#dr on demand

[wisconsintelehealthservices]

Wisconsin TeleHealth Services

What is WI TeleHealth Services?

Wisconsin TeleHealth Services, or telemedicine, is a way for older adults to receive medical care remotely using a digital device like a smartphone or computer. Telehealth can be a convenient and cost-effective way for older adults to receive care.

It can also help those with mobility or transportation limitations who may have difficulty getting to a doctor's office.

Telehealth can be used for a variety of care, including:

Lab test or x-ray results Mental health treatment Recurring conditions like migraines or urinary tract infections Skin conditions Prescription management Urgent care issues like colds, coughs, and stomach aches

During the COVID-19 pandemic, telehealth has been used in both home and long-term care settings. In long-term care settings, telehealth has been used to provide collaborative support for getting advice from multiple specialists.

Telehealth can also help reduce caregiver burnout. Caregivers don't have to drive patients to and from in-person appointments, which frees them up to attend to other responsibilities.

To use telehealth, seniors can:

Provide access to a device Make a virtual appointment in the doctor's online patient portal or app Practice online safety Prepare for a medical exam. Pick up medications. Provide assistive technology.

Virtual Urgent Care

[fangirl-k8ee-ladyknight]

I need a fanfic where everyday after four am training, Jamie sends a “Roy-cast” to the team chat letting them know Roy’s general mood for the day and what he predicts practice is going to look like for the day.

When Roy takes over as gaffer, he stops the private training with Jamie to avoid accusations of favoritism. Within two weeks the team beg him to start back up again because:

1) him and Jamie are sniping at each other again and while it’s not loan season bad, it’s making everyone anxious and clearly the two of them need that time together to get it out of their system everyday, and more importantly,

2) they need the Roy-cast back because it’s fucking with everyone’s breakfast choices and now Will doesn’t know when to have extra towels ready or to make a larger batch of sport drink.

[theartingace]

when I tell you I have been doodling Wolf359 nonstop and listening to hardly anything else..

[bloghrexach]

"This is a picture of a genuine American hero, the Right Rev. Mariann Edgar Budde. Remember her face and remember what she did on January 21st, 2025 … and if anything happens to her we know who's responsible." @hrexach

[lumiereswig]

One thing I'm not noticing anyone else talking about—the production value thing is not because they think it's what the fans want. It's not. They want to go for higher production value, it's important to them. That's not a bad thing. Ryan has stressed multiple times on podcasts, behind the scenes content, even the live appearance I saw him at that it's important to him their new media is better quality than Unsolved. I think part of that is just anxiety that what they make isn't good enough, but I'm also sure it's a natural artistic yearning to want to expand and grow. Shane and Steven probably feel the same way about their shows. Ryan has also mentioned how taxing it is for so much of the channel to be about him, which he mentions again in the video with the comment about wanting to expand with other creators. And there's nothing weird about that! That's just facing realistic burnout. The vibe in the announcement video from Shane and Ryan is extremely telling of burnout. They're growing the content because (1) it's exhausting for them to make the exact same style of content for the 8+ years they've been doing it, and one of the ways to get past burnout is by pushing your boundaries and growing creatively; and (2) just making the shows, all of the shows, with themselves as the camera-facing element has to be exhausting for them.

I still think this is a bad decision but I think it's one grounded in their own creative impulses and how hard they've been working for several years now, not some urge to suddenly live the high life. They want to make stuff they're personally proud of, and right now that's beyond their means. I'd make an argument that they should opt for scaling back instead of jumping forward right now, but that doesn't mean they're making this choice because they hate their fanbase or are suddenly a big corporation. They've made a mistake, and hopefully they'll be able to tweak the Watcher TV system in the next couple days to make it more affordable for all.

[griffinsoup]

marcille: (in ideal conditions) 12-step skin care routine, expensive conditioner, wears sunscreen/magical equivalent everyday, uses a silk pillowcase

falin: washes her face with 3-in-1

[jtownraindancer]

Stolen Glances

[midnightcaptions]

[Don't Stand So Close To Me plays distantly in the lab]

[dreamings-free]

"We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in"

by Max Pilley | January 1st 2025

Neil Young has said that he has decided to pull out of Glastonbury 2025 as he feels it has become “a corporate turn-off”.

[..]

Writing on his website Neil Young Archives on Tuesday (December 31), he said: “The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all time favorite outdoor gigs. We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.”

“It seems Glastonbury is now under corporate control and is not the way I remember it being,” he continued. “Thanks for coming to see us the last time!”

“We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be. Hope to see you at one of the other venues on the tour.”

Glastonbury have not yet commented on Young’s comments, and it is not clear what requests the BBC had made to Young. NME have contacted Glastonbury for a response.

-> full article here at nme.com

[age-of-moonknight]

“The Killing of Moon Knight,” Vengeance of the Moon Knight (Vol. 2/2024), #9.

Writer: Jed MacKay; Penciler and Inker: Devmalya Pramanik; Colorist: Rachelle Rosenberg; Letterer: Cory Petit

[panic-flavored]

robotnik didn’t realize when he was designing the merbot prototype that a lot of merfolk - stone included - have a thing for big, strong tails 👀

[funishment-time]

last night i saw this complaint on YouTube about how DR is constantly contradicting itself, citing a particular example: Maki pretty much telling you in her FTs she had a bestie she cared about more than anything in the world, then later acting like Kaito is the only person she's ever given a shit about. this was cited as a reason DR is "mid" or whatever snide thing the kids say these days to dismiss being Genuine.

and, okay, DR's far from perfect, i'm not saying it's A Work Of High Genius, but sometimes i feel like the Art of Filling In The Gaps Yourself™ has been lost on people young and old. there's like a thousand reasons you can make up that would slot in fine there and bring the narrative into balance. maybe Kodaka was lazy, i don't know, but maybe it's just more fun and interesting to decide yourself why that contradiction happened, and that doesn't make DR (or any piece of media) bad necessarily

[logicalloony]

May I present my favorite crash gooblies

[scarperseus]

oh dear, he’s turned neon..

[bassdaily]

i have a headcanon where the reason Bass is constantly trying to fight and defeat Megaman is because she is actually a tomboy girlfaliure who can't express her emotions in a healthy way.

To be fair, the reason Bass is constantly trying to fight and defeat Mega Man is because "failure who can't express emotions in a healthy way" is actually canon.

He's a pretty typical edgy shounen rival, being a girl would add some interesting flavor and depth. "Angry Kid who keeps bashing their head against the wall in a fight they'll never win because they're a born loser but are too hopelessly stubborn to ever quit" hits a little different when that angry kid is a macho chick trying to prove that she's just as capable as any [mega] man. The daddy issues transcend gender, the personality and character traits work equally well either way, the fact Bass is overpowered (as a playable character) but always loses to Mega Man (as a game boss) same... but the vibe changes when she's the only daughter in the villains' skull-shaped lair, trying to out compete her two hundred brothers.

What motivated Dr. Wily to make his knockoff Mega Man a girl? Is this public knowledge, and if not, does Rock know? Did things go left when she manipulated her way into Light Labs to steal plans for Wily and realized that if Dr. Light tried to do any repairs he'd find out How does Bass herself feel about any of this, or is she oblivious to anything gender identity related, since her only concern is "who is the strongest"?

(I like the idea. But it is of utmost importance to me that any version of girl!Bass- whether she was built that way or transitioned at some point- looks and acts exactly the same. That chest armor works just fine, no sculpted tiddy armor please.)

On a related note, when MMX and MM7 came out in the early '90's, and quite a few people mistook Zero as a lady. Mostly because of the hair, but the boob lights did not help. I always thought Zero would've been a more interesting character that way.