#either way... its my sideblog

[rafesbowbunny]

Is fratboy rafe and s1 rafe not the same? To me he was the most fratboy then

im guessing you've looked at my sideblog and are referring to my tags where i made a fratboy!rafe tag and an icky!s1!rafe tag?

because i have mentioned s1 rafe being a fratboy before, here , but for the sake of my nsfw blog i wanted to seperate two descriptions because s1 is definitely also got the fratboy thing going on but also the other icky components, whereas sometimes as well frat rafe can be seperate from s1 rafe if you get what im saying ?

anyways thank you for the ask ! <3

[front-facing-pokemon]

[nocturne-of-illusions]

man. having to delete all of my twitter posts across all of my accounts is so sad.... :[ i'm currently watching the deletion script eat its way through the 33k posts on my main.... that's over a decade of conversations with people who have since disappeared but i still think of fondly. i have a backup of MY posts, and i went through and screenshotted as many reply threads as i could, but i have no idea how many i missed... man.

[curseofbreadbear]

logging back in for a second to discuss an important question. do you think chucky (as of the latest season of the show) would be an anti-aging influencer on tiktok?

[verisimilar-entropy]

Wistfully thinks of Spellwind, I should make a headcanons up to ep 31 list its just my equivalent of like Skyrim or lotr where theres so much going on and so dense but god damn one of my favorite episodes was when two of my favorite characters became trees and the entire experience was like...they were tripping on shrooms but also one with the shrooms? Its like episode 8

and I love the dms orc captain that hates going on land and is there for the in between transportation from sea to sea land to land ferryman (not really I feel like its mostly hard to narrate and have a character at the same time) I just love captain buttocks' (yeah I'm pretty sure thats his name) humor and how him and djett ('jet') were closer in the beginning

I love ty and varsha together but I also ship smith with them as time went on, I can't tell who I want to joke as the third smith and varsha are friends to lovers, ty and varsha are irritated assholes to lovers, smith is just a jaded old fuck that loves his morons (he respects varsha a lot and thinks ty is an entertaining idiot)

Varsha and Djett are siblings they love each other like family and share different spells and potions and knowledge of interest notes

I feel like the only person really thinking too deeply about this tabletop story and wanted to drop a few lines of appreciation, I like listening to it to go to sleep since its so slow paced and gently spoken and the music and sound efx is so sweet

[attila-werther]

GOT A URL FOR BAD GOVERNANCE

[broke-on-books]

FOR 21.5 HOURS?!?!?!?!?!!?

I AM BEING SILENCED HERE

[dexaroth]

licherally how it feels to read the deconstruction of a story and everyone speaking so eloquently about character motivations and the way they act and talk and the whys of that and the bunch of details that lead to those conclusions meanwhile i can barely scrape a personality for my ocs

[heritageposts]

large zionist blocklist below

i've compiled a list of all the blogs positively interacting with the @/israel-palestine-bingo blog

there's more info about how the names were complied under the read more, but just to get an idea of how vile the blog is, i just want to quickly mention that the first prize offered in their pinned post, "eight hours of memi mamtera," is the song used in the viral israeli tiktok trend of kidnapping, humiliating, and torturing palestinians in the west bank.

and the "grand prize," which needs no explanation, is "all of palestine! for free!"

some quick info: all the names here have either approvingly replied to, reblogged from, or liked one or more of @/israel-palestine-bingo's posts. for likes, i've only gathered names that appear under their original posts; mostly ones that have not been reblogged, and some with 2-3 reblogs that have not left the immediate sphere of zionists. i've also made sure that these are blogs who have either liked more than one posts from them, or who frequently reblogs from other zionists.

you can also quickly look through the blog yourself (it doesn't have that many posts), or check out any of the names on the list with a quick 'israel' or 'palestine' in the search bar or their blogs.

there are more screenshots at the end of the posts, including ones showing who made the blog (ani-lo-daredevil / katenotbishop), and the bingo board itself (ashenpumpkin).

blocking tip: fastest way to mass block users (on desktop) is to go to settings -> the blog your blocking them from -> scroll all the way down to 'blocked tumblrs,' and then copy-paste the name your blocking

names listed below in alphabetical order reminder again, block don't engage

2peachy acleverforgery ani-lo-daredevil apollo-enthusiast ashenpumpkin <- credited for making the bingo board, reblogged/liked almost all of their posts. aureatecorvid avi-on-jumblr (main @/clear-what-i-was-seeing) awstheticshit bambahalva bleepiesheepie bluenorther blueredfetch bones-and-crows britneysmeanshirt cannibalism-is-my-love-language captain-navii casavanse celepito chubbybubba ciitrus--fruitz coffeelovinggayidiot da-socks davos-is-the-one-true-king dchan87 disregardenedgnostic elder-millennial-of-zion faggotry-enjoyer fdelopera flowercrownsandfairylights fluffel677 fluffy-art-moss george-lucas-is-god got-chavi icereader12 illegitimatetenenbaum inklingm8 its-hila jewishlivesmatter just-illegal karinhasdacookie

katenotbishop <- the main account of the person running the blog. her sideblog is @/ani-lo-daredevil

kelluinox kingofslush letaot-ze-magniv lingonberryjamistakenwhat lovelyhairedpianist magic-coffee marrymepadfoot marvel-ous-posts masters-puddle <- pornblog mixmangosmangoverse morganas-simp mossadspydolphin multifandermissesanakin nameless370 namiko026 nevleg32 notcrazyiswear oakstar519 perfectlynormalperson psychologeek queerius randomname3 redvodyanoi rhysaka sally006 sbinklebooper scp-1296 shinekocreator <- commented, 'but is this the 8 hour version?' on a post where someone ''won'' the song used in the tiktok torture videos. snakelung sort-of-a-demon soxiyy stuffandatherstuff tearsandice tedious-waffle thebejeweledwatercat the-library-alcove thirdmagic thisgingerhasnosoul timegirl tolaat-bli-toelet <- the person running the bingo blog. mainblog is @/katenotbishop transmascpetewentz tribulation-of-somnolence unexistencerpg viktorrotkiv wanderingmadscientist whiterose-blackrose whitesunlars why5x5

note: @/tolaat-bli-toelet changed her username to @/ani-lo-daredevil (her main is still @/katenotbishop)

and from the same post,

the last post was also reblogged by the creator of the israel-palestine-bingo blog

[thedubiousdallon]

Okay, fuck it, I've built up enough goodwill with this sideblog - let's risk it all by sharing my opinions on how Amy is handled in Ward.

It's kinda complicated I think.

Okay, now that I've resisted the urge to immediately hit post for the bit: I think the way her interludes are written substantially flattens her character in a way that I find distasteful and unpleasant, but I find the overall shape of her arc and her role in the narrative compelling. The things I dislike have been well-covered by plenty of other people in the fandom, so I'm going to focus on the things I like.

To talk about Amy's role in Ward, I first need to talk about my interpretation of Ward as a whole. To me, Ward is, above all else, about trauma and recovery. Society is traumatized by the end of the world, the shards are traumatized by the death of Scion and their loss of purpose, individuals are traumatized by all the things individuals are traumatized by. As an aside, this reading is a big reason why I'm not too bothered by a lot of the world building choices that other people frequently (and fairly) criticize - I think many of them serve this theme effectively.

One specific facet of that reading that I find particularly compelling is Ward's interest in people who are traumatized not just by the harm done to them, but by the harm they've done. Characters don't just regret what they've done, they don't just want to be better, they are traumatized by it, and their reactions to that trauma are as messy and complicated as any other traumatized people. I don't always agree with the stances the text takes on how to deal with having done harm and been traumatized as a result, but I find the exploration of the topic compelling.

Enter The Altruistic Amy Dallon.

Amy's arc in Worm was, to a degree, a prototype of this kind of storytelling. She is repeatedly and horrifically traumatized, the actions she eventually takes in response to that experience inflict equally horrific trauma on her victim, and she is further traumatized by her own actions almost to the point of ego death. She removes herself from the environment she was in, begins rebuilding her sense of identity and ethics, and reemerges having grown, prepared to do better going forward and to make reparations for her past actions as best she can. Arc done! It's satisfying and cathartic, and we leave content in the knowledge that the part she's on will take her to better places. It's the quintessential appeal of a redemption arc, and it's a strong example of its type.

There's something people like to say a lot when talking about mental health and personal growth in real life, and that is that progress isn't linear. It's an important truth to understand.

It's rarely true in fiction. Very often, in redemption arcs, in personal growth arcs, after a series of false starts and setbacks, the character reaches a critical point where they resolve their conflict and either overcome it or succumb to it. From that point on, their nature or behavior is fundamentally changed - if they've grown they never relapse past a certain point, or do so only fleetingly, or else never improve past a certain point. This makes sense from a storytelling perspective, but it doesn't map to how growth often works in real life.

In Ward, Amy occupies the very rare narrative position of being who completes her arc of growth and redemption, who crosses that critical threshold of lasting, meaningful change... but backslides anyway, to the point of essentially losing all that progress.

It's an outcome that I find very believable for her, honestly. Her newfound worldview and conviction were forged in the very insular environment of the Birdcage - of course they would be impacted by her new environment. She says at the end of Ward that she had been able to excuse all of her worst behavior because she had convinced herself that she could fix anything - and at the end of Worm, I can see how she would come to think that! She's been pardoned and released from Forever Prison, she overcame her old aversion to brains to create Khepri and thereby saved the world, she's formed a positive relationship with the father she never thought she'd meet, she's receiving love and support from parents she never felt good enough for, she's using her powers to help people in a way that doesn't make her want to die, and she even "fixed" Victoria, when failing to do that before was the final nail in the coffin she just finished clawing her way out of! The sheer number of seemingly impossible things she's accomplished, of apparently irreversible failures she's seemingly put right, is mind boggling! It'd be the easiest thing in the world to let that go to your head!

Her social circle is also a perfect environment to enable her worst tendencies - there's no one left in it whose opinion she trusts that's willing to call her on her shit. Marquis doesn't see anything wrong with her behavior, Carol is trying to make up for a decade of neglect and unwarranted criticism, Mark just wants everybody to get along and be happy, and Riley and Rinke are pretty shaky on this whole human decency thing themselves! With a (not unjustified) pride in how far she'd come, a circle of willing enablers, a complete lack of moderating influences, and a bulletproof get-out-of-moral-culpability-free card, and two years to spiral, I find her backsliding to be completely believable. And given that Victoria is the fly in the ointment to all of this, that her continued refusal to have anything to do with Amy gives lie to Amy's belief that she can fix anything, and thereby puts the entire edifice of her self-rationalizations at risk, it also makes perfect sense to me that Amy would become fixated on her, on proving that she really can fix anything.

Of course, being believable isn't the same thing as being compelling. The thing that makes all this so resonant for me is that, at the end of Ward, after being this grasping spectre that haunts Victoria the whole book, after rejecting countless opportunities to demonstrate a hint of self-awareness or the slimmest motivation to change - Amy does. She sits down with a therapist. She rips off the band-aid - both the metaphorical one and the literal one made out of Victoria's skin, jesus christ Amy - looks at what she's done, at how she went awry, and resolves to do better. And we end with her in essentially the same place she was at the end of Worm: prepared to do better going forward and to make reparations as best she can. But the journey she has taken to get there gives the destination entirely new meaning for me. She's already fumbled her chance at redemption! But her journey gives lie to the idea that you only have one chance, or two, or any finite number! Every moment you draw breath is a chance to do better.

To me, Amy Dallon's arc in Ward shows that the most important step you can take is the next one, and no matter how many times you walk up and down that road, it never stops being true. And I find that compelling as hell.

[some-triangles]

I've been on tumblr since 2011, and this is technically a sideblog. My creative focus shifted over here, to - I guess what could loosely be referred to as fandom space? It was Homestuck's fault - many years ago, and I more or less consciously decided to shift the original blog's purpose from writing little bits of poetry about weird birds to finding bird videos on other platforms that I thought could go viral and reposting (stealing) them. (Always credited, of course. I'm not a monster.) This worked pretty well, and now I have 6000+ followers over there. Since I never use it to promote anything or for any purpose beyond birdposting I feel OK about this as an experiment. I mostly use it to people-watch.

The latest video I have gaining traction over there is one my friend Rat sent me (one of many friends who either found me through birds or Homestuck and each is equally plausible) in which a pelican at a petting zoo is forced to cough up the gosling it was attempting to swallow by a handler who has clearly had to deal with this many times before. She then frogmarches (birdmarches?) it away by its beak. Good stuff, and very on brand, as I've been warning people about the horrors of pelican vore for ages. (I even got my very own pervert for a while, an anon who kept badgering various bird blogs to write about what it might be like to be swallowed.) When something I post starts doing numbers I like to watch the notes and tags, because it fascinates me how people like to make the same jokes, over and over and over. Not even their own jokes. I have never fully understood this but it's undeniably foundational to the way the internet works. Like, I get dropping References in conversation - social glue and all that, fun and funny - but in a public forum? Where you could literally check and see how many people have said the same thing before you got to it? Baffling. Universal.

Anyway. We started slow with this one, and we had some discerning folks doing Democracy Manifest bits - succulent avian meal, and all that. As references go it's a pretty good one, as it has its own wikipedia page and everything, and it's timely with Jack Karlson's recent passing. There were a few I am Forcibly Escorted From tags, which is nice, since you don't hear that one much these days. A bunch of quotidian "she's so done" or "like a toddler being dragged by his ear" observations, mostly uninspiring, although the specificity of one person's "my mom dragging me into the church bathroom to whoop my ass" was worth sharing. A little bit of the classic concern trolling you get with any animal video - why indeed is this bird being kept in the same place as all these edible little guys? But, inevitably, because it is the perfect time to use it, most people went with "put baby in pelican mouth."

And the thing about this is that I know the person who wrote the original "put baby in pelican mouth" post. We met through tumblr. She was absolutely inspired by my pelican posting to write that piece, and I know that because we ended up dating. It ended badly, and I still have regrets about it, and now, every time I make a pelican post, I am treated to a choir of strangers - literally hundreds of them - repeating a joke which was written by my ex-girlfriend. It's straight from the ironic punishment division, really. But birdpost I must, and tagwatch I must.

Anyway, Nikki, if you're out there, hope you're doing well.

[transbunnyboi]

Hi, hi, hi!! It's ur fav bunnycunt hairy boi again!!! ໒꒰ྀིっ˕ -｡꒱ྀི১ I'm the most insatiable bunny here!! Previously @t4tbunnyboy (still there, but it was a sideblog!!)

My name is Jervi, you all know that. You can also call me Bunny, Hare or something like that !!! Age: 27 Height: 4'11" (I know…) No surgery!! On T, ftm, blond w/ brown eyes!!! Also around my eyes is rlly pink/red and I have an overbite with big teeth sooooo i rlly am a bunny boy i guess hehehe !!!

18+ BLOG!!! Minors DNI (DO NOT INTERACT) !!!!! If you do not have your age in bio or pinned, you will be blocked :3 31+ DNI !!!! Taken!!!! :33333

This acc is here so I can be uhmmmm a slutty fag online!!! HOWEVER!! I don't like DMs aaa I heavily prefer asks and will prolly ignore ones asking for dms srryyyy !!!

Petnames I like: Bunny (obvi), Rabbit, Hare etc., anything with boy in it (good boy, pretty boy yk), prince, uhmmmm uhmmm professor. Oh, also breeding toy :3 (uhmmm i also rlly rlly REALLY like being called a faggot pleaaase call me this hsdgfjhdgf) Names I don't like: Kid/Kiddo, angel, princess, anything with girl in it. that's pretty much it !!

Yes (bold I love); breeding, edging, light cnc, size difference, praise, somno, exhibitionism, intox, overstimulation, knife-play, hypno (either way), primal play, fear (?? Idk i like being scared while i'm getting fucked), petplay, Vampire kink, stalking (which plays into the fear thing I have uhmmm), soft cnc, slight degradation (mainly calling me. a faggot...) ummm there's more but I can't think

NO: feet stuff, anal, misgendering/detrans, ageplay, raceplay, vomit or anything unhygienic (I'm germophobic aaa), deepthroating, etc. I guess I'll think of more to add here but chances are if its along these lines, i won’t enjoy it.

Send asks plsplsplsplspls Ask me questions, tell me what to do, tell me dirty things!!!

i’m extremely horny and I want nothing more than attention pleaseee !! ໒꒰ྀིっ˕ -｡꒱ྀི১

OH I forgot!! Terfs, Nazis, pedos or anyone who is fucking weird/a terrible person will be beheaded if I see them !!! ૮꒰ ྀི >⸝⸝⸝ ྀི꒱ა Emojis that are taken: !!(he/him), ⭐,💜(they/he/she), 🦈, 🐦(they/he/she), 🐱, 🦴, 🧬(he/him),💙(she/her), ⚰️ (he/they/it), ☕ (he/it), 🪻 (he/they), 🫧, 🖊️ (they/them/he/him), ❄️(he/him), 🏴‍☠️(They/them/it/its),🌿 ( he/they), 🐸, 🦇 (any),🍃(any), 🍒, 🗡️, 🐶 (they/them), 🦗, ⚡️(he/him), ♥️ (they/them), 🐾, 🐺(he/they), 👻(he/him), 🌱 (they/it), 🪷 (he/him), 🌷 (she/they), 📋, 🦊 (she/her),🗣️(he/him),🍷 (he/him), 🐭 (he/it), 🐉 (They/He/It), 🪽 (fae•faem), 🦚, 💏, 🫀(he/him), 🇨🇵, 🐏 (she/it), 🌹(he/him), 🌸, 🦷

#puppoy archives is the tag I made for those who wanna read about my uhm. ADVENTURES with my ??? co-worker :3

The discord server for anons is available for those who ask for the link (you have to state your age when you send asks for the first time, and restate it when you ask for server) :3

[infiniteglitterfall]

OMG, COULD EVERYONE PLEASE STOP IMMEDIATELY BELIEVING AND REPEATING DISINFORMATION?!

Sorry, I just. Was just on Twitter, and I snapped.

I literally haven't seen one true statement about Israel on social media in MONTHS.

It's gotten to the point that I'm seriously considering starting a sideblog fact-checking all of it.

PLEASE STOP BEING GARFIELD I AM BEGGING ALL OF YOU

BE NERMAL FOR FUCK'S SAKE.

I've written at least one really long post about fact-checking things before. I have another saved as a draft somewhere.

But all you really have to do at this point is GO LOOK AT AN ACTUAL NEWS SOURCE.

What do I mean by an Actual News Source?

An actual news source will tell you where it's getting its information.

Basically: Wikipedia rules apply at all times. Citation. Fucking. Needed.

Except with news articles, I don't mean a detailed footnote.

I mean, if they say, "Rosco Flubberish reported seeing a pig fly across Whatever Place. 'It was a flying pig,' he said," they're fine.

If they say, "Sources close to the President reported that the Department of Farmland Creatures launched a pig into the air this afternoon," they're fine.

If they say, "There have also been reports that pigs flew," they are purely making shit up.

Just check CNN or something. CNN checks their shit, and they're very quick on the draw.

NBC has been very reliable too, in my experience. So have ABC, Newsweek, the Jerusalem Post, the Guardian, the New York Times, the AP, PBS, the Washington Post, and Reuters.

You can break through most paywalls by putting archive.is or 12ft.io before the https:// of the URL. Or just go to either of those sites and paste the URL in the box.

Nobody is perfect. I've seen some articles from all of the above that were accurate, but left things out that I personally thought were important.

Journalists are humans, humans fuck up.

(Also, NONE OF THIS APPLIES TO OPINION PIECES ON ANY TOPIC. Opinion pieces are exactly that: opinions. They don't seem to be fact-checked anywhere, as far as I can tell. They range from super-accurate and informative to complete nonsense.)

(Surprisingly unreliable sources in my experience: Democracy Now, Jacobin, Workers World Party. The latter two act like news sites but are basically running nothing but opinion pieces; Democracy Now can do important deep dives, but I've also seen news coverage from it that was wildly misinformed in that same way.

On the flip side, Slate and the Atlantic are largely opinion -- the Atlantic more than Slate, maybe -- but they often have really well-researched analysis of political situations. Ditto Teen Vogue, and sometimes Vox.)

You don't have to read CNN or the NYT or whateverfor fun. You don't have to make it one of your news sources.

Just. Do a quick check on Google News before you assume anything is true, and then run it through a bullshit filter as described above.

You are being actively lied to, all the time. So am I. We all are.

And people will believe and repeat literally anything that sounds about right.

That's just human nature.

That is WHY none of us are immune to propaganda.

if you want my personal shortlist of Bad Sources, as in Sources That Consistently Publish Absolute Falsehoods:

Any and all state-owned or state-controlled media. For example:

Al Jazeera is owned by the Qatari government, and so are a bunch of other news sites.

Mehr News, the Tehran Times, Al-Quds TV, and Al-Alam are owned by the dictatorship of Iran.

Oops. Looks like every form of broadcast Iranian news media is owned by the dictatorship of Iran, which has a monopoly.

Palestinian Broadcasting Corporation, Palestinian News and Info Agency, and Al-Hayat Al-Jadida are owned by the government of Palestine (the Palestinian Authority)

Al-Aqsa TV and Felesteen are owned by Hamas.

TASS / Russia News Agency, Russia Today, and a fuckton of others are owned by the Russian government.

State Media Monitor seems to do a pretty great job of tracking and listing these things. Check out your own country there!

I specifically listed those ones because some of them (especially Al Jazeera, Mehr News, and TASS) are sites I've seen come up frequently on Tumblr, or in my attempts to fact-check what people are saying here and on Twitter. The rest are just more examples from the same governments.

Al Jazeera deserves special notice because it's become a very popular leftist news source. Believe me, I used to read it all the time too.

It can be reliable and accurate sometimes. But:

It consistently tweets things that are unsourced, never appear anywhere else, and that would be big news you'd expect it to follow up on if they were true. It seems to be following a strategy of "tweet every rumor you hear in case it's true, so you can get the scoop."

It also does this with its liveblogs of the war. And ALL its coverage of the war at this point is liveblogs. So things that are verifiably true will run right next to things that are complete hearsay, but are too long to just tweet.

This is especially dangerous because as far as I can tell, Al Jazeera doesn't delete anything that turns out to be false.

I've also seen regular news articles in Al Jazeera, on multiple topics, that veer from Absolutely True Statements to Wildly Exaggerated Numbers and Speculation. Stuff you wouldn't expect a source on, like statistics or descriptions. And there's no way to tell the difference unless you already know a topic really well, or are fact-checking them while you read.

One especially terrible example, from Gazan activist Ahmed Fouad Alkhatib:

Al Jazeera has never posted or published a correction.

Alkhatib has also blamed it for destabilizing the region, although he's exaggerating about it being Hamas's official propaganda outlet:

TL;DR: If you see a Tumblr post making any kind of factual news statement without a link, at this point you need to assume it is absolutely not true. And either scroll on past, or go check Google News.

If there IS a link, you need to click through to see what it's from and what it actually says.

(Honestly, you need to do that with Wikipedia too. I've repeatedly clicked through on citations that absolutely did not say what the article implied they did.)

And pro tip: on mobile, you can just smack a button to sort Google's news results by most recent, and it helps A LOT. There's gotta be a way to do the same on desktop, but if there is, it's not immediately visible, which sucks.

[safekeeperscosm]

Little surprised you haven't been joining the Billford resurgence after Book of Bill pretty much made it canon

ME TOO HAHAHGSHS it's hard when I have 2 other fixations at the same time as well 😅

I have been kinda keeping up tho! on my gf @arson-of-dreams sideblog. tbh billford is second to the euclydia side of things, next to jheselbraum,, but either way TBOB has definitely been vindicating to me about my own hcs and view of their characters in canon. unfortunately all I want to do is silly light-hearted jokey stuff cause man they weren't kidding about the heavy things. I loved every word of torture and torment its heartbreaking and terrifying AND the pines especially ford gets their closure/happy ending 🥺 I hope the theraprism is a nice rehab cause on one hand bill my silly billy bill needs help and kindness and compassion, but on the other hand I got some bad vibes with the asylum side of things...

it really popped off with the bill stories of possessing the undead, eating people, all good stuff. AND PACIFICA GETS SOME LOVE how did both my fave characters end up covered in blood teeheehee

haven't heard much of gideon, but the parallels go soo hand in hand

I've always believed in ford was obsessed with bill, then the turn tables with bill obsessed with ford after the breakup, and ford is still obsessed but that admiration adoration has turned into vengeance and hatred, they are so divorced and ford is so over him, bill fumbled so hard he died lmaoo I never expected sympathetic bill to be canon but I've always known it ever since the penthouse scene. AND JHESELBRAUM LORE I REALLY THOUGHT WHAT WE HAD WAS ALL WE WERE GONNA GET

excuse me I'm very sleep deprived and have been very sick, take some doodles 💝

I did the last two before the website happened 💀 also look at my billford hatechild I made from my last gf fixiation teehee

[emotionallychargedtowel]

Kaito x Stacey: being seen authentically & the value of consent

A little background: Last February, I heard that Sekoguchi Ryo was going to have a significant role on Zettai BL 3 and I got really excited but had nowhere to channel that energy, so I decided to start a sideblog where I’d post one screenshot per day of Stacey, his character from Kikai Sentai Zenkaiger. To keep up my screenshot supply for the blog, I rewatched the series a lot, which led to thinking about the show in a deeper way than I had before. I'd already known I was a fan of the Stacey and Kaito ship, but I hadn’t given much thought to why. All that rewatching helped me develop my thoughts about it more.

I usually write this kind of relationship-focused analysis stuff about BL series. I don’t know if tokusatsu fans want to read this sort of thing about toku shows, or if the folks who read my BL posts would be interested in a relationship analysis about a toku ship. Well, I guess I need to get this out of my system either way, so here goes!

All of the gifs in this post were made by @my-rose-tinted-glasses, who is so generous with her time and considerable skills that, well, I don't know, I'm going to have to knit her a sweater or something. I mean, seriously, how pretty is the gif below? Even if you don't want to read my ramblings, I recommend scrolling through to look at the rest.

Special thanks as well to my sister @porridgefeast for talking through this set of ideas with me.

A very brief overview for the unfamiliar: Kikai Sentai Zenkaiger is a Super Sentai series that ran from early 2021 through early 2022. The lead member of the Zenkaigers—and, as it happens, the only human member—is Goshikida Kaito. (The rest of the team are all Kikainoids, robot-like inorganic beings from a different world that got mixed up with Kaito’s.) Kaito is the quintessential sunshine character. I’ve described him before as “a golden retriever who’s had three espressos," which sums him up fairly well. For my fellow BL-watchers, you'll likely recognize some actors in this post. Kaito is played by Komagine Kiita from 25 ji Akasaka de, and as I mentioned above, the actor who played Stacey, Sekoguchi Ryo, played Hatano in season 3 of Zettai BL. Mashiko Atsuki, of My Personal Weatherman fame, also has a prominent role in this series. But you won't be hearing much about him in this particular discussion.

In the sixth episode of Zenkaiger, an antagonist/antihero character named Stacey is introduced. At first you just know that he’s a hired gun for the Tojitendo (the Zenkaigers’ enemies, a Kikainoid dynasty led by its latest heir, Lord Bokkowaus, which went from being tyrants in their own world to taking over nearly every other world in the multiverse...and in most cases, turning those worlds into small metal gears—but let's not get into that). Stacey turns out to be the half-human son of Barashitara, a senior general in the Tojitendo who Stacey absolutely loathes. We’ll get back to him later on. Instead of being associated with his father, Stacey works for Ijirude, an evil scientist with a senior position in the Tojitendo court.

As the series progresses, Stacey and Kaito get increasingly close and (here comes an incredibly obvious spoiler that anyone could have predicted almost as soon as he was introduced) he eventually becomes one of the good guys. Any sort of romantic relationship between Kaito and Stacey is a matter of subtext during the series itself. (Though the subtext gets pretty strong at times! They even have an angsty heart-to-heart conversation at a playground at night.) In the TV movies and live shows that followed the series, that subtext starts to resemble (and arguably becomes) text. For example, in a DonBrothers movie where they make a (sort of) crossover appearance, Stacey writes Kaito a love letter that gets lost and starts a series of misunderstandings. In one live show, the stage lights go out and then come up again to reveal Kaito lying on the ground with Stacey on top of him. In another, Kaito gives Stacey a butt smack right in front of everybody. But during the series? Their relationship is clearly very important and fraught with emotion, but the show maintains a kind of plausible deniability at all points—there isn’t really anything that happens that the show’s screenwriter, Komura Junko, couldn’t explain by some other means. 

As I said, while I was doing all of that rewatching, I thought a lot about why Kaito’s and Stacey’s relationship meant so much to me despite the fact that it mostly exists as subtext. Part of it is just that I loved Stacey as a character overall and took a liking to both Sekoguchi Ryo, who plays Stacey, and Komagine Kiita, who plays Kaito. But it’s more than that. As I kept going through the rewatch process, I identified some of those reasons—things that make this portrayal of a relationship special. 

It’s a unique take on the time-tested enemies-to-lovers trope (or something like it).

Anyone who has spent any amount of time watching/reading stories that center on love and romance has come across the “enemies to lovers” trope. The relationship between Kaito and Stacey is closely related to the interplay between these two types of relationships, but it’s complicated. If you really want to get specific, it isn’t exactly an enemies-to-lovers story. Rather, I’d describe it as a story about two people, one of whom is trying really hard to be the other’s enemy but failing, and one of whom is trying really hard not to become enemies but keeps getting forced into conflicts with the other. Despite all the pressure he’s under to relate to Stacey as an enemy, Kaito keeps pushing back against taking that role. This pressure not only comes from his friends and compatriots but from Stacey himself. Stacey wants to relate to Kaito as an enemy, but he keeps finding himself helping him, sparing him, even worrying about him in spite of himself. 

Of course, Kaito and Stacey really are enemies in a very real sense. They’re fighting on opposite sides of a war. They try to hurt and/or kill each other on many occasions, including one in which Kaito and his friends succeed and actually kill Stacey. (Soon after, Stacey ends up being revived—an advantage of being half-mechanical is that he can be brought back to life.) 

But when Kaito and Stacey first meet, they don’t know they’re enemies. Even after finding out he works for the Tojitendo, Kaito resists fighting Stacey. In their first battle, he won’t fight or even transform into Zenkaiser (his superpowered suit form) until Stacey gives him no choice. At first, Kaito’s reasons for being friendly to Stacey and holding back from fighting him are a bit superficial. Basically, Stacey looks human, so Kaito is reluctant to do anything that might hurt him, and he keeps thinking that if he talks to him he might be able to get him to come around. (It probably doesn't hurt that he's an adorable twink, either.) Kaito doesn’t usually appear to be biased against Kikainoids, but he does seem to have a bias in favor of Stacey because he’s so human-looking. Thankfully, it isn’t long before his reasons become significantly more complex. For one thing, he starts to find out through stray comments Stacey makes that he's been through a lot of trauma and loss, including the mysterious death of his mother (likely either at the hands of his father or on his orders). 

Stacey also bonds with Kaito’s grandmother Yatsude, who doesn’t realize he’s the Tojitendo soldier who’s been giving her grandson so much trouble (she mishears his name as “Satoshi” when they first meet and he rolls with it). His mom issues draw him to her at first, then her sweet, accepting nature helps them relate to each other in a really meaningful way. Understanding Stacey’s context better and seeing a different side of him through his connection to Yatsude convinces Kaito that Stacey really could be redeemed and brought around to the side of good, and he’s eventually proven right. 

Which brings us to the next thing I appreciate about the relationship between Kaito and Stacey. 

Kaito goes to the trouble of really seeing Stacey, which not only allows him to attend to those times when he shows his authentic self, but also helps him recognize when he's not dealing with the real Stacey.  

Thinking that Stacey is capable of change is a sign that Kaito sees him more clearly than other people do. In this respect, he understands Stacey better than Stacey understands himself, because right up to the point where he switches sides, he sees himself as so irredeemable that joining up with the good guys must be an impossibility. 

But Kaito also has other ways of showing that he really sees Stacey. One of the biggest ways this is shown is through the possession subplot that happens toward the end of the series. A being who claims to be God, the creator of all the parallel worlds, shows up and wants to team up with the Zenkaigers against the Tojitendo. (They eventually admit that they don’t have all that much power beyond the creation and destruction of worlds, hence their need for help from mere mortals.) This God can only communicate with people by possessing someone’s body, and when it’s time to get in contact with the Zenkaigers, they choose Stacey’s. But they don’t identify themselves at first—they just pretend to be Stacey instead. 

When God is pretending to be Stacey, some of the differences in their behavior are obvious to everyone. But Kaito is the most observant by far of the disparity between Stacey’s current behavior (really God’s) and his usual way of acting. 

The most noticeable difference at first is that Stacey is smiling, which is very out of character for him. He’s also acting unusually flirty and cute. “Is it me or is he extra cutesy today?” one of Kaito’s teammates observes. It’s true. He speaks in a slightly higher register than usual, enunciates words differently, and he keeps tilting his head and slowly blinking at Kaito in a flirty way. 

(In an interview with Komagine and Sekoguchi translated by @mirai-e-jump here, Sekoguchi talks about first receiving a script in which he would play God. As his interviewer points out, the stage direction for the script instructed him to read the lines "sweetly." Sekoguchi says that he didn't know what to make of it at first, but it got him thinking about gender presentation and led him to decide to try to portray God in a gender-neutral way.)

In addition to God's flirty, "sweet" manner, Kaito notes that this version of Stacey is too easygoing, too ready to cooperate with others. When God first appears, the villain-of-the-week is called Headwind World. They put a sort of curse on the Zenkaigers that makes it so that no matter which direction they turn, they're always buffeted by a strong headwind. Discussing how different Stacey seems and his claim to want to join the team, Kaito says:

Maybe....If it’s the truth, I’ll be full power* happy! But something seems off to me....Whenever I’ve talked to Stacey, he was never like that. He tends to be more…sorta…Yeah! He’s a lot like this headwind! *Kaito's catchphrase is "zenryoku zenkai," which means "full power" or "full throttle" and is the source of the Zenkaiger's team name.

God-in-Stacey's-body makes things too easy. Trying to work with the real Stacey is like walking against the wind. And as challenging as that is, Kaito would rather work with the real Stacey than this flirty, easygoing impostor.

Later in the episode, when they fight side-by-side against Barashitara, “Stacey” seems to find him entertaining. The real Stacey could never find humor in the things Barashitara does. After all, he’s his abusive father and probably murdered his mother. After this fight, “Stacey” suggests that everyone should trust him now that he’s demonstrated his willingness to fight on their side. Kaito responds:

I still don’t get it. You’re not the Stacey I know. If Stacey was fighting Barashitara, he wouldn’t have been like that. He’d be more prickly and less compromising. He’d say stuff like “Stay out of this!” or “This is my battle!” Stacey’s feelings toward Barashitara aren’t like that. 

“Stacey” tries to play it off, but is clearly frustrated by his skepticism. But Kaito doesn’t waver. His facial expressions and body language in this scene are really noteworthy. His face looks stern. He looks at Stacey fixedly, seldom blinking, and his hands are balled up into fists at his sides. This is really out of the ordinary for him—he's typically friendly to a fault. It's unusual for him to even look this way at an enemy. But it won't be the last time his affect looks this way around God.

Kaito is the first to realize that this person who appears to be Stacey isn’t really him. Explaining to others—both his teammates and God themselves—how he knew this gives him an opportunity to show the audience how well he knows Stacey, how much he has observed about his personality. But that’s not the only way in which the theme of being seen shows up. 

One of the ways Kaito sees Stacey authentically is by noticing and acknowledging his deeply painful experiences with trauma and loss. Despite pressures to the contrary, Stacey eventually does the same for Kaito. 

Stacey goes through quite a process to get to the point where he can acknowledge that Kaito has had his own difficult history and continues to struggle in ways he can relate to. When he first meets Kaito, he fights him but claims it’s “nothing personal"—but that changes quickly. The second time they interact, they have a conversation in which Kaito wrongly assumes that Barashitara is helping Stacey and that he's doing so out of parental concern. Naturally, given how far this is from the truth, this is makes Stacey extremely angry. He retaliates by needling Kaito about his missing parents. He mentions the possibility that, given their apparent involvement with the Tojitendo, they could be “lying dead in a ditch somewhere, just like [his] mother.” Then he decides to twist the knife a bit more. “Maybe they weren’t kidnapped, but they abandoned you! Like Barashitara did to me.”

Kaito responds by passionately defending his parents and insisting that they would never do that to him. Kaito's faith in his parents infuriates Stacey. He feels envious and bitter because the only parent he could believe in is long dead and his father was never worthy of his trust. Kaito’s defense of his parents pushes all of these buttons and more and Stacey becomes enraged. He tells Kaito that fighting him is no longer “nothing personal.”

Later in the series, the shift in how they relate to each other is both illustrated and deepened when Bon World (a villain-of-the-week based on a Japanese holiday) becomes the latest adversary to try to take over Zenkaitopia. Bon World causes characters’ ancestors to return from the dead to visit them. Stacey gets a particularly surprising and poignant visit from his mother, Lise. At first he doesn’t trust that she really is who she purports to be, but eventually he’s convinced. He gets to spend a little bit of time with her after their years apart.  

But like a lot of the Worlds the Zenkaigers fight, Bon World’s powers have a two-step effect. First, they bring back ancestors. After a while, these ancestors snap and start going after their descendants, trying to kill them—including Stacey’s mother.

When the ancestors manifested by Bon World start to turn homicidal, the Zenkaigers have their hands full. Zyuran’s great-grandfather turns on him at the same time the Goldtsuikers are attacked by their grandfather. Kaito’s friends need him! But he leaves, trusting them to handle the situation themselves, so that he can come to Stacey’s aid. Why? Because he has a realization during their fight. One of the people he has to battle is Hakaiser, a Tojitendo “experimental soldier” who Kaito has recently learned is actually his brainwashed and physically altered father, Goshikida Isao. He tells Hakaiser he understands why it’s so upsetting for the others to have to fight their ancestors because he’s being forced to fight his own dad. This causes him to remember that one of the returned ancestors was Stacey’s mother. He asks Hakaiser where Stacey is and they both rush to his aid (with Kaito in Super Zenkaiser mode). 

After he comes to Stacey’s rescue, the rest of the Zenkaigers defeat Bon World and the ancestors all disappear. Stacey asks Kaito why he would come to his rescue. After all, they’re enemies. Kaito tells him, “I knew that you and your mom would both hate this happening.” Here’s what I think he means. It’s obviously a bad thing to be visited by an ancestor who tries to kill you. That was true for everyone who had that experience because of Bon World. But for Stacey, seeing his mother again and then having her attack him involved a whole other level of pain and trauma. It was deeply triggering and a terrible insult not only to Stacey’s memory of his mother but also his mother’s love for him. Kaito could see this from Stacey’s perspective as well as Lise’s. For Kaito, this meant that this particular instance of an ancestor attacking someone was a bigger deal than the others and required a more urgent response. But it wouldn’t have been quite so urgent if it weren't for the fact that Stacey means something to Kaito. 

Stacey is profoundly touched by Kaito’s actions and what he told him about his reasons for helping him. This moment ends up being a big turning point in their relationship. This isn’t just because Kaito helped Stacey (though he did) or because he was kind to him (though he was). It’s also because Kaito showed a remarkable degree of sensitivity and understanding in realizing what this experience meant for Stacey. He showed that he paid close attention to things he had learned from and about Stacey, viewed those things as important, and took them into account. I think it’s also clear that as someone whose parents disappeared when he was a kid, Kaito has a better understanding of the loss Stacey has experienced than other people would. And of course, it matters that Kaito prioritized helping Stacey even though his teammates and allies were facing similar challenges.

Stacey ends up keeping Kaito’s experiences in mind and acting on them in a similar way. The biggest example of this is his decision to stand aside while Kaito deprograms his father, Hakaiser/Goshikida Isao. Hakaiser had been Stacey's friend prior to that point, something exceedingly rare in his experience. In fact, Hakaiser may well be the first friend Stacey has ever had. It helps that despite his brainwashing, Hakaiser retains a lot of Goshikida Isao’s warm, optimistic, Kaito-esque personality. Hakaiser quickly becomes really important to Stacey. So when he learns that Hakaiser is really Goshikida Isao, he feels conflicted because his concern for both Kaito and Yatsude pulls him in one direction while his desire to keep his friend pulls him in the other. At first, Stacey turns his back on the Goshikidas in favor of keeping Hakaiser in his life. But once Kaito protects him from his mother's ghost, Stacey can’t keep that up for long. And he doesn't just stand aside during the Zenkaiger's deprogramming efforts. He also leaks data to the Goldtsuikers that helps the team to safely extricate Hakaiser from a giant mecha superweapon he’s controlling (without which the team would have been forced to either endanger Isao or risk countless human beings getting hurt or killed). Naturally, this also means helping the good guys to take the giant mecha out of commission—a blatant act of treason against the Tojitendo.

Stacey doesn’t say much about why he decides to let Goshikida Isao go. But he makes it clear that he sees how unjust and hypocritical it would be to keep Hakaiser around at Kaito’s expense while decrying the way his father took his mother away from him. It's also apparent that the bond he's formed with Yatsude and Kaito plays a role. 

To go from resenting Kaito's faith in his parents to helping Kaito get his father back involves a lot of growth. Just as earlier, the differences in their respective situations angered Stacey, the similarities between them eventually lead him to shift toward helping Kaito rather than hurting him. 

Now I'm going to circle back to the possession storyline to talk about some of its other implications.

The possession storyline allows Kaito to show how much he values consent and bodily autonomy—particularly Stacey's.

Remember how Kaito suspected immediately that the possessed version of Stacey wasn’t really him? An episode and change later, Kaito and the rest of the Sentai finally find out that Stacey is being possessed by God. Kaito doesn’t say much about this when it's first revealed to him, but his eyes are glued to God-in-Stacey’s-body and he turns stone-faced again. He remains like this for the rest of their conversation, while God aims more head-tilting and slow-blinking his way.

The next time they confer with the Zenkaigers, God is in a hurry to get them to agree to work together. But Kaito says there’s something else he needs them to address before that can happen. He asks God what happens to Stacey when they’re possessing his body. Their answer is disturbingly flippant: “His consciousness takes a little nap.” Then he asks God if they have Stacey’s consent to do this. “Do I really need it? When I’m a God?” they ask contemptuously. That’s when Kaito tells them that he can’t trust someone who would use another person's body without their permission, so they won’t be able to work together—unless God sets Stacey free. He offers to let God possess him instead in order to communicate with the group, and the other Zenkaigers chime in to say they’ll volunteer as well. God agrees to this and leaves Stacey’s body for the last time. 

Consent isn’t a common theme in tokusatsu, at least not in any of the shows I’ve seen so far. I don’t know of another toku show that's had an entirely analogous possession story, but it’s not uncommon to see some kind of variation on this theme. Ankh from Kamen Rider OOO is an ancient supernatural being who possesses the body of a random young man on the verge of death, Ryotaro from Kamen Rider Den-O is possessed by a whole cadre of beings from the future at different points in the series, Wataru from Kamen Rider Kiva is briefly possessed by his own father, Otoya, and I have no doubt that there are other examples I'm not thinking of or just haven't come across yet. I've seen the moral implications of possession get some degree of attention in these shows, but I’ve never seen consent foregrounded in this way. (That said, I haven’t seen the entirety of either Den-O or OOO, and there are plenty of other series I haven’t seen, so there may well be examples I’m not aware of.) 

It helps that consent doesn’t just come up in an implied way, in the background, or on its own. Instead, Kaito brings it up specifically and intentionally. The plot is racing along toward the climax of the series at this point. It would be easier for Kaito to allow God to continue to gloss over the question of Stacey’s consent. It certainly would have been easier for Komura Junko, the show's screenwriter, to skip over this question. She could have just used God as her story’s deus ex machina (no pun intended) without exploring the deeper implications.

It’s fitting that Kaito’s insistence on Stacey’s consent comes up in the form of an interruption that stops the forward momentum of the story, because when people are ignoring important consent issues and someone has to speak up about it, it’s often seen as an unwelcome interruption of things that are viewed as more important. Bringing up consent in those situations means bringing other matters to a halt and raising uncomfortable topics that others have tacitly agreed to ignore. As with so many important issues that we need to speak up about in our daily lives, raising the subject of consent is often intensely awkward. When Kaito brings it up, God is surprised and clearly put out, and it means the story has to take a detour before the Zenkaigers can defeat Bokkowaus with God’s help. Kaito doesn’t let any of this stop him, though. He understands how important it is. Even though collaborating with God is by far the best chance the Zenkaigers have of overthrowing Bokkowaus and saving the multiverse, he holds fast and insists that he’ll only work with God if they stop possessing Stacey without his consent. 

It's worth noting another context in which consent comes up in the series, and that is the portrayal of Stacey's late mother, Lise, and her relationship with his father, Barashitara. Lise was Barashitara's 893rd "wife." I'm using scare quotes here because while we don't know the details of how Lise ended up tied to Barashitara and bearing his child, there's no particular reason to believe she consented to the relationship and a number of indications that she didn't. When she appears again in ghost form, he refers to her having always been "feisty," which seems like code for "didn't just let me do whatever I wanted without any resistance." She, on the other hand, seems to hold him in contempt. In Komura Junko's current series, Kamen Rider Gavv, the protagonist's human mother is kept prisoner by a non-human father who refers to her as if they're in a relationship despite her protests that she never sought or consented to a relationship with him. This seems like a more explicit version of what was implied about Stacey's mother in Zenkaiger.

Stacey obviously has strong feelings about the way his mother was treated. When Barashitara reaches for her, commenting on how he's never been with a ghost before (and implying he'd be up for changing that), Stacey hurries over to pull his hand off of her and rushes her out of the room after yelling at Barashitara to keep his hands off of her. Again, Stacey's human mother and Kikainoid father could have been used as a plot device without digging any deeper into the nature of their relationship, but this series not only doesn't avoid the subject, it makes a point of commenting on it.

The themes of consent and seeing/being seen end up working together in a way that undercuts the ship in some superficial respects but ends up emphasizing what really makes it special. 

I mentioned earlier how one of the first clues that God isn’t really Stacey is their facial expressions, speech, and other ways of communicating with others. Well, they continue smiling, speaking in a cutesy voice, and doing flirty mannerisms—and the biggest recipient of these gestures is Kaito. They also call Kaito by his given name, something Stacey doesn't do until the series' penultimate episode. When you add it all together, they’re pretty clearly flirting with him. 

Some stories would take this as an opportunity to develop the ship between Kaito and Stacey. If God-in-Stacey’s-body flirts with Kaito, you could easily arrange things so that this helps him recognize or develop an attraction to Stacey that continues when the possession has ended. (It’s certainly been done before in other shows.) Any possession or body swap story is going to be partly about contrasts—that’s a big part of their purpose—but they can still foment changes that continue when everyone gets their own bodies back. Basically, if Stacey is too conflicted to flirt with Kaito, well, God can do it for him. It works in the other direction, too. If there are things Kaito would do with Stacey if he weren’t so considerate of his feelings, if someone else is walking around in his body, suddenly different possibilities appear.  (And yes, I think some version of all these possibilities could be done even if the ship remained at a subtext level.)

There’s just one problem: Kaito may not figure out for certain that God isn’t Stacey right away, but within moments of meeting them, he’s 95% there. They can’t make him see Stacey in a different way if he doesn’t believe they’re him at least for a while. He isn't even open to relating to them in a positive way. It really is remarkable just how unfriendly he is to God-in-Stacey’s-body considering how friendly he always is to almost everyone else. And when they flirt with him? He’s not into it in the slightest. In fact, it just pisses him off.

Another thing about possession stories is that they can be a way for writers to cheat to get characters—well, close facsimiles of them who are mistaken for them by other characters—to do things they couldn’t justify otherwise. But Kaito refuses to let this happen. He gets suspicious of God almost as soon as they show up, he begins to grow hostile toward them even before he has fully processed the truth about their identity, and once he’s had a chance to think about the situation, he takes his next opportunity to refuse to work with God unless they set Stacey free as soon as possible. 

By having the hero of the story behave in this way, Zenkaiger prioritizes consent and, by extension, the individual right to bodily autonomy. It prioritizes consent over ship advancement, over plot advancement, even over getting the danged heroes into the evil overlord’s castle so they can have their big showdown. There are moments where it’s on the verge of becoming annoying. As TV viewers, especially if we’re habitual tokusatsu watchers, we’re pretty used to possession plotlines of this type. When they start making things happen, we get caught up in escalating events. Having someone like Kaito suddenly show up and say, “Wait a second, is Stacey OK with this?” feels like a weirdly abrupt interruption. 

It reminds me a bit of something Kathleen Hanna from the band Bikini Kill says in The Punk Singer, a documentary about her life. She says that speaking out about sexual violence often results in a "who farted" moment—one in which a group is collectively uncomfortable and looking for someone to blame, generally the person who mentioned a taboo subject like sexual violence. 

Kaito fearlessly embraces a “who farted” moment when he asks about Stacey’s consent or lack thereof. Of course he does—that’s who he is. A principled, morally rigorous guy who would rather be cringe as fuck than hurt someone unnecessarily. It’s no wonder he’s able to turn the “demon prince of the Tojitendo” to the side of good…and even get him to write him love letters. 

In other words, by refusing to exploit the possession storyline for a cheap version of ship development, Komura Junko develops the Kaito x Stacey ship even more, and more meaningfully. 

Could this storyline have been written by the typical cishet dude tokusatsu screenwriter?

It seems noteworthy that this choice was made by one of the few women to have held a head writer position on a toku series. Of course, women are not the only people who care about consent and bodily autonomy, just as they aren't the only people who are subjected to their bodily autonomy being compromised and their right to refuse consent ignored. But women, people who are perceived as women, and men who don't fit into a normative cishet image are more likely to have such experiences than cishet men and thus more likely to find such themes salient, so it would make sense if a woman writer was more likely to include them in a series than the (ostensibly) cishet men who make up the vast majority of tokusatsu screenwriters.

I would argue that the importance of being authentically seen is also particularly salient for many women and that this may have played into the way Komura weaves that theme into the Kaito and Stacey story. Women and people perceived to be women tend to experience a great deal of objectification, and being authentically seen and acknowledged is basically the opposite of objectification.

I recently ran into Martha Nussbaum's typology of objectification for the first time and it turns out that it applies to God's possession of Stacey remarkably well. In the interest of time and length, I'll leave it at that for now, but I'll probably talk about in a separate post at some point. Suffice it to say that God's treatment of Stacey illustrates a number of the facets of objectification Nussbaum lays out. So what does this have to do with the Kaito and Stacey ship? It comes back to my point about how the show presents the possession storyline with all of its potential for ship development and has Kaito refuse to engage with any of it out of concern for Stacey. This makes God a kind of foil for Kaito that gives him the opportunity to show that his interest in Stacey isn't based on objectification.

So there you have it. There are plenty of reasons to appreciate the Kaito x Stacey ship without digging into issues like these. The characters are interesting, affecting, and fun. Their personalities fit together in a classic cinnamon roll/tsundere way. The actors have great chemistry with each other. But the way the story treats these concerns, which I contend is colored by the different perspective Komura Junko brings to toku based on her gender, is part of what makes it particularly special.