#eight parts planned
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moonshine-nightlight · 2 years ago
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👀👀👀
@thornsnvultures
thanks for sending in for the EOY WIP ask game
the below is from a short story tentatively called "Goddaughter" based around the prompt: what type of person would make a deal with a demon for his granddaughter's soul? and what sort of demon would accept?
You can’t do anything, but think. And regret. Because how the fuck did you end up here? You’d been managing to hold your panic at bay for Janie’s sake, but now they’ve taken your daughter away.
You were supposed to be safe, dammit. What was the point of moving half a dozen times, all the time and money and connections you’d spent on protection and hiding if all it took was a chance meeting in a grocery store to have it all be for nothing? Stuck paralyzed in this room by your thrice-damned estranged father’s enemies.
You can’t even see who’s opening the door, only hear it from your corner spot on the floor of this cell.
“It’s about time that someone—” your father demands before he falters upon seeing whoever it was that was in the doorway.
“Well, well, well,” a smooth low voice says. It’s a familiar voice, but the context is so foreign and unexpected it takes precious seconds for you to identify the speaker. Over the sound of the door shutting, it clicks in your mind. Somehow, your neighbor, Vee, is here. “Look what we have here.”
You’ve never heard Vee’s voice so darkly amused. If you weren’t hearing right now, you would have said he would never sound like that. He’s a relaxed, casual man, with hidden intelligence and a past certainly, but a good man. A friend. Now you wonder just how much he’s been hiding. You’d suspected he wasn’t exactly untouched by magic, but now he sounds positively… demonic.
It can’t be a coincidence he’s here. A bolt of dread goes down your spine as you think of close you’ve allowed him to come to you and Janie. Just what don’t you know about him?
“If it isn’t Richard Pierce himself.”
And why the fuck does he know your father?
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bacchuschucklefuck · 2 months ago
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couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead
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hpowellsmith · 8 months ago
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Three-quarters through drafting Honor Bound wooooo
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faultlinesurfer · 3 days ago
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Sad that we never saw a "Gaius joins a Galactica gunnery crew because at this point we could use literally anyone" mini-arc
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daughterofhecata · 7 months ago
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the perfect part about it is: it's all that i've got
a.k.a the Dad!Skinny AU
Zehn Jahre nach seinem Abschluss kehrt Peter nach Rocky Beach zurück um seine Arbeit im neu enstandenen Jugendzentrum anzutreten. Und muss feststellen, dass sein neuer Kollege niemand anders ist als Skinny Norris.
In den Nebenrollen: Kelly, Dylan, Skinnys Tochter, Peters Patentochter, diverse OCs und canon Charaktere; Soziale Arbeit, Queerness, soziale Probleme und natürlich die Spannung, die entsteht, wenn man sich zehn Jahre nicht gesehen hat, einander immer noch nicht leiden kann... aber genau das lernen muss. Und dabei vielleicht ungeplant Gefühle entwickelt.
hier auf ao3 // hier auf ff.de
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autos-ismos · 3 months ago
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i keep anxiously swallowing air and hurting my stomach
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demonmary · 2 years ago
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sam at 10 or so planning how he was gonna run away on printer paper snagged from the library. dean at 14 finding those plans and thinking “see, everyone leaves”
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ejunkiet · 10 months ago
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>:3 tagged by the wonderful @garglyswoof !!
Distill your published stories into 8 words or less without using character names.
Okay, this is hard omg. SO my latest...
Moody vampire stays the night, still FWB??? (Kiss me softly and devour me)
tagging- @dominimoonbeam @romirola @glassbearclock @evilbunnyking >:3
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blujayonthewing · 7 months ago
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'lemme just do a little preliminary research before bed for that trip I wanna do, nothing too deep I don't wanna stay up too late' but the research involves SEVERAL OVERLAPPING AND LONG-DORMANT SPECIAL INTERESTS AT THE SAME TIME
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imaginarypasta · 3 months ago
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i have such a hard time here and it’s because i literally feel like i do not exist. i will be having a conversation with someone and they just stop responding, stop talking (not a natural lull even) and im sitting there like “hello? i just asked you a question.” or we’re talking and they pick up the phone and just start ignoring me, just surfing social media. or they get a phone call and i’m in the middle of the sentence and they just pick up the call and walk away. like no “excuse me.” and i feel horrible being like “these phones” and like “no one has manners” but jesus, i can literally remember the last time i had a conversation where the other person was listening & paying attention and it was almost six months ago
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hopepetal · 2 years ago
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There are about three parts to part eight. Part one, which I just finished, is a little over a thousand words.
Would you guys like the parts as separate "chapters" so you can read them sooner, or would you rather wait and read the whole thing together, as one big part?
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eorzeashan · 2 years ago
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*listens to beserk ost again, jolts upright* I FORGOT-
Jadus absorbed the Dread Masters in Eight's timeline after they defeated them together, and the gold etching on his veil is from their melted masks. If one listens closely in the Force, you can hear a minute ringing that turns agonizing if focused on for too long, a tinnitus like a multitude of voices.
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qazastra · 2 years ago
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okay so instinct part 2 being 'sexuality' makes total sense. i haven't fully articulated what i think of the album as a whole before, but it seems a clear resolution to the newness and urgency and questioning of instinct part 1? likeeee ok ultimate bliss? that's an actual sex song whatever man. instinct part 1 correlating with the magic/art turquoise color is less obvious to me but i think it fits. i looked up the color meanings on my way to work a few days ago and it was so cool i was like THIS ALL MAKES SENSE!!! but now im trying to remember why lol and i cant immediately get all of them, but begin and because really make sense to me:
begin // sunlight..... like, ok, hope? warmth? cant think of a better way to describe the song honestly even if there's barely any sunlight in the mv, the warmth comes from yoojung's hope and all that. u get it  because // healing. self explanatory: if you see the mv as a breakup, processing and healing from that. if you think they’re together in the end, it's two guys healing their relationship from a conflict
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evilwickedme · 2 years ago
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In case y'all were wondering i am already working on the sequel fics/ficlets for before and after fic
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angstandhappiness · 4 months ago
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LMAO but also the tags DUDE
Reverse Robin au but the ages aren't changed. Just adoption order.
#How would that-#actually no#I know exactly how this would work all things considered#A very young Duke (3 or so) is found in the wreckage of the Joker's recent attack with a cheap gasmask across his face#Too young to understand why his mom and dad kept laughing and laughing even as they were crying until their eyes closed one last time#And never woke up#It's hard to not feel your heart break when a child so much younger than he was looks up to batman from where he stands at his mother's sid#Asking with big glassy confused eyes why mommy won't wake up#Bruce is terrified that he will ruin it all#That what is quite possibly the kindest child he's ever met will turn out a bitter tired man like him#But as the months go on he finds his worry unfounded#Duke grows up as a sweetheart and the media never gets more than a glance at him#And somewhere in the intervening years he makes friends with their neighbour despite sharing no classes with him#In part because he's two years his senior. In part because the little child prodigy is eight years old and already in fifth grade classes#He has parents of his own. Yet little Tim always miraculously ends up tugged by the sleeve to Mr. Wayne's house every weekend and holiday#It'll be many years until he's a member of the family in name#but he fits in like a missing puzzle piece anyways#Even as a pair of new heartbeat joins them all when Bruce shows up after a long mission with a precious little bundle in his arms#with a little girl quiet as the night and dangerous as death clinging to the back of his cape#Along the line a few secrets are found and a couple new vigilantes rise and find their little nooks and crannies in the world of superheroe#Nothing stays perfect forever though. Tim joins the family permanently only to be ripped away again.#It's then of course#in one of Batman's worst moments#That a teenager barely scratching sixteen pulls him off some petty thief or other screaming at him to stop#Jason Todd screams and yells and forces Bruce to stand up and remember what he stood for.#Somewhere along the way a new vigilante rises in Gotham. No longer a symbol of hope or protection now#but as a symbol of justice#Someone in the shadows ready to avenge those that couldn't be saved#And then Nightwing happens. And then Tim shows back up.#....ngl I did not plan this far but if anyone reads this madness hope you enjoy this stub of a story
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archaeren · 4 months ago
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How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
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