#Richard Lupino

[perfettamentechic]

9 febbraio … ricordiamo …

9 febbraio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2022: André Wilms, attore francese. Nel 1989 partecipò al film L’insolito caso di Mr. Hire. Apparve anche in film tedeschi, tra cui Europa Europa, e finlandesi, tra cui alcuni lungometraggi; per uno di questi, Vita da bohème, ottenne il Premio per miglior attore non protagonista agli European Film Awards del 1992. Nel 2017 affiancò Charlotte Rampling nel film Hannah. (n.1947) 2020: Mirella Freni,…

[citizenscreen]

Richard Arlen, Ida Lupino, Jack Benny, and Gail Patrick at Paramount on a break during filming of Raoul Walsh’s ARTISTS AND MODELS (1937)

[tourneurs]

“Where I go, you’ve got to go. You’re tied to me.”

Road House (1948) directed by Jean Negulesco

[ennaih]

Every Film I Watch In 2023:

222. The Comedy Of Terrors (1963)

[petersonreviews]

[lupinoschums]

[letterboxd-loggd]

Yours for the Asking (1936) Alexander Hall

January 8th 2023

[from1837to1945]

Lady Luck with lyrics x The Show of Shows (1929)

[bluebellofbakerstreet]

Number 50 in a series

Others in this series: Basil Rathbone (Fox), Martin Freeman,  Jude Law,  Benedict Cumberbatch, Rachel McAdams,  Jonny Lee Miller, Vinette Robinson, Jeremy Brett, David Burke, Andrew Scott, Nigel Bruce (Fox), Robert Downey, Jr., Jon Michael Hill, Two Violets, Mark Gatiss, Basil Rathbone (Universal), Nigel Bruce (Universal), Rupert Graves, Evelyn Ankers, Louise Brealey, Lucy Liu, Edward Hardwicke, Christopher Plummer, James Mason, Una Stubbs, Gayle Hunnicut, Hugh Laurie. Robert Sean Leonard, Yasmine Akram, Ronald Howard, Martin Freeman (TAB), Benedict Cumberbatch (TAB), Howard Marion-Crawford, Archie Duncan/Richard Larke, Peter Cushing, Nigel Stock, William Gillette, Edward Fielding/Burford Hampden, Kay Fielding, Rosalie Williams, Andrei Panin, Ingeborga Dapkunayte, Igor Petrenko, Rosalyn Landor, Gareth David-Lloyd, Ben Syder, Millie Bobby Brown, Henry Cavill, Jared Harris, George Zucco/Ida Lupino

@randomnessoffiction

[titleleaf]

As Zanuck Sr. repeatedly told his son, had Valley of the Dolls been a product of the Hollywood studio system at its apex, in less than a week he would have assigned it to a contract director, one or more of the studio’s stable of thirty-plus top screenwriters, an available cameraman, production and costume designer, a composer, and a cast selected from 20th’s contract talent roster. It isn’t hard to imagine a forties-era Valley of the Dolls. On tap at the studio were any number of great beauties and “types,” some of them quite talented. And if those weren’t quite right, Zanuck might have arranged to borrow talent from other studios. There was Gene Tierney, Linda Darnell, or Jeanne Crain to play the reserved New Englander Anne Welles. Betty Grable, Rita Hayworth, or Lana Turner might have played the luckless showgirl Jennifer North. The young Bette Davis, Susan Hayward, or Ida Lupino would have fit as brilliantly talented, tormented Neely O’Hara. Tyrone Power/Gregory Peck/Cornel Wilde could have slipped easily into the role of suave, slippery Lyon Burke, alongside Dana Andrews as press agent Mel, Vincent Price as Charles Revson–inspired cosmetics empire maven Kevin Gillmore, and Clifton Webb as fashion designer Ted Casablanca. For good measure, Zanuck could have thrown in Gertrude Lawrence as fading Broadway virago Helen Lawson, Frank Sinatra/Dean Martin/Vic Damone as Tony Polar, and Geraldine Fitzgerald as Miriam, sister of the sexy, childlike crooner. Or had Zanuck made the movie later in his career, he could have helped himself to the talents of, respectively, Hope Lange, Diane Varsi, or Shirley Jones as Anne, Marilyn Monroe, Joan Collins, or Debra Paget as Jennifer, Joanne Woodward as Neely, Richard Burton or Stephen Boyd as Lyon, Roddy McDowall as Ted Casablanca, Claudette Colbert or Mary Martin as Helen, Elvis Presley as Tony with Angela Lansbury as Miriam. But in 1966, the days of the studio system and exclusive contracts were on life support. With the long shadow of Darryl F. Zanuck looming over Valley of the Dolls, it would take Richard D. Zanuck, producer David Weisbart, and director Mark Robson long, torturous months and many reversals before the casting—let alone the entire production—finally pulled together. And, from his Paris headquarters, Zanuck Sr. thought that was laughable—when he didn’t find it infuriating.

-- Dolls! Dolls! Dolls!: Deep Inside Valley of the Dolls, the Most Beloved Bad Book and Movie of All Time, Stephen Rebello

Rebello's bonkers fancasts here have captivated me.

[perfettamentechic]

19 febbraio … ricordiamo …

9 febbraio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2021: Luigi Albertelli, paroliere e autore televisivo italiano.  (n. 1934) 2019: Karl Lagerfeld, Karl Otto Lagerfeld, stilista e fotografo tedesco. (n. 1933)2019: Giulio Brogi, attore italiano. Dall’inizio degli anni sessanta inizia a recitare in teatro.(n. 1935) 2010: Elli Parvo, all’anagrafe Elvira Gobbo, attrice italiana. (n. 1914) 2009: Oreste Lionello, è stato un attore, cabarettista,…

[citizenscreen]

Richard Arlen, Ida Lupino, Jack Benny, and Gail Patrick during production if Raoul Walsh’s ARTISTS AND MODELS (1937)

[decaffeinatedartichoke]

Richard Dyer's "Homosexuality and Film Noir" and Ida Lupino's The Hitch-Hiker (1953)

In his article "Homosexuality and Film Noir", Richard Dyer outlines how homosexuality is portrayed and implied within the genre. Dyer first lays out the ground rules for what defines a noir before delving into the different elements that make up queer subtext in the films. Ida Lupino's The Hitch-Hiker is considered the first (and last) noir film directed by a woman. This makes it an interesting film to compare to the rest of the genre as it helps to give insight into the different patriarchal ideas which permeate the films. It also is an interesting film to compare to Dyer's own analysis of homosexuality in film noir as some would argue the film has queer subtext.

When going down the checklist presented by Dyer as what is typical of queer subtext in film noir, The Hitch-Hiker doesn't seem to check many boxes. There is no femme fatale, the men in question are not portrayed as fastidious or well-groomed/cultured, and the film is not particularly sexually-charged. This does not mean however that there is nothing in the film that could be taken as queer subtext. There is a strong male-male relationship at the center of the film, the two men are traveling on a vacation alone together, away from their wives/families, the men are not "hard-boiled" but rather are more soft than your typical male protagonists, and, most notably, the film has no women. The male relationships in a women-free world is the big element mentioned by Dyer that the film seems to check off.

The differences between Dyer's article and the subtext in The Hitch-Hiker can be looked at through the lens of considering The Hitch-Hiker as the only women-directed Noir. Lupino brings a unique perspective to the genre, therefore her film doesn't conform perfectly to what is typical. At first it may seem strange that a woman would direct a movie with no women in it, but Lupino uses the film to subvert certain ideas about gender. Lupino's portrayal of her male protagonists is atypical of other male protagonists in the genre. The two main characters, Gil and Roy, are the victims in the film, subjected to the power of another man. They are not strong and potent like more Bogart-esque characters. They are also protective of one another, particularly Gil to Roy as he takes care of him, even going so far as to knock him out to save his life.

These portrayals subvert and criticize male ideas about power and gender roles in film, particularly in the noir genre, as well as can be interpreted as queer subtext as they focus on a relationship between two men without the presence of women and inverts certain ideas about gender.

[kwebtv]

Burke’s Law -  List of Guest Stars

The Special Guest Stars of “Burke’s Law” read like a Who’s Who list of Hollywood of the era.  Many of the appearances, however, were no more than one scene cameos.  This is as complete a list ever compiled of all those who even made the briefest of appearances on the series.  

Beverly Adams, Nick Adams, Stanley Adams, Eddie Albert, Mabel Albertson, Lola Albright, Elizabeth Allen, June Allyson, Don Ameche, Michael Ansara, Army Archerd, Phil Arnold, Mary Astor, Frankie Avalon, Hy Averback, Jim Backus, Betty Barry, Susan Bay, Ed Begley, William Bendix, Joan Bennett, Edgar Bergen, Shelley Berman, Herschel Bernardi, Ken Berry, Lyle Bettger, Robert Bice, Theodore Bikel, Janet Blair, Madge Blake, Joan Blondell, Ann Blyth, Carl Boehm, Peter Bourne, Rosemarie Bowe, Eddie Bracken, Steve Brodie, Jan Brooks, Dorian Brown, Bobby Buntrock, Edd Byrnes, Corinne Calvet, Rory Calhoun, Pepe Callahan, Rod Cameron, Macdonald Carey, Hoagy Carmichael, Richard Carlson, Jack Carter, Steve Carruthers, Marianna Case, Seymour Cassel, John Cassavetes, Tom Cassidy, Joan Caulfield, Barrie Chase, Eduardo Ciannelli, Dane Clark, Dick Clark, Steve Cochran, Hans Conried, Jackie Coogan, Gladys Cooper, Henry Corden, Wendell Corey, Hazel Court, Wally Cox, Jeanne Crain, Susanne Cramer, Les Crane, Broderick Crawford, Suzanne Cupito, Arlene Dahl, Vic Dana, Jane Darwell, Sammy Davis Jr., Linda Darnell, Dennis Day, Laraine Day, Yvonne DeCarlo, Gloria De Haven, William Demarest, Andy Devine, Richard Devon, Billy De Wolfe, Don Diamond, Diana Dors, Joanne Dru, Paul Dubov, Howard Duff, Dan Duryea, Robert Easton, Barbara Eden, John Ericson, Leif Erickson, Tom Ewell, Nanette Fabray, Felicia Farr, Sharon Farrell, Herbie Faye, Fritz Feld, Susan Flannery, James Flavin, Rhonda Fleming, Nina Foch, Steve Forrest, Linda Foster, Byron Foulger, Eddie Foy Jr., Anne Francis, David Fresco, Annette Funicello, Eva Gabor, Zsa Zsa Gabor, Reginald Gardiner, Nancy Gates, Lisa Gaye, Sandra Giles, Mark Goddard, Thomas Gomez, Pedro Gonzalez Gonzalez, Sandra Gould, Wilton Graff, Gloria Grahame, Shelby Grant, Jane Greer, Virginia Grey, Tammy Grimes, Richard Hale, Jack Haley, George Hamilton, Ann Harding, Joy Harmon, Phil Harris, Stacy Harris, Dee Hartford, June Havoc, Jill Haworth, Richard Haydn, Louis Hayward, Hugh Hefner, Anne Helm, Percy Helton, Irene Hervey, Joe Higgins, Marianna Hill, Bern Hoffman, Jonathan Hole, Celeste Holm, Charlene Holt, Oscar Homolka, Barbara Horne, Edward Everett Horton, Breena Howard, Rodolfo Hoyos Jr., Arthur Hunnicutt, Tab Hunter, Joan Huntington, Josephine Hutchinson, Betty Hutton, Gunilla Hutton, Martha Hyer, Diana Hyland, Marty Ingels, John Ireland, Mako Iwamatsu, Joyce Jameson, Glynis Johns, I. Stanford Jolley, Carolyn Jones, Dean Jones, Spike Jones, Victor Jory, Jackie Joseph, Stubby Kaye, Monica Keating, Buster Keaton, Cecil Kellaway, Claire Kelly, Patsy Kelly, Kathy Kersh, Eartha Kitt, Nancy Kovack, Fred Krone, Lou Krugman, Frankie Laine, Fernando Lamas, Dorothy Lamour, Elsa Lanchester, Abbe Lane, Charles Lane, Lauren Lane, Harry Lauter, Norman Leavitt, Gypsy Rose Lee, Ruta Lee, Teri Lee, Peter Leeds, Margaret Leighton, Sheldon Leonard, Art Lewis, Buddy Lewis, Dave Loring, Joanne Ludden,  Ida Lupino, Tina Louise, Paul Lynde, Diana Lynn, James MacArthur, Gisele MacKenzie, Diane McBain, Kevin McCarthy, Bill McClean, Stephen McNally, Elizabeth MacRae, Jayne Mansfield, Hal March, Shary Marshall, Dewey Martin, Marlyn Mason, Hedley Mattingly, Marilyn Maxwell, Virginia Mayo, Patricia Medina, Troy Melton, Burgess Meredith, Una Merkel, Dina Merrill, Torben Meyer, Barbara Michaels, Robert Middleton, Vera Miles, Sal Mineo, Mary Ann Mobley, Alan Mowbray, Ricardo Montalbán, Elizabeth Montgomery, Ralph Moody, Alvy Moore, Terry Moore, Agnes Moorehead, Anne Morell, Rita Moreno, Byron Morrow, Jan Murray, Ken Murray, George Nader, J. Carrol Naish, Bek Nelson, Gene Nelson, David Niven, Chris Noel, Kathleen Nolan, Sheree North, Louis Nye, Arthur O'Connell, Quinn O'Hara, Susan Oliver, Debra Paget, Janis Paige, Nestor Paiva, Luciana Paluzzi, Julie Parrish, Fess Parker, Suzy Parker, Bert Parks, Harvey Parry, Hank Patterson, Joan Patrick, Nehemiah Persoff, Walter Pidgeon, Zasu Pitts, Edward Platt, Juliet Prowse, Eddie Quillan, Louis Quinn, Basil Rathbone, Aldo Ray, Martha Raye, Gene Raymond, Peggy Rea, Philip Reed, Carl Reiner, Stafford Repp, Paul Rhone, Paul Richards, Don Rickles, Will Rogers Jr., Ruth Roman, Cesar Romero, Mickey Rooney, Gena Rowlands, Charlie Ruggles, Janice Rule, Soupy Sales, Hugh Sanders, Tura Satana, Telly Savalas, John Saxon, Lizabeth Scott, Lisa Seagram, Pilar Seurat, William Shatner, Karen Sharpe, James Shigeta, Nina Shipman, Susan Silo, Johnny Silver, Nancy Sinatra, The Smothers Brothers, Joanie Sommers, Joan Staley, Jan Sterling, Elaine Stewart, Jill St. John, Dean Stockwell, Gale Storm, Susan Strasberg, Inger Stratton, Amzie Strickland, Gil Stuart, Grady Sutton, Kay Sutton, Gloria Swanson, Russ Tamblyn. Don Taylor, Dub Taylor, Vaughn Taylor, Irene Tedrow, Terry-Thomas, Ginny Tiu, Dan Tobin, Forrest Tucker, Tom Tully, Jim Turley, Lurene Tuttle, Ann Tyrrell, Miyoshi Umeki, Mamie van Doren, Deborah Walley, Sandra Warner, David Wayne, Ray Weaver, Lennie Weinrib, Dawn Wells, Delores Wells, Rebecca Welles, Jack Weston, David White, James Whitmore, Michael Wilding, Annazette Williams, Dave Willock, Chill Wills, Marie Wilson, Nancy Wilson, Sandra Wirth, Ed Wynn, Keenan Wynn, Dana Wynter, Celeste Yarnall, Francine York.

[yamilex456]

Week 5: Women & Noir Film

The Hitch-Hiker (1953) is the one and only noir film directed by a woman. Ida Lupino, who lived from 1918-1995 was born in England but later moved to the United States to pursue the entertainment industry. Ida Lupino had multiple roles in the movie industry, she began her career as an actor then she later worked her way up to become a screenwriter, producer and director. Lupino worked with Warner Bros for a bit but was later suspended, she worked mostly in an independent sector, establishing a production company of many filmmakers alongside her second husband Collier Young. Ida Lupino with the help of her husband both wrote and directed the hitchhiker which is inspired by a true crime story following Billy and his murder spree. Ida lupino personally interviewed the men who were held hostage to get a better and deeper understanding to better write the script. The Hitchhiker is a class noir film, which is to describe angsty and stylish Hollywood crime dramas. There is a basic structure of noir films which is basically a loop of nightmares. At this time the united states' censorship is censoring many films due to their profanity, slavery, sex perversion, drugs, etc. Richard Dryer writes about Homosexuality and Film noir and gives a deep analysis of noir films. Dryer states “ , it is clearly only in a minority of films noir that gay characters appear (I doubt if I have missed more than two or three), yet their absence from all other types of film and the caution with which even film noir had to introduce them suggests that they do nonetheless constitute a defining feature of film noir taken as a whole. Second, it will be noted how the iconography of male and female gays contrasts with that of straight men and women in film noir, not to the extent of cross-dressing, but in terms of glamorous and sensual as opposed to rough and severe for women, and carelessness as opposed to fastidiousness for men”. Noir films can be seen as angsty but it gives the spotlight to more important things and gives a platform to everyone.

[garethllane]

FILM LOG || May 2024 ★★★★★ - Strangers on a Train, Alfred Hitchcock (1951) ★★★★★ - The Thing, John Carpenter (1982) ★★★★☆ - Seconds, John Frankenheimer (1966) ★★★★☆ - In Cold Blood, Richard Brooks (1967) ★★★★☆ - The Killing Kind, Curtis Harrington (1973) ★★★★☆ - Space is the Place, John Coney (1974) ★★★★☆ - The Swimmer, Frank Perry (1968) ★★★★☆ - Challengers, Luca Guadagnino (2024) ★★★★☆ - The Last House on the Left, Wes Craven (1972) ★★★★☆ - Compulsion, Richard Fleischer (1959) ★★★★☆ - Rope, Alfred Hitchcock (1948) ★★★★☆ - Luminous Procuress, Steven Arnold (1971) ★★★★☆ - The Heartbreak Kid, Elaine May (1972) ★★★★☆ - A Bucket of Blood, Roger Corman (1959) ★★★★☆ - The Misandrists, Bruce LaBruce (2017) ★★★☆☆ - Swoon, Tom Kalin (1992) ★★★☆☆ - The Ghastly Ones, Andy Milligan (1968) ★★★☆☆ - Confessions of a Psycho Cat, Herb Stanley (1968) ★★★☆☆ - Let's Scare Jessica to Death, John D Hancock (1971) ★★★☆☆ - Color Me Red, Herschell Gordon Lewis (1965) ★★★☆☆ - Angel Angel Down We Go, Robert Thom (1969) ★★★☆☆ - Hard Fast and Beautiful, Ida Lupino (1959) ★★☆☆☆ - Ishtar, Elaine May (1987) ★★☆☆☆ - Blood Freak, Brad Grinter and Steve Hawkes (1972) ★★☆☆☆ - Scream Baby Scream, Joseph Adler (1969) ★★☆☆☆ - Bloody Mama, Roger Corman (1970) ★☆☆☆☆ - Spike of Bensonhurst, Paul Morrissey (1988) ★☆☆☆☆ - Go Ask Alice, John Korty (1973)