#elli parvo

[genevieveetguy]

The Gates of Heaven (La porta del cielo), Vittorio De Sica (1945)

[perfettamentechic]

19 febbraio … ricordiamo …

9 febbraio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2021: Luigi Albertelli, paroliere e autore televisivo italiano.  (n. 1934) 2019: Karl Lagerfeld, Karl Otto Lagerfeld, stilista e fotografo tedesco. (n. 1933)2019: Giulio Brogi, attore italiano. Dall’inizio degli anni sessanta inizia a recitare in teatro.(n. 1935) 2010: Elli Parvo, all’anagrafe Elvira Gobbo, attrice italiana. (n. 1914) 2009: Oreste Lionello, è stato un attore, cabarettista,…

[theageofthemovies]

DESIDERIO - (Roberto Rossellini & Marcello Pagliero, 1943-1946)

"Tired of being a prostitute, Anna (Elli Parvo) decides to come back to her native village but her return is not what she imagined for herself: in the family she is welcomed with hostility and while her brother-in-law Nando (Massimo Girotti) goes nuts over her, the slimy Riccardo (Francesco Grandjacket) blackmails her by threatening to tell her past to her naive boyfriend (Carlo Ninchi) ".

Rossellini, influenced by "Ossessione" (Luchino Visconti, 1942), began the film (temporary title: "Scalo merci") in 1943 from a screenplay by Giuseppe De Santis, Rosario Leone and Diego Calcagno but the war events forced him to stop shooting and rewrite the plot (new title: "Rinuncia"); director Marcello Pagliero completed the movie (following Rossellini's suggestions) after the end of the war but the censorship intervened heavily. Nowadays a complete version is available that allows us to judge and criticize the movie as it deserves.

I can note all the elements of the great verist melodrama are evident in the film and there is much moralizing rethorics but some values are present and undeniable like the condemnation of the family and the explicit treatment of sex as a motive of human deviance (and Elli Parvo shows also her bare breast). Rossellini tries to represent the inner life of his characters and their inability to communicate by relating to themes of his future masterpieces, from "Germania anno zero" to the films with Ingrid Bergman.

r.m.

R.M.

[stargirlrchive]

ellie’s gofundme

hi my lovies 🤍

here are some new ellie pictures 🫂 she’s doing so good and has a vet visit on thursday to get her 2nd round of vaccines and we’re hoping to get the parvo and hookworm clear on 07/03 !

[mudwerks]

(via Film Noir Photos: Smoking in Bed: Elli Parvo)

[unateoriadegliautori]

desiderio (1946)

[di-biancoenero]

Elli Parvo in  La Donna Perduta (1940) diretto da Domenico Maria Gambino

[womeninmovieswearinghats]

Elli Parvo, Alberto Sordi and Franco Coop in L’arte di arrangiarsi (1955)

Direction: Luigi Zampa

Costumes: Piero Tosi

[beautifulactres]

Elli Parvo (1914-2010)

[xheavisidex]

update on ellie: i’ve been busting my ass taking care of her but she’s definitely over parvo now and she’s crazy and happy as ever ❤️🐕❤️

[bullydogsworld]

My lil Parvo survivor, Ellie ❤️

[corallorosso]

Hoc die volemus smascherar quella figura que ogne XXV Dicember, in barba allo genetliaco de Nostro Signore et alla incoronatio De Carolus Magnus, si aggira per le urbe penetrando illegalmente collo favor delle tenebre in le abitatio di omnia nobis. Elli porta seco una longa bianca barba et est solito addobarsi de rubiconde vesti nella consapevolezza que non sará mai arrestato dalle vis dello ordine. Lo stolto italico mediano, non parvo de far entrar un ladro nella propria magione, appende in la fenestra o in lo balcone uno fantaccio de esto natalizio lestofante per ottener l'approvatio delli gonzi vicini suoi. Poco importa se elli favoreggia un criminale, poco importa se elli deturpa l'urban paesaggio, poco importa se elli offende lo buon gusto. Feudalesimo e Libertá ne habet le gonadi plene de este immorali carnevalate da guitti. Feudalesimo e Libertá esorta li sodali suoi accoliti ad pugnar esti immirabili pupazzi cum dardi, saette et incendiari strali. Vedrem poi quanti altri messer Rubicondi esporran effigi de lestofanti!! Feudalesimo e Libertà

[perfettamentechic]

19 febbraio … ricordiamo …

19 febbraio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic #felicementechic #lynda

2021: Luigi Albertelli, paroliere e autore televisivo italiano. Negli anni sessanta si dedica alla musica e alla pittura. Vincendo il Festival di Sanremo 1969 con la canzone Zingara e inizia a dedicarsi esclusivamente alla musica in qualità di paroliere. Inizia da allora un’intensa attività che lo porterà a scrivere oltre mille canzoni. Intensa la sua attività di autore di sigle per telefilm e…

[theageofthemovies]

DESIDERIO - (Roberto Rossellini and Marcello Pagliero, 1946).

"Anna (Elli Parvo), tired of her life as a prostitute, decides to come back to her natal village but is greeted with hostility by her family; while her brother-in-law Nando (Massimo Girotti) falls for her, the slippery farmer Riccardo (Francesco Granjdacquet) menaces to reveal her shameful past to the naif florist (Carlo Ninchi) who is in love with her...”.

Under the spell of “Ossessione” (Luchino Visconti, 1943), Rossellini in 1943 initiated the movie with the title “Scalo merci” and a screenplay co-written by Giuseppe De Santis but the war compelled him to stop the filming and then to rewrite the story (this time titled: “Rinuncia”). After the end of the war, Marcello Pagliero asked Rossellini to continue the movie; he eventually finished the film (under the tight control of Rossellini himself) in the year 1947 but the Italian censors savagely cut and changed it. For few years the original, and uncut version is available on DVD so permitting the viewer to rate the movie according to its (noticeable) quality. If the cliché of the “verist” melodrama is clearly evident and there is much moralizing rhetorics, one can’t help to appreciate the condemn of the patriarchal family as a social institution and the explicit treatment of sex as a motivation of the individual. And the movie is also important under the historic side as Rossellini tends to cinematically represent the interior life of the characters and their incapability to communicate so forecasting some situations of his future masterpieces, from “Germania, anno zero” to the movies with Ingrid Bergman.

r.m.

[mudwerks]

Elli Parvo

Italian postcard. Ballerini & Fratini Editori, Florence, no. 2392. Photo Generalcine.

[unateoriadegliautori]

il sole sorge ancora (1946)