#eastern figures

[garmrheim]

Answer from this : Yes... He's just busy discovering what heart palpitations feels like 🫢

[dykedvonte]

Do you have anything you've been thinking on but just haven't made a post about it yet? Also I'm really enjoying your fic!

I have a few things but it's likely mostly headcanons that I consider somewhat disconnected from my analysis.

Curly's parents had him old, only child, died shortly after he graduated and got the pony express position. It was the last big thing they saw him do which is a reason he stayed for so long.

Doesn't admit how much their death affected him

Jimmy has a largish family. One of the cases of too many kids to keep tract of, parent never really noticed any of them nor their behaviors

Anya lived in a lot of houses growing up, regular supportive family that just struggled to support themselves.

Became a nurse largely to avoid their financial struggles but mostly because she felt too many people weren't being cared for and advocated for in the world properly

Swansea likes high top sneakers most. Likes how snug they fit and how they shield his ankles at work

Curly has a bit of a caffeine problem since he can’t sleep. Can occasionally be found wandering the ship at “night” when he had some too late or just couldn’t sleep.

Daisuke knows a little about a lot of things. Starts conversations with “did you know” a lot but please don’t ask him deeper questions

Curly has known Jimmy longer but has worked with Anya and Swansea longer, met them during his middle years, met Jimmy shortly before college.

Swansea rents a house, Daisuke’s family lives in a big nice apartment, Curly has a condo, Anya live in a small one bedroom apartment and Jimmy has a studio.

Curly's home is very disconcerting. It's too normal to a like uncanny degree.

Anya is ambidextrous but prefers her left.

Anya and Curly are both not native English speakers so occasionally they forget words and bond over the mutual mocking they get from the rest of the crew. Daisuke knows some Japanese but is still learning, never picked it up as a kid

Only Swansea and Daisuke know how to drive, Earth in my mind is very post capitalist so only older people and like the extremely wealthy can afford cars.

It's also like walkable just due to how many businesses are in your face. Probably strict living vs shopping districts

I have more but the way that I headcanon about them is like too long.

[lunarharp]

shirahama-sensei reminded me she has a thing for the teacher from pokemon s/v so i randomly went off on an au where qifrey is the professor. etc

[solcattus]

Merry Milkmaids, 1937

By Fedir Krychevsky

[tickety-boooo]

Here's the sketch from my last post. I'm posting it separately in case tumblr decides to work properly, and so I don't mess with the original.

[head-empty404]

so I drew Anton as a dragon,, [ based on his Oni form ]

[fiery-emblems]

Sketch of the day: Modern AU?

My idea for this is that Soren's father is an extremely corrupt Trump-like business man who had his wife institutionalized to prevent her from talking about abuse. Due to this Soren has been in foster care from a very young age. I know most people go for a goth/punk look for him but this time I went with a kid who tries to dress low-key/ a little nicely but he has a hard time because his clothes are second hand and don't fit right.

Ike and Mist are from a very loving, solidly middle class home with parents whom are well liked and respected in the community. They struggle a bit with the loss of their mother but for the most part they're very well adjusted. Ike in particular is the jock who doesn't tolerate bullying at his school! Its easy to imagine that his life revolves around some kind of contact heavy sport like football or wrestling, which his father no doubt coaches.

[city-of-ladies]

Queen Naqiʾa/Zakūtu

(Relief depicting Naqiʾa and her son Esarhaddon)

"Naqiʾa (c. 730– 668 BCE), wife of Sennacherib (705– 681), mother of the Neo- Assyrian king Esarhaddon (681– 669) and grandmother of Ashurbanipal (668– 627), is the best documented and in all probability most influential royal woman of the Neo- Assyrian period.

It was often suggested that Naqiʾa was the driving force behind Sennarcherib’s installment of Esarhaddon as crown prince. This was a truly exceptional case, as Esarhaddon was one of Sennacherib’s younger sons and most probably, even as a young man, suffered from an illness that would later kill him. Sickness was often interpreted as a sign of divine wrath in Mesopotamia; therefore, it was a severe obstacle for a claimant to the throne and any sickness of the king could be used to question his status as the darling of the gods. Maybe we will never know what the reasons for Esarhaddon’s promotion were, but we are sure about the results of Sennacherib’s decision.

Sennacherib was assassinated by his other sons and Esarhaddon had to fight his brothers in order to be enthroned. While the rebellion was going on, Naqiʾa explored the future of her son by asking for prophetic messages, something that was usually a privilege of the kings. The answer highlights the role of Ishtar, here called the Lady of Arbela, and the privileged position, of Naqiʾa:

I am the Lady of Arbela! To the king’s mother, since you implored me, saying: “The one on the right and the other on the left you have placed in your lap. My own offspring you expelled to roam the steppe!” No, king, fear not! Yours is the kingdom, yours is the power! By the mouth of Aḫat- abiša, a woman from Arbela.

Seemingly, the prophecy was right: it took Esarhaddon only two months to defeat his brothers and he was enthroned as Assyrian king. In this text Naqiʾa is already designated as queen mother; according to Melville this was “the highest rank a woman could achieve.”

In earlier research Naqiʾa was often seen as the strong woman behind a weak, sick, and superstitious king. Newer research has demonstrated that despite all of his problems, Esarhaddon was a capable ruler, who brought the Neo-Assyrian Empire to its maximal extension and pacified Babylonia, at least for a while. 

During his reign Naqiʾa became really powerful and commissioned her own building inscription. To undertake large building projects and praise them in inscriptions is typical for kings, but extraordinary for a royal woman. The inscription introduces Naqiʾa in a bombastic tone, which is quite typical for inscriptions commissioned by kings:

I, Naqiʾa … wife of Sennacherib, king of the world, king of Assyria, daughter- in- law of Sargon [II], king of the world, king of Assyria, mother of Esarhaddon, king of the world [and] king of Assyria; the gods Aššur, S.n, Šamaš, Nab., and Marduk, Ištar of Niniveh, [and] Ištar of Arbela … He [Essarhaddon] gave to me as my lordly share the inhabitants of conquered foes plundered by his bow. I made them carry hoe [and] basket and they made bricks. I … a cleared tract of land in the citadel of [the city of] Nineveh, behind the temple of the gods Sîn and Šamaš, for a royal residence of Esarhaddon, my beloved son …

We can clearly see that Naqiʾa held an extraordinarily powerful position during the reign of her son and this continued even after Esarhaddon’s death. She was eager to assure the enthronement of her grandson Assurbanipal. The loyalty treaty that was intended to secure his reign is called the treaty of Zakutu, another name of Naqiʾa. Its first lines read:

The treaty of Zakutu, the queen of Sannacherib, king of Assyria, mother of Esarhaddon, king of Assyria, with Šamaš- šumu- ukin, his equal brother, with Šamaš- metu- uballiṭ and the rest of his brothers, with the royal seed, with the magnates and the governors, the bearded and the eunuchs, the royal entourage, with the exempts and all who enter the Palace, with Assyrians high and low: Anyone who (is included) in this treaty which Queen Zakutu has concluded with the whole nation concerning her favorite grandson Assurbanipal […]

That Naqiʾa was able to conclude a treaty with the most powerful persons throughout the empire and to establish her favorite grandson on the throne is clear evidence for her powerful position, even if she simply continued the plans she had made earlier with Esarhaddon. It seems that Naqiʾa died shortly after Assurbanipal was enthroned as king."

Fink Sebastian, “Invisible Mesopotamian royal women?”, in: The Routledge companion to women and monarchy in the ancient mediterranean world

[elexolite]

Date: 11/28/2024 [The Wanderer]: Random SAM Glam#3 #Non-Cosplay This Glam is apart of the Gen#2 Collection (FreeTrial Compatible) Follow for more FFXIV Fashion! [Parts]: +Augmented Shire Katana +Marid Leather hood of Striking +Gazelleskin Corselet of Striking +Molybdenum Armguards of Striking +Fuga Hakama +Hraesvelgr Boots

[artifacts-archive]

Standing Attendant (Tomb Figurine)

China, Eastern Zhou dynasty, Warring States period (480–221 B.C.), 4th/3rd century B.C.

In Chu tombs, wood sculptures of men and women were placed in compartments surrounding the coffin. Natural weathering has accentuated the elegant attenuation of these figures. Some were constructed with separate forearms and hands, now lost, that were tenoned into small holes in their sleeves.

[pigeon-feet]

all fourteen children are now L3 . their food bill is immense

[quoththemaiden]

Aziraphale: The Sword that Guards the Tree of Life

Looking where the furniture isn't

This post is dedicated to @meatballlady's excellent insistence that if we want to try to predict where season 3 will go, we need to look at where the furniture isn't. That is, what must have been there but wasn't shown?

For this one, my source material is going to be Genesis. That is, in no small part, because it does in fact fuck severely that Neil Gaiman and Terry Pratchett took the angel with the flaming sword and the serpent of Eden and made them kiss (@joycrispy, @ouidamforeman). It's also because Genesis, quite simply, exists, and it seems safe to assume that most everyone in Gaiman and Pratchett's intended audience has been exposed to at least its first few chapters dozens of times.

What does Genesis tell us about Aziraphale's purpose?

3:22 Then the Lord God said, “Behold, the man has become like one of Us, knowing good and evil; and now, he might reach out with his hand, and take fruit also from the tree of life, and eat, and live forever”—  23 therefore the Lord God sent him out of the Garden of Eden, to cultivate the ground from which he was taken.  24 So He drove the man out; and at the east of the Garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.

@joycrispy's analysis above highlights Aziraphale's role as given in the last verse: as the angel chosen to wield the flaming sword, he was sent down after Adam and Eve were expelled to prevent them from returning. Instead, he chose to protect them by giving that sword away. His desire to protect humanity is indeed beautiful (@give-soup-please, @snek-eyes).

But wait, what came right before that? "And take fruit also from the tree of life...?"

2:9 Out of the ground the Lord God caused every tree to grow that is pleasing to the sight and good for food; the tree of life was also in the midst of the garden, and the tree of the knowledge of good and evil.

That's right: What we see in the show is that Adam and Eve were sent out of Eden so that they'd have to deal with the rain and the animals and have to work for their food, but that was never the primary motivation. God planted two special trees, and after Eve and Adam ate from one of them, God was terrified at the prospect of them turning around and eating from the other. And thus, the Garden of Eden was made off-limits and set to be permanently guarded by an angel with a flaming sword.

So, the flaming sword.

Twice now, Aziraphale's sword has helped humanity survive complete and total destruction (@nottobehornyonthemain). The first time, he handed the sword to the first two humans, which protected not just them but the entirety of the human race via Adam and very pregnant Eve.

The second time, he let it be wielded by The Them, who used it to best the Four Horsepeople of the Apocalypse and save the billions of humans already alive as well as unborn generations.

Perhaps the flaming sword was only intended as a plot point in the first season. However, if its purpose were completed, it could have easily been destroyed. As a narrative piece, it could have broken dramatically at the end of the face-off against the Four Horsepeople. Or, Watsonianly, God could have chosen to break it Herself; after all, it was already used against its intended purpose twice, so why let it keep existing?

Instead, it's carefully taken away to... where? Heaven?

The place Aziraphale is now going?

Or at least a place where he could likely find a record showing where it's being stored?

Whether you call it "rule of threes" or "Chekhov's gun," I think it likely that Aziraphale will be getting his sword back in season 3. He probably doesn't want it (@createserenity, @ineffableigh, @doctorscienceknowsfandom), but he'll need it.

The question, then, is what would Aziraphale do with the flaming sword he was given to prevent humans from reaching the tree of life?

If we're looking at where the furniture isn't, the biggest stretch of an interpretation would be to say that the missing furniture is the tree of life. If anyone knows where Eden is, it would be Aziraphale, Guardian of the Eastern Gate. We know that both Heaven and Hell want to end humanity. The opening credits have humanity walking to their judgment after their deaths; what better way to prevent that than by preventing those deaths?

The most intense version of this theory says that the audience should be familiar with the story of the Garden of Eden and know damn well that there are two special trees there and that Aziraphale was put in place to guard the second one — the one humanity hasn't eaten from yet, the one that grants immortal life. That's where, if I were truly trying to swing for the hills by aiming at where the furniture isn't, I would ideally like to end this post. If that were the case, season 3 could even open with Aziraphale walking towards the Garden of Eden, sword in hand, but this time approaching it from the outside with the intention of tearing the wall down.

But, let's be honest, making individual people immortal doesn't feel like it would fit with the themes of Good Omens, nor with Neil Gaiman or Terry Pratchett's world views.

So, let's take the tree of life symbolically: Instead of the tree of life granting individual humans immortality, it could instead represent giving humanity immortality. In that case, the thing that's where the furniture isn't is Aziraphale's sword. You know, the sword that's already saved the human race from extinction twice now, with both times being because Aziraphale gave it away.

I suspect that the sword will wind up in Aziraphale's hands again in season 3. I also quite suspect that it won't be staying there. In the end, I expect it will once again be up to humanity to reach out their hand to take the apple from that second tree.

[thefigureresource]

Lucy [Cyberpunk: Edgerunners] 1/7 scale from AniMester coming July 2025.

🌕 Preorder Here 🌕

[solcattus]

Nobleman with a Parrot, 1859

By Józef Simmler

[tickety-boooo]

Zira body study in my sketchbook before bed <3 I love him your honor

[celestial-bell-drop]

Something I've learned is that people either draw p.AI.nter all serious and intimidating

Or they draw him like a silly guy

The only in between is simply computer. No body. Just monitor.