#dune frank herbert

[lex-the-flex]

Drinking the Water of Life

Paul Atreides x reader

He didn't want this. He never wanted this to happen. So why now? And why did it have to you?

From the moment Paul Atreides claimed his Fremen name, he prayed this wouldn't have to happen. But it did. While his mind was clear and open, yours remained foggy and closed off. If it was up to him, he would've kept you there, with your limited visions of the future.

But he loved you with all his heart.

And he couldn't see you suffer any longer without him. Paul chose you to rule at his side, after all.

Returning to your place in the shared communal room, Paul offers you a small smile before returning to his meal.

"How are you? I haven't seen you all day." He whispered so only you could hear.

"I'm alright. The water extractors are holding up. You should've seen all the packs I had to carry. Stilgar was impressed that I could carry thirty pounds for three straight miles." You explain.

Finally being able to relax at Paul's side, you notice how his blue within blue eyes look at you. While he's proud of you, something else lingers behind his orbs.

"Paul, what is it?" You ask.

Setting down his bowl, he takes your hands in his with a gentle grasp. Calmly stroking his fingers over your knuckles, he leans closer, his lips inches from your ear.

"I need you to travel South with me. Just the two of us, on a private mission before the others make the journey. I need you by my side, Y/N." He explains.

Calmly nodding your head, you instantly knew what he meant: you had to drink the Water of Life. The others knew it too, spreading rumors that stung like needles into your back. How you weren't worthy of loving Paul, the Muad'dib. Even the other Fremen began to question your loyalty.

As you were an outsider like Paul and his mother, Jessica, you remained faithful to House Atreides as it was one of the final commands given to you by Duke Leto himself. But now you had to truly prove yourself, you had to show everyone why Paul chose you above any other Fremen girl in your sietch.

"Okay, Paul. I will follow your hand until the very end. I will follow Muad'dib, my Usul, with an open heart." You declare as he pulls you in for a loving embrace.

*****

Guiding you further into the Southern temple, Paul never lets go of your hand. The beautiful sanctuary pulls you in with its calming circular architecture and stillness. Leading you to the main chamber, Paul is welcomed by another Fremen fundamentalist showing him the utmost respect.

Discovering a pool of water, you wander over to it before noticing the presence of a small sandworm swimming in the cloudy liquid. Scrunching your brows at the rapidly moving creature, Paul places his hand on your shoulder.

"It's time, Y/N."

Joining Paul and the Fremen member, she holds a jar containing a bright blue liquid that appears even sharper than the blue within blue eyes themselves. Feeling your breath catch in the back of your throat, you begin to panic, even taking a step away from Paul.

Placing a hand over your chest, your bare fingertips try to find solace in the sand covered stillsuit, and your own heartbeat echoes against your eardrums.

"It's alright. It's alright, Y/N. I'm here." Paul advises, leaning his forehead against yours.

Holding the nape of your neck in his hands, his dark curls tickle the edge of your face.

"I... I don't know if I can do this, Paul. I can't fail you." You say as your lip begins to quiver.

"You can. I believe in you. House Atreides believes you. You can do this, Y/N, just as your Usul before you." Paul replies, stroking your cheek.

Calming your breathing, you quietly nod before Paul, coming to your decision.

Laying down in between the stone pools, the Fremen offers you the glass bottle, lowering the top of the spout into your open mouth. Drinking the cold liquid, you swallow the water, and it enters your system. Taking your hand in his, Paul rubs your knuckles whilst your body goes numb.

Convulsing on the stone, every inch of your body writhes in pain, from the temples on your head, to your very reproductive system. A terrifying scream releases from your damp lips as the visions of the future, past, and present dance along the thin skin of your eyelids. Then, as soon as they appear, the prophecies of the future disappear within seconds.

You were cold, numb, in between the land of the living and the dead.

Offering the bottle to Paul, tears begin to fall on his face, and he mixes the salty drops with the freshwater.

Pressing the water to your lips, Paul bends down and kisses you lips, allowing you to return to him once more.

Feeling his lips leave your own, your eyes open, and you are awake. Your mind was open and Paul took you into his lap, studying your new set of eyes with all the love he could give you.

taglist ~

@dreamliners

@visionsofsweettea

@xplore-the-unknwn

@kaleidoscope1967eyes

@shions-new-blog-of-stuff

[emptyjunior]

It looks like with the movies taking off, everyone is on the Dune train now!! Which is very exciting, I’m glad a bunch of new people are discovering this media and reading the books, but can I recommend you the David Lynch, Dune (1984) movie.

First of all, if you are invested in the lore of the books and the deeper messaging of the story, you’re going to need to turn that part of your brain Off. If you love kick ass shit and are willing to be slightly tipsy while you watch and have a great goddamn afternoon, this is the flick for you.

Now first fun fact I’m going to share with you. David Lynch (twin peaks, eraserhead director, celebrated surrealist) turned down the opportunity to direct Return of the Jedi for this film. A film that was devastatingly slow to make, changed hands multiple times, had a pricy VFX budget of $40 million and then made barely $31 million, David Lynch turned down Star Wars to work on it. And he did this when he had never read the novel, and did not even like or engage with sci fi media. THAT’S how you know we’re really in for something.

Now this film has some big names in it! We’ve got a young Kyle MacLachlan who is rocking some Devastating outfits:

We’ve got Sir Patrick Stewert as our Gurney and Sting, lead singer of the police, playing the 15 year old Feyd Rautha! If you wanted to see a grown man, sprayed orange, basically naked playing a free wheeling maniac you are in for a treat! And another fun fact, David Lynch also did not know who these actors were, he made a mistake and thought Patrick Stewert was someone else and when Sting said he was in the police he assumed he was in an organization of lawmen.

Now these characters are familiar to you, but let me get into the unfamiliar. Lynch made some directorial executive decisions throughout this film, for I suppose the ease of the viewer? I mean an adaptation is supposed to adapt so he went let me change some stuff up👏👏👏.

Those who paid attention to Jessica’s backstory may know about the Weirding Way. This is a martial arts style created by the Bene Gesserit, and practiced by Paul. It is more than just a fighting style but also an important philosophical concept, like Aikido or how Kung Fu has foundations in Buddhism.

You may also be familiar with the quote “My name is a killing word.” This inner monologue of Paul’s refers to how his title Muad’dub will be used to spur a holy war. A simple name is what people will die and bleed for, it will be what they scream as they cut down enemies.

Dark! Intense! That’s Dune, anyways in the novel it’s easy to take your time exploring these concepts. Introducing the audience to the religious ramifications of a simple name and fighting practice and how these things can have rippling repercussions upon a society like the Freman.

Now David Lynch didn’t have time for that! He had the belief (that may be right🤷‍♂️!) That watching a bunch of people kick each other on top of a sand dune would be Lame😭😭

So he made the choice for his film that “My name is a killing word” was to be taken Absolutely Literally and invented a device where if the freman said the name Muad-dib, shit would explode.

If they said Paul’s name, they could Explode Stuff. Let it sink in how rad that is. Hell yeah man, hell yeah. Imagine me interpreting religious text that way, imagine if I made a bible movie and the moral I took from a parable is that when Jesus asked for food and everyone donated fish, I concluded that Jesus was a mutant who had fish powers and could immediately conjure fish with magic and gave him fish death rays that shot out of his hands.

So that’s what you can expect from this interpretation, the weirding way now means everyone has Lasers its rad as hell.

Some other incredible choices made! This is a spoiler, but in the novels and the new films you can see the Freman collecting every scrap of water they can. Dr Liet-Kynes, the planetologist, reveals to us it’s because they have a long, multiple generation spanding plan to fix the planet. By introducing this water back they hope to reset the ecosystem over centuries of work. The reason they have been unable to do this is because a green planet would obviously not have worms and sand who produce spice, the most coveted drug in the empire, so imperial and harkonnen forces have been stopping this from ever happening. They want to be free from oppression so that they can start to work on slowly fixing their world, a project that plays out in Paul’s adult life and has its own dramas and complexities.

In Dune 1984??? The moment, the Moment Paul lays out his cousin and throws the final punch, it begins to rain in Arrakis. As if they were all under a magical curse and were just waiting for a teenager to come fight another teenager and then the water will come back. It’s so good, it’s so funny.

Also Pugs! House Atreides official Pugs! Paul has pugs in his lap!!

This is honestly an adaptation choice that I really really like! Paul is the result of centuries of selective breeding, this practice is an artform to the Bene Gesserit and a skill that they monitor closely. It produces bizarre and sometimes terrifying results and is the reason for Paul’s existence.

I think having an animal that was also created through selective breeding, was engineered from a wolf into an animal that can hardly breathe is an incredible metaphor! A smart and identifiable symbol for the audience, I think it’s a slam dunk and the new movies should have done it to.

Anyways can not recommend this film enough.

-The body suits the bad guys wear are made out of real body bags, that actually had been used.

-David Lynch to this day hates it.

-The original cut was four hours.

-The cast and crew were sick the Entire shoot with something they called Montezuma's Revenge, which was probably just food poisoning, side effects from the constant smog because they shot the whole thing on backup generators, illness from the cockroach infestation and terrible morale.

-Frank Herbert saw it multiple times and said he absolutely loved it.

-When they ride the worms, sick rock jams play.

If you love electric guitar, lasers, worms and will forgive me for not including all the trigger warnings cause Yes this film will gross you out, then go watch this movie.

[dun-dun-dune]

No freaking way-

Pg 226 (Dune, Frank Herbert)

You guys have no idea how funny this is to me

[ghostgirl101]

Being In A Relationship With Feyd-Rautha Would Be Like This...

A/N: Yes yesss, I'm back from the deepest depths of the dead, finals kicked my ass earlier but now its almost october and I'll burn any exam paper I see from this moment onwards 😀 don't even question why I used this gif, it pretty much summarises the whole headcanon lmao🖤so enjoy it and lmk if you want to be added to the taglist thing at the end. Keep in mind that requests are not open currently, as I'm catching up with ones already in my inbox for Dune and other dark fandoms.

Warnings: Kind of dark themes, mid violence.. it's Feyd Rautha, idk what to tell you 😐

Next Week's Fanfic: Headcanons for a love triangle between you, Feyd-Rautha and Paul Atreides 😎😎

☠︎︎• You got yourself into some weird territory with this one 😵‍💫

☠︎︎• If you're expecting any semblance of stability and pure romance, then I'd turn and run for the Dunes to find Paul instead, because this Harkonnen doesn't have an ounce of level sanity in him, and the amount of spiking tension you'll have to cope with on a daily basis is enough to give anyone a literal heart attack 💀💀

☠︎︎• My guesses are that you were introduced to Feyd-Rautha as either a pretty young Bene Gesserit girl chosen to weave her way into his life to continue the bloodline, or he liked the look of you when he was off-world in one instance to look over Spice production with his uncle, and took you back as a trophy because he liked the look of you. So lucky you. 🙃

☠︎︎• This boy is an absolute sadist and an unpredictable unhinged mess, so there's a lot to get used to, and even when you do get used to things, it could all flip and spin just as quickly. It would take a hell of a time to truly understand Feyd-Rautha enough to predict him one hundred per cent and longer to have his trust that you won't run off or try betraying him.

☠︎︎• There's definitely a kind of dangerous allure to him that he uses to his advantage, a smug grin on his face when he enters the arenas, most likely to make kills in your name. It wouldn't be a massive surprise if you became some figure in Giedi Prime to sacrifice the dead to, like some kind of goddess of the kill (ik that sounds dramatic as hell, but i see it happening .-.)

☠︎︎• Feyd-Rautha is absolutely not used to the concept of looking out for anyone other than himself, or feeling anything close to respect and love for anyone other than himself. So the relationship he forces between you and him is a shaky and slow-burning bond that works in its own weird ways and quirks, and adapts to him and him only, so there are a lot of adjustments to be made on your end. Because even though Feyd isn't sensitive in the general sense, he's majorly unpredictable, and one wrong word could set him off. Just, tread carefully in the early days.

☠︎︎• If you want affection in any other way than corpses and bruising hickies, it may take a little while, because he has no idea how to pull that kind of gentleness off, and doesn't necessarily want to either. But if it's something that'll get you to submit to his hold over you more, then he'll come round to it, and when there's absolutely no one else in the area, you might get some actual, genuine passion, though there's always a part of it mixed in with some darker conflict in him.

☠︎︎• If you want attention from him, you've got it anyway. Feyd has his own form of attachment, pretty much an obsession, but it's always tangled in with his desire to dominate and possess. It's a suffocating relationship and tipped-scales dynamic, and the only way you can really get him to see your side of things is by wording it in ways that'll make it sound like it was his idea in the first place, and that the reason is because it'll feel better for him.

☠︎︎• Needless to say, if you're a little firmer and have a dark side to you (i'll make a safe bet that you do if you want this guy x_x) this Harkonnen is a thrill seeker to the extreme, someone always looking to feel something new and raw and insatiable, like the sharpest peaks of ecstasy and adrenaline, so will he try out new stuff with you even though it sounds mental and freaky and dangerous? That's a rhetorical question.

☠︎︎• Despite all the bloodshed and his ruthless havoc in the arenas, taking lives and living for the pain of it, believe it or not, Feyd is actually vulnerable in the least suspecting way. He doesn't have an emotional connection with anyone, because he's an unhinged psycho amongst a crowd of pale unhinged psychos who expect nothing less (and.. have you watched the film?? It's confirmed that this dude has mummy issues, so... i'm just saying, look at this hc's front gif 😏)

☠︎︎• If we're talking romance and affection, just think intense. Intense intense intense, because that's the best way to describe it. His hugs are breathtakingly tight and forcefully smothering, and he doesn't kiss, he full-on makes out with you. Public or not doesn't matter, it's just an opportunity to mark you as his in front of an audience, and he'll gladly perform, so suck up your shyness.

☠︎︎• Thinking of pet names, I see Feyd-Rautha calling you either by just your true first name and having everyone else address you just by your general title, or using other typical nicknames he'd use with satisfied smirks and lingering looks. Maybe his dearest darling, because you're higher than the pets he feeds and used before you (apparently they're called harpies??!? idk what the heck lol) I don't see him saying my love or honey unless he's just being a jackass in an argument, because I'm betting my life savings this boy only eats bitter things, and he sure as hell can't define love like you can.

☠︎︎• Feyd comes across as pretty dominant in everything he does, which is right, and even if it's you questioning him, he'll throw a dangerous fit that escalates within a second no one sees, so, again you have to be clever with the way you word things. You physically and mentally cannot be independent with Feyd-Rautha, because he'll break that spirit right out of your soul. Would he physically hurt you? Not badly, no, but just don't push him, because he'll lash out without a second thought in the moment of impulse.

☠︎︎• Again with the independence, another thing that stops you from getting any is how absolutely suffocatingly obsessive he can get, which turns on his possessiveness. You're essentially an extension of himself, something that's peaceful and pure and perfect in so many ways he'll never understand and will always pull your mind apart to try to. So if any other skulking Harkonnen looking to impress you by challenging Feyd himself or devoting a kill in the arena to you, has immediately chosen the slowest, most humiliating death, that you'll probably be tied down to watch -_-

☠︎︎• And if he can tell in even the smallest way that you're drawn to someone aside from him, there's a chance you'll be kept locked up in his chambers for a month or two with no servants, nothing breathing at all permitted to trespass except him, until he's satisfied and you have him wrapped around your finger again. And that means you can get him to do practically anything if it benefits him and draws you closer, like a kill.. to maybe even destroying a whole planet, it's not impossible for him. Once he has his mind set on something, he's a hunter, he's found his target, and he'll go wild until he destroys it.

☠︎︎• He's protective in the way that he will not let you die, or get hurt in any way by any person other than him. If another Harkonnen draws your blood in the tiniest scratch, or hurts your feelings in some way, Feyd will use that as an excuse to wring their necks. You're his to look at and admire and dress up and be close to and make you feel things, so anyone else daring to step up beside you will get knocked down and fed to his darlings. The only time you'll actually see him being doting and surprisingly, cautiously gentle is when he's healing a wound without the audience of any nurses or outside help, an uncharacteristic and uncomfortable silence in the air as he concentrates and gets you back to rights.

☠︎︎• The moments where he'll allow himself to be truly close to you go unspoken, like in the cold hard nights of Geidi Prime, where he pulls you up from your bed and tugs you down the short dark corridor to dump you in his own instead, with nothing else but the need to feel smotheringly close to someone who understands how his mind works. You'll remind him of his mother, and that's all good, so long as you stay by him and with him always, because if you take the opportunity to turn and run, don't let him catch you in the act. There's a 50/50 chance he'll keep you in his rooms for the rest of the relationship, or just straight-up kill you and take in your memories and mind to possess you that way ._.

════════════════════════════════════════════

Next Week's Fanfic: Headcanons for a love triangle between you, Feyd-Rautha and Paul Atreides 😎😎 ⊹˚₊‧───────────────────────────────────────────‧₊˚⊹

Taglist (lmk if you want to be added to this for my future Dune fanfics): @milaeth @ennycutie @nckcn @void21 @leighta @williamtt33 @deathsimp @tatumrileyslover @beebumbo @the-dark-dreamer25 @lilepad @skboo @keicdcat @1950schick @reggiesmoon @velosrantipole @yoonessa @anonymjuni @saturnhas82moons @xlxnq @frickyea-guacamole19 @meowmeeps @chalklate

════════════════════════════════════════════

DUNE MASTERLIST ⋆⁺₊⋆ ☾𖤓 ⋆⁺₊⋆ MAIN MASTERLIST

[reallyunluckyrunaway]

[joelchaimholtzman]

What song is Gurney Halleck playing?

Happy to share another DUNE painting! The master-at-arms and bard for House Atreides. My previous depiction of Gurney was not good at all, so I decided to redo it from scratch. The background is inspired by the water planet of Caladan, the Atreides homeworld.

This is the final DUNE character for the time being, but I will definitely resume the series in the future!

Hope you like it!

All the best,

JCH

[ak-47-666]

I JUST GOT AN IDEA

Where was that one motherfucker who had that ballet au Feydpaul idea

Cause listen- what if they perform Frankenstein.

Feyd is the monster, Paul is Frankenstein.

Someone tag them I beg you.

Listen Im not gonna use this idea, so you have to. Do it. Take my ldeas. TAKE EM.

Edit : WE FOUND OUT WHO IT IS IT WAS @/amethystmercury

[r3volutionaryhomie]

WHAT IS UP WITH THESE ATTRACTIVE ACTORS IN SEXY SOFT PORN GAME OF THRONES SCENES IN DUNE PROPHECY?????

SEX IN DUNE IS SELDOM AND ALWAYS. ALWAYS WEIRD AND UNCOMFORTABLE. WHAT DO YOU EVEN KNOW ABOUT BEEF SWELLING?????

[bloodsoaked-rainbows]

^my first thought after getting out of the movie

[barrywhelk]

[redaart]

may thy knife chip and shatter

(click for hq)

[theicarusconstellation]

BROOOOOOO😭😭😭😭

HE USED TO BE SO TINY AND THEN😭OH HE DIDNT ASK FOR ANY OF THIS😭

THINKING ABT “small for his age” RN😭

[thewormformerlyknownasletojrjr]

Sometimes self care is rewatching Dune (2021) and going on and on about ‘the symbolism of this or that’ or how ‘something here is a nod to the sequels’ or ‘look how the casting characterizes the house atreides’ or ‘the music here is phenomenal, it foreshadows gurney’s fate later on’ or ‘I think the difference in the vocalizing in the soundtrack here is deliberate’ until whoever you’re watching it with is ready to commit murder to shut you up.

But it’s just so phenomenal that you can watch it and catch new things each time, the visual and auditory storytelling in the background gives you so much! All these little things that go unnoticed until you see and want to jump out of your seat at them, let’s talk about that.

Let’s talk about how Jessica is always hooded when her scenes are associated with her Bene Gesserit powers and upbringing, how you can literally watch her out her hood down or up mid scene as she transitions from mother and concubine to an obedient disciple, how it foreshadows her struggle in the books all the way through Children of Dune.

Let’s talk about how well done the foreshadowing of the jihad is, how even this early on we can see the start of what is integral to Paul’s conflict in Messiah, how that feeling of helplessness about a destiny he doesn’t want will keep him frozen and unable to stop what’s in motion, how Messiah is such an incredible book because it ties into the dystopian trope wherein revolutionaries become like those they once revolted against, but how it’s so much more fascinating than some of the ways we see it in modern dystopias, because it’s the main characters who are following the pattern, not just watching in horror as those they fought with change for the worse, but actually experiencing it, horrified at what they’ve done and what they will continue to do, frozen and so unable or unwilling to do what needs to be done to stop it, how the movie is still in the stage where they are noble and valiant, but it makes sure to show the dread of what it coming, how it does such a good job of showing the burden of foresight that is so integral to Dune, the way that even as they see the future and can attempt to change it, they know that no matter their decisions, horrible things will come, how it shows Paul as scared hating the power he was given and blaming his mother and her aspirations, how the atreides family never wanted to be great, they wanted to be good, how Paul is coming to see that great and good cannot always coexist, how you look at this boy and you can genuinely see how he will become the man saying ‘Believers, all of them’ how Dune is such a hard story to get right because you watch someone devolve and stand by why horrible things are done without seeing him as a terrible person from the start, without the boy and the man seeming irreconcilable from one another, how the movie actually is on the right track even though the end result is unpalatable to the majority of society, how they are showing the white savior trope in a way that is thus far complaint with how it is deconstructed later on, how they have the epic notes of the beginning without going in a direction that makes the ending impossible.

Let’s talk about how they cast the Atreides family as beautiful people, but not soft, not tamed to modern standards, aristocratic in their looks in such a way that you believe they have been nobility for centuries, maybe millennia, slightly untouchable, dangerous, like those in power during the Italian Renaissance, how Paul looks young but also ethereal and formal, the balance between boy and duke and messiah in his appearance, how Leto’s hair and beard make him not only regal but worn by politics, cold and formal yet fatherly all at once, how Jessica’s ghostly pale complexion nods to her Harkonnen ancestry in the books and how she is beautiful in a way that seems not entirely human, how the other members of the Atreides house are each unique and full of character, not designed to fit a palette or aesthetic, whereas the Harkonnens have an eerie similarity that shows how little they value free will, how the Harkonnens are not dramatized to emphasize their characterization but rather understated, devoid of emotion save for rare explosive moments, how they echoed this in their design, making them blank slates, taking away rather than adding, leaving them almost human, but not quite, enough to trigger that ancient animal instinct in a person that says ‘something is wrong here, something is dangerous’ rather than making them fit in with the conventions of a time period or trend as to how to look evil.

Let’s talk about the soundtrack, how the epic music playing when House Atreides lands on Arrakis is echoed as Gurney and his men charge at the Harkonnens who so greatly outnumber them, how this not only ties you emotionally to the battle, hearing this dying cry of the Atreides, more so than the music continuing to be dark and foreboding through it all, but also how it foreshadows the survival of Gurney and the small group of men with him, living to reunite with Paul later on.

Let’s talk about how throughout the soundtrack we have women vocalizing, the emphasis on the power of the Bene Gesserit and how in Leto’s death scene we diverge from this trend, how he was so powerless against all these grand plans but he still took a stand, still ended things on his own terms.

Let’s talk about how Jessica doesn’t answer when Leto asks her to protect Paul as a Bene Gesserit. Let’s talk about the bull and the matador, the symbolism there. Let’s talk about the emphasis on medieval and renaissance headdresses on the Bene Gesserit, the significance of choosing attire from a time when the Catholic Church was in the peak of its power. Let’s talk about the nods to Gurney’s music. Just, look at all this stuff in the movie that you barely even notice, the first time. All the planning that went into it, how to fit in all these little nods, how to stay true to who the characters are in the present while also beginning to show who they will become. Let’s talk about it.

Though maybe not to the people I was watching the movie with. I don’t actually have a death wish.

[dun-dun-dune]

Gurney, I love you so much

Pg 151-152 (Dune, Frank Herbert)

[reallyunluckyrunaway]

Hollywood be like:

[artist-issues]

*shrieks into the void*

“Let me free you from having to agree that Dune is a good movie series!”

There’s no emotional depth. The three things you’re supposed to care about, with the characters, in this movie are a) Paul’s family/household, their name and their wellbeing. b) The Fremen, their cause and their wellbeing. c) Chani, Paul’s relationship with her and her wellbeing. But the movies do not display any genuine moments of these characters being relatable or human or empathetic in a way that we can all empathize with. Paul’s interactions with his father before his death are too formal and take themselves too seriously. There’s little to no humor or relaxed moments between them that the casual viewer could relate to before big, dramatic moments ramp up the tension. When everything is solemn and Shakespeare, nothing is impactful or hits you in a real way. It all quickly becomes emotional white-noise, whether the dad is screaming about a assassination attempt on his son or his death is revealed to that son—who cares? Paul and Chani? They have no build-up to their relationship. There’s no reason they should like each other beyond animal attraction. And no audience member can relate to the experience of having supernatural visions about a girl, then meeting her and gaining her trust through pitched combat and ritual training. So nobody cares when he betrays her, no matter how much dramatic music you play. And Paul’s mother’s motives are either unclear or wholly unrelatable, so you don’t care what she’s after or how it will affect everyone else.

The writing lacks pacing. There are barely any jokes or moments of regular, normal conversation. Every single conversation is weighed down by solemn “fantasy culture” references, every single line is burdened by dramatic mic-drop one-liners. Paul and his mother never talk about what they miss about their old planet together, in a normal fashion. That would be the most natural thing in the world, as they travel through the desert.

The villains are shock-jock puppets. You might as well have a clip show of people getting run over by cars or falling off of bridges playing, instead of every scene with Fayd Rautha or any Harkonen, for all that the villains add to the story. They’re just there to be loud, or erotic, or gory—but don’t worry, the movie will play dramatic, chanting music behind everything they do so that you feel a sense of “epic dread” when they’re actually doing nothing intimidating or clever, or scary. They’re just yelling and smashing people. If they twirled their mustaches and “mua-ha-ha-ha’d” they’d at least be a little campy and fun to watch—but they’d be exactly the same amount of ‘effective or interesting in the story.’

It’s all sugar, no nutrients. The sugar just happens to be pretty music, good sound and visual effects, and nice-looking actors & actresses. The message is “power is derived from the successful manipulation of those with faith.” That’s it. That’s awful. That’s an awful message. What am I supposed to do with that information? What am I supposed to carry out of that theater? I’m supposed to start abandoning submission and faith in any higher power or authority, and use those ideas for selfish ambition and control, if I were to listen to Dune.

And don’t tell me it’s profound to take your main character and make him the villain. Boo hoo hoo. That’s not profound, I don’t care if it is Timothee Chalamet. Nobody cared about who he was before he betrayed his girlfriend and seized manipulative power for himself. When Anakin Skywalker falls to the dark side and kills his wife and turns on all the people who looked to him for help? You care. Know why? Because you saw who he was and how he struggled to live up to that, before the fall ever happened. He was a human character with relatable flaws like pride and human moments, like teasing his girlfriend or making his best buddies nervous, with hobbies, like tinkering. With a competitive personality. With a deep angst over loss. Paul Atreides? Lazy. Lazy in comparison. We’re just told his dad died and told he’s sad about that, but there’s no real human attention given to that. Just big dramatic, angsty declarations and acting-explosions. We’re told he loves Chani, and expected to believe it, but given no evidence except a suggestive post-sex scene with zero romantic tension or buildup, or even bonding. All Paul Atreides is, is a character who has a laundry list of epic hard-to-do chores, and he gets them done, while dramatic music plays, as if there was some doubt he was going to be able to do his chores and you’re supposed to see his completion of the list as a moment of victory. Guess what? I don’t care about his chore list, no matter how “cultural” they are. So I don’t care about his rise or fall, or anything he’s doing, because he’s not a relatable human character. He’s just a caricature. And that would be fine. If there were any relatable human side characters to look at him through the eyes of. But there aren’t. Because this whole story is “shock and awe, look at how important we are, hear that rumbling bass in the soundtrack, see this character brooding into the horizon for the seven-thousandth shot?” What am I supposed to take away from this? All sugar. No nutrients.