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#edge banding glue
rehauindia · 8 months
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Glue for acrylic laminate sheets from the best adhesive brand in India. Choose from water-based and hotmelt adhesives for pasting wood, plywood, PVC, and other materials.
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msklebstoffe · 3 months
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For those seeking top-notch equipment, PVC Edge Banding Machine Manufacturers in Delhi like M S Klebstoffe offer some of the best solutions on the market. Glue Applicators Manufacturers in Delhi like M S Klebstoffe have particularly excelled in developing advanced adhesive systems that ensure a strong and durable bond.
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gfguren · 3 months
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pro hero!bakugou x fem!reader | fluff, suggestive, husband!katsuki, katsuki implied as being taller than reader, implied age (~late 20's, early 30s~), light-hearted bickering, an excuse to write more domestic!kats, 1.8k | cw: cursing, suggestive
-your husband comes home late, soaking wet and a little bit handsy-
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Katsuki is late; you hope traffic isn't too bad. Outside your window the sky is overcast, steely shades of grey over a slate canvas. The roads are dyed an inky charcoal, pooling at the surface where rain drip-drip-pours in endless streams.
You've taken up residence in the foyer, between the linen closet at the end of the hall, and the umbrella Katsuki left by the front door this morning. The very same one you reminded him to take with him at breakfast, and twice again before he left in the evening. If you loved him a little bit less, he might listen to you one day.
But you do—love him—right down to his bad habits and stubborn disposition.
So you wait for him the same way you have for years; perched at the breakfast nook in the corner with a warm cup of tea and a paperback that's been gathering dust for half-a-year now at least. The bar table is worn at the edges, legs wobble if you lean too far forward—frankly, you should have gotten rid of it years ago—but it was the first belonging that wasn't yours, or Katsuki's, but ours; a piece you thrifted when you were both still twenty-something and broke.
The years have changed a lot—our table, our bed, our house, our life. Your Katsuki.
—His wife.
The band around your finger is white gold; it clinks when you put the mug to your lips. Honey, ginger. Sweet. Rain hits the window and falls; two trails meet at the middle, and stick to each other like glue. Katsuki would laugh if he found you right now, smiling into your tea like a lovestruck fool.
You let the ceramic rest, turn to page thirty-or-something of a book that you totally-intend-to-finish. An hour passes before you hear the telltale rumble of an engine.
You spot his headlights first, misty pools of sunlight spilling onto the pavement when he pulls into the driveway. It's well past midnight now; Katsuki is a shadow against the porchlight, long strides and a hand over his crown. You have half a mind to bring the umbrella to him, but he's quicker, ascends the four steps to the veranda in two big leaps; you barely register the rustle of keys before he's stepping into the house, pooling rainwater at the welcome mat.
He's soaked at the shoulders, a grumble in his throat when he kneels to unlace his shoes—black leather, designer and sharp, same as the suit jacket around his shoulders. Tailored to fit him just right.
Katsuki's always been handsome, even as a hero in training renting hand-me-down suits from the little mom-and-pop shop down the street. But it really strikes you just how beautiful he is when you look at him now, dressed to the nines. All the years of hard work paying off in more ways than one.
You go a little fuzzy when he lifts his head to catch you staring; red eyes kindling the air and making it hard to breathe. He's the spitting image of a number two hero, just returned from a long night at some fancy-pants gala; sometimes you forget that's exactly what he is. Even more dumbfounded that, somehow, he's yours.
"I know," he grumbles, moving his shoes to the cabinet and meticulously hanging his jacket over the chair to dry. He briefly eyes the umbrella. "I f'rgot, kay?"
So have you, suddenly.
There's a pause and—"I didn't say anything."
He meets you at the table, one hand at the surface and the other at the knot of his tie. "Y've got that look."
You tip you chin to glare at him playfully. "And what 'look' is that, Bakugou Katsuki?"
"Like y'r about t'chew me up." He pulls the fabric strip from around his neck in one fell swoop, pops the first button of his dress shirt with his thumb. Your eyes fall for only a moment—barely a second—but Katsuki grins with the self-awareness of a man who's known you half his life. "Or about t'jump my bones, hah?"
He looks entirely impish in his revelation, ego flaring to rest in his cheeks; you have half a mind to nip at them like candy floss, instead you reach for the cuffs of his button-up, tidy the sleeves one fold over the other until the rainwater and well-kept muscles catch at the seams. You feign a sigh when his stare becomes too insistent to ignore, hand falling to rest at the peaks of his knuckles. "You'd like that, wouldn't you?"
"Yeah." A spark of firelight flashes in his eyes, deep carmine and coy; teasing him was so much easier a decade ago. "I'd let'cha."
You roll your eyes. "You're so unsexy, y'know that?"
"Hah," he barks with all the disbelief in the world. "What? Want me t'do that dirty talkin' shit instead? Jump y'r bones right here at the table? D'n think she'll hold up, baby."
He lets a fraction of his weight fall against the corner and the old wood immediately cries out, splintering oak and creaking hinges and the real, immediate threat that the poor thing might actually collapse at your feet.
You spring up defensively. "Katsuki!"
A once neatly-folded towel tumbles from your lap to land at your toes. His gaze falls; grin widens.
"Said y're gonna make me 'deal with it' next time I forgot the stinkin' umbrella, didn't'cha?" His fingers pinch the fat of your cheeks teasingly. "Love me that much, hah?" Your eyes narrow, fingers dive with intent for the space beneath his ribcage. He's quicker, wraps five fingers around your wrist and pulls you in with a hand at the back of your neck. He breathes, warm against the top of your head—"Missed y'tonight."
You hum against his chest, damp fabric sticking to your cheeks, flush and warm with surprise. You can count the number of times he's been this blunt with his affection on one hand; at least twice being in the presence of an empty champagne glass, or five. "Did you drink?" He gruffs at that—the only indication that he heard you at all. "Katsuki?"
"Come with me next time."
You tilt your chin, brow creasing. His head dips at the sight of the first wrinkle, the way it always does when he's trying to change the subject, or sweeten you up, or get his way in any way, really—a habit you must have taught him because you let him get away with it every single time. It's probably why he looks so offended when you pull back suddenly with a click of your tongue.
"That's not an answer."
"Not a drop," he finally says—huffs—with an almost boyish scowl.
You find yourself stifling a laugh, hand over mouth, and he glares, even as you step away to rustle through the linen closet. His eyes are red hot, brow downturned, downright grumpy, only cooling to a simmer when you're toe to toe once more, fresh towel in hand and lightly waving him down to your level. His spine bows, head dips until you're massaging the soft cotton through his hair; you would have had to fight him on this once—years ago—before time weathered his sharp edges, doused the wildfire raging in his heart until he became the man he is now—irritable, arrogant, stubborn, still, but willing—to make amends for who he was before, to extend a hand where he's able, to let you offer him one in return.
"Chose this one on purpose, didn't'cha?" Katsuki's voice is lukewarm, a tepid grumble at the back of his throat, an almost purr when you dip your fingertips against his nape.
"No idea what you're talking about."—but you do. The towel in question, he means, is from the left side of the closet, your side, all soft cotton and fluff; the same ones he refuses to use, for those very same reasons. "Said they 'd'n dry a damn thing' but-" you drape the supposed 'overrated, overpriced pile'a'fluff' around his shoulders to ruffle his bangs, more wily than usual, and barely damp. "Would y'look at that?"
He snorts, hand falling to the small of your back. "Don't get smart."
"Or what?" you keen up at him, at the balls of your feet, tip toes and still barely nose to nose; they bump once on accident, and twice on purpose. "Huh?"
Warm, exasperated breath fans across your cheeks. "Tryna start somethin' t'night, are ya?"
You bat your lashes, head tilting and fingers splaying across the 'v' of his neckline. "Me? Start something?" Your grin betrays your facade. "And what if I am?"
He pulls you in at the waist, holds you steady with one, strong arm, warm lips at your jaw and low, deep voice in your ear. "Better be ready t'finish it, then."
His right hand comes to rest at the back of your thigh, teases the skin right where your skirt ends; gooseflesh blooms all the way up your spine and you shiver. "Who's jumping bones now, huh?" you bark—yap, like a scaredy-pup with it's tail between it's legs—bite lost somewhere between the callouses on Katuski's fingertips and the press of his hips against your own.
You straighten your shoulders to get a good look at the ego washing over his face like miles of trumpet vine. All consuming, a force to be reckoned with. And devastatingly pretty.
"That'd be me, pretty lady," he says, all kinds of smug and annoying.
You hold him with your stare for an entire second—two, just so you can get a real good look at his stupid, handsome face—and then you're pulling him in by the collar, wrinkling the shirt he'll spend too much on dry-cleaning tomorrow. Not that he seems to mind when your tongue meets his, honey mingling with the mint on his breath and making his head swim, all but forgotten when a hand comes to rest at your waist, heated fingertips beneath your sweater, licking softly at your skin.
He walks you back 'til your thighs hit the table—(it rocks, precariously); one of your hands fall against the surface, the other to his heart that thump-thump-jumps when thunder rumbles through the house, and stills. You smile, soft against his lips, thumb tracing the precipice of his collarbone until your fingers can curl around his spine. The next kiss against his mouth is featherlight, barely there; you sigh, contentedly—"I love you."
Katsuki goes a little hazy, eyes the color of early Autumn; the blazing summer sun reduced to a tealight candle, flickering in the palms of your hands. "Yeah," he chokes. And you know just what he means.
You kiss him then, once more, a little more playful this time; mischievous and coy with a cheeky, "—even though you're totally unsexy."
"So help me, y/n, I will howitzer this table."
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florencemtrash · 10 days
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Club Rats and Cigarettes: Part I
Azriel x Modern Reader
Summary: When Azriel stumbles into a new world with his brothers, the last thing he expects to find is a mate. But she has a hell of a way of making a first impression, and Azriel can't help but fall in love with someone who feels familiar in a strange world.
Warnings: Violence, mentions of drug use
Masterlist of Masterlists
Author's note: I had a thought. I wrote it. Here ya go!
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Y/n leaned back against the motley wall covered in indie movie and band posters 10-layers deep. Humidity caused the paper to lift away from the brick, curling like steam off coffee before being frozen in place by the next slather of paste. Y/n felt the sharp, glue-soaked edges poke through the mesh of her shirt. 
Looking left and right she saw a few stragglers heading towards the club — three girls huddled in fake-fur coats with freshly-shaved legs trembling in the October air, and a group of college boys dressed in the same jeans, sneakers, and pale collared shirts. They flickered in and out of the darkness as the streetlights hummed with the effort of keeping their failing bulbs alight. A handful of skeletal cars sat beside busted parking meters or half-hidden in the employee parking lots of the closed down street. During the day when the restaurants were open, inoffensive jazz battled it out with the reggaeton blaring from the trendy taco joint at the end of the block, and Kpop dancers pressed themselves against the screens posted by the corn dog restaurant’s windows, neon lights announcing that they were “OPEN!” But right now the neon was just another sad shade of grey. Even the sky’s colors were muted by packed clouds threatening rain. 
Music shook the pavement, but it came up from the sub-basement club deep and muffled. Y/n felt its vibrations pass through the soles of her boots, up her stocking-clad legs, and into her chest where her heart rumbled like a car without a muffler. 
A flash of flame revealed her glitter-coated cheeks and cobalt-blue eyeshadow. The color slipped and slid across her skin still tacky from club sweat until it was a pale wash of blue extending up to her temples and down to her cheekbones. A cloud of smoke covered her soon after as she lit her cigarette between nail-bitten fingers. A fresh coat of black polish glittered like stones, already chipping towards the tips. Menthol crisp bled into her lungs along with a breath of cold air perfumed with car exhaust and day old restaurant grease. She licked her lips and found that she did not mind the taste of lip gloss, mint, and char. 
Out of the corner of her eye she saw a boy with salt-white hair and shy, bent shoulders slink over to her trying to make himself as small as possible. “Can I bum a cigarette?” He asked, shockingly polite despite the black band t-shirt that read “Anarchy now!” and the careful spikes gelled into his hair and tipped green and black. 
Y/n wordlessly held out her pack and he plucked one out before hesitantly reaching for a second. She held out her lighter next and soon there were two plumes of smoke wafting into the air as music faded in and out with each body that passed through the rusted paint doors. Drunk giggles followed voices hoarse with drink and screaming. Heels clicked down the street, some heavy as a bass drum and others high and piercing like castanets. 
A quick flash of lightning splintered over the sky, followed seconds later by a dull crash like furniture toppling over. 
“One mile,” The boy said, leaning over. He smelled like bleach, aftershave, and surprisingly, cherries. The overly sweet ones that came out of a jar and decorated the tops of ice cream sundaes. 
“What?”
“You can count how far away lightning is from the thunder. Every five seconds between lightning and thunder is one mile.” 
Another flash painted the sky purple followed shortly by crumbled eruptions of noise. 
“That one was close by.” 
Y/n took one last drag before putting out her cigarette on the wall. The paper smoldered and was scarred black, but never burned. “Guess that’s my cue to go back inside then.” 
The boy nodded, smiling and looking her up and down a little too closely. Then his eyes sharpened, red-rimmed and squinting, as he glared into the street beyond her. 
“Do you see that?”  
Y/n twirled around on her heels, staring down the street to where it ended in shadow. It looked… darker than it should, although she couldn’t explain why. Like she stood before the throat of an animal. The darkness seemed to pulse and writhe, muscles clenching down on invisible meat. Then she felt stupid for having listened to him at all. 
“Don’t fuck with me,” she growled, pushing the salt-haired boy aside and slipping back inside the club. 
The music and heady scent of perfumes, cologne, and sweat punched her in the face, and she remembered why she’d chosen to stumble outside to begin with.
She moved in between bodies sparkling like disco balls, stealing body glitter as she went. She felt the tiny particles stick to her skin, tacky with sweat. Someone’s hand brushed against her wrist, but she swatted them off, pressing forward in search of her friends. She didn’t trust them to stay still, not in a place like this, nor did she trust them to check their phones, so she just kept searching the packed dance floor. Raised platforms crowded with plastic couches and spray painted tables hit her at eye level, but none of the platform heels and combat boots looked familiar. She thought a head of red corkscrews might have belonged to Cecelia, but it was only the changing lights reflecting off bleach blond hair. 
She dipped into the corner where a line of scantily clad girls with lanky legs waited for the bathroom. Ducking beneath the overhead speakers helped dull the noise, and if she climbed up two rungs of the barrier surrounding the DJ’s booth like a fighting ring, she could make out more of the crowd. Four stationary spotlights lit up the corners of the club pulsing red, blue, pink, and purple. A man in leopard print briefs was climbing onto one of the poles there, shredding his policeman’s shirt down the center as a woman in a zebra-print coat eagerly shoved a handful of dollar bills into his underwear. A drag king had his hot pink fedora knocked off by a drunk college student stumbling towards the bathrooms with a hand over his mouth. All over there were faint pinpricks of light followed by subtle releases of vape pen air, adding hints of watermelon and strawberry to the air. 
It was because she stood half-hanging off the DJ’s booth that she caught sight of the three men that entered one after another like the mob. Dressed in all black, they were better suited for a funeral than a club, save for one thing… their wings. 
Y/n blinked in confusion. There had been flyers hung up around the library and grocery stores about some anime convention being held in the city, but this place was a little out of the way for hardcore cosplayers. The most severe looking of the three lifted his nose to the air, then stumbled back in shock. As the strobe lights passed over his awe-struck expression, Y/n caught the glint of knives sheathed across his chest and at his side. 
Fuck. She looked up to the booth, but the DJ and the guys in ripped t-shirts bobbing their heads around him didn’t seem to notice. 
“Hey!” She dropped back onto the floor and tapped the shoulder of a barrel-chested man with the word “security” printed over his shirt in all caps. “I think those three guys brought knives in here.” She pointed in their general direction with one chipped, black fingernail. 
“The fuck?!” He gently pushed her aside, shouting something into his earpiece as he shoved his way into the crowd. People took a second to read the sign on his shirt before parting to make way for him. One guy with bright pink hair and studded lips even tried to kiss him on the cheek as he passed. 
Suddenly, this corner of the club didn’t seem so safe anymore. There was a splash of pale light on the floor as a bottle girl in a black leather catsuit slipped out of the kitchens. She swayed her hips back and forth, a bottle of tequila swishing in its frost-rimmed bottle against her hip. She moved up the stairs to the platform where a private bachelor party was going on, heels clicking like beetle wings rubbing together. Y/n slipped into the shadows closer to the kitchens and waited for someone — anyone — to answer the text she’d typed out with shaky fingers. 
Azriel had never heard music like this before. He didn’t even know such a sound could exist. Someone had weaponized the bass tones so it felt like a punch to the gut. A male’s deep voice, grainy and harsh, was indistinguishable from the crashing of cymbals and a strange, high clang that skittered over steady drums like a stone over water. Through layers of sound he could just make out the soft sighs of a female as she tried to tie the chaos together with her voice. 
All around him were sweaty humans decorated in shiny, colorful clothes that sparkled as they spun and jerked about. He stood a head above most, although every so often a male or female in eight-inch heels would pass by at eye level, looking him up and down like he was a meal and they were starving. 
“Hey there handsome.” Someone had found the courage to slink up to Cassian’s side — a male with pupils blown open wide enough to swallow his pale blue irises. There was alcohol on his breath and something else, something sweet and bitter at the same time. The human male smiled, teeth white and straight. Azriel had never seen a human with teeth so perfect. He was handsome — wiry and slim with a flush to his cheeks that accentuated the smattering of freckles across his tan skin. “Did you come here alone?” Rhysand and Azriel’s presence did not seem to deter him. “Did you want to leave here alone?”
Cassian sputtered in surprise. He’d never been propositioned by a male, let alone a human one. 
“I’m-I’m a mated male.” 
The male raised his brow, taking full stock of the skin-tight leathers Cassian wore. He took a deep drag of an oddly shaped pipe that lit up in the dark. “Ok. If that’s what you’re into.” A cloud of smoke spilled from his mouth — the source of the sweet and bitter smell on his lips. His eyes slid over to Rhysand, who only smirked and stuck a hand into his pocket. “And you? It doesn’t look like you’re into the leather stuff.” Then he seemed to reconsider what he’d said, looking between Cassian, Rhys, and Azriel like he’d figured out the final piece of the puzzle. He blinked in surprise, tipped back his head, and laughed. He was still laughing as he turned and walked away into the crowd. 
“What the hell was that?” Cassian asked. Azriel shrugged, shaking his head. 
“It’s a strange place we’ve landed in,” Rhysand remarked, although the comment was unnecessary. “I expect the strangeness touches everything here. Even the people.” He marveled at the scene before him. The only comparable place in Prythian was Rita’s, but even that paled in comparison to the sight before him. 
Rita’s was a pleasure house with music and drinks to spare, but everything here was… more. The music was louder, the smells an assault to the senses, and the lights changed every second and made the dancers flicker in and out of existence. Even the people seemed to have more substance to them, more color. 
Azriel loved it.
He loved the uneven floors that sucked at the bottoms of his shoes, the pulsing lights that made his eyes swim, and the sound blaring in his ears that drowned out all other thoughts. And something in the air smelled crisp and sweet to him, despite all the other competing scents that had Cassian and Rhysand wrinkling their nose in distaste. 
He strained his neck to catch better hold of the scent. His shadows clung to his body like children, hiding in the folds of his leathers. This world was not made for them, and they worried that if they strayed too far they would be left behind. 
Amren had warned them that this world was different, that its magic was different. But she hadn’t been here in thousands upon thousands of years. Who was to say what had changed in her absence and what had stayed the same?
Get in. Find what you need. Get out. Had been Nesta’s command before strumming The Harp. That’s how the three brothers had found themselves at the end of a narrow lane with boxes of metal and brick on either side. The club had been a logical next step — it was the only establishment that still whispered of life in the otherwise dead neighborhood. 
One shadow dared to explore the club, slipping past a broad-shouldered man with a scowling face and sniffing at half-full glasses of liquor with bright umbrellas laying against their salt-coated rims. Then it had caught sight of something that had it scurrying back to its master. 
Mate. The lone shadow hissed into Azriel’s ear. Mate. 
Azriel’s fluttering bird heart dove into his stomach, carrying with it all reason and restraint. There was no possible way… no. No? Right? 
Az? Rhysand steadied his brother as he stumbled back. 
She’s here? Azriel breathed. If it weren’t for his powers, Rhysand would never have heard the soft sigh escape Azriel’s lips as he searched the crowd desperately. Azriel tipped his head back, breathing in the comforting scent that held new meaning. My mate. She’s here.
What?!
Azriel ignored Rhys and dove into the crowd, head swiveling this way and that as he tried to find a familiar face he’d never seen before.
Az! Wait! But his brother was gone, and the crowd closed over the empty space he’d left behind like a healing wound. 
Shit. Shit. Shit. Shit. Rhysand cursed. 
“Hey man! Where did you get your wings? They’re fucking awesome!” A plump male with cornflower blue hair and matching eyeliner piped up from behind Cassian’s back. Cassian whirled around in anger, feeling the ghost of a finger slide down his spine. No one touched his wings without his say. No one. 
The male startled back in fear. Upon seeing Cassian at his full height, he cowered against the wall, clutching a crinkled red cup against his chest. Cassian blinked in surprise. The male was wearing a black and white dress, the starched apron and collar crisp and clean. 
“Someone call the police. Now!” Someone hissed behind him.
“What seems to be the problem?” Rhysand spoke coolly. At the moment Cassian turned back to Rhysand, the maiden-male scuttled away and upstairs into the cold night. Rhysand examined his fingernails, an action that had the guard’s ruddy face turning white as he saw they were armed to the teeth.
The male’s arms hung loose and ready at his sides like two boulders, fists opening and closing slowly. “You guys need to leave. And before you say anything — I don’t give a shit if those weapons are fake or part of some Halloween costume, you can not bring them here.” 
“What fool would carry fake weapons?” Cassian asked seriously. 
The male’s face lost even more color. “Out. Now.” 
“There’s no need for—” Rhysand’s brows shot towards his hairline, violet eyes flickering up like a cat’s. Cassian, I can’t control him. 
His brother’s eyes widened. What do you mean? 
His mind — I can’t get into it. 
He’s only human!
Clearly.
The male moved forward then to grab at the knife hanging from Cassian’s side and on instinct, Cassian swung. His fist met the corner of the male’s jaw cleanly and he sank like a stone, crumbling to the floor. 
A female with glowing white lips nearby let out a strangled shriek, twisting her ankle as she grabbed her friend and sprinted towards the glowing red exit sign. All around her people began taking notice of the guard’s dark shape on the black floor and the two males that hovered over him, knives sparkling in the ever changing lights. 
I had hoped that the humans would not notice, Cassian explained. More alarmed cries erupted around them. He leaned down, carefully checking the male’s pulse. He was still alive, just knocked out cold. 
The music dimmed and then went out completely leaving an empty hole in the air that blew against the back of Cassian’s neck. Overhead lights turned on shortly after, burning with a fluorescence that had everyone hissing in pain. 
Things looked much better in the dark. In the dark no one noticed the sticky stains littering the floor, or the gum wrappers, and plastic straws, and crushed cups; the dusty strobe lights and haphazard paint jobs that left the walls bubbling with air pockets. They were also less likely to notice the three fae in their midst — 6-foot-everything and looking like they stepped out of the world’s most expensive LARPing tournament. It didn’t help that Cassian was kneeling over the man he just rendered unconscious. 
Confusion led to confused panicking, and then plain panic as people began pushing towards the exits in droves. 
I think they noticed. Rhysand looked over the crowd as they fluttered around him, but try as he might, he couldn’t enter anyone’s minds. Not even one. He didn’t like the oily vulnerability that followed, naked and unnerving. 
Cassian slung the unconscious male over his shoulder before he could be trampled beneath pairs of dusty white sneakers and stripper heels. Then it would seem it’s time for us to leave.
Where are you? Azriel cursed at no god in particular. He didn’t know which of them existed in this realm, if any did at all. 
This way. His shadows whispered, urging him towards the back corner of the club.
A battered door swung open and shut to the rhythms of females in skintight leather carrying chilled bottles in their hands. Thousands of signatures had been scrawled against the door in neon paint, and Azriel watched one of the females sign her name — Ava — in bright orange before kissing the door and slipping inside to grab another bottle. 
Just to the right of the door stood another female in ripped stockings. Bright blue glitter painted her eyes and cheeks. She bounced back and forth on the balls of her feet, playing with a hole in her sleeve as she held a shiny black box up to her ear. 
“WHAT THE FUCK DO YOU MEAN YOU ALREADY LEFT?! I’M THE DESIGNATED DRIVER!” She yelled into the box. Her eyes kept shifting over the club. Her lipstick, already blurred from time and dancing, smeared further as she bit her lip. A swipe of her sleeve on her cheek left a faint trail of plum-colored lipstick. She slammed her finger down on the box and for one moment, the glow it let off shot across her eyes. She looked close to tears. 
Azriel froze, feeling a pressure in his chest tighten and then burst apart. He felt her fear — her anger at being abandoned by her so-called friends. It was more overwhelming than the music. If it weren’t for the thin crowd of strangers in front of him blocking his path, he might have dropped to his knees and crawled to her. 
Mate. The bond sang in his chest. Mate. 
Screams broke through the music, high and panicked, and the magic of the moment crashed all around him. The darkness broke, harsh white light colliding with them and rendering the glitters and colors the humans adorned pale and lifeless. But not his mate. She sparkled brighter in the resulting chaos, eyes narrowing in a dare as she caught Azriel staring. She was a prey animal ready to bolt. A worm preparing to turn and reveal its teeth. 
Sharp cracks of plastic on linoleum rattled the ground as leather-clad women sprinted for the kitchen door brandishing empty bottles like weapons. Y/n raced after them. 
The door flapped shut behind her before Azriel had the sense to move his feet and follow, calling out, “Wait! Please!” 
He was doing this very poorly. He knew better than to chase a female like this. Sickness twisted in his stomach as he slammed into metal doors and ran through hallways crowded with glass bottles, aluminum cans, and wrinkly lemons stacked precariously in wooden crates. 
To your right. A shadow whispered in his ear.
Azriel slid to a stop in front of a heavy metal door, its edges frosted over with cold. 
It locks from the outside.
Azriel ripped the door off its hinges and was blasted in the face by a wave of cold. Frigid air curled out of the edges of the room and slithered over the floor like smoke. A young female in a pink tutu yelped in surprise and dove for the corner of the room, hiding behind racks of beer bottles. It wasn’t his mate. 
She was just a frightened female who’d hidden in the fridge, not knowing she was trapping herself in the process. 
“Here.” Azriel said, quickly ripping a coat off the wall hook and tossing it towards her. She reached for it with shaking hands and lips, mumbling out a confused “Thank you?” as Azriel turned and hurried away. The door was no more. She could walk out of the freezer whenever she pleased now. 
Azriel chased after his mate’s scent, stumbling through grey, blank hallways that belonged to the insurance company next door. He strained his ears to hear the tell-tale pounding of her boots, but came up empty. A dull red light told Azriel to “EXIT” as he pushed against a door groaning from rust and disuse. 
He was outside once again, breathing in car exhaust and restaurant refuse.
And something sweet. 
He heard the rush of air a second too late. 
A bottle slammed into the side of his face, cracking and cutting his skin. Tequila washed over the wounds. It burned like a bitch. 
Azriel didn’t let out a groan of pain, but he did stumble, landing on his right knee with a twinge of soreness.
The female — his mate — stared at him in horror as blood began to pool at his temple and drip down the line of his jaw. She held the shattered neck of the bottle in her hands. Her shoes were gone, toes curling against the pavement with cold. 
Gods, she was beautiful. 
Cassian was a blur of movement, knocking the bottle out of her hand and wrapping his arms around her arms. She screamed, squatting down before shooting back up and locking her knees. The top of her head slammed into Cassian’s nose. A brutal, bloody crack had Cassian stumbling back, gripping his nose.
“FUCK!” He swore. 
She whipped around and sprayed a mist in his eyes that had him cursing like a madman and slapping the palms of his hands over his eyes. 
“FUCK! FUCK! FUCK!” 
Rhysand stepped forward and cornered her against the wall. Violet eyes glittered with something bordering fury and amusement. 
“No.” Azriel moved between Rhys and his mate before she could spray him too. “No one touches her.” 
Rhys backed up immediately. This is her?
It’s her. 
He could hear her heartbeat quicker than a rabbit as she flattened herself against the wall, holding her spray out in warning. Cassian moaned in annoyance, wiping the tears that kept leaking out of his eyes.
I do not like the humans in this world. Cassian complained, sniffling. Even his nose burned.
As if Nesta wouldn’t have done this given the chance. Rhysand said. 
…I see your point. Cassian muttered. 
Be careful around this one. 
Because she’s a menace?
Rhysand smirked, flicking dust off the sleeve of his jacket. Because she’s Azriel’s mate.
Cassian straightened. His eyes darted back and forth between Rhysand, the blood dripping from Azriel’s head, and the human female. 
Oh. Cassian thought, suddenly embarrassed. We have… not made a good first impression. 
You think?! Azriel all but growled. 
Her fight or flight response was running out — her energy draining. She could feel it in her leaden limbs and the faint slowing of her heartbeat as the three men kept looking around like they were seeing each other for the first time. 
And they kept looking at her in mixtures of shock, concern, and — surprisingly — affection. 
What sick fuckery is this? She dug her fingernails into the brick, searching for cracks like she might be able to pull out a piece and throw it at them, or find some hidden portal through the wall and back into the safety of the inside. 
Were they going to kidnap her? Was she about to be shoved into a bag and tossed into some dingy trunk? But then why the wings? It was too dark to see them in their entirety, but they looked meticulous and expensive and very memorable — not ideal for kidnapping. Was this a LARPING thing? Were they Satanists? Was that how this worked?
The one in front turned. The one she’d attacked with a bargain bottle of tequila. The blood had stopped flowing and darkened against his tan skin. Hazel eyes, bright and piercing as a copper penny, looked out from a face made of elegant, serious lines. His was not a face that smiled often, beautiful as it was. The burly, rugged one looked like he was made for laughing. Smile lines gently graced his cheeks and temples. But maybe those were scars. He sported many of them, like pale whiskers over his skin. The third was the most put together of the three. Instead of strange, leather armor, he wore a suit of velvet over something stiff and protective that hugged his trim waist and broad shoulders, and his eyes were violet, not hazel. 
The elegant, unsmiling one coughed awkwardly, shifting to hide his wings. Shockingly, they slid closed behind his back, the movement so smooth it looked real. 
“I am…” His voice was a deep, gentle caress. “I am so very sorry. I did not mean to frighten you as I did. Please, forgive me.” He was… alarmingly polite, and his accent was… pleasant, although impossible to place — all soft rolls of the tongue complimented by the rich timbre of his voice. “ Please.” He spoke the last word quietly, urgently. 
Y/n said nothing. Her arm was beginning to get sore from holding out the bottle of pepper spray. Although, it can’t have been that effective if the rugged one was already recovered. Maybe it had expired without her realizing? 
“My name is Azriel,” the man spoke again quickly and gently. Even his name sounded odd. “And this is Cassian—” He pointed to the burly one,“And Rhysand.” The last of the men tilted his head in a mock bow. 
“A pleasure.” The violet-eyed one said. Rhysand’s voice was weighed down with sultry charm. He purred the words more than spoke them. 
“Pleasure,” Cassian copied, gruff but kind. 
Y/n remained silent. Somewhere in the distance, sirens wailed. The pretty one — Azriel — stepped forward and pulled out a sleek, small blade from the belt about his waist. Y/n was about to spray him in the face when he twisted the blade so that the handle faced her.
“This will do more damage than the little bottle you carry,” he promised. “I hope this will make you more trusting of me. I swear to do you no harm. I’ll even make a bargain, if it would make you trust me long enough to explain.” His wings twitched nervously and Y/n found she couldn’t draw her eyes away from them and how real they looked. 
The three men kept looking at each other furtively. Conversations, complex and unknowable, hide in every twitch of their eyes.
“Speak out loud,” Azriel snarled at them finally. “You’re frightening her.” 
Rhysand smiled apologetically at the female. “We need to leave. Now. You can hear the humans coming as well as I can.” 
Y/n bristled at that, and a detached feeling of horror came over her. “Are you not… are you not human?” 
Cassian gawked at her, speaking his wings out far and wide. “Do the humans of this world have wings?” 
She sputtered to answer, fear giving way to curiosity. Azriel took advantage of that, moving close enough that he slid the blade into her hand. It was a cool, welcome weight against her hot, sweaty skin. Up close she saw he had freckles dotting the high corners of his cheeks and that his hair came alive with dark tendrils of smoke that wafted off his skin like steam. They wrapped around her and she heard their strange whispers in her ears like white noise. 
“We’re not human. We’re not even from this world.” The sirens were only a block away now and Azriel swore beneath his breath. More of those dark tendrils shot out like shadows and dulled the noises of incoming fire trucks, cop cars, and EMTs. “I swear to you that I will explain more, but we must go. Please.” He took hold of her wrist, angling the blade he’d given her right beneath his last rib. 
It was a dramatic declaration — if she wanted to kill him and run away, he would let her. 
Y/n swallowed thickly, her mind thick with fog and the dying embers of adrenaline. “I—I parked a few blocks down that way. I can take us somewhere else.” 
Azriel breathed a sigh of relief and she pulled away from him, taking with her any shred of comfort he’d felt since coming to this world. 
Somehow they managed to walk the quarter of a mile to her car without being stopped once by another living soul. She suspected it had to do with the shadows that now poured off of Azriel’s skin and trailed after her. She could feel them licking at her heels like curious dogs… or blood thirsty wolves. 
She gripped the knife tightly in her hand, stretching her fingers to wrap around the steering wheel as she drove through familiar roads on autopilot. Azriel watched her curiously as she stopped at a red light and clicked her blinker on. 
None of the men looked comfortable squished into her tiny sedan, wings tucked in so tight they cramped. Cassian’s boot was stretched out on the center console, almost reaching the gear shift. Rhysand was hunched over in the back seat, pressing his forehead against the cool metal of the headrest in front of him to keep from getting sick. 
“What is this cursed thing?” He grumbled, then promptly shut up when Y/n took them down a local road with craters that had them jolting and jerking for a mile. “This metal box… I do not like it.” 
Azriel and Cassian ignored their brother. Az was too busy paying attention to his mate and politely explaining the complexity of their situation, and Cassian was too busy looking out the window at the houses that passed by. He could hear the unfamiliar hum of electricity like a dragonfly's wings. 
By the time she pulled the sedan down a beaten road to a quiet, homely one-bedroom house, her mind was swimming with words and phrases she could barely string together — Koschei, fae, Illyrians, seers. It was worse than when she’d spent two all-nighters cramming for an exam in college fueled by nothing but Red Bull and desperation. 
Before the keys were even out of the ignition, Rhysand was spilling out of the car and breathing in gasps of clean, woodsy air. Gravel crunched under his feet. Once this road had been paved, but time and weather had broken up the asphalt until only chunky black rocks remained. Green grass, not yet killed off by Autumn frost, grew in uneven tufts up to Y/n’s squat, brown-sided house, skirting around the makeshift garden in the backyard before disappearing into the woods beyond. Neighboring homes inched as close as they could to the main road, half-submerged in golden brown trees that trembled in the wind. 
The porch steps creaked, flexing in the center like backs ready to break, but they’d recently been cleaned and painted over with a fresh coat of white. The front door had been given similar treatment, although it was painted green. A small Autumn wreath hung from a nail. 
Y/n fumbled with the keys, fingers shaking and numb from the cold. 
“Here,” Azriel murmured, gently taking them from her. His shadows could have unlocked the front door in less than a second, but he was in no mood to test his mate’s patience and understanding. The fact that she’d driven them to her home in the dead of night was testament to the uneasy trust she’d placed in them. 
A disgruntled meow greeted them as they filed into the short and narrow entryway. Cassian bumped into the entry dresser with his wings and nearly jumped out of his skin when the dark monstrosity that sat by a ceramic dish full of rings hissed. 
It was the fattest cat Cassian had ever seen. 
Acidic yellow-green eyes narrowed at him, as if sensing his judgment, and the cat’s whiskers twitched along with its pink button nose. 
“Jefferson, be nice.” Y/n reprimanded the cat, scooping up its rotund body into her arms. The cat swatted her shoulder once, then consented to being held. He did not like strangers in his house, even if they were Y/n’s guests. “This is Jefferson.” She looked behind her back to the rest of the house. “And this is my home.” 
She busied herself preparing for her unexpected guests. She scoured the bathroom closet for spare toothbrushes, towels, and lotions, and pulled out the thickest blankets she could find. One person could sleep on the pull out couch, the other two would have to fight for the best spot on the floor. 
Azriel watched her as she moved. It was not a large house — it was barely even a cottage — and it took his shadows a short time to familiarize themselves with your home. 
A lumpy couch, wicker armchair, and coffee table made up the living room, tied together by a retro rug that may have once been white, but was now a respectable beige. Four mismatched chairs huddled around a scratched wooden table near the kitchen, one of which carried a stuffy cushion that held the imprint of Jefferson’s soft body. 
The cat watched them from the kitchen counter with its piercing eyes, and did not seem at all concerned when a stray shadow wound around its tail. 
Pathetic. All of them! Were the cat’s thoughts. Master will not like this.
His eyes did soften when Y/n returned from her bedroom, arms heavy with blankets and sheets and pillows. Azriel quickly relieved her of her burden, promising that they’d spent nights in worse conditions than a heated house with bedding and clean floors. 
She seemed charmed by that and almost smiled. Almost.
“There’s leftovers in the fridge if you get hungry, and the bathroom’s by the front door. I’ve already put some toothbrushes and towels in there if you need them.”
“Thank you,” Azriel said softly, tilting his head in a faint bow. His brothers followed suit before busying themselves laying out blankets and pillows like they’d done this a thousand times before — which they had. 
Y/n nodded curtly and swept a judgmental Jefferson into her arms before disappearing into her room. Azriel heard the lock click into place and the rummaging of drawers as she pulled out an extra can of pepper spray, a pair of scissors, and the three knives she’d taken from the kitchen. She bolted her windows and drew the curtains closed and even stuffed a towel into the space beneath her doors just in case.  
She was meticulous and careful despite her generosity, and Azriel found himself smitten at her resourcefulness. 
Stop thinking about her and go the fuck to sleep, Az. Cassian grumbled. He could feel the longing dripping off of Azriel’s shoulders. She’ll feel more comfortable if she knows we’re asleep. 
How much would you like to bet she kills us in the night? Rhysand asked, and then seemed amused by the prospect of it. 
I’d worry more about the cat. Cassian chuckled. Then he turned over onto his stomach and was out like a light. Centuries spent in war camp barracks and makeshift battlefield tents had taught him to steal sleep wherever and whenever he could. 
Rhysand was quick to follow suit, although centuries as a High Lord had pampered him just a little. 
Azriel stayed awake, waiting to hear your heartbeat and breathing slow to a comfortable pace. But it never happened. Not even as the sunlight trickled in and touched the light-bleached floors. 
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dognonsense · 8 months
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Question...how do you make your patches? They seem so fuckin cool. I'm working on a vest and a jacket atm, and I'd like for them to be done by the time a pride fest rolls around next month.
Main technique I use for making patches nowadays is linocut. Its best suited for mass production of patches.
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Make sure to remember your carving the mirror image so you have to flip all the text. Using tracing paper to flip the design is a good trick, as well as leaving graphite marks on side, then pressing that to the lino to leave the marks in the same spot. Another trick with pencil is to view what ur carving in negative space quickly, put a paper over your design and shade over it with pencil, darker marks will be where you haven't carved yet.
I use speedball fabric ink, it takes 1 week to set then will be fine to be washed. I have magenta, violet, turqouise, and white. They have a limited range of fabric colors at the store. I have seen gold and silver fabric paint for sale and I will investigate it one day.
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I use a speedball roller, i find the smaller one to be better than the big one as I can be more precise and waste less ink.
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I got a fancy handle for $40 but the screws fallen out so its broken now so just get some heavy books. I used to use a mug. Whats important is pushing your whole body weight into it.
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I got a speedball carving tool with different heads I can swap out so I can cut into the lino at different deepness and widths. The heads are stored inside the tool since its hollow and has a screwable removable bottom. I use linocut or dollar store erasers for my carvings. Make sure to wash the ink off your linocuts after your done using them.
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A thing to increase the lifespan of you're linocuts is to use wood glue, some cork or wood pieces, and glued the lino stamps onto them. I dont do that yet so my stamps fall appart from overuse sometime and because I cut way too deep into the lino since I hate chatter.
Chatter is the term for in linocutting when theres little messy lines and stuff. It makes the art more recognisably to be linocut. My work is very clean with no chatter which is why people don't notice its linocut usually. This is a stylistic choice, with diy styles having a lot of chatter can look really cool so experiment with leaving bits of extra uncarvered lino sticking out in ur stamp. I need to experiment and buy some more lino.
You can also use multiple linocut stamps together to make a patch. Some patches ive made have like 8 different stamps. Ive made a dog nonsense patch where each letter was their own eraser stamp. You can also use different colors between the different lino stamps on the same patch to add more color. An effect I like to do is first stamp it in color, then the next day I stamp it in white over the same spot but shifted to the right and down slightly. It makes the text have a cool border 3D effect I love doing.
If making a more detailed picture with colors, i reccomend hand painting patches. I use white fabric paint mixed with acrylics for color to get all the shades i need. Acrylic paint mixed with fabric softener works too.
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If doing words and you dont want a unique font reccomend using letter stamps. If you want a unique font for that i recommend hand paint for individual or linocut for mass produce.
The positive of letter stamps is the font is neat and can be done quickly. I know from lending them to my roommate that they are very helpful if you have dyslexia and have trouble getting letters right.
A visual effect of the letter stamps is that have a nice boxy edge effect, its an imperfection that adds a personally touch to it. I have both lower and upper case stamps that I got from michaels. You can use a hair band or elastic to hold a bunch of letter stamps together to make a word stamp.
You can use other stamps than letters that you find at craft stores for example my racoon print is a craftstore stamp.
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You can also find big plastic letter stencils at the dollar store that you can use to do lettering by filling in gaps with a sponge or or paintbrush. They make special paintbrushes just for using stencils.
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You can also get plastic stencils in the shapes of things, i got some for children and use a horse stencil for my horse smoking weed patch. Easier than drawing a horse myself.
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Another technique I use for more unique clean patches is gel plating. I haven't tried printing laserprint images with it as ive seen online a lot but I will try one day. What i personally do is use it to make imprints with chains and physical objects.
Another thing i use with gelplates are any stamps or linocuts that dont have words, or words ones that i fucked up with and forgot to mirror when carving. It flips mirror image twice with the gel plate so it goes back to being right again on the patch.
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Another patch making technique is using foamboard cut into shapes glued onto cardboard. This is good for a quick test of a design and is very cheap to make. It will not hold under water so is more difficult to clean.
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keystonepublishing · 2 months
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Dirges in The Dark by WixWrites
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Before I start, let me just say: Ranchers! Scarian! Hermits and Life Series and Empires characters! Sheriff Jimmy! Sheriff Scar! Criminal Tango! the Wild West! Treebark and Ethubs!
RANCHERS. THE WILD WEST. CREEPING ELDRITCH HORROR.
Whoo, that was a rush.
I'll be honest; I think this book would have come out much sooner if not for my decision to add-in a whole lot of stuff into the text and pages. It got to the point that the original cover would have been a wanted poster at the front and a sheriff's report at the back!
I had to restrain myself, lest this book would never get finished at all. It's already been 59 days since my last post, and doing the original cover would have stretched the days even further. So I had to follow the mantra: Finished, not perfect. Besides, nothing says I can't make another version in the future...
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From the moment I finished this fic, I knew it would become a book. But at 143,412 words, Dirges in The Dark by @twodiamondhoes would stretch my ficbinding skills to the limit and would be the second-ever bind that would reach past 250 pages (the first was an MCYT Sleepy Bois fic that predates this blog that I want to redo).
Eventually, the full typeset took up 520 pages! And as such, I finally decided to use extra support for the entire textblock. From an old pair of pajamas, I backed strips of fabric with glue and paper before cutting it into tapes, forming a crucial support for the various weaves along the spine. I then covered the entire spine in brown wrapping paper for even more strength.
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For the title and headings, I scoured for and found several typefaces, dingbats, and vector graphics which really evoked the fic's Western and Gothic vibes. I also took some inspiration from fellow ficbinders in the Renegade Publishing group for the style of layout and formatting throughout the book, such as using faded images in the background of these pre-story pages.
I wanted the reader to be immersed in the Wild West from the get-go, so having such images from the start — before the story even begins — felt very appropriate. I tried to make them thematic to the information presented, like a singing cowboy for the music playlist pages, but I think I made the image too faint to be seen!
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As for the chapter openers, I experimented with some layouts before finalizing on what you see: photos taking up one entire page on the left with the chapter titles and opening paragraphs on the right.
Just like my last bind, I want to make the reader feel immersed in the story and also bring out the mood of that particular chapter. This, however, led me to entire days of scouting and scouring stock photo sites just to find the right pictures for 11 different chapters. 4/10 would not recommend for sanity.
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Given that the story uses a number of foreign words, old slang, and specific Wild West-era terms, I added a plethora of footnotes at the bottom of some pages for extra context and meaning.
I also wanted to be playful and make certain story parts, such as characters receiving letters and notes, really look like they're a part of the story. So I cropped old paper textures and fished out old fonts from the past to make them look as if they're actually there, pasted against the paragraphs!
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More importantly, there were some specific parts of the fic that felt super important and I wanted to highlight these passages, especially the Deals made by the characters throughout their arcs. Given DiTD has a certain affinity with eldritch darkness, I decided to highlight such paragraphs by backlighting them against a band of pure black. Besides being thematic as hell, I made the bands have curved edges and decorative lines to add a certain western-gothic touch!
It was from this that I begin to think "what if I can color entire pages to convey the mood and setting?"
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...Which led to the madness in these pages. I can't reveal too much because of spoilers, but there are certain times when the characters end up in situations where the very light turns to dark. Or they end up in hellish situations. Or the eldritch creatures began to speak.
It took some creative brainstorming to figure out how to show the mood of such scenes in printed pages, but I eventually figured out that I need find the right fonts, change their colors from black to white, and then change their backgrounds from white to dark to highlight them all! The power of formatting!
There's a lot more pages where I went wild with such shades and fonts, but I ain't revealing in public because spoilers!
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But undoubtedly, this is the biggest experiment I have made with this bind. There is a certain part where Grian and Pearl spoke in eldritch R'lyehian / Cthuvian, and I want to convey the sheer strangeness of the speech and it's meaning. Something outside the box.
Luckily, I have an inspiration in fellow fanbinder @mythrilthread, who made an amazing fanbind that used vellum overlays to showcase the speaking of alien languages and what they mean in English. AND IT LOOKS SICK AS FUCK. When I finished reading Dirges, I knew I had to emulate this form of language translation, so I printed the eldritch speech, cut it, and pasted it onto the spine to give a similar effect of strangeness, and IT LOOKS SO COOL!!!
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And lastly, I just had to include some of the amazing fanart made by readers into the book! All of these are placed by their corresponding text and chapters, and they all look so cool!
So I want to give a special thanks to @azzayofchaos, @leafdoodles, @hybbart, and @foxyola for granting their permission for me to include their incredible works into this bind! The dark shades and page formatting is one thing, but these works truly make this book feel so much more alive!
All in all, this bind was an odyssey in the making. I experimented with page formatting, layout wizardry, and bookmaking methods that I haven't tried before. While I know I could do better, I am beyond happy to see this work finished!
And once again, a thousand thanks to @twodiamondhoes / WixWrites for crafting an amazing story!
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fab-bladesmith · 3 months
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A Carolingian Sword and Scabbard, 9th century.
The blade has a 3-layer core of mild steel over high carbon steel, and high carbon steel edges.
Hot-welded in the fullers are the famous "+ULFBERH+T" mark on one side, and "III XX III" on the other, in pattern-welded 1075 and 15N20 steel - this latter thing being, in my educated opinion, no less important than the other side. Many things have been said about such marks, but the most important thing about them is that they exist (otherwise, to paraphrase Sir Terry Pratchett, it wouldn't be a real sword, just a very dangerous bit of sharp metal) and that they are but one aspect of the continuous function of the sword to carry a message/prayer/ritual thing, a thing appearing as early as the Bronze Age and which would continue up to the Renaissance if not after - working in conjunction with the scabbard to utter/read these spells when the sword is drawn or put back in the scabbard.
The hilt is inspired by sword FG2187 of the Germanisches National museum, found near Mannheim, and is mild steel overlaid in brass and silver (thanks to Matt Bunker for the close-ups), with silver details.
For the grip I drew inspiration from a sword found in river Shannon in 2012 for the placement of the linen threads under the leather cover, which provide both a decorative function and a nice feeling in hand. The overall shape of the grip was determined by stylistic elements of various swords of other types.
The scabbard is leather over linen over steam-formed wood, and lined with 100% wool cloth, stitched at the throat with pure silk thread. I chose not to give it a chape, the end being reinforced by a thick wrap of folded linen bands, as according to Dr Geibig's works. Decoration was made using thread glued under the leather cover.
Cheese glue was used for all this.
The suspension system of leather and brass is loosely made after the finds from the Isle of Man (Cronk Moar and Balleteare). The main issue I had was the bottom D-ring/strap thing, and here I propose a simple arrangement of a leather strap riveted to the buckle plate, and made to fit tightly the scabbard when wet. Upon drying, the strap would shrink and securely fit between the two risers.
The strap ends are in the Trewhiddle style, and were made using the historical process of drawing out a billet and chiselling in the decoration, accordingly to the PhD by Gabor Thomas. No casting involved there.
The making of this project owes a lot to the labours of Dr Mikko Molainen, to whom I address all my thanks.
This whole thing needed an awful amount of trial and error, and I am well aware that not everything is perfect there. Apart from the issues mentioned above, the main difficulties were the hot-inlaying/welding of the marks, but I do thing that most of them came from using modern steel - old/bloomery iron, especially with the proper content in phosphorous (wink at @gaelfabre) would have made the welding easier I think. I'll have to give it a try some day.
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Tips for making actually cheap punk clothes from someone that has spent a maximum of $11 on any specific project over 3 years:
Bottle caps make AMAZING pins. There's countless ways to make bottlecap pins, but I mainly do it by 1) filling the cap with hot glue and 2) gluing a safety pin to the back. It's up to the individual. But the point is: Save bottlecaps.
DRINK CANS ARE AMAZING FOR MAKING SPIKES! Any aluminum can works - Monster cans, beer cans, etc. - all you have to do is cut off the tops and bottoms; make it a flat sheet; cut the metal into small semicircles; and roll it into cones. They stay in place easily with hot glue, and when you put them onto anything, they look just as good as store-bought.
Save Can Tabs. They can be put onto jackets, made into chains, earrings, necklaces, or anything else you want.
Literally anything can be made punk. Jeans, cargo pants, denim jackets, t-shirts, shoes, hoodies - the sky's the limit. Don't let these tiktok punks tell you that only their $80 Social Distortion pants and $120 denim jackets can be punk. Any clothes you pull out of a dumpster can be punkified.
Old T-shirts that no longer fit and have a design on them can be cut out and made into backpieces. Band shirts are particularly great for this, so if you thrift a Motorhead shirt that's too small, you can cut out the design and sew it onto a jacket and bam - you've got an exclusive piece of merch.
This one's more of an opinion, but: If you're patching up a jacket, sew the patches onto the outside of the jacket. If you're patching up pants, create holes where you want the design, and sew the patches from the inside of the pants.
Do research. If a "thrift store" calls itself a cheap alternative store, but has $50 jeans, it's not a thrift store. It's a vintage reseller, and the clothes are almost always WAY overpriced.
Shoplift carefully. Go somewhere you don't usually go - a large chain like Walmart or Target or Staples, not a local business - and take small things. Don't go somewhere that you're a regular at, or shoplift multiple times in a short period of times, or do too much at once. You will develop a track record and have more of a chance of being caught. However, the workers don't get paid less for you stealing, and the big suits in corporate won't notice or care about a missing pack of dental floss.
Experiment! Have fun with it! I've been Frankenstein-ing my jacket for years and counting - I've taken off the sleeves, added new sleeves, painted on it, put patches on it, added pins, anything you can think of. Be loud, be ugly, be weird, be happy.
If you have a painted patch or spot on pants/a jacket/whatever and it's old, but you want to take it off now, or if you just made a mistake, acetone can get pretty much any amount and age of paint out of any fabric. By acetone, I mean most nail polish removers or rubbing alcohols.
Now, I hate buying things for making punk clothes, but there are a few things that, in my opinion, are investments that last FOREVER. This includes: Hot glue guns; nail polish remover (for the last tip, mainly); paint pens and containers of paint (fabric or not); sharpies; dental floss or just normal thread; fabric scissors; and SAFETY PINS. None of them are very expensive, but they'll come in handy for years.
ESPECIALLY SHARPIES. That's the one thing I won't debate is a perfect investment. You can get a set of 12 colors or 12 black ones for like $9, and you can use them for EVERYTHING. The color also won't bleed when washed, as opposed to most pens and markers.
SAFETY PINS ARE A FASHION STATEMENT IN AND OF ITSELF. They're super useful in making clothes and jewelry, they're cheap and easy to find, and just nice to line the hems of your pants with.
When you make a square patch, fold in the edges slightly so that the edges don't fray. This makes it slightly harder to sew on, but it keeps the patch in good condition for longer - unless the idea is to look tattered. Then don't.
Don't be afraid to add something random and weird to your clothing because "oh people are gonna see it and know I like this weird niche thing" - that's the whole point! It's an expression of who YOU are, not what people want you to be. If people - especially other punks - judge you for it, fuck them. Unless...
No swastikas, no iron crosses, no symbols of oppression, no TERF shit. I'd say that's the only rule of punk - to say "oppression is punk" is going against everything punk stands for. Of course, if you do it anyways, you should at least know you deserve the beating you get at a basement show attended by underpaid and rage-filled faggots.
Of course, these are just mine, and there's plenty more that I do not know. If you've got your own way of doing things that goes against mine, that's awesome. But if you need to start somewhere as a kid punk, I hope this helped.
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fractangle · 8 months
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Behold, The Meme Jacket
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This jacket arrangement position is called "LOOK AT MY ARMPITS."
Here's a close-up of the collar and lapels with the jacket laying normally:
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The snaps on the lapels hold them open, but can also be snapped closed, which is nice on windy days.
Here's the front of the jacket as it's intended to be seen:
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I was very particular about how I designed and arranged these: much like how the back only has color in the middle, I wanted to keep the bright colors to the center. The two brightly colored patches are meant to read like a two-panel comic, or some sort of call-response thing, whatever. The patches along the bottom are meant to read left to right, almost like a four-panel comic. (The Awesome Face patch is just there because it fit.)
What's not obvious from these pictures is that there are inside pockets, which connect to the zippered side pockets! I don't tend to actually use this feature very much, but it does make the pocket space hugely tall in there.
Another feature I don't tend to use very much is the zip-off sleeves. I think I've only ever taken the sleeves off once (plus a few times when sewing patches on, to make it easier to reach where I was working).
The googly eye buttons are holding up moderately well - I might need to replace one of the eyes by next year. If you're gonna do this yourself, you gotta put a metal keyring of the same size behind the googly eye! Wrap the keyring in a piece of fabric (I used the tubular bit from the bottom edge of a t-shirt), and sew it to the button band. Then, glue the googly eye onto the fabric with enough glue to also glue the fabric to the keyring. (I used superglue for this.)
All in all, it's been an incredibly fun project, and one that I get lots and lots of use out of! I'm sure I'll add to it at some point, but I'm calling its current state "done (v1.0)".
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borninwinter81 · 8 months
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Cyber goth dress + my favourite way to make patches
I thrifted this dress a couple of weeks ago for £1. I believe it started life as some sort of costume, possibly a sexy firefighter, but the fabric is really good quality cotton, and I thought it had some cybergoth potential with the yellow and reflective bits. I also really like the metal fastenings.
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I already had a high-viz coat in my wardrobe from when I used to go bicycling more often, so I was able to steal more reflective bits from that. Not yet sure what I'll do with them, probably cut interesting shapes and glue or sew them on. Photos with and without flash.
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And then yesterday I got a half meter of cotton fabric for £1 which is an almost exact colour match, so I can make some stencilled patches.
I already had fabric paint at home, so this entire outfit has only cost me £2! Cybergoth clothing is usually super expensive.
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There are lots of tutorials for making stencilled patches on YouTube, (@rattusrattus3 has some excellent ones) but I lack patience and don't like cutting out intricate pieces, especially for lettering, so I had the idea to use alphabet stickers. You can pick these up really cheap from your local pound shop or dollar store depending on where you're from. I think mine were 40p a packet.
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Stick them to your fabric, use fabric paint and a sponge, then when you peel the stickers off you'll have the words in relief. You can go thicker than I have here to make the surrounding area totally opaque, but I like the edges being messy and faded out. These are both song titles from cyber/industrial bands that I like.
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Here are some other examples that I've done in the past. These were all done with pound shop spray paint which isn't ideal for fabric, but it's cheap! You'll also get more of the original fabric colour showing through with this kind of paint, which is nice.
If you're using black fabric, gold or silver paint will generally work better than white. These are all Devin Townsend song lyrics.
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The only negative to this method for some people may be that the letters will be very uniform, but I like that. And if you want to you can space them irregularly to break things up a bit. Or you might be able to find more interestingly shaped alphabet stickers than I did!
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spockandawe · 2 years
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Here's a big project I've been sitting on! All That You Love Will Be Carried Away, by our very own @ceruleancynic! And a box, naturally, building boxes for books continues to bring me immense joy.
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What we have here is not just the main fic, or the main series, but also All That You Love (The High Hope Remix) alt pov short fic by byzantienne, and, a detail that I was really excited to include: the initial comment exchange between these two fantastic authors of m the first fic in the series. Did I title that second little book 'all that you meet cute will be carried away' as a silly placeholder? Did I then get super attached and refuse to change it? Uh-
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Hell yeah, I refuse to be dignified about any of my favorite hobbies!
But the real secret delight here was that I've been looking for the right opportunity to get weird with boxes. Peller boxes, hinged slipcases, yes, fine, but those are like the box version of my sixfold book adventure. I'm still shooting for some parallel to my fourteenfold book, I'm looking for a way to go completely off the rails. I have some ideas, but it's hard, finding a good large chonk and a small number of equally sized texts, which made a unified and complete set, AND which excited me to work with. That might sound unnecessarily picky, but I swear, there was a good reason for it!
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Oh baby. Oh baby.
This worked out so perfectly. I wanted a large book at the center of things. And I wanted two small books oriented in a different direction, placed end to end, at its edge. And I got it! I didn't want to commit too early, and it would have been heartbreaking to fail, but once the big book was together, and the preliminary typesets for the two little books were almost identical? I just HAD to try.
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Tumblr is already silencing me and refusing to let me attach as many images as I want, so for this post, let's talk about the main book a little! Cute little quarto bricks are my new FAVORITE favorite thing, as I'm sure you can guess from my archives, and this one was a dream to put together.
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It had to be a three-quarter leather binding, naturally. And I was sitting on some gorgeous iridescent maroon paper for endpapers (no photos in this set, it refuses to photograph well, as is the way of pretty iridescent things). I spent some time agonizing over my other material, and whether to use two different marbled patterns, but I went with it in the end. The vibes were distinct enough but the palettes overlapped enough that I really enjoyed the effect. And with the northcott art of marbling fabrics (my beloved) I was able to use lines of symmetry to get some nice fussy cuts for the big book and the little ones. All of the books have leather endbands, matching the spine. And the big book has the big thick faux raised bands I tried out with my last svsss! I don't have enough pictures to show off all the book interiors, but I used this cover plate for the series and main fics within it.
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And then, like I showed you above, I put it all together. Marbled paper and silk moire for covering the box, a lot of very tense wrangling of glued-up paper in very small spaces, and, at one point, carefully lowering glue-covered pieces of moire bookcloth down these little pits (walls already covered) using that tab in the front like the world's awkwardest elevator shaft. But the EFFECT!
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I'm very, very pleased with myself, and delighted to have delivered this book to its new home. I've been absolutely VIBRATING with a desire to share, so! I can't be contained by tumblr's image limit. Hold on for two seconds (approx.) and I'm going to reblog this post with some wip pictures and more detail about how I worked this thing out and assembled this box and modified my initial design on the fly
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pedrito-friskito · 2 years
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strawberry wine - joel miller x ofc!liv stone/fem!reader
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during - part thirteen
series masterlist | main masterlist | read on ao3
you and joel make your reunion official, and deal with the fallout.
a/n: brO I will fully admit I struggled a bit with this one - it’s mostly unedited but I’m still happy with where we’ve ended up. ANGST CITY BABY AS PER USUAL. and my askbox is always open if you’d like to scream about it 😇
word count: 5.3k
warnings: MY BLOG IS 18+, MINORS DNI, angst, explicit sex, unprotected p-in-v (with a slightly throwaway solution), light choking, very emotional sex (heavily inspired by a scene from outlander 👀), Joel’s head has been fully removed from his ass and Liv is making the most of it.
✨I do not have a taglist - follow @friskito-library for updates on future chapters/works!✨
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You feel like you’re moving in slow-motion. Every moment feels drawn out, the emotion tripled, the touch more sensitive, the sound more clear. You’re committing every second to memory, refusing to let yourself think this is a dream.
“I can’t stay away from you.”
“So don’t.”
Don’t stay away from me, you want to say it a million times over. Don’t ever leave me, don’t let this world swallow me whole without you by my side. You know for a fact you don’t say the words out loud, but he seems to know them anyway. “Never leaving you, baby. Never in a million years.” The words are whispered into your skin, mapped out along the curve of your jaw.
You’re both slow, getting up off the floor. The peals of laughter taste like sugar on his lips, and your mouth chases his, hands reaching, searching, pulling at fabric and pushing at limbs. He hauls you up against him, lifting one thigh until it’s bent over his hip, presses his weight into you. Your neck arches and his lips glue to your pulse, sucking a bruise, tongue soothing the ache it leaves.
Take me to bed.
He does. With one more hungry kiss, he pulls away, planting his hands and pushing himself up, sliding his lips along your collar before he’s gone, shuffling backwards, getting to his feet. He holds both hands out to you, and you take them, groaning as he pulls you up, tugs on your arms, sends you sprawling into his chest.
Joel bands his arm around your shoulders, the other around your waist, seeks out your mouth again. 
Never stop kissing me. Never stop holding me. 
The riot of butterflies zipping through you feels foreign, almost unfamiliar, but when he pushes his tongue past your teeth, memories rise to the surface, bright spots amongst the dark. Kissing in the paint aisle with coffee on your breath, in the bed of his truck beneath the stars, in the corner of the movie theatre in Austin, in the dead of night when you slept in his bed and sought him out with sleep in the corners of your eyes.
It all feels like a lifetime ago. It is, in a way.
The hand at your waist moves beneath your sweater, the flat of his palm against the small of your back. The mere touch of his skin to yours makes your blood shiver with anticipation and you curl your fingers in the front of his flannel, dark red striped with black. He adjusts his grip on you, slides both hands up your back, presses them to your shoulder blades, the soft pressure making your arms lift, wrapping around his neck, lips still glued to his.
His hands slide back down, rounding the curve of your hips, squeezing at the meat of your ass. He walks you backwards, out of the kitchen, towards the bed, and you waste no time taking over, turning until you’re the one pushing him, your legs crooked between his, boots shuffling together across the wood floor. When the edge of the mattress hits the back of his knees, Joel flinches, your mouths breaking apart.
“Liv, are you—”
“Joel Miller, if you ask me if I’m sure, I swear to god I will smack you with my baseball bat.”
He has the audacity to grin, a sly thing that makes your heart flutter in your chest. “You stashed the bat.”
You scoff, almost exasperated. “Shut the fuck up.” You almost roll your eyes, but he grabs you again, both hands on your face, fingers curling around your ears, sliding into your hair. You slide your own beneath the hem of his shirt, seeking out hot skin, but you freeze when your fingertips skim something raised, a line across his hip, unfamiliar. “What…?”
You half expect him to pull away when you lift the fabric, leaning back enough to get a good look. 
“Joel—”
“Outbreak day,” he says, the words hushed, the tone in his voice making your eyes dart back up to his. His hands have slid down to your neck, and you can feel the edge of his thumb rubbing along the hinge of your jaw, the movement soothing. You let your fingers follow the shape of the scar again. “Bullet just skimmed me.” He inhales sharply, leans forward until his forehead is pressed to yours, his eyes shutting tightly. “Same soldier that…” The words trail off, but you put two and two together, taking a deep breath.
Same soldier that shot Sarah.
You move your hands away, instead focusing your fingers on the buttons of his flannel. “I like this shirt,” you murmur, tilting your face in his grip, pressing a soft kiss to the corner of his mouth. “Might have to steal this one.”
“You have one of my shirts already,” he replies, his thumb moving up the slope of your cheek. “Saw it in your closet.”
You lift a brow, silently exhaling, grateful for the change of subject. “You went through my stuff?”
He catches your bottom lip in a gentle kiss, his mouth along your jaw a moment later. “Didn’t go through your underwear, don’t worry.”
“I wouldn’t be mad, if you had,” you reply, letting your lips curve into a wicked grin. He makes a grumbling noise, giving you a harder peck, and you nearly moan.
“You have my shirt.”
You nod. “I had another one, too, but I got caught in the bombings, and it got shredded.”
His brow goes hard, and your hands move to his belt, tugging at the buckle, pulling it through the loops, dropping it to the floor. The movement makes his face soften slightly, and he grumbles again, eyes screwed shut. “Don’t like the idea of you, out there, all alone, fighting for your fuckin’ life.”
“Didn’t have a choice,” you tell him, working the button of his jeans neck, letting your fingers graze the skin above the band of his boxers, through the happy trail of hair that leads beneath the elastic. “I had to get to you.”
“Were you hurt?” he asks, his voice a low rasp, and you nod, the tip of your nose dragged along his. “Show me.”
You pull back slightly, reluctantly letting go of his waist, crossing your arms and yanking your sweater over your head. Joel inhales sharply, dropping his hands from your face. He grabs your wrist first, taking in the jagged scar that runs the top of your forearm. “I was holed up in a bookstore when they started bombing,” you tell him, recalling as he lets his fingers skim your skin. It makes you shiver. “Lucky a damn shelf didn’t fall on my head.”
“I remember…” he starts, lifting your arm until your hand rests on his shoulder. He turns his head, leans his cheek against your wrist. “When I called that first night, you said that Dean…that he scratched you, or…?”
You nod, turning your scarred shoulder towards him. “That’s right. You told me to patch myself up.”
His fingers graze over the scar, following the lines in your skin. Your hand moves to the back of his neck, tangling in his hair, and your shoulder rolls back and he grips your hips again, thumbs rubbing slow circles. “I’m sorry, baby,” he says, his voice low, forehead leaning into yours. “I’m sorry I was an ass, I’m sorry I took so long, I’m sorry I—”
“Joel—”
“I’m never leaving you again, you hear me?” You’ve got both hands in his hair now, and the shine in his eyes makes tears crawl up your throat. “I won’t ever lo—”
“Joel.”
“I should have been here,” he says, his voice thick, and a tear slips down your cheek, hot as anything. “I should have protected you, I should have told you to stay in Austin, I never should have let you go.”
You tighten your grip on his hair, pushing yourself further into his grasp. “You’re here now. That’s all that matters, you understand?” When he doesn’t respond, you tug on his hair, forcing his eyes to yours. “You’re here now. We both are.”
The next kiss he offers destroys you. It’s like he’s devouring you, drinking the air from your lungs, tasting every inch of your mouth, pulling you back to the thrill and pleasure and love you felt in Texas so many years ago. There’s nothing slow about his movements now, hands roving your body, careful around your ribs, but mapping you out, relearning the curve of you. There are other scars on you, tiny marks collected outside the wall, too-close run-ins and that one time you fucking tripped and fell on your knife, but he doesn’t ask about those, too preoccupied with your mouth.
After a while, he sinks down, sits at the edge of the mattress. He spreads his knees wide, brings you between them, undoing your jeans with ease, pushing them down your legs. He leaves a hot trail of kisses along your waist, hooks his fingers in the elastic of your underwear, pulling them down too. Joel’s head dips lower, one hand pushing your legs apart, and you gasp when he licks at you, nose buried right between your thighs.
You gasp, tugging on his hair, and he pulls back, eyes on your face, lips shiny already. You’re quivering, having him this close again. “D’you have any idea how much I’ve missed the taste of you, baby?”
The words alone are enough to make your knees go weak, and you open your mouth to say something, but only a moan comes out, his head lowered to you once more, both hands an iron grip on your hips. It’s ecstasy, the feeling of his mouth, the press of his fingers, the softness of his hair. It makes your toes curl, makes stars shoot across the backs of your eyelids.
“Joel.”
He moans into you, and you pull hard on his hair, gasping for air when he detaches from the nerves between your legs. You feel staticky, your fingers and toes tingling as you tilt his head back, bend down to kiss him hard, tasting yourself on his tongue. You go to lift your leg, to plant your knee on the bed beside him, but Joel stops you, getting to his feet.
“What—”
His fingers fly down the front of his shirt, unbuttoning as he goes. Your chest is heaving, eyes darting all over him as more bare skin is revealed. You can see the scar just above his hip now, raised and shiny. He has other scars, just like you, tiny marks and wounds, proof of life, proof he survived. You can’t help but reach for him, running your palms up his chest as he shrugs out of his shirt. 
Joel kisses your forehead as he drapes the shirt around you, helping you slide your arms through the sleeves. Faintly, you hear the soft thud as his jeans hit the floor, and he wraps an arm around your waist, pulling you against him as he sinks back down onto the mattress. He curls his other hand around your leg, tugging at your knee until it’s fit against his hip. You adjust your weight, lifting the other leg to match, and settle into his lap, feeling the light scratch of the hair on his legs against your thighs, the prod of his covered cock against your core.
“D’you need me to—” he starts, but you shake your head, cutting him off, your faces so close together that your nose brushes his again.
“I just wanna feel you.”
Joel watches, eyes heavy-lidded and pupils wide, as you grab his wrist, lifting his hand to your mouth, laving your tongue along his fingers, tasting the salt on his skin. His gaze is glued to your lips, your tongue, and when you slide his index and middle into your mouth, your eyes lock to his, and his grip on your waist grows impossibly tighter.
You lean up slightly, lifting your weight off him as he pulls his hand from your face, slipping between you, freeing himself. He fits his face into the curve of your neck, sucks at the thin skin over your pulse, and you let your eyes slip shut. Your fingers curl in the cuffs of his shirt, the fabric worn soft between your knuckles. You’re surrounded by the scent of him, almost overwhelmed by the feeling of him. 
His hand drags slowly against you, making your back arch when you sink back down, feeling the hot press of him inside you, scrabbling at his shoulders as his mouth moves up your throat, seeks out your lips once more. You’re gasping as you seat yourself fully, his cock filling you to the hilt, and Joel kisses the noises right out of you, moving both hands to your hips, guiding you along him.
“That’s my girl,” he rasps, teeth nipping at your lips, moving along your jaw. You’re a mess, the feeling of him, of being full of him, after so long is so achingly familiar that all you can do is hold onto him, pushing both hands through his hair, keeping him as close as you can. It’s a stretch, there’s no denying that, just riding the line between pleasure and pain, but you don’t care, letting your knees slide wider on the bed, letting yourself sink deeper into his embrace, letting him push agains tall those devastating places buried inside you.
It makes you feel alive.
“Missed you,” he breathes into your skin, hips jolting up into yours with every drag of his cock. “Every fuckin’ day, every fuckin’ minute. Never stopped thinkin’ about you, baby.”
“Joel—” you croak out, that coil in your belly snapping tight when you feel his teeth scrape beneath your jaw, one hand dipping back to grab a handful of your ass. But every movement is slow still, a drawn-out instant that blurs the line between past and present.
It sparks something in you, something that’s been waiting to be unleashed for God only knows how long. A near toxic mix of anger and longing and pain and love, emotion spilling out of you unbidden. You shove at his shoulders, catching him off guard as he falls back. He reaches for you, and you bat his hands away, planing both of yours and chest and grinding down on him.
“You were an ass to me, Joel Miller,” you grit, pleasure setting your nerves alight. You can feel your orgasm barrelling towards you, but you hold back, bearing down on him, revelling in the sound he makes when you clench tight.
“I know,” he starts to say, his voice gravelly. “I’m sorry, baby, I—”
You move one hand from is chest to his jaw, your fingers spread along the side of his neck. You lean forward just enough that his eyes meet yours, and everything in you buzzes at the lust-filled look in his eye, his parted lips, his heavy breaths. Something possessive and feral makes your heart racket.
“You ever treat me the way you have these last few weeks again, and I swear to God—” the words are punctuated by deep rolls of your hips, long drags that make his chest stutter, “—I will make you regret the day you met me, you understand?”
“Liv, ba—” he starts, and you squeeze your fingers either side of his throat. 
“Do you understand?” you repeat, and lift yourself off him, until just the tip of him is notched inside you.
“Yes,” he breathes, and you slam back down, mouth seeking his, drinking down the groans the spill out of him. Everything in you is tingling, white sparks behind your eyes, your blood singing in your veins. He grabs hold of your wrists and leans up, chest pressed to yours, a grunt on his lips and a gleam in his eye.
The world tilts, and your back hits the mattress, Joel still pressed deep within you. He moves up the bed with you, covers your body with his own. He cages his arms around your head, pushes the hair back from your face. You drag your nails up his back, dig them into his shoulder blades slightly. You want to mark him, you want to shout his name until your lungs give out, you want to—
“God, I fuckin’ love you,” he murmurs to you, his mouth an inch from your ear, hot breath fanning your cheek. He presses a soft kiss to the hinge of your jaw. “My brave girl.” He rolls his hips, and your back arches off the mattress. “Feel so fuckin’ good.”
You croak his name, tossing your head back as the familiar feeling creeps up your spine, the world being yanked out from under you, everything going impossibly tight and good and—
He grits out your name as you cum, your nails dug so hard into his back you’re sure you’ll draw blood, but Joel doesn’t seem to care, continuing the slow drag of his cock against your every nerve, his face fit into the curve of your neck, peppered kisses at your pulse. It’s just as intense as you remember, with him, that feeling of weightlessness seeping into you, everything relaxing as he keeps moving, seeking out his own pleasure, and you can’t help but clench, spurring him on.
At the last second, he pulls out, making you both groan, cumming hot across your bare stomach, just missing the fabric of his shirt. He slumps sideways, falling onto the mattress beside you, keeping his arm across your body, fingers wrapped around your bicep.
“M’sorry,” he grumbles, chest heaving as he catches his breath. “Wasn’t sure where to…”
You just laugh, moving his shirt out of the way. “It’s fine, Joel,” you murmur, reaching out and stroking your knuckles along his cheek. “We’re good, just for future reference.”
His brow raises slowly. “Hmm?”
“McCoy has a few…habits,” you tell him, sighing when his hand moves up to your face, cups your jaw. “I smuggle his shit in from the outside, and he gets me the pill from the pharmacy in exchange.”
“Why would you—” he starts to ask, but cuts himself off, eyes slipping shut. “Right. Cowan. Of all the guys you could have…”
You slide your head closer to his, until you can kiss him softly. “It doesn’t matter now. None of it.”
Joel grunts, pulling you even closer still, a hotter kiss pressed to your mouth, tongue tasting yours. “You were the only thing that ever did.”
“You’re a romantic, Joel Miller,” you grin, rubbing your nose against his.
He grins back. “Only for women who put their hands around my throat and threaten me like you did.”
You chew your lips, heat sparking between your legs again already, turned to flame when he releases your jaw and lets his hand rest on your thigh instead, fingers curling along your sensitive skin. “Oh, you enjoyed that, did you?”
“Fuckin’ right, I did,” he grumbles, and then his mouth finds yours once more.
+
You’re up just before the sun is.
You don’t bother with the clock, turning back over, burrowing deeper into Joel’s side, the blankets covering you both. He’s sprawled on his back, one arm beneath your head, the other resting on his stomach. It makes you smile; some things never change, and you’re grateful as hell for that.
The pair of you never left the bed last night. After you cleaned yourself up from the first round, it had very quickly devolved into a second and third. Joel couldn’t keep his hands off you, and you couldn’t keep yours off of him, touching and exploring each other until the last dregs of sunlight disappeared. He made you feel things you’d thought were long forgotten, mere memories of what you’d shared in Austin, renewed completely, leaving you reeling.
You lit candles along the windowsill, played music low on the radio — a copy of the same Led Zeppelin cassette you’d once played in Joel’s truck — and polished off the bottle of whiskey. And you talked. 
For hours.
You talked until your voice grew hoarse, and Joel’s just got more and more gravelly with every story he told. There were things he still wouldn’t tell you, things he said he was ashamed of, but you understood. There were some stories that required more than just whiskey, ones you weren’t ready to share. You weren’t the same people anymore, but a combination of new and old, survivors, people who had done what they had to to make it out alive. Make it back to each other.
Joel refused to let you out of his grip, and you were more than happy to oblige, content to stay perched in his lap as you spoke. His hands wandered, along your ribs, over your stomach, brushing the hair back from your face. You returned his touch in kind, palms riding the curves of his chest, the width of his shoulders. Your attention veered off more than once, distracted by his fingers sliding between your legs, lips finding yours, rasped words in your ear.
God, I missed you. Love you. Need you.
And now, waking up, your body not so shockingly aches for more. You cuddle closer, humming happily when his arm curls around your shoulders, head turning and his lips moving across your forehead.  You sling your arm across his stomach, rubbing your thumb across his hipbone. His legs flex beneath the sheets, tangling with your own, dragging you closer.
“Baby,” he murmurs, his eyes still shut, removing his hand up and down your arm.
“Hi,” you whisper back, lifting your jaw to kiss at his scruffy one. “It’s early, go back to sleep.”
Joel groans, burying his face in your pillow, his head ducked beneath yours lips near your ear. “W’bout you?” He squeezes your shoulder. “Stay.”
You have time to make up for, questions that still need answering, decisions to make. You want to assume that he’ll stay with you here, in your apartment, that the bed that has only been your own thus far would now belong to you both. Waking up like this, beside him — a luxury you’d never allowed yourself to grow used to back in Texas — nearly makes up for it all.
But with the threads of sunlight just starting to spark the sky, Joel beside you, the phantom feeling of him all over you, the heaviness of all the whiskey looming in the back of your throat, the guilt comes too, the unfairness of your situation, to one specific person.
Nick.
Joel had asked only once. Only one question, only one thing he was curious to know. And the answer had come so quickly, fallen out of you so fast that the guilt had started there, only to be pushed away by Joel, not by his words or his reassurances, but just his presence.
Did you love him? Do…do you love him?
No.
The answer was easy. And, you hadn’t lied to Nick. You’d never said the words, no matter how many times he’d had that gleam in his eye, when you disappeared out the fire escape, or ran into him out on patrols. It would have been a lie, plain and simple, and you refused to be that person. You had wanted to give him more, had felt like it was something deserved, even if it wasn’t something you were able to give. After five long years, you’d started to resign yourself, half convinced that no one was ever going to answer your radio messages, or walk through those gates, back into your life.
But then…Joel did.
You have to end it, with Nick. Officially. There’s no getting around it, and part of you wonders if he’ll see it coming, if he’s expecting it. In the weeks that followed him bringing Tess and Joel through officially, your stint in lockup, the beating from Angie, you’d made yourself scarce. The weight of Joel’s indifference was one thing, and the last thing you wanted was Nick’s sympathy. It felt false, no matter how you looked at it.
It was a good few days before you saw him on the streets again, and he’d balked at the bruise on your face, the slight stagger to your walk. You gave him the short version, that you’d definitely pissed Angie off at the pharmacy, and maybe you had the beating coming. He’d given you a once over, took your chin in his hand and inspected your face, told to come see him later that night.
“I shouldn’t,” you said, trying not to sound too dismissive, shaking your head in his grip. “I’m staying at Deanna’s, promised the kids a bedtime story.”
“Come after.”
“And get caught out after curfew?” you’d shot back, stepping out of his reach. “The last thing I need is another stint in lockup, don’t you think?”
“Liv—”
“I’ll see you around, Cowan.”
You’d turned on your heel, stalking off in the same direction you’d came, even though it wasn’t where you were going. You didn’t miss the hurt look on his face, the use of his surname rather than his first clearly not what we was expecting, but your face and ribs throbbed with every step you took, and you found you didn’t feel so bad about it.
He’d come by Deanna’s once while you were there. A few words were exchanged, you’d kept yourself busy with a game of Candyland with Emily, and Deanna and Nick talked in the kitchen, their voices hushed. He ruffled Henry’s hair and pinched Emily’s cheek before he left, and ducked down to leave a kiss at your temple. It made your cheeks flare with heat, and you’d followed him out of Deanna’s apartment, caught him in the hallway.
“I never thanked you properly. For getting Joel and Tess through.”
He stopped, dead in his tracks, for just a moment. Turned his head enough that you could just see his face, his hard expression. “Don’t mention it.”
That was the last time you saw him.
You’re reluctant, sliding out of Joel’s grip, out of bed. He makes a noise that sounds nearly like a whine when you disentangle yourself fully, and you lean over him, pressing messy kisses along his cheeks, over his lips, his jaw. “Go back to sleep, I’ll be back.”
“Where y’going?” he grumbles out, chasing your mouth. “Come back t’bed, baby.”
“There’s something I gotta go,” you tell him, kissing his cheek, brushing your fingers through his hair. “I’ll come back and make you breakfast, hmm?”
“Mmm,” is the only response you get, and he’s asleep again, buried in your pillow.
You can’t bring yourself to shed his shirt, so you do up the buttons instead, find a pair of black jeans that are still wearable, shove your feet in your boots. Pulling on your coat, you grab your keys, and pause, turning and glancing back towards the bed. Joel’s still asleep, flat on his back, lips parted, soft snores filling the apartment, and despite the guilt rioting in your stomach, you smile. He looks peaceful, for the first time since you saw him again. He looks like your bed is where he belongs.
You yank your eyes away, slipping out the door as quietly as possible and locking it behind you.
It’s just past the morning curfew, when you step out of the building. The streets are mostly empty, soldiers coming off evening patrols, the day shift switching out. You take the quick path to the barracks, sliding up the fire escape, knocking softly at the window.
Nick’s awake, pulling on his gear, and his eyes meet yours through the glass as he walks towards the window, sliding it open. “What are you doing here so early?” There’s a bit of curiosity in his tone, but otherwise, his voice is flat, unflinching.
“I need to talk to you.”
He steps out of the way, and you clamber through the window, ignoring the ache in your legs, no doubt a consequence of your evening escapades. If he sees you flinch, he says nothing.
Nick goes and perches at the edge of his bed, and you stay standing, near the window. A quick escape. “What’s going on, Liv?”
“I can’t…we, I’m not…” You sigh heavily. Might as well just fucking say it. “I slept with Joel.”
He barks a laugh, and you nearly flinch. “Am I supposed to be surprised?” He leans forward, clasps his hands together, elbows resting on his knees. “When?”
“Last night. I’m sorry, for whatever that’s worth. I don’t expect you to keep…treating me, the way you have. I don’t expect any more favours, or—”
“What would you have done,” he starts, getting to his feet, cutting you off, “if I had said no? If I had refused to bring them through?”
Your back straightens at his harsh tone. You’re not expecting forgiveness, or for this to be an easy conversation, but you already don’t like where it’s going. “I would have found another way. I would have made another deal, or let Angie beat me to death, if that’s what it took. I would have done anything.”
Nick just stares at you, for a moment, those strange eyes of him going dark, nearly black, darker than you’ve seen them in a long time. “You really love him that much.” It’s a statement, not a question. “I never stood a goddamn chance, did I? Could you ever have loved me, like that?”
You shake your head. “I can’t love anyone the way I love him.”
“I never should have fucking…” He trails off, rubs a hand over his face. “Did you ever even give a shit, really?”
“Nick, don’t—”
“Well, now’s the time for honesty, Liv! Answer the fucking question.”
“Of course I give a shit!” you throw back, taking a step forward. He stares down his nose at you. “Of course I care about you, Nick, but this is not…It’s him. I’m sorry, I truly am, but it’s always been him. It’s always gonna be him.”
“Get out.”
“Nick—”
“Get the fuck out. And do me a goddamn favour and keep your smuggling bullshit away from me. I know I can’t stop you, and there’s no point in me reporting you, you’d just rat me out.”
You balk, faltering back a step. “You really think that little of me? You honestly think I’d rat you out after this?”
He scoffs. “Yeah, I do.”
You inhale sharply. You knew it would be bad, but you didn’t think this bad. “I never meant for it to happen like this. I never thought he would show up. Don’t you get that?”
“Just…get out of here, Liv. Don’t come back.”
+
There are tears in your eyes, the whole way back. You take the long route back to your apartment, keeping to the streets, pushing your way through people. Every word Nick had said rings in your ears, your throat thick and your cheeks stinging. You chew the inside of your cheek, trying to keep the tears from sliding down your face.
When you get through the door, your eyes go straight to the bed, and your heart leaps into the throat when you see it’s empty, the blankets rumpled. A single tears slips out then, and you wipe it away with the sleeve of your coat.
“Liv?” Joel’s voice calls, and your head snaps towards the kitchen, seeing him standing there at the counter, no shirt, jeans still unbuckled. “Baby?”
You throw yourself at him, headlong into his arms, and he catches you, holding you against his bare chest. The tears come freely then, a whirlwind of emotions, and Joel just holds you through it, fitting his face into the crook of your neck, rocking you slightly, one hand buried in your hair.
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sisterprocrastinator · 5 months
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MASTERLIST v2.0
Here is the up to date list of my work, including links to the stories on my AO3 page
All of my works are 18+ and most contain NSFW themes.
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There is probably something for everyone here - epic sagas, small multi chapter fics, oneshots, ghouls, demons, witches, angels, Papas, smut, fluff, intricate world building, smut, heartbreak, tragedy, soul bonding, angst, smut...
You get the idea.
I've tried to put my own spin on the lore of the Ghost universe by mixing the ghouls and the Papas with my own original characters, and stitching it all together to create a huge multiverse.
Essence of Quinn is my main WIP right now. 580k words, 240+ chapters; the glue that binds all my worlds together (it's also the longest and most commented on fic on Ao3 under the Ghost Sweden Band tag).
Masterlist below:
ESSENCE OF QUINN
560k words (ongoing)
MxM, FxM
OC ghoul x OC ghoul
Secondo, original ghoul characters and actual ghoul characters
A child of Fate, a slave to destiny.
Quinn is a quintessence ghoul with a tragic and traumatic past who is cursed with visions. He's summoned to Earth to work with the Clergy. Epicness and spice ensues.
NAMELESS GHOUL
132k words (complete with occasional updates)
FxM
OC ghoul x Sunshine
Papa IV, Secondo, current ghouls
A ghoul is summoned illegally and enslaved by a rogue sect of the Clergy.
BLACKENED FEATHERS
92k words (complete)
FxM
Omega x OFC
Terzo, Alpha and the rest of the papas and ghouls along with some originals.
Heaven and Hell collide, but who will come out on top?
BURNING FOR YOU
15k words (ongoing)
FxM
Alpha ghoul x OC ghoulette
Papa IV, Terzo, Secondo and all of the ghouls and original character ghouls.
Fire ghoul Alpha has impulse control and anger issues. He finds himself falling for an off limits water ghoulette with scary guard dog bodyguards. Biker ghoul fun and smut ensues.
UNHOLY COMMUNION
20k words (complete)
FxM, FxMxM, FxMulti
OC fire ghoul x OC Sister of Sin
Evil Secondo AU, dark smut
Secondo and his ghouls pay a visit to a small rural abbey to perform mass. A Sister gets up close and very personal with his mysterious fire ghoul.
MUSHY MAY 2024
5.6k words (ongoing)
MxM, various
Secondo, Phantom ghoul, Aether ghoul, Dewdrop ghoul, Alpha ghoul, Omega ghoul, various originals
Ficlets using Forlorn-Crows' Mushy May challenge prompts
THE GLOVES STAY ON
2k words (ongoing)
FxMxM
Terzo x Omega x Sister of Sin
A Sister Of Sin is left hanging and at the mercy of Terzo and his ghoul.
Alternative title: Fucked by Terzomega.
KINKTOBER 2023
17k words (complete)
FxM, MxM, Multi
Various characters
A collection of short fics based on Kinktober 2023 prompts.
QUAIR ONESHOTS
5k words (ongoing)
MxM
Original ghoul Quinn x Original ghoul Air
Sometimes I get smut ideas that will have no context for the main story of Essence of Quinn, so I will put them here when the mood takes me.
Various spicy scenarios including edging, cock warming, overstimulation, phone sex, ghouls in corsets, idiots in love etc. etc.
SECOND CHANCES
2k words (ongoing)
FxM
Secondo x OFC
Secondo has been alone for many years since tragic events took the love of his life from him. He's spent a big chunk of that time living up to the playboy image that others have, but behind the persona he feels so, so lonely.
When one of his ghouls is badly injured, Secondo must work closely with the Abbey's head physician, Astrid, to try and save him. He enjoys the challenges set by her fierce intellect and finds himself reluctantly falling for her charms.
Can the old playboy find it in himself to give love a second chance? The only thing standing in his way is himself.
FIRE & WATER
6k words (ongoing)
MxM
Secondo's fire ghoul x Secondo's water ghoul
Secondo's fire ghoul surprises his mate with an unexpected and well deserved date night. Sweet smut ensues.
Spin off from Essence of Quinn, but it works as a standalone smut fic.
GO WITH THE FLOW
5.6k words, ongoing
FxM
OC earth ghoul x OFC
Secondo's earth ghoul has never been interested in humans before. He's the biggest ghoul at the Abbey and he steers clear of them because he's always been told how fragile they are.
Everything changes though when he meets Zoe, a human who supplies the Clergy with their ritual ingredients and supplies. His seer packmate lets slip that Zoe might just be his mate and it all goes downhill from there.
SPECIAL CIRCUMSTANCES
1.5k words, ongoing
Special ghoul x Mist ghoulette
Terzo's ghoulette Mist lost her potential mate Special thirteen years ago under tragic circumstances. Just lately though, she's convinced herself that she's seen him around the Abbey.
With the help of her packmate and good friend Alpha she tries to piece together what's going on.
It's All Hallows Eve and the veil between worlds is thin. Will Mist finally get to say goodbye to her lost love? Or will her heart get broken all over again? Anything can happen on Halloween 👻
Anyway, check out my page and see if anything catches your eye. As always, be mindful of the AO3 tags. Thanks for reading 🖤
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bakawitch · 24 days
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Fourth Prince Zelus, Prince of Greed
Zelus - Envy is an odd character to say the least. Overly paranoid and insecure, they stick to Chevalierose's side like glue. They have a very fragile ego and they get agitated very easily. They're always suspicious of someone and tend to overthink things. Zelus's deal with Mistress Moon wasn't exactly fair and it made a lot of issues present in their regular life worse, but they doesn't regret it because the powers they gained from becoming a Prince aided them in getting closer to their 'soulmate'. Zelus raves a lot about their soulmate which can either be words of adoration or jealousy fueled hate depending on their mood. They tend to be very stubborn and vocal during meetings and refuse to do anything without a good enough reason. Zelus dislikes all other Princes except for Chevalierose. They think of him as their closest friend and the only one who truly understands them in the organisation. They're very dependent on him for moral and emotional support and they would do almost anything he asks of them in return. True to their title, they tend to get very easily jealous over him spending time with other Princes. While the intensity of his appreciation for Chevalierose goes unrequited, they will always be most loyal to him. This usually applies to Ante the most. Ante and Chevalierose spend way too much time messing around for their liking, they always steal his attention away from them and they constantly make very upsetting comments about Zelus. Ante tends to say things that Zelus is just a weaker version of them which usually ends up pushing them over the edge into an outburst. Another Prince that they have pretty similar issues with is Gévaudan. Zelus knows how Chevalierose feels about him and he absolutely can't stand it. They think Gévaudan is hardly deserving of their friend's attention and they actively try to keep them apart, drive a wedge between them if they can. However, the scorn they feel towards him is nothing compared to their hate for Rothbart. Rothbart never considers their input in anything and refuses to explain any reasons behind his plans. Not to mention that he constantly antagonizes them and Chevalierose without any reasonable cause. His reasons for disliking Mille-feuille and Agni are pretty mild compared to those mentioned above, they doesn't even interact with them all that much. Mille-feuille they dislike because Chevalierose hates her, and Agni they dislike because Chevalierose likes her. Zelus has a horrible habit of attaching themselves to a person and obsessively focusing all their positive attentions on them. While they still focus on their 'soulmate' the most their obsessive tendencies are made infinitely worse by their Prince form. They completely give into the sin they represent. They are very rarely made to do field work because of their unsuitability to high stress situations. Zelus usually works from the sidelines and the background. In their civil lives they're in their early twenties and plays the bass in an up and coming indie rock band. Due to their unstable nature they're almost never given command over anyone. They're usually either paired up with Chevalierose, Funnel Web, the Spider miraculous holder, or sent out solo.
Zelus has the ability to naturally camouflage into their surroundings making them relatively hard to spot. They're the most adapt to underwater and aquatic travel/fighting among the Princes.
Their main ability is absolute thievery, meaning that they are capable of stealing anything and everything such as concepts, qualities, items, emotions and powers as long someone considers themselves the owners of said subject. Zelus can steal multiple targets, but they can only use one of them at once. The rest of the Princes are immune to this ability.
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dognonsense · 9 months
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heey i have a band and want to make tshirts to sell at our next show, do you have any easy/cheap diy ideas that look nice? silkscreening is too expensive, and i'm not shure if a stencil + fabric paint would stand the test of time...
Okay this craft is thin foam board paper, cardboard, and hot glue, super glue if u can whateever to get that down.
First draw the design you want on the tshirt. Make it simple enough you can cut it out with scissors. Here im drawing out the words again and again playing with making each letter a solid shape with no holes, playing with letter sizes and fonts, trying to draw it smaller and bigger to see how it feels.
Then the finalised logo and size is done in tracing paper so it can be flipped :3 u can also use white paper, flip it, then shine your phone light under it, and draw the logo on the otherside. i just find havi a reference to work off of and getting familiar with the shapes your working with helps.
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You cut the logo out of the foam board, then place it on the cardboard flipped to make the mirror image of your logo. Glue down all the foam pieces. I fucked up the D in my logo because i glued it on the wrong side. So i just cut it out again in some green foam.
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Make sure to cut off the excess cardboard on the edges. Then tada you have a stamp!
To begin printing with your stamp use a roller to apply fabric paint to it. I personally use speedball fabric ink it is better for rolling onto stamps. The ink stays wet for a long time, applys well to fabric, washs away easy, and it stays better.
I use a rubber speedball roller as well as it applys it evenly. you can definitely diy a roller from a lint roller wrapped in smth. I use an overpriced $40 handle to press down the stamp to fabric. Before i used a heavy mug to press them down.
As you can see by how bad and uneven the color is in the below photo of my first print with the stamp, what really matters is taking your time to apply pressure and your body weight over all of the stamp. And making sure to take your time. It makes the difference in the tshirt print as you can see that i figured out to apply evenly.
If a patch doesnt come out even, you can come back in with a paint brush to fill in the gaps so it looks cleaner, as i did with that patch later.
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Good luck with making your tshirts!! I cant wait to start making tshirts myself! So far all ive done is my own clothing but just you wait :3
Also i use wet wipes to try wipe it off. Its not linocut so you cant wash it. So making sure theres no paint on the cardboard before you print is important.
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ADHSquirrel project time
In true disorganized jumping-bean-brain fashion, I've got multiple projects going at once. I prefer this, actually - I like to cycle through things when brain screams "No more focus on this!"
In no apparent order:
Dollhouse nostalgia: this is a cheap, bad kit from the 90s alternately known as the Greenleaf Allison or the Whitney Cambridge dollhouse. It's made of balsa wood, and the wood warps if you look at it sideways.
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I put one together when I was (much, much) younger, and then we threw it away when it started to fall apart. Now I want it back - but this time, I want to put it together so it's a lot more stable.
Plans: reinforce exterior load-bearing walls by creating faux clapboard siding and quoins (the corner pieces) like this:
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I found craft wood sheets that are 1/8-inch (3 mm) thick, and I'll be cutting them in 1/2 to 1-inch strips and gluing them to the exterior walls. Then paint and seal. I also like the raised decorations on the window sills and shutters. Hopefully, I have enough craft sheets to do that, too. I got the kind of sheets that are thin enough to cut with a craft knife, and I've got rulers for days. Dreading the sanding, though. So much sanding. Also, I've been researching putting together dollhouses, and I learned that it's better to dry fit the whole thing, secure in place with masking tape, and then glue stuff together. This is - very smart.
Sewing: continues apace. Pattern pieces are cut out for this Requiem Art Design Renaissance gown.
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I'll be doing the long, fitted sleeves. The pattern is made for knit fabric, but I'm using a woven fabric (silk dupioni I've been told, but I am not entirely certain what that is), so I incorporated the seam/hem allowances into the edges. I'm not linking to this pattern again, because it has... issues. Let's call them issues. (I'll be sending a write-up of my feedback to the designer once I've finished.)
I've cut out the pattern pieces. Now I'm tracing them onto cereal box cardboard to make pattern "blocks" - then I'll trace them onto yet more paper after I add 1/4-inch seam/hem allowances. I'm also planning to use washable markers to trace the actual patterns onto the fabric. I want to see if the marker actually washes out.
Next up: cutting cheap fabric for a toile/muslin, aka a practice run. Sewing machine has been cleaned and is in good operating condition.
Dress fabric:
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I'm using the one on the right for the dress, and the one in the middle (a gorgeous copper in person) for the arm bands and sleeve linings. It's going to be for my Feeple60 girls.
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Poor Ria.
Face-ups/blushing: every time I'm in the mood to go downstairs and work on face-ups and blushing, my ankle decides to be a little diva and inform me that under no circumstances will I be able to take the stairs today. This is exceptionally frustrating, but such are the joys of aging, I suppose.
Craftorama room: even more stuff has been cleared out of the master bedroom in preparation for upcoming staycation, when we'll move into the MBR and create Craftorama room. My office has been totally taken over by dolls, and I love it. I walk into the office to work, and all my lovely girls are here to keep me company. Cleaning books off bookshelves and filling a box to donate to the local library/thrift store, so I'll have shelf space for my dolls. Cuz priorities.
I am so excited for Craftorama room; I will not shut up about it. No more ankle-diva-no-stairs. I can close the door and work - no worries about cats trying to play with (and possibly get injured by) sewing notions. And I can finally, FINALLY, restring in peace.
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