#ellen wagner

[tempe-corals]

Diskussion zu "Triff das Riff! – Perspektive Kunst"

Looking for Medusa

Gespräch mit Katharina Hoppe, Florian D. Schneider und Julia Katharina Thiemann

13. Januar, 19.00 Uhr Treffpunkt: Haupteingang des Naturmuseums Die Teilnahme ist kostenfrei

Für die künstlerische Intervention „Looking for Medusa“ verknüpfen Linda Weiß und Nina M.W. Queissner natur- und kultur-wissenschaftliche Recherche, um sich dem Lebensraum der Korallen anzunähern. Das Gespräch mit der Soziologin Katharina Hoppe, der Kunstwissenschaftlerin und Kuratorin Julia Katharina Thiemann sowie dem Biologen Florian Schneider widmet sich nun der Frage, wie unterschiedliche Wissensformen, vor allem im Medium der Kunst, zusammenkommen können.

Mit welcher Wirkung können sie gemeinsam Themen vermitteln? Wie kann es gelingen, Lebensräume erfahrbar zu machen, die sich der menschlichen Wahrnehmung entziehen? Welche kuratorischen Strategien gibt es, um Wissenschaft und Imagination zu verbinden? Und welche Bedeutung kommt dem transdisziplinären Austausch dabei zu? Das Gespräch findet in Anwesenheit der Künstlerinnen und Kuratorinnen statt.

Bildinformation:  Nina M. W. Queissner und Linda Weiß, Looking for Medusa, 2023, Detail, Foto: Nina M.W. Queissner

Anmeldung über https://museumfrankfurt.senckenberg.de/de/kalender/#undefined erforderlich

[coochiequeens]

By Rachel May

Rachel May, English professor and author, came upon Elizabeth Wagner Reed’s book about a decade ago, on Reed’s daughter’s website.

Published April 22, 2023Updated April 24, 2023, 10:50 a.m. ET

This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.

In 1992, the geneticist Elizabeth Wagner Reed self-published “American Women in Science Before the Civil War,” a book highlighting 22 19th-century scientists. One of them was Eunice Newton Foote, who wrote a paper on her remarkable discovery about greenhouse gases, “a phenomenon which is of concern to us even now,” Reed wrote.

Foote was forgotten soon after the paper was read aloud by a male scientist at a conference in 1856 and published the following year. A male scientist was eventually credited with the discovery.

Like Foote, Reed herself fell into obscurity, a victim of the erasure of female scientists that the historian Margaret Rossiter coined the Matilda Effect — named for the sociologist Matilda Joslyn Gage, whose 1870 pamphlet, “Woman as Inventor,” condemned the idea that women did not have the skills to succeed in the field.

Reed, however, made significant contributions to the sciences.

She wrote a landmark study about intellectual disability genetics, helped found a field of population genetics and wrote many more papers on botany, the biology of women and sexism in science.

Reed persisted in her research even when she found herself a widow with a toddler during World War II. By the time of her death, in 1996, in spite of publishing more than 34 scholarly papers, public school curriculums and two books, the record didn’t bend in her favor. It wasn’t until 2020, when the scientist and scholar Marta Velasco Martín published a paper on Reed, that her legacy was resurrected.

Reed was born Elizabeth Wagner on Aug. 27, 1912, in Baguio, in what was then called the Philippine Islands, to Catherine (Cleland) and John Ovid Wagner. John was from Ohio and worked in construction there at the time; Catherine, from Northern Ireland, was working in the Philippines as a nurse.

The family later settled on a farm in Ohio, where Elizabeth grew up picking raspberries “from dawn to dusk,” her son William Reed said in a phone interview.

“She learned how to work really hard,” he added. “I remember her saying how much she loved school, partly because it wasn’t doing farm work.”

At the end of one summer, he said, she used some of her earnings to buy a book about wildflowers in Ohio — “her first purchase was a scientific book.”

She would go on to cultivate wildflowers in her backyard as an adult, volunteer at a wildflower arboretum in Minnesota and write about botany in scientific articles and in educational materials for children. Reed’s daughter, Catherine Reed, told Martín that her mother “loved nature, especially plants, and, wanted to be a scientist from a very early age.”

In 1933, Reed earned her bachelor’s degree at Ohio State University, where she also earned a master’s in 1934 and a Ph.D. in plant physiology in 1936. She put herself through school with a scholarship and by washing dishes and working in the cafeteria. In 1939 and 1940, she published her first two papers, one about the effects of insecticides on bean plants and the other about how various types of dusts affect the rate of water loss in yellow coleus plants by night and day.

In 1940, she married a fellow scientist, James Otis Beasley, and had a son, John, with him just after James left to fight in World War II in 1942. When her husband was killed in the war the next year, she supported herself and her son by teaching at five different universities. “The first part of her life,” William Reed said, “was sheer determination.”

She began working with the geneticist Sheldon C. Reed, whom she married in 1946, and together they helped found the field of Drosophila population genetics, which uses fruit flies as a simple and economical method of studying genetics in a laboratory while offering important insights into similar species.

Soon after, the couple moved to Minnesota, where Sheldon was hired as the director of the Dight Institute of Human Genetics at the University of Minnesota in Minneapolis. Elizabeth was denied a job at the university, which cited rules against nepotism.

The Reeds went on to write a book about intellectual disabilities that analyzed data from 80,000 people and their families; the study, they said, was “one of the largest genetic investigations so far completed.”

They found that disabilities could be caused by genetic or environmental factors and could therefore be heritable. They also proposed — to controversy that still exists today — that such disabilities were preventable through education of the general public and voluntary sterilization or birth control of potential parents with low I.Q.s.

Though Elizabeth’s name was listed first as author, a letter of acknowledgment calling the couple’s work “truly magnificent” referred to them as “Dr. and Mrs. Reed.” 

Reed was quite aware that her husband was receiving more credit, her son William said, but she never let it embitter her. In 1950, however, she published a paper on sexism in the sciences based on her study of 70 women working in the field. It found that marriage and childbirth decreased their productivity and sometimes even dissuaded them from continuing their careers. It led her to mentor women in the field through the advocacy group Graduate Women in Science.

“She was a scientist before it was popular for women to become scientists,” Nancy Segal, a psychologist at California State University known for her study of twins, said in an interview, “and she was a great role model for so many of us women postdocs at the time.”

In writing “American Women in Science Before the Civil War,”Reed corresponded with archivists and scoured card catalogs, journals and proceedings of associations and societies. In addition to recognizing Eunice Foote’s work almost two decades before other scientists did, the book included biographies of, among others, the astronomer Maria Mitchell; Ellen Smith Tupper, who was known as the “Queen Bee of Iowa” for her study of that insect; and the entomologist Mary Townsend.

Reed wrote that it was a testimony to the strengths of these women that they pursued science despite the fact that they were “often denied entry to colleges and unable to attain professional status.”

Reed also supported teaching children about science so that they would have the tools to solve what she called the “current crises of exploding populations and deteriorating environments.” She published papers about teaching proper scientific methods in schools and created curriculums with the University of Minnesota.

“Classrooms always house some living organisms,” she wrote, tongue-in-cheek, in the Journal of the Minnesota Academy of Science in 1969. “In many, unfortunately, all are of a single species, Homo sapiens. The population consists of many immature species (children) and a few adults, usually female (teachers). This makes for a certain homogeneity, but it can be alleviated by introduction of other living species, animal or plant.”

The fact that Reed was, like so many of her predecessors, lost to history is indicative of the pervasive sexism of her era. But women today continue to face hurdles in entering scientific fields. A report from the Massachusetts Institute of Technology this year found that “the underrepresentation of women in the science, technology, engineering, and mathematics (STEM) fields continues to persist,” with women making up only 28 percent of the STEM work force.

Like Reed, her daughter, Catherine, was a scientist, having earned a Ph.D. in ecology, but she ultimately became so disillusioned that she held a ceremonial burning of her degree and instead turned to artwork and championing her mother’s legacy. She published her mother’s book on American women in science on her website in about 2010. She died in 2021 at 73.

Elizabeth Wagner Reed died at 83 on July 14, 1996, most likely of cancer. She recognized her symptoms, but, knowing what the treatments would be like and, to her mind, the probable outcome, she never sought a diagnosis. (Sheldon Reed died in 2003.)

William Reed said there was no joy like taking a walk with his mother, who could describe every plant and animal they passed. She and Sheldon were avid bird-watchers (and occasional polka dancers), and the family spent many vacations at Lake Itasca, Minn., relaxing under old-growth Norway Pines.

Reed’s favorite flower was the showy lady’s slipper, the state flower of Minnesota, an orchid notoriously difficult to cultivate, like the careers of many of the women she wrote about. Its Latin name is Cypripedium reginae, with reginae meaning queen.

[opera-ghosts]

Ellen Gulbranson (1863-1947) was one of the great Wagner voices of her time.

Between 1897-1914 she sang all the Brünnhildes in Richard Wagner's Ring at the Bayreuth Festival.

In this photo from 1902 we see the singers in Bayreuth and the original newspaper report praises them in the highest tones.

There are some recordings of her.

[fadingtimetravelqueen]

Caleb Martin: The Rising Star Making Waves in the NBA

In the world of professional basketball, Caleb Martin has been making a name for himself with his impressive performances. From his high school days to his college career and(more)

[salemoleander]

lost in the dark (Hunger AU) webweave

Created as a tribute to the absolutely incredible fic @definitelynotshouting is writing, up to the current plot beat!

// Sources under readmore //

What is a webweave? Previous art: Third Life | Void Falling | Attempt 33 | Martyn | Limited Life | Nightingale Chapter 1 | Chapter 2 | singing songs to the secrets behind my eye | A Hundred Things We Had Not Dreamed Of | solving counting sheep

Pt. 1: Flutter / Valerie Hammond ◆ Sanssouci Palace + The Black Ice Cream Song edit / @mountainqoats ◆ Excerpt from The Average Fourth Grader is a Better Poet Than You (And Me Too) / Hannah Gamble via @blackberryjambaby ◆ of course i bite textpost / @valtsv ◆ Lie Down / Ellen Jenkins ◆ 27 / Daniil Kharms trans. Matvei Yankelevich ◆ Embrace my Soul / Sergio Borga ◆ Color Changing Magic Potion / DirksenCraft ◆ Fragile Bird / @cocoabats ◆ Holding Onto Black Metal / Debra Baxter ◆ Excerpt from III. The Child / Quinn Newell via @voicedwords ◆ Crawler Pot / Rose Schmits ◆ Metamorph / Gunnel Watkins ◆ Untitled eye / Henrik Aa Uldalen ◆ tumblr guide for chad twitter users (real) / @arahir ◆ the best way to solve problems tweet / @wolfpupy

Pt. 2: Reoccurring Nightmare comic / @deep-dark-fears ◆ Knotted Serpentine / Hannah Russell ◆ Garden + Blues in Dallas edit / @mountainqoats ◆ The Watching Moth / Cady Shaye Poorman ◆ NOCTURNAL Series 11 of 20 / Santiago Caruso ◆ Watching Moth / Cady Shaye Poorman ◆ Afterglow / Pei Wang ◆ Sun in an Empty Room + The Young Thousands edit / @mountainqoats ◆ Study for "Mathematics," "The Sciences" / Kenyon Cox ◆ Hard to Swallow / Debra Baxter ◆ Molly Brodak / Molly Brodak via @kafk-a ◆ 02112022, S.T. / @ryebreadgf ◆ Woman with Red Hood / Alice Pike Barney ◆ Come On, Motherfucker, You Survived! / @selfhealingmoments ◆ Excerpt from The Blind Assassin / Margaret Atwood via @flowerytale ◆ Heirloom II / Cindy Rizza

Pt. 3: Excerpt from The Love Song of J. Alfred Prufrock / T.S. Eliot ◆ i love you. i can't tell you / @/tturing (OP altered, original contents linked) ◆ Hope is the Thing - Sunset Flight / Erica Wagner ◆ Poppies + Nova Scotia edit / @mountainqoats ◆ Untitled (open/end) / Debra Baxter ◆ Excerpt from Alive at the End of the World / Saeed Jones via @geryone ◆ Weeping (Lamentacia) / Dezider Toth via @amare-habeo ◆ NOCTURNAL Series 7 of 20 / Santiago Caruso ◆ Fridge Funerary Epitaph / @catilinas ◆ Untitled (Trail of eyes) / @julialepetit ◆ Stained Glass Hellebore, California Poppy, + Poppy / Jessica Saunders ◆ 世界の声が聞こえるとき (When the voice of the world is heard) / Tomohiro Inaba ◆ Still from Don't make me do this again gif / @cibastion ◆ Excerpt from So I Locked Myself Inside a Star for Twenty Years / Jeremy Radin ◆ Excerpt from Invisible Monsters / Chuck Palahniuk via @quotespile ◆ Potion Bottles / Edited from Panel 1 Source

[blogthebooklover]

Shadow of the Vampire {2000} - Full Horror Film HD

Since the teaser trailer for the Nosferatu remake dropped this morning, here’s a 2000 movie, Shadow of the Vampire.  A fictional account of the making of Nosferatu featuring:

Willem Dafoe as Max Schreck/Count Orlok

He is an absolute blast in this role!  Tbh, I almost forgot he played Count Orlok in this.

John Malkovich as F.W. Murnau, director of Nosferatu

Equally just as great as Dafoe.

Eddie Izzard as Gustav von Wangenheim/Thomas Hutter/Jonathan Harker

She doesn’t have too much screentime, since the movie is focusing on Murnau and Schreck’s working relationship as director and actor; however, she is also great in this too.

Catherine McCormack as Greta Schroder/Ellen Hutter/Mina Harker

Cary Elwes as Fritz Arno Wagner, the cinematographer

Udo Kier as Albin Grau, occultist; the producer, art director and costumer designer

John Aden Gillet as Henrik Galeen, the screenwriter

[xxgoblin-dumplingxx]

Cowboy Jason defending reader from weird men?

"That is one filly I'd love to break in-"

Jason felt himself shudder reflexively at anyone referring to his feisty little black smith as livestock and turned, ripping his eyes away from where you were chatting with another woman, handing over some coin for the washing she'd done and putting her garden hoe in the back of the wagon to take it to fix, "Pardon?" he said, trying to keep his tone neutral. He was here for a bounty. Not a brawl. Even if the girl in question was one of a kind.

"Loomis," the man said with a nod, "Heard you were staying up at old Jack's with the girls-"

"Word travels fast," Jason answered, "Todd." He offered his name because he figured the man would probably run across it anyway. And because you didn't need the kind of trouble having a mystery man in the barn would bring.

"You uh- her for Y/N?"

"Just passin' through," Jason said, "Doin' a little work for a hot supper and a place to bed down."

Loomis gave him a meaningful look and Jason shrugged, "Her horse bolted," he explained. "So I took her home. And she offered me a bed for some extra hands-"

Jason decided, when the man looked at him like a cat at the cream dish, practically licking his lips, that he didn't like Loomis. And he didn't like the way the man was watchin' your backside either. Like he was trying to figure out the best place to put the brand.

"Shame that low life brother of hers got himself killed," Loomis said. "Left 4 women in charge of some of the best land in the valley." He tutted, "The man that ropes one of them-"

"It ain't gonna be you, Loomis," Another man walking by said. His looks a sharp contrast to Loomis. Dark and weathered where Loomis was fair and freckled. "You shot that in the ass when you asked Miss Y/N to go courtin' the day after her pa died. The man weren't even cold-"

"Wagner," the man said, thrusting out a hand to Jason with a grin, looking pleased with himself when Loomis retreated.

"Todd-"

"I heard," he said, "You stay in the barn, hear? Miss Y/N got enough on her hands without your help." He gave Jason a meaningful look and glanced back to where the girls were tugging at your skirts playfully, pestering you for some penny candy for the ride home.

"I hear," he said nodding, deciding that of the two towns folk he met so far, Wagner was the least scummy.

"Miss Y/N's a good girl," he said. "Looks after her sisters. Keeps the business goin', minds her own. But Loomis is right about one thing, whether she knows it or not, she's sitting on a gold mine. And if she plays her cards right, she could cash it in for a pretty penny. Half the young bucks in the county aren't lookin' at her but they're all just waitin' for the other three to grow up a little."

"What's wrong with Y/N?" Jason snorted, "If it's in her name-"

Wagner snorted, "Ain't a man alive that can tell her what to do," he chuckled. "No Colton. Not old Jack, and sure as hell not some wet behind-the-ears plow boy whose ma still washes his skivvies. They don't want the headache."

"So why haven't you put your hat in the ring?"

He tilted his head slightly towards the woman you were talking to, plump cheeked and sweet-faced under her bonnet. A contract to your wilder looks, "Miss Ellen is more my speed," he said, "Miss Y/N would be the death of me- but damn it if she ain't the best black smith."

[tempe-corals]

NEXT … @Senckenberg Museum Looking for Medusa

RAUMKLANG-INSTALLATION 5 Kanäle, Mixed Media, Unterwasser-Tonaufnahmen von Korallenriffen (Marsa Nakari und Dolphin House, Rotes Meer, Ägypten), Schiffsverkehr (Frankfurt a.M.), Ärmelkanal (Alabasterküste). weitere Tonaufnahmen: Backpulver-Wasser-Reaktion, heißes Öl, Eiswürfel, Kristallglas/Wasser, Kaulquappen, Regen auf Polyamid u.v.m., Synthesizer, Melodica, Sansa. Keramik/Gips mit Kalk-/Salzverbindungen, organisches und synthetisches Leder/Textil, Gummi, Seegras, Yogamatten, Schleppnetze.

-- Führung für Mitglieder mit Linda Weiß, Nina M.W. Queissner und Ellen Wagner

Mittwoch, 26. Juli 2023, 17:30 Uhr

Ausgehend von antiken Mythologien über Korallen vereint die Arbeit von Linda Weiß und Nina M.W. Queissner Skulptur und Klang. Faszination und Gefährdung des Riffs spiegeln sich in einer Rauminstallation, die zugleich als künstlerisch gestalteter und experimenteller Lebensraum auftritt. Betrachter*innen sind eingeladen zu spekulieren, wie Korallen in der Zukunft leben könnten. Die Führung mit den Künstlerinnen sowie der Kuratorin Ellen Wagner gibt Einblick in die künstlerische Recherche und Materialforschung und lädt zum Austausch ein.

[linda-weiss]

Ausstellung Looking for Medusa w/ Nina MN Queissner. Senckenberg Naturmuseum – 01.06.23 – 15.01.24 Infos Presse Blog   Film-Screening Hydrozonen I : Uferferne am 30.09.23, 19:00 (begleitend zu Looking for Medusa)

Hausputz! Und andere Visionen für das Museum Kurhaus Kleve w/ Blockadia*Tiefsee – 18.06.–03.10.2023

Save the date : Misfortune must be fought back, L6, Freiburg, w/ Marian Maryland, Jonas Bolle, Opening: 13.10.2023

[boasamishipper]

since new night court brought back roz and the wheelers last season, here's everyone else who could conceivably show up in s3:

tony giuliano (ray abruzzo)

quon le robinson (denice kumagai)

patty douglas (mimi kennedy)

joan hobson (janet zarish)

lisette hocheiser (joleen lutz)

benet collins (pam grier) + baby reinhold (literally anyone)

rene robinson + charlie giuliano-sullivan (again could be played by literally anyone)

leon (bumper robinson)

buddy ryan (john astin)

the angel of death (stephen root)

billie young (ellen foley)

lana wagner (karen austin)

donna fielding (susan diol)

margaret turner (mary cadorette)

wanda flinn shannon (cathy mcauley)

sheila (leslie bevis)

[alldancersaretalented]

Jump Wins By Dancer

17 Wins: Cami Vorhees

11 Wins: Kayla Mak

8 Wins: Brady Farrar, Brooklyn Simpson, Kya Massimino, Madison Taylor, Vivian Ruiz

7 Wins: Ella Horan, Kamryn Funk, Nicholas Bustos, Ying Lei Pham

6 Wins: Crystal Huang, Hailey Meyers, Katie McCleary, Kayla LaVine, Lily Gentile, Lola Iglesias, Rachel Quiner

5 Wins: Ava Brooks, Brooklyn Cooley, Christina Ricucci, Elizabeth Scott Lanier, Ellary Day Szyndlar, Giselle Gandarilla, Gracyn French, Isabella Jarvis, Jonathan Wade, Kaylin Maggard, Kylee Casares, Lucy Vallely, Mariana Rodriguez, Olivia Alboher, Sarah Moore, Sophia Lucia

4 Wins: Aimee Brotton, Ali Ogle, Ana Maria Zertuche, Ava Wagner, Avery Gay, Cambry Bethke, Camille Cabrera, Campbell Clark, Carly Thinfen, Christian Burse, David Keingatti, Destanye Diaz, Eliana Hayward, Emma Sutherland, Hailey Bills, Halle Lum, Izzy Howard, Jackson Roloff-Hafenbreadl, Jaycee Wilkins, Jayci Kalb, Kelsie Jacobson, Kensington Dressing, Lauren Yakima, Logan Epstein, Madalin Autry, Makaia Roux, Makayla Ryan, Mary Jordan Clodfelter, Mila Simunic, Patricio Lopez, Rosie Elliott, Sabine Nehls, Scott Autry, Sophia Frilot, Sophie Garcia, Stella Brinkerhoff, Sylvia Borash, Talia Gabriel, Taylor Worden, Tim Blankenship, Valadie Cammack

3 Wins: Addison Moffett, Aimee Smyke, Ali Deucher, Allie Andrew, Alyssa Robert, Amy Benedetto, Avery Lau, Bostyn Brown, Braylynn Grizzaffi, Britton Johnson, Brooke Cheek, Brooke Cox, Brooke Toro, Caden Hunter, Caitlyn Polis, Camila Cordero, Candace Vincent, Casey Tran, Chau, Chloe Madding, D'Angelo Castro, Dasha Waldemer, Dyllan Blackburn, Ella Dobler, Ella Jones, Ellen Grace Olansen, Emma York, Erin Bailey, Esme Chou, Findlay McConnel, Fiona Sartain, Fiona Wu, Grace Lethbridge, Harper Anderson, Hayden Hopkins, Hudson Pletcher, Isabel Ulloa, Isabella Lynch, Isabella Vorhees, Isabella Weidmann, Jazmine Raine Werner, Jessica Ferretti, Josie Lutz, JT Church, Justin Pham, Keagan Capps, Keely Meyers, Keira Redpath, Kennedy Anderson, Lauren Shaw, Libby Borash, Lindsey Weaver, Logan Hernandez, Lucia Piedrahita, Mackenzie Meldrum, Maddie Ziegler, Maria Jose Gonzalez, Mariandrea Villegas, Marion Norris, Michelle Quiner, Mini Preston, Miyah LaGrant, Morgan Higgins, Neala Murphy, Nicole Ishimaru, Payton Schultz, Preslie Rosamond, Rachel Louiselle, Reegan Francis, Regina Lozano, Ricky Ubeda, Ruby Castro, Samantha Falk, Savannah Folding, Savannah Manning, Savannah Manzel, Scarlett Ferrell, Selena Hamilton, Sidney Ramsey, Sienna Morris, Sylvie Win Szyndlar, Tessa Marr, Vera Escamilla

[zeroz2ro]

"Prigozsin a friss hangfelvételben arról beszél, hogy a védelmi minisztérium szerződéses jogviszonyba kényszerítette volna őket 2023. július 1-jétől, ezzel a Wagner csoport lényegében megszűnt volna létezni. A Wagner csoport vezetői nem voltak hajlandók aláírni ezt az egyezményt, arra hivatkozva, hogy ez jelentősen rontotta volna működési hatékonyságukat. -"Mindenki látja a jelenlegi helyzetből, hogy működik most [az orosz reguláris hadsereg]. Jelentősen romlott volna a hatékonyságunk" - mondta. Prigozsin elismerte: valóban régebb óta gyűjtögették a fegyvereket azzal a céllal, hogy július 30-án felvonuljanak a védelmi minisztérium ellen, de korábban megindították az akciót, mert "megtámadták őket egy rakétával." Szerinte ennek a támadásnak 30 áldozata volt.

Prigozsin arról is beszélt, hogy azért fordult vissza, mielőtt elérte Moszkvát, mert nem akarta orosz katonák vérét ontani.

Elismerte: valóban megöltek néhány orosz pilótát, de nem akartak senkit bántani, csak olyan orosz légi célpontokat lőttek ki, melyek fenyegetést jelentettek számukra. Hozzátette: a szárazföldön egyetlen orosz katona sem halt meg."

Nem akart orosz katonákat ölni, de valóban megöltek több orosz pilótát, de a szárazföldön senkit!!!

[opera-ghosts]

„WALKÜRE“ R. Wagner / SECOND and THIRD ACT

Some Brünnhildes

Amalie Materna as Brünnhilde; Bruxelles, 1889

Pauline Mailhac as Brünnhilde; Karlsruhe, 1891

Ellen Gulbranson as Brünnhilde; Bayreuth, 1902

Lucienne Breval as Brünnhilde; Paris, ca. 1900

Anna Bahr-Mildenburg als Brünnhilde; Vienna, ca. 1900

Laure Berge as Brünnhilde; Bruxelles, ?

Elise Beuer als Brünnhilde; ?, ?

Olga Blomé as Brünnhilde; Bayreuth, 1924

Lina Boeling as Brünnhilde; ?, ?

Helena Braun as Brünnhilde; Munich, ?

Gertrud Bindernagel as Brünnhilde; ?, ?

Berthe Briffaux as Brünnhilde; Antwerpen, 1932

Lotte Burck as Brünnhilde; Milan, 1932

Sara Cesar as Brünnhilde; Rome, 1920

Sofie Cordes-Palm as Brünnhilde; ?, ?

Erna Denera as Brünnhilde; Berlin, ?

[knightofchariot]

Tarot Books List - part one

1-2-3 Tarot: Answers in an Instant Donald Tyson 101 Tarot Spreads Sheilaa Hite 21 Ways to Read a Tarot Card Mary K. Greer 22 Paths of Inperfection Matt Laws 360 Degrees of Wisdom Lynda Hill 365 Tarot Activities Deanna Anderson 78 Degrees of Wisdom Rachel Pollack 90 Days to Learning the Tarot Lorri Gifford A Guide To Mystic Faerie Tarot Barbara Moore A Guide to Tarot and Relationships Dolores Fitchie & Andrea K. Molina A Guide to the Nomadic Oracle Jon Mallek A Keeper of Words Anna-Marie Ferguson A Sephirothic Odyssey Harry Wendrich & Nicola Wendrich A Wicked Pack of Cards Michael Dummett & Ronald Decker & Thierry Depaulis A Year in the Wildwood Alison Cross Absolute Beginner's Guide to Tarot Mark McElroy Alchemy and the Tarot Robert M. Place All Love Goes Before Me Stewart S. Warren An Introduction to Transformative Tarot Counseling Katrina Wynne Ancient Mysteries Tarot: Keys To Divination And Initiation Roger Calverley Angel Readings for Beginners Elizabeth Foley Animals Divine Companion Lisa Hunt Best Tarot Practices Marcia Masino Beyond the Celtic Cross Paul Hughes-Barlow & Catherine Chapman Book of Thoth Aleister Crowley Brotherhood Tarot Companion Patric Stillman aka Pipa Phalange Buddha Tarot Companion Robert M. Place Chakra Wisdom Oracle Toolkit Tori Hartman Choice Centered Relating and the Tarot Gail Fairfield Chrysalis Tarot Holly Sierra & Toney Brooks Complete Guide to Tarot Illuminati Kim Huggens Confessions of a Tarot Reader Jane Stern Conscious Channeling From the Akashic Rozàlia Horvàth Balàzsi Creator's Tarot Nicole Richardson Daily Spread Tarot & Oracle Journal Alyssa Montalbano Dark Goddess Tarot Companion Ellen Lorenzi-Prince Designing Your Own Tarot Spreads Teresa Michelsen Destiny's Portal Barbara Moore Deviant Moon Tarot Patrick Valenza Discovering Runes Bob Oswald Discovering Your Self Through the Tarot Rose Gwain Easy Tarot Ciro Marchetti & Josephine Ellershaw Easy Tarot Guide Marcia Masino Easy Tarot Reading Josephine Ellershaw Encyclopedia of Tarot Volume IV Stuart Kaplan & Jean Huets Enochian Tarot Betty Schueler & Sally Ann Glassman & Gerald Schueler Essence of the Tarot: Modern Reflections on Ancient Wisdom Megan Skinner Explaining the Tarot Thierry Depaulis & Ross Caldwell & Marco Ponzi Explore the Major Arcana Judyth Sult & Gordana Curgus Exploring the Tarot Carl Japikse Fortune Stellar Christiana Gaudet Fortune's Lover: A Book of Tarot Poems Rachel Pollack Going Beyond the Little White Book Liz Worth Good Cat Spell Book Gillian Kemp Guide to the Sacred Rose Tarot Johanna Gargiulo-Sherman Heart of Tarot Amber K Hieros Gamos: Benediction of the Tarot Stewart S. Warren Holistic Tarot Benebell Wen Integral Tarot: Decoding the Essence Suzanne Wagner It's All in the Cards: Tarot Reading Made Easy John Mangiapane Jung and Tarot Sallie Nichols Kabbalistic Tarot Dovid Krafchow Kaleidoscope Tarot Leisa ReFalo Karmic Tarot William C. Lammey Learning Tarot Reversals Joan Bunning Learning the Tarot Joan Bunning Light-Of-Day: Tarot & Dream Work - A Practical Guide Gigi Miner Magic Words: A Dictionary Craig Conley Meditations on the Tarot Anonymous Messages from the Archetypes Toni Gilbert, RN, MA, HNC Mirror of the Free Nicholas Swift My Tarot Journal Katrina de Witt Mystical Origins of the Tarot: From Ancient Roots to Modern Usage