kill me”.

After Catherine’s death, Heathcliff is consumed by grief, and says he cannot live with his soul in the grave. When he goes to say goodbye to Catherine on her coffin, he places a lock of his hair in the locket around her neck. In “Nosferatu”, we have a reference to this when Ellen cuts a strand of her hair and places it her silver heart locket and gives it to Thomas at the beginning of the movie, but it’s Orlok who keeps it for himself.

“You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”

After Catherine’s death, Heathcliff goes deeper into revenge and cruelty, as he terrorizes everyone due to his anger, grief and frustration of being without her, as he becomes a deranged monster (like Orlok himself). For eighteen years, Catherine’s ghost haunts Heathcliff, and this gives him hope of being united with her after his own death, leading to his self-destruction, too. Which, again, we see in “Nosferatu”, as both Ellen and Orlok cause their own self-destruction in the living world. I already made the case about how this was something they both wanted in another post, so I won’t talk about it here, but the “Wuthering Heights” inspiration only strengthens that interpretation.

Now we need to go back to Catherine and Heathcliff’s final encounter. As she’s near death, she admits how much she longs for him, at last, and how them, as lovers, can’t be united in this world, only in death. We see this in “Nosferatu”, when Ellen fulfills her covenant with Orlok, and marries death. Catherine accuses Heathcliff of metaphorically “killing her”, while Orlok literally does in “Nosferatu”, by drinking her blood, and then be killed himself by sunlight.

“I wish I could hold you,’ she continued, bitterly, ‘till we were both dead!”

Heathcliff kisses and embraces Catherine, but can’t bear the agony of looking at her face, knowing she is going to die soon. In “Nosferatu” we also see Orlok looking away from Ellen when the sun is rising, and is reluctant to look at her, as she dies, until she compels him to face her. Is this a reference to “Wuthering Heights”, too? Because she embodies Catherine’s wish next, as they embrace until they are both dead.

“It is hard to forgive, and to look at those eyes, and feel those wasted hands,' he answered. 'Kiss me again; and don't let me see your eyes!”

Decades later, when Edgar dies, Heathcliff has Catherine’s coffin exhumed and asks the sexton to open it, because he wants to see her face. Then, he demanded the side of her coffin to be open, so his own coffin can be joined with hers, and their corpses united in death. Some get necrophilic vibes from this act, which can be also the reference to Ellen and Orlok sex scene (and also Friedrich and Anna’s). As they couldn’t be united in life, Heathcliff wants to be joined with her in death. Which is also what we see in “Nosferatu” with Ellen and Orlok.

This represents the feeling of incompleteness without each other and the desire and thirst to unite, the yearning to transgress the bonds of society and fuse with each other, which will culminate with the union of their corpses. Because Catherine is buried next to her husband, Edgar, after all.

“I was sleeping the last sleep by that sleeper, with my heart stopped and my cheek frozen against hers.”

After his death, Heathcliff is buried as per his wishes, next to Catherine, in the moors of Wuthering Heights. Their spirits are reunited in a realm where there’s no social bonds no class differences, and they can be together, at last. They return to their spiritual Wuthering Heights, where their love was free and possible; and we see Von Franz placing lilac flowers around Ellen and Orlok’s body, symbolizing their return to their lilac garden, as their corpses are united, like Catherine and Heathcliff’s.

“I believe the dead are at peace: but it is not right to speak of them with levity. […] They are afraid of nothing,’ I grumbled, watching their approach through the window. ‘Together, they would brave Satan and all his legions’.”

Afterwards, the people of the region swore they felt and saw Heathcliff and Catherine’s ghosts in the moors, walking together. Their union after death also brought a new era of harmony and peace to Wuthering Heights. “Redemption!” As Von Franz would say.

Interestingly enough, Von Franz also stares out of the window like the narrator in the final chapter of “Wuthering Heights”; “watching their approach through the window”? He’s also the one who brings and places the lilacs around Ellen and Orlok’s bodies, a tribute to their love.

“And so the maiden fair did offer up her love unto the beast, and with him lay in close embrace until first cockcrow, her willing sacrifice thus broke the curse and freed them from the plague of Nosferatu”.

The majority of people are misunderstanding this passage, because not only this is a Solomanari book (belongs to Orlok) but there is no mention of any “town” or the world in general here. This speaks of how the love and the willing sacrifice (death) of a maiden (Ellen) saved her and the beast (Orlok) from the curse of Nosferatu. “Them” is the maiden and the beast, Ellen and Orlok, and how her love for him and her death saved them both from the curse he had upon himself (Nosferatu). English is not even my mother language and even I can understand this.

As a consequence, her death also saved everyone else, including Thomas (because she loves him too). And so, she exchanges one last look of love with him, silently saying goodbye before departing to the spiritual realm alongside Orlok. So, indeed, Ellen “had her cake and eat it too”, at end, like Catherine; she couldn’t decide between the two men she loved, so she died, but was reunited in death with Heathcliff, and their spiritual union brought peace to “Wuthering Heights”, like Ellen and Orlok’s to Wisburg. While Edgar/Thomas had Catherine/Ellen’s love in life, Heathcliff/Orlok has it in death/spiritual world.

[grazinight]

[anonymouscheeses]

Bonus under cut vvv

Later that same day:

And... I made an Emily redesign too...... *sniff sob /j* it's not final (like all my redesigns) I'm just trying get better at this design stuff and where better to do it except my current fixation ehhh?????

Long Emily design explanation/rant thing ignore it probably but pls dotn im desperate: I wanted to make her more round and soft cuzzz I love those typa designs I'm just a sucker for circle characters. Made her actually black and not fuckin gray cuz its a transformation to look more human and gentle(for me they go between two forms, their true ones that we see the first time we see them snd their human/softer ones if they ever interact with actual humans which... they usually dont.) Not a demon form tfff. In this version I wanted to put Emily in animal inspired features like... the sheep nose, ears, and hooves. Because she and Sera know that humans and about all beings love animals. Birds have sharp features mostly so they don't look as welcoming as they want to seem. I wanted Emily to look sheep likes and pretty much all the seraphim look more sheep like to make Lucifer stand out as the only one who was symbolized as a snake/goat(still don't know if I'll make him goat or make Lillith goat. I'll decide when I get there lmao). Justtt overalll wanted Emily to look more round, welcoming, and cute. I kept the freckles lighter than her skin color(even tho that's SUPER not accurate to what actually black people look like with freckles but whatevr) because it reminded me of fawns and.... sure Emily is a sheep but I still wanted to incorporate other cute animal traits with her cyz y not.

[sky-marbles]

I love how when Emily held Charlie’s hands that Vaggie got all “jealous gf” but I think what would be absolutely hilarious is if Emily actually had a crush on VAGGIE. Like Charlie gushes about Vaggie and Emily is just “uh huh” and in her head she’s slightly freaking out at how pretty Vaggie is and has to remind herself she is CHARLIE’S gf. Her new awesome FRIEND Charlie.

I would love a scene where it’s just Vaggie and Emily and Emily can’t form a single fucking sentence and Vaggie just eyes her with suspicion💀💀

Edit: now I’m imagining Charlie finding out Emily has a thing for Vaggie and is trying so hard to keep her cool cause “Emily is my friend, she’d never even think of making a move or anything! Plus she’s an angel that agrees with me! I really don’t want this to get in the way of any potential progre-“ then Emily touches Vaggie arm in a completely platonic way and Charlie is just full on demon form jump scaring them both.

[allykatsart]

"If angels can do whatever and remain in the sky!"

God this song. I've had it on repeat while drawing this. It's so fucking good! Emily was such a great character too and I feel like her and Charlie could be good friends!

I'm also glad to see Charlie not being a pushover even if she's not in demon form. She was controlled, but she stood her ground!

[circeyoru]

Now I need this... Pleaseeeeee... What would happen if the reader died at the hands of Adam saving Alastor...

And because of that the reader went to heaven and Alastor's soul was free... I need to know What would happen if our yandere would do in this situation, since he saw the reader die ( but doesn't know that she is in heaven and became an angel, because of her good deed )...

And what do you think the reader would do now if he were an angel? Would she try to contact Alastor? Because she is worried that something happened to him after she died ( Maybe deep down the reader knows that Alastor can be dramatic and psychotic and crazy )...

To those that have no idea what this is talking about, check out {Unwanted Soul}

Huh, so the Sir Pentious route now.

If you haven't read the ask about Reader's afterlife death, make sense why you'd ask for Alastor's reaction. But long story short, Alastor abandons the hotel, including Charlie and the others, to return to your home to guard it. He hallucinates that you are still alive and justifies things that he did to thin air.

Now because this is before you mutually returned Alastor's feelings, so Alastor's state was even worse because he had nothing to hold onto. No one to console him because the hotel members don't even know of your existence and that you were kind enough to send Alastor to the hotel to help. Alastor would have overturned the hotel if it wasn't Charlie's connection with Lucifer, he blames the hotel for taking you away. If Charlie never had that dream, she wouldn't advertise, you wouldn't see it, you wouldn't send him there, he wouldn't have to battle Adam, you wouldn't jump in, and you wouldn't d̷̘͍͈̼̚ị̶̼̄e̸̖̍͂. He sabotages the hotel too, removing Husk and Niffty from their roles in the hotel. Too bad both already took a liking to the members there and stayed. Alastor didn't use the contract thing, because it reminded him of you.

Unknown to Alastor, Lucifer once dropped in on your home, expecting you to welcome him. But he didn't expect Alastor to be there. He didn't make a fuss and watched. He's shocked to learn that Alastor was delusional and you were nowhere in sight, he reached for you in Hell. But you weren't anywhere. Gone. You realized you died and your connection with Alastor, hence solving why Alastor left the hotel too. He left Alastor alone in his sorrows.

On your side. You were turned into an angel. The wings were new and weird for you. When you heard there was another redeemed like you, you looked and saw Sir Pentious, like you, in a white and gold theme. You didn't like it. You didn't like the change. You didn't like Heaven. You didn't care you got redeem. When you don't like it, you don't. You looked for a way back down to Hell. You came to terms that you care for Alastor and now you two were separated? What kind of joke was that?

You forced your way to Hell. You being the first to be redeemed was the talk of all of Heaven. You saw the look on Sera's face, don't worry, you were leaving. Emily was congratulating you and welcoming you to a new home. You didn't want that. You did your worst. Replicating what Alastor would to a T. As easy as pie, you reverted to your demonic self, appearance and all, yet the wings and halo were still hovering over your head. You learned to keep them away, 3 forms, angel, demon, and mixed.

It didn't matter to you, you were heading back home.

During when you were looking for a way to leave, you wondered about Alastor. He's free now that you're in Heaven, no one to hold his soul. Will he be the chaotic and destructive demon he was before your time together? Did he miss you? You shook your head, thinking that Alastor would be happy that you were gone. You never got to say you liked his company.

When you arrive back in Hell, you were pleasantly pleased that there was no holy light or explosion to announce your arrival. So you went back to your home district. You saw the new hotel building and smiled, thinking Alastor's having fun since you spotted the radio tower that's definitely for him. You were, however, confused by the shield around your home's domain. You recognize it as Alastor's, it was the same one as the one used in the battle.

Reappearing in your bedroom, you found the place spotless and everything in its place like no time has passed. At the sound of a plate breaking, you turned around and saw Alastor standing in the doorway. You raised a brow and questioned what he's doing here.

"Darling." Alastor appeared in front of you in the blink of an eye, "You're... You can't..." Your eyes narrowed, you figured what happened with his reaction to you. He was in denial of your death and treated like you were alive. Now that the real deal was back, he's in disbelief. You raised your hands and cupped his face, your wings appearing to hover yourself over the floor as did your halo though it was dulled. Alastor cupped your hands, closing his eyes momentarily. The both of you enjoyed the silence. But Alastor suddenly pushed you onto the bed, your wings ruffling from the sudden action. You shouted at him, trying to get him off of you. He turned you around, having full view of your wings. "You have angel wings... You were redeemed?" "What else? Adam killed me but I went to Heaven instead of poof." You tried to get up but Alastor was still pushing you down. You told him to get off of you, only to cut off when you felt your wings being pulled harshly. "Alastor!" "You're staying. You're not leaving. I won't let you leave me again." Alastor muttered, ignoring your cries. "Never."

Yeah, your death and disappearance pushed Alastor off the edge. And because the soul contract was broken, you couldn't fight off Alastor while he's in that state. Normally, he wouldn't dare cause you pain or harm you in any way. But he's going to do anything to keep you close to him. Even when it's forceful. He doesn't need your affection, he just needs you. And he knows all that you like, so you would be fine with it later on. Give it some time.