#dont get me wrong this scene is sad

[shayberri789]

I love the way link runs away from Saria when leaving the woods for the first time in OoT

Like. Here is an emotionally charged scene, your best friend is saying goodbye and is sad. And link, because he is allergic to feelings, backs off before FLEEING like she's some kind of predator

I love my emotionally constipated son

[voxmilia]

Oisin's incredibly talented because as he's lifting one literal ship into the sky, he's sinking another metaphorical ship straight into the ground

[aroaceleovaldez]

So, in your last post about the Percy Jackson TV show, I felt you lacked a few pieces of information/points. While it is true that the CGI in the film is pore and not constructed well, please note that while they have a large budget Disney has made a lot of restrictions to the show. In the original scrips there was a significantly larger amount of violence that would have needed more CGI. This was latter edited out of the script due to both restrictions and budget cuts for other parts in the show(sadly). Also to bring into prospective Sea of monsters the movie was made 10 years ago. Inflation has juristically affected the way money is used in films. Another thing to note is typically movie budgets are less than TV shows because they only are filming for one larger block of time. TV however they can take years meaning the acters need to be paid even for the time off set. This is not to say movies cannot take years, but it is to show that TV shows are filmed longer. I would also like to say I am genuinely not trying to be rude or unkind about your opinion and thoughts on the subject. I am just someone who has a different insight into the topic because of the things I know about the topic (I myself, am an actor and for the most part I think this is why the CGI was not the best as well as some of the script work). 

I did actually calculate inflation for Sea of Monsters versus the PJO TV show. We know the PJO TV show allegedly had a budget of $12-15 million per episode. For comparison, this is the type of budget Disney+ usually uses for stuff like The Mandalorian. I was doing a generous underestimate for the entire season which comes out to $96mil (12mil per episode x 8 episodes). Sea of Monsters' budget was 90mil. Here's that inflation:

So lil over $120mil. Going for a top estimate for s1 of the show (15x8) that's $120mil. And as far as I'd heard that may also not include stuff like budget for casting for the show. They are still roughly in similar ballparks.

Regardless of this - as an animator, i can tell you there is no excuse for that wonky CGI trident other than it being extremely quickly done. That's literally a transform error, like ctrl+t type stuff. That is a lazy and cheap trident, probably because Disney notoriously overworks and cheaps out with their CGI. The CGI problems in the show are majority because Disney's being cheap about it. This shows in nearly all the CGI in every episode.

If they had to remove violence from the script and so remove CGI scenes with it, then theoretically they should have more room in the budget for more or better CGI where it already is in the show. That money doesn't just vanish. Changing that in the script gives them less of an excuse, actually.

Also, as i mentioned in my previous post - if you don't want to CGI hydrokinesis, don't pick the franchise where the main character's defining power is hydrokinesis. If you can't have much violence, DON'T PICK THE GREEK MYTHOLOGY SERIES WHERE THE MAIN CHARACTER BEHEADS TWO PEOPLE IN THE FIRST BOOK AND IT ONLY GETS BLOODIER FROM THERE. You cannot have PJO without some level of violence. It's kind of very inherent to the series. Rick actually talks in his original Teaching Guide for The Lightning Thief about how, in argument against attempts to ban TLT (in this specific instance for "being too violent"), that monsters in the books poof into golden dust for a reason, because then they haven't "died." There is no blood. They can and will come back. Because it's fantasy. That is the excuse for all the violence. Of which there otherwise technically is a lot of.

If you are doing live action PJO you are going to have to have some amount of violence (and there is absolutely a level that is perfectly suitable for a PG13 audience. The show right now is leagues below that level. PG13 just means parental guidance for under 13 - this majority has to do with concerns about children under 13 replicating behavior on-screen. Past 13 kids know better than to do that, which is why that rating is a thing. There are plenty of film/media/etc that are way more gory and violent and are still PG13). You are going to have to CGI monsters/creatures to some degree regularly (alongside demigod powers like Percy's hydrokinesis even more regularly). And between those two things, characters are going to have to look like they're physically interacting with the CGI at times. Disney is capable of doing this. Disney does have the budget for this for the show. They're not doing it because they're being cheap. Disney has done this before and does it regularly. This is not anything new. It entirely has to do with CGI not having as many unions. They have no excuses. If they didn't expect to run into these problems then they clearly did no planning for what adapting the series would entail and didn't think at all of what the series actually featured before diving into it. And they have no excuse for that! That is step one!

[okitanoniisan]

new rgg fans will never know what they missed back in ye olden days of the fandom (like, 2019), doubly so now that scott strichart's deleted his twitter and jon riesenbach's privated. twitter was so fucking fun and then whatever-the-hell at sega of america happened and caused a fucking snowball effect and now we have shitass localization and resulting discourse that makes every release nigh unbearable, misinformation, confusion, people complaining about "bad writing/mischaracterization" not realizing it's because of the shitass english loc, i'm sitting here like jesus christ these loc bitches massacred saejima's character voice, people will never see him as he was intended, as original yakuza 5 localization Correctly painted him, and now they're coming for kiryu. god help us. we used to be a proper fandom. before everyone was subjected to the remastered localizations and shaky eng characterization. no one had even played yakuza 3-5, people still called morning glory "sunshine" orphanage, kiryu was our only protagonist and people still called him "boring", it was beautiful...

anyway gaiden uses affective instead of effective because the current localization team is full of careless dumbasses who don't give a fuck about ensuring they're using correct english grammar and this is not an isolated incident

[sc3n3kitt3h]

IM LIKE IF A BOY WAS A MANIC PIXIE DREAM GIRL WAS A SCENE FAG

[what-is-it-to-be-pk-esque]

My partner finally finished BG3 but has no idea that his ending was actually bad cause he was a pro-Vlaakith githyanki who rode off with Lae'zel but got NO EPILOGUE where Withers points out y'all died im 😭😭😭

they have no idea what happened with Gale or anyone else (who was still alive) after flying away 🙃🙃🙃

[red-dyed-sarumane]

everyone's threatening leaving twitter again so i finally made a bluesky just in case

[silverselfshippingchaos]

it's a really small detail, but I love how you see m.akoto soften a little whenever y.uya and him talk about his daughter

[cinnabeat]

i love how kh games are just sometimes psychological horrors

[coma-collection]

okay you know what no I’m still mad at how little Coma was shown in furiosa

[ningningkittie]

...

[the-kipsabian]

its a sad day when you see a person you know is good and creative to use ai tools to make art

[dangerliesbeforeyou]

me: hmm yeh i kinda get the criticism of this female character, she's not overly complex or interesting but she's Cool so that's basically why people like her which is fine

me 3 seconds later when i hear others shit talking her: actually fuck that, she IS complex AND interesting and i will defend her with my LIFE

[welldrawnfish]

Do you know what its like to be trans?

[Comic description: A comic about being trans. Long descriptions follow.

1. A light-skinned trans woman with shoulder-length brown hair stands at her bathroom sink wearing a T-shirt with a fish on it, draped so that her left shoulder hangs out. The text reads, ‘Let me teach you, what its like to be trans.’ 2. A blister pack of unlabelled pills sits next to this are two prescription bottles, one of Estrodial and one of Spironolactone, the latter of which is on its side with pills spilling out. The text reads, ‘What it’s like to spend years of waiting / For the right people to tick the box to tick the box to say your sick enough to get treatment. / Treatment to be you.’ 3. The woman brushes her teeth while looking at a tablet propped up by the sink. The text reads, ‘Do you know what its like to be a prop for political power? / To know they Dont actually care?’ The word ‘actually’ is underlined. 4. The woman sticks her tongue out in concentration as she works on the clasps of a bra behind her back. The text reads, ‘Do you know what it’s like? Do wait years for your body to change?’ 5. The woman starts shaving her cheeks and chin, which are covered in cream. The text reads, ‘What its like to work (emphasis) so (end emphasis) hard to overcome every toxic gender norm?’ 6. The woman touches her own shoulders with an unhappy expression. The text reads, ‘To take stock at the damage puberty has done?’ 7. A bottle of nail polish lies on its side dripping onto the counter. Polish has been splashed against the wall. The woman’s hands are visible in the sink, with just her right thumbnail painted. The text reads, ‘Do you know what its like? / To paint your nails only to see how disgusting your hands make you feel?’ 8. The woman bends over the sink, with her eyes shut and tears streaming down her face. The text says, ‘What its like, To do your makeup wrong / and see every feature you hate (emphasis) highlighted (end emphasis)?’

9. Fully dressed with a bag on her shoulder, the woman stands in her doorway with the door open and light streaming in. The text reads, ‘Do you Know what Its like to go outside? / When all it takes is one person to think that you are large enough danger to childrens lives to end yours.’ 10. The door is closed. A single point of light streams in from the peep hole and hits the woman’s head. She has one hand on the door and is looking down at the doorknob with a sad expression. Her bag lies on the ground beside her. The text says, ‘It paralyzes you.’

11. Back to the scene in the bathroom, similar to the first panel but mirrored and with a large black X scratched over the woman’s face. The text reads, ‘Do you Know what its like? / To not be seen as a person? / Because that’s what you taught me.’ \End descriptions]

[infamous-if]

CH3 [140K WORDS] UPDATE + A LESSON

Hi guys! sorry for the delay there was a reason for it

I fucked up my files and lost all the work I did over the few months for the chapter 2 rewrite...like all of it, im really bummed out about it. and like an idiot ive been playtesting the wrong, unfinished outdated chapter 2 lol

im ngl I did have a pretty long cry earlier which is why I took a while...and im crying now writing this lol

I know it's a wip and these things happen but I worked really hard on 200k+ words of chapter 2 to see it improved and to see it all gone and fucked up really really sucks. I value infamous really highly and am pretty hard on myself so when I dont feel like I deliver what I want to deliver it's really hard for me to move on from that. I was really excited to have this all out at once and now I feel completely disheartened. I know I just have to pick myself up and just get back to work and rewrite chapter 2 but right now im just really upset

anyway, sorry to kill the mood this is probably the worst vibe killer ever lmao I hope everyone is excited! I said I was going to release chapter 3 for band tier and thats what im doing. You'll play the prologue + chapter 1 but will have to input some variable stuff for chapter 3. I hope having chapter 3 can make up for the loss of chapter 2

Chapter 3 is 140K words.

What to expect:

perform the first week and see the outcome

quality time with ROs

drama

angst

there is an explicit scene with an RO (it's skippable) so be mindful of that !

forgot to mention that I am completely rehauling the stats (again) as well due to the new flavor text options in chapter 1 because I feel like the stats still dont encompass the broad range now that there's different canonical types of MCs but yeah not like it matters rn since you'll just input it in aha!

I find chapter 3 to be the most lighthearted of all chapters for me so I hope you guys like it. if there's any inconsistencies (there might be due to lack of chapter 2 context or whatnot), errors, passages missing etc etc.

ill be around to fix any bugs and stuff but I think im going to take a day or two to refresh because im really fucking sad lol

hope you guys enjoy it!

available for band tier

[baldval]

heyy! You dont have to do this if it makes you uncomfortable it is a little darker…

can i request overlords finding out that reader selfharms? Like they knew she was unstable but they didnt think that much

thank you!!!

BEING COMFORTED BY HAZBIN!₊˚⊹♡

characters: alastor, vox, velvette, valentino, lucifer, adam

warnings: sad reader, slightly ooc adam (that man is so hard to write omg)

a/n: ik i said i'm comfortable w darker asks, i just don't really feel ok w writing about such heavy/negative topics (especially sh), but don't worry anon, should've added that mb. anyways, i give you hazbin characters comforting reader in return 🫶🫶

ALASTOR:

ᯓ he’s not exactly a ‘sit down and talk about feelings’ type of person

ᯓ but he can tell when something’s wrong

ᯓ and he wants nothing more but to make you feel like you’re on top of the world

ᯓ he sees your pouty face when you get home

ᯓ “hey, darling, come look,” he says

ᯓ he’d been at work when you’d left

ᯓ so he’s had some time to figure out what to do for you without making it seem like he’s prying

ᯓ he’ll ask you about what���s bothering you once you’ve relaxed

ᯓ he plops down on the couch, dragging you with him

ᯓ your favorite movie is paused on the tv, waiting to be played

ᯓ “i found an extended version. with bloopers and deleted scenes and everything,” he murmurs

ᯓ the entire movie, his hand is rubbing up and down your back

ᯓ his fingers sometimes creep up your neck, playing gently with your hair

ᯓ the entire thing is extremely soothing

ᯓ you know he knows something’s wrong

ᯓ and you also know he’s going to do everything in his power to fix it

ᯓ and you’re so grateful he just loves you

VOX:

ᯓ he doesn’t need you to say anything, ever

ᯓ he just knows what you need

ᯓ when he comes home and finds you in bed early, he knows you’ve had a difficult day

ᯓ he doesn’t know what happened, but he won’t ask until you’re feeling better

ᯓ he changes out of his work clothes and just gets into bed with you

ᯓ when you don’t say anything either, he pulls you into a cuddle, one hand pressing your head to his chest and the other cupping your hip

ᯓ “hi, vox.”

ᯓ he peppers your face in kisses

ᯓ “feeling off?” he asks

ᯓ you nod

ᯓ his fingers go to stroke your jaw

ᯓ “you can talk to me, you know. i want to make it better,” he tells you

ᯓ so you tell him everything

ᯓ whatever the issue was, the next day, he’s found some way to solve it

ᯓ just for you

ᯓ anything for you

VELVETTE:

ᯓ the minute you come home from work, exhaustion and misery rolling off of you in waves, she demands to know what’s wrong

ᯓ “is someone bothering you? is it your boss again? because i can get him fired.”

ᯓ you tell her everything

ᯓ she promises to help you with whatever it is that’s causing you trouble

ᯓ she’d tip the earth off it’s axis if you asked

ᯓ “come here, i want a kiss,” she tells you

ᯓ you very happily oblige

ᯓ she spends the entire night just spoiling (and worshiping) you

ᯓ the sheets of your bed are tangled between both your legs

ᯓ you’ve never felt more loved

ᯓ she murmurs about how your aniversary is coming up

ᯓ and tells you to get your nails done and dress pretty

ᯓ you don’t really know how you got here

ᯓ but you’re not upset

ᯓ you smile up at the ceiling, delightedly dazed

ᯓ you don’t even remember why you were upset

VALENTINO:

ᯓ he feels what you feel

ᯓ and at this point he can never leave you alone

ᯓ he NEEDS to be with you 24/7

ᯓ so naturally it’s like he’s dying when you come home looking upset

ᯓ “hey, no kiss hello?” he whines

ᯓ that manages to get you to laugh

ᯓ he smiles at your smiling

ᯓ you go over to kiss him and he catches your wrist before you walk off

ᯓ “no, c’mere,” he insists

ᯓ he tugs you into his lap and winds his arms around your waist

ᯓ he sets his chin on your shoulder

ᯓ “why’re you upset?”

ᯓ “oh, it’s nothing, val.”

ᯓ “bullshit.”

ᯓ you spill

ᯓ he rubs circles into your hip bone

ᯓ “i’d be upset, too,” he admits

ᯓ he kisses all up your neck

ᯓ “but we don’t have to think about that at all now. can we just spend some time together? i promise, though, if you’re still having problems i’ll gladly fuck up as many lives as you need.”

ᯓ you laugh, making him laugh

ᯓ you spend the rest of the night just sitting there talking to him

LUCIFER:

ᯓ the two of you are watching your current show, as you do every night, and he notices you’re zoning out

ᯓ he pauses it and looks down at you

ᯓ he dots a couple kisses over your brow

ᯓ “everything okay?”

ᯓ “rough day…”

ᯓ “why didn’t you tell me?”

ᯓ his expression is one of concern now, yet still absolutely laden with affection

ᯓ “i’m sorry, i’m not trying to keeping things from you or anything. i just don’t want to bother you.”

ᯓ “i want you to bother me. say everything that comes into your brain, i want to hear it.”

ᯓ he pulls you closer, palm smoothing over the back of your neck as he sets your head against his chest

ᯓ you tell him about your day, and how you were getting so frustrated

ᯓ frustrated everything was going wrong today, frustrated that the entire week was going wrong

ᯓ he listens intently, stroking your hair the entire time

ᯓ he gives soft “mhms” and “of courses” at your words

ᯓ he peppers warm kisses all over your face

ᯓ he does his best to give you a solution

ᯓ even if what he suggested doesn’t work, he’s sending you flowers to your house for the next week

ADAM:

ᯓ he’s a little confused, but he’s got the spirit

ᯓ he’s a little nervous to ask what’s wrong

ᯓ he’s afraid he won’t know what to do to make you feel better

ᯓ “hey, uh, everything okay?”

ᯓ you shrug

ᯓ “wanna talk about it?”

ᯓ you tell him everything

ᯓ he nods the entire time, his eyes never leaving your face

ᯓ he’s trying to memorize everything you’re saying

ᯓ he doesn’t really have any great solutions

ᯓ and he kind of hates himself for it

ᯓ he wants to help you, even if he doesn't make it obvious

ᯓ “hey, how about we go out tonight? take your mind off things.”

ᯓ you spend the night at dinner then wandering through a night market

ᯓ you both talk nonstop

ᯓ he gets you a bunch of trinkets

ᯓ just things that remind him of you

ᯓ and a bracelet, too

ᯓ he spends a bit of time fiddling with the clasp, eventually hooking it together and letting it sit on your wrist

ᯓ you don’t take the bracelet off

ᯓ ever

ᯓ at home, he’s worried you’re still upset

ᯓ but you’re not

ᯓ you fall asleep curled up against him, your worries now nonexistent