#drawing up parallels with real life politics too much is a bit much

[wyrdle]

In love with this post, OP. Tbh, something I hope we’ll get is this overload of responsibility chipping at her mask of calmness and self assuredness. Like, burning out from micromanaging everyone, as well as crumbling from the isolation/distance that comes with being a leader like this. No one likes their boss, and the E4 feel like a pseudo found familyge where she’s excluded... which is a little sad.

I’m hoping DLC or in fanworks more people will tune into the above, especially since her oversight of Area Zero’s research and its endangerment to students + rest of Paldea would probably weigh heavily on her mind/conscience. As in: “I’m already doing all this for this vision of Paldea but holy shit this giant crater was going to hurt so many people and pokemon, I’ve fucked up big time by neglecting this.” We don’t get to see her react to the fact that the Prof died, the time machine was fucked up etc. I like to pretend she and the director have a much more serious discussion after, and that she even checks up on the 4 kids for their wellbeing out of both concern and guilt.

She’s a flawed boss, but still a compassionate/kind person. The decisions she made got her and Paldea here, I’m sure it influences/affects her and would be a great push towards some character development/change for relations with people around her/work for her.

Regarding this post I made earlier examining Geeta's antics in Paldea.

In Defense of Geeta

I feel like Geeta absolutely was written to be the shitty boss she is intentionally. There's too many situations where attention is drawn to her bad habits, either as them being directly pointed out or indirectly referenced. But what I really hope the case ends up being is that she's not at all a villain. Pokemon has gone the route of the suspicious CEO-type character being the "twist villain nobody could have seen coming!" for several games now. It's getting pretty old and I feel like it would be a weak direction for S/V to take.

Interestingly enough, one actually can look at all of Geeta's actions and not really see anything nefarious about them. Discussion after the jump for the sake of spoilers and wall'o'text.

It's very easy to look at Geeta and think she's a Bad Guy, given her strange behavior and all the negative attention she gets among the fandom. I'm certainly not innocent of seeing her in a less than endearing light, given my prior post. But a lot of that view does come from real world parallels and comparing the game's presentation to past Pokemon games in which nobody ever says the slightest criticism of the Champion, which may not necessarily be fair.

One of the biggest justifications Players have to indicate Geeta is bad is the way she meddles with the Gym Leaders and how corporate she's made the League. I pointed that out myself. But to flip it around... maybe she behaves that way because it's what the Gym Leaders need?

We constantly see Geeta inserting herself into events throughout the game. She shows up at the Academy, pops up at Gyms seemingly at random, and is always talking about how she has other pressing business that pulls her away from lingering too long. The only way she gets time to participate in casual encounters is when others (usually Nemona or the Player, if not both) take some of her workload off her plate. While I criticized the way Geeta had apparently deeply intertwined the Pokemon League, the Academy, and the Paldean economy itself, it does stand to reason doing so puts a ton of work on her having to maintain it. That's her own doing though, so it's a case of her getting what she signed up for and she never seems to shy away from it despite her habit of recruiting others to help.

The Gym Leaders, though? While they do remark about Geeta meddling with them, giving frequent reviews, and otherwise sticking her nose into their business, they've also shown that they're all pretty flaky. Rather, they're a total mess both individually and collectively. It's possible that the reason Geeta is constantly keeping an eye on them is because they need that in order to fit the direction Geeta is trying to guide the League in.

When we meet each of the Gym Leaders both in our first encounter and in the rematch post-game, we learn a lot about their behaviors through casual exposure. All of the Gym Leaders have a job besides running a Gym and, with the exception of Grusha, all of them show that running the Gym is by no means their top priority. Nor are any of them especially reliable when it comes to managing their Gyms. Based on past games, we're accustomed to Gym Leaders taking a large amount of pride in their position and holding it in esteem even when they also had other simultaneous jobs. We've seen Gym Leaders and Elite Four who were also artists, performers, athletes, CEOs, and such before. That's not the case with Paldea though; to these Gym Leaders, it's just a job and not necessarily one they put a lot of personal investment into compared to their actual passions/careers. It's mentioned that Geeta "strong-armed them" into taking on the role, which can be read that she went out of her way to convince strong, capable Trainers to become Gym Leaders for the sake of Paldea and because she saw the potential they held but weren't utilizing.

Katy flat-out forgot that she was under review and only appeared for the rematch by pure coincidence because she just so happened to visit that day. When we first meet Kofu, he and his assistant are both a totally scatterbrained mess. Iono only bothers with being a Gym Leader because it gets her viewership for her streamer career; if something else better came along, she'd surely jump for it immediately. Brassius is very upfront about his artistic passions being the number one thing in his life and openly abandons his responsibilities as a Gym Leader to pursue them during the rematch. Tulip's modeling career keeps her busy and she only has just enough time to show up for a brief match before immediately leaving to get back to her work. Ryme is more focused on her music career and wasn't even the original Gym Leader; that position belonged to her sister, Professor Tyme, who left the role to become a teacher. Larry, despite being the most vocal about his dislike of Geeta's habits, is also the most distracted as he has three simultaneous jobs and constantly works overtime. Finally, Grusha doesn't have any job besides being a Gym Leader, but that's only due to an injury that has made it impossible for him to pursue his original passion. That same injury has likewise cost him his motivation and drive to improve; he's only hanging onto his role as Gym Leader because he doesn't think he has anything else going for him now.

With all that in mind, it makes sense a rigid sort like Geeta would want to keep a close watch and short leash on all these unreliable personalities, doesn't it? She has to keep tabs on them because they risk failing the various Trainers who hope to challenge them otherwise, along with squandering their own potential. Geeta is always very open about her desire to foster powerful Trainers out of Paldea, if nothing else. After the rematch, all the Gym Leaders express a level of understanding and even appreciation toward Geeta for what she's done for them. Grusha and Larry stand out in particular, as they both confess that her meddling has helped motivate them to go beyond what they've settled into. Where Larry mentions that Geeta will dock his pay if he wastes time, he also mentions that she insists he stop overworking himself with overtime hours. So it's possible she's simultaneously trying to keep him focused without letting him overdo it as well.

When it comes to how corporate Geeta has made the League, that's not technically fair to say either. It's an easy shorthand but not entirely accurate. The goal of corporations is to make profit no matter what, but that's not really Geeta's motivation. She's not looking to get rich or powerful, but to rally as many genuinely powerful and talented Trainers up within Paldea as she can. That, in and of itself, isn't at all a bad thing and is commonly shared among all regions that have a League. While I criticize League Points as being company scrip, it does supply not just Trainers but all citizens of Paldea with an alternative way of funding themselves. This would include the Gym Leaders; despite common remarks (which I have made myself) about Geeta not paying the Gym Leaders a living wage, it's entirely possible they do indeed make plenty to thrive on and just have their non-Gym Leader job because that's their true passion that they want to put their effort into. Be it cash or League Points, they do have a salary. Larry himself mentions it outright, while Grusha and Brassius don't seem to be in any financial straits despite their unstable working conditions outside the Gyms. When it comes to the region's economy as a whole, subsidizing major commercial chains throughout the region just to make food and supplies more accessible can't be cheap; when you sell goods to the PokeMart for cash, you only get a fraction of the total value, but get significantly more (usually double) the value in League Points. Geeta's overall emphasis doesn't seem to be shaping the League and its sphere of influence within Paldea to make herself wealthy or powerful, but rather to make the whole affair as plainly efficient and self-sustaining as possible. In that regard, she's done a fantastic job.

When all is said and done, I genuinely hope Geeta isn't a villain but simply a boss with lofty visions, exacting demands, and absolutely terrible interpersonal skills. I feel like she'd be a lot more interesting that way in that she'd be a genuinely flawed person without her issues just being dismissed as "because she's the Bad Guy".

[minasmorghul]

heyyy Im absolutely in love with you genderbent starklings AU. Can u show us more about artos and his relationship with the rest of the starks🥺🥺🥺

Hi!!! I'm so glad you liked it!!!

So for Artos, I kind of had two varying ideas I think can both be explored to some degree and keep very true to how aspects of Arya play out in the books; but honestly I do think in a way, you can't 100% capture the Essence, so to speak, of Arya and Sansa without them being informed by them being a girls in a patriarchal feudal society.

On one hand, playing with Artos trying to embody Arya's gender-nonconformity would be a really interesting path to explore since usually in the books we think of Arya as presenting more masc, vs Sansa being more femme, ie. Arya's sense of alienation stems from her rejection of gender roles whereas in her eyes, Sansa embraces them so effortlessly.

So I think an Artos that is more interested in "feminine" pursuits, and maybe he has a genuine needle, so to speak and prefers to spend time with his mother and sisters as opposed to his father and Symeon and Theon, would be an interesting parallel to draw to Arya's gnc-ness. In this kind of path Artos is definitely a momma's boy through and through, which would probably draw a clearer parallel between Arya being very much similar to Catelyn in personality.

On the other hand, a stalwartly "Northerner" Artos compared to Symeon being squired with the Blackfish would be interesting too, because Symeon, to capture Sansa's brand of idealism and romanticism, her belief in chivalric romances, would need to narratively fulfill a role thematically equivalent to Sansa being the beautiful maiden of song-- Symeon now being the gallant knight.

Meanwhile, the northerners seem more stoic and practical, and Artos might seem cynical about Symeon's ambitions, and Symeon's insistence that life is beautiful or that laws are just or the likes. Symeon is definitely very much Ned's mini-me in that respect, but with Catelyn's sense of being courteously charming, whilst Artos has Catelyn's protective, almost hotheaded nature but with Ned's kind of seriousness in expression.

With Ned and his daughters we see him being somehow clumsily indulgent to them both, even if he does seem to understand Arya better on the surface level in that he hires a swordmaster to teach her (but still insisting that these are just "hobbies" she'll grow out of to eventually marry a lord and have children) whilst he seems totally out of his depth with Sansa. I think he might understand Artos and Symeon a bit more by virtue of being boys he can connect to on that regards.

I think a lot of what will inform Artos's dynamic with his siblings will be what his future path is considered to be as he's the spare to Symeon being the heir. Maybe the castellan or steward of Winterfell? In which case, his parents might betroth him to Jeyne Poole and encourage him to apprentice with Vayon. Maybe the Night's Watch?

I feel that Artos, like Arya has no real desire for like, extolling "traditional" forms of power/authority as regarded by polite society: he's a little unpolished, he's a little reckless, probably a wild wolf like Brandon and Lyanna. I don't think he and Symeon would be quite so antagonistic towards each other as Arya and Sansa are painted as being (both because I feel like their on-page interactions depict their relationship at the lowest point it's ever been due to outside influences and because fans really overblow it into accusations of child abuse and stuff). But I do think they're siblings who bicker a lot. Artos probably makes fun of Symeon with a fake voice and all, for being all puffed-up about becoming a knight, while Symeon is elbowing Artos because he's mouthing off in front of important guests.

With Jonelle, I think ironically Artos's dynamic really does depend on whether we follow Artos as having Arya's personality transplanted onto him directly, or we follow Arya's relationship to gender as part of his story arc. With Arya's personality, I think ironically Artos would be less close in a gender-swapped AU than Arya is with Jon in canon, mostly because as Jonelle is a girl and therefore far less of a threat to the claim of Catelyn's children on Winterfell, there's less of that sense of "oh well, my mom doesn't like him which makes him the perfect person to hang out with!!!" in Arya's kind of contrarian, very typical 9 year old way. Jonelle is no longer the outcast Jon is, while Artos might have a chip on his shoulder for all the reason 9 year olds do, but it's not the chip on Arya's shoulder that has to do with her anger over her inability to conform to gender roles.

Whereas an Artos who is also like Arya of canon gender non-conforming would spend more time with his mother and sisters. Catelyn might want him to pursue squirehood or spend more time with men-at-arms and soldiers, knowing the world would be cruel to him for being gnc. While Ned probably still sees Artos being able to spend time with the Septa and the ladies-in-waiting and his mother and sisters as being a "phase" he's interested in but will eventually grow out of.

Now I'm thinking of Artos as being a bit similar to Vaegon Targaryen in that he doesn't really embody the perfect warrior masculinity his older brothers project.

I rambled on for way too long about this with no sense of cohesion lol

[cappymightwrite]

What draws you to incest ?

*sighs* Ok, here we go. I'm a real card carrying Jonsa now aren't I?

Anon, listen. I know this is an anti question that gets bandied about a lot, aimed at provoking, etc, when we all know no Jonsa is out here being all you know what, it really is the incest, and the incest alone, that draws me in. I mean, come on now. Grow up.

If I was "drawn" to incest I'd be a fan of Cersei x Jaime, Lucrezia x Cesare, hell Oedipus x Jocasta etc... but I haven't displayed any interest in them now, have I? So, huh, it can't be that.

Frankly, it's a derivitive question that is really missing the mark. I'm not "drawn" to it, though yeah, it is an unavoidable element of Jonsa. The real question you should be asking though, is what draws GRRM to it? Because he obviously is drawn to it, specifically what is termed the "incest motif" in academic and literary scholarship. That is a far more worthwhile avenue of thinking and questioning, compared with asking me. Luckily for you though anon, I sort of anticipated getting this kind of question so had something in my drafts on standby...

You really don't have to look far, or that deeply, to be hit over the head by the connection between GRRM's literary influences and the incest motif. I mean, let's start with the big cheese himself, Tolkein:

Tolkein + Quenta Silmarillion

We know for definite that GRRM has been influenced by Tolkein, and in The Silmarillion you notably have a case of unintentional incest in Quenta Silmarillion, where Túrin Turambar, under the power of a curse, unwittingly murders his friend, as well as marries and impregnates his sister, Nienor Níniel, who herself had lost her memory due to an enchantment.

Mr Tolkein, "what draws you to incest?"

Old Norse + Völsunga saga

Tolkein, as a professor of Anglo-Saxon, was hugely influenced by Old English and Old Norse literature. The story of the ring Andvaranaut, told in Völsunga saga, is strongly thought to have been a key influence behind The Lord of the Rings. Also featured within this legendary saga is the relationship between the twins Signy and Sigmund — at one point in the saga, Signy tricks her brother into sleeping with her, which produces a son, Sinfjotli, of pure Völsung blood, raised with the singular purpose of enacting vengence.

Anonymous Norse saga writer, "what draws you to incest?"

Medieval Literature as a whole

A lot is made of how "true" to the storied past ASOIAF is, how reflective it is of medieval society (and earlier), its power structures, its ideals and martial values etc. ASOIAF, however, is not attempting historical accuracy, and should not be read as such. Yet it is clearly drawing from a version of the past, as depicted in medieval romances and pre-Christian mythology for instance, as well as dusty tomes on warfare strategy. As noted by Elizabeth Archibald in her article Incest in Medieval Literature and Society (1989):

Of course the Middle Ages inherited and retold a number of incest stories from the classical world. Through Statius they knew Oedipus, through Ovid they knew the stories of Canace, Byblis, Myrrha and Phaedra. All these stories end more or less tragically: the main characters either die or suffer metamorphosis. Medieval readers also knew the classical tradition of incest as a polemical accusation,* for instance the charges against Caligula and Nero. – p. 2

The word "polemic" is connected to controversy, to debate and dispute, therefore these classical texts were exploring the incest motif in order to create discussion on a controversial topic. In a way, your question of "what draws you to incest?" has a whiff of polemical accusation to it, but as I stated, you're missing the bigger question.

Moving back to the Middle Ages, however, it is interesting that we do see a trend of more incest stories appearing within new narratives between the 11th and 13th centuries, according to Archibald:

The texts I am thinking of include the legend of Judas, which makes him commit patricide and then incest before betraying Christ; the legend of Gregorius, product of sibling incest who marries his own mother, but after years of rigorous penance finally becomes a much respected pope; the legend of St Albanus, product of father-daughter incest, who marries his mother, does penance with both his parents but kills them when they relapse into sin, and after further penance dies a holy man; the exemplary stories about women who sleep with their sons, and bear children (whom they sometimes kill), but refuse to confess until the Virgin intervenes to save them; the legends of the incestuous begetting of Roland by Charlemagne and of Mordred by Arthur; and finally the Incestuous Father romances about calumniated wives, which resemble Chaucer's Man of Law's Tale except that the heroine's adventures begin when she runs away from home to escape her father's unwelcome advances. – p. 2

I mean... that last bit sounds eerily quite close to what we have going on with Petyr Baelish and Sansa Stark. But I digress. What I'm trying to say is that from a medieval and classical standpoint... GRRM is not unique in his exploration of the incest motif, far from it.

Sophocles, Ovid, Hartmann von Aue, Thomas Malory, etc., "what draws you to incest?"

Faulkner + The Sound and the Fury, and more!

Moving on to more modern influences though, when talking about the writing ethos at the heart of his work, GRRM has famously quoted William Faulker:

His mantra has always been William Faulkner’s comment in his Nobel prize acceptance speech, that only the “human heart in conflict with itself… is worth writing about”. [source]

I’ve never read any Faulker, so I did just a quick search on “Faulkner and incest” and I pulled up this article on JSTOR, called Faulkner and the Politics of Incest (1998). Apparently, Faulkner explores the incest motif in at least five novels, therefore it was enough of a distinctive theme in his work to warrant academic analysis. In this journal article, Karl F. Zender notes that:

[...] incest for Faulkner always remains tragic [...] – p. 746

Ah, we can see a bit of running theme here, can't we? But obviously, GRRM (one would hope) doesn’t just appreciate Faulkner’s writing for his extensive exploration of incest. This quote possibly sums up the potential artistic crossover between the two:

Beyond each level of achieved empathy in Faulkner's fiction stands a further level of exclusion and marginalization. – pp. 759–60

To me, the above parallels somewhat GRRM’s own interest in outcasts, in personal struggle (which incest also fits into):

I am attracted to bastards, cripples and broken things as is reflected in the book. Outcasts, second-class citizens for whatever reason. There’s more drama in characters like that, more to struggle with. [source]

Interestingly, however, this essay on Faulkner also connects his interest in the incest motif with the romantic poets, such as Percy Bysshe Shelley and Lord Byron:

As Peter Thorslev says in an important study of romantic representations of incest, " [p]arent-child incest is universally condemned in Romantic literature...; sibling incest, on the other hand, is invariably made sympathetic, is sometimes exonerated, and, in Byron's and Shelley's works, is definitely idealized.” – p. 741

Faulkner, "what draws you to incest?" ... I mean, that article gives some good explanations, actually.

Lord Byron, Manfred + The Bride of Abydos

Which brings us onto GRRM interest in the Romantics:

I was always intensely Romantic, even when I was too young to understand what that meant. But Romanticism has its dark side, as any Romantic soon discovers... which is where the melancholy comes in, I suppose. I don't know if this is a matter of artistic influences so much as it is of temperament. But there's always been something in a twilight that moves me, and a sunset speaks to me in a way that no sunrise ever has. [source]

I'm already in the process of writing a long meta about the influence of Lord Byron in ASOIAF, specifically examining this quote by GRRM:

The character I’m probably most like in real life is Samwell Tarly. Good old Sam. And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Theon [Greyjoy] is the one I’d fear becoming. Theon wants to be Jon Snow, but he can’t do it. He keeps making the wrong decisions. He keeps giving into his own selfish, worst impulses. [source]

Lord Byron, "what draws you to—", oh, um, right. Nevermind.

I'm not going to repeat myself here, but it's worth noting that there is a clear through line between GRRM and the Romantic writers, besides perhaps melancholic "temperament"... and it's incest.

But look, is choosing to explore the incest motif...well, a choice? Yeah, and an uncomfortable one at that, but it’s obvious that that is what GRRM is doing. I think it’s frankly a bit naive of some people to argue that GRRM would never do Jonsa because it’s pseudo-incest and therefore morally repugnant, no ifs, no buts. I’m sorry, as icky as it may be to our modern eyes, GRRM has set the president for it in his writing with the Targaryens and the Lannister twins.

The difference with them is that they knowingly commit incest, basing it in their own sense of exceptionalism, and there are/will be bad consequences — this arguably parallels the medieval narratives in which incest always ends badly, unless some kind of real penance is involved. For Jon and Sansa, however, the Jonsa argument is that they will choose not to commit incest, despite a confused attraction, and then will be rewarded in the narrative through the parentage reveal, a la Byron’s The Bride of Abydos. The Targaryens and Lannisters, in several ways excluding the incest (geez the amount of times I’ve written incest in this post), are foils for the Starks, and in particular, Jon and Sansa. Exploring the incest motif has been on the cards since the very beginning — just look at that infamous "original" outline — regardless of whether we personally consider that an interesting writing choice, or a morally inexcusable one.

Word of advice, or rather, warning... don't think you can catch me out with these kinds of questions. I have access to a university database, so if I feel like procrastinating my real academic work, I can and will pull out highly researched articles to school you, lmao.

But you know, thanks for the ask anyway, I guess.

[smolfailure]

FUCK IT, DREAM SMP HOMESTUCK AU

but it's only half shitposts and there are actual Thoughts in there.

You don't need to have read the comic to understand because I tried not to spoil anything major, but it'd help if you knew basic stuff about classpects, SBURB and the hemospectrum.

disclaimer: i'm not a good pixel artist and this is my first actual sprites ever so please be kind to my weird pixels

The Kids:

Tommy

Fundy

Techno

Tubbo

tommy, tubbo and fundy one of the kids because they're the kids in dream smp canon (with fundy being son of wilbur)

techno's there because i want to make a dave strider reference (haha get it because techno's name is also da-- *gets shot) and also because they are both coolguys except instead of using irony, techno has adhd

The Trolls:

Wilbur Soohte (fuschia)

?????? Ehrret (violet)

J????? Shlatt (purple)

Nihacu Niikki (indigo)

Skeppy Diamon (cerulean)

Quacki Tthiey (teal)

Philza Myncra (jade)

Dreame Wastkn (lime disguising as olive)

George Notfou (gold)

Sapphe Nahfpe (bronze)

Badboy Haelow (burgundy)

don't come at me saying only females are allowed to be jades and fuschias; gender is fake and this is an au

more of the AU and the talksprites are under the cut:

Tommy

Lunar sway: Derse. Types in: Red

chaotic. the first person to be introduced.

when he gets introduced instead of the “Zoosmell Pooplord” bit, Tommy is initially going to be the name inputted but then backspaced it and decided that Tommyinnit was better and he was fuming until he’s named Tommy.

Gives me big Blood/Hope vibes. Blood because a lot of the conflict of the dream smp connected to someone breaking his trust or harming the things he cares about, Hope because a lot of the plot of the dream smp stems from Tommy starting shit based on his ideals and what he thinks is right.

the first to instigate fighting against the trolls

bbh contacts him once and tommy keeps cursing until he disconnects from frustration rip

wields Gunkind and his only strife weapon at the beginning is the Vlog gun. He has Gunkind as his strife specibus mainly because he looked up at schlatt and he imitates him.

Fundy

Lunar sway: Prospit. Types in: Orange

it was his idea to play SBURB but only through Dream.

he talks to dream the most among the other trolls fwt stans getcha juice this is the rosemary of the session

dream’s the one giving him exposition about the game so that’s how he knows how to play SBURB.

wilbur trolls fundy once and instantly adopts him.

“You’re my son.” “How does that even work??” “I was one of the people who created your universe. It’s basically the same thing.”

Fundy relents anyway.

Techno

Lunar sway: Derse. Types in: Pink

dave strider but dead-inside voice + rose lalonde english major vibes

he slices the text box when you try to name him "Dave " like in

techno gives me time player vibes (contantly on the move. his skyblock series, his “stays in the pit” monologue,) but also rage vibes (anarchy,  the “theseus” monologue, political alignment is Chaos) alas i am not sure what class

uses Tridentkind and claims "it came from god"

 it was dream, he accidentally transportalized one of wilbur’s weapon while he testing the transportalizer.

Tubbo

Lunar sway: Prospit. Types in: Green

the jade harley of this session. the only thing keeping them from going apeshit. where would they be without him.

but also jade harley in a sense that he seems nice and wholesome but also don’t fuck with them they can mess you up

Heart/Life vibes??? someone good at classpecting help

i put them in prospit bc of the "tubbo third eye" instead of tubbo having a sixth sense or smth, they see the future from the clouds of skaia when they sleep

wields Stress-relieverKind at some point

bonus: everyone’s actual hair colors

Ideas about the Trolls

no i haven’t done their sprites yet bc it would take so much time and i’m not even sure if people wanna see more of this au skjdkdsakdfkl,, but i have Design Ideas.

events of the dsmp revolution are just a FLARP session drawing parallels to how the homestuck trolls had a FLARP session that spoiler alert: destroyed friendships. dtrio, eret, will are involved. eret betrays will's faction and wilbur's still Bitter over that.

on the context of alternia (highbloods and lowbloods) lmanburg and dreamsmp have their roles SWAPPED.  the emancipation theme thing is completely gone since highbloods are in more power than the lowbloods (the dream team) . 

wilbur made a faction called l’manburg because he wants a place where he and his fellow highbloods could make drugs vibe.they take a piece of land that was owned by the dream team. in normal circumstances, they shouldve stood down because lowbloods aren't supposed to start shit with highbloods (especially a group of highbloods that has the alternian heir among them)  but dream turned it into an activism thing about lowblood rights. the story plays as close as possible without tommy or tubbo in it (which is pretty hard ik but this is the best can do).

like in the dreamsmp revolution, dream kinda let wilbur do what he wants but this time he has more reason to because he’s in a lower caste. dream really only fought back when wilbur announced that he’d be building lmanburg on their land and calling it theirs.

eret betrays wilbur by supporting the lowbloods and wilbur and co. technically won but only because he finally called the drones in, as a reference to how lmanburg absolutely got crushed by the dream team in the smp but technically won. l’manburg keeps the piece of land and the dream team scatter away to find a new home.

wilbur soot's a fuschia because a) he's in a position that has a lot of power, b) yknow how he wrote a song about squids and his thing with sally… yeah.

eret's a violet because nobility!! dream looks down on him because he's ambivalent on fighting for lowblood rights when he's in a power to do so "you just sit there, and you look pretty that's it"

also like eridan he has a minor aesthetic mutation (herobrine eyes) that won't classify him as a mutant.

jschlatt is purple because it makes sense thematically because of the gamzee parallels (a. substance abuse b. if you know what happens in act 6, you know this already but spoiler alert, he ruins the main protagonists' lives) also he's a funnyman he deserves the clown caste

 quackity's a teal because he’s a law student. moving on--

 ok but for real it also makes sense thematically because he's the one who wrote the thing that tricked schlatt into agreeing also he gets manipulated by schlatt which also draws parallels to certain events in the comic

skeppy and bbh are BEST FRIENDS despite being highblood and lowblood respectively. initially, skeppy just wanted to bother bbh but they grew to be good friends in time. y’know like how they actually becane friends :D

philza minecraft is a jade because dad friend. also works thematically, because spoiler alert he gets to murder a seadweller for going batshit crazy. 

he also god tiers early. he dies fighting his quick undead denizen (haha baby zombie) but the consorts of his land carry him to his quest bed because he’s treated them all so well.

dream was initially going to be another caste but then i realized that means i have to make his hoodie something other than green which is unacceptable so its a good thing the fact that he's a lime works out

dream was the one who thought of playing sgrub in the first place- initially only planned to have gogy, sap, and bbh in the session but then realized that they four won't be enough so he invited more into his session

he’s also the first to go godtier ez clap blind speedrun not sure what classpect tho

the only reason why dream avoided being culled at birth for being a limeblood is because his rng is That Good. he quickly picked up the fact that he’s not supposed to exist and masqueraded as an oliveblood and kept mostly to himself to avoid suspicion.

george is still colorblind but he has lazer eyes along with it instead. dream lives with him in the same hive since being a mutant means dream doesn’t get a lusus of his own (dnf fans getcha juice “and they were roommates”) 

despite living in the same hive, he never really figures out that dream is a limeblood. possibly because a) he’s colorblind and when he sees dream bleeding he just sees yellow b) he’s just that fucking oblivious and it’s so valid of him.

sapnap’s a bronzeblood mainly because i know he’s the instigator of the pet war with tommy also because i associate him with the color orang in my mind so bronze it is

that’s the end of this long-ass post!! if you have other ideas PLEASE i want to hear them. i don’t know the other streamers i mentioned in here very well so if you have ideas that would be fitting to them like with classpect or lunar sway that would be GREAT. 

the only thing i’m confident about in here are the kids’ lunar sways. i’m not an expert in classpects and homestuck lore so there’s that too!! i just wanted to make this post because adhd means that the idea wouldn’t shut up until i finished it. This initially started as a single shitpost edit of tommyinnit talksprite but then the hiveswap 2 trailer came out and that means i have to combine my two hyperfixations.

also i have ideas about potential quadrants but idk how much of that is breaking some streamers’ boundaries about shipping (even the non romantic quads such as kismesistude, morallegiance and auspisticism) so i decided not to include it.

edit: apparently people want more so i made a discord server as a place to brainstorm!! please pm me to join!

[wilcze-kudly]

I suppose the colour theory discussion relies very strongly on personal preference (I personally find red/blue combinations incredibly jarring yet at the same time, a bit boring?)

And of backgrounds. Perhaps your art professor wouldn't be too hyped about combining orange and blue. But if I were, for example styling someone with a certain type of beauty (let's say clear spring), I would be remiss to not consider that colour combination.

I never did say red and blue were a bad combination. (I said they're not complimentary colours. That's a fact, not me being persnickety about colour palettes.). Look at the plethora of blue gay, red gay tropes lol it's clearly popular for a reason. I'm sorry if I implied that, for that was not my intention. It's certainly a tried and true combination.

This 'oversaturation' of Red/Blue is why Katara and Aang, as a duo are so interesting. As much as people act like they're the vanilla default 'hero gets the girl' type couple, they're really not?

I mean, the punky girl who steals from pirates? And the pacifist buddhist monk who is in touch with his feminine side? And they canonically commit eco terrorism together as a borderline date?

That's tremendously mouldbreaking for not just for a kids show, but even for many adult shows. We don't often see orange ans blue paired up, but if it is done so skillfully, it can create a stunning effect.

Not to sound rude, because I'm genuinely curious, why does Zuko and Katara's trauma get compared so much? And represented as if Zuko somehow 'got' Katara better than Aang.

I find it a bit of a callous and surface level comparison.

Katara and Zuko both suffered due to the fire Nation, that's true but you could say that about almost every character on the show.

Now, don't get me wrong, Zuko had an incredibly traumatic childhood. His mother leaving him in the hostile environment must've been terrifying ans unimaginably traumatic. His scarring? Indescribable. Horrific.

But Ursa came to hug him goodbye. Zuko didn't have to look upon the corpse of his parental figure. Zuko didn't have swathes of his culture (which, especially in the Avatarverse is tied incredibly to ones identity) wiped out.

While he didn't have much political power, as you say, he still reaped the benefits of not only being part of a Nation that subjugated almost half the world, but also being of said nation's royalty. Hell, he even went through with a raid that directly paralleled the raids that cost Katara her mother.

You can draw loose comparisons between the trauma of political machinations and the abject horror of genocide, but they are, at their core, loose. And a slippery slope to completely denying the trauma of a sole genocide survivor.

Especially when Katara and Aang's trauma surrounding violent loss is paralleled in one of the first episodes. This is a connection that Katara draws herself and they continue to understand each other better than anyone else on this front throughout the franchise.

Katara: Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!

Which both Katara and Aang being genocide survivors is a huge part of their characters. They both are the last surviving bender of their respective cultures, they both value items of their cultures and are heavily protective of their people's heritage.

Especially in these cases, they support one another in ways no one else quite can, because they understand each other on a level no one else can.

The Atla fandom stays ignoring genocide, despite the whole show being about genocide ig. I'm not accusing you of anything, dear. I'm just warning you that there is a very slippery, insidious slops here, and a shocking amount of people slide on down it. People forget that Katara is also a genocide survivor as well.

I will push (haha get it?) back on your claim of Zuko and Katara embodying the push and pull roles. The thing about Zuko and Katara is that they both push. You said it yourself, that they aren't complete opposites.

Zuko and Katara do not balance each other out, they feed off one another particularly one another's anger. You see this particularly in "Southern Raiders", Zuko stoking the fires of Katara's anger, because he thought that's what she needed. Though, in the end, even he admits that it wasn't.

Zuko: You were right about what Katara needed. Violence wasn't the answer. Aang: It never is.

Holding onto anger and pain can only take you so far until you burn out. This is why Zuko and Katara need other people in their lives that will help them balance out and "refuel". (Like even if you are shipping zutara, please, for the love of god acknowledge how ill they both are that's like the best part of their characters)

Side note, I find it really, really weird how people act like Aang was trying to control Katara. If anything, he was incredibly understanding. God forgive someone tries to give advice to someone they care about I guess.

Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him. [..] Katara: Thanks for understanding, Aang. Yip-yip.

Once, again, Aang understands Katara here because he also felt a huge amount of anger due to what was done to his people.

They both understand one another's anger and usually help each other through it. In "Southern Raiders" the additional variable of Zuko intentionally riling Katara up is what had them butting heads.

I always thought Aang's alter ego of Kuzon paralleled Katara's Painted Lady better.

Zuko's Blue Spirit disguise acted as a shield and aide in the struggle of surviving. He used it to rob and exploit people. The only being he ever helped as the Blue Spirit was Appa, to my knowlege. His rescue of Aang was still, at the end of the day, a self serving attempt at getting the Avatar to his father before Zhao could.

Because you know, he was still in the depths of the indoctrination mines. That's the point of his character.

There are actually a lot of interesting parallels between Toph's two alter ego's (The Blind Bandit and the Runaway) and the Blue Spirit but no one ever wants to talk about Toph. (This was meant to be a Beifong blog why does everyone want to debate garbage atla meta)

In contrast, Aang and Katara's alter egos revolve around them learning about and helping members of the Fire Nation who were being harmed by it. Unlike Zuko's Blue Spirit being mostly a 'survival necessity', Kuzon and the Painted Lady are windows onto parts of the world (and their enemy) they usually didn't get to see.

Honestly. I don't even have the strength to touch the "Katara views Aang as a child" thing because it is just so. Incredibly wrong. That or Katara's flavour of motherliness is the same as those toxic boy moms on tiktok who are emotionally incestuous with their sons and get jealous at the very idea of him having a female friend. If this is what you think mother/child relationships are like I think you need to call CPS.

Girlie was possesive and jealous over him even in the Kyoshi Island episode. Are you serious.

Katara has been shown repetitevely to respect Aang, to value his companionship and advice.

Look, you seen like a smart, reasonable person. Most of your arguments are quite solid and I enjoyed picking them apart. But this one singular point, and I say this with full offence, is something so ridiculous and proven untrue by just watching the show.

The only reason I can even fathom people coming out with that garbage take is that Aang is significantly more childish in a lot of aspects than Katara. (It is important to note that Katara is more immature than Aang in certain aspects as well).

But this is actually an incredibly important part of their relationship. Belive it or not, Katar is a child. She is a 14 year old little girl who was foreced to grow up faster than she should've.

When she meets Aang, she gets to remember that she is, in fact, said child. This later does also extend to Sokka.

Aang acting like a child is important, because it reminds his companions that they are also children. Aang chooses to put on a smile and goof off because he recognises that his friends need someone to help them connect with that lost part of them. Aang's childishness isn't meant to be parented by Katara, it's meant for her to join in on, which she often does. This is the closest she gets to reclaiming her childhood and she clearly values it a lot.

I genuinely cannot believe we are still having this discussion in our lord's year of 2024.

I'm sorry for getting a bit heated at the last point there. I've just heard that argument repeated so many times already, I really don't have the strength to go around calmly debunking it everytime I see it.

However, it was nice to talk to you and see the opinion from "the other side of the isle". I also apreciate you being rather nice. It's a nice break from most Zutara shippers I interact with calling me braindead and telling me I have 'brain diarrhea' lol.

I can see the reason behind a lot of your points. And, I think I said this in my og post, but I really couldn't care less if you ship zutara. I just find it odd how much kataang dynamics (or dynamics of other characters) are injected into most opinions on zutara.

As for the Air Temple Island descriptions, the lovely @survivalove made this wonderful post about it:

Also, the Yin Yang is a little more than a peace sign btw. Especially with how it's connected to the Water Tribes in the show.

This is my pettier argument against the Zutara arguments but "red and blue are completementary colours" has always given me -10 hp everytime I saw it.

Motherfucker have you ever seen a colour wheel.

LOOK

Honestly the Red/Blue ships really get under my skin for some reason lmao. Probably because most of my passions include actually understanding colour theory lol.

Also that the whole opposites attract, Ying/Yang, Sun/Moon symbolism people often assign Zutara, while cute, doesn't really translate to the show well.

In atla, the companion to the moon isn't the sun, but the ocean. There's less of an emphasis on clashing and strife, but more on working together, using one another's strengths.

Push and Pull, the mantra of waterbending. Instead of purely being opposites that clash, there's a focus on working in tandem, despite their differences.

Also worth noting that this aspect of waterbender culture was built into Air Temple Island, the place Aang and Katara raised their kids. Along with several other references to the Water Tribe.

I'm not saying you can't apply the themes mentioned to your personal ships, but acting like the symbolism you injected into the characters was in the show to begin with is a bit silly.

[stellocchia]

Today I’m departing from my normal analysis content to bring you all an Overly Long Analysis of Foolish’s lore!

Why? Because I love him dearly and that was literally the best thing that came out of the Red Banquet... 

Am I late to this? Yes, but, you know... better late then never, am I right?

As always from here on out I will be talking about the character in the rp unless stated otherwise

Sadly, Foolish does not have a vod channel, so the only link I can provide here is the twitch link: Death? - Dream SMP (LORE)

The stream starts with Foolish’s death scene at the Red Banquet. To be more exact, during Puffy’s and Ant’s discussion. 

Now, it’s important to give a bit of context to all of this: 

The Red Banquet was a trap organized by the Eggpire to kill anyone who ever opposed it (and Hbomb... which is fair). After a bunch of uno reverse scenes it looks like the Eggpire is winning and, at first, they call up Eret to be executed. Foolish opposes this by trying to summon lightning once again to destory the Egg, but this fails and Foolish is put on the chopping block instead. Puffy loudly opposes this as Foolish is her son (aopted or just son-figure? I’m not sure) and her and Ant get into a discussion about this where Ant blames her for everything that happened because she left the Eggpire, while she debates that, no, their actions are their own responsability and she was trying to do her best all the while Foolish tries to reassure Puffy that, indeed, it isn’t her fault. The debate then gets cut short by Ant executing Foolish.

Screen cuts to black and we hear the distorted voice of the Egg before Foolish comes back inside the green light of his beacon in his pyramid.

Now, I think that one of the most interesting things about this stream was the great weight given to the death, despite it being Foolish’s first one, but also the idea of Foolish, who is a God of life, formerly God of death, coming to the realization that even he is not immune to death and coming to the slow realization that he is now scared. In fact, he is terrified of dying, but that’s not all. He is also scared of the Egg and scared of going back to what he once was. Of course I’ll be talking more in depth about it, but this are the general themes of the stream: coming to terms with mortality, coming to terms with fears and confronting his past.

His first reactions to being back are confusion and then denial:

“Wha...? No... was that...? Is- did I...? Did I d...?” and right after “No. No no no no no. I’m immortal. No no no no no" 

Also, cool description of death: “It felt different, it was- I- I felt something, I was- I was somewhere, but it was- it was nowhere it was... it was dark but it wasn’t just nothing”

After his moment of disorientation is over Foolish remembers about the Baqnuet and immediately starts wondering what happened there and wether the other partecipants were still alive. His musings though get interrupted by the Egg who starts talking once again to him, this time though the Egg’s voice is not distorted, which could indicate the link between them getting stronger after part of Foolish’s life force went to feed the Egg.

“Where are you? I know that voice!” “I am in your mind” “No. No no no...” “I am in your soul” “No! no no no no. This is- this is just tricks, games. This is... something new” “It is not a dream” “Is this- is this the Egg?”

So, at first Foolish is still in denial, he recognizes the voice as he’s spoken with the Egg in the past, but he doesn’t admit that that’s who he is talking with until the Egg points out that everything that Foolish is experiencing is real. Which is interesting because, up until that moment, he was also fully in denial about his death and only start questioning that afterwards.

“Call me what you want, I have many names as you know but you’ve forgotten” “What do you mean? What do you mean? No no no no, I never heard of you before, wasn’t that long ago that I first met you. You’re something new, something that I’ve never met before”

Now, before jumping the gun and saying that Foolish is yet another member of the amnesiac gang, we have to remember that Foolish has: 1) lived a really long life and probably seen lots of things, forgetting something is normal and 2) Foolish seems to do an active effort to repress anything having to do with his past as a Totem of Death. The second one is what I want to focus on because the Egg seems to have known Foolish back when he was still covering that role, as it’ll be mentioned later. It is also possible that when Foolish and the Egg first met the Egg wasn’t in this form (after all we know that it does have another form) and Foolish simply fails to realize that the 2 are the same thing.

“I’m an ancient one, even more ancient then you”

We did have some idea of this with both “The Masquerade” and “The Village That Went Mad” from tftsmp alluding to it (the second one mostly through Ponk’s lore), but now we’ve had the confirmation that the Egg is indeed something that has existed for a long time (how powerful that makes it is debatable considering how the story has framed it thus far). 

“I’m not afraid of you! Even after all that I’m still... not afraid”

Denial seems to be Foolish’s first response to anything new he experiences. I’m sure someone smarter then me could draw some interesting parallels to Tubbo here, but that’s not me!

“Afraid... you are truly Foolish if you thought you were stronger then me... you should be afraid” “Maybe... maybe I had it wrong. Maybe I thought I was stronger... but I’m still here!”

The confident facade is starting to crumble, although he has yet to accept the fact that he has in fact died or that he may be truly afraid, some doubts are starting to creep in.

“Foolish, when we met you said you feared nothing, but now I can sense your fear Foolish” “No no” “You fear death itself” “No!” “Don’t you~?” 

The taunting continues and more of the facade keeps crumbling. It seems for once that the Egg is in fact capable of manipulation (which I started to doubt as it failed to corrupt most people it came in contact with). The Egg seems to know what are Foolish’s weak points at the very least.

“I know who you are, even though you have forgotten something of what you are”

After this premise Foolish challenges the Egg to tell him something only he would know. So first of all the Egg brings up Foolish’s secret room and ‘what he keeps in there’ and, at first, Foolish’s ponts out that the Egg could be lying, but then realizes that it is, in fact, in his head and starts to find a way to get rid of it. Later the Egg picks this up again revealing that it knows about the deal with Ranboo to try and stop Foolish from getting rid of it.

“You still think like you’re gonna get me to join your side? It’s not gonna happen!”

And here we get Foolish’s refusal and the actual motive for why the Egg is even talking to him in the first place. The Egg tries to convince him to join it by harping on that Foolish how he is now is “weak” and tries to convince him to go back to how he was before, when he was a Totem of Death. But, as I said, Foolish actively despises his past and he doesn’t bend to the promises of power because, as a matter of fact, he tried that already and it didn’t work for him. Foolish has no interest in power (he still desperately searches for control though) which is actually quite unique for a Dsmp character...

“I’ve tried ‘power’ in the past and it doesn’t work! It doesn’t work! You can’t just use overwhelming force, it works for... short-term at best” (...) “I can’t control the actions of the world through overwhelming power, it doesn’t work. It just doesn’t”

(Wish the dumbasses from Doomsday would learn this...)

Either way Foolish explains that strenght, power and violence didn’t work for him in the past because they simply can’t work. Not long term at least. All the while building provides him with a sense of control over his own creations satisfying both his desire for control and his desire to create.

“Deep down you miss the power you once held. Go back to being a Totem of Death and together we can rule and create peace. Peace is what you want, right Foolish?” “Yes but it doesn’t work that way! It doesn’t work that way! It’ll never work that way...”

After a few moments of hesitation their conversation draws to a close with Foolish bathing himself in the water from Church Prime, with a honestly iconinc line: “You know, and I mean this in the most polite way possible, go to Hell”. This is also when the facade he’s had to somewhat keep up until now completely crumbles. Suddenly he realizes that he is too late to help anyone and doesn’t even know if anyone is still alive at all. He also starts confronting the fact that he died and the implication of this being that he is mortal. He also confronts the fact that he is scared. 

“Did I really die?” “Why am I afraid of it?” “How can I live such a long life and be afraid of it to end?” “I don’t see beauty in mortality” “I can’t die, can I?” “Even if I could die, why am I so afraid?” “The answers... I just want answers!”

He doesn’t find answers to his panic induced questions but, then again, he is not supposed to. Death doesn’t have a meaning, it’s just a function of life, nothing lasts forever. The same goes with fear. Even if in this case it is far from 

inexplicable for him to be afraid of the Egg or of dying (as one was the direct cause of the other in his case), fear is still an emotion. Emotions aren’t rational by definition. Basically what I’m saying is that there aren’t always answers to be had. Sometimes questions are meant to remain as such and that’s what makes them meaningful.

“Every time I thought I knew the Egg, every time I though I understood, I never had it right? Was I arrogant about it the whole time?”

He also seems to have developed a level of paranoia about the Egg, wondering how much it knew, how many people knew about his stuff, if he is safe anywhere or if the Egg was right about him and what he wanted. He also starts questioning his own perception of reality and wondering if the Banquet itself was just an illusion created by the Egg.

It’s also interesting that Foolish remains of the opinion that no-one in the Eggpire is at fault. No matter what happens to him he still sees the Egg as a sort of infection and all those under it’s control as victims just as much as anyone else the Egg harms. 

(Also the sun is used once more as a simbol of hope, though Foolish describes it as “cruel” because it disappears)

The stream ends with Foolish promising to himself that he’ll figure things out. Though, as I said before, sometimes the point of a question is to not have an answer.

[myhahnestopinion]

THE AARONS 2020 - Best TV Show

It was prime time for TV in 2020, with many more free hours to fill. I managed to get through a lot of my backlog in fact, finally getting around to watching shows like The Strain. It’s a show about a deadly disease that tears society apart because a lot of arrogant people think they are exempt from quarantining. The disease turns people into vampires, so it’s technically escapism. Here are the Aarons for Best TV Show: 

#10. The Plot Against America (Miniseries) - HBO

It’s not TV, it’s not HBO, it’s real life. The Wire-creator David Simon’s penchant for illustrating the human fallout of institutional failures made him a perfect collaborator for HBO’s Plot Against America, an adaptation of Phillip Roth’s alternate-history novel. Following a Jewish family in New Jersey navigating the increasingly-fascist America of a hypothetical Charles Lindbergh administration, the show is a terrifying warning of what happens when hatred and conspiracy theories are allowed to accumulate political force. Notably, while the book ends with history back on the right track, the closing moments here are left ambiguous. The show was a limited series, but in many ways, The Plot Against America is ongoing.

#9. Mrs. America (Miniseries) - FX

Its interests are married to The Plot Against America, but Mrs. America traces the country’s rising extremism from a more historically accurate perspective. The miniseries centers on political activists in the 1970s on opposing sides of the proposed Equal Rights Amendment, but its dialogue isn’t a strict dichotomy. The episodic format is expertly utilized to build out intersectional ideas from the likes of Rose Byrne’s Gloria Steinem, Uzo Aduba’s Shirley Crisholm, and Margo Martindale’s Bella Abzug, detailing the difficulties in building a diverse coalition, and the dangers of a single-minded one. Drawing parallels to current debates, its compelling centerpiece is how conservative Phylis Shafley (Cate Blanchett) successfully defeats the Amendment; voting against your own self-interests, Mrs. America says, is as American as apple pie.

#8. The Outsider (Miniseries) - HBO

Societal collapse comes from within in the two shows mentioned above, but the threat in HBO’s adaptation of Stephen King’s 2018 novel is decidedly an “other.” King clearly had his mind on modern manipulations of truth when crafting the ingenious premise: a man is arrested for the murder of two young boys due to irrefutable DNA evidence, only to provide an air-tight alibi for the crime. To match King’s procedural prose, HBO brought on The Night Of’s David Price, who layers the original work with meticulous mysteries. The Outsider has all the pulpy jolts expected of the author, but the show’s true horror lies in its overbearing grief, best brought to life by Ben Mendelsohn’s Detective Anderson. To say more would be to spoil its secrets; you’ll want to be on the inside.

#7. Perry Mason (Season 1) - HBO

Just like the famous fictional attorney, HBO can’t seem to lose, with Perry Mason marking its third entry on this list. The reimagining of the long running court drama actually takes place before the character’s illustrious law career; here he’s a down-on-his-luck private eye caught up in a scandalous child kidnapping case. The result’s a gangbusters production of old-fashioned moody noir: political corruption, femme fatales, and a more morally-complicated Mason, as played by The Americans’ Matthew Rhys. The lavish period details and character-actor cast, including Shea Whigham, John Lithgow, and Tatiana Maslany, will help draw viewers in, but, I’ll confess, I was already hooked by the season’s chilling opening moments.

#6. Zoey’s Extraordinary Playlist (Season 1) - NBC

Dour seasons have dominated this list thus far, but Zoey’s Extraordinary Playlist sings a different tune. It’s a lovably oddball premise: an accident during an MRI causes a young woman, played by Jane Levy, to hear other people’s thoughts in the form of popular music. It’s all karaoke, but, emphasized by the presence of Skylar Astin, a worthy inheritor to Crazy Ex-Girlfriend’s musical-comedy crown. The tracklist, workplace antics, and love-triangle drama all exist in a comfortingly familiar network TV realm, but the show takes additional steps for inclusion with stories highlighting Zoey’s genderfluid neighbor (Alex Newell) and an American Sign Language performance of Rachel Platten’s “Fight Song.” During a year in need of shuffling off stress, there was no better time to queue up Zoey’s Extraordinary Playlist.

#5. What We Do in The Shadows (Season 2) - FX

FX’s expansion of the mockumentary feature film of the same name lit up some of the darker corners of its universe in the show’s second season, transforming mundane-seeming material into something completely, uniquely batty. Each creature of Shadows took their turn in the spotlight this season, from a middle-management promotion gifting energy-vampire Colin Robinson unlimited supernatural power, to undead Nadja befriending a doll possessed by her own ghost, to Matt Berry’s Lazlo forging a small-town persona as a bartender/volleyball coach to escape a vengeful Mark Hamill. As always, it was the sympathetic Guillermo (Harvey Guillén), a Van Helsing descendent desperate to become a vampire, who gave the show its emotional stakes, and the vampires within a different kind altogether.

#4. Stargirl (Season 1) - DC Universe

Shadows was lit, but few things burned brighter this year than Stargirl (perhaps too brightly for the flamed-out DC Universe). The superhero drama is one of several that will outlive its original streaming service - fitting, given its obsession with legacy. Based on a character created by DC Comics stalwart Geoff Johns after the tragic loss of his sister, the show finds a young girl taking on the mantle of a fallen hero after moving to a town run in secret by supervillains. With sprightly fight choreography and an unabashed embrace of its comic book lore, Stargirl outshines the overabundance of small-screen superheroes out there. Its highlight is the bright performance of lead Brec Bassinger; put simply, she’s a star, girl.

#3. BoJack Horseman (Season 6b) - Netflix

Throughout its run, BoJack Horseman garnered acclaim for routinely delivering unexpected pathos, and the final season kept it on that track until the end. ...Get it, because horses run on tracks? The unexpected porter of television’s legacy of antiheroes ended in much the same vein as its sister shows - with consequences finally catching up with its protagonist. No amount of fanciful animal puns could soften that painful catharsis, as the show finally trampled its tricky web of abuse through bittersweet means. The series closed out with an especially thoughtful scene, the kind viewers who looked past the wonky pilot years ago were regularly blessed with; to the very end, BoJack, you were a gift, horse.

#2. Better Call Saul (Season 5) - AMC

As good as Bad ever was and better than ever before, the fifth season of AMC’s spin-off completely upended the world of its eponymous lawyer while bringing Vince Gilligan’s universe one step away from full-circle. Saul Goodman found himself in way over his head, and viewers found themselves way on the edge of their seats, as his first foray into “criminal” lawyering swiftly dovetailed with an escalating drug war. Despite the emotional distress of watching fan-favorite character Kim Wexler placed in perilous situations, there are no objections to be had with the drama’s continued masterful storytelling. Ramping up the slow-burn storytelling, season five saw Kim and Saul’s relationship develop in rich and unexpected ways, while still keeping their final fates unresolved. Fans are thus waiting with bated breath for the show’s final call next year. 

#1. The Great (Season 1) - Hulu

Who could be the best but The Great? There was a minor television controversy this year over Netflix marketing The Crown as a historical drama despite its fictional interpretation of events; The Great has no such pretentions. An asterix adorns every title card of the show, letting viewers know that its take on Catherine the Great’s coup against Emperor Peter III of Russia is only “an occasionally true story.” The show indeed is not great for education, but it’s the most entertaining television of the year, locking stars Elle Fanning and Nicholas Hoult in a battle of wits and a fight for the country’s soul under the watch of The Favourite co-writer Tony McNamara. The uproarious comedy slyly collates leadership based in cruelty with leadership based in goodwill in the background of its quite bawdy escapades, a subtle bit of relevant political maneuvering that lets it successfully claim the crown this year.

NEXT UP: THE 2020 AARONS FOR BEST TV EPISODE!

[eleanorfenyxwrites]

After Each Midnight Begins A New Day

[Extra #8 - Lan Qiren’s visit to the Xuanli Child Horde(tm) at Jinlintai. This can be read as running parallel to Part 9 - Lan Xichen and Qingheng-Jun briefly discuss Lan Qiren’s return the previous evening from this particular visit while they have tea in the Gentian House.]

[Masterpost]

A quick brief on the children’s names and ages (now with courtesy names for the three brothers):

Jin Ling (金凌 - rise above) - First son, 20 // [Rulan (如兰 - Orchid-like)]

Jin Fei (金飞 - to fly) - Second son, 17 // [Ruhao (如昊 - as the limitless sky)]

Jin Yu (金雨 - rain) and Jin Yan (金焰 - fire) - First and Second daughters, 14

Jin Zhuang (金 庄  - solemn) - Third son, 12 // [Ruhai (如海 - as the sea)]

Jin Lu (金 露 - dew) - Third daughter, 7

Jin Ye (金 烨 - breathtaking/blaze of fire) - Fourth daughter, 3

--

Lan Qiren can’t exactly fault his brother for not leaving the mountain. It is, after all, better than a lifetime of genuine seclusion, and in Lan Qiren’s opinion he’s really not missing much in the wider world that he couldn’t live perfectly happily without in Cloud Recesses. And he’s missing out on quite a great deal of headache as well.

It’s a well-known fact that Lan Qiren is often unhappy with the state of things in the other Sects that he visits, though he is of course nothing but polite to his hosts unless they ever do something to earn his vocal displeasure. He has had fewer and fewer causes to express such displeasures over the last few years, however, and he’s not willing to look too closely to see if it’s because the general population is altogether becoming more tolerable or because he’s growing softer and more tolerant as he ages.

If anyone had told him 20 years ago that Lanling Jin would be his preferred Sect to pay a visit to, he - well he wouldn’t have laughed in their face, of course, but he certainly would have doubted the soundness of their mind - perhaps to their face. Even after watching Jin Guangshan’s paper-thin reputation crumble like so many well-placed tiles (which had been immensely satisfying to watch) before his passing and his children (then just the eldest two) rising up to take his place, he never could have anticipated the sort of changes they would make - or how much he would come to appreciate their righteousness and fairness.

He had only had the opportunity to properly instruct Jin Zixuan during the summer lectures at Cloud Recesses when it had been his generation’s turn, but over the years he has, of course, gotten to know the rest of Jin Zixuan’s siblings - Meng Yao in particular, naturally, thanks to his courtship and subsequent marriage with Lan Xichen - and he has found them to be good, solid people. Even young Mo Xuanyu, though his eccentricities are..numerous.

The responsibility for Lan Qiren’s immunity to Mo Xuanyu’s strange behavior is to be laid solely at the feet of Wei Wuxian. When the child had come running into Cloud Recesses as a boy and loudly declared himself married to serious little Lan Wangji - who had agreed - he had cemented a permanent place in Lan Qiren’s life, whether he liked it or not. He’s immune to quite a bit more impropriety these days than he would have ever expected for himself as a younger man.

“Grandmaster Lan,” Qin Su says now with a smile where she’s waiting to greet him at the base of the steps up to Koi Tower and he returns it with a twitch of his lips that’s hardly visible through his beard. She seems to see it all the same as her polite smile grows into a grin as she reaches out to take his arm - quite improperly, though he’s long learned not to comment on it. The atmosphere at Lanling Jin in terms of familiarity and joyful disregard for formality of any kind in familial circumstances is rivaled only by Yunmeng Jiang these days.

“Qin-guniang,” he replies as they start up the steps. “I trust everything is well.”

“Of course! I wanted to see you when you arrived, that’s all. I’m leaving in a few hours to visit my parents and I won’t be returning until after your visit is concluded - I’m glad I could be here to greet you!”

Lan Qiren has never put much store in small talk. He tends to find it unnecessary, particularly when it’s unwarranted. Should anyone ever ask him, that is still the case. He isn’t quite sure, himself, why it doesn’t seem to apply to the Jin family anymore.

“Great Uncle Lan!!”

Lan Qiren doesn’t jump at the small voice shrieking his name when they reach the top of the stairs, nor does he startle when a small gold and teal blur comes streaking out of the Fragrance Hall to clamp thin arms around his legs. He looks down to find little Jin Lu giving him a gap-toothed grin as she squeezes her arms more tightly around his knees. A nurse comes running out of the hall a moment later looking a bit harried and Lan Qiren offers her a nod as he drops a hand down to ruffle Jin Lu’s hair.

“You are not to run away from your caregivers, Jin Lu,” he admonishes with his typical stern frown. She pouts up at him instantly, eyes wide and pleading with her little bottom lip jutting out so far he wonders how it’s possible. Lan Qiren heaves a put-upon sigh that makes Qin Su giggle softly at his side before he reaches down to dislodge Jin Lu’s arms from around his legs so that he can scoop her up and place her on his hip.

“Oh! Master Lan, really - you don’t have to,” the nurse starts, already reaching for the girl.

“It is fine,” he replies before she can fully voice her protest. “I imagine this will be easier in the end than attempting to keep her away. Could you tell me where it would be best to take her?”

The relief on the nurse’s face is palpable as she tells him she was on her way to take the child to her father in the family gardens for a lesson. He nods along and dismisses her with his thanks and then turns to the child in his arms once she’s gone.

“A-Lu.” The girl in question just grins at him around her fingers in her mouth and glances sidelong at Qin Su beside him, uncaring of his admonishing tone. “You frightened your nurse by running away from her. You shall apologize when you see her next.”

“Yes Great Uncle Lan,” she takes her fingers out of her mouth to reply dutifully, still grinning, and Lan Qiren sighs with a shake of his head.

“Let’s go find your father, you troublesome child,” he mutters and Jin Lu lays her head down on his shoulder as a giggling Qin Su tucks her hand into his elbow again, redirecting their steps towards the family gardens instead of the guest pavilions. They exchange a few more pleasantries as they walk, Jin Lu a silent audience on his hip, until they’re interrupted by the sound of wood clacking on wood. They turn the corner into the gardens to find Jin Zixuan sparring against his second son, Jin Rulan an attentive audience at a safe distance from the practice circle.

“Stop! Dad, A-Fei tapped your forearm, you’re injured.” Jin Zixuan nods and tucks his arm close to his chest as Jin Ruhao takes up his ready stance again, a grin on his face.

“You’re getting too slow for your strapping young sons, dad,” he teases with a laugh just before Jin Zixuan lets loose with a flurry of quick stabs and sweeping cuts, perhaps overcompensating ever so slightly for the ‘loss’ of the use of his left arm. It works anyway though, likely due to Jin Ruhao being the less-skilled of the two of them, and Jin Rulan calls out to award another injury - this time to his brother - within moments.

“What’s this, then?” Lan Qiren asks Qin Su as they draw closer slowly.

“A training game Jiang Wanyin taught the children the last time he visited with Nie-Zongzhu,” she replies with a fond smile. “The boys have progressed far past being content with only practicing their forms and training with the other disciples. They still do, of course, but to continue actively improving they must spar either with each other or with A-Xuan. They fight with wooden practice swords and treat it like a real fight with a spectator to keep track of ‘injuries’ that will hamper their ability to keep fighting. The bout is over when both parties are too ‘injured’ to continue or one is disarmed.”

“I see. The boys are improving quickly if they are ready to train personally with their father.”

“I don’t like it,” Jin Lu declares from where she’s hiding her face in his neck. “They shouldn’t hurt each other!”

“I agree wholeheartedly, A-Lu.” Lan Qiren infuses his voice with as much solemnity as possible. “Your brothers should not harm your father. Are you worried that his skill is inferior to theirs?”

“No!! Dad’s the best!!!”

“He is very skilled, that is correct. Therefore it will be nearly impossible for your brothers to hurt him as they are still learning, and your father will be merciful and refuse to hurt them in turn. Is that not so?”

“Hmmmmm. Yes,” she finally relents, grumbling about it but willing to accept it for now. “Down please, Great Uncle Lan,” she adds with a squirm and he bends to set her down.

“Stop!” Jin Rulan calls as soon as her little feet touch the ground, leaving plenty of time for Jin Ruhao and Jin Zixuan to disengage so that Jin Lu can run safely right into Jin Zixuan’s waiting arms.

“Jin Rulan has excellent awareness of his surroundings,” he notes just loudly enough for the boy to hear as he and Qin Su follow after Jin Lu at a much more sedate pace. Jin Rulan’s pleased smirk is visible even from so far away.

“Who won that round, A-Ling?”

“Who do you think, stupid?” Jin Rulan snarks back and Jin Zixuan shushes them with a tired look on his face.

“Boys, honestly. Don’t make your Great Uncle think that I raised you without manners. A-Fei, I won but you’re improving quickly, it’s becoming more difficult for me to win each time. We have to work on your tendency to step back too far when you block. A-Ling, your observational skills are improving as well, I expect to see that in our sparring. Good job both of you, go wash up and have tea with your mother, it’s time for Lu-er’s lessons.”

The boys bow first to their father and then to him and Qin Su at his side before they turn to head towards the path that leads to the inner family residences, nudging and shoving at each other as they go.

“Grandmaster Lan,” Jin Zixuan greets with as good of a bow as he can manage with Jin Lu perched happily in his arms to play with one of the thin gold chains in his hair. “I apologize I wasn’t able to welcome you properly.”

“Training the children is more important,” he dismisses with a wave of his hand. “What is Jin Lu’s lesson this afternoon?”

A look crosses Jin Zixuan’s face that Lan Qiren doesn’t have time to interpret before the man is responding, perhaps a bit slyly, “Calligraphy. Mine is adequate but...would you perhaps be willing to teach her? She has passed the basics for her age and is improving quickly.”

Lan Qiren clears his throat as Qin Su raises her sleeve to cover her mouth at his side, the movement delicate and graceful, but it does a poor job of hiding that she’s trying not to laugh at her brother’s shamelessness, shifting the duty of teaching the child to him knowing he won’t be able to resist.

“Great Uncle Lan can teach me?!” Jin Lu gasps with wide eyes, looking up at her father in awe. “Please?!”

“Yes, yes, alright,” he agrees with a harrumph and Qin Su doesn’t even bother to hide her tinkling laugh.

“I am afraid I must return to my preparations for my trip so I will leave you here, Grandmaster Lan, it was lovely to see you. A-Xuan, I’ll inform you or Li-jie before I depart.”

Lan Qiren accepts her departing curtsy and turns his attention back to Jin Zixuan and his daughter just in time to catch Jin Lu’s arms as she leans away from her father’s chest to reach for him. The handoff is seamless, and then Jin Lu is on his hip again as Jin Zixuan rotates his right arm slightly to loosen up his shoulder.

“I admit I’m envious of Lan arm strength,” he says ruefully as they begin heading to the guest pavilions at slightly less sedate pace than Qin Su had led him. “I worry for the day xiao-Ye will be the last of her siblings to grow too big for me to carry.”

“Time passes whether we will it or not,” he replies quietly, his thoughts turning to the day he had finally been forced to concede that Lan Wangji was both too old and too big for him to carry through Cloud Recesses anymore. “It is inevitable, but there is the hope of future generations to provide further chances.”

“That is true. My children have certainly had no shortage of family members ready to carry them everywhere rather than tire their feet,” Jin Zixuan teases, reaching over to pinch Jin Lu’s cheek that isn’t smushed against Lan Qiren’s shoulder. She giggles and turns her head the opposite direction to hide from his pinching and Lan Qiren hopes that his smile is tucked far enough in the opposite corner of his mouth not to be visible. Jin Zixuan glances over his shoulder as he chuckles and he pauses on the path. “Ah it seems we’ve picked up an extra pair of shadows, Grandmaster Lan.”

Lan Qiren turns to look as well to find Jin Zhuang following behind them, far enough away to muffle his near-silent footsteps, with little Jin Ye’s hand in his own.

“Jin Ruhai, Jin Ye,” Lan Qiren greets as Jin Zixuan waves for the children to approach so that Jin Ruhai can bow.

Lan Qiren truly doesn’t have a favorite grand-niece or nephew, he finds them all quite charming and wonderful in their own ways, but it’s been obvious since the boy was quite young that Jin Ruhai is surprisingly calm and even-tempered, so much so that even as a baby Jiang Yanli and Jin Zixuan had affectionately decided his name would be a character for ‘solemn’. It’s a fitting name, though as he grows older the boy typically radiates a sense of contentment and satisfaction under that serious facade. So much like a young mirror of Lan Wangji.

The boy lets go of his youngest sister’s hand to offer an absolutely perfect salute - quite impressive for his age - and the girl rather adorably leaves her hand extended straight out for him to take again once he’s straightened.

“You two are supposed to be eating your afternoon snack in the Fragrance Hall,” Jin Zixuan points out with another weary sigh. Lan Qiren remembers the days of attempting to keep track of Lan Xichen and Lan Wangji as children (the former of whom was quite fond of sneaking into the kitchens at random times throughout the day and the latter of whom seemed to always slip away at the first opportunity to play with his rabbits or tuck himself into a comfortable corner of the library to read things far beyond his age level). He truly doesn’t envy his nephew-in-law attempting to keep track of seven strong-willed, free-spirited children.

“Ate,” Jin Ruhai says almost too softly to hear with a resolute nod. He looks at his second youngest sister perched in Lan Qiren’s arms and then back to Jin Zixuan with a stubborn set to his jaw. “Great Uncle Lan,” he continues with a pointed glance at him again.

“You can wait until he settles in to visit with him, Zhuang-er, he just arrived.”

The look on the boy’s face grows so morose that Lan Qiren can’t resist clearing his throat a little and adopting his sternest tone as he says, “It is fine, Jin-Zongzhu. I am not so frail as to need to sleep after taking two days to travel comfortably, let the children come along.”

The glint of moisture in Jin Ruhai’s eyes is promptly replaced by a smug sort of satisfaction as he tugs Jin Ye gently forward to fall into step behind them as he and Jin Zixuan turn back in the direction of the guest rooms.

They finally arrive at his usual quarters without further interruption. Lan Qiren is pleased to see the doors to the gardens for this section of the complex - the Lan rooms - have been left open, the scent of peonies and the magnolia tree in bloom nearby suffusing the space, a pleasant breeze fluttering through the wall hangings.

He sets Jin Lu down on her feet and she promptly darts away from his side to begin investigating the room for anything new since the last time the space had been open for her to explore.

“I have some correspondence I need to reply to,” Jin Zixuan says apologetically from outside the threshold. “Zhuang-er, Lu-er, xiao-Ye, be good for your Great Uncle Lan please. I don’t want to hear later that you need discipline.”

“Yes dad,” the two older children chorus - Jin Lu from where she’s sticking her head under his bed and Jin Ruhai from right next to his elbow. Jin Ye only reaches up to tug on Lan Qiren’s belt to get his attention and then she sticks her arms up to be held now that her sister has gotten down. Lan Qiren waits until Jin Zixuan turns away from the open door to head back towards the more official buildings before he reaches down to oblige the toddler, lifting her up and holding her securely perched in front of himself so she can reach out to pat a little hand against his cheek.

“Xiao-Ye,” he greets and she slips her hand down to tug on his beard with a clear, happy little giggle that makes him smile. “I believe it is nearing time for you to nap.”

“Wanna play,” she pouts instantly with another tug on his beard.

“I have been asked to teach your sister her writing, and Ruhai will observe. You will nap, we will wake you to play when the lesson is finished.”

Lan Qiren can tell instantly as a whine builds in her throat that she’s used to fighting against this particular part of her schedule, but no child in the world is capable of being more stubborn than him. He pulls back the quilt on the bed just enough to set Jin Ye down on it and he wraps her up tightly, elbows bent so her hands are poised up near her shoulders in case she should need to pull herself free. He indulges in a few passes of his hand across the top of her head and almost instantly her whining is cut off by a wide yawn and some long, slow blinks.

“Go to sleep, child, we’ll be here when you wake up again,” he soothes and she relents to close her eyes.

“Wow. She usually only goes to sleep like that for mom and dad,” Jin Lu breathes when he rejoins the other two children on the other side of the space, sitting at the desk where Jin Lu has busied herself laying out some of the paper left in the room for him to use alongside ink and brushes for two.

“I have experience,” he replies simply. “Ruhai, you will grind ink for your sister and then observe her practice.”

The boy nods and leans forward instantly to begin the process with his usual care, moving slowly to ensure he doesn’t splatter anything. Lan Qiren watches carefully, silently correcting the boy’s posture and form with gentle taps of the end of a brush before he’s satisfied enough to begin grinding his own ink. He takes time to show Jin Lu how to properly hold her brush before he lets her touch it to paper. She still moves with some of the natural clumsiness of childhood, but it quickly becomes clear that Jin Zixuan had been telling the truth when he said she has mastered the first set of skills typical for her age group.

Jin Ruhai is an attentive audience as Lan Qiren guides Jin Lu through her practice, settling comfortably into the familiar role of a teacher. He becomes absorbed in it, watching Jin Lu’s hesitant strokes become bolder, more confident as the lesson progresses. So absorbed, in fact, that he’s startled to look up near the middle of the hour to find Jin Yan and Jin Yu flanking the door, arms crossed over their chests as they watch on. Not for the first time he wonders if they will ever be sent to Meishan Yu for training with the Spiders like their grandmother’s Jinzhu and Yinzhu. They would be excellent fits for it, the way they move silently when they want to and always seem to work in tandem, always on their guard.

They offer him a respectful bow - more respectful than he ever sees them offer anyone else in the extended family - and only step further into the room when he waves them in.

“Hi Great Uncle Lan,” Jin Yan greets as she steps forward to sit beside her younger sister, careful not to jostle the girl or the table as she folds her legs neatly underneath her.

“Wow - you got xiao-Ye to take her nap,” Jin Yu marvels as she approaches the bed where the toddler is still sleeping, tiny snores escaping her parted lips.

“Indeed. I do not recommend waking her yet, A-Yu.”

“Yes, Great Uncle Lan.” The girl backs away from the bed immediately to join her sisters, sitting on Jin Lu’s other side to peer down at her work. Jin Lu ignores them to stay focused on her work, Lan Qiren is pleased to see, continuing to practice the new character he had shown her with the tip of her tongue just barely poking between her teeth as she concentrates.

“Hey, this looks great, Lulu,” Jin Yan praises and Jin Lu’s concentration breaks just enough that she grins, tongue still out. “A lot better than ours was at her age, don’t you think Yuyu?”

“Better than ours now,” Jin Yu snorts as she leans back on one hand to lounge, the opposite knee propped up to support her extended arm.

Lan Qiren is just opening his mouth to admonish her posture (it’s far too improper even though she wears trousers) when there’s suddenly the sound of running footsteps on the path outside and panting. All eyes - except for Jin Lu’s - turn to the door to find the swordmaster of Jinlintai leaning against the doorframe to catch his breath. He sketches a hasty approximation of a bow.

“Yan-guniang, Yu-guniang,” he manages after a moment. “Your afternoon training is not yet over, I have promised Jin-Zongzhu to instruct you-”

He cuts himself off as Lan Qiren holds up a hand to pause him. “My grandnieces are attending a lesson with me,” he says smoothly. “I will inform Jin-Zongzhu of the change in their schedule, you need not worry.”

The man seems about to argue for a long moment before he seems to think better of it. He sighs and nods, retreating with a quick bow.

“What are you two training with now?” he asks as he turns his attention back to watching Jin Lu’s brush.

“Uncle Sang sent us new knives made by our favorite bladesmith in Qinghe, but we decided we want to wait to really practice with them until Uncle Jue can show us how,” Jin Yan replies while Jin Yu nods her emphatic agreement, still looking down at Jin Lu’s paper. “If we’re going to fight with Nie blades then we want to learn how the Nie would do it.”

“It is good to seek a well-rounded education in any area of study. Variety is invigorating to the mind,” Lan Qiren replies with a glance up to find the twins practically preening under his approval. “I am sure Nie Mingjue will be pleased to demonstrate to such enthusiastic students.”

“Done!” Jin Lu states, setting her brush on its holder and crossing her arms resolutely, a proud, lopsided grin on her face. Jin Yan and Jin Yu instantly lean closer, crowding and jostling the younger girl between them until she giggles as they look over the page. Even Jin Ruhai leans in, eyes scanning the page from his sideways perspective.

“Beautiful,” he praises gently with a smile and Jin Lu positively beams as the twins nod and start pointing out particularly pleasing lines, chattering over each other easily.

“You have improved,” Lan Qiren cuts through the chatter to agree before turning to his nephew. “Ruhai, have you practiced the score I left with you two months ago?” The boy nods quickly, his eyes wide. “Would you like to show me?” Another nod as his hands come up to rest on the table as if already resting on his instrument, though he frowns after a moment. “You may use my guqin. I will prepare what is needed.”

There’s a quick flurry as Jin Yan helps him clear the table of the calligraphy supplies - Jin Lu’s practice sheet gets safely set aside to be shown to Jiang Yanli and Jin Zixuan later - and Jin Yu follows his nod towards the bed to go wake Jin Ye from her nap. With the table clear, Lan Qiren calls his guqin from the pouch in his sleeve and settles the instrument on the surface next, Jin Ruhai swapping places with Jin Lu so that he is now in place to be instructed and she can sit to the side to observe.

Lan Qiren watches Jin Ruhai check the tuning of the instrument with careful brushes of his fingers and then he looks up to check on Jin Yu and Jin Ye. He can’t help but smile ever so slightly as he watches the teen pinch her younger sister’s round cheek, bearing faint creases from the blankets that had been pressed into her skin. Jin Ye is still sleepy and not willing to do much work to support her own weight as she sits like a sack of potatoes in her sister’s arms and so Lan Qiren holds his hands out to take her and settle her in his lap while she rubs her eyes and yawns, trying valiantly to wake properly.

The twins settle back into their spots on either side of their brother, clearly enjoying their position so close to the source of the afternoon’s entertainment. The boy seems to steady with their presence at his sides and Lan Qiren watches his hands settle firmly on the strings. He takes a deep breath in and then begins to play, his fingers sure on the strings despite his moment of nerves.

An unusual stillness accompanies his playing. Jin Lu stops fidgeting with her fingers, the twins slip into the perfect stillness of those who are utterly aware of themselves at all times - a trait he’s noticed in every skilled fighter he’s ever come across - and even Jin Ye relaxes, slumping further and further backwards until she’s slouched down against his stomach, legs dangling over his crossed shins.

The piece isn’t a terribly long one, nor as complex as the next score Lan Qiren intends to teach the boy, but Jin Ruhai’s mastery of it is impressive. Again, Lan Qiren is forcefully reminded of Lan Wangji, always most at peace when behind his instrument to play with and/or for the people he loves.

There’s silence in the room until the last note fades with a shiver into the air and Jin Ruhai pulls his hands back from the instrument. The stillness lasts for one more moment before it’s interrupted by Jin Lu sneezing suddenly and her siblings laugh as the quiet breaks.

“I had to hold that in the whole time!!” Jin Lu laughs as she rubs her sleeve under her nose, one eye screwed shut as she giggles. “I didn’t want to mess up A-Zhuang’s song, it’s so pretty!”

“Is that what you practice in your room after dinner every night?” Jin Ruhao suddenly calls from the door and Lan Qiren looks up to find that the two eldest boys have found them, clean and dressed in fresh clothes and apparently done visiting with Jiang Yanli. They step inside the room and move to sit at the table - which is quickly becoming very crowded - on either side of Lan Qiren, directly across from the twins.

“That’s a song from Gusu isn’t it, Great Uncle Lan?” Jin Rulan asks as he and his second brother settle into their spots.

“It is. It is a traditional folk lullaby.” Lan Qiren hesitates for the briefest moment before he adds, “It was your Uncle Ji’s favorite as a boy.”

“Did Uncle Chen have a favorite?” Jin Yan asks curiously and Lan Qiren nods.

“It is the next piece I would like to teach Ruhai, you will hear it when he has learned it.”

“Maybe you can play it for them as a gift the next time they visit, A-Zhuang,” Jin Ruhao suggests and Jin Ruhai visibly perks up at that idea, eyes going bright and his entire expression resolute as he nods. Lan Qiren doesn’t even have to ask to know that he’ll devote himself wholeheartedly to learning the next song until he masters it as soon as he can.

“Oh, my heart!!” A sudden cry from the door has all the children sighing with varying degrees of fondness and dismay as Mo Xuanyu swans into the room. “All the children sucking up to their Great Uncle! How come I never get a cuddle pile, huh? You don’t love your poor Uncle Yu!”

“We hang out with you all the time, Uncle Yu,” Jin Yan sighs heavily, tipping her head back to look at Mo Xuanyu upside down. “What are you doing here? We’re busy hanging out with Great Uncle Lan.”

“Ungrateful child,” Mo Xuanyu chirps with a smile and a tap of a fingertip to the underside of Jin Yan’s chin before he flicks her throat in retaliation.

“Mo Xuanyu,” Lan Qiren greets and warns simultaneously - the gesture was clearly teasing and it couldn’t possibly have hurt his grandniece, but Lan Qiren is protective, he has never once claimed not to be.

“Grandmaster Lan,” the man returns with a nod, hair ornaments tinkling softly as he moves. “I was asked to round up the children for dinner which usually takes the better part of an hour, thank you for corralling them all in one place for this poor tired uncle.”

“Children, go prepare for dinner,” Lan Qiren instructs and everyone but Jin Ye gets to their feet, stretching stiff limbs and nudging each other playfully as they file out of the room. Their laughter echoes in the courtyard as their voices rise, jokes and good-natured chatter filling the air.

“Uh-oh, you’ve got a little bug stuck on your robes there,” Mo Xuanyu chuckles with a nod to Jin Ye. “Never fear, Uncle Lan! I’ll save you from this awful creature!” Jin Ye giggles as she holds her arms up to be swept into Mo Xuanyu’s embrace with a twirl for an extra flourish, the skirts of his robes swishing around his ankles.

Lan Qiren sniffs a bit as he gets to his feet and straightens out his own robes, readjusting his belt to its proper place and brushing himself off as Mo Xuanyu rubs his nose against Jin Ye’s in an affectionate gesture, both of them smiling. He clears his throat next and Mo Xuanyu glances over at him as Lan Qiren settles his arms behind his back, tipping his chin up ever so slightly.

“I spent this morning traveling and this afternoon teaching the children. I also need to prepare for dinner.”

“Ah of course, of course. I’ll just deliver this little bug to her mother, see you at dinner Uncle Lan!” He calls that last over his shoulder as he sweeps out of the room again and Lan Qiren stands in the still silence for a long few moments. He shakes himself out of his reverie quickly enough and begins the process of getting bathed and changed into fresh clothes for the evening spent happily with his family.

Perhaps it was once a surprise to realize that the Lanling Jin is his favorite sect to visit, but now..though nowhere will ever match the love he has for Cloud Recesses, anywhere that contains so much of his family will always come very close to it.

[watching-pictures-move]

Movie Review | Red Dawn (Milius, 1984)

When approaching work with politics that I don't share or are specific to its time, I try to picture how the original audience might have reacted. And for certain viewers in the Reagan era, the opening moments of Red Dawn would have been a vividly realized nightmare scenario, Soviet troops on American soil, killing Americans in cold blood or otherwise rounding them up for indoctrination. (Part of this includes playing Alexander Nevsky in the town's theatre, which doesn't sound so bad.) Juxtaposing the well armed, well trained invading force with small town Americana makes these dimensions feel more immediate, and while we know now that Gorbachev was eager to end the Cold War more than anything, the title cards lay out the events leading to the invasion with frightening plausibility. The Soviet Union, emboldened by the collapse of NATO and finding the U.S. with few allies, joins with sympathetic governments in Mexico and Cuba to launch a full scale invasion abetted with nuclear strikes, placing the film, despite its domestic setting, as a clear endorsement of hawkish foreign policy. (The specifics of the film's scenario are somewhat surreal to consider in a modern context, given how views across the spectrum have shifted over time, but I'll refrain from digging too much into modern real world politics.)

The Colorado setting is key to the film's visual strategy. The heroes, when framed against the majesty of the wilderness, look to be in an ad for a national park , while when we're with the villains, their environs bring to mind the mountains of Afghanistan. In the third act, when a counterinsurgency specialist akin to Colonel Mathieu from The Battle of Algiers is introduced, the heroes find themselves framed in the same harsh desert landscape as things go south for them. John Milius is making clear parallels with the Soviet invasion of Afghanistan, and as J. Hoberman points out in Make My Day, it's probably not a coincidence that "Wolverines" almost rhymes with "Mujahideen". Kevin Reynolds, who wrote the first draft of the screenplay, would push this dynamic further with The Beast of War, where we identify both with the othered Afghans and the technologically superior Soviet invading force, drawing parallels to the Vietnam War as well. Milius doesn't really push the latter idea as forcefully, although it's worth noting that the Soviets are seen mostly in the urban areas while being ambushed in the countryside. He also gives a rare moment of compassion to Ron O'Neal's Cuban colonel at the end, as if bonding with the heroes over a shared warrior's code despite being on opposite sides of the conflict.

When I'd first seen this movie a few years ago, I'd found it laughable and also kind of boring, but I'm now thinking my reaction was way off base. (On a related note, I've been using the extent to which my appreciation of certain movies has increased on recent rewatches as a measure of how long the pandemic has been going on. This is the most drastic case yet.) The most common complaint about the movie is that the likelihood of American teenagers successfully taking on the Soviet Army is far from plausible, but Milius is drawing clear parallels to successful real life defenses against better equipped and better trained forces. He also goes to some length to show them develop discipline and grow as a unit, an approach that he used behind the scenes as well, appointing Patrick Swayze as the leader of the other actors. (Swayze takes to the role well, embodying a kind of masculinity that goes well with Milius' warrior poet ideas.) There's a certain moment that I'd found unexpectedly cruel in my first viewing, but I think now the effect is pretty obviously intentional, at least from Reynold's original idea of the film as a Lord of the Flies scenario, confronting us with the ugliness of what happens when youths are forced into a life or death situation. The action is not directed stylishly or always with overt excitement, but I think it carries a real sense of strategy, shaped by Milius' knowledge of guerilla warfare. And the fact that it isn't too exciting also helps temper the film's jingoism. Milius treats the material with a certain romance, but he's also thoughtful about the consequences of war and the toll it takes on its participants.

Now is the movie dumb in certain ways? Yes, and one moment ("Aveeeenge me!") still plays quite laughably. Are its politics ones that I don't jive with? Yes, I'm not oblivious to the extent to which it plays as a paranoid right wing fantasy about sticking it to the Russkies, but I also think the movie is more thoughtful about those ideas and interrogates them with a bit more force than it's given credit for. I think it has in its young cast a number of nicely textured performances, and some very good ones from Ron O'Neal (speaking unsubtitled Spanish or Russian for the entire film) and Powers Boothe as a stranded Air Force pilot who bonds with one of the Wolverine girls. And I think it's rousingly scored by Basil Poledouris and bracingly directed by John Milius, who gives us images of startling impact and disarming poetry amidst the combat.

[warrioreowynofrohan]

Rhythm of War Review

PART 1

It feels a little separate from the rest of the book to me at the moment because I read it pre-release, but I think it did a good job setting up the rest of the plot. I greatly enjoyed Navani’s perspective and ideas throughout the book, and the first section established her much more firmly as a character than any of the previous books; her couple of chapters in Oathbringer were more focused on politics and her relationship with Dalinar, so it was great yo see much more of her scientific side.

When I first read Part 1 it felt very Kaladin-heavy, but after completing the book I see how it was necessary to establish his burnout in order to set up the rest of the plot. And Chapter 12 (A Way to Help), in addition to being our only chance in the book to see our trio together, did a great job setting up Kaladin’s later work with mentally ill people, both by establishing the need and showing what kind of help was needed. I was nonetheless quite frustrated by Kaladin reacting to Shallan’s DID with “that would be nice...”. She’s having serious problems, Kal! She’s your friend and could use support, not you regarding her issues as a neat way to take a holiday from one’s own brain! Kaladin’s very kind and caring with those he chooses to protect, as we see with Bridge 4 in TWOK and the mentally ill people in Chapter 25, but sometimes I think he’s not a very good friend. I know he was not in a good place, but in Oathbringer when they were in Shadesmar Shallan had just had a complete breakdown and she still went out of her way to emotionally support Kal, so it would be nice to see his friendships become a bit more two-way. (For similar reasons, I liked seeing the moments of Shallan-to-Adolin emotional support in Shadesmar in ROW, because a lot of their relationship in OB was her relying on him; it felt balanced in ROW as both supported each other.)

PART 2

I loved the Shadesmar arc! The emotional arcs for both main characters were very strong - I had been looking forward to seeing Adolin’s reaction to (in-universe) Oathbringer, and it did not disappoint; the conflict between genuinely loving Dalinar and being unable to forgive what he’d done was well-drawn. I was so pissed off at Dalinar in that last conversation! You burned his mom to death, you do not get to take the moral high ground and lecture him. And I do see a difference between killing innocents, as Taravangian does, and killing someone who’s effectively declared war on you and has a history of treason.

I also liked Adolin’s sense of being generally at sea with his purpose in the world. He’s been trained primarily as a warrior and general, and his combat skills have been made virtually obsolete by the Radiants. And at the same time, the reader can see what makes Adolin special, and it’s not combat skills - though those do give him a big heroic moment in a pinch - it’s his care and compassion for others. The way he interacts with Maya and slowly brings her life is absolutely beautiful. Chapter 35 was such a wonderful Shadolin moment (and starspren are amazing!); he really gets her and understands what she needs. Chapter 24 was sweet too, though super cheesy.

I spent the entire Shadesmar arc side-eying Veil and Radiant, especially with Veil’s takeover stunt at the start, but in the end they genuinely were supporting and helping Shallan. So in retrospect I do like scenes like the one with Veil trying to draw Shallan out by drawing Adolin badly.

Spoeking of drawing, I love the spren art, it’s some of the best art so far, and fascianting to see how they all look!

Kaladin finding non-violent ways to protect, culminating in pioneering Rosharan therapy - and Teft insisting on staying to support him - was everything I wanted for him. His arc could have just been that, and I’d have been perfectly happy. Chapter 25 (Devotary of Mercy) is still my favourite in the entire book.

Unfortunately, then Odium’s forces had to show up and SPOIL EVERYTHING. I’m rather appalled by how quickly Urithiru fell - the enemy forces were literally in the pillar room by the time anyone noticed them.

PART 3

Part 3 was a real slog for me, partly because it is a slog and partly because I hit it at the height of my sleep deptivation. (It’s really...not a good thing to be reading on zero sleep at the literal darkest-hour-before-dawn.) Kaladin’s arc in Urithiru is just so exhausting; he’s so clearly worn to the boneand everything feels so hopeless. Kaladin’s had bad times before - Bridge 4 in TWOK, for example - but then the reader could see progress even if Kaladin couldn’t. (Kaladin: I’m getting nowhere and failing at everything! Everyone else: Kaladin, you were literally just miraculously resurrected.) Here, though - well, I genuinely spent the whole book from Part 3 through to the climax thinking that they would lose Urithiru.

Navani’s arc, and Venli’s, I did enjoy.

The other section of Part 3, in Emul, just felt rather disjointed. It had some interesting moments, but it didn’t have a sense of cohesion or of where it was going. I was entertained by Dalinar’s musings on the merits of despositism and the need to free Queen Fen from having - horrors! - a parliament. (I wonder if the Fourth Ideal will be something like “I will recognize that it can sometimes be beneficial to have people oppose my decisions.”)

PART 4

Again, adored the Shadesmar arc. Really strong character arcs for both Adolin and Shallan, combined with excellent plots and a strong sense of momentum. I was pretty sure Maya would be crucial in the trial, but that didn’t make the moment any less powerful (though Sanders probably shouldn’t have tried quite as hard to replicate his “You. Cannot. Have. My. Pain.” moment from Oathbringer). I need to put together a proper post on the theme of choice in Oathbringer, because that moment - combined with Kaladin’s fourth ideal and the conflict with Lirin over the way he’s inspiring the resistance - really crystallized it for me. To treat a person’s choice and sacrifices as something done to them is to devalue their volition, their agency. Maya is put in the horrifying situation of being used as a prop and treated as evidence of a point that she is diametrically opposed to and turned into a weapon against someone she loves, and it’s enough to drive her to regain her voice and speak for herself. I am very curious to know what specifically led the spren to agree to the Recreance!

I did not remotely guess what Shallan’s secret was, even though in retrospect the Cryptic deadeye should have made it incredibly obvious. I think her fear that she’d lose Adolin if it came out was overblown - he already knows she killed both her parents, he’s not going to be fazed by “I was so distraught over having to kill my own mother in self-defence at age ten that I broke my Radiant oaths”. But obviously it’s not something Shalkan would be able to consider duspassionately. Her arc was rather terrifying once I realized that Formless was, well, basically her, but more specifically, Shallan’s idea of the monster that she was, and her breakdown was driving her to “accept who she was” as being that monster. I like Shallan and was never that into Veil - though she was fairly good in this book and went out well - so I’m not sad to see the back of her.

I haven’t managed to work through all the espionage/mole elements. Yes, Pattern used the box to talk to Wit, and Radiant killed Ialai so Shallan wouldn’t, but who’s Mraize’s spy close to Dalinar?

This arc ended too abruptly. I think Sanderson could easily have traded a Kaladin chapter in Part 3 for an extra chapter wrapping up events in Shadesmar; maybe one where Shallan first goes to see Testament.

I enjoyed the Urithiru arc in Part 4 as well. Switching to Bridge 4 points of view other than Kaladin was a good move - we already know he’s worn to ribbons, so we don’t need to be inside his head to see it. “The Dog and the Dragon” was amazing, and the most appropriate story ever for Kaladin. (I get how Wit’s schtick of telling incredibly topical stories and then saying “no, I don’t have a point, what point?” would be really aggravating in person.) It was nice to see him be gentle with Kaladin for a change, the way he is with Shallan - his two previous encounters with Kaladin read as rather baiting, which annoyed me.

Dabbid was - I don’t know quite how to say this, but his inclusion struck an amazing balance in this book. Navani’s arc is all about two amazingly smart people doing science and making incredible breakthroughs, and that is sincerely valued and given importance by the narrative, and then you get chapters like Dabbid’s and one of Taravangian’s emphasizing that a person’s value and ability to contribute is not determined by their intelligence.

Navani’s arc continued to be excellent. All of her research, and the way the story took you through the process, and her complex relationship with Raboniel, was great.

I loved Venli’s character development, and growing willingness to take risks for the sake of others. To me, her arc parallels Dalinar’s in the last book in some ways. If we can love the story of a bloodthirsty conqueror growing to become a good person, why can’t we equally love the story of a coward coming to become a good person? There seems to be a tendency to be more drawn to strength, even in its most terrible forms, than to weakness. To me, Venli’s confession to Rlain and acceptance of his disgust at her was one of the book’s great moments. (And I can’t understand people saying her arc took up two much space. She had 5 chapters in Part 3, and 4 in Part 4. That’s not very many! I’ll grant that the flasbacks packed less punch than some earlier flashback sequences because we already knew the main events - Brandon acknowledged that even before the book came out - but I still liked them well enough, and Venli’s present-day arc was excellent.)

Anyway, the amount of space I’ve spent on this section relative to Part 3 is another strong inducation of the differences in how I feel about them!

PART 5

I should probably start this section with a discussion of Moash. I’ll try to keep it summarized. here - I could, and may, write a short essay on his development through The Stormlight Archive. The first thing that jumps out about Moash’s arc in this book is his reaction to Renarin’s vision in Part 1. I think that vision is showing Moash who he could still be, in a similar way to Shallan’s inspirational drawings of people - both use the Surge of Illumination. So it’s not that Moash is irredeemable; Renarin is specifucally holding out to him the possibility of redemption.

And Moash’s reaction is to run away in terror. Because he desperately wants his decision to be irrevocable. He desperately wants there to only be one possible path forward for him. Because if there are alternative paths, it means he can choose them, and that would mean facing guilt, facing the fact that his past choices were wrong, and his current choices are wrong. And that is exactly what Moash sought to avoid by giving up his pain and sense of guilt to Odium.

Moash is, nonetheless, very much Moash and not Vyre, as evidenced by his continuing obsession with Kaladin. As with his above need to not be wrong, here he needs to feel that he’s right, and the only way he can feel that he’s right is if Kaladin - whom he still deeply admires - makes the same decision as him, and if Moash can convince himself that he’s doing Kaladin a favour in driving him to that point. It’s ironic that he’s given up almost all feeling abd become almost enturely detached, but his worst actions are driven by his attitude towards the one person in the world who he still does have very strong feelings about. By the end of the book, he’s comprehensively broken, to the point that even when his ability to feel is restored he’s unable to even feel genuine remose over the cold-blooded murder of a friend. I don’t know where he’ll go from here - it would be ironic if he was only ever really appealing to Rayse-Odium, and Taravangian-Odium found Moash too much of a flat villain for his purposes and cast him off.

As the plot climaxes go, I thought the ones for Navani and Venli were excellent and very satisfying. I enjoyed Kaladin’s as well and found it cathartic, but it a was moment we all knew had to come, so it didn’t have quite the kick of some of Kaladin’s other big moments. I did love his reconciliation with Lirin. One of the themes of the book was finding common ground despite deeply felt disagreements - with Navani and Raboniel, with Navani and the Sibling, and with humans and singers/Fused more generally - and Kaladin and Lirin’s reconciliation fit well with that. I am far more favourable to Lirin than most people - if you’ve lived as a pacifist in storming Alethkar, which values the lives of its people slightly more than it does crem, you’re going to have been right a solid 95% of the time, where everyone else was wrong. I can make allowances for the other five percent, especially when Lirin’s life lesson from the last five or so years has been “resisting oppression and standing up for what you believe in will destroy everyone you love”.

And on the topic of finding common ground, Leshwi’s reaction to the revelation that Venli was a Radiant was one of the single most beautiful moments of the book, and one of my absolute favourites. It’s gorgeous and moving, and at the same time rather tragic, because - what might have bern different if Venli had revealed herself to Leshwi at the start of the book? How much of the conflict could have been avoided. Singers don’t appear to attract spren as strongly as humans do, which makes Leshwi drawing joyspren particularly powerful. And then the bittersweet note from “My soul is too long owned by someone else”. (Come to think of it, this is another inverted paralell to Moash. This is someone realizing “I was wrong about everything and I’m so glad about that because it means I have a chance to be someone better than I was.”) Oh my goodness, I would love a Leshwi chapter in a later book, just to check in on her and see how she’s doing in her new life with the Singers.

I also loved the climax of Navani’s arc, and was so relieved, because up until that very moment I wasn’t sure if the Sibling would survuve uncorrupted. I know that some people weren’t pleased because the Sibling didn’t even like her, but to me that became a core part of the story, like I said above - people who deeply disagree finding common ground and common cause. That is a key element of being a Bondsmith - the process of bringing people together in spite of their differences - and something that fits Navani so well given the rapport she found with Raboniel. (Though I was conflicted about the latter. On the one hand, she made amazing discoveries that enabled her to save Urithiru. One the other hand, she...kind of collaborated with the enemy and gave them terrible weapons out of intellectual curiosity and a desire to prove herself?) I will grant that it makes the series, and the characters with the most crucial importance to Roshar, rather Kholin-heavy.

For Taravodium, all I can say is - YIPES. I have no idea how to process the implications of that, but I feel like it will be bad. Really really bad. (Taravangian is probably my least favourite character in the entire Stormlight Archive. The attitude of “I am so brave and selfless for doing evil things and look at how wonderful I am for sacrificing my own morality for the benefit of all, you petty selfish people wanting to be good could never make such a grand sacrifice” drives me absolutely nuts. It’s a complete inversion and twisting of morality, and intensely arrogant.)

Dalinar’s encounter with Ishar was fascinating, and I’m very curious to see where this goes. The spren experiments were deeply creepy! And the way Radiant Oaths can temporarily restore a Herald’s sanity was fascinating - I’m very eager to see where this goes in the next book. I suspect that Dalinar may have made a very serious mistake with regards to this trial my combat, and I have no idea how/if they’re going to fit Szeth’s whole arc into the ten days before the duel. I’ve been eagerly anticipating Szeth’s arc ever since The Way of Kings!

[trensu]

Episode 27: The One where I Want to Punch Basically Every Sect Leader in the Face. Repeatedly. With a Chair.

And we start off back in the rain, AKA OUR ENDLESS TEARS

Wwx is like, do you remember our promise?

And lwj flashbacks TO THEIR LANTERN SCENE FROM THE ONE WHERE LWJ FINALLY SEES THE LIGHT

WE GET TO SEE LWJ’S PRECIOUS BABY FACE AS HE FALLS HEAD OVER HEELS IN THAT FLASHBACK

IT HURTS SO GOOD

Wwx: i wished to stand with justice and live without regrets. But tell me now, who’s strong, who’s weaker? Who’s right and who’s wrong?

Lwj: wei ying! 

Oh god, his voice! HE’S DISTRESSED

Wwx: is this the promise we pledged our lives to keep?

THEY BOTH LOOK SO HEARTBROKEN RN

Oh, look, lwj is doing the deathgrip of gay yearning on bichen again. We haven’t seen that in awhile AND I WISH WE WEREN’T SEEING IT NOW

Okay, but for real, how can lwj look so hurt here when the actor is literally doing nothing with his face??

I know i’ve mentioned that before, BUT C’MON, HOW?? HOW DOES THAT EVEN WORK??

Wwx: my only regret is that i didn’t stop the jin clan who took living people as bait

I REGRET YOU NOT TAKING DOWN THE JIN CLAN TOO

WE COULD’VE AVOIDED SO MANY PROBLEMS IF WE’D JUST KILL OFF 90% OF THAT CLAN, OMG

And now wwx is all, i missed my chance to protect wen ning before so now i MUST leave to save him

BC WWX IS THE BEST MOST HONORABLE PERSON IN THE WORLD

Oh no

Oh noooo

He’s pulling out his demon flute. We’re gonna get THAT SCENE

Wwx: lan zhan, if i finally have to fight them, i’d prefer to fight with you

Wwx: if i am doomed to die, at least i can be killed by you. That would be worth it.

HE SAYS THAT BC HE TRUSTS VIRTUOUS LWJ TO STOP HIM IF HE REALLY IS IN THE WRONG

AND I AM SCREAMING IN PAIN RN

BC LOOK AT LWJ’S FACE

HE’S LISTENING TO HIS SOULMATE TELL HIM THAT HE WANTS HIS DEATH TO BE AT HIS HAND

Oh god, he’s doing the bichen deathgrip again

He tears his gaze away from wwx and turns to the side TO LET THEM ALL GO PAST

EYES LOWERED AS HIS HEART BREAKS INTO A MILLION PIECES

HE’S CRYING OH GOD HE’S CRYING

THERE ARE TEARS GOING DOWN HIS FACE, OH GOD WHY IS THIS HAPPENING

HE DIDN’T EVEN CRY WHEN HIS HOME GOT BURNED AND HIS FAMILY WAS MISSING AND/OR DYING

And now he drops his umbrella to the ground AS HE TRIES TO DROWN HIMSELF IN THE RAIN

*HYSTERICAL SOBBING*

THEY PACKED ALL THAT HEARTBREAK INTO THE FIRST 6MIN OF THE EPISODE, WTF, SOMEBODY STAB ME

And after all that emotional torture we get Plot Stuff happening

Blah blah wwx at the burial mounds blah blah sect leader banquet blah blah

Ugh, gross, they’re letting the idiot sect leaders talk again

They’re all blah blah wwx is evil blah blah he murders ppl blah blah we hate him blah blah

SHUT UP YOU BUNCH OF WALKING HUMAN-RIGHTS-VIOLATIONS

This whole part here is so difficult to watch. They’re literally just trash-talking my PRECIOUS SUNSHINE BOY

Jc, lwj, and lxc look visibly uncomfortable with what’s going down and they kind of sort of tried to defend wwx but they didn’t present a united front or hold their ground

Instead they let yao and ouyang run their stupid mouths

Anyway

Here’s little itty bitty bits of almost wangxiantics in the middle of this mess

Jgs: yeah, jc, i know wwx is your trusted bro and all but idk if wwx actually respects your authority. Do something about it, maybe

Lwj: *subtly glares at jgs*

And then everyone joins in on dragging wwx’s name through the mud bc apparently that’s the hot new thing in the cultivator world

If you look closely while this is happening, you can see that lwj legit GRINDS HIS TEETH with how much he’s holding back. MY POOR BB HAVING TO SIT THERE AND LISTEN TO EVERYONE DISPARAGE HIS SOULMATE

Jgs: wwx totally doesn’t respect you, jc, my bro. Everyone here heard him say how much he thinks you suck or whatever

Lwj: No I didn’t.

OOOOH, LWJ IS ANGRY AS HELL

HE’S OUTRIGHT GLARING AT JGS 

Jgs: what??

Lwj: i never heard wei ying say that, nor did i see him disrespect clan leader jiang

HANGUANG-JUN I LOVE YOU, LOOK AT YOU DEFENDING THE LOVE OF YOUR LIFE, I’M SO PROUD OF YOU 

And ugh, disgusting, jgy steps in to be all “oh, well, wwx said so many awful things that day, who can possibly remember the specifics?”

Lwj visibly swallows here, as if he’s choking back a response, and his lips are all pursed. 

HE’S FURIOUS. HE’S ROILING WITH IMPOTENT ANGER, WHICH IS THE WORST KIND OF ANGER, TBH

That’s all the wangxiantics we get from that terrible awful sect leader banquet

THOSE SECT LEADERS NEED TO GET PUNCHED IN THE FACE

LIKE, A LOT

WITH A CHAIR

OR A TABLE

YOU KNOW WHAT, LET ME JUST TAKE BICHEN AND BEAT THEM ALL WITH IT

OR BETTER, YET, I’LL USE BAXIA. I WON’T EVEN CUT THEM UP. I’LL JUST BEAT THEM WITH THE BROAD PART

*ANGRY YELLING*

Oh, wait a minute. Wait a minute! 

This isn’t a wangxiantic

But it is an EPIC MOMENT that should be commemorated.

Because here we get…

*drum roll*

MIANMIAN BEING A BOSS

Jz: blah blah wwx kills our people indiscriminately blah blah

Mm: not indiscriminately

Mm: indiscriminate is not accurate

And everyone around her is like, confused and offended because they’re assholes

Mm: in this specific case, if the overseers did abuse the Wen prisoners and kill wen ning, then what wwx did was not “killing indiscriminately”

Ouyang: nah, the overseers said they never abused/killed anyone

Mm: OF COURSE THEY’D FUCKING SAY THAT. THEY DON’T WANT TO FACE PUNISHMENT, YOU IDIOT

(okay, she didn’t call him an idiot outright or swear, but it was totally there in her tone of voice and also ouyang is an idiot so there)

Mm: you all think you’re so smart and voice your opinions so loudly

Mm: I SECEDE FROM THIS BULLSHIT. FUCK THE JIN CLAN AND YOUR STUPID CLAN POLITICS

And she throws down her jin robes and mARCHES RIGHT OUT OF THAT SHITHOLE WITH HER HEAD HELD HIGH

MIANMIAN PLEASE MARRY ME

Lwj watches her do that and two seconds later follows her out bC HE RECOGNIZES BADASSERY WHEN HE SEES IT (and also she defended the love of his life)

And that badass moment ends

But the banquet of idiots keeps going

The jin clan needs to learn how to shut the fuck up

God, they just go on and on and on

Why are they torturing me like this

OH WAIT, WE’RE OUTSIDE THE BANQUET HALL NOW

We see lwj and mm standing together on a terrace, talking to each other

BUT WE DON’T GET TO HEAR WHAT THEY SAY TO EACH OTHER AND THAT HAUNTS ME TO THIS DAY

WHAT DID THEY SAY

TELL MEEEEEEE

Oh, side note to let you all know this direct quote from nmj - “that girl really has a backbone.”

Okay nmj, i’m slightly less angry at you now. I won’t try to beat you with bichen or a table or a chair.

(but now i kinda wish mm would join the nie clan. I think she’d do well there and also i want to see her carry a gigantic saber)

We get some chitchat with the Official Bros™ but idc let’s move on 

(tho i do appreciate the look nmj gives jgy, like, HOW DARE YOU TALK TO ME lolol)

Ooooh, now we’re getting lan fam time

ANGRY lan fam time, uh oh.

Lqr: lwj, have you regretted it? I didn’t punish you when you broke into the Forbidden Chamber bc i thought you’d self-reflect 

Lqr: you shouldn’t have gone to qiongqi way and let wwx go. Should you make one mistake after another?

And lwj is kneeling in front of him this whole time with a blank face

Lqr: what’s the use of getting you to memorize the Great Big Book of Lan Fam Rules?? Tell me, what is rule 52?

Lwj: No association with evil

He answers immediately and without any inflection to his voice.

Lqr: did you forget what happened to your father???

AND WE FINALLY GET A REACTION HERE

Lwj practically gasps and lifts his gaze to meet his uncle head-on

Lwj: my mother, she…!

Lqr: hold your tongue!

And just like that, lwj shuts down again; expression flat and gaze lowered

GOD, THIS CLAN HAS HURT HIM SO MUCH THROUGHOUT HIS LIFE

I MEAN, THEY MUST’VE, FOR HIM TO BE ABLE TO JUST DISCONNECT LIKE THAT

THAT IS NOT THE BEHAVIOR OF A NORMAL WELL-ADJUSTED PERSON

Basically the entire lan clan needs to go to therapy, like, STAT

Oh, i just noticed, lwj has his fists clenched at his sides. He’s clenching them hard, too. I think they’re trembling a bit, actually…

Lqr: i’ve been taking care of you since you were a kid; you’re like my son.i was strict bc i wanted you to stick to the right path and avoid your father’s tragedy

Lqr: that’s what i wanted to say to you. I hope you choose the right path. You may leave.

Lwj still bows respectfully before taking his leave

And i’m sure y’all are wondering, hey trensu, why did you make us endure that angry lan fam time that hurt us deep in our soul?? That wasn’t wangxiantic at all!

That’s where you're wrong, my friends!

It’s actually SUPER wangxiantic bc lqr kept drawing parallels to lwj’s dad the practically whole time

You know, the dad that married their mother who murdered some guy and had the whole world turn against her. 

(Sound familiar?)

The same mother that dad loved with his entire being and did what he could to keep her safe from the ramifications of her actions? By marrying her? And hiding her in the cloud recesses?

YEAH, HE’S EQUATING WANGXIAN WITH LWJ’S PARENTS’ TRAGIC ROMANCE

Bc, you know, that’s a totally hetero comparison to make lol

Oh, now we get to see our favorite Disaster Het be less of a disaster

We’re not going into detail here bc we’re not here for hetero shenanigans, yuck (actually, i’m apparently weak to Pining Idiots of all kinds bc this whole jzx/jyl scene is giving me tender feelings)

BUT

I do want to add that OMG FOR REAL LWJ AND JZX HAVE SO MUCH IN COMMON WHEN IT COMES TO THEIR LOVE LIVES, IT’S FANTASTIC

I NEED 10 MILLION FICS OF THEM COMMISERATING OVER THEIR SHARED DISASTER-NESS

Also, how the HELL did jzx end up being the one who was able to express his intentions clearly? He was all “please don’t go to the burial mounds, stay here with me so i can protect you from all who would want to hurt you”

DAMN IT LWJ, IF YOU’D JUST SAY THAT TO WWX, HE’S UNDERSTAND WHAT’S GOING ON. 

YOU CAN’T JUST BE ALL “COME TO GUSU” WITH NO EXPLANATION

Jzx accomplished this before you did, YOU SHOULD BE ASHAMED.

Huh, okay, i guess i did go into a bit of detail with that hetero nonsense. Oh well.

Now we’re at the burial mounds again with wwx

AND WE SEE A-YUAN PROPERLY FOR THE FIRST TIMEEEEE!!

ANY A-YUAN MOMENT IS BY DEFAULT A WANGXIANTIC, GUYS, TRUST ME.

AAHHHH, WE SEE A-YUAN DO THAT LEG-GRABBY THING HE DOES!!!

HE’S SO CUTE. TOO ADORABLE.

I LOVE YOU A-YUAN

Lol, wwx is all if you don’t let go i’ll plant you like a turnip

And a-yuan plops himself down in the dirt like YOUR THREATS DON’T WORK ON ME, OLD MAN, I LIKE BEING IN THE DIRT

Then he asks wwx for 3 elder brothers and 2 elder sisters, awwww. He thinks wwx can grow them in the garden (like cabbage patch kids!!!)

Plot stuff happens

Blah blah wwx and wq share moment blah blah jc shows up blah blah

Lol

Jc sees that glowing talisman door thing and is like THAT SIGN WON’T STOP ME BC I CAN’T READ

And then whips it down with zidian

Now we get some feelings-laden Yunmeng bros time

A-yuan shows up and leg-grabs jc and it’s ADORABLE

But jc yells at him bc he’s a JERK

Wwx scolds jc and then is a Dad to a-yuan: don’t put your hand in your mouth, you were just touching dirt!

Awww, we get to see jc fight back a smile at this! HE WANTS TO BE AN UNCLE, I JUST KNOW IT.

Plot plot plot stuff happens

More plot stuff happens

And the episode ends with us still in the burial mounds with the yunmeng bros

And you know what, i’m just gonna focus on our BAMF mianmian moment bc quite frankly the rest of the episode either had me in tears of anguish or spitting mad. There was no inbetween. 

I’m gonna end up having blood pressure problems at this rate.

I’m too poor young to have blood pressure problems.

The Jin clan better pay for any medical bills I get because of them, I'm just saying

Return to Masterpost

[bookswithelli]

a darker shade of magic: review

synopsis:

Kell is one of the last Antari—magicians with a rare, coveted ability to travel between parallel Londons; Red, Grey, White, and, once upon a time, Black.

Kell was raised in Arnes—Red London—and officially serves the Maresh Empire as an ambassador, traveling between the frequent bloody regime changes in White London and the court of George III in the dullest of Londons, the one without any magic left to see.

Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see. It's a defiant hobby with dangerous consequences, which Kell is now seeing firsthand.

After an exchange goes awry, Kell escapes to Grey London and runs into Delilah Bard, a cut-purse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure.

Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they'll first need to stay alive.

review under the cut!

stars: ★★★★☆

First of all, although I rated this book 4 stars, there were some issues with it (mainly involving representation and characterization). I rated it 4 stars because I enjoyed reading it despite its issues, but I recognize that the mediocre representation may turn others away from this book.

characters & representation

Before I begin this section of the review, I would like to say that I am not visually impaired and therefore do not have any authority on that subject. My comments on the treatment of Lila's missing eye are merely based on my own observations and what I have heard from visually impaired people on the topic.

Lila:

A cross-dressing thief and aspiring pirate with a penchant for knives, Lila Bard brings to mind the likes of Inej Ghafa from Leigh Bardugo's Six of Crows and Elizabeth Swann from Pirates of the Caribbean. There were times when I really liked Lila; she can be sassy and morally questionable which is always interesting to see when well done. However, her character had a few issues that I wanted to address.

“Delilah Bard looked like a king. No...she looked like a conqueror.” pg. 289

When will fantasy authors stop romanticising conquerors and colonization?! This may be a smaller issue since aside from White London (which is villainized) there is no mention of it in the overarching plot, but this line just really bothered me. It makes me think that V.E. Schwab is a fan of adult and YA fantasy authors like Sarah J. Maas and others who write their main characters to be colonizers and romanticize it in the process. I don’t think this line was necessary at all, and I wish the second sentence had been removed or modified to something a little less problematic (e.g. she looked like a pirate/captain/etc.)

"How did you lose it...your eye?" -Master Tieren, pg. 327

It is revealed near the end of the book that Lila has been missing an eye for as long as she can remember, and she wears a glass eye as a replacement. This is all well and good, but the consequences of her impaired vision are never explored. The only reason the reader knows that Lila is missing an eye is because the author tells them. The narrative never discusses how Lila's lack of an eye affects her day to day life, and it's only brought into the story when it is needed for the plot.

It’s also worth mentioning that Lila is the only female character with a large role in this book, and no matter how “feminist” her character is, there’s not a lot of women in this book that are portrayed positively and with depth.

Rhy:

I actually really liked Rhy and I loved his relationship with Kell. I love sibling love in books and we so rarely get positive sibling relationships, so this was nice to see! It’s also really important to have queer people of color in books. However, I don’t think Rhy’s character is good bi/pan representation (I will refer to him as bi in this review for the sake of brevity, but it’s worth mentioning that neither term is mentioned so Rhy could canonically identify as either).

“He would flirt with a nicely upholstered chair, and he never takes anything seriously.” -Kell, pg. 254

As a queer girl who has identified as bisexual in the past and may in the future, this is bad bi rep 101. Schwab is perpetuating the stereotype of the “promiscuous bi”, or one who flirts and/or sleeps with everyone and everything. This is not a bad characteristic in itself, but it is harmful bi rep because that is the way every bi character is portrayed in media. It reinforces the idea that bisexual people in real life are all like this, and it also reinforces biphobes’ points of view when they say that bisexual people are more likely to cheat because they sleep with more people. This is pretty much the most common stereotype of a bisexual person, so while I doubt that Schwab intended to be harmful in her portrayal of Rhy, it shows that she did not do much research on LGBT+ rep when writing her characters. I do know that some bi people were not bothered by this; however, I believe that writers should stay away from stereotypes, especially when writing characters that are marginalized. Even though promiscuity is not an inherently bad trait, it is harmful when applied to bisexual people because it reinforces real peoples’ beliefs and affects real life bisexuals. This is especially important here because Rhy is the only narrative-confirmed LGBT+ character in the first book. It's not the worst representation I've seen, since Rhy does have a personality outside his flirtatiousness and promiscuity (in fact, it's confirmed that this is a coping mechanism for him) but it's certainly not the best, and I'm just tired of seeing bisexual people represented this way in fiction.

Kell:

I know a lot of people who didn’t like Kell very much, and that is understandable. However, I found him really compelling. It’s refreshing to see a male lead in this genre who’s not jacked and a brooding asshole whose only redeeming quality is his dick size. He’s definitely moody, but not to the point where he becomes an abusive alpha male type guy (yes, I am aware that this is a very low bar). I genuinely enjoyed his character because he’s flawed. He’s stubborn and moody but he’s incredibly caring and he genuinely wants to help people. He feels alienated from his family so he rebels and gets himself in trouble. His character is written well because he’s not perfect by any means, but he’s still likeable and you still root for him.

Holland:

Holland is what every YA love interest wishes they were. Honestly. He’s given no excuses for his actions, and yet he is still sympathetic. You understand that he is under the control of Astrid and Athos, but you also understand that all he has done for years is carry out their orders, and that changes a person. His story is heartbreaking, but that doesn’t change what he has done. He knows it, Kell knows it, Lila knows it, the reader knows it. Honestly, if he were in a YA fantasy romance, I bet Holland would be the love interest; his female “mate” would change him for the better, and he would never face the consequences of his actions. That makes his arc in this story all the more enjoyable. Holland is one of my favorite characters of all time, and not because he’s a perfect “book boyfriend” or whatever, but because his story and character are genuinely interesting and executed well.

worldbuilding

I loved the worldbuilding in this book. There was a bit of an info-dump in the beginning, but I’m willing to look past that because the world was so engaging and interesting that I forgot about the dense first chapter once I got past it. Each London has a distinct feel, and they are all almost tangible. The descriptions of each made me feel like I was in the Londons along with Kell and Lila. It seems like the system would be complicated, but Lila sums it up well:

“There’s Dull London, Kell London, Creepy London, and Dead London.” -pg. 198

After the initial info-dump, Schwab weaves information about the magic system seamlessly through the book, leaving enough mystery for the reader to wonder at what might happen in the next books, but never leaving out so much that the reader is confused. I really appreciated the rules that existed around magic. It’s draining, and Antari magic requires blood, which means there is a limit to how much you can perform at once. Magic is seen to affect the world beyond the characters and their main conflict, which I was very happy about as well. There are too many fantasy novels where the magic system has no rules and only exists to further the plot, but in this world you can see it everywhere. The politics of Red London and White London are affected by magic, even where it is not necessarily relevant to the plot. You can see small amounts of magic being performed in the streets of Red London: spells to protect from thieves, etc. Magic is normal for the people in Red London, and it is treated as such in the text.

pacing & plot

This book flew along. I’ve read it multiple times now, and every time, I can’t stop until I finish. And then I want to move along to the next book immediately. It manages to keep up a great pace and still build up to an exciting climax. Schwab’s lyrical writing is not flowery, but it draws the reader in and carries them along the story effortlessly. It’s very engaging and accessible language, which makes it a good stepping stone into adult fantasy (especially if you’re coming from YA).

Overall, I really enjoyed this book. The representation that it gets praised so highly for is disappointing, but aside from that I enjoyed most of the characters and the writing was beautiful. The plot and world were engaging and made me want to read the second book immediately (even though I’m on my 3rd or 4th reread). I would recommend this book for fans of YA fantasy who want to get into adult fantasy - this book is categorized as adult, but I found it a lot easier to read than other adult fantasies. For me, this book is a reminder that you can recognize the flaws in a book and still enjoy it, so remember to stay critical, even of your favorite books :)

[metellastella]

A Sad Tale of Queerplatonic Woe: How I Torpedoed my Chances at an Online Fandom Zine (for  Badgermao, though that’s not really the point)

Would you like to hear the story of how I Epically Failed at online social interaction? Well strap in and buckle up, kids.  Now, I first want to say, that this is a problem that plagues MANY online spaces, so the good people over at this Discord are in no way unique in this issue.  I don’t think there were faults on any side, really, just fundamental misunderstanding.  But, that doesn’t change the fact that they’ve been blocking me, which, I’ll readily admit, hurts me a lot. 

If I may bear some insight into the matter, it’s that online spaces are relatively new, and don’t tend to view themselves in terms of real life structures. To draw those parallels. But, if they did, I think they’d start to see what’s wrong. So. Let’s begin. 

I wrote a piece for them that was ‘queerplatonic’ instead of romantic. Now, they knew and understood what that was. But, it included a tentative romantic interest for one of the characters. I offered to cut that part out. 

They turned that down. 

Then, I offered them another piece, that, again, was not romantic. But that wasn’t the problem this time around. They were super nitpicky about the process by which I needed to submit a piece. So, they rejected that one as well. 

So, I start up on a third idea. Again, some wrangling over the submission process. They are more rule-bound than an assistant principle who runs a school like a Drill Sergeant. I’m a teacher, and I’m saddened by that type of person. Who can’t be even the smallest bit flexible. Like a grumpy grandpa who won’t let go of outdated ideas. When I teach, I try to let the kids have as much free reign as possible. I don’t enforce rules with an iron fist unless it is absolutely necessary. If I tell you to line up along the wall during a fire drill, you had better do it, because you need to be mentally preparing for that scenario, not goofing off. As far as other rules go, I allow them to talk and give me feedback on them. They are simply not as big a deal! So, more like a democracy, or a collectively owned business without a ‘boss.’ Even though I’m ultimately in charge. But here on the internet, where you’d maybe expect people to be more accommodating than the harsh unforgiving bureaucracies of the real world, on Discord, exact and strict rules and authority prevailed. That third idea of mine was rejected too. So by now, I feel like I have the patience of a saint. I am polite with them. I try to explain myself. But they are all dead set and convinced I am either deliberately inciting, or just ‘dumb’ somehow. So finally, I have a FOURTH idea in place. They accept that one, but I haven’t started writing the actual piece yet.  What causes people to treat totally arbitrary, low-stakes rules that they made up on the spot, as a life or death matter? Or even just some Divine Right passed down from on high, like a king? I have to scratch my head on this, and repeat what Tanya said to Mao, in the cartoon in question, which was,  ‘All rules are made up.’ There’s a reason I’ve totally lost myself in that show. It has bits of wisdom, among the many lighthearted and heartwarming moments. Authoritarianism can get downright scary when it’s involved with REAL power like governments, not goofballs like Snugglemagne, but thankfully, on the internet, it’s only really unfortunate, and not much consequences outside of that. Unless you’re dealing with a suicidal person, which I most certainly am not! So, it’s not like they’ve committed some great crime against me, even though it feels that way. What determines if rules should be negotiable, or not, is whether someone’s safety is at risk.  And that turned out to be relevant in this situation, I think.  So, what finally made them wield their authority over me, which, in my opinion, is an abuse of power just like any government or corporation, and bring down the ban hammer? I posted a link to a Tumblr post of mine, that had a joke in it about ‘soft’ and ‘hard’ boundaries. Now, I don’t know if you know what those are, but they can be used to vastly improve a person’s mental health, by informing people what emotionally hurts them, or even ‘triggers’ trauma or anger issues. They are great tools for general life.  This enables people to manage their emotions, such that they don’t get burned out. 

However, the terms originated in the BDSM community. In my opinion, with utter TRASH like Fifty Shades of Gray circulating in the popular media, and easily accessible to kids, it is especially CRUCIAL for people to understand that consent boundaries were crossed in that story!! It’s not ‘bad’ because of content, necessarily- though I certainly won’t let any child of mine near it- it’s bad because it doesn’t properly display CONSENT!!! Also, that if you ever develop an interest in that, IT DOES NOT have to involve the sado-masochism part, nor does it even have to be sexual. Yes, it can totally be queerplatonic. No social pressure or assumptions should be applied to anyone, no matter what their age. Period. Some people are traumatized or emotionally unhealthy enough that even verbal consent from them should be treated with caution. All that said. These people completely lose their minds over this. The nuance and good intent of the post is totally lost on them. They get out the pitchforks and hunt me down for the witch burning. Any mention of BDSM on a SFW server is tantamount to a cardinal sin. And you know what? I understood! I told them I was fine with that. It made sense! I apologized! I was completely and totally willing to follow that rule. 

Because, for that one, I can see how it might be related to safety.  But more miscommunication, them not understanding my words and being eager to play Big Enforcer, not ‘walking softly and carrying a big stick,’ as President Roosevelt said, but absolutely itching to curb-stomp me. I was trying to talk to two mods at once or something, and I find myself booted out. I haven’t been this inspired to write in five years. And now, because I have been unable to ‘grease the wheels’ of this interaction, I feel like my experience in this fandom has been marred. I’m NOT about to leave the fandom, by any means. I’m still writing almost every day. And drawing lots of Mao in different styles, as I have previously. But it’s going to take me some time to emotionally recover from this fairly devastating blow. 

[spectralarchers]

I was about to reblog that "found family baited" post about for the Avengers cause like "yes, I was baited--" but I already spread my salt on the earth for the day... I just want everyone to be happy and have civil war not happen... though Clint looked Great in it... I want One Movie Night... just one T~T

I know, believe me.

I find it fascinating to look back at why Civil War was made - because the decision to make the 3rd Cap movie based on that storyline in the comics only came about AFTER DC announced their Batman v Superman movies.

The Russos hasn't exactly decided what they were going to do after CATWS, but they apparently wanted to mix things up and give viewers something they hadn't seen before (which, looking at the state of the MCU in 2020, could've been anything like Black Panther or the Ragnarok approach, because there's so much they could've done instead).

However, some people (Feige) saw that DC was launching the conflict storyline of Batman v Superman, AKA superhero vs superhero, and someone (Feige) was like "we're going to do the same thing because we're super unoriginal!" (just like they didn't dare make Black Widow, until DC showed them that women led superhero movies work with Wonder Woman, and then, all of a sudden we get Captain Marvel, rushed in before Endgame because FEMALE LED HERO, OMG, WE'RE SO PROGRESSIVE, BW is getting the green light, when, maybe, the ScarJo ship has sailed many moons ago, but that's yet another discussion).

Sometimes, in the dead of night, I think about how different the MCU would look if Feige and other members of the board hadn't been worried about how DC movies would do and hadn't copy pasted their ideas onto the MCU.

Suicide Squad is maybe something like GOTG, Batman v Superman is Civil War, Wonder Woman and Captain Marvel share some of the same structure, and Justice League failed because it tried to be too much like Age of Ultron, but without the proper build up.

The only two movies between the franchises that were alike AND successful (in my eyes) have been Ragnarok and Aquaman, and there's probably a discussion to be had about Taika Waititi and James Wan being the lead creative force behind them instead of people like Russo/Feige and Snyder/DC.

So, basically, the MCU could have looked so very different, if Disney had believed in their recipe.

I do think, however that around 2013/2014 (when all these movies started getting their first pitches), a shift was happening in popular culture, mostly led by Game of Thrones, which was changing the way popular culture was handling its storytelling: you could kill main characters, create conflict, and forget the happy endings and still be successful. I think, in a way, The Hunger Games also shifted that way of telling stories, by inciting more dystopian stories, where the ending wasn't bubblegum pink and unicorns, but more nuanced.

And I think that's where the shift and problem happened, because from the moment all the 'happy endings' (found family, lived happily ever after, etc) started getting pushed aside, we started getting Civil War, Batman v Superman, etc. There's probably more examples to give, but I'm typing this from memory on my phone, so I'm too lazy to look into blockbusters from the 2016-2018 period, but wasn't there also a Transformers movie where Optimus Prime becomes the bad guy?

The nuance we got in the good season of GoT, and which was practically flawless in THG is hard to write, and even more so when we're talking Disney/MCU, so when they tried to go down that road, they lost their proper appeal and the whole 'found family' feeling we'd liked this far.

(I'll draw a parallel to RL as well with the rise of certain political movements which made real life less bearable, and when we wanted to see happy things in our popular culture, we started seeing conflict, war and pain instead, and that wasn't satisfying because please, we have enough of that in our every day life already).

So.

Yeah.

I can't remember the point, but I agree with you. I wish the MCU had gone down another road that didn't involve splitting the team apart for the sake of plot and renewal, all because a competing studio was doing the same thing - you'd have more fleshed out villains (Killmonger and Hela are standouts, but again, look at who wrote them, vs Zemo, Ultron and Thanos) and more compelling stories that would involve critical thinking a little bit more, in my opinion.

[b-witchered]

Eeeeeeeeeee! I love tgia SO MUCH❤️ Any chance of more Renfri and Renfri&Yennefer? 🥺 The parallels on chapter 11 were f***ing amazing. (Thank you for writing the alive!Renfri we all deserved)

Renfri and Yennefer definitely get more scenes together! However, I do fear I’m setting up some of my readers for failure oops. Renfri/Yennefer as a couple isn’t going to happen within the scope of tgia for a few reasons

PUTTING THIS UNDER THE CUT, plus a little tgia snippet from the next chapter, because i have never been accused of being concise in my life

Honestly? They might have slept together at some point when Geralt and Yennefer were on the outs. They’re both very attractive individuals, danger and almost dying clearly gets Yennefer fired up, and Renfri has been known to make questionable sexual choices when it comes to Very Dangerous Individuals. So their relationship probably does include some flirting, some pushing of boundaries, some erotic subtext where Renfri has at least once put her sword under Yennefer’s chin and tilted it up

But when it comes to an actual relationship, Renfri at least is smart enough to put her foot down. They’re fine as rivals-friends-frenemies, but Renfri has some serious trust issues. Especially with mages. Especially with brotherhood mages. Yennefer knows Stregobor. She might not like him, but they belong to the same order. 

And then there’s the big thing between them: Yennefer wants kids. She wants, desperately, to be a mother. This is tied into her whole desperation for unconditional love thing she has going on. Renfri? Does not want kids. Absolutely against them. If she somehow gave birth tomorrow, that kid would be either adopted out or in Jaskier’s care quicker than you could say “curse of the black sun”. It’s not even that Renfri doesn’t like kids. She’d be a great weird-aunt-who-gives-an-8-year-old-a-real-sword-as-a-present. But Renfri does not want to be responsible for a child’s life and health and safety.

There are other little things. I love comparing and contrasting Renfri and Yennefer in tgia honestly because it’s so much fun? Yennefer was born a peasant and clings desperately to the power and prestige her magic affords her. Renfri was born a princess and cast it aside with pride so that she could be as unladylike as she pleased. Both of them knowing that power means sacrifice. It’s a gilded cage to be sure, but it’s still a cage. Yennefer was willing to make the sacrifices and change herself to gain power while Renfri ran. Granted, Renfri ran for many reasons but let’s be real, tgia!Renfri wouldn’t have stuck around to be married off and shuffled away to a quiet corner of the kingdom, out of sight out of mind. 

Renfri was a princess, but her father was a King with male heirs. No matter what parallels I draw, her situation was vastly different from Princess Pavetta, sole heir of Queen Calanthe. And even then, even then with circumstances giving her great importance and a parent in power who should have been sympathetic to her plight, Pavetta was still a pawn on a board who was expected to marry a man she did not love for a political match and then become a background trophy. But even so, Pavetta would always have been Queen and the keeper of her bloodline, and so retained at least some power. Until she produced an heir of course, after which she would have become... less important to keep alive.

Renfri on the other hand? After Jaskier’s birth, she’s a spare. Jaskier is the male heir, and so he got to leapfrog over Renfri in the inheritance. Renfri is officially a bargaining chip, one that doesn’t even have to be compromised with because she is not going to be running the country. As best she could maybe hope to strike a political match with a prince and become a queen of somewhere not her homeland, with little power and easily replaceable. But Stregobor claimed Renfri had internal mutations, ones that might make her sterile, and so as a bride she would be... undesirable to say the least, except perhaps as a bride to a widower who already had heirs to follow him and needed no more. Perhaps to a second son who needed a bride but whose family tree needed no new branches. Which means she would likely be married off to a man, possibly very much her senior, probably not a King but perhaps a Lord (or lord’s son) currently in the king’s favor. This choice would have been made for her, and she would have been expected to accept her new position with grace.

Yennefer’s father sold her away as well. Yennefer’s father struck a financial deal. Renfri’s father’s deal would have been political in nature, likely. Yennefer was bargained away to the brotherhood, Renfri would have been bargained away to a man. 

(me, loudly: what about the implications of a mage organization comprised of all genders being called the brotherhood.)

Renfri and Yennefer each have. A lot of issues. A lot of these issues would make then incompatible for a longterm relationship. Renfri needs someone she can feel safe with, and that someone is never going to be a brotherhood mage, even if it could even be a mage at all. Yennefer needs someone who loves her unconditionally, who places her first, always. She needs to be someone’s first priority. That doesn’t necessarily have to be a romantic relationship mind you, but either way that person can’t be Renfri. For Renfri, her first priority is Jaskier. Always. Just like Jaskier’s first priority will always be Renfri. 

(He loves Geralt, he does, but if Geralt was his first priority then he would have told him about his sister long ago. Geralt is important to him, and he would move heaven and earth for the Witcher, but his sister is the only family he dares to claim and he defeated death itself in her name.)

Yennefer and Renfri both have serious control issues as well. Yennefer has literally mind controlled Geralt before, has manipulated him, and keeps him on his toes. She has this need to be in control, and for the most part Geralt is fine with following where she leads, and that makes her feel safe with Geralt. Up to and until she finds out that Geralt’s wish might be the reason why she loves him, and then all of a sudden it isn’t her in control, it’s some untamable uncontrollable magic, and she absolutely flips her lid. She’s furious! She feels betrayed! All this time she thought she was in control, but then she finds out that Geralt tied their fates together or whatever. 

(Thankfully, this isn’t an issue in tgia, but Yennefer also doesn’t exactly love Geralt in tgia so much as she loves being loved. Their major conflict in tgia is probably going to be about children, honestly, because Geralt sure as fuck doesn’t want any.) 

Renfri? Also would very much need to be in control of a relation. Maybe especially the sexual aspects of it considering her trauma involving that. She’s pretty, and that hasn’t done her any favors. She bristles under restrictions and has broken the door of every cage people have tried to shove her into, including death though she had a little bit of help from Jaskier breaking out of that one. She’s protective, and secretive, and has trust issues a mile wide. She never even tells people her name. Every piece of personal information is carefully controlled. And who can blame her for her trust issues a mile wide? She was assaulted when she was fifteen. At least one man she willingly lay with literally murdered her the morning after (thanks Geralt). Renfri has issues with intimacy.

So yes, while I love throwing them in scenes together and I love their snarky terrible friendship where Yennefer proposes they do something terribly dangerous and Renfri is like “...i mean i GUESS i’ll go.” unless she has a prior commitment OR it conflicts with her primary motivation of protecting Jaskier (getting too close to Geralt threatens this purpose), they won’t be getting together in the scope of the fic

which i hope people won’t be too disappointed by oof

sorry for writing you a whole essay about Renfri and Yennefer when you probably did not want it lmao, as you can see this has been pressing on my mind and tumbled about more than a little bit. 

(honestly though if Pavetta hadn’t been married to Duny and hopelessly in love with him, I might have shipped her and Renfri tbh. They had plenty in common, Pavetta had magic and would have been powerful enough to defend herself but wasn’t a brotherhood mage, they got along well and had inside jokes, the only thing standing in the way of that ship (besides Duny and. you know. the whole death thing) is that Renfri wouldn’t be too keen on becoming a queen/having to deal with shithead nobles again and the whole issue of Stregobor. But Renfri is a princess of a royal bloodline, was raised to be royalty with knowledge of court customs, and is a trained and blooded warrior. Let’s be real, Calanthe would have loved Renfri as a daughter-in-law. Renfri is exactly the ruthless sort of heir Calanthe would adore. There would be the issue of an heir of course, but as long as Pavetta was the one pregnant it wouldn’t be a big deal because Pav’s the one with the important bloodline to carry on.)

ANYWAY you have been very patient with me so here is a tiny Yennefer and Renfri snippet from the next chapter - 

As soon as they’re alone, Renfri turns to Yennefer. “I’m going to kill you for this. One day. Sleep with one eye open, Witch.”

“Come now,” Yennefer teases, “It can’t have been that bad.”

“I genuinely can’t tell if he’s criminally stupid or just ignoring the obvious.” Renfri hisses, “I’m carrying a sword. What kind of handmaiden beheads a bandit?”

“A very loyal one.” Yennefer offers, but she’s trying way too hard to keep a straight face and Renfri can see the smile she’s doing her damnest to contain. 

“You’re lucky I didn’t kill him in his sleep the fourth time he started extolling your virtues for taking an ‘unpolished peasant’ under your wing.” 

That makes Yennefer break face and give a most unladylike snort that she covers with one dainty hand. “You know,” She says, laughter still in her voice, “I wouldn’t need him if you just agreed to go with me.”

“If this is you trying to annoy me into going on an adventure with you, the answer is no.” Renfri immediately states. “Need I mention the last time you talked me into going monster hunting for you? There was a fucking manticore nest, Yennefer.”

“You enjoyed yourself, admit it.” Yennefer smiles with a flip of her hair.

Renfri presses her hand together and then presses them to her lips like she’s about to start praying for Yennefer to get some sense in her empty, empty head. “You are literally insane. You know that right? Stark raving mad.”

[wainwrightjakobshammerlock]

finally. i decided to do this. anyways hello there, i am jake and today i want to talk about something; you see, if you are in the tf2 fandom, you probably know about heavymedic. Wherther you are a hardcore gamer who resents f2p’s or a person that never played the game but has trillions of notes on their art- you know heavymedic exists and most of all you probably ship it.

And I find that weird. In the few fandoms in my life I have been in I had never seen a single ship be so widely if not shipped, then accepted. Sure, maybe everyone in the GF fandom knows what Billdip is - for better or for worse. Sure, maybe the HS fandom is 70% shipping.

But I have never ever seen such a phenomenon in a prominent multiplayer game fandom. A fandom, sadly, oftentimes filled with toxicity. Overwatch is very similar here - yet ships are either a hot topic of discussion or straight up ignored. But TF2? In here for whatever reason we ship these two mercenaries. And in this essay I will try and find a reason or two why is that.

Apologies for any mistakes or incoherency. English is not my first language, I need to ramble, and my vocabulary is all over the place.

Content warning: mentions of homophobia, blood, death, mentions of WLW fetishization, nsfw mention. Also MASSIVE SPOILERS FOR THE TF2 COMICS.

Part 1: Canonical Evidence and Interactions

Let’s be honest: I could ramble about this one for days on end. But I’ll try and keep it short.

First and foremost we have the official videos. And of course the first thing that comes to mind is Meet the Medic.

At the very start of the part where Medic himself appears, we see him telling a joke about a particularly gruesome situation to Heavy.

He laughs along with him, visibly enjoying his company. He even smiles as he waits for another joke. Heavy only shows genuine fear a lot later.

And of course this damn scene always cracks me up. Medic slightly pinches Heavy’s cheek and strokes his lip gently (the other part is almost not noticeable unless you play the video at slow speed).

Of course we all know about the Hand Hold that happens somewhere halfway in the vid. I don’t think I have to explain the gayness in that. The fact their hands stay interlocked even after Medic helps Heavy up. The deep breath Medic takes because even he cannot handle the emotions. That few seconds is unresolved sexual tension manifest.

Overall the short shows a strong feeling of trust between these two. Medic confides in Heavy and reverse. Yeah he puts a baboon heart into his friend’s chest cavity but the fact (as proven at the end of the video) that Heavy was the first one to have an Ubercharge implanted into him shows that Medic at the very least considers him a lab rat.

I treat End of the Line as non-canonical, as do many others, and as such won’t discuss it here. But it will forever crack me up that Valve endorsed such levels of homoerotic subtext.

These two have some short moments in other videos, like for example in Invasion Heavy helps Medic up (CINEMATIC PARALLELS) but it’s nothing major so I guess I’ll skip forward.

Second is their interactions ingame. You might call me a weirdo for trying to find stuff in there but holy shit I have things to say and I’m going to say them.

You thought I was going to fanboy over the “i love this doktor” voiceline huh? Well not really. I wish these two had unique lines if they assist one another.

Heavy is literally listed on the official wiki as the “ideal medic buddy” and multiple pages on that exact wiki say some pretty interesting things.

I have to say something about the Gentleman’s Ushanka and/or Pocket Medic. They are both community cosmetics - but the fact they both got accepted by Valve says a lot. Above is text snipped from the actual wiki.

Last but not least: The Comics. Darned comics. The pair of mercenaries has basically no interaction - unless you count issue 6.

Heavy getting absolutely PISSED when Medic is killed by Ch*avy. Their reunion. Medic referring to Heavy by “my friend” in a totally straight way. Kind of sad Valve wasted an opportunity for them to hug. Maybe they knew their comic artist ships them and wanted to avoid having to answer the Question™.

Part 2: Dynamics

This part’s a bit trickier, mostly due to the reason that I’m new to this whole dynamic analysis thing. Yeah I’m good at spotting canonical evidence but very specific shipping dynamics often escape my gaze.

The most obvious one is Big Guy, Little Guy. Quoting the TVTROPES page:

[…] This trope describes a pair of guys who always fight together, are best friends forever, and quite often have a very obvious hierarchy: The little guy is often in charge […] The little guy is usually listed first, since he’s the leader, and they are always listed together, as if they are one entity. In fact, some episodes may center on the fact that they can’t live without each other. […] If this is a case of Brains and Brawn, the Big Guy is usually the Brawn, and the Little Guy the Brains. It’s almost never the other way around, but in some cases the Big Guy can be rather smart too. […]

A sub-type of this, a common favorite here on Tumblr is known as “small chaotic big calm” and hoo boy if that isn’t these two. I don’t really have much to say here - again I am not an expert.

Part 3: Fandom Impact

So you don’t think Red Oktoberfest (as Heavymedic is sometimes called) is super popular on anywhere else than Tumblr? Wrong.

It’s hard to find TF2 fics on Archive of Our Own not tagged with Heavy/Medic. Of course most of them only contain hints to their relationship but go in the main tf2 tag and I can guarantee you, you’ll gonna see “implied heavy/medic” all the time.

But these two go further than AO3 or Tumblr or Instagram or whatever. They are recognized even within the wider circle of the fanbase. Take this SFM, for example. (I am using the Saxxy Awards version of Secret Lives here mostly due to the fact that the Heavymedic moment is much gayer. In the normal version, the dialogue isn’t changed, but they simply hold hands.)

But it gets deeper. (WARNING: THE GAY MOMENT IN THIS ONE IS NSFW. NOT EXPLICITLY SO BUT JUST A HEADS UP TUMBLR PLEASE DO NOT FLAG ME)

And the best part? The comments are extremely positive. You’d expect hoards upon hoards of homophobes screeching but no, the comments are supportive. Even on places such as Reddit or Youtube, comments like “yeah they’re gay and in love” do not get downvoted/disliked to hell; in fact the opposite.

Part 4: Canon Status

Let’s be real. Most ships are shipped because people want to explore the dynamics in fanfic, fanart or something else. But Heavymedic is shipped because… well, I have no idea.

Actually, I kind of do - but only theories. You see, while the canonical evidence is here, the creators have never said anything about them. No confirmation, no disproval, no hinting, nothing.

But the ship is so prominent! There has to be something causing this!- you say. And to that I present you 2 theories on why Heavy/Medic is so popular.

Theory number 1 states that we simply all choose to interpret their interactions as homoerotic. And this is very easy to disprove - there’s simply no way we just collectively agreed on these matters out of nothing. There has to be something bigger.

And theory 2 states that, well, our interpretation is the desired interpretation. But this is even more ridiculous than theory 1 for a number of reasons. If they are in fact gay, why hasn’t Valve made them canon yet?

A Theoretical Scenario

I am going to ramble big time on this one, so buckle up lads. I’ll discuss a theoretical scenario in which, well, if that was not obvious, Valve confirms Heavymedic as canon. Maybe then we will see why they will probably never do so.

TF2 is considered by typical capital G, alt-right Gamers as a “non-political” game. This means no women (in the game itself, at least, and if even, sexy women only), no queer folk and no minorities (for some reason they accept Demoman but throw a fit if someone draws any other merc as not being pearl white). Team Fortress 2 was around before Gamergate and other things like Gamers Rise Up. It’s a classic and Valve is regarded as the good guy to Epic Game’s bad guy. If Valve did anything to confirm doubts, wherther it be clearing up popular fanon or confirming ships, these people would throw hands. (Although they seemed to ignore when one of the writers confirmed Miss Pauling is a lesbian. Huh.) Even those that don’t play TF2 would come to the aid of their bros.

Let me illustrate with two very similar examples. In both cases these confirmations were the first made by the company as a whole, both are fairly recent and both confirm a character as gay.

First we have the confirmation of Tracer from Overwatch as a lesbian. It was done in one of OVW’s comics. Tracer is the FACE of Overwatch as a whole and while most of the fanbase accepted it (thankfully the Gamers are reluctant to infest ow), some people threw what I can only describe as a hissy fit. At least her girlfriend’s a background character.

Second is Neeko from League of Legends. Unlike Tracer she was added a while before it was confirmed she was gay. LOL is much more toxic and filled with Gamers than OW and holy shit people smeared LOL so much.

Of course these are not accurate to Heavy/Medic. In both of the cases I listed it was girls being wlw and we all know how much cisgender heterosexual gamers LOVE yuri porn. Apparently only girls can be gay because they can jack off to it - if it’s two guys then it’s disgusting. Nevertheless I think these are good approximations - in every case the company gets “shat on” on social media and other sites. With the community that Valve has, I think even if they wanted them to be gay, they would never ever confirm it.

Conclusion

I’m sorry for that ending. I had to theorize a bit. Regardless I’d love if you shared this on other sites, reblogged or whatever - I wasted at least 1 and a half hours of my life on it. Feel free to cite this as a source if someone asks you why you ship the big heavy weapons expert and the feral battle medic.