#hexentanz
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HEXENTANZ (Witches Dance), Germany, 1939.
Oskar Joost Tanz-Orchester.
Grotesk-Foxtrot. Not really. Polydor was merely calling it a foxtrot to get the record passed by the censors, a common practice at the time.
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Mary Wigman, Hexentanz
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Hexentanz - Mark of the Witch
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Album Review: Client/Server – Hexentanz With No End (Self Released)
Dripping in dark atmosphere, the abstract nature of Client/Server’s post makes for an unusual experience, but then you have to take into account the dominance of doom, and it is doom that dominates.
Formidable riffs, cavernous rhythms and soaring dreamlike vocals shake the streets of Tokyo and combine to form post-metal doom band Client/Server. (un)Known as a noise/ambient band from Boston, the group was founded in 1999 by married duo Tom (formerly of punk/annoy band PigseX) & Jennifer (formerly of electronic-beat unit Hard Luck Woman Movie). During this era, they released two albums. In…
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Hexentanz - Midnight Procession
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Will-o'-the-Wisp Dance | Walpurgishalle Irrlichtertanz
Mammon's Cave | Mammonshöhle
Witches' Dance | Hexentanz
Bride of the Wind | Windsbraut
Gretchen's Appearance | Gretchenerscheinung
Murals in Walpurgis Hall, a hall on the Witches' Dance Floor near Thale in the Harz mountains, Germany. Paintings by Hermann C. Hendrich (b. 1856)
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Hexentanz Wimmelbildsujet für ein Puzzle, freie Arbeit
36 x 48cm
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HEXENTANZ
Hexentanz mach den Hexentanz, auf dem Scheiterhaufen wird ein Mensch verbrannt die zombiez und der Zirkel halten Messen ab
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Game board of FX Schmidt’s (later Ravensburger’s) Hexentanz
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“Follow the nightway and become one of us” so say the celebrants of the Hexentanz
They gather on Brocken, on hills and the seas, dancing to the flut of Pan until
They will show your strange worlds of the night, land of the moonlight and of dark memories
Who is the lady who is leading the Dance? Know her name is Lilith, the Queen of the night
She tells you secrets in the form of an owl, open your inner passions and desire
“Here in the wilderness we are really free to do our true will and to be like the beast
Some call us barbarians and we are proud of that. No passion is forbids no pleasure or pain
I can show you a paradise you’ve call a sin. We do our true will and call it Arcady”
#i#shit I had years without hearing this one what a trip is so fun and feels so mystic#Spotify#therion
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Hexentanz - Midnight Procession
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Gold vs Zinsen: Paradox bis paranormal
Anderwelt-online: »In der Welt der Wirtschaft und Finanzen tanzt das „hassverliebte“ Paar Gold – Zinsen einen faszinierenden, wenn auch gefährlichen Tango. Ihre Beziehung ist paradox und fast schon paranormal. Machen wir uns nichts vor, wir steuern auf eine Hybris der zunehmenden Gewalt, Grausamkeit und Unbeherrschtheit zu. Bereits jetzt ist der Weltbürger belastet mit sozialen Unruhen, Kriegen und Katastrophen. Lassen Sie uns den mysteriösen Hexentanz dieser beiden Protagonisten genauer betrachten – inmitten des Konzerts der weltwirtschaftlichen Dissonanzen. Weiter lesen http://dlvr.it/TClS5L «
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"Hexentanz" "Witches Dance"
Halloween 2014: The dark side of Disney
www.pumpkidgrove.de
#halloween2014#halloween#samhain#thedarksideofdisney#disney#hexe#witch#bosewicht#villain#kürbis#pumpkin#jackolantern#pilz#mushroom#blacklight#gruselig#haunted#horror#homehaunt#trickortreat#art#halloweendecorations#instahorror#halloweenparty#spookylife#deutschland#everydayishalloween#pumpkidgrove#pumpkidgrovegermany
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HEXENTANZ (DANSE DE LA SORCIÈRE)
Mary Wigman (1886-1973) signed near on one hundred solos in the course of her life, of which only five were filmed. This is the case of her Hexentanz (Witch Dance), the first two minutes of which were recorded in 1930 and contribute still today to guaranteeing the reputation acquired by this work very early on. The North American dancer and researcher, Mary Ann Santos Newhall, has devoted lengthy research to this Tanz Drama (Danced Drama). Thanks to a thorough examination of the available archives, today she delivers the first in extenso revival of this choreography for which she has chosen Latifa Laâbissi as interpeter.
Latifa Laâbissi’s work, mixing genres, reflecting and redefining formats, introduces a multiple off-stage dimension: an anthropological landscape where stories, figures and voices intersect. The use of voice and face as conveyors of states and minority accents becomes inseparable from the act of dancing in Self portrait camouflage (2006), Histoire par celui qui la raconte (2008) and Loredreamsong (2010). After Phasmes (2001), a piece haunted by the ghosts of Dore Hoyer, Valeska Gert and Mary Wigman, she returns to German dance of the 1920s with the diptych Écran somnambule and La part du rite (2012). She thought up Autoarchive (2013), a performative form relating to the issues and filiations of her own work. Her last creation was the aptly named Adieu et merci (2013).
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"Kiedy z barku znika alkohol Z kurtki giną papierosy Z lodówki sucha Krakowska Po 23zł za kilogram Kiedy w środku nocy budzą cie Odgłosy imprezy w garażu Dzwoń pod numer 666 i tak dalej, wtedy przyjedzie od razu Egzorcysta za niecałe trzysta dokładnie za dwie stówy"
Cjalis - Egzorcysta Boner.
Poland never disappoints, back to the TZ roots. Long live the white trash underclass culture, from the Rhine to the Dniper ! Nothing better than cheap vodka, bad sausages from L*/L and cheap shit from Akten. Oh man, they were right on Tracks. First you start with german punk and then you finish with slavic electro or hardbass after got bored with raw black metal... can't wait for the Hexentanz to become the next thing. Kurwa.
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