#element preferences

[gay-cat]

what is your favorite element on the periodic table

You silly goose

I like hydrogen for of its simplicity and that it makes practically every other element (nuclear fusion)

Oxygen because it's oxygen idk

I like mercury because it's very cool very liquid and shiny it looks so cool

[jicklet]

Ember and Wade in Elemental (2023)

[al-luviec]

sensei morro ref (is it really an au if it's part of your personal canon)

[stars-obsession-pit]

Danny Phantom was not used to fighting magic users. Ghosts, yes. But humans with powers? No.

So when a cult managed to successfully summon and bind him, he lacked the knowledge of how to stop them.

And they tore him apart.

His core was broken into pieces, each one then implanted into one of the most loyal cult members (or potentially sold off to another person to use…) to grant them a portion of Phantom’s many powers.

However, the cult didn’t entirely know what they were doing either. You see, it turns out that shattering Danny’s core in that manner didn’t truly end him. His soul still persisted, still refused to die even as it was trapped amongst the disparate shards. Though each individual piece lacked the strength of mind or power to affect their hosts, they would gradually forge themselves together anew should they ever be gathered back together.

And after Red Hood killed several of the cult’s members, that process began. Their shards, now freed, transferred to the vigilante, instinctively latching onto his proto-core. Though still not yet whole enough to form a truly conscious fragment of Danny, they are enough to start to nudge Hood in the right direction (bolstered in effectiveness by Jason’s connection to death)

Jason can feel it deep within his soul. There’s something more to this cult’s powers than just normal magic, and he has a growing need to find out what that is. To stop them. To burn them all down and dig their secrets from the ashes.

[tunastime]

UM UM UM “staying up until midnight to talk” with SEN or DBHC ethubs or docsuma

Or “pull me closer,” with dbhc docsuma :floshed:

Okay skitters away

staying up until midnight to talk (919 words) (x) (:3c)

Etho’s hands follow a practiced rhythm. He isn’t sure how they wouldn’t, with every wire and mechanism and gear in his body perfectly calibrated to move with precision and within expectation. He certainly fails, and jerks, and stutters, and falls, but base programming, movements that fell perfectly into subroutines he couldn’t even begin to trace, even if Xisuma showed him the exact steps? Of course they were perfect. And of course he never faltered.

The sand beneath him offers a much needed cushioning from the hard, winter dirt, despite the fact that the sun provides little warmth to the air around them in the snow fort. The sky is so blue it makes his eyes strain to look at—and maybe it would hurt, if he knew how it was supposed to feel.

Instead, Etho watches patches of sky blue in the silver-warped reflection of his sword, faint flickers of enchantment pulsing out from the hilt where the hastily carved runes sit. He runs the sharpening stone against the blade’s flat edge, careful not to nick the silicon of his fingers as he scrapes it across, again, and again. Practiced, careful, calculated rhythm. So much so that he doesn’t even register the sounds of shuffling a few paces away until Bdubs’ voice cuts through the silence.

“Etho,” he says, voice all rough around the edges like he were hungry for something more than just company. Etho keeps sharpening, just for a moment, before he chances a glance over.

Bdubs leans at the wooden fence, leaning his weight into the flimsily-set posts. He grins like nothing in the world could bother him. The characteristic dark brown of his eyes flickers with red, with that same hunger. Etho hates it. Which is odd. Because he really doesn’t feel strongly about much of anything, and disgust is an emotion very foreign to him, and he’s beginning to think the slight grinding in his chest is a problem Xisuma might need to diagnose when he gets back. It feels wrong. Because he knows he likes Bdubs just fine. He trusts him just enough. But that look.

Bdubs is still watching him, eyeing the sword in his hand with a gaze he can’t place, let alone read. Better give him an answer.

“Bdubs,” he says calmly, tilting his head to the side.

“You thought anymore about my offer?”

Etho makes a sound like a hum, mimicking the sound of turning the idea over in his head. He stands, setting his whetstone next to the cold embers of last night’s fire. The pot and cups still rest in the dirt, as cold as the rest of their surroundings. The sword stays in his hand.

(In the back of his mind, a memory surfaces. In it, Etho lies in the night-damp grass in clothes that still smell a bit like gunpowder, but not enough to notice unless you got real close. Bdubs is somewhere to his immediate left, still speaking, haloed in the glow of lanterns and lights of a shop. One of them at least. Within the clarity of memory, Etho can pinpoint that it’s Tango’s shop. Bdubs doesn’t live far from here. He isn’t sure when waiting for Tango to restock candles turned into tell Etho all about the extra additions to your base and your journey to find all the perfect horses for the Horse Course that you both just wrapped up, or into tell Bdubs all about how empty the mountain is, and how interesting this new game sounds, and how you hope you both find somewhere cool to base. Because you’ve already told him that you’re teaming up. But it does, and in this same space, the sky is full of bright white stars and a sliver of a moon that's starting to peek into the sky. Bdubs yawns.)

“The one from last night?” Etho asks, coming to with the sword heavy in his hand. He pushes the point into the soft sand until it hits hard earth and starts to give.

“You don’t gotta keep this fence, Etho…” Bdubs sighs, leaning his head into his palm. Etho folds his arms across his chest, splays one hand as he shrugs.

“Seems like the best way to settle this, ‘Dubs.”

“You could join me. Could always still join me,” Bdubs tries. “Just a quick one-two stab! Easy!”

“I can’t do that,” Etho says, shaking his head. “You know that.”

Bdubs sighs again, dramatic, deflating over the fence as Etho’s rejection stands firm. The thirium in his chest feels like it’s been flash frozen and has only started to dethaw, cold in his hands and feet, up his shins and to his elbows. He rolls his shoulders in, cupping each hand around each opposite elbow. There’s a little warmth to be found in the action with no fans kicking on to compensate.

“Well,” Bdubs says, drumming on the wooden beam between the two fence posts. “If you ever change your mind.”

He watches Etho for a moment, that familiar look coming to his eyes, as if it were trying to eclipse the haze of red Bdubs looks at him through, as if it were trying to expand his tunnel vision by just a fraction of an inch. Just as Etho notices, it’s snuffed, and the easy, careful look is replaced by an indifference Etho doesn’t think he enjoys. He still isn’t sure how much he knows for certain. He shrugs, barely a movement at all. Better say something.

“I won’t,” he says.

Bdubs huffs and turns away.

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[lynx-doodles-indie-games]

resin was appalled when he learned hornet had never played floramon before, so he's finally fixing that.

…except she's playing with nuzlocke rules.

nothing can go wrong from this >:3

[miraculouslbcnreactions]

So, controversial topic. taking in count that in a month, the webcomic "scarlet lady" is gonna end ¿what are your feelings about it?

I know that there's people out there that don't like it for the chloe salt, but i have to admit that the damnation that chloe went through, at least for me, gave her more agency than canon, for the fact that it wasn't manipulated by outside forces like canon did, it gave her the right to choose to be better or worse.

Another great element is that it does what canon refused to do: five back Adrian his agency by letting him vent his frustrations AND let him realize that his father is a bastard.

If you don't agree, that's more than excellent, i want to know your take in this topic, that being positive or negative 😄👍

My friend, you are talking to a big Scarlet Lady fan, so I'm happy to give my thoughts! Get ready for some gushing and in-depth discussion of the adaptation process. That's really what all fanfiction is, but Scarlet Lady is more of an adaptation than most since it's a true canon rewrite that often requires you to know canon to fully appreciate its jokes and meta commentary.

Before we get into it, I want to give a link to the comic for those who haven't read it. The artist/writer is @zoe-oneesama and this is page one of the comic. I'd follow the comic link if you haven't read it as the comic is nearing its end, so going straight to Zoe's page will spoil you on elements of ending.

General Thoughts on Adaptation

Adaptation is an art, not a science. There are things that are objective elements of a story. Things you really cannot change if you want people to feel like you're telling an adaptation of a given tale. But there are also plenty of elements that are more subjective. Things some people might consider vital, but that aren't truly necessary to stay true to the story's core. (Yes, the character core thing applies to stories too!)

For example, to be a Cinderella adaptation, you need to have some sort of big reveal moment where "the prince" finds Cinderella, but that moment doesn't need to involve a slipper and the prince doesn't need to be an actual prince. My favorite modern Cinderella adaptation is A Cinderella Story: Once Upon a Song and it twists both of those elements while keeping the major story beats in place, making it fully deserving of the Cinderella label while also being its own unique story that isn't a straight retelling, it's an adaptation.

I bring all this up because, as readers of this blog may have already guessed, Scarlet Lady does a lot of things that I personally would not do when adapting Miraculous. A big one being that I prefer a more complex take on Gabriel, but that's simply a matter of preference. A complex Gabriel is not a requirement for adapting Miraculous. Complex Gabriel vs comedic villain Gabriel is just a choice you have to make when it comes to adapting canon because canon is such a mess that both options have straight up backing in the source text. Even if they didn't, Gabriel's core role - villain - is one that leaves you a lot of room for interpretation based on other factors that we'll talk about in a second.

I'll close off this section with this: having read all of Scarlet Lady, I'll be so bold as to say that Zoe and I almost perfectly align when it comes to identifying the flaws in Miraculous because I've agreed with pretty much every change she's made. She did a fantastic job staying true to the core of canon while also telling the story she wanted to tell. It's not the way I'd redo canon, but it doesn't need to be for me to call it a fantastic story. Plus a lot of the different choices I'd make come down to narrative style and tone.

Narrative Style and Tone

I'm a novelist at heart, which means that I favor serialized storytelling. For those who don't know that word, it means stories that are one coherent whole just broken into chunks. Stories where the order matters. You can't start watching at a random episode, you have to start at the beginning. And skipping an episode usually means that you'll have no idea what's going on.

Miraculous is not a serialized show. It's primarily an episodic show, a word that means that episode order doesn't matter. Every installment stands alone.

Obviously Miraculous isn't completely episodic, but that's fine. Purely episodic narratives are rare these days. Most stories have at least minor serialized elements even if those elements are often ignored for multiple episodes at a time. This is where both Miraculous and Scarlet Lady fall. They're mostly episodic stories with serialized elements popping up every now and then.

Miraculous does this element poorly because it acts like it's a purely episodic show and then takes that to an absurd extreme. Rules, characters, and lore can never be counted on to stay the same from episode to episode even though that's not actually how episodic stories work. Scarlet Lady doesn't make this mistake. It understands that episodic narratives should have STORIES that stand alone, but that the WORLD the stories take place in must stay consistent.

Now that we've gone over the basic format stuff, let's talk about tone.

Generally speaking, tone is the vibe of your story. It can be serious, silly, dramatic, and so on. One of Miraculous' biggest flaws is that its tone is all over the place. It's a silly romcom that brings in serious topics in serious ways and then handles them with all the grace of a hippo performing ballet in a china shop because of course it does! Those topics are horribly suited to the show's overall tone so it has no way to properly address them.

This is one of the many things I love about Scarlet Lady. It takes the show's absurdist tone and honors it. That's why Zoe's version of Gabriel works so well! He's a silly cartoony villain in a silly cartoony comic as he should be. It's also why my versions of Gabriel tend to be more complex. More serious serialized narratives are where more serious complex villains thrive. Neither option is better than the other, it all comes down to how you're adapting the original work. Zoe's choices are perfect for her version's style and tone. If mine are even close to that good for my preferred style and tone, then I'll be a happy author.

Narrative Weight & The Chloe Thing

This is getting long, so I'll end with a note on Chloe since you brought her up as it's another great example of the fact that there are very few choices that are inherently right or wrong when it comes to adaptation.

I don't know if I'd say that I'm a Chloe fan, but I certainly don't hate her. I also love what Zoe did with the character! It's a prime example of a thing that I've talked about before: the issue with Chloe is not a lack of redemption. The issue is that Chloe was given too much narrative weight to be what canon made her.

Quick definition: narrative weight is the importance a narrative places on a person, event, thing, etc. The more time you dedicate to an element of your narrative, the more weight that element has in the eyes of your audience. The more they expect the element to matter. The way that you develop the element will also shape audience expectations.

In the context of canon, Chloe has more development than almost any other side character. We know more about her family, her childhood, her personality, and so on. This was an absurd choice for canon to make because Chloe is not actually important to the story they told. You could pull her out of canon and almost nothing would change. Gabriel can make akumas do whatever he wants so, lore wise, he didn't need Miracle Queen. In fact, he arguably shouldn't have made Miracle Queen. He could have just taken the miracle box and jumped right into the plot of season five. Similarly, Chloe being mayor was an absurd one-note moment that's easily replaced with something more logical.

Because of this, there are a lot of things you can do when adapting Chloe. Everything from turning her back into a one-dimensional mean girl to redeeming her to what Zoe did: take Chloe's narrative weight and petty brat behavior and lean into both to make Chloe a main antagonist while also acknowledging the fact that Chloe is a messed up teenage girl who needs some serious help. I'm super excited to see the end of Chloe's arc in Scarlet Lady as I think it's going to be one of my favorites in the fandom. That is admittedly not a high bar as I'm very picky when it comes to Chloe content. I think most of it falls flat because most of it fails to let Chloe hit some sort of rock bottom when she absolutely needs to if you want to do anything interesting with her. She's not the kind of person who will easily change or see the error of her ways.

Conclusion

Scarlet Lady is a fantastic adaption of Miraculous and Zoe is a fantastic and funny adapter. The comic might not be to your tastes - and that's fine, nothing has universal appeal - but it's still a great example of how to honor source material while doing your own thing with it, which is a true skill. One of the problems with many modern retellings and reboots is that the people running the show don't understand how to adapt a narrative. They take far too much creative freedom and end up with something that doesn't feel anything like the source.

If I found out that Zoe somehow got hired to adapt something I love, then I wouldn't have any concerns. I'd have no idea what she'd do with it, but I'd be confident that it wouldn't spit in the face of the thing I love. I'd personally read a hundred Miraculous re-imaginings with her at the helm.

[waffleslashermaster]

Here’s my version/redesign of Lefty. She’s the most modern out of all the animatronics. I also added a ghostly Charlie

[silversailormoan]

If Bak Yerim has million number of fans i am one of them . if Bak Yerim has ten fans i am one of them. if Bak Yerim have only one fan that's probably a water elemental–

[alltheladiesyouhate]

genuine question but when did ships "being canon endgame" become the most important factor to ppl. to me that isn't what shipping is about and i have witnessed some of the most insane ship wars in fandom lately entirely predicated on this

[aro-culture-is]

aro culture is getting so fucking tired of people using the fact that there's a queer romance in something as a reason you should watch it. like haven't allos had enough of romance? queer or otherwise? I'm not saying queer representation is bad, of course, I'm just fed up with asking what a book is about and in response all I get is "oh it has queer people in it" cool! what is it about? having queer representation is not the be all end all of media can we please have ONE thing without romance in it. please.

.

[llannasvsp]

ninjago twt is so funny because you can say that you prefer "new" ninjago (post-movie seasons) to the original show (pilots-s7) and they'll be like, "you can tell who the new fans are".

likeee no i've been here since 2011. i just don't like the way the writers handled MANY things in the early seasons. especially their lack of portraying women in a good light. (the early seasons are SO sexist my GOSH).

edited to add: it's also so funny to me how many people are still dragging sam vincent as lloyd. yes, i occasionally miss jillian, but lloyd literally could not stay a pubescent teen forever. sam is slaying as lloyd and has been since 2018.

[wavebiders]

One thing that playing as a Selunite puts emphasis that I really like is that, after saving Aylin up until her personal quest in act 3, Shadowheart isn't actually ready to commit to serving Selune?

There's some hints of it in any playthrough, but if you play as a Selunite there's a few dialogue options where you can talk about her becoming closer to the Moonmaiden and she'll just be kinda like "after all I just went through with my goddess I'm a little hesitant to jump right to another one"

It's good because she *should* get that mourning period before deciding to serve another higher power(or if she even wants to serve one at all but Shadowheart's faith is important to her at the end of the day), but also because it makes clear that Selune is granting her her divine powers even without receiving worship in return

[oozeandgoo-art]