#dr. octavia cox

[princesssarisa]

My post about whether or not Lydia should be saved from Wickham in modern Pride and Prejudice retellings has gotten more likes and reblogs than I expected. It's made me think of another possibility of why Austen didn't save her from him.

Presumably, Lydia and Wickham's marriage could have been avoided in only three ways that would have left Lydia's reputation intact. The first is if they had only been planning to elope, but it was prevented, as with Georgiana. The second is if they had been found earlier and separated before Lydia lost her virginity. Or else Lydia could have listened to Darcy and left Wickham, and then Darcy could have used his influence to protect her honor: e.g. by claiming that she was kidnapped, or by arranging a decent marriage for her.

If Austen had wanted to make any of those choices to free Lydia, she could have done it without drastically changing the plot. But if she had, it might have felt a bit too "literary" and unrealistic.

I've just been re-watching some of Dr. Octavia Cox's literary analysis videos on YouTube. They reminded me that Austen always loved to skewer the tropes and clichés of other literature, especially Gothic melodrama, whether in outright parody or in subtler deconstruction.

Dr. Cox's video on the elder Eliza's fate in Sense and Sensibility particularly highlights this trend in Austen. She argues that Eliza's story is a classic, clichéd Gothic melodrama (a beautiful orphan, an abusive uncle, thwarted romance, forced marriage to a cruel man, a "fall" into a life of "sin," and ultimate illness and death, all narrated by Colonel Brandon in heightened, poetic language), and that Austen's point in including it was arguably to highlight that this wouldn't be the fate of her heroines. Marianne comes close to it with Willoughby and with her near-fatal illness, but in the end she's saved. Austen's point was arguably to say "Yes, I know all about this type of melodrama, I know all the clichés, but I'm relegating it to the backstory, because that's not what I want to write."

(I don't know if everyone would interpret the elder Eliza's storyline this way, but it's how Dr. Cox reads it.)

Maybe with Lydia's fate, and with the backstory of how Georgiana was freed from Wickham, Austen was doing something similar.

I'm not enough of an expert on Georgian literature to know if the rescuing of girls from predatory men with their virginity and honor intact was a cliché or not. But it does appear in late 18th century comic opera. For example, Mozart's Don Giovanni: the title character is the ultimate womanizer, but he has no success with any of the women he tries to prey on over the course of the opera. His seductions are stopped by the timely, chance arrivals of his enemies, his victims get away unscathed, and he pays for his crimes with his life in the end. Or The Marriage of Figaro: the Count's designs on Susanna are thwarted, and he's humiliated and forced to beg his wife's forgiveness.

If stories of womanizers being thwarted and punished, and their female victims saved with virtue intact, were as common in the literature of the day as they are in opera from that era, then maybe Austen used Wickham and Lydia to deconstruct them.

We definitely see some skewering of poetic cliche in the fact that despite Mrs. Bennet's fears/hopes, Lydia's honor is saved with a bribe instead of a duel.

Maybe like the Eliza backstory in Sense and Sensibility, the backstory of Georgiana's near-elopement can be read as a more perfect "literary" example of a girl escaping a cad's clutches. The elopement was thwarted partly by pure chance, as Darcy paid a surprise visit just before Wickham and Georgiana meant to run off, and partly because Georgiana was a “good victim,” whose conscience got the better of her and who chose her family and honor over her whirlwind romance.

But similar luck isn't on Lydia's side, nor does she make the right, “virtuous" choices. Darcy doesn't find the lovers until Lydia has already been living with Wickham, and like a typical reckless teenager, she cares nothing for either her reputation or her family compared to her infatuation with him. So Darcy is forced to bribe Wickham to marry her, Wickham goes unpunished except that he loses his hope of marrying rich, and all the characters have to live with the results of the scandal for the rest of their lives.

By having Georgiana's successful escape from Wickham be mere backstory while foregrounding Lydia's lack of escape, maybe once again Austen was saying "I could have freed Lydia this way – I know the tropes other authors might have used to free her – but I'm a more cynically realistic writer than that, so I won't."

I have no idea if this is valid or not, but it's a theory.

[buddyhollyscurls]

if u ever feel like ur lame, nerdy, whatever just think about how it's Fri night and I am starting Dr. Cox's new video analysing Jane Austen's Persuasion and she's gonna be talking about how the Musgrove's are introduced using prosopopoeic ekphrasis and when she said she's gonna explain it using a passage from Charlotte Bronte's Villette I literally went ooohhhh out loud

so comfort yourself by knowing how lame u THINK u are I will always be lamer

[bethanydelleman]

Not the last anon but Austen is a great pick for ESL people who are into classic lit! When I read pride & prejudice I didn't have that much trouble (googling words here and there ofc) so i decided to fly a bit closer to the sun and got Julius Caesar by Shakespeare. Suffice it to say each scene took me ages lmao.

But yeah Dr Octavia cox has some very very good videos on YouTube about classic lit (most of it ab Austen!) and some useful historical context on rank, letters and other info on relevant British culture. Very useful for those of us on the other end of the world!

Nice to hear! I know even native English speakers can struggle with Austen's language sometimes, but as you say it's nothing to Shakespeare. I find the more I read from a time period the more I am able to understand new texts. However, I will forever be impressed by people reading Jane Austen in a second language because while I can read French on a basic level, I could never attempt to read literature in any language other than my own.

I occasionally disagree with Dr. Octavia Cox, but she is an excellent resource and you are right that there are a lot of helpful resources online about British culture in her era.

[queenofsliferred]

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Hazel Nylan , Stephanie McCormick

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Story-less OCs:

Stephanie "Desu" McCormick, Stephen "Boku" McCormick, Aisling McCormick

Rhubarb

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[princesssarisa]

I was just thinking of making a post on this subject, because I just listened to Dr. Octavia Cox's YouTube video about it.

She devotes most of her video to examining the text and teasing out the canon explanation. Wickham had to flee from his gambling debts anyway, and Lydia threw herself at him (based the line about how their elopement was brought on by the strength of Lydia's love, she may have been the one to suggest they do it), so, in effect, he decided "Sure why not?" But at the very end of the video, she suggests that maybe Wickham infers from his last conversation with Elizabeth that she and Darcy might have romantic feelings for each other, and hopes to use Lydia to extort money out of Darcy for Elizabeth's sake. But I'm tempted to agree with you: if that were Wickham's motive all along, then why does he go into hiding so that it takes effort for Darcy to find him, and why doesn't he straight-up send a ransom note?

More than once in the past, though, I've also read the theory that Wickham targets Lydia as revenge on Elizabeth, for turning cold toward him when he tried to renew their flirtation and for speaking well of Darcy at their last meeting. One of the comments on Dr. Cox's video also suggests that maybe Elizabeth's changed attitude toward both himself and Darcy makes Wickham suspect that Darcy told her about Georgiana, so he uses Lydia to disgrace the Bennets and discredit Elizabeth in case she tells anyone. Do you think either of those two theories are valid? Or is this another case of fans trying to make everything the other characters do revolve around Elizabeth, even when it's not about her?

Maybe I'm forgetting something that was obviously touched on, but is it clear why Wickham seduced Lydia? Just because he could/thought he'd get away with it? It's not as if there were money involved as with Georgiana...

[feministfandomforever]

Watch "Mr Wickham’s manipulations of Elizabeth Bennet about Mr Darcy in Jane Austen’s Pride and Prejudice" on YouTube

[ibijau]

@ the anon who just sent me an Austen inspired prompt: FUCK YEAH

it’s on my (re)reading list, too, as soon as I finish P&P

[afairmaiden]

So I could have sworn someone wrote a Tumblr essay on this, but it looks like I was actually thinking of this video by Dr. Octavia Cox:

Full article here for anyone who doesn't feel like watching an hour and a half long video: https://www.mdpi.com/2076-0787/11/6/132

@whilewewereyetsinners @the-old-fashioned-girl @incomingalbatross Can any of you help me find the post on Jane Austen's use of "wit", particularly in Pride and Prejudice and Emma? I thought I reblogged it but search is failing me.

[sweetfirebird]

Watching the Dr Octavia Cox video about Jane Austen and $$. Every time I read or watch something about a historical writer, it reminds me that writers not getting paid enough from their work is... an eternal problem, a problem that only gets worse if the writer is a woman (and/or non-white). But also, the idea that Jane fucking Austen was supposed to be a proper lady, who only wrote for fun, and didn't take pride in being in author and had no interest in money... versus her actual letters to people discussing the sales she wanted to get and when she got paid and the pride she took in her books being published.

Pay writers.

[vivelareine]

Dr. Octavia Cox: Pamela by Samuel Richardson | 18th Century Novels & the Development of the Novel Genre | ANALYSIS

PAMELA by SAMUEL RICHARDSON | ‘Pamela or Virtue Rewarded’ revolutionised the novel genre. Why did Samuel Richardson write Pamela in the first place? What had Richardson noticed about previous 18th Century novels that he capitalised upon, & adapted, with such extraordinary success? Analysis of the development of the 18th Century novel in English literature.

[buddyhollyscurls]

put P&P 2005 in the background earlier while i did hw and wrote and now I'm watching this analysis video by Dr. Octavia Cox on who snitched on Liz to Lady Catherine when she goes to Longbourn to confront Liz on being engaged to Darcy and she mentioned how there was this book that said Charlotte could have maliciously done it to "get back at Elizabeth (whoever wrote the book is WAAAYYY off doesn't even know Charlotte's character at all -100/10 so i won't be mentioning it) . And Dr. Cox is p much defending Charlotte (obviously) and saying how it was actually Mr. Collins who snitched right? And she's talking about how Charlotte was always keen on how Darcy liked Liz and she quotes the book when in ch 32 it goes, "He (Darcy) certainly looked at her friend a great deal, but the expression of that look was disputable. It was an earnest, steadfast gaze, but she often doubted whether there was much admiration in it, and sometimes it seemed nothing but absence of mind."

Something about this quote was just so funny but also incredibly sweet to me like I'm just imagining Darcy so lost in love with Elizabeth and working so hard to conceal himself that he just stares at her as if he's zoning out but in actuality yk his mind is just going blank from her pretty eyes or seeing her laugh

[thecrownnet]

Emmy Nominations By Program:

Watchmen - 26 The Marvelous Mrs. Maisel - 20 Ozark - 18 Succession - 18 The Mandalorian - 15 SNL - 15 Schitts Creek - 15 The Crown - 13

Here’s the full list:

OUTSTANDING DRAMA SERIES

Better Call Saul The Crown The Handmaid’s Tale Killing Eve The Mandalorian Ozark Stranger Things Succession

OUTSTANDING COMEDY SERIES

Curb Your Enthusiasm Dead To Me The Good Place Insecure The Kominsky Method The Marvelous Mrs. Maisel Schitt’s Creek What We Do In The Shadows

Outstanding Lead Actor In A Comedy Series

Black Monday Showtime • Sony Pictures Television, Point Grey Pictures, Shark vs. Bear, After Alaska Don Cheadle as Mo Monroe

black-ish ABC • ABC Studios Anthony Anderson as Andre “Dre” Johnson Sr.

The Good Place NBC • Universal Television in association with Fremulon and 3 Arts Entertainment Ted Danson as Michael

The Kominsky Method Netflix • A Warner Bros. Television Production Michael Douglas as Sandy Kominsky

Ramy Hulu • A24 Television Ramy Youssef as Ramy

Schitt’s Creek Pop TV • Not A Real Company Productions, Inc. Eugene Levy as Johnny Rose

Outstanding Lead Actor In A Drama Series

The Morning Show Apple TV+ • Media Res Steve Carell as Mitch Kessler

Ozark Netflix • Media Rights Capital Jason Bateman as Martin ‘Marty’ Byrde

Pose FX Networks • Fox21 Television Studios and FX Productions Billy Porter as Pray Tell

Succession HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Brian Cox as Logan Roy

Succession HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Jeremy Strong as Kendall Roy

This Is Us NBC • 20th Century Fox Television Sterling K. Brown as Randall Pearson

Outstanding Lead Actor In A Limited Series Or Movie

Bad Education HBO • HBO Films in association with Automatik, Sight Unseen and Slater Hall Productions Hugh Jackman as Frank Tassone

Hollywood Netflix • Netflix Jeremy Pope as Archie Coleman

I Know This Much Is True HBO • HBO Entertainment in association with Willi Hill Productions and FilmNation Entertainment Mark Ruffalo as Dominick Birdsey/Thomas Birdsey

Normal People Hulu • Hulu Originals in association with BBC Paul Mescal as Connell

Watchmen HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics Jeremy Irons as Adrian Veidt / Ozymandias

Outstanding Lead Actress In A Comedy Series

black-ish ABC • ABC Studios Tracee Ellis Ross as Rainbow Johnson

Dead To Me Netflix • CBS Television Studios Christina Applegate as Jen Harding

Dead To Me Netflix • CBS Television Studios Linda Cardellini as Judy Hale

Insecure HBO • HBO Entertainment in association with Issa Rae Productions, Penny for Your Thoughts Entertainment and 3 Arts Entertainment Issa Rae as Issa

The Marvelous Mrs. Maisel Prime Video • Amazon Studios Rachel Brosnahan as Miriam ‘Midge’ Maisel

Schitt’s Creek Pop TV • Not A Real Company Productions, Inc. Catherine O’Hara as Moira Rose

Outstanding Lead Actress In A Drama Series

The Crown Netflix • Left Bank Pictures in association with Sony Pictures Television Olivia Colman as Queen Elizabeth II

Euphoria HBO • HBO Entertainment in association with Reasonable Bunch, A24, Little Lamb, Dreamcrew, ADD Content Agency | HOT | TCDY Productions Zendaya as Rue

Killing Eve BBC America • Sid Gentle Films Ltd. Jodie Comer as Villanelle

Killing Eve BBC America • Sid Gentle Films Ltd. Sandra Oh as Eve Polast ri

The Morning Show Apple TV+ • Media Res Jennifer Aniston as Alex Levy

Ozark Netflix • Media Rights Capital Laura Linney as Wendy Byrde

Outstanding Lead Actress In A Limited Series Or Movie

Little Fires Everywhere Hulu • ABC Signature Studios / Hello Sunshine Kerry Washington as Mia Warren

Mrs. America FX Networks • FX Productions Cate Blanchett as Phyllis Schlafly

Self Made: Inspired By The Life Of Madam C.J. Walker Netflix • SpringHill Entertainment and Wonder Street in association with Warner Bros. Television Octavia Spencer as Madam C.J. Walker

Unorthodox Netflix • Studio Airlift and RealFilm Shira Haas as Esther Shapiro

Watchmen HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Dros. Television &amp DC Comics Regina King as Angela Abar / Sister Night

Outstanding Supporting Actor In A Comedy Series Brooklyn Nine-Nine NBC • Universal Television in association with Fremulon, Dr. Goor Productions and 3 Arts Entertainment Andre Braugher as Captain Raymond Holt

The Good Place NBC • Universal Television in association with Fremulon and 3 Arts Entertainment William Jackson Harper as Chidi Anagonye

The Kominsky Method Netflix • A Warner Bros. Television Production Alan Arkin as Norman Newlander

The Marvelous Mrs. Maisel Prime Video • Amazon Studios Sterling K. Brown as Reggie

The Marvelous Mrs. Maisel Prime Video • Amazon Studios Tony Shalhoub as Abe Weissman

Ramy Hulu • A24 Television Mahershala Ali as Sheikh Malik

Saturday Night Live NBC • SNL Studios in association with Universal Television and Broadway Video Kenan Thompson as Various Characters

Schitt’s Creek Pop TV • Not A Real Company Productions, Inc. Daniel Levy as David Rose

Outstanding Supporting Actor In A Drama Series

Better Call Saul AMC • High Bridge, Crystal Diner, Gran Via Productions and Sony Pictures Television Giancarlo Esposito as Gus Fring

The Handmaid’s Tale Hulu • MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Bradley Whitford as Commander Joseph Lawrence

The Morning Show Apple TV+ • Media Res Billy Crudup as Cory Ellison

The Morning Show Apple TV+ • Media Res Mark Duplass as Charles ‘Chip’ Black

Succession HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Nicholas Braun as Greg Hirsch

Succession HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Kieran Culkin as Roman Roy

Succession HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Matthew Macfadyen as Tom Wambsgans

Westworld • HBO • HBO Entertainment in association with Kilter Films, Bad Robot and Warner Bros. Television Jeffrey Wright as Bernard

Outstanding Supporting Actor In A Limited Series Or Movie

Hollywood Netflix • Netflix Dylan McDermott as Ernie

Hollywood Netflix • Netflix Jim Parsons as Henry Willson

Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend Netflix • Universal Television in association with 3 Arts Entertainment, Little Stranger, Inc. and Bevel Gears Tituss Burgess as Titus Andromedon

Watchmen HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics Yahya Abdul-Mateen II as Cal Abar / Dr. Manhattan

Watchmen HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics Jovan Adepo as Officer Will Reeves / Hooded Justice

Watchmen HBO • HBO Entertainment in association with White Rabbit, Paramount Television, Warner Bros. Television & DC Comics Louis Gossett Jr. as William Reeves

Outstanding Supporting Actress In A Comedy Series GLOW Netflix • Tilted Productions Betty Gilpin as Debbie Eagan

The Good Place NBC • Universal Television in association with Fremulon and 3 Arts Entertainment D’Arcy Carden as Janet

Insecure HBO • HBO Entertainment in association with Issa Rae Productions, Penny for Your Thoughts Entertainment and 3 Arts Entertainment Yvonne Orji as Molly

The Marvelous Mrs. Maisel Prime Video • Amazon Studios Alex Borstein as Susie Myerson

The Marvelous Mrs. Maisel Prime Video • Amazon Studios Marin Hinkle as Rose Weissman

Saturday Night Live NBC • SNL Studios in association with Universal Television and Broadway Video Kate McKinnon as Various Characters

Saturday Night Live NBC • SNL Studios in association with Universal Television and Broadway Video Cecily Strong as Various Characters

Schitt’s Creek Pop TV • Not A Real Company Productions, Inc. Annie Murphy as Alexis Rose

Outstanding Supporting Actress In A Drama Series Big Little Lies HBO • HBO Entertainment in association with Blossom Films, Hello Sunshine, David E. Kelley Productions and crazyrose Productions Laura Dern as Renata Klein

Big Little Lies HBO • HBO Entertainment in association with Blossom Films, Hello Sunshine, David E. Kelley Productions and crazyrose Productions Meryl Streep as Mary Louise Wright

The Crown Netflix • Left Bank Pictures in association with Sony Pictures Television Helena Bonham Carter as Princess Margaret

The Handmaid’s Tale • Hulu • MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Samira Wiley as Moira

Killing Eve BBC America • Sid Gentle Films Ltd. Fiona Shaw as Carolyn Martens

Ozark Netflix • Media Rights Capital Julia Garner as Ruth Langmore

Succession HBO • HBO Entertainment in association with Project Zeus, Hyperobject Industries and Gary Sanchez Productions Sarah Snook as Shiv Roy

Westworld HBO • HBO Entertainment in association with Kilter Films, Bad Robot and Warner Bros. Television Thandie Newton as Maeve

[... more via link above]

[capricorn-0mnikorn]

Doctor Octavia Cox reads an essay / by Virginia Woolf about Jane Austen’s last novel, and what Jane Austen might have written after that, had she lived.

I’m not sure I agree with Virginia Woolf’s speculations about the possible trajectory of Jane Austen’s writing after Persuasion, and what influence newly found fame would have had on her, but I do agree with her conclusion that this is a book that marks a shift in attitude in Austen’s work, and that is is deeply psychological.

Auto-Generated captions of variable accuracy. I’ve found the essay online, and copy/pasted it below (shh... the journal where it’s archived puts its stuff behind a paywall; I’m a pirate -- Yarr!).

Anybody who has had the temerity to write about Jane Austen is aware of two facts: First, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are 25 elderly gentlemen living in the neighborhood of London who resent any slight upon her genius as if it were an insult offered to the chastity of their aunts.

It would be interesting, indeed, to inquire how much of her present celebrity Jane Austen owes to masculine sensibility; to the fact that her dress was becoming, her eyes bright, and her age the antithesis in all matters of female charm to our own. A companion inquiry might investigate the problem of George Eliot’s nose; and decide how long it will be before the equine profile is once again in favor, and the Oxford Press celebrates the genius of the author of Middlemarch in an edition as splendid, as authoritative, and as exquisitely illustrated as this.

But it is not mere cowardice that prompts us to say nothing of the six novels of the new edition. It is impossible to say too much about the novels that Jane Austen did write; but enough attention perhaps has never yet been paid to the novels that Jane Austen did not write. Owing to the peculiar finish and perfection of her art, we tend to forget that she died at 42, at the height of her powers, still subject to all those changes which often make the final period of a writer’s career the most interesting of all. Let us take Persuasion, the last completed book, and look by its light at the novels that she might have written had she lived to be 60-years-old. We do not grudge it him, but her brother the Admiral lived to be ninety-one.

There is a peculiar dullness and a peculiar beauty in Persuasion. The dullness is that which so often marks the transition stage between two different periods. The writer is a little bored. She has grown too familiar with the ways of her world. There is an asperity in her comedy which suggests that she has almost ceased to be amused by the vanities of a Sir Walter or the snobbery of a Miss Elliott. The satire is harsh, and the comedy crude. She is no longer so freshly aware of the amusements of daily life. Her mind is not altogether on the subject. But, while we feel that Jane Austen has done this before, and done it better, we also feel that she is trying to do something which she has never yet attempted. There is a new element in Persuasion, a quality, perhaps, that made Dr. Whewell fire up and insist that it was “the most beautiful of her works.”

She is beginning to discover that the world is larger, more mysterious, and more romantic than she had supposed. We feel it to be true of herself when she says of Anne: “She had been forced into prudence in her youth, she learned romance as she grew older—the natural sequel of an unnatural beginning.” She dwells frequently upon the beauty and the melancholy of nature. She talks of the “influence so sweet and so sad of autumnal months in the country.” She marks “the tawny leaves and withered hedges.”

“One does not love a place the less because one has suffered in it,” she observes. But it is not only in a new sensibility to nature that we detect the change.

Her attitude to life itself is altered. She is seeing it, for the greater part of the book, through the eyes of a woman who, unhappy herself, has a special sympathy for the happiness and unhappiness of others, which, until the very end, she is forced to comment upon in silence. Therefore the observation is less of facts and more of feelings than is usual. There is an expressed emotion in the scene at the concert and in the famous talk about woman’s constancy which proves not merely the biographical fact that Jane Austen had loved, but the aesthetic fact that she was no longer afraid to say so. Experience, when it was of a serious kind, had to sink very deep, and to be thoroughly disinfected by the passage of time, before she allowed herself to deal with it in fiction. But now, in 1817, she was ready. Outwardly, too, in her circumstances, a change was imminent. Her fame had grown very slowly. “I doubt,” wrote Mr. Austen Leigh, “whether it would be possible to mention any other author of note whose personal obscurity was so complete.” Had she lived a few more years only, all that would have been altered.

[orangerosebush]

If you like classic literature, then I really recommend the series “Close Reading with Dr. Octavia Cox”! Although the title of this particular installment may seem like a question to which the answer is abundantly clear, her incorporation of passages into character analysis, her description of historical context and euphemisms, and her general demeanor make for a great watch. 

[astrologieez]

Influential/Talented Black Women and Nonbinary Femmes of the Sun Signs

Aries:

- Aretha Franklin (March 25)

- Ari Lennox (March 26)

- Mariah Carey (March 27)

- Halle Bailey (March 27)

- Maya Angelou (April 4)

- Khadi Don (April 4)

- Billie Holiday (April 7)

- Jazmine Sullivan (April 9)

- Summer Walker (April 11)

Taurus:

- Kehlani Parrish (April 24)

- Tionne “T-Boz” Watkins (April 26)

- Coretta Scott King (April 27)

- Melissa “Lizzo” Jefferson (April 27)

- Shahidi Wright Jospeh (April 29)

- Maria “Rico Nasty” Kelly (May 7)

- Janet Jackson (May 16)

- Lena Waithe (May 17)

Gemini:

- Naomi Campbell (May 22)

- Octavia Spencer (May 25)

- Lauryn Hill (May 26)

- Laverne Cox (May 29)

- Normani Hamilton (May 31)

- Elizabeth “CupcakKe” Harris (May 31)

- Lisa “Left Eye” Lopes (May 27)

- Venus Williams (June 17)

- Phylicia Rashad (June 19)

Cancer:

- Solange Knowles (June 24)

- Gabriella “H.E.R.” Wilson (June 27)

- Missy Elliott (July 1)

- Chloe Bailey (July 1)

- Tia Mowry (July 6)

- Cree Summer (July 7)

Leo:

- Michelle Williams (July 23)

- Maya Rudolph (July 27)

- Winnie Harlow (July 27)

- Whitney Houston (August 9)

- Amber “jstlbby” Wagner (August 10)

- Viola Davis (August 11)

- Simone “Slick Woods” Thompson (August 13)

- Halle Berry (August 14)

- Marsai Martin (August 14)

- Angela Bassett (August 16)

Virgo:

- Ava DuVernay (August 24)

- Cassie Ventura (August 26)

- Keke Palmer (August 26)

- Zendaya Coleman (September 1)

- Beyoncé Knowles-Carter (September 4)

- Misty Copeland (September 10)

- Taraji P. Henson (September 11)

- Jennifer Hudson (September 12)

- Danielle Brooks (September 17)

- Jada Pinkett Smith (September 18)

- Sanaa Lathan (September 19)

Libra:

- Serena Williams (September 26)

- Tessa Thompson (October 3)

- Amara La Negra (October 4)

- Toni Braxton (October 7)

- Ashanti Douglas (October 13)

- Keyshia Cole (October 15)

- Naomi Osaka (October 16)

- Nyadak “Duckie” Thot (October 23)

Scorpio:

- Lala Milan (October 24)

- Ciara Harris (October 25)

- Tracee Ellis Ross (October 29)

- Gabrielle Union (October 29)

- Nia Long (October 30)

- Letitia Wright (October 31)

- Willow Smith (October 31)

- Dr. Patricia Bath (November 4)

- Solána “SZA” Rowe (November 8)

- Dorothy Dandridge (November 9)

- Lisa Bonet (November 16)

Sagittarius:

- Tina Turner (November 26)

- Janelle Monáe (December 1)

- Stacey Abrams (December 9)

- Ericka Hart (December 11)

- Mo’Nique Hicks (December 11)

- Regina Hall (December 12)

- Cicely Tyson (December 19)

- Florence Joyner (December 21)

Capricorn:

- Jordin Sparks (December 22)

- Madam C.J. Walker (December 23)

- Stormé DeLarverie (December 24)

- Donna Summer (December 31)

- Gabby Douglas (December 31)

- Zora Neale Hurston (January 7)

- Mary J. Blige (January 11)

- Issa Rae (January 12)

- Regina King (January 15)

- Michelle Obama (January 17)

- Quenlin Blackwell (January 17)

- Estelle Swaray (January 18)

Aquarius:

- Alicia Keys (January 25)

- Jenifer Lewis (January 25)

- Kerry Washington (January 31)

- Rosa Parks (February 4)

- Alice Walker (February 9)

- Yara Shahidi (February 10)

- Brandy Norwood (February 11)

- Kelly Rowland (February 11)

- Danai Gurira (February 14)

- Megan “Thee Stallion” Pete (February 15)

- Eartha Kitt (January 17)

- Audre Lorde (February 18)

- Toni Morrison (February 18)

Pisces:

- Robyn Rihanna Fenty (February 20)

- Nina Simone (February 21)

- Niecy Nash (February 23)

- Rashida Jones (February 25)

- Rozanda “Chilli” Thomas (February 27)

- Lupita Nyong’o (March 1)

- Wanda Sykes (March 7)

- Jasmine Guy (March 10)

- Emeli Sandé (March 10)

- Simone Biles (March 14)

- Jhene Aiko (March 16)

- Queen Latifah (March 18)