#earning platform for creators

[truefanz]

How Does Influencer Marketing Boost Brand Awareness?

Know more: https://www.truefanz.com/post/how-does-influencer-marketing-boost-brand-awareness

[midnightwind]

I truly love looking at my desktop of games and laughing at the sheer disparity on display

[cheekydimplesblog]

Everything You Need To Know About Whop Review

You guys love it when I post reviews about platforms and apps where you can easily earn money and after my Benable detailed article I think for me to share something new that caught my eye recently. This is still new so you might have came across the Whop platform yet but trust me when I say this you will be hearing about it soon if you already haven’t. Whop is the latest digital space where…

[mehmetyildizmelbourne-blog]

Why Email Marketing Is the Best Tool for Startups and Freelancers

Business Education for Startups and Freelancers Email Marketing is a Proven Tool Used by Respected Professionals and Businesses to Build Meaningful Connections Ethical and Smart Email Marketing Is What I Endorse When some people in my circle hear “email marketing,” they immediately think of it as spam — unwanted messages flooding inboxes, shady sales tactics, or relentless promotions that push…

[xhibitur]

🚀 The Speedy Route to Earning Money from Creative Content Sharing 🚀

Hey there, Tumblr fam! 💫

Are you a creative soul eager to turn your passions into a paycheck? Well, you're in the right place because we're about to dive into how quickly you can start earning money from sharing your creative content. Buckle up; it's going to be a thrilling ride! 🚀

1. Content Creation Platforms

The digital world is your canvas, and content creation platforms are your brushes. Here's a sneak peek at some of the speediest routes to monetization:

📽️ YouTube: Imagine getting paid to do what you love! The YouTube Partner Program lets you earn through ads, channel memberships, and merchandise. Just hit 1,000 subscribers and 4,000 watch hours within a year to apply for monetization.

📸 Instagram: Love snapping pics? With sponsored posts, affiliate marketing, and selling your creations, Instagram can be your personal piggy bank.

🕺 TikTok: Dancing, singing, or making people laugh? TikTok's Creator Fund rewards creators based on video performance. Also, you can score big with brand collaborations and product promotions.

📝 Blogging: Are words your superpower? Blogging platforms like Tumblr, WordPress, and Blogger offer monetization through ads, affiliate marketing, sponsored content, and the sale of digital goodies.

2. Freelancing

Ready to put your skills to work? Freelancing is the way to go:

💼 Upwork, Freelancer, Fiverr: These platforms connect freelancers (that's you!) with clients in need of all sorts of talents. Bid on projects, land gigs, and start earning in no time.

3. Digital Product Sales

Have digital treasures to share? Platforms like Gumroad and Etsy make it a breeze to sell digital products like eBooks, printables, or online courses. Cha-ching! 💰

4. Affiliate Marketing

You love a product, and they pay you for spreading the word! Sign up for affiliate programs that match your interests, incorporate affiliate links into your content, and start earning when your referrals make a purchase.

5. Crowdfunding and Patronage

If you've got a loyal fanbase, Patreon and Kickstarter are your trusty sidekicks. Patreon lets your fans pledge a monthly sum in exchange for exclusive content or perks. Kickstarter can fund your creative dreams in a flash with the support of backers.

6. Networking and Collaboration

Your creative network is your net worth:

🤝 Attend virtual events, join forums, and connect with fellow creators. Collaborations can range from joint projects to sponsored content, boosting your income and expanding your horizons.

Conclusion

While building a steady income from creative content sharing may take time, there's no shortage of opportunities to start earning quickly. Just remember: consistency, engagement, and a dash of patience are key ingredients for long-term success.

So, what are you waiting for? Unleash your creativity, share it with the world, and watch the magic happen! 🌟💵

[inthelittlewood]

hiya martyn, i know you said ad revenue on youtube is better and to watch vods there preferably, but if someone uses ad blocker(i just cant wight all 1min ads, yt going to shit) is it still better to watch on youtube or on twich ?

No ads, no earnings, so it wouldn't matter which platform you're watching on if you're blocking them unfortunately

I know the ads are annoying but it is the main revenue stream for most creators so I would always plead that you turn it off if possible

Alternatively, I personally use YouTube Premium. No ads (but creators still get paid), download and audio only features for mobile, also you get YouTube Music which is literally just Spotify so it's a nice package deal

[lady-raziel]

idk man i know times are hard but i can't help but feel that watcher putting all their eggs in the basket that is their own streaming service is a bad call. like sure i totally get wanting a platform where you have full control both creatively and financially but i feel they might be misjudging how much loyalty non-hardcore fans might have for what they're creating. in every internet fandom there's a subsection of people willing to pay with actual money to support the creators they enjoy, and that's what services like patreon are for. but to expect that casual viewers will sign up and pay a monthly fee to get access to just watcher content when a large portion of them were likely just watching the content because it was free and accessible on youtube assumes that someone who isn't a diehard fan won't just go "oh well" and find something else on youtube that IS still free? that seems like a miscalculation to me. the massive fanbases online content creators have may literally be only possible because the content is available to anyone-- it seems foolish to assume that every single one of those fans is going to stick around once you try to upsell them.

i hope this new venture goes well for the watcher crew. I really do. but i also know that a lot of brands and startups that bank on the loyalty they earned when their product was free or low cost and expect that to sustain them while they try to do something that historically has not gone well for the vast majority of businesses. at best, they'll have halved their fanbase by alienating those who can't or don't want to pay and made it much more difficult for remaining fans to create fandom products like memes or gifs that promote their shows on social media. at worst, they'll discover in the near future the independent streaming service model is unsustainable with only the fans they have left and by that point they'll have already deleted themselves from youtube and made it impossible to come back to the level of success they had before. any attempt to return to youtube will be an admission of a critical miscalculation and i doubt many remaining fans will tolerate the back and forth. they'll have crippled their credibility, relevancy, and fanbase loyalty over a very short period of time-- and i don't know if it would even be possible to come back and still be beloved after all that.

worst of all-- if the watcher streaming service crashes and burns after they've already removed all their content from youtube, all the watcher shows are essentially going to become lost media, only accessible via reuploaders willing to risk a copy strike or if you know someone who has a copy downloaded. given how genuinely good the watcher content is in the sea of lackluster youtube mush, that really seems like a damn shame.

i hope the watcher team sees how everyone is responding and decides to course correct before it's too late and get away with only the hit to their reputation that they've already taken by announcing this, instead of pushing forward on a path that might lose them everything instead. nothing i've said here is with any hate intended toward anyone involved or those who are excited about the new service, but this just seems like a really ill-advised decision to me.

[ellipsus-writes]

Each week (or so), we'll highlight the relevant (and sometimes rage-inducing) news adjacent to writing and freedom of expression. This week:

Inkitt’s AI-powered fiction factory

Inkitt started in the mid-2010s as a cozy platform where anyone could share their writing. Fast forward twenty twenty-fuckkkkk, and like most startups, it’s pivoted hard into AI-fueled content production with the soul of an algorithm.

Pictured: Inkitt preparing human-generated work for an AI-powered flume ride to The Unknown.

Here’s how it works: Inkitt monitors reader engagement with tracking software, then picks popular stories to publish on its premium app, Galatea. From there, stories can get spun into sequels, spinoffs, or adapted for GalateaTV… often with minimal author involvement. Authors get an undisclosed cut of revenue, but for most, it’s a fraction of what they’d earn with a traditional publisher (let alone self-publishing).

“'They prey on new writers who have no idea what they’re doing,' said the writer of one popular Galatea series."

Many, many authors have side-eyed or outright decried the platform as inherently predatory for years, due to nebulous payout promises. And much of the concern centers on contracts that don’t require authors’ consent for editorial changes or AI-generated “additions” to the original text.

Now, Inkitt has gone full DiSrUpTiOn, leaning heavily on generative AI to ghostwrite, edit, generate audiobook narration, and design covers, under the banner of “democratizing storytelling.” (AI? In my democratized storytelling platform? It’s more likely than you think.)

Pictured: Inkitt’s CEO looking at the most-read stories.

But Inkitt’s CEO doesn’t seem too concerned about what authors think: “His business model doesn’t need them.”

The company recently raised $37 million, with backers including former CEOs of Sony, Penguin, and HarperCollins, proving once again that publishing loves a disruptor… as long as it disrupts creatives, not capital. And more AI companies are mushrooming up to chase the same vision: “a vision of human-created art becoming the raw material for AI-powered, corporate-owned content-production machines—a scenario in which humans would play an ever-shrinking role.”

(Not to say we predicted this, but…)

Welcome to the creator-industrial complex.

Publishers to AI: Stop stealing our stuff (please?)

Major publishers—including The New York Times, The Washington Post, The Guardian, and Vox Media—have launched a "Support Responsible AI" campaign, urging the U.S. government to regulate AI's use of copyrighted content.

Like last month's campaigns by the Authors Guild and the UK's Society of Authors, there's a website where where you can (and should!) contact your representatives to say, “Hey, maybe stop letting billion-dollar tech giants strip-mine journalism.”

The campaign’s ads carry slogans like “Stop AI Theft” and “AI Steals From You Too” and call for legislation that would force AI companies to pay for the content they train on and clearly label AI-generated content with attribution. This follows lobbying by OpenAI and Google to make it legal to scrape and train on copyrighted material without consent.

The publishers assert they are not explicitly anti-AI, but advocate for a “fair” system that respects intellectual property and supports journalism.

But… awkward, The Washington Post—now owned by Jeff Bezos—has reportedly already struck a deal with OpenAI to license and summarize its content. So, mixed signals.

Still, as the campaign reminds us: “Stealing is un-American.”

(Unless it’s profitable.)

#WarForever

We at Ellipsus love a good meme-turned-megaproject. Back in January, the-app-formerly-known-as-Twitter user @lolt64 tweeted a cryptic line about "the frozen wastes of europa,” the earliest reference to the never-ending war on Jupiter’s icy moon.

A slew of bleak dispatches from weary, doomed soldiers entrenched on Europa’s ice fields snowballed (iceberged?) into a sprawling saga, yes-and-ing with fan art, vignettes, and memes under the hashtag #WarForever.

It’s not quite X’s answer to Goncharov: It turns out WarForever is some flavor of viral marketing for a tabletop RPG zine. But the internet ran with it anyway, with NASA playing the Scorcese of the stars.

In a digital hellworld increasingly dominated by AI slopification, data harvesting, and “content at scale,” projects like WarForever are a blessed reminder that creativity—actual, human creativity—perseveres.

Even on a frozen moon. Even here.

Let us know if you find something other writers should know about, (or join our Discord and share it there!)

- The Ellipsus Team xo

[truefanz]

Know more: https://www.truefanz.com/post/creator-spotlight-connect-with-american-kat-on-truefanz

[dessarchive]

now introducing the future of music and entertainment, endless options of sound (eos)

eos is an app that i script into most of my drs. i got inspired to create it after coming across a video on youtube of someone re-designing spotifys UI. i’ve used spotify, apple music, amazon music, youtube music, and many more music streaming services and none of them ever lived up to my expectations, so i thought why not create what i’ve always wanted? i took a long hard look at all of the features i wish the current apps had and put them all into one. i posted about it before on my previous account but didn’t go into the actual details much. it started as a music streaming app when it was launched but became much more than that. it’s one of my favorite parts of my drs because i’m an avid music listener and the features are to die for. eos is the only music streaming app in my drs. i also have a ceo dr where i’m the ceo of it because this app has basically become my child!!! anyways here’s what i have after working on it for months!

eos was launched on october 31, 2001 by robyn fenty (she’s older LMAO) and aliyah haughton. the app immediately gained popularity as the first and only music streaming service. it was created as a space where everyone could enjoy music. years later it implemented audiobooks, podcasts, music videos, interviews, merch, and concert tickets. it stands out with its flawless performance that never crashes or has bugs, its exceptional algorithm for fresh experiences each playtime, and its features like eosoulmates that connects users through shared music tastes.

lyrics and subtitles are always available in any language desired by the user and the platform includes organization like no other. exclusive presale codes are able for top listeners of specific artists because the app has its own ticketing system. eos is free for all users as the founders wanted to make a space to unify people during life’s challenge. to maintain this while making sure artists are fairly paid, revenue is generated through a share of concert ticket and merchandise sales, in-app donations directly supporting artists, non-intrusive sponsorships and partnerships, and grants from philanthropic organizations. this guarantees that eos stays true to making music accessible while supporting creators and users globally.

to expand on existing sounds of music and entertainment, the service implemented dolby atmos to its highest quality with no extra price to artists for using it.

eos also features eos karaoke: sing it your way. within this are lyrics that are displayed in perfect sync with customizable highlighting options, while users can adjust the original vocals (mute, reduce, or add harmonies) for a personalized performance. advanced pitch tracking gives real-time feedback, along with timing guides and a practice mode for perfecting songs. voice effects like reverb, autotune, and fun filters are available to take things to a higher level or have fun with friends and family. dual-screen mode connects to tvs for party setups and users can enjoy duets with friends or group singing for up to 10 people. karaoke playlists are curated based on mood, listening habits, or vocal range. sessions can be recorded and shared with friends or on social media. a scoring system with feedback helps users improve their singing while earning fun badges. eos karaoke also offers live virtual karaoke rooms, offline mode for downloaded tracks, and customizable themes for lyric screens and backgrounds. a special kid-friendly mode ensures the fun for all age groups.

eos allows music and entertainment to be accessible, fun, and, immersive to everyone.

[lackadaisycats]

Hello Tracy, I've been a fan of Lackadaisy since the webcomic days and want to ask a quick question regarding Patreon. I'm also an indie creative myself and currently trying to raise funds for a show I'm working on. What are the best ways to market myself online, and what are some ways to obtain money for the production of merchandise that doesn't involve crowdfunding?

Any specific advice I could give about marketing oneself online at this point would be pretty outdated. I started making Lackadaisy years back, when the internet had a rather different geography and culture. DeviantArt was where all the art kids were. That is, of course, no longer the case.

My generalized advice, though, would be to start working on your project, start sharing it in some form, even if it's just concept art or experiments at this phase, and start building an audience. Nothing speaks to the quality and appeal of whatever it is you're making like the thing itself does. Pick your poisons, as far as social media goes, but probably don't focus solely on one. Platforms don't remain useful or pleasant places to be forever. Set up an avenue for viewers to support you (Patreon, Ko-fi, or something like it), but don't expect supporters to come flooding in all at once. The internet is awash with so many creators and shows and influencers and distractions, it's hard to make waves. Tenacity will be your ally, though. You are likely going to be pursuing your project on the side and possibly working at a loss for a while as you build. Keep things small scale, especially if you're working solo, or with a small team of people. Audience growth and support may eventually start allowing you to expand your ambitions. It's important to do the thing you're doing out of love for the art, for the project itself, for the experience of doing it, and not because you're expecting rounds of applause, accolades, and money to come rushing at you. There's no guarantee that last part will happen...so at least make sure you're having fun doing whatever you're doing.

----------------

About merchandise --

You can incur the upfront cost of producing, say, a small run of enamel pins. Sell them on your own shop storefront or offer them to supporters at certain tier levels and see how long it takes to earn back the production cost such that you start earning a little bit of profit. Get a feel for how well you can handle packaging and shipping things yourself. Test the waters before making any large merch orders, and don't order vast amounts of something that you don't have room to 'warehouse' in your own home.

You can go the print on demand route. It's got its drawbacks - like slim returns - but it allows you to offer an assortment of merch items without the huge risk of paying big manufacturing fees upfront. It can also do the fulfillment/shipping part for you. I did pretty okay selling prints this way for a time. (Research and be selective about what services you use here, though. Some have gotten markedly worse over the years.)

I know Patreon offers a subscription level for creators that includes some merch production and fulfillment. I haven't personally used it, though, so I'd ask around to see what other creators' experiences have been like with it.

One thing I would suggest relying more heavily on, especially at first, is digital/downloadable rewards, like PDF ebooks or digital sketchbooks - things like that. Shipping supplies and postage costs are ever-increasing and can easily end up putting you in the red. Also, if you have an international audience, it may be difficult to reach them with tangible merch items.

You might also check out some nearby conventions to see if they'd be a good fit for you and your project. Apply for artist alley space at one of them if that's appropriate, or investigate whether or not it'd be worth it to get a dealer table. You might even find someone willing to share dealer space with you for a trial-run.

At some point, when you have enough of an audience to warrant it, seek out a merch partner. Or, they might come scouting for you if they think you have something going that'd be soundly marketable.

[mehmetyildizmelbourne-blog]

Invitation to Beta Readers: Read the “Smart Email Marketing” Book Before Publishing It

The Importance of Email Marketing for Startups and Freelance Writers The alpha reading of the manuscript has been successfully completed. The book was accepted for publishing. It is now available for preorder via many bookstores. If you are a freelancer or startup and want early access to this unique book, please show interest in being a beta reader by leaving a comment on this story.  Are you…

[anchorandrope]

I need to know why L's sisters are always the ones making trouble on social media and looking for attention. I really don't understand why them

Look, im going to give you an answer from PR because that's my life so why not lmfao. And since i've worked with one influencer recently, i have no doubts regarding what is happening at this point with louis' sisters.

Im going to try to explain this as short and succinctly as possible. and im really sorry to say this but this is how things work in real life, i beg you to leave your parasocial relationship with louis aside for three seconds to think coldly about the situation, because i know perfectly well how some of you take every statement made related to louis. several statements can exist at the same time, not everything is black and white, etc. thank you...

Some of you may ask, why always the twins? and there is, actually, an answer to that question. The answer, believe it or not, is not because Lottie is older than the twins. Partly her age is related, but it is not the reason itself... let's see:

Lottie started working as Lou Teasdale's assistant during the OTRA Tour, and since then and thanks to her, she got in touch with many important job opportunities that another teenager who does make-up well wouldn't have.

She has been in Fashion Week, worked for Selena Gomez, etc. Everything from a very young age. Today, she doesn't live exclusively from social media, as many believe. Her income is not only from "being an influencer", she has her brand tanologist, she published a book.... In Lottie's case, social media is a fundamental communication tool that allows her to obtain opportunities that generate income, but it is not her entire income per se.

On the other hand, Daisy and Phoebe were too young to take advantage of job opportunities at that time (1D days) because they were kids... they, again it may not seem like it, didn't have the same level of important job opportunities as Lottie had at such a young age. Lottie was at Fashion Week when she was 17... the twins are still very young and their proper working careers are just starting.

Phoebe and Daisy started their modelling careers in 2020 and to this day, they are involved in social media, promoting products (swaps) and modelling in small photo shoots. They haven't really had a big job opportunity like Lottie has had.

Unlike Lottie, they did not have the same visibility from the start and their income comes exclusively from social media. Modelling and swaps/promo are things they do through social media, their working tool is Instagram/TikTok. They need that platform for their income.

Now, if you have social media accounts set up as public and as a content creator you will know this, but for those who don't: those who create content on social media in this way (influencers, among other cases) have their own tool that helps them most to calculate how much they will earn and that is metrics. The famous "professional dashboard/insights" from Instagram for example.

To hire an influencer (in addition to doing a previous investigation of who you should hire) you should ask them for their metrics so that you can reach an agreement on the amount of money for that exchange/interaction/etc. A fixed base number is set, but depending on the reach, the more money they receive is directly proportional to the amount of interactions and views that post has had. Like on instagram if you share the post as branded content, the company you tag can see your metrics.

The fact that the twins are the ones who post content that they know people will go to their stories/posts/comments to see or will make them follow them on their social media is not a coincidence because the amount of people who interact with them (whatever the reason, as your personal reason is not seen on a metric lol) is what generates them revenue, quite literally.

Yes, it can happen that once in a while as something "casual" because they are people, but not as a generality and even less so when a few days later they do another promotion or they are in one. What is going on and whether it is right/morally correct or not are two different questions, by the way.

This is what happens, welcome to the world of influencers! It doesn't matter if you agree or not, if you like it or not, or whatever, those are your personal opinions (which are perfectly fine, we all have them) but... that's how it is. lol.

I personally don't think it's right to use babygate as a method of generating interaction, and just as I brought it to the attention of the clark family, I will bring it to the attention of the tomlinson's. the child is a huge victim of this, everyone is violating his right to privacy and honestly its disgusting to see after like 9 years. It seems to me that gaining interactions (that lead you to gain money) with such a horrible situation and with a child seems to me something that people should be ashamed of, to be honest. Beyond babygate, imagining that larry and babygate never existed, it's wrong to do this, it goes way beyond fandom, which i think is something a lot of people don't truly understand.

if you really want the twins to stop posting this kind of shit, im sorry to inform yall that the only solution to the problem is going to be to stop following them, stop looking at their stories, stop liking and viewing their posts, stop commenting, etc. any viewing/interaction is reflected in a metric, check it out for yourself (besides there are more metric apps than just the ones IG/Tiktok gives you). If you spread a screenshot taken by someone else or stuff, you are not interacting directly with their account, so it's not the same ofc, but if someone doesn't understand how it works, they will go and see it for themselves and and they will generate interactions. It's impossible not to have them on the radar, i know, so at least i ask yall to focus on what's really important, and not on every idiotic thing that happens, because that way they just make it worse, literally.

[phoenixyfriend]

I wrote another email to colourpop. (Explanation of the situation as of about a week ago)

Feel free to change a few things up and send one yourself:

Hello again.

This is my third time emailing about this, though I endeavor to remain professional and polite. You never did respond to my first email, and your response to my second on the topic was very rote, even canned. I'm hoping to get something more this time.

By this point, I'm sure you've heard more than enough on the morality and ethics that are at play here. After all, people have been asking you to address it for a year. Even with the announcement of the first collection, there were people telling you that you needed to make a statement, that you needed to at least ACKNOWLEDGE something they were concerned about. You have continuously refused to do so.

We are asking for you to donate a portion of the proceeds from the New Moon collection to the Quileute Move to Higher Ground fund, and if you can't, to tell us WHY. You have ignored endless numbers of comments over the past year on multiple platforms, and have recently even been deleting comments (polite ones, I saw) and shadow-blocking people on Instagram. Maybe it was a slip of the finger. Maybe it was Instagram's automoderator. Either way, it's not a good look.

There are five options I see:

You are planning to donate, and are currently working behind the scenes to put together a plan due to the continued support for the fundraiser. This is my favorite option. (Perhaps you already HAVE contributed somehow, and were keeping it a surprise. If that's the case, it's not an amazing plan, because I'd like to buy the collection NOW, and not when products have started going out of stock.)

You contacted mthg with an offer to donate, but they refused, not wanting any Twilight money. I find this unlikely, but I could respect it. I'd still ask that you make a statement, because if you DID, it would mean I could actually buy the collection.

You cannot afford it for some reason. I think this is unlikely as well, given that you have reported yearly sales in the eight figures, but I'll admit that it's possible the LA fires have had a major impact on your supply lines, or you're expanding the factory and have new mortgage payments. Sad, and I wouldn't buy the collection, but it would be nice to know so I could stop putting hours of my week into trying to get you to understand.

Your contract with Stephenie Meyer in particular, and the Twilight franchise more generally, prevents you from speaking publicly on this topic. It could be that you are legally unable to mention the Quileute people, as it could draw unfavorable attention to the Twilight brand. I'd consider it a bad look that you even signed the contract, then, much like with the Harry Potter collection (which sends money into transphobic lobbying), but it would at least make sense, you know? Maybe you could work around it, donating to a more general native charity, or working with an indigenous creator, to make up for the mistake you are now contributing to without breaking your contract.

Greed. You are earning money, and if you don't talk about it where people can see, then the people who don't care won't LEARN about the conflict, and the people who DO care won't have made so much noise that you had to give some of your cash away. I dislike this.

We want to know which of the five it is.

The last few weeks, you've spent a lot of time advertising your Pretty Fresh Tinted Foundation Balm. It's a good product, with a wide and flexible shade range. People have responded positively, and you clearly care about inclusivity… but doesn't that include native peoples? Does that not include the people whose culture you are using as advertising? The New Moon collection rests so heavily on Quileute characters, on individuals built to be of a culture that was used for years by Stephenie and never saw compensation despite being a cornerstone of the franchise. You are using them for marketing, also without compensation, and it spits in the face of the diversity you want to claim you champion.

In a political situation such as this, in a country where things like "DEI" are being disassembled in the name of fascism, a place where your own record on such things is shaky, why make things WORSE for marginalized groups? Why make things harder for people who are already struggling? You have the power to help in a profound way, and you aren't.

I am… very frustrated, at this point. Can we please just know why? Can we please just be TOLD what it is that you're doing, and why? Reasons one through five are up there, just tell me which one it is, because I am tired.

Just not tired enough to stop campaigning for a cause I truly believe in.

Thank you for your time.

[thebibliosphere]

I’ve talked about this with some friends, but the whole Spotify/audiobook drama legitimately makes me want to cry.

If you are unaware, earlier in the month, Spotify, who now owns FindawayVoices -- an audiobook distributor and one of the only major rivals to Audible on the creator end -- announced that their ToS would be updating.

The ToS updates were horrendous and basically allowed Spotify to make royalty-free translations of our works, as well as create derivatives, and basically just fuck us all over and feed all of our hard work into AI.

The backlash was so swift that less than 12 hours later, Spotify sent out a panicked “Sorry our wording wasn’t clear!” email with a promised update. Less than 24 hours later they issued a statement walking back the changes to the ToS, and have since been pulling a “we never said that, you misread our unclear verbiage” when in reality the verbiage was very clear (Not Spotify trying to pull a “gaslight gatekeep girl boss ✌️”), they just didn't expect to get dragged out into the metaphorical court of social media and get publicly annihilated with authors withdrawing their work from the platform and customers canceling their subscriptions left right and center.

Anyway, the walk back was acceptable enough for me to not feel the need to remove my work entirely from FindAway -- which is good because I would have lost access to the global audiobook market if I had, not to mention global library access. Which, again, is good. A significant chunk of my audiobook earnings comes from Libby, and I’d honestly be lost without that $20 every month. (we get paid quarterly but it breaks out to about $20 a month.)

What the walk back was not good enough for, was for me to trust them to keep streaming Hunger Pangs on their Spotify streaming service. Because quite frankly, I don't trust them not to pull some more ToS bullshit, and this is the part making me want to cry.

Why? Because I’m going through my royalty reports, and for the single month of December 2023 alone, Hunger Pangs was streamed so often it earned $400.

In one month.

That's more than I earn from Audible in a year.

That's more than I earn from kobo, b&n, libby, libro.fm and several author distributors combined in a year.

I’m going to scream.

[tojisth3rdwife]

JJK men as content creators

Toji: very unserious fitness vlogger/foodie

Toji was no stranger to exploitation for financial gain. Nor did he have any shame over it. The idea to start making content stemmed from people approaching him in the gym for advice after seeing his impressive physique.

He wasn't much of a talker, although his dry sense of humor became his trademark along with his abs, so the majority of Toji’s content consisted of workout and nutrition advice. None of it he recommended anyone do since he wasn't a professional, stating that if it didn't work for you, don't go blaming him for it. One of his most popular segments was when he went to different restaurants in the area for food reviews on his cheat days. When owners noticed how a position review from him brought in a lot of business, they stopped charging him meals if he ever returned. And we all know how much Toji loved that.

"Alright, listen up. You want results? It’s not about fancy machines or trendy diets. It’s about putting in the work and pushing your limits. No shortcuts. Just grit and grind. Today, we’re hitting those weights hard and showing those excuses the door. Let’s get it."

Nanami : cooking/ASMR

Upon first impressions, one would think Kento wasn't the type of person who uses social media. He had Facebook like most millennials and has an Instagram but barely uses it. He wasn't the type to share his life with the world in that way and found the concept too invasive and troublesome for him to be bothered with. “What the point of telling strangers what I'm doing? I have no interest in what anyone else does.” he’d say.

But one day after allowing one of the teachers at Jujutsu High to try one of his homemade baked creations, it was suggested that he had his cooking show. Noting that he has the wholesome ‘husband/boyfriend’ aesthetic going for him, as well as a voice that sounded like a hug from behind after a long day at work. Kento started his channel slowly walking viewers through his favorite recipes , as well as some new ones he’d been meaning to try, while speaking gently into a highly sensitive mic that added an ASMR element to every video.

He doesn't show his face, feeling the anonymity made him most comfortable to be himself, but the way his audience swooned over the fixed view of him in his button-up and apron with the sleeves rolled up his veiny forearms, or his deft hands/fingers as he used a knife or kneaded dough.

Kento earned himself a whopping 400k subscribers in less than a year.

"Welcome back, everyone. Today, we're going to create something simple yet satisfying. Just listen to the gentle sound of the flour as it sifts through my fingers... The perfect blend of precision and comfort. Let’s start our journey into baking together, one soft whisper at a time."

Geto - podcast bro , the toxic kind

We all know with the global pandemic came the need for creative streams of income. Especially via social media. With somewhat of a platform of his own, being a cult leader and all, Suguru was approached by his daughters with the idea to reach more people by starting a podcast. Skeptical at first, Geto wasn't very enthusiastic about the idea of getting in front of a camera just to talk for an hour.

But with his dashing good looks, easygoing personality, and controversial views, it was no surprise that he amassed such a fanbase overnight. His show consisted of him tackling hard subjects, discussing world news, and hot topics, reading fan mail, and offering his candor, as well as having the occasional guest that may or may not know what they got themselves into.

"Welcome back to the show, everyone. Today, we’re diving deep into the topics no one wants to touch..the uncomfortable truths and the gray areas that challenge our perceptions. Let’s be real: society loves to paint everything in black and white, but the reality is far more complex. So, buckle up as we unpack some hard-hitting ideas that might just make you rethink everything. And remember, if you can’t handle the heat, youre probably a monkey."

Gojo- vlogger, travel, fashion, aesthetic, hauls.

Being someone who comes from money, old money at that, Satoru has access to more cash than he knows what to do with. So it's no surprise that outside of work( and sometimes for work), he spends his days traveling and shopping.

Vlogging came easily for him since he enjoyed talking about himself so much anyway, and with an audience so invested in his daily life, Satoru recorded everything. Him waking up. His skin/hair routine. What he ate in a day. Going on missions. Comedic skits with some of the first years who would participate. Travel vlogs and clothing hauls. There was a little bit of something for everyone on his page.

“Whats good my faves, its ya boy Satoru..back at again with another clothing haul. Im fresh off the plane from when I was Paris for fashion week, link to that vlog in the top right hand corner, and man am I jet lagged. But I wanted to show you all what I brought back while I have the time..”

Megumi- gamer/streamer on twitch.

After a talk with Gojo about him needing to find things to do outside of trying to advance as a sorcerer, Megumi picked up video games as a hobby. He was gifted a gaming PC and a PS5 by his mentor and began playing to blow off some steam after training. When he was injured after a mission, Megumi had not much else to do. Yuji was the one who suggested he stream on Twitch after watching him beat an entire game that took most people days in one night, praising him on his skills and suggesting letting others watch him play too.

After a while, his obsessive need to be good at everything he tries turned into him becoming one of the top-watched gamers. His dry personality and snide comments made for entertaining dialogue during game play and he often would give his critique on the game once he’d beaten them. He’d even get chances to be a beta player for unreleased game demos.

“The graphics were ok. Combat mode is a little glitchy but overall it’s a decent game. If this is just the demo, I’m interested in what they’ll do for the full game release. Otherwise I gave it a 7 out of 10.”

Sukuna- reactions

This started as a joke when his nephew wanted him to react to some viral trend and while the king of curses was rarely impressed, his archaic way of expressing himself was what made people most interested in his opinions.

Sukuna began a series of reactions where he sat upon his throne, gazing at the camera with all four eyes blazing with contempt and boredom as he watched viewer recommendations. Those ‘try not to laugh’ challenges were his most viewed.

If something managed to make him smirk or even chuckle, he gave it 4 thumbs up and would congratulate the OP for their talents in entertainment. Majority of his audience was comprised of women between the ages of 25 and 40. He acts like he has no clue why.

"This is, without a doubt, the most extravagant display of foolishness I've ever witnessed in my life. Yet, I recognize that many humans find cats charming and entertaining, so I suppose this video could be seen that way. Regardless, it's utterly pathetic. On to the next video..."