#dreamworks vs disney

[iamafule]

I think the reason people are using dreamworks to hate on Disney is because Dreamworks relies on more of a fantasy element where there's magic and fairies and it's all set in the past or in a magic land where everything's interesting whereas Disney relies on pixar and Marvel to make shitty movies that all have the same character tropes and the same morals that are all set in the modern world or the future

Dreamworks can acknowledge that people don't really like the present because of the whole screen addiction thing so they stick to a timeline and a theme where screens are rarely and sometimes never necessary while Disney likes to focus on being inclusive so they modernise all their stories.

Also Dreamworks is more open to experimental work and the animators have more creative freedom to draw things in different styles or give the characters different features and personalities and details and little mannerisms and habits (Take Hiccup for example: handicapped, left handed, talks with his hands alot, adventurous, smart but stupid about it, very peaceful) while all Disney's characters are hollow and a sort if copy and paste theme.

Dreamworks takes more risks to put out movies with plots and characters that no ones ever seen before while Disney just takes stories they've already done, changes up the characters a little bit and them adds a message about generational trauma.

This leads to my rant about how much I hate httyd 3.

The soundtrack was too melodramatic. And the visuals were all bright and colourful to get the attention of 2 year olds. The light fury design was pathetic. The only reason the light fury exists is to be Toothless's girlfriend. Then they went against everything they'd worked for within the first 2 movies. In the first 2 it was all about how Hiccup and Toothless are bestfriends and stick together no matter what. That was even the moral in the 2 shows, first Christmas special and one of the short spin off films. But the third movie went against all of that and made them separate. It ruined the trilogy! The second movie however. The soundtrack fit perfectly for each scene and the colour scheme was perfect. In the scenes where Hiccup discovered his mother and the bewilderbeast nest the colours are appropriate and bright while not bombarding the screen with flashing lights and colours while the scenes featuring Drago had a more dark and sinister colour scheme, as well as the music becoming more heavy and ominous. Where as in the hidden world the colour scheme always had bright colours which made it feel less dark and scary. They modernised the Viking age so that it would be more appealing to younger generations. But the thing about the how to train your dragon fan base is that it mostly consists of people aged 12-27.

[avitha]

Awesome Dreamworks Films Compared With Major Disney and Pixar Releases of the Same Animation Type in the Same Year

2001: Humans in Shrek vs Humans in Monsters Inc

2002: Characters in Spirit: Stallion of the Cimmaron vs Characters in Lilo and Stitch

2003: Characters in Sinbad Legend of the Seven Seas vs Characters in Brother Bear

2004: Humans in Shrek 2 vs Humans in The Incredibles

2007: Humans in Shrek 3 vs Humans in Wall E

I would add more, but I hit the image limit, so I confined myself to the most notable years.

[kaycartoons]

I love having totally not cursed cartoon lore books. Yup, not cursed at all. (yes I know the httyd book is based on the book series not the movies but its still cool to see how the books inspired the movies and cartoon).

[mpp987]

Why isn't #standwithanimation trending on Tumblr of all sites!??

THIS IS THE FREAKING CARTOON SITE!

[meanya]

With Indie Animation Day just having passed and a really meh-looking Megamind sequel on the horizon, I'd like to gently remind people of the power of ignorance.

(TL;DR in blue) Your attention is valuable. Like it or not, your attention alone is worth money. When you give a show or project your attention, you are supporting it. So if you're as disgruntled as I am knowing another amazing movie's timeline is about to be tarnished with a lazy sequel, please for the love of god, ignore it.

"Don't feed the troll" "They just want attention, ignore them." these are tales as old as time... But what we're dealing with in entertainment and animation today is much more insidious than attention-seeking randos online. We're dealing with attention-seeking multi-billion dollar companies.

We are living in the age of soulless nostalgia-bait and purposefully-infuriating content. They are putting this content out because it is MAKING THEM MONEY, and it is making them money because we are giving them attention! The most POWERFUL WEAPON you have to wield against them right now is your ignorance.

I know it's infuriating. I know. But the fact is: Just like a troll, every interaction you give this media feeds it, good or bad. Especially bad.

Talking about this movie is spreading the word for them. Posting about them gives them free advertising. Watching people review and dunk on them will push more people to review and talk about it. Even if you go online and say, "I hate this movie, it's gonna suck." that is STILL advertising for them!

Hate-watching is worth the same amount of money as love-watching. Remember what hate-watching did for projects like Velma?

Don't let this new Megamind sequel or any dead-horse-beating project succeed financially just because we were too angry to stop talking about it. DON'T reward them for their half-assed cash-grabs with your ire. They don't deserve your fury.

I beg of you, don't hate-watch it when it comes out. Don't post about them. Don't take to Twitter and Tumblr flooding the #notmymegamind tag. Don't do their dirty work for them. Don't allow them rent-free space on your page or in your mind. Don't give this project the time of day. Ignore it. There is power in your ignorance, just as there is in your attention.

Give your attention to one of these independent animators instead. The media giants don't need it.

If we can all band together and ignore the media we don't like, they will no longer be profitable or a safe investment and they will eventually stop. But we have to agree to ignore it together.

[ultimate-good-dog]

Ultimate Good Dog Left Side Round 2

[broadwaycutie16]

COMMISSIONS FOR FANFIC STORIES OPEN NOW!

I’m really strapped for cash right now, and I found out you can do commissions for written stories now. So if there’s a story about a fandom or pairing you want to see, please contact me through DM and we can discuss it. It can be as long as you want. Check the tags for the fandoms I am familiar with, or it could be original stories.

RULES:

* No character bashing

* No smut

* No furries

PRICES: $10 first chapter, $5 for any additional chapters

[phoenixlionme]

[kaythefloppa]

If there is any better real-life example of a monkey's paw wish than the entire existence of Megamind vs. The Doom Syndicate + Megamind Rules, vs. what society was like before it was announced when everyone was begging for a Megamind sequel, then I am yet to have seen it, and my viewing experience of the former makes me doubt I'll ever see one like that again.

[princess-unipeg]

Korean Pop dominating modern cartoons

Here’s more of it popping up in modern works

[coolchevistianofficialsite]

Nobody: 

Theories of the fandoms of serialized animated shows when the final episode is around the corner:

[dr-jem-nutcase]

Dr. Cockroach: The Demon Barber of Fleet Street trailer

I luv this. Like, a lot

[littlealeta]

The Remake/Sequel/Spin-off problem needs to be fixed

Many of us are tired of the remakes/sequels/spin-offs phase. Some of us might even be almost totally averse to them. But, I do want to get this off my chest in a proper blog, because I don’t think a lot of people have talked about how studios can scratch their franchise itch in a proper way. And also in a way that could’ve give them more respect than they get now.

Remake: Stuff That Actually Could've Been Better Or Expanded Upon

There are a lot of movies I’ve seen that have some clear potential underneath that never really got their chance to shine.

Examples being No Hard Feelings, The Boxtrolls, Ralph Breaks the Internet, The Adventures of Tom Thumb and Thumbelina. (They need to make another Thumbelina film anyway, it’s already been, what, at least 20 years at this point?) There’s also some anime that I think could use remakes, but Japan mostly keeps their paws off classics.

To explain why, I think these movies all have interesting premises and some kind of hook to them, but the execution turned out to be underwhelming. They're still fairly new, but maybe in another decade or so, they could be considered for a remake. But, really, I wouldn't mind hearing them being remade right now. As for expansion, something I’m thinking about is a TV show called Captain N: The Gamemaster.

I would like to see a remake or at least spin-off of that. It’s an 80s show about a guy who enters into a world of retro-gaming who can control stuff with a belt shaped like a NES controller. It’s been largely forgotten at this point, so bringing it back with newer games juxtaposed in with the retro games will also be a plus. The Great Mouse Detective also could’ve been made into a TV series.

Sequel: Stuff That Actually NEED A Sequel

I think a lot of people want sequels just to see their favorite characters again. But sometimes, that doesn’t always work, I mean look what we recently got.

All because of recent fan demand. The first movie, I believe, felt complete anyway.

There needs to be more sequels to anything that’s either ended on a cliffhanger, or could’ve used an expansion of the world and story.

Monsters vs. Aliens (another Dreamworks film and also highly underrated) ended off on a cliffhanger and could’ve used a sequel (the TV series unfortunately was underwhelming). Go back to the Madeline (Didn’t like the TV show for some reason, though but I did love the live-action one) or Eloise franchise (that had a ton of books that I don’t think got adapted). Bring those to the attention of the modern kids. Maybe go back to the Jumanji franchise WITH THE BOARD GAME and instead of being in a jungle, make it different like Zathura did where they’re like under the sea or in a desert or something.

For the spin-offs, I would kinda repeat the same things I’ve already said. Again, do spin-offs to expand the characters and/or the world. I can’t think of a movie or TV example that would work with this, so I’m just going to use a game example: Catherine.

A lot of the side characters in that one don’t get a lot of character development or depth and some of them had some interesting conflict and backstories that they were going through. I also would like to see the main character interacting with the other characters in more wholesome and complex ways outside of drinking, chatting and having conflict since we barely get any wholesomeness between them in the game. He can help out their problems and grow through each other. It would also show his bar posse as being more of friends than typical long-time acquaintances who just chill out in the bar every day.

I know studios won’t read this, but that’s what I wish would happen, even though a lot of it is most likely a pipe dream. But, you know me, it’s always fun to dream.

[kaycartoons]

People: do you have a book collection?

My book collection:

[rise-april-art-challenge]

Round 21! King Vs. Toothless!

[the-indie-owl]

I feel like the idea of comparing Ken from Bee Movie with Derek Dietl from Monsters vs. Aliens is like comparing a Strawberry Tart with Pineapple Pizza.