#earlymedieval

[whencyclopedia]

Trafficking with Demons: Magic, Ritual, and Gender from Late Antiquity to 1000

"Trafficking with Demons" fills a much-needed gap in the scholarship of magic, covering broadly the 4th to the 10th centuries CE. Working with a breadth of literary sources, Martha Rampton explores the nature of magic and the ramifications of the restrictions set by Christian authorities during this period, particularly for women. The legacy of these changes still affects our understanding of magic today, making this book valuable to anyone interested in the early history of magic in Europe.

Martha Rampton’s two primary goals with this book were to define in specific terms what “magic” meant and to examine how that meaning changed over time. She divides the book into four parts, with the last three focusing on specific time periods rather than themes. In Part One, Rampton summarizes the historiography of the study of magic, from Augustine in the 5th century to modern authors like James Frazer, as well as her source material. She pulls from various ancient and early medieval literary sources, including law codes, medical texts, sermons, and treatises, to analyze the concept of "magic." Using this historiography, she also creates some parameters for keywords, such as “ritual” and “demon,” that feature heavily in the rest of the book. In Parts Two to Four, Rampton asks why identifying magic was so important to early Christian authorities. The author argues that the fierce competition with Roman paganism and the hostile environment of the Roman Empire caused early Christianity to struggle for legitimacy, which they attempted to create by separating Christian rituals from pagan magic.

While Rampton accomplishes her first goal of defining “magic” in Part One, it is her second goal of examining changes in magic over time that haunts this book. Parts Two to Four suffer from a lack of signposting of the changes Rampton wants to highlight, the true significance of which only becomes clear in the book's last two chapters. Rampton intended these middle chapters to show changes to how different types of magic were conceptualized and the reactions of religious authorities, but often the changes are so subtle that they are lost in the wealth of evidence she provides. The repetition of sub-headings (e.g. Poison, Divination) also blurs the individual sections together. Including images of the manuscripts she references would have enlivened the book and introduced some variety into these sections. Given that these parts form the main body of the book, it is a shame that it is so hard to follow Rampton’s argument.

The other major element of Rampton’s argument is the relationship between magic and gender. By "gender," Rampton seems to mean “women” only. While the role of women in magic in this period is not the book's focus, it increases in significance as the chapters progress. The crux of Rampton’s argument is that, by 800 CE, magic and the female power that had come to be inherent in it was seen as ineffective. A more interesting point that Rampton makes is how exactly magic came to be associated primarily with women. From the Roman rituals of religious ecstasy being seen as “womanish” to a 9th-century court case in which an empress was accused of using love magic, Rampton argues that the change hinged on how early Christianity legitimized itself in contrast to paganism. As Christian authorities worked to define and professionalize “acceptable” magic, such as prophecy and miracles, in the 5th to 7th centuries, access for women was increasingly cut off by their lack of training (and their inability to obtain that training). This meant that female magic practitioners could only access the “unacceptable” magic, while the “acceptable” was separated from the concept of magic itself, indelibly intertwining women with magic.

Martha Rampton is Professor of History at Pacific University. Overall, Rampton argues persuasively for why the Late Antique and Early Medieval periods were crucially transitional for the concept of magic. The wealth and breadth of evidence presented in this book is undeniable. At the very least, this book should be well-received as a literary sourcebook for magic in these periods. However, its true value is to be found in the argument that Rampton unspools in the background of every chapter: a point of no return was crossed when women were forever associated with (malicious) magic. It is the legacy of that shift that accounts for why in the Western world today we think of a woman when we hear the word “witch”.

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[thoridsgewandung]

🍃 ᕼᗩᑎᗪᗰᗩᗪE ᗯITᕼ ᒪOᐯE 🍃 #thoridsgewandschneiderei #vikingtunic #medievalclothing #rusviking #earlymedieval #vikingstyle #vikingreenactment #larpcostume #etsy #etsyshop #viking #norseman #vikingmen #vikingage #vikingagehistory #history #historicalcostume #historical #historicalfashion #historicalcostuming #historicalgarments (hier: Germany) https://www.instagram.com/p/Co1_DW1rFP4/?igshid=NGJjMDIxMWI=

[zachariahtbuckman]

Two wanderers huddle in their furs as they trudge through the icy wind that lashes through the mountains.

#fantasy #earlymedieval

[thegnsndanes]

I am calling the entire knightcore tag for being NORMAN PROPAGANDA and WEIRD BODYGUARD KINKS that don’t make a whole lot of sense in historical context. If you want SAXON AND NORSE PROPAGANDA, a very niche and less romanticized medieval warrior elite and the potential for even WEIRDER bodyguard kinks that make SLIGHTLY MORE SENSE in historical context, convert. Come to the dark side. We have cool rings and swords and helmets and stuff and have cozy warm halls where you can warm your hands by the fire and enjoy a cup of something nice and some weird Northern European food with your weird early medieval thegn buddies.

[kathasworld]

German: Hexentanz in römischer Ruinenarchitektur by anonymous painter from Wikimedia commons. A woman from Hembach who practiced witchcraft had brought her son Johannes, barely sixteen, to the witches' meeting.  The boy had learned to whistle, and that was why she asked him to whistle for them to their dance. She told him to whistle climbing on the next tree so that the dancers could hear it better. The boy obeyed and climbed the tree; then began whistling and watching their dance attentively. Perhaps because everything seemed so strange to him or everything was going on in a foolish way, he said, “Protect me dear God! Where do so many foolish and nonsensical servants of yours come from?” No sooner had he finished his prayer than he fell down from the tree, dislocated his shoulder and called for help. He expected that the dancers would come to his aid, but there was no one except him. Alone he had to bear pain till he gained strength to walk out of the deserted place. **Witchcraft was popular in Germany in early mediaeval era. We have to remember that all kinds of witchcraft were initially not associated with heresy by the Church though later the idea changed. The story is essentially of a folkloric witch not associated with Devil. These witches do not always harm but have magical power. They gather to perform group rituals in a deserted location outside the village. Interesting in this story is how the magical power of the group of witches is manifested. Does this mean, even God cannot help much against witches’ magical power? #folktale #german #germany #witchcraft #earlymedieval #hembach #hexentanz #belief #riruals #folkbelief #ritualistic #witches #womenpower #womensgroup #groupdance #sagen #grimms https://www.instagram.com/p/Ce0AWqPrcBe/?igshid=NGJjMDIxMWI=

[woedans]

Desynchronizing

@woedans

[arms-n-armor-inc]

Sword Pics for Shut Ins- an early Medieval sword with a "cocked hat" pommel and straight guard. Leather grip bound by a twisted wire detail. Blade wide diamond section with tapering point. . . . . . . #ArmsandArmorInc #SwordLife #AAunbox #MedievalSword #Swords #Sword #SwordFight #hema #earlymedieval #medievalsword #cockedhatpommel #customsword (at Arms & Armor Inc.) https://www.instagram.com/p/CHgLIqIH_cA/?igshid=1lrrzy5ob8vpj

[mariaogonyok]

Energy, courage, femininity. And a lot of horses. This is my dream :) A present for my dear friend Anya.

[indianmedievalarmour]

Early Medieval Scale Armour #titanium #sca #hmb #armoury #armour #lamellararmour #scalearmour #combat #fullcontact #famous #custommade #medieval #medievaltimes #earlymedieval #famous #seller #sell #european #france #italy #germany #beautiful #offer . Made up of Titanium 0.8mm thickness sheet . Weight 12.10 lbs various size also available (at Meerut uttar pardesh) https://www.instagram.com/p/B3HiHNAnLdS/?igshid=nc4mcxs64cu0

[oldenglishpoetry]

Picked this up awhile back... #gothsandromans #goths #history #romans #romanhistory #gothichistory #europeanhistory #earlymedieval #medieval #lateantiquity #bookstagrammer #bookshelf #bookstagram #books #bookshelf #bookcollection #history (at Nashville, Tennessee) https://www.instagram.com/p/Bx2dPMrHf9I/?igshid=105mnoiztm4ax

[brunsvicko]

Just wanted some medieval vibes . . . . #medievalconceptart #medievalconcept #conceptart #fantasypainting #fantasyart #fantasyconceptart #fantasysketch #earlymiddleages #earlymedieval #bgpainting #digitalart #digitalpainting🎨 #digitalpaintingpractice #digitalartist #digitalpainting #digitalillustration #landscapeartist #landscapepainting #darklandscape #fantasylandscape #fantasylandscapes #cloudspainting #backgrounds #paintingart https://www.instagram.com/p/ClMfgwAqun5/?igshid=NGJjMDIxMWI=

[astarte81]

[thoridsgewandung]

🌷 ᕼᗩᑎᗪᗰᗩᗪE ᗯITᕼ ᒪOᐯE 🌷 #glassbeads @skata_perlenmaid #orderwork #handsewn #thoridsgewandschneiderei #vikingdress #vikingaprondress #medievalclothes #earlymedievalreenactment #earlymedieval #vikingwoman #medievalreenactment #medievaltimes #vikinglife #vikingstyle #vikingage #historydress #vikingjewelry #medievaljewelry #vikingbling #vikingreenactment #vikingjewelry #mittelalterkleidung #wikingerfrau #wikingerkleidung #etsy #gewandung #etsyshop (hier: Germany) https://www.instagram.com/p/CqCdhdDNAHn/?igshid=NGJjMDIxMWI=

[garydrostle]

‘Seiriol Wyn’ - Coming to meet Saint Cybi from the opposite end of Anglesey, Seiriol’s face was in the shade both going and returning from the meeting, so he was named Seiriol the Pale, Seiriol Wyn. This #mosaic faces the Cybi Felyn panel at #holyhead #celticgatewaybridge - #mosaics #earlymedieval #historyofwales #cymru #smalti #publicart (at Holyhead)

[thegnsndanes]

Broke: “lord king”

-explicitly masculine

-sounds weird

-female equivalent is “lady queen” which I’m not sure was a thing people said(?)

Woke: ring-giver

-anybody can give you a ring

-rings are pretty

-sounds poetic and awesome

-thank you for the ring

[belanas-schatzkiste]

Wow picks! Anglo-Saxon Necklace with Ixworth Cross - Early Medieval Bronze Cross Necklace with Enamel Inlays at €39.90 at https://l.outfy.com/vmrQk Choose your wows. 🐕 This beautifully crafted cloisonné cross from the Merovingian period, I have strung with red handmade glass beads as well as carved boil discs on a black leather strap. The large cloisonné cross is worked after the cross of Ixworth and dates from the 7th century. This replica does not have real almandine cloisonné like the original, here the pattern was created from red and white glass flow. Dimensions and material: Ixworth cross of bronze about 4.5 x 3.9 cm Leather strap black ca. 100 cm What is Cloisonné? Cloisonné is a craft technique used for enamel work. Here patterns are soldered on a carrier plate with fine metal wires. A glass flux in the desired color is then set into these fields and then the piece of jewelry is fired. There is also the Almandine cloisonné of the Sarmarten, a tribe from Central Asia. These used red garnets instead of glass river and these were counted among the carbuncles. This type of enamel decoration has existed since the 11th century BC! Visit my Facebook page, Belanas Schatzkiste and don't miss any more promotions and discounts! On my website you will find more necklaces, brooches and brooches, as well as tips for measuring and jewelry care: www.belanas-schatzkiste.info Due to the device-specific different representation of colors, the result may differ from the image, on the monitor!