#dont listen to music because the music industry has issues | Explore Tumblr posts and blogs

dearweirdme · 6 months ago

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https://www.tumblr.com/dearweirdme/754179646302617600/httpswwwtumblrcomdearweirdme7541625461493596?source=share

The issue is, everyone that has a strong bias, has the same perception about their bias. They always think that "they don't care as much about my bias". You can ask Jimin biased and they will say the same thing. And they can also point out reasons for their statement, like the fact that he had very few appearances and a short promotional time. Yoi can check the tl right now and they are crying about everything.

The conclusion that ppl that has a strong bias reaches is always the same - only ppl that bias that member care about them and all the rest either doesn't do anything or just the bare minimum. You can find this repeated everywhere, just changing the member name.

Are they all right?

At some extent they are. People will always prioritize their own bias, simply because it's usually who they like the songs better and will naturally listen to them more.

Also, maknae line (not vocal line) has more fans than hyung line (for multiple reasons, which also influences individual success) so they have bigger numbers. Which has very little to do about how mainstream some music genre are. Hip hop is literally the most popular style in the US, however, rapline numbers dont reflect that and people keep using the same excuses. Also, pre-release numbers are not related to music genre/quality because we didn't even listen to the song before, so we have no idea how it sounds like (just an idea from the media release which will never influence someone's decision on buying or not). It's just a popularity/buying power measurement.

The thing about Jm in particularly, at least from what I noticed, is that pjms are extremely organized and focused, and many ot7 big accs are also Jm biased and they work really hard for him.

I don't think that my bias receives the same attention as some of the members from the fandom or the company, but honestly? It's his problem to deal with. He's chosen to stay in the company and I dont think he will leave. He's smart and he knows how the industry works. He's building a name and has enough money to quit whenever he wants to, so I'm definitely not worried about him. I will not cry and throw up because army dont love him as much as the next member and fight strangers on twt/tumblr, and I believe that no one should. It's not worth nd it's part of the textbook manipulation that kpop uses.

Hi anon!

I think a problem many are having is that solo era feels as though army is falling apart. We’re used to be a force that gets things done, and now people feel betrayed.. because things are different from when BTS are together.

I don’t think being a solo is wrong as long as you don’t spread hate to the other members. I think it’s a natural development as a result of solo era. I can imagine new fans of Jk because of Golden (as an example) but who have never experienced BTS don’t really feel attached to the other members (yet). Army is changing, I think that is what’s happening. I mostly wish the hate dor other members would go away.. they don’t deserve that and they wouldn’t want that.

Tae is my bias, but I wouldn’t say I feel any sort of competition for him to do better than other members. I know Tae will do well with whatever he sets his mind to. He’s smart, he’s talented, he has vision, and he’s extremely likable. Do I think BH is shit to him, yes. I also think BH has been shit to other members. I just mostly think BH is shit. I can honestly say that I support all members equally. I might talk about Tae and Jk mostly on here, but I listen to all of their music, I mostly watch BTS footage of all of them together, I watch all their solo content (if I have time.. I can’t even say I’ve seen all Tae’s interviews I think..). I think what I’m mostly missing in fandom is the wish for members other than a person’s bias to do well.

#all this hate is insane #fandom shenanigans #members

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lucidpantone · 2 years ago

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Kind of annoys me you never include Omar when discussing their futures in the industry. Even though music is his focus, he has said that he wants to continue in the acting world. He is a great actor and has the versatility to star in spanish english and swedish movies/shows. Let’s not just focus on the white guy.

Firstly if you read the chain the beginning of the chain I didnt discuss omar because the initial anon a few anons back was strictly about edvin and then someone asked about malte and we kept on that line of conversation but since you asked about Omar I have thoughts about Omar actually. Firstly, I appreciate Omar has passion for acting but I do consider him a singer first and foremost. Thats been his profession for a long time (not saying he is a bad actor) am just saying thats Omar's established art form. I don't personally feel like there is enough roles for Omar in swedish media to allow him not to be pigeon holed into a particularly narrative. Now could Omar have a future in spanish speaking media?? Thats a tough call because there is a couple of things he would need to fix first. So Omar's accent is not one that is used in spanish speaking media often. I get it because I have one of these types of spanish accents too. Most spanish speaking media uses the mexican or the spanish style way of speaking so he would need to take some voice lessons which I am sure he could do. Also and i totally get it because Omar probably uses most of his spanish with family if he isnt on tour singing his songs. If you speak spanish and actually listen to him talk he doesnt have the most expansive vocabulary. Which I totally get because I have the same issue I speak fluently but I dont live in a spanish speaking country where am learning new words and expressions and so I tend to repeat sayings and things like that. Also most spanish media exist in madrid or mexico city and so unless he moved to one of these countries his audition opportunities are gonna be few and far between he would need to leave sweden and like really hit the ground running to work the indy spanish circuit and try to work with up and coming directors. Telenovela I think Omar could crush but once again most of those are distributed via Mexico city. I just feel like for now I could easily see Omar always be given the love interest role or the secondary role to a main character instead of being the main protagonist.

Like I just checked my netflix and filter through all the scandi languages and they are a few shows with diversity but its not super pronounced and I get its probably something thats being worked on in swedish media but just makes me wonder if Omar would have enough range in roles in Sweden and he would need to make some big life sacrifices to break into the latin market. BTW I think Omar would crush certain telenovela's and some latam netflix shows too. I just dont personally see swedish media being the best route for his big screen success.I think Omar has the talent to take a role on like what Gael Garcia's breakout role in Amores Perros. Like Omar would destroy a role like that but he just needs to move to an area in the world where that role is up for grabs imo.

#young royals

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db2k · 7 days ago

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i just wanted to leave it here instead of writing on tags endlessly, its just a long, repeated, and sort of angry essay. yall dont have to read allat ;) xoxo

Lately, I've realized that the ignorance around K-pop, queer representation, and the lack of cultural awareness in the industry has gotten to a point where it’s completely turned me off from the groups and artists I used to listen to. What was once a fun escape now feels like a constant reminder of how much the industry ignores the depth of the cultures it takes from and the communities it claims to support.

One of the biggest issues is the lack of open communication in the K-pop world. It feels like fans, idols, and even the companies are just okay with staying quiet and not talking about important stuff like cultural sensitivity or queer representation. Instead of having honest conversations, people just assume that the industry knows what it's doing, but the truth is, it doesn’t. It’s frustrating to watch.

What really gets me is that idols are often hailed as queer icons, even though they don’t seem to know much about queer issues. Just because an idol waves an LGBT flag during a U.S. tour doesn’t automatically make them queer. That’s just a marketing gimmick. It’s frustrating because it reduces something as important as queer representation to a simple gesture, when it should involve much more than that. Queer representation needs real understanding and commitment, not just superficial symbols that companies think will sell.

Then there’s the whole cultural appropriation thing. The way K-pop uses Black culture and music (without properly understanding or respecting it) has been happening for years. The industry keeps defending it as a “global” trend, but it’s hard to ignore that idols and companies take from cultures without showing any real respect. The symbolism, the music, they use it without really acknowledging its cultural significance, and that just feels wrong. But it’s not even just about Black culture; it’s about how the industry treats all kinds of cultural elements like they’re just cool trends to sell.

What makes this even worse is the way fans often defend these actions instead of questioning them. When something controversial happens, like a problematic outfit or gesture, fans tend to blame the stylists or other external factors, which just avoids the real issue. It’s easier to defend idols than to have uncomfortable conversations about the harm that might be happening, and that’s something the industry relies on.

This disconnect between K-pop and true queer representation is part of a bigger pattern. The industry profits off of communities it doesn’t fully understand, misrepresents, or even harms. Until there’s more genuine effort and understanding from both the idols and the companies, the approach to queer representation, cultural appropriation, and other important issues will remain shallow and damaging. The lack of real accountability just leaves fans like me feeling alienated and frustrated, looking for something more real in an industry that just seems interested in selling a product.

At the end of the day, this isn’t just about the idols; it’s about the whole K-pop culture and industry. These superficial gestures, the lack of communication, and the exploitation of cultures are so off-putting that they’ve made me step away from something I once loved. As fans, we deserve more than just empty symbolism and ignoring the real issues. It’s time for a real conversation about K-pop’s place in the global cultural landscape, and for the industry to take responsibility for its impact on the communities it claims to support.

(i might be experiencing this alienation because of fans who treat idols like children, saying "How could they have known? :'(" when someone tries to hold them accountable. Like, why can’t we criticize someone who, despite earning money globally, is so disconnected and unaware of the global scene? They love to brag about how kpop has gone global, but when there are gaps in their marketing strategies related to ethics, and these issues get pointed out, suddenly they expect us to treat idols like they're 13 year olds, or people who’ve never left Korea. Every year they come to perform their songs on world tours, but we don’t even see them reading a single book about global issues. I won’t even get into feminism that's whole different topic. :D)

#idil.txt #i must be fun at parties huh

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swiftiephobe · 3 years ago

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I dont have a problem with adele outselling taylor. The reason many ppl, not just swifties, are upset with her is her arrogance. She rented out all the vinyl factories in the world, skipping a 6 month line in the process. Now small artists who cant afford to pay them off like that have been set back at least a year. And she keeps going on about how shes the only "real" artist making real music, and knocking down all trendy stuff. You can look up what indie artists and record stores are saying about her. Its hardly limited to our fandom.

Im a long time fan and i have supported her for years, even when she was ahead of taylor, because i admire her talent. But she has changed. Shes essentially become a boomer. Its very offputting to see an artist of her quality talk shit about everyone else. The reason taylor is able to keep succeeding at that level is because she grows and changes with the industry, and supports her peers. She competes in a healthy manner. I dont think someone who jumped the line deserves to break records. The 500k vinyls she printed shouldnt exist in the first place.

this narrative just simply isn't true. vinyl shortage has been going on for at least a couple of years now because there is a sudden increase in demand and not the infrastructure to keep up with it - and then add pandemic related manufacturing delays which are affecting ALL industries and you've got an issue that affects all artists and has nothing to do with adele. she did not skip a 6 month line, she handed in her album 6 months early just like every other artist has to if they want their vinyl releasing for first week sales.

"look up what indie artists and record store are saying about her"

for example, like all these articles (i could go on, they were very easy to find via a simple google search) where people in the industry say it's not her fault and that vinyl delays go way beyond her?

also i fail to see how she's "basically become a boomer" and is "talking shit". i've seen some quotes from her that people take issue with and it always seems like people are deliberately nitpicking her words in bad faith. i'm not even an adele fan, i've never even listened to one of her albums in full (i'm listening to 30 for the first time literally right now) so this isn't even me defending her from the place of a stan or anything i just genuinely fail to see what legitimate problem people have with her at the moment.

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youmyjhope · 3 years ago

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about the recent bts / permission to dance slander

( its gonna be here too cuz its my blog and i dont care. its about the ppl who shit on bts because of their english songs. i got so mad after seeing everyone bitch on reddit. )

yall be fucking dramatic and really don't seem to like the boys very much if you doubt them, it's fucking cringe... the way y'all think y'all know better than hybe and bts themselves PLS. like i understand not liking the song, it's not their best work BUT IT WASN'T MEANT TO BE and bts themselves always say that their english songs are not deep. yall cross the line when yall PROJECT on the members and go like "ahh there's something wrong with them, bts sold out, they need a break, they don't like making music anymore". yall even say you wish them to enlist and other shit 🤢🤢

but bitch are you YOONGI to say that he's losing passion for music or that he should hate the musical direction bts is taking or whatever? you have this imaginary yoongi in your head and when the REAL yoongi doesnt meet your stupid expectations you SHIT ON HIM AND BTS. you act so fucking pathetic and ALL you need to do about it is simply be invested in bts enough, listen to THEIR OWN words and to all their music not only 3 english songs. YOUR BTS SELLING OUT / LOSING PASSION / BEING CLUELESS NARRATIVE IS BULLSHIT. you are not even a fan because it should be obvious for fans.

when you complain about lets say yoongi being proud about the billboard and talking about being first a lot cuz "ITS IS SO WRONG, HE ONLY CARES ABOUT NUMBERS NOW", are you seriously this dumb? MAYBE LEAVE HIM ALONE AND FUCKING LET HIM BE PROUD AND CONFIDENT?? Ofc he should talk about it and be proud CUZ DUH their achivements are amazing. bts are always greatful and work SO hard for them. they are having this huge success because they deserve it 100 % and they ALWAYS acknowledge that armys support them in return for everything they do for us. what you think he is supposed to do, cry and say that bts is shit and armys are shit for supporting bts cuz YOU think bts is shit and sold out?😐 bts members are very ambitious and goal-oriented, have always been this way, and they have the RIGHT to be. again, if there's anybody who deserves having records broken, it's THEM.

they said numerous times that they are aiming at the grammys with all these english releases. IT IS THEIR GOAL FOR NOW. they have reached more things than anyone could ever imagine so next they want a grammy and they will get it. idc if you think grammys are shit so bts shouldnt try to get the award, THEY ARE TRYING AND THIS IS THEIR WAY. they are doing everything they can to be acklowledged by this highly biased institution which is STILL CONSIDERED INFLUENTIAL worldwide. they make connections in america and make english songs that break records and actually give them recognition there (cuz apparently some americans dont know that english translations exist).

bts are phenomenal, very different from other artists, and so talented but ppl think they are not worthy of something called "the most important music award". they will actually give this award the meaning it is supposed to hold. cry if you disagree. you say bts are selling out and seek western validation but you miss the point. THE REAL ISSUE IS THAT WITHOUT THESE ENGLISH SONGS AND CONNECTIONS BTS WILL CONTINUE TO BE IGNORED BY THE RACIST AMERICAN MUSIC INDUSTRY.

and then if you say "they should make deeper english songs to win a grammy" consider

1) english is not their native language but even then they are doing great and make good happy pop songs

2) dynamite literally gave them the nomination??, making this type of song was a right move

3) pls they gave the bts's award to some lady gaga shit purely because WHITE AMERICAN and connections. like I literally would prefer bts putting out the most low-effort terrible song and getting a grammy because armys held the committees hostage than THIS CORRUPT NONSENSE.

hmm do some of yall really have the audacity to say that bts didnt deserve to win? they are authentic, talented, hard-working, worthy. THEY LITERALLY PAVED THEIR WAY TO THE GRAMMYS. THEY MADE WHAT NOBODY IN KOREA HAS DONE BEFORE. all that just to be fucking disrespected by old white men????

so in conclusion BTS ARE THE SAME. they changed ofc but for the better. they have goals and reach them. THEY ARE NOT SELLING OUT. they have too much at stake for yall to be throwing this phrase around. THEY WILL GET THE GRAMMY.

AND i didnt dislike ptd. in fact ptd is the SOTC. so just stay mad.

#bts #permission to dance #bts yoongi #hoseok

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kornito · 4 years ago

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SOURCE: https://korngiant.tripod.com/kornisgoodforu/id10.html

Dead

Song Meaning, Jonathan:

All I want in life is to be happy", it's that simple. People say that it's become their own anthem. It's like whenever I start to feel good, something comes and takes it away and I feel like I'm nothing again, like I'm dead.

Falling Away From Me

Song Meaning, Jonathan:

The song is about domestic abuse and that there ways to get help whether it's telling someone or calling a help line, there are ways to get out of those situations. Noone has to be treated like that.

Trash

Song Meaning, Jonathan:

"Trash" is about how I threw my world and everything out. I threw her away. I threw my old self away. It basically comes back down to the sex thing. The battles I did on the road, this whole album is what I went through because I was on the road and I went crazy.

Beg for Me

Song Meaning, Jonathan:

"Beg For Me" is more of an angry thing because the whole thing for "Beg For Me" is the crowd. The only time I was good on tour was when I walked up onstage and that's what the song is about. Feeling wanted is something one thing I've always needed. I was shuffled around so much when I was a kid...Being up onstage was the only point was the only time when my anxiety would go away for an hour.

Make Me Bad

Song Meaning, Jonathan:

I need to feel the sickness in you" ... It's spawned from f**kin', basically, from having sex. That's where that line comes from, but it means a whole bunch of things to me. "Make Me Bad" was about the battles I had being on the road, being married and being with other women. I'm not married anymore... beause of my lifestlyle, and I just couldnt do that to my wife anymore. So that ended. But does it make me bad that I have a dick and I have f**ken other feelings to be with other people? Why should I be with just one? It seems like human beings are genetically engineered to procreate. Thats what we do, f**k everything, and that's what our natural insides want to do. It is hard to find someone like that. But she was a good woman and I didnt want to keep on... I did the right thing, I was a man about it. It was better for me to tell her and let her go on with her life and find someone who could help her and be like that. So that song was spawned by that, does it make me bad to want to be with other women? In a sence it was my only drug, why... because I dont drink anymore, I cant drink. I've been sober for a year. I dont have any other vices. So at least doing that could be something.

Hey Daddy

Song Meaning, Jonathan:

"Hey Daddy" where I was schizophrenic and there were these voices telling me to do sh*t... To kill myself, basically. Daddy is one of my nicknames, so its like I'm talking to myself the whole time. It's hard to explain.

Dirty

Song Meaning: Jonathan

"I feel like a fucking whore to record companies." "You know how it is...the way we are used and marketed." "How they make all the money off us and we don't make shit!" "The only way we make money is to go out on tour and sell merchandise" "Basiclly we write all the music and turn in and they make all the money." "So I feel like that and also I feel like a slut cuz I'd go out at night and fucking girls and so I said fuck it, I'm going to do it. The only way to escape is to have sex." "Its all kind of different issues."

Its On!

Song Meaning, Jonathan:

It's On is my sh*t peer pressure song. Me being so stressed out going out and partying. Everybody's just going 'Come on dude, it's on.' That's partying, it's alcohol, cocaine, women. All that wrapped into one. I wrote a song about it. And the chorus I talked about Why am I really doing this? It's all my fault that I'm doing this because all the alcohol, the booze an the chicks do is just make it worse. They just rearrange all the problems in a different order that I can deal with at that moment.

Freak on a Leash

Song Meaning, Jonathan:

One of the best titles I've heard ever for a song. That's my song against the music industry. Like me feeling like I'm f**kin' a pimp, a prostitute. Like I'm paraded around. I'm this freak paraded around but I got corporate America f**kin' making all the money while it's taking a part of me. It's like they stole something from me, they stole my innocence and I'm not calm anymore. I worry constantly.

Got the Life

Song Meaning, Jonathan:

That's a song baggin' on myself. How everything's always handed to me. How I look up to God and don't want this anymore. Like I want something more out of life than all this. And I've got everything I really need but I sometimes don't like. I don't know how to explain it. I have to let it sit through the songs more to actually get into what I write. I truly know, really, the meanings of the songs almost. That's what I'm getting out of it right now.

Dead Bodies Everywhere

Song Meaning, Jonathan:

That was the song about my parents trying to keep me out of the music business. My father was in it and he knew how it was and I totally understand now that I have a son. I want Nathan to be a musician but I him don't want him to go through the hell I went through. That's the same thing my Dad was doing. A lot of people can relate to it, because it's like the Dad's wanting their sons to be football players and their sons want to be doctors or something. That peer pressure its like trying to make them something they're really not. And the Dead Bodies thing is like so I did it and all I got out of it was dead bodies everywhere and got all traumatized. Thanks a lot Dad, Mom.

Children of the Korn

Song Meaning, Jonathan:

That's the song that Ice Cube is on Cube came up with the title. I fed off of what he wrote, he was talking about growing up and puberty. Dictating what he can do, like how you gonna tell me how to live and who to f**k? And all this stuff. And I took that and in my stuff I was talking about being a kid always known as the f**kin' town faggot. It's funny how things change. That some of these people picked on me and all of a sudden look who's laughing now. Also in another of the verse I talked about all these parents f**kin hating me for what I do, saying I'm corrupting their children, but in turn these parents need to step outside of themselves and really listen to what I'm talking about. Then I think they can understand that they were kids before. They're just really quick to judge me. All the Children of The Korn are all our Korn fans. All those kids going through that sh*t and feeling what I feel.

B.B.K.

Song Meaning, Jonathan:

Big black cock! That's what I call a jack and coke. Those little glasses they serve in Europe and everything. That's what I named it, big black cock. And that's another song about me dealing with the pressures of this album and how I, you know, I'm trying to kill myself, but you know? Do I really want to kill myself? Things I'm just questioning myself. Most of this is self-structured.

Pretty

Song Meaning, Jonathan:

It's a story about this little girl that came into the coroner's office when I was working there and she was f**ked by her dad. She was an 11 month old little baby girl. Her legs were broken back behind her and he just f**ked her like a toy doll and chucked her in the bathroom. It was the most heinous thing I've ever seen in my life and I still have nightmares about it.

All in the Family

Song Meaning, Jonathan:

Fred was there after Korn TV and we said, 'Let's do a song together, Hey, man, let's go back and forth and rip on each other like an old school battle.' I don't know who's idea it was, I can't remember if it was mine or Fieldy's or Fred's but we came up with the idea and we started writing and we worked on it together. I came up with some bags on myself for Fred to say. It was all in good natured fun.

Reclaim My Place

Song Meaning, Jonathan:

This one is about the whole band and about all my life being called a homosexual. And then I became this big rock star in a band and I'm still called a fag even by my own band. So it's like I was f**kin' pissed off at them. It's like erase them all because I'm gonna reclaim my place and say hey, they owe a lot to me for what I did, and I owe a lot to them back. But, it still kinda sucks. I've never ever gotten away from that fag f**kin' title. Just because I'm a sensitive kinda guy. Kinda feminine it really sucks.

Justin

Song Meaning, Jonathan:

Justin, that was the kid dying terminally with intestinal cancer. His last dying wish was to meet us and it really freaked me out. That threw a whole bunch of new kind of pressures on my head. That's really intense. Someone's gonna die and his last thing he wants to do is come hang out with us. So I truly just freaked out. It's like why would you want to meet me? What makes me so special? And in turn I talk about how I admire his strength and his life. I couldn't stare at him because he was so content he was gonna die. No one could look him in the eyes. And I totally admire his strength. I wish I had it.

Seed

Song Meaning, Jonathan:

Seed. That's all about the same thing again. I laying in bed in my hotel room, thinking about do I really need all this stuff? All this pressure on me? Because I'm a stressed out freak. It's about Nathan, it's about every time that I look into his eyes, I see myself how I used to be, innocent and stress free. I'm kind of jealous of it. It really sucks, I used to be that way. It's like I have to work so hard at this thing in my life. I have to become a stressed out freak. I put food on the table for my child. Every time I look in his eyes, I just see myself staring right back at my @ss laughing. I was like care free, innocent as a child. It's really weird and I'm really jealous of it.

Cameltosis

Song Meaning, Jonathan:

That's a love song. It's about women in general, women who hurt me. It's Tre's lyrics. He's going on about chicks and my chorus is like I'm so scared to love anyone and really let them in after I got hurt really really bad by a girl. I've let Renee in a little bit, to be honest, but I'll never be that in love ever again. That's what I'm saying, if you've loved twice, you're gonna get f**ked, 'cause you usually do.

My Gift to You

Song Meaning, Jonathan:

Renee always wanted me to write her a love song and that's why I called it My Gift To You. It's my gift to her, you know how I get sick. I always had a fantasy of f**king her and choking her to death. I fantasize about what it would look like me in her body and watching me do it. So it's like a really sick f**ked up song. I did it totally like, I love her so much, I want to take her out of this world. It's really strange. She used to leave notes on my pillow like 25 ways she'd like to kill me. She's got this weird death fetish. We're kinda f**kin' freaky. She got it. She's all 'Thank you that's kinda f**ked up. I was expecting a f**kin' I love you, baby kinda song.' I'm all, 'No, you know me.' I mean I can't do that.

Chi

Song Meaning, Jonathan:

Chi is about a lot of alcohol and drug abuse. People turn to that when they have problems so that they won't have to feel their pain. The song was named after Chi Cheng from the Deftones. We named it after him because he used to call it reggae, and he loves reggae music.

Lost

Song Meaning, Jonathan:

It's the sterotypical thing about your best friend meeting a chick, and then you're nothing

Swallow

Song Meaning, Jonathan:

That's about being paranoid. Drug-induced paranoia.

Good God

Song Meaning, Jonathan:

It's about a guy I knew in school who I thought was a my friend, but who f**ked me. He came into my life with nothing, hung out at my house, lived off me, and made me do sh*t I didn't really wanna do." "I was into new romantic music and he was a mod, and he'd tell me if I didn't dress like a mod he wouldn't be my friend anymore."

"Whenever I had plans to go on a date with a chick he'd sabotage it, because he didn't have a date or nothing. He was a gutless f**king nothing. I haven't talked to him for years.

Mr. Rogers

Song Meaning, Jonathan:

Back in the day when I was a speed freak, um... even further back when I was a little kid watchin' Mr. Rogers, that sh*t was scary. He was a freaky old man... Land of Makebelieve and Mr. f**kinMcFeely and sh*t... made me sick. So back when I was doing speed, like for 5 or 6 days I'd be trippin out and my brain would start to get freaky and get schizophrenic and stuff, and I'd tape it and watch it everyday over and over... I don't know, I was sick in the head. As a kid he told me to be polite and all it did was get me picked on. I f**king hate that man. Thanks for making me polite and trusting everyone, and easy to take advantage of. So I spent 3 months on that one song, just tweakin' on it, and it was totally just my Mr. Rogers obsession, about how evil I thought he was. Pretty much drug induced.

K @ # Ø % (Kunt)

Song Meaning, Jonathan:

People think it's sexist but it isn't. It's more subconcious b*tching at all the women who've been with me in my life. It's not about women in feneral, just those women who hurt me." "Initially, we wrote it to send to American radio for a joke, because they always chop up all the other songs. So we were going to send a 'real' single seven days later."

A.D.I.D.A.S.

Song Meaning, Jonathan:

It stands for all day I dream about sex. It's about how much of a pervert my ass is, and how I daydream about what a stud I am. But when it comes down to it, I'm a f**king pussy and I'm in there jacking off.

a** Itch

Song Meaning, Jonathan:

That was the last song I wrote, and I was so burned at writing out lyrics because everytime I write I get depressed because I start thinking about things, you know? So the whole song is about that. In the chorus it says, 'Before day, my sun will be dying'. It's because I put myself on the line all the time and for what? Because people aren't going to be listening to it anyway.

Kill You

Song Meaning, Jonathan:

It's about a relative I first met when I was 12. I f**king hate that b*tch. She's the most evil, f**ked up person I've met in my whole life. She hated my guts. She did everything she could to make my life hell. Like, when I was sick she'd feed me tea with Tabasco, which is really hot pepper oil. She'd make me drink it and say, 'You have to burn that cold out, boy'. f**ked up sh*t like that. So every night when I'd go to sleep, I'd dream of killing that b*tch. In some sick way I had a sexual fantasy about her, and I don't know what that stems from or why, but I always dreamt about f**king her and killing her

Ball Tongue

Song Meaning, Jonathan:

The meaning of ball tongue is simple. Some thought it had to do with oral sex, but in fact its about a guy we had to work with on a t-shirt (Jeff Creath). He either had a pierced tongue or a wart or something on his tongue and he was a dick to us.

Different live: Jonathan goes into a Rap (by Coolio) Called "Loddi Doddi" in the middle of the song.

Clown

Song Meaning, Jonathan:

Korn was playing a show in San Diego for a clothing card. This skinhead guy came up and started flippin' me off. When we started, I bent down and the guy took a swing at me. Our tour manager, Jeff, got into it and knocked the guy out. I wrote this song about him: 'Scared to be honest with yourself/you're a cowardly man.

Faget

Song Meaning, Jonathan:

Everyone thinks I'm bashing gay people in this song, and I'm not. It's really about me going through high school being called 'pussy,' 'queer' and all that stuff, about getting picked on by all these jocks.

Shoots and Ladders

Song Meaning, Jonathan:

It was written because all these little kids sing these nursery rhymes and they don't know what they originally meant. Everyone is so happy when singing but 'London Bridge' is about the Black Plague. All of them have these evil stories behind them." "The lyrics are all from nursery rhymes, and a lot of nursery rhymes go back to the Middle Ages. They're actually pretty twisted if you know the stories behind them, like about Black Death and stuff.

Helmet in the Bush

Song Meaning, Jonathan:

It's about a speed problem that I had. You know, you do a lot of speed and -- if you're a male -- your penis retracts severly. The guy heard at the beginning of the song is La Caco, a friend of the band. His real name is Michael and likes taco bell. He's a really Nice Guy and he has been friends with the band for years

Daddy

Song Meaning, Jonathan:

People think daddy' was writen because my dad f**ked me up the ass,thats not what the song's about. It wasn't about my dad or my mum. When I was a kid I was being abused by someone else and I went to my parents and told them about it. and they thought I was lying and joking around, they never did sh*t about it. They didn't belive it was happening to their son. I don't like to talk about that song, this is the most I've ever talked about it...

#korn #jonathan davis #just thought it was interesting

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endcant · 3 years ago

Text

aimless musings on subgenre, citypop, and internet subcultures

theres something very interesting about watching citypop become very mainstream in korea and watching that feed back into both western listeners’ opinions and also into the sometimes-cynical efforts of a variety of kpop producers

a lot of people in the youtube/kpop sphere talk about the growth of citypop as if it were a spontaneous wave that appeared out of nowhere with mariya takeuchi’s plastic love getting picked up by the youtube algorithm in like 2018 or whatever, but thats a very like online-ignorant view of the interaction between vintage japanese music and worldwide online EDM production. citypop has been used in future funk and vaporwave for almost a decade by now, and, as a result, a number of citypop songs took off on social media here and there before plastic love’s acceleration— dress down by kaworu akimoto is one of the big examples off the top of my head, but there’s likely many many more.

youtube

“Plastic Love” by Mariya Takeuchi (1984). if you haven’t heard this yet, you’d better listen to it now. The video that first went viral was uploaded in 2017

youtube

“Selfish High Heels” by Yung Bae, Macross 82-99, and Harrison (2014) is a popular Future Funk remixes of Dress Down by Kaoru Akimoto (1986)

people who haven’t been very aesthetically literate online over the years— musically or visually, since those things are tied in subcultures— treat things like they come from nowhere. there are ongoing subcultural conversations that lead to certain aesthetic choices, and when someone tries to cash in on a trend without understanding what the trend is, that leads people to call bullshit. calling bullshit is not meanspirited, in my opinion, because it very much is like somebody who can’t speak a language getting up in front of everybody and saying “hey, i’m fluent!” and then speaking some vaguely that-language-sounding nonsense. of course people who genuinely speak that language will be outraged instinctively. it feels like being mocked.

that’s why the difference between music producers picking up on a trend cynically and music producers picking up on a trend with earnest interest in that trend’s origins feels different, even if the producers are similarly distant from the original subculture that produced that trend.

youtube

“Lady” by Yubin (2018) committed hard to the 80s JP citypop aesthetic, musically and visually, down to the sets, all fairly early in the major resurgence.

i’m sure that anyone with a passing familiarity with citypop and kpop can ascertain that not all kpop producers know what citypop is and what makes it citypop. all they know is that it is on-trend and they have to make it. not all kpop listeners know what citypop is and what makes it citypop. all they know is their idol said citypop as a buzzword in their little prepared statement. all this results in some interesting moments for me as a Music Fan, Online.

here is where i get to the thing that spurred this post: loona “did a citypop” for their japanese comeback. it doesnt sound like citypop.

youtube

“Hula Hoop (Citypop Version)” by Loona (2021). It has very odd percussion rhythms and mixing for citypop, no real attempt at a citypop verse, and strangely sparse gestures towards citypop in the form of a few seconds of bass and some synthesized orchestral embellishments that were taken from the original mix …all in spite of a very disco-inspired melody that should have worked perfectly for citypop

this is not a very big deal, and im not mad about it or anything. when a kpop act i like gets saddled with an unfortunate B-Side track i dont tend to take it very hard. however, it did raise a little bit of musical discourse in the loona fandom— in the form of remixes.

youtube

“hula hoop if it was actually a citypop song” by loonahatetwinks and Olivia Soul on youtube. this one has an original instrumental that is spot-on for contemporary k-citypop

My most favorite one of these remixes is a futurefunk remix by ZSunder, one of the very best LOONA fan producers. The fact that ZSunder thought to make a future funk remix at all speaks more to an understanding of the mutually supportive relationship between citypop and EDM genres than most kpop citypop producers or fanmixers seem to care to know about.

youtube

“Hula Hoop (Future Funk Mix)” by ZSunder is futurefunk made and mixed with such love that it has the infectious summery energy of a polished, big-name future funk hit

in the comments of this video, some people seemed to get the citypop-future funk connection and some didnt. many did get it, don’t get me wrong! but also, its not all that surprising for some kpop-focused listeners to not know much about EDM subcultures and the reasons behind various trends among producers, since kpop as an institution tends to take influences from any genre and culture it likes and then decontextualize those influences by just having their names used as buzzwords in the blurbs the idols have to recite when variety show hosts ask them about their latest single. this isn’t a criticism of the genre or the fans really, it’s just a part of the kpop industry that is used to add shine to an endless firehose-like stream of polished pop tracks. there are some issues with using whole genres and subcultures with complex histories as buzzwords, but god help us if we ever want a pop industry to give its influences their dues.

anyway, the intention behind ZSunder’s future funk Hula Hoop remix happened to remind me me of why i love Yukika’s discography so much, especially the Soul Lady album. I’ve seen some reviews online baffled by parts of Soul Lady, because the album in general is an exploration of that relationship between citypop and modern/internet EDM. i’ve seen plenty of Soul Lady reviews especially baffled by pit-a-pet, saying something along the lines of “what’s with the modern-sounding dance track in the middle of a retro album?”, but i think that pit-a-pet is a futurefunk-inspired track, at least in the chorus. considering both that and the Chill Lo-Fi Interludes, it seems like estimate’s team put together Soul Lady for Yukika in a way that shows that they love citypop and understand the online-specific electronic music subcultures that led to citypop’s resurgence.

youtube

“pit-a-pet” by Yukika (2020). the stacatto, bass heavy chorus is futurefunk enough, but the soaring orchestral part in the final chorus seals the deal for my interpretation.

youtube

“All Flights Are Delayed (1 hour version)” by Yukika (2020). Estimate literally released an hour-long youtube mix of one of the Lo-Fi interludes on Soul Lady as part of their promotion, clearly inspired by “Lo-Fi anime beats to chill out to,” which is another example of online producers from around the world using Japanese samples as a focal point of their music

Estimate, in the end, is still a Kpop production company, just the same as BBC, so they have no inherent claim over citypop, but the way that their exploration of subgenres clearly comes from passion and interest on the part of their production staff makes it so that their work with Yukika rings true. on the other hand, i really appreciate Ryan S. Jhun’s work on LOONA’s JP comeback, as well as on Not Friends, but the citypop mix thing was so clearly an afterthought to the point where fans of Loona who like citypop seem mostly just irritated by the cynical-seeming attempt.

heres one last good modern kpop citypop MV that has nods to the internet culture that led to its revival in the form of the videography— vaporwave, future funk, lofi, and other internet genres along those lines tend to have videos consisting of looping anime and vhs clips. future funk in particular is known for this, especially since a lot of future funk music, esp early future funk, is just loops of very short, catchy segments of citypop and disco songs. it’s all about the loops

youtube

“My Type” by Yoon JongShin ft. Miyu Takeuchi (2019). This song is so dedicated to the retro JP citypop sound that it’s almost beyond my personal taste. The singer, Miyu, was a headlining act at a seoul citypop festival and sang this song as part of her act (:

youtube

this video of “Only One” by Conscious Thoughts (2015) has a looped clip as an example for comparison with My Type. it also has a pulsing sidechain compressor working in time with its drum beat in a way that is common for future funk and that i think is a good example for my pit-a-pet yukika comparison to future funk

i guess the takeaway here is that media is more and more online, and the creation and propagation of digital audio and video content has been in the hands of literally almost anybody who wants to do it for the past two decades thanks to garage band and fruityloops and audacity and tiktok and youtube and bandcamp and soundcloud and myspace and newgrounds and p2p file sharing and so on and so forth. and therefore like… as with all things, the consumer class more and more is also the creator class, and therefore every member of an audio-visual subculture will have the ability to discern what is and isnt made with knowledge of the audio-visual language of that subculture

#me using elder millennial phrasing for Loona Did A City Pop to imply how out-of -touch it is kfhajfhs #mine #music #long post #Youtube

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oliviabear · 4 years ago

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i hadn't searched up the comments because i knew it would just anger me. i cannot believe people are taking time out of their day to bully an 18 year old?! Taylor has no issue im pretty certain, she's friends with people who are friends with the k*rdashians. i dont like them at all, but i literally dont see the harm in her sending a pr package. it's a literal pr package... i'm disgusted too. i think taylor would honestly be so upset- we KNOW what this did to her!!!! It makes me want to scream. I'm sorry for venting in your inbox, i just can't wrap my head around it. I unsubscribed from so many fan accounts on youtube because they were posting mean things about Olivia and its like ??? Y'all need to check yourselves and stop preying on women and waiting for any slip-ups (which this was not!) just to drag them down. The worst thing is, they are the same people preaching supporting others and being kind and mental health awareness ! as if they aren't literally using things they know will really harm someone to bring them down

2016 affected taylor so bad and made her mental health worse and for them to be doing this again to AN EIGHTEEN YEAR OLD TEENAGE GIRL in 2021 is absolutely insane and unforgivable. this kind of fucked up behaviour is so constant and clear in the swiftie fandom, i mean the shit they have done this year is disgusting. first ginny and georgia scandal with the actress and then the chadwick boseman memorial post, and now shitting on a young new girl starting up in the music industry. olivia is not stupid, she doesnt want to make enemies and this is a fucking pr package and swifties are being disgusting abt it. i remember when they bullied selena and she had to delete her post.

not everything is about taylor, her friends have their own lives and swifties need to learn some respect . also im perfectly fine w u venting in my inbox, im here to listen !

#taylor swift #olivia rodrigo #asks

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the1312daysofchristmas · 3 years ago

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Wow you're really fucking annoying LMAO

you know youre a masterclass on white fragility. you see a post that is about racism and makes a good point and find the one least charitable interpretation in order to turn it into an attack, because instead of sitting and listening, everything has to he a debate.

i still dont know who you and your friend are. all i know is that original twitter thread made a very good point very, very poorly, and white people, who never have to think about this stuff, missed it entirely and placed the blame on the bands specifically. then someone explained that the blame being put on the bands was wrong because they were far from right wing, because the original post was poorly worded, and i watched as people kept adding tags and making other posts about that one completely missing the point. that the music of the late 00s and early 10s before the advent of streaming was a case of manufactured consent to discredit black art. that it was systemic, not individual. that none of these bands asked to be part of this, but they were. so i made my own post, because frankly, the original made the point very poorly, completely fumbled doing so, making factual errors along the way.

and then someone took that post, specifically made separate from the other one so as not to be an attack on any of the people correcting misinformation, as some kind of vague, instead of as a black person talking about a very real issue in the music industry.

anyway thanks its on purpose.

#dils declares

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bybdolan · 3 years ago

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while i do agree i find it ridiculous that swifties comment on artists they dont know acting like everyone doesnt know it. I don’t think its cause they dont listen to other artists i just think like their not musically knowledgeable about that type of music. Like i don’t know much about rap/hip-hop/r&b especially from the 90’s it would be dumb for me to be like “oh no one know so and so *artist*” but a lot of swifties are like 15 so i think for them their world view is the only one. Like I know so many people who don’t know that billie piper was an extremely popular pop artists in the UK before moving onto to acting. But yeah they need to stop being like “no one knows *so and so*”

Good point! And it's fitting that I just scrolled past an ask over at @heystephen where somebody rightfully pointed out that not everybody grows up with western artists and to call them "stupid" for that is... rude and unnecessary. And that is true! It makes sense for teenagers or people from countries where english music isn't the norm to not know who certain people are and there is nothing wrong with that. You can survive without knowing who Damon Albarn is. It isn't vital information. However, I think what I personally (and I think a lot of people who express similar opinions as well) take issue with/find annoying is the way a good amount of Swifties treat their lack of knowledge about an artist as a sign that they are irrelevant or untalented. There is a difference between "who is that lol?" and "ugh why is this irrelevant nobody coming for Taylor". Saying "respect your elders!!!" in this context is a little dramatic, I'll admit that, but to some extent it's true. And it's also bizarre to me that some people think Taylor would react this way to somebody who does not have any merit in the industry. There is a smugness in the way not knowing about a different artist is presented in the fandom and it can be a bit embarrassing when you act like not knowing who Damon Albarn is a sign that he doesn't matter and not that you might not know him because his career peaked before you were born or you don't listen to britpop. Which, again!, is fine, but it doesn't mean that the man has never contributed anything of value to music. Musical quality and impact can't really be measured in how relevant or well known a person is on stan twitter in 2022 - swifties are just spoiled because for them, it is kind of true.

#ask #youareworldsaway

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la5t-res0rt · 4 years ago

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Wanted to ask about beetlelyds, sorry, I thought it was technically cannon? Like in the old comics after the show ended she grew up and married him. Sorry I’m an old school fan and have no idea why this whole thing is such a big deal. Wasn’t the actor like 20 too? I’m sorry if I sound very dumb. I’m not used to this new tumblr.

youre fine you are one hundred percent allowed to especially when you do it civilly as you have done here

first of all the biggest issue faced in the whole what is and is not canon debate is the fact that there are three (four if you count the limited comics run) publicized iterations of my media

i will go over each very briefly just kidding this is going to a long answer so i will spare the dashboard with a readmore

there is the movie which im sure you dont need me to explain the plot since youre an old school fan but basically the climax is that yes beetlejuice does go for the marriage angle in exchange for stopping the exorcism of adam and barbara and his motive for this is so that he can cause as much chaos as he wants on the mortal coil but his plan is thwarted when barbara rides a sandworm into the house which promptly eats beetlejuice sending him to bureaucratic death limbo

the end of the movie features the deetz and the maitlands happily living together with lydia havign a new appreciation for her situation and beetlejuice gets his head made real small which is very funny haha

so no in the movie they are not canon editors note the actress who played lydia winona ryder was a teenager while filming the movie she turned 17 the year it released

the next is the cartoon which i will admit has the most grounds for being considered canon but in the end the show is about a middle schooler and her best friend who is a ghost which in itself is a pretty iffy gray area sort of thing but for a childrens cartoon to work a friendship is better than the obvious enemy status they held in the movie

anyway in the cartoon they are potrayed to be very close friends with lydia being the person beetlejuice cares about the most and honestly if you were to watch it with no prior knowledge of the media and if you ignored their massive and obvious age difference than yeah you probably would read it as a romantic relationship

however lydia is a middle schooler and that is simply immoral

there have been writers for the cartoon who have been credited to say that a relationship is what they were trying to invoke but for obvious reasons they couldnt exactly move forward with that angle with them establishing that lydia is a child in middle school and a fully grown adult man dating a child who is in middle school is immoral and also illegal in the united states and in canada

this isnt a good argument for whether or not something is canon and i will tell you why with one simple name and that is luke weber

if you dont know who luke weber is he was a storyboard artist on the cartoon steven universe he is known for making a lot of self ship artwork of him and the character pearl

he worked on the show isnt his material canon no of course it isnt it wasnt put in the actual publication and also if memory serves he was eventually asked to leave the project after he drew art of the shows creator giving him permission to date pearl and calling them her otp and a lot of fans hated this because the most generally accepted interpretation of pearls character is that she is sapphic so a lot of people took issue however that again is just a widely perceived headcanon it is never stated what her actual sexuality is no one in that show is because it isnt a show about that its about wait im getting off topic sorry

what im saying is what can truly be considered canon is what you see on the screen and with the cartoon they are definitely the most friendly with each other and that is why so many people in the beetlebabe shipping community take so much stock in the cartoon because it is the easiest to read the relationship between the mas romantic although that is not what the show actually provides in black and white terms

interpretation does not equal canon and in this case no matter what anyone says the fact remains that in the cartoon itself they are friends good friends yes but friends all the same

it is definitely not a show about a grown man grooming an adult and if it were you definitely shouldn’t be stanning it the extreme because grooming a minor is wrong and it is apparently a problem in the fandom

anyway if the cartoon and the movie are both products of their time and there was more leniency on content bear in mind this was the same era as notorious animation powerhouse and known predator john k who was a showrunner on ren and stimpy and he maintained a relationship with a teenager which was an open secret that nobody really took issue with because in that time being a woman in the animation industry was tricky business and your career could be ended easily if you rejected advances luckily time has moved forward and the animation industry although still full of problems of a similar nature at least people are getting called out and punished for it

you can look more into that yourself its really upsetting though

as for comics i havent been able to find good scans of them and im not willing to purchase them but in my search i never found anything about the two of them ever being married in the cartoon again because she is a child i did find a cover where he appears to be getting married and hes asking lydia to get him out of it but im not sure where the comic actually goes all i know is she is standing off to the side shrugging and looking like she doesnt really care

anyway that brings us to the musical which is set in the modern day

in the original libretto lydia is described as thirteen but since they got an actress who was older in the updated librettos she is listed as 15 and the story is pretty similar to the movie the young girl befriends ghosts and they try to scare her family out etc etc

the major difference between the film and the musical are that lydia and beetlejuice are more like friends like in the cartoon

she summons him to help scare after the maitlands attempt doesnt really work so he shows up and they have fun terrorizing people together however she drops him for the opportunity to perhaps get her mom back but when no one will help she goes back to beetlejuice who tricks her into almost exorcising barbara

she agrees to marry him in order to stop the exorcism and he only wants to get married so he can be alive again and cause problems on the mortal coil like in the movie in the musical he states several times its a green card thing whihc obviously doesnt make it okay but still

anyway lydia tricks him and runs off into the underworld before the wedding can happen blah blah blah she goes back blah blah and she agrees to go through with the wedding to save her friends and family with a plan to make him go away for good

theres a very tongue and cheek song called creepy old guy which points out how wrong the whole thing is but everyone is going along with it in a very comedic matter and it includes the line

i cant believe some cultures think this kind of things alright

basically saying yeah this is very very wrong anyway they do get married and beeltjeuice is alive for like 6 seconds before lydia stabs him to death with bad art and he dies thus nullifying the marriage because death do you part etc

so in the musical no at the end of the show they are not canon because he is dead their marriage is nullified and they go their separate ways

anyway sorry about that i just need to make it very clear that these three properties are all very distinct from each other and basically all three are indeed canon since they are publicized material and arguing the validity of which one is pointless editors note all actresses who played with the exception of dana steingold were minors for the majority of their runs as lydia with sophia ann caruso the originator of the role turning 18 during the run and dana being in her late twenties presley ryan however was a minor the whole time and still is one

tldr no they aren’t canon but to the credit of some people in this fandom their interpretation isnt too far of a stretch thanks to the era and some of the writers wishing to imply a relationship between an adult and a child

i also need to address how this is all a big deal and i suggest you take a peak through my discourse tag and check out @leedia‘s blog to see some of the more harmful things done by beetlebabe shippers

the beetlejuice fandom is home to many minors after the musical came out since musical fandom is vast and the ages of its members varies and normalizing pedophilia is harmful to them not to mention the people who have been effected by sexual harassment at the hands of adults

both sides have victims of csa but one side continues to perpetuate the cycle by showing time and time again that this behavior is normal and easily romanticized in the name of coping and literally anyone who has ever been to a good and credible therapist could tell you that posting cp even if it is simulated cp isnt a really good way to cope and you can get mad at me for saying that its totally fine but and im going to remove my character veil here for just a second as a csa survivor myself i think its harmful to not only myself but many others ok the veil is back down

tldr again there is a lot of bullying and harassment going on with both sides having their own issues but there is one side whos issues run a bit deeper in my humble opinion

thank you for your question it allowed me to talk a lot you are welcome to discuss further with me in dms if you wish i honestly recommend giving the musical a listen because it is very fun and despite what some people say its very clever and if you get a chance to see a boot of it its visually stunning

one last note that i couldnt really fit in here but a large portion of the beetlebabes shipping community ignore the musical because it openly condemns the idea of beeltejuice and lydia having a relationship and a lot of the antis take issue with much of the writing and characterizations of the cartoon just a note that i think is important since were talking about canon

#discourse #long ask #i am so tired #Anonymous

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mysmedrabbles · 5 years ago

Text

RFA + V and Saeran Reacting to MC Being a Male Idol

requested: by anonymous

a/n: know that throughout writing this whole thing i was imagining mc as being Taehyun from txt ,,,, also im just gonna pretend like most of korea isn't blatantly homophobic and instead focus on the fluff

like kpop? want more kpop rfa crossovers? donate here to keep me alive and able to work!

warnings: n/a

-tbh not fit enough to be an idol mod alex

Jumin

-frankly he has no idea who you are, so its pretty much from square one with him

-for a while until the two of you get fully used to being together, he actively avoids looking up who you are,,, he wants to know you as you and nothing else

-eventually of course, curiosity gets the better of him and he does look you up on YouTube

-he can’t help but admit you’re extremely talented, the cinematography, of course excellent... but he cant stop focusing on the way you move, strong legs propelling you forward, baggy shirt failing to hide defined muscles, cocky smile as you rap your lines, hair sw- jumin no. jumin yes

-jumin han does gay

-your music style isn’t his favorite, preferring the smooth sound of bow grazing softly on violin strings as opposed to softcore rap, but the songs are catchy, he’ll give you that

-he supports you of course, and secretly buys all your merch

-jumins main issue was with how popular you were, not (only) out of a place of timid jealousy, but also because it made going places so much harder, and your manager was even worse, constantly yelling at you and demanding you practice more

-you always come home from practice exhausted, collapsing into your husbands arms as you curl up under his solid embrace, savoring the few minutes you had of complete and utter freedom.

-highly disgruntled when you have to go on tour

-tries his best to accompany you on tour, scheduling meetings with people he needed to have meetings with anyway nearby where you were performing just to get a few more hours with you

Jaehee

-supportive! she’ll never admit it, but she listens to your music on her way to work, it helps her wake up and feel cheery for the new day, getting her pumped and ready

-yes she owns all your albums

-loves you a l m o s t as much as she loves zen

-she visits you during practice, unable to stop herself from ogling at the way you move so gracefully, yet holding yourself with so much power as you dance

-she lets it slip that you’re not her bias, however if it makes you feel any better you are her bias wrecker

-yes she has a favourite photoshoot of yours and yes she does have a small folder in her gallery dedicated to photos that she deems make her want to cry

-she gets along really well with the rest of the members, and they always invite her with you guys to hang out after work, going together to get Bulgogi or Samgyeopsal

Yoosung

-in awe

-in love

-he’s not generally one for your style of music but seeing you and your group perform, he falls in love almost instantly, bingeing on all your videos, eyes focused on you in every MV, every interview,, he’s so proud of his boyfriend!!

-hes always singing your songs under his breath, albeit badly, but its funny to hear him mumbling incoherent melodies as he’s cooking, especially when you sneak up behind him and attack him in a hug, making is voice squeak out in surprise

-constantly bragging to his friends that his boyfriend is an idol!! (assuming you’re in like,,, JinHit or something where you're,, allowed to openly date)

-he’s in the front row of every single show you go to! proudly wearing your merch and calling out your name like any other fanboy, so excited and proud of how far you’ve come

-he likes coming to the studio and watching you and the other members rehearse

-often times when you’re working late he’ll come with food in hand, refusing to leave until you eat and take a break. even then he doesnt leave, instead, determined, he waits for you to finish your work, but ultimately falling asleep on the couch behind you

Seven

- “STREAM (group name)’S NEW SINGLE CROWN PIANO!!!!”

-wdym join the amino? seven Created your groups amino page

-he’s your number one fan, constantly applauding your work and keeping your spirits uplifted, often you’ll walk in on him watching dance tutorials of your choreography, messing around and trying to learn certain moves

-he grins so widely when you walk in, watching him goof off from the doorway, completely in love with the boy in front of you

-pulls you in the room, music still blasting on high as you dance spasmodically together, no a care in the world, just you, him and the 10 CCTV cameras

-while he’s working, muttering numbers and words foreign to you, you’re right there next to him muttering song lyrics and melodies, composing music and bits, guitar riffs and lyrics

-every once in a while when you want his opinion on something, you just unplug his headphones from his laptop and plug it into yours staring at him intently until he gives feedback

-10/10 will hack into your schedule (at JinHit) if you seem more exhausted than usual, giving you more days to rest and recover from any injuries you may have received the days before in practice

-he has attended every single one of your meet n greets, until at some point he became something of a cryptid on the internet, no one knowing who the man with the red hair and funky glasses is any why he’s always with you

-they're gay Steven

Zen

-P-O-W-E-R-C-O-U-P-L-E

-not only are you the hottest couple in Korea, but also undoubtedly the most committed to their work, and yet somehow both of you maintain a stable relationship

-it takes a lot of communication seeing as you both have hectic work lives, but both you and Zen have a schedule where both of you finish work around the same time, him generally finishing a bit earlier, then coming to your studio to pick you up and go home together, then spending the rest of your time together

- “mc please teach me the choreo to your new dance!!!!!”

-he purposefully fails, just as an excuse to make you touch him, readjust his arms, hold his hips as you show him the right way to do something

-having extensive skincare routines together and working out constantly, him putting emphasis on how you need to stay healthy and gorgeous

-casually dropping his name in interviews and everyone goes insane, best crossover of the century

-another power couple

-your instagram is filled with stunning photos of the two of you because of him, having the cutest photoshoots together

-such a supportive bean! he loves your dedication to your work, and how hard you’re always practicing

-he’s never really heard of your group, but he has a nice appreciation of your music, what really gets him is how expertly crafted your music videos are

-he’s not sure how to really react to your fame, but the steadily increasing amount of bodyguards around the two of you might be one way to cope

-since he’s a freelancer he can generally come with you wherever you go for tours and interviews, and because of this he’s had quite the increase of fame, getting new perspectives and ideas for new photographic series

-he gets v e r y clingy when you come home from practice late, this whole ass 5′10 man curling up next to you, burying his head in your chest, and with your arms having no where else to go except for go around him, you earn a small whimper from V, his hands clinging onto your shirt as you feel all the tension and stress leave his body

-please dont leave your husband alone for so long

-overall he’s just extraordinarily proud of you, because he knows how hard it is to stay relevant and survive in the any korean industry, but especially entertainment and music

Saeran

-hates when you go on tour

-cant help but admit he likes your music

-but hates tour

-shy bean when he remembers he’s married to one of the top Kings of Kpop, and always wondering if he’s enough for you

-at one point he got so frustrated at the fact that it’d been exactly 46 days since he’d last seen you, and the constant string of thirst everyone showed for HIS husband on social media got to him so much that he shows up at the airport where hundreds of screaming fangirls await. your bodyguards recognize him immediately and let him through.

-he promptly takes your arm as he drags you back and away into the plane, pressing you up against the wall as he kisses you intensely, bottled up frustration exploding in passion, leaving the fans very confused as to why someone kidnapped you again

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kvndeathmusic · 5 years ago

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my favorite records of the 2010s pt 1 (the less great stuff/honorable mentions)

Neither this post or its followup are going to be in any particular order, however all the records I talk about here are, in my opinion, not as good as the records i will talk about in my part 2. they’re all fantastic but these ones slightly a little less fantastic than the ones in my “top 10″. none of this is based on stuff like 'influence' or whatever other critics base their lists on, this is solely how much I enjoyed these records. And keep in mind, I'm only human, I havent listened to a good lot of records I've heard others describe as top 10 worthy, these are just records I found and that I resonate with. long post ahead.

Vacation - Bomb the Music Industry (2011)

If you asked me what my favorite band is i will either say bomb the music industry or jeff rosenstock, but considering those are pretty much the same things it doesnt matter lol. While Vacation isnt a perfect record, it is one I love. It lacks some of the ska elements that I love about earlier BTMI records, but at the same time, it is the first record where Jeff’s “””solo””” career sound starts to form in tracks like Sick, Later, Hurricane Waves, Everybody That You Love, Everybody That Loves You, and Vocal Coach. And these tracks are all fantastic, especially the absolutely explosive opener Campaign For a Better Weekend. Where this album suffers in my mind is the fact that it exists as a weird hybrid middle ground between BTMI and modern Jeff Rosenstock, it isn’t really ska like old BTMI and it’s not quite to the same standard as the tracks on We Cool?. And some of the songs are just, not as good as the others, like Why, Oh Why, Oh Why (Oh Oh Oh Oh), which is washed out almost entirely in reverb, and tracks like Savers feeling barren and missing additional instrumentation. But fuck man I can not dislike this record or just call it “ok” because despite this I still listen to this record a lot, it’s so catchy and fun and Im a bit too chronically addicted to btmi.

Reflektor - Arcade Fire (2013)

i dont really get the hate/mixed feelings others have with this record. there’s so many good tracks dude!!!! sure theres a bit of a slump in the middle and it doesnt reach the same emotional heights as their previous records you gotta be ignorant to overlook this records strengths. while i do like The Suburbs more than Reflektor, man i just vibe HARD with some of these tracks; the title track, We Exist, Here Comes The Night Time, Normal Person, Awful Sound (Oh Eurydice), Porno, and ESPECIALLY Afterlife. Plus the cover art is cool and I like it. However Flashbulb Eyes is one of the worst tracks Arcade Fire has ever put out and I hate it immensely. And while far less offensive, tracks like You Already Know, It’s Never Over (Hey Orpheus), and Joan of Arc are just kinda boring and/or uninteresting. Now granted, I'm extremely biased when it comes to Arcade fire in general unless were talking about the trainwreck that is Everything Now. I started listening to Arcade Fire just before Reflektor came out, and I have a kinda sentimental attachment to the record. ill explain the feeling more when i talk about The Suburbs. anticipation oooooo.

good kid m.A.A.d city - Kendrick Lamar (2012)

i might get crucified by some for not putting this in my top 10, but whatever come at me i guess. gkmc is a fantastic record, but i do think the ending is weak, which is why it’s here instead of in the top 10. i mean, let’s be real, Real is a mediocre track, and while Dying of Thirst is an important track to the whole narrative of the record, it feels way too long. almost everything else about this record is fantastic, from the beats, to kendrick’s nasally flows, to the overall structure of the record spinning a tale of a young man battling demons both inside and out, and his eventual redemption. even if i find this record at times to drop pace, it really is flawless otherwise. it felt like a disservice to put this in the 20-10s, bc it’s a good record, but i had to make some compromises and this was one of them.

RTJ2 - Run The Jewels (2014)

el-p and killer mike are a perfect duo, and the tracks they make together are always total bangers. and for me, RTJ2 is the best overall, with RTJ3 in a close second. it’s hard to put this on the lower half of the list, some of the tracks just don’t work as well as the others, but despite that there’s not really any tracks i hate or dislike on this record, minus maybe crown. the pure aggression in the opening track Jeopardy sets the tone for an aggressive yet highly focused record. This is some of the best rap out there right now if you want some music to fuck shit up to.

Pure Comedy - Father John Misty (2017)

This record is both hilarious and extremely bleak. Josh Tillman is a master of satire and sarcasm, and Pure Comedy is the peak of his songwriting skills. The title track is one of the best tracks of the decade, period. And he keeps up the momentum on the following few tracks. The main problem with this record is its weaker second half, but even then it’s criminal to suggest that those songs aren’t good regardless. And despite the bleakness, the one line that sticks in my head after all this time is the line this album fades out to: There’s nothing to fear.

Knife Man - AJJ (2011)

Continuing on the trend of folky, satirical, and bleak records, Knife Man is AJJ’s defining record (next to their debut LP). AJJ blends loud, punky anthems with quieter, folk tracks that touch on sensitive issues in a way only AJJ manages to get away with. And there’s some genuine heart mixed in as well, with the final track Big Bird always striking a chord with me. However, I do feel the record is, let’s just say, padded at times in my opinion. Still, I can’t deny how much i enjoy tracks like Gift of the Magi 2, Hate Rain on Me, The Distance, and Skate Park. Speaking of which when I saw AJJ live recently they played none of those songs and that kinda sucked but hey it was like $20 I can’t complain. And speaking of not getting what I wanted...

You Won’t Get What You Want - Daughters (2018)

It was hard choosing between this record and their 2010 self titled record, but in terms of the overall narrative and variety this record shines through. If there was a number 11 spot in this unorganized list this would probably take that spot. It’s noisey, it’s abrasive, and it’s like nothing you’ve heard before unless you’ve listened to Daughter’s previous records. Tracks like The Reason They Hate Me are catchy in the weirdest and most unwelcoming of ways, Less Sex sounds like a long lost Trent Reznor NIN track, and Guest House is a masochistic and gut wrenching finisher. Fantastic record aaaaaaaaaaaaaaaaaaaaaaa.

We Cool? - Jeff Rosenstock (2015)

It’s obvious that I had to include this record somewhere on these list. It’s like a more refined version of the sounds that Jeff experimented with on Vacation. Definitely more punk than ska, but still some of those roots still shine through, especially in the track Nausea. Some of Jeff’s best songs are on this record, from the loud opening tracks Get Old Forever and You, In Weird Cities, to tracks dripping with bittersweet and moody lyrics like I’m Serious, I’m Sorry and Polar Bear or Africa. The main reason this record is on the back end of the top 20 is because the deeper cuts on the record do not match the energy and heights of the best tracks. Tracks like All Blissed Out, The Lows, Darkness Records and Beers Again Alone don’t feel like they belong and stick out a bit. They remind me more of the material Jeff put out on his 2012 EP I Look Like Shit. Mind you they aren’t bad tracks, but I’ll be honest I skip them often when listening to the record because i just wanna get back to the good good stuff.

Sports - Modern Baseball (2012)

Sports is one of the best pop punk records ever, if you can even consider it as such. It’s like a blend of emo and folk punk, and it works so well. A good majority of this record is on my main shuffle playlist. Is it pushing boundaries? Not really, but tracks like Re-Do, Tears Over Beers, and See Ya, Sucker are undeniably catchy and memorable. I NEED MODERN BASEBALL BACK TOGETHER RN. There’s not really anything that wrong with the record, besides maybe lacking in variety, but at 30 minutes, it’s a record that feels nostalgic even on a first listen, and continues to feel that way even after numerous re-listens. Speaking of nostalgia...

The Suburbs - Arcade Fire (2010)

Some background, when I was 13 (circa 2013), I only really listened to whatever my parents put on for me. From my mom, I “inherited” a taste for classic pop and 80s new wave. From my dad, I got metal and hard rock. The first time I made the conscious decision to listen to a record fully, based on my own curiousity, was when I sat and listened to Sgt. Pepper in the summer of 2013, which broadened the scope of what I thought music could even be. And later that year, the first band I got into after The Beatles? Arcade Fire. When I think of my early teens, the memories are set to this record. I remember listening to Ready to Start in my brother’s old hot ass car while driving to the local fair with some friends on a chill fall night, eating tons of junk and staying up past midnight back when doing that was edgy and cool and not a symptom of my depression.

If I was judging this record solely by its best tracks, it would easily be in the top 3. But I couldn’t place it in my top 10 because, frankly, some of the deeper cuts are lacking. I can’t say I like Deep Blue. I really don’t like Rococo. And Half Light I kills the pace of the record. But man, that title track, Ready to Start, Modern Man, Empty Room, Half Light II, Sprawl II... these songs defined my early teen years. I still tear up listening to the title track. Sure I have to skip a few songs when I re-listen, but I can’t place it any lower or my heart will break. It existing outside of the top 10 already hurts. And that’s all that’s left now. The top 10.

But first, some random honorable mentions that didn’t make this list:

Sound & Color - Alabama Shakes

Black Star - David Bowie

Saturation II - BROCKHAMPTON

Melophobia - Cage the Elephant

Teens of Style - Car Seat Headrest

How to Leave Town - Car Seat Headrest

Daughters - Daughters

Sunbather - Deafheaven

Bottomless Pit - Death Grips

Year of the Snitch - Death Grips (should be on this list tbh)

Doris - Earl Sweatshirt

I Love You, Honeybear - Father John Misty

Helplessness Blues - Fleet Foxes

Plastic Beach - Gorillaz

Boarding House Reach - Jack White

POST- - Jeff Rosenstock

S/T - Joyce Manor

Firepower - Judas Priest

ye - Kanye West

KIDS SEE GHOSTS - KSG

You Were There - Kill Lincoln

Flying Microtonal Banana - King Gizzard

Infest The Rats’ Nest - King Gizzard

No New World - Mass of the Fermenting Dregs

Bury Me At Makeout Creek - Mitski

Puberty 2 - Mitski

Unsilent Death - Nails

Itekoma Hits - Otoboke Beaver

Morbid Stuff - PUP

A Moon Shaped Pool - Radiohead

RTJ3 - Run the Jewels

Angles - The Strokes

To Be Kind - Swans

Undertale OST - Toby Fox

Scum Fuck Flower Boy - Tyler, The Creator

Igor - Tyler, The Creator

Weezer (White Album) - Weezer

nightlife - yuragi

#music #2010s

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taltos-seidmadr · 5 years ago

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I was tagged in a “Answer questions, tag people” thing by @apocalypticglitter so now I must oblige my civic duty! Thank you for tagging me!

Answer 17 questions (+1 because 18 is my favourite number) and tag 17 people (if you can)

Nickname: Sithi Sun sign: Sagittarius Height: I’m like... Three stacked cans of whoop ass. In a trench coat huge sweater. Hogwarts House: the valid one aka. Hufflepuff (Don’t @ me) Last thing I googled: BULL FROGS?! This is @mkingamess ‘s fault. I was curious how big they really are Favourite musicians: UHHHMM this is a super hard question for me to answer tbh cause my taste in music fluctuates daily. I will give a shoutout to some musicians/albums that I can think off the top of my head and imo don’t get enough recognition:

If you are into industrial metal/EDM type of shit, Hatari is really fucking lit. Some may know them from the Eurovision already. I just accidentally stumbled into them via the Discover Weekly on Spotify like half a year before the competition

The Magic Got Killed by Too Tangled - literally the two most attractive voices in the world, listening to this always makes me feel painfully bisexual

The self titled and only album of Fear and the Nervous System is is a curious experience. I have literally never heard anyone in my life sing with as much harrowing intensity and passion as this singer, to the point that I don’t even know if I would call it singing anymore... but it does work and fold into the instrumentals very well, creating a rather unique mood. Genuine “Let me wallow in my depression for an hour before I move on” kind of music. It might click with you, might not. But I do think it’s very underrated.

Pagans in this corner of tumblr I think would enjoy the shit out of Faun, they got many good songs but my absolute fave is Egil’s Saga

Song stuck in my head:

youtube

Probably best young scrolls track to date. Spits more fire than the Red Mountain, yo.

Following: around 300 Followers: just passed 1k(?! That’s a lot?! Should I do like, a giveaway or something) 🤔 Amount of sleep: What a weird question... I slept about 7 hours last night. Lucky number(s): 3, 7, 8, 18 Dream job(s): illegal back-alley cyberpunk prosthetics designer/repairman (dont have the qualifications or the technology but one can dream) bog body that starry-eyed semi-feral singers write songs about (possibly attainable?) village cryptid (probably already achieved the status but unfortunately not getting paid for it) artist (I’m doing this one, so hooray!) Wearing: I’m in my sleepwear already lol. It’s a pair of wide comfy black pants, and a big moss green shirt with a geometric pattern (there used to be gold and silver paint on it but that unfortunately faded out, now it’s just black). Favourite songs: My answer is same as above really... Idk harrass me in my askbox maybe I will recommend you some songs. Instruments played: I could play a little guitar at a time, but I’ve forgotten most of it.

Hey, this is only 15! I will add 3 more:

Something that I’m not good at but thoroughly enjoy: Videogames, hands down. My motoric skills and reaction times are less than desirable, lol. Nevertheless I’m a huge gamer and I just love to immerse myself in imaginary worlds. My favourite Halloween costume ever: I once recreated this dress from scratch with a fairly acceptable degree of accuracy My favourite myth of the god(s) I worship (if doesn’t apply, your favourite folk tale): I fear this is going to be an unoriginal answer, but seriously... could anything top Thrymskvidha?

Fun facts:

When I was born, I almost died.

In spite of my entire family being devout Christians, I remember believing in some form of reincarnation at such an early age that I had no business knowing what the word reincarnation even means. I was in fact very convinced at a time that I’m either one of my great-grandparents on my mother’s side, or from the generation before that. (Now that my religion is what it is, honestly I don’t really know if this is true or not. But I thought this back then for some reason.)

I’m left handed.

Before moving to Germany, I sang in choirs my entire life, some of which were fairly professional level, I guess? We would go to international competitions and stuff.

I don’t know if this was a weird coincidence or the spirit world itself shifted reality around me to protect me, but I somehow never heard the Frozen theme song in its entirety. In my life. Not one time. Not even when it was on the radio non-stop. If I managed to catch it somewhere, it was always when it was just about to end.

I used to want to be a professional animator, but when I grew up and researched about the profession more, it didn’t seem like it was worth the hassle. Regardless I’m still obsessed with animation, I watch cartoons all the time and I would like to teach myself how to animate even if just on an amateur level.

I have no idea how to tie a shoe with only one bunny ear. I was taught the two bunny ears method and that’s all I’ve ever known.

Some things that I associate with Loki that have absolutely nothing to do with the lore or anything include snow, a very specific shade of blue, roses, cherry (but only the scent or flavor, not the fruit) and various forms of iridescence.

Like probably all kids who are into metal, I also dreamed of becoming a rockstar a little bit, but more interestingly, in my fantasy I was going to be blindfolded on stage and I thought that would be my schtick as a performer, for some reason. Of course the cloth would have to be sheer in order for me to be able to see just enough to orient myself on stage. It’s somehow both hilarious and bone-chilling to look back on now, that another and actually kind of obvious solution to the orientation issue never occurred to me on my own

The green shirt mentioned above is the only green piece of clothing I own.

I don’t believe in astrology. :/ (Sorry...?)

When I was a kid, I entered a nationwide contest to write a faux folk tale and my tale made it to the semifinals.

The only “what is your favourite” type of question I can give a straightforward answer to is what my favourite book is. It’s The Neverending Story by Michael Ende (who would have thought!)

I knew I was nonbinary my entire life, but I only learned that there is a word for it when I was 25.

Besides my native Hungarian, English, and a little German that I speak, I also learned Japanese and Norwegian (in highschool and during university, respectively) both for 3 years each, and I was on roughly B1 (low intermediate) level in them at my best. I don’t remember much of Japanese, and I only understand a little Norwegian when it’s in front of me to read, but once German is no longer the priority, I would like to relearn them at least a little bit.

One of my completely useless talents is that if we talk to each other and I have a drink in my hand, I will somehow supernaturally detect it from your brainwaves when you are about to tell a funny joke and will attempt to drink just beforehand. This has happened so often that I can now suppress the instinctive urge to try to swallow the drink halfway wrong and choke on it. If you were planning to assassinate me this way, it would not work.

The reason why 18 is my favourite number is because my life seems to be entwined with it in a weird, almost supernatural way. For example an unnaturally large number of things that are important to me (including my birth) happened on the 18th of a month.

Since there is no Halloween party I’m going to this year, I don’t have a specific costume but I will definitely take my make up kit regardless and go absolutely feral with it just to be in the Halloween spirit a little bit.

Whew man... it was really tough to come up with 18. I’m more boring than i thought.

I tag:

@mkingamess @ragnarokfox @forest--walker @quietdedication @spellbookofthelostandfound @ast-heljar @cloudy-skyes @d-em-t @suilebhride @edderkopper

Anyone who wants to fill this out can consider themselves tagged as well. Tag my name in it too so I can read it.

#sithi's posts

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