#donald henderson clarke

[mariocki]

The Ghost Ship (1943)

"The man is dead. With his death, the waters of the sea are open to us. But there will be other deaths, and the agony of dying, before we come to land again."

[gameraboy2]

Confidential by Donald Henderson Clarke Avon Books 253, 1950 Cover by Ray Johnson

[abejamariposa]

Cantaloop Island: Funky Soul Jazz on Blue Note

Cantaloop (Flip Fantasia) (1993) - Us3 Cantaloupe Island (1964) - Herbie Hancock Señor Blues (1956) - Horace Silver Quintet The Sidewinder (1964) - Lee Morgan The Turnaround (1965) - Hank Mobley Blind Man, Blind Man (1963) - Herbie Hancock Hi-Heel Sneakers (1966) - Blue Mitchell Quintet Soul Woman (1966) - Big John Patton Brown Sugar (1964) - Freddie Roach Preach Brother (1962) - Fred Jackson Chitlins Con Carne (1963) - Kenny Burrell Judo Mambo (1956) - Jimmy Smith Mustang (1967) - Donald Byrd Chili Peppers (1968) - Duke Pearson Recado Bossa Nova (1966) - Hank Mobley Blue Bossa (1963) - Joe Henderson

Different Rhythms, Different People (1993) - Us3 Quantrale (1960) - Curtis Fuller Song For My Father (1965) - Horace Silver Quintet Crisis (1962) - Art Blakey & The Jazz Messengers Adam’s Apple (1967) - Wayne Shorter One Mint Julep (1960) - Freddie Hubbard True Blue (1960) - Tina Brooks Congalegre (1961) - Horace Parlan Blues Walk (1958) - Lou Donaldson Cool Struttin’ (1958) - Sonny Clark Moanin’ (1958) - Art Blakey & The Jazz Messengers Dat Dere (1960) - Art Blakey & The Jazz Messengers Sweet Honey Bee (1969) - Lee Morgan Watermelon Man (1962) - Herbie Hancock Sookie Sookie (1970) - Grant Green Tukka Yoot's Riddim (1993) - Us3

Happy 60th anniversary of the release of “Cantaloupe Island” and “The Sidewinder”!

Compiled by Abeja Mariposa

[omegaremix]

Omega Radio for July 6, 2020; #233.

Phil Upchurch “Black Gold”

Annette Peacock & Paul Bley “A Loss Of Consciousness”

Iodi “Sonrie”

Cal Tjader “Morning Mist”

Julius Brockington “Forty-Nine Reasons”

Ramsey Lewis “Skippin’”

Neil Richardson “The Riviera Affair”

Weldon Irvine “We Gettin’ Down”

Minnie Riperton “Baby, This Love I have”

RAMP “Paint Me Any Color”

Rufus & Chaka Khan “Your Smile”

Donald Byrd “Wind Parade”

John Tropea “Tambourine”

Phil Upchurch “Foolin’ Around”

Karla Bonoff “Restless Nights”

Joe Beck & David Sanborn “Texas Ann”

Clive Hicks “Deserted Factory”

Mysterious Flying Orchestra “Shadows”

Franco Micalizzi “Jessica’s Theme”

Joe Thomas “Gemini Flyin’ High”

Funky Nassau “When She Made Me Promise”

Wayne Henderson “Mysterious Maiden”

Don Patterson “The Good Life”

Vic Juris “Horizon Drive”

Emily Remler “Strollin’“

McNeal & Niles “Ja Ja”

James Clarke “Cine Mobile”

Bob James “Nautilus”

Blackbyrds, The “Mysterious Vibes”

General Lee & The Space Army Band “Magic”

Brothers Johnson, The “Tomorrow”

Ripple “Victorius”

Eddie Russ “Zaius”

Richard ‘Groove’ Holmes “Onsaya Joy”

Bonus Omega; jazz / fusion, sampling, crate-digging.

[head-post]

Trump campaigns in western states, Harris focuses on pivotal Pennsylvania

Former President Donald Trump is campaigning in western states, whereas his opponent, Vice President Kamala Harris, stands in Pennsylvania.

Trump plans to head to Northern California for a fundraiser, followed by a rally in Las Vegas, the largest city in the swing state of Nevada.

Harris, meanwhile, heads to Johnstown and Wilkes-Barre on Friday in an attempt to capitalise on the recent debate. This is her second consecutive day of rallies after holding two events in North Carolina, another swing state, on Thursday.

Her campaign claimed she raised $47 million from 600,000 donors in 24 hours after her debate with Trump.

Appearing at his golf club at the prestigious Rancho Palos Verdes, Trump is heading to a fundraiser in the town of Woodside. According to the invitation, attendees will pay at least $3,300 per person or raise $10,000 for the campaign. The biggest donors will get a photo, reception, and roundtable, paying $500,000 per couple to join the organising committee or $150,000 per person to co-host.

The Republican presidential ticket has visited Clark County, Nevada, four times since June. Trump has held campaign events in Las Vegas three times. His running mate, Senator J. D. Vance, hosted a rally in suburban Henderson in July.

Harris and her running mate, Minnesota Governor Tim Walz, held a joint rally in Las Vegas last month, with Walz visiting again on Tuesday.

Read more HERE

[sheetmusiclibrarypdf]

Rudy Van Gelder: November 2, 1924, Jersey City, NJ - August 25, 2016, Englewood Cliffs, NJ

Rudy Van Gelder: Nov. 2, 1924, Jersey City, NJ - Aug. 25, 2016, Englewood Cliffs, NJThe Art of SoundBest Sheet Music download from our Library.Please, subscribe to our Library. Thank you!Browse in the Library:

Rudy Van Gelder: Nov. 2, 1924, Jersey City, NJ - Aug. 25, 2016, Englewood Cliffs, NJ

The Art of Sound Deceased a few hundred meters from his birthplace, Rudy Van Gelder, in a 56-year career, almost all of which in his own studio, will have recorded a good part of the gratin of jazz, but also a lot of jazz musicians, of all notoriety, work which, with hindsight, restores the depth and essence of jazz. The quality of its recordings has done justice to this particular memory of prolific jazz in a golden age where hundreds of exceptional artists in jazz alone, known or less known, adored or less lucky. But all of them had the chance to meet Rudy Van Gelder who gave their art all his attention and know-how with an equal demand for perfection. The particularity of Rudy Van Gelder is that he did not need to move, except for some live recordings, its qualities unanimously appreciated have attracted in its nets, that is to say its studio made to measure, countless numbers of jazz musicians from talent, elders, contemporaries or later generations. The wizard of his mark on the history of jazz from the 1950s to today, not that he recorded them all, because jazz produced thousands of artists and masterpieces, including saved in other studios or on other stages, but he contributed greatly to raise the standards of recording, of which everyone and everywhere has benefited.

In 27 kilometers, from his parents' living room which he transformed into a studio in Hackensack, New Jersey, at his iconic Englewood studio Cliffs, still in New Jersey, Rudy became a jazz icon alongside the greatest figures he recorded: Horace Silver, Art Blakey, Jimmy Smith, Duke Ellington, Earl Hines, John Coltrane, Miles Davis, Sonny Rollins, Thelonious Monk, Charlie Mingus, Sonny Clark, Lee Morgan, Eric Dolphy, Dexter Gordon, Joe Henderson, Donald Byrd, Grant Green, McCoy Tyner, Bobby Hutcherson, Freddie Hubbard, Clifford Brown, Max Roach, Bud Powell, Johnny Hodges, Herbie Hancock, Wayne Shorter, Jackie McLean, Hank Mobley, Lou Donaldson, Cannonball Adderley… and we forget a lot, inevitably, the list is endless of great jazz artists, elders, contemporaries or cadets of Rudy Van Gelder, who passed through his studio. Her trademark is engraved in the wax of the long discs play (LP) whose appearance in the early 1950s allowed more long recordings and thus frees musicians from the constraints of a reduced timing. If his first officially recognized recording is a classical music session, almost all of his work will be devoted to jazz. Over 3000 albums and over 20000 recordings punctuate his long career.

Sorting remains impossible to do if we wanted to isolate exceptional works, so much did he know to provide musicians with a framework and collaboration that is always exceptional, allowing everyone to express themselves in the best conditions, and giving a perfect restitution of the qualities of each one. It was thus the extension of hundreds of orchestras, sometimes even in a way a full member, as responsible as the others for the success of these masterpieces. Some names, among the musicians, can be isolated, as of course John Coltrane (near of 70 recordings), because apart from the period at the Atlantic, Rudy Van Gelder held the controls of most of his recordings, at Prestige, Blue Note and Impulse!, even sometimes live (Vanguard and Birdland). But Sonny Rollins, Miles Davis, McCoy Tyner, Jimmy Smith, Art Blakey, Horace Silver, Grant Green, are also indebted to him for a exceptional work, and more broadly, the sound of independent labels of the fifties and sixties, in the forefront of which, Prestige, Blue Note and Impulse! Her career did not stop there, as you will see below, but Rudy Van Gelder is certainly a key man of the 1950s-1960s for jazz and phonographic publishing in general, and labels freelancers in particular. It is not innocent that after these three labels that we mentioned, in the recent period, HighNote, one of the last high-quality independents in jazz have done so often call on his talent. Without being THE sound of jazz, Rudy Van Gelder is certainly one of the most beautiful sounds, one of the best artisans.

During the interview he gave to Jazz Hot in 1992, he spoke of more than 20,000 recordings on which he would have collaborated (mastering, editing, supervision etc.). It must be said that his work crosses the great movements of jazz contemporary. At the same time that he puts himself at their service, he benefits from the exceptional dimension of the creators of jazz, and many, the most of them, whatever their instruments and the vagaries of their careers, are. The assertion of new independent labels in the post-Second World War, the appearance of bold and talented independent producers (Norman Granz, Bob Weinstock, Orrin Keepnews, Lester Koenig, Nesuhi and Ahmet Ertegun, the Chess Brothers, etc.) contribute to energizing a multiplicity of substantial catalogs whose goals combine creativity and profitability, allowing musicians, leaders and accompanists to benefit from additional income. It is also the birth of an age of disc gold – not support for success or distribution, as at the age of the 78 rpm, not commercial or promotional support as it became so later – but from the record "work of art", combining excellence at all levels: creators, music, production, photography, graphics, shaping, pressing and of course perfection sound. Even if these recordings sometimes remain from a report financially limited, they are for some musicians, becoming accustomed to studios, the necessary complement to a professional life based on concerts in clubs and tours not always remunerative. Economic successes reinvested in production allow audacity elsewhere and the discovery of new musicians. The producers are art lovers and not businessmen, even if they know how to manage. Rudy Van Gelder has collaborated with many producers, but it is with the duo of Blue Note, Alfred Lion and Francis Wolff, with Bob Weinstock of Prestige label and with the Impulse! label, Creed Taylor then Bob Thiele, that he creates his notoriety than his legend, allowing him to create his own studio and to attract the best of the jazz world. The founders and producers of Blue Note, Alfred Lion and Francis Wolff, perfectionists in their production, are looking for an "elegant" sound that is faithful to the height of their requirements and the exceptional music of which they are The promoters. Rudy Van Gelder, refined, precise and of a no less great perfectionism, will constitute an ideal complement for creating the label's enduring and legendary aesthetic. Blue productions Note by Alfred Lion, with Rudy Van Gelder on sound, Francis Wolff on photography, Reid Miles, Paul Bacon, Andy Warhol, David Stone Martin the graphic design, and cover texts of critics of jazz well documented on the discographic level, constitute a peak of the editorial art of the record, of jazz in particular because very innovator. This is thanks to the saxophonist Gill Mellé who brings four recorded titles by Rudy Van Gelder that he would like to see published by Blue Note that Alfred Lion discovers Rudy Van Gelder to whom he will remain faithful, due to particular of truth, of the presence of sound. It should be noted that for the first time a label pays for the rehearsals of the musicians, their thus making it possible to prepare the recordings. The cohesion of groups and their ability to record in few takes ensure the label an undeniable artistic quality which places it at the top of the labels independent, and constitutes an exceptional artistic catalog without constantly re-exploited, in all forms, in facsimile of the original, compilations, complete, with or without bonuses, i.e. the other takes ( alternate Take ), with previously unreleased tracks. When Alfred Lion says: “Rudy really knows about it, he's a sensitive being. He is not one of those types who are content to watch the hand on the dial.” , Rudy responds: "Alfred Lion knew exactly what he wanted and took the time to get it." We could say almost as much for the Prestige productions of Bob Weinstock with Rudy Van Gelder, who have done a lot for jazz, his transmission, its independence and its profitability, as evidenced by the many reissues still today of these productions of that time. The early works of Sonny Rollins, Miles Davis, as a leader, in particular, testify to the intense work of Rudy Van Gelder at Hackensack. Impulse!, the John Coltrane "locomotive", with whom Rudy Van Gelder maintained an exceptionally dense professional and friendly relationship, is finally the last part of this triptych that Rudy Van Gelder erects on the Art of Sound in Jazz . Creed Taylor then Bob Thiele from the beginning of the sixties impose a new aesthetic line in Jazz. It is moreover, at the express request of John Coltrane, that Rudy Van Gelder becomes the true accomplice of the musical work of the great artist. This same Creed Taylor will call on Rudy again to his new label CTI ( Creed Taylor Inc. ) created in 1967 within A&M Records, and became independent in 1970. We can still cite Michael Cuscuna among the talented producers who are linked to Rudy Van Gelder.

Of 1952 to the end of the 1970s, Rudy Van Gelder produced a very large number of studio recordings from these labels. We are almost "disturbed" sometimes when you can't find the few lines on the back of the record that indicate that the record was recorded by Rudy Van Gelder at Hackensack or Englewood Cliffs, NJ. It's like seeing the credits of a film by Federico Fellini without the editing by Ruggero Mastroianni. Despite his focus on jazz, Rudy Van Gelder's notoriety goes far beyond this framework, because he has become the reference. He defends an absolute of recording, a form of rigorous professional honesty which confers on his work a separate status, that of a pioneer and at the same time an ideal of the record. Rudy Van Gelder will work regularly for other labels (Verve, Vox, etc.). Since 1999, he has ensured the remastering of many albums that have become classics for the market of the CD which develops, but he regrets that the majority is done without his opinion, not even receiving a copy on this new medium. He likes to remember that the majority of producers did not even give him a copy of the reissued LP or CD; he had to buy them...

The Van Gelder Recording Studio, located exactly at 445 Sylvan Avenue, Englewood Cliffs, New Jersey, opened in July 1959, and the first official session will be devoted to Ike Quebec, the excellent tenor and advice from Blue Note, for a single.   Since the little genius who experimented with a lot of flair in his parents' living room in Hackensack, NJ, later turned into a studio for recording sessions, to his mysterious studio of Englewood Cliffs, the enigmatic Rudy Van Gelder has come a long way of excellence. He wanted to become a sound engineer in the 1940s. This young jazz lover roams the clubs and listens to the many radio broadcasts while being interested in sound and its reproduction. He made his very first recordings in his family home from New Jersey, where independent New York musicians come from quickly because it is close to the Big Apple. Its prices are unbeatable. His notoriety grew within the small community musical. To afford the specific equipment he wants, he continues his profession of ophthalmologist and is interested in a new generation microphones, amplifiers, engraving technique. He will use in particular the German Neumann U47 microphones, which allow him to capture and restore the essence of instruments and musicians. "In that time, including until the 1950s, the quality of equipment and that of the discs themselves were completely incapable of rendering what the musicians were playing on stage. (…) I had to experiment to find the best way to arrange musicians and microphones so that the sound is the warmest and most as realistic as possible., he pointed out. It should be noted that when Rudy Van Gelder begins to recording professionally at the dawn of the 1950s, the band magnetic just appeared in the studios, and the microgroove album quickly became the dominant format in jazz. Both technologies revolutionize jazz. At the same time, broadcasting and listening are progressing on countless commercial radio stations. The quality of reproduction equipment (chains, stereo phony, etc.) and the request of recordings developed in a period when jazz itself enjoys a growing reputation.

Rudy invents its own techniques to reproduce intimacy and depth, the depth of jazz recorded first in his living room then in the studio. He wants to reproduce on vinyl the sound he hears. He thus stands out from other studio technicians of the time who behind their glass just makes sure the microphones are plugged in, that their machines are running and that the level is not saturated. A true sound adventurer, he imagines and tests various solutions for placement of microphones, types of microphones, windshields that envelop, acoustics… in short, tricks and principles that he will often keep secrets. Very professional and fussy, he makes sure also the quality of the cables, their route, their connection. Closed, he does not hesitate to reprimand the musicians if they allow themselves to touch or move the microphones, but its apparent eccentricity and its rigor are accepted. He became a character in jazz, too respected and revered by musicians as are the great artists of jazz themselves. “During his career and through his many recordings for major labels, Rudy became an idol for worldwide listeners and musicians. An album produced by Rudy seems rich in an organic, intimate way, as if all the musicians had recorded in his cozy little living room with leather armchairs. None of the musicians seem distant or lower, although the leaders are quite distinct. Like Rudy told me during my visit in 2012 to his home and studio, where he had settled with his wife in 1959, he was constantly striving for a natural, realistic sound.” Marc Myers - JazzWax His only notable deviations from jazz will be for the Prestige Label International, where he records music called "folk" at the time, "world music" later. We find albums of the guitarist Spanish Fernando Sirvent, Flamenco Fantanstico , those of folksinger Tossi Aaaron, Tossi Sings Folksong and Ballads or even Los Indians Taba-Jarias … In the field of classical music, he signs a good number of albums, including several by pianist Guiomar Novaes for the Vox label or another A Fantastic Symphony by Berlioz in 1959. More regularly, he records on the Prestige Bluesville label big names in classic blues such as Blind Gary Davis, Memphis Slim or even Brownie McGhee and Sonny Terry. Touched by bossa nova, he also puts at the service of Astrud Gilberto, Tom Jobim, Walter Wanderley. HAS apart from a few other deviations in the soul, (Thornel Schwartz, Ester Phillips), rare poetic albums, his career is totally anchored in his favorite art, jazz. A priori little croaking for French musicians: André Hodeir in 1957 for the albums André Hodeir and the Jazz Group of Paris-The Paris Scene and American Jazzmen Play Andre Hodeir's Essais published by Savoy, the pianist Michel Sardaby for "Gail" and "Going Places” on the Japanese label Mantra in 1990. Rarer, we find Georges Arvanitas behind Yusef Lateef at Impulse! label side French, we note at Dreyfus Jazz an album by Steve Grossman and Cedar Walton Trio in 1993 and a box set (4 CDs) dedicated to Jazz Ladies singers . On the remastering side, he will take care of the Kenny Clarke-Francis Boland and Company album The Golden Eight published in 1961 by Music Matters and reappeared on Blue Note in 2015. Beyond of the labels already mentioned, he collaborates with around fifty majors, independent labels including in chronological and alphabetical order: Bethlehem, Regent, United Artists, Signal Records, Colpix, Moodsville, New Jazz, Atlantic, Mercury, Fantasy, Philips, East Bound Records, Amosaya, Uptown Records, Fontana, Criss Cross, Enja, GRP, Kudu, Elektra, ABC Records, Status Records, Delmark, Gatemouth, EMI, Flying Dutchman, Strateside, Turnabout, Muse Records, Milestones, Concord… From 1969, the recordings become more rare, and Rudy devotes to the reappearance of complete albums, integrals, the edition unreleased tracks, compilations. He dips into his drawers and stocks untapped record companies. He revisits most of the artists majors that it has hosted and completes proofreading with its expertise, more or less commercial catalog funds. In a concert of unanimous praise, only Charles Mingus challenged the sound and mixes by Rudy Van Gelder to offer his own "Sound of Jazz”… Rudy Van Gelder, a great jazz lover and actor of so many recording sessions with legendary musicians, admitted that it was sometimes difficult for him not to give his opinion on recorded music, but as a professional, he adds: “Sometimes, I have a lot of trouble holding myself back. However, that is not my role, because I am neither a musician nor a producer. Of course, I have sometimes expressed an opinion when asked, but people come to see me in the first place for the sound and not to collect an opinion on the music. His moment of choice in such a career was, he said, the version of "Lush Life" recorded by Johnny Hartman and John Coltrane: "There was such emotion, such sadness too, reinforced today by the fact that they both left us… And then, that sound!” Read the full article

[ulkaralakbarova]

The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court. Credits: TheMovieDb. Film Cast: Richard Loving: Joel Edgerton Mildred Loving: Ruth Negga Grey Villet: Michael Shannon Sheriff Brooks: Marton Csokas Bernie Cohen: Nick Kroll Frank Beazley: Bill Camp Lola Loving: Sharon Blackwood Raymond Green: Alano Miller Garnet Jetter: Terri Abney Judge Bazile: David Jensen Phil Hirschkop: Jon Bass Theoliver Jeter: Christopher Mann Musiel Byrd-Jeter: Winter-Lee Holland Deputy: Michael Abbott Jr. Percy Fortune: Chris Greene Virgil: Will Dalton Chet Antieau: Matt Malloy Laura: Andrene Ward-Hammond Alex: D.L. Hopkins Hope Ryden: Jennifer Joyner Cousin Davis: Lance Lemon Cousin Gerald: Marquis Adonis Hazelwood Older Sydney: Brenan Young Older Donald: Dalyn Cleckley Older Peggy: Quinn McPherson Middle Sidney: Jevin Crochrell Middle Donald: Jordan Williams Jr. Middle Peggy: Georgia Crawford Toddler Sydney: Micah Claiborne Baby Sydney: Devin Cleckley Infant Sydney: Pryor Ferguson Clara – Cashier: Karen Vicks Reporter #1: Scott Wichmann Construction Worker: Benjamin Loeh Court Secretary: Bridget Gethins Store Pedestrian: Mark Huber Drag Race Spectator: James Matthew Poole Secretary: Coley Campany Secretary: Sheri Lahris Construction Worker: Jordan Dickey Telephone Man: Coby Batty Drag Race Spectator / Bar Patron: Chris Condetti Richard’s Racing Crew: Logan J. Woolfolk County Clerk: Robert Haulbrook Bricklayer: Keith Tyree Spectator: James Nevins Prisoner: W. Keith Scott Photojournalist: Tom Lancaster Street Walker: Lonnie M. Henderson Court Audience Member: Brian Thomas Wise Drag Race Spectator: Ken Holliday Antieau’s Secretary: Terry Menefee Gau Driver: Marc Anthony Lowe Racetrack Spectator: Jay SanGiovanni D.C Teen: Tyrell Ford Baby Boy #1: James Atticus Abebayehu Phil’s Dad: Jim D. Johnston …: Derick Newson Boarding House Boy: Miles Hopkins Construction Worker: Kenneth William Clarke Reporter: Robert Furner Secretary: Victoria Chavatel Jimison Field Hand / Drag Strip Attendee / Shot Gun Shack Attendee (uncredited): Darrick Claiborne Courtroom Spectator (uncredited): Raymond H. Johnson Drag Race Driver: Dean Mumford Pregnant Girl: Rebecca Turner Magistrate: Mike Shiflett County Jailer: Greg Cooper Supreme Court Reporter: A. Smith Harrison Press Conference Reporter: Keith Flippen Soundman: Jason Alan Cook Courtroom Spectator (uncredited): Lucas N. Hall Film Crew: Director: Jeff Nichols Editor: Julie Monroe Producer: Peter Saraf Executive Producer: Jack Turner Executive Producer: Jared Ian Goldman Executive Producer: Brian Kavanaugh-Jones Unit Production Manager: Sarah Green Art Direction: Jonathan Guggenheim Casting: Francine Maisler Production Design: Chad Keith Storyboard: Nancy Buirski Associate Producer: Oge Egbuono Producer: Colin Firth Producer: Marc Turtletaub Set Decoration: Adam Willis Producer: Ged Doherty Unit Production Manager: Will Greenfield Costume Design: Erin Benach Music Supervisor: Lauren Mikus Original Music Composer: David Wingo Still Photographer: Ben Rothstein Director of Photography: Adam Stone Script Supervisor: Jean-Paul Chreky Special Effects Coordinator: Gary Pilkinton Special Effects Technician: Trevor Smithson Property Master: A. Patrick Storey First Assistant Director: Cas Donovan Second Assistant Director: Tommy Martin Stunt Driver: Dean Mumford Key Makeup Artist: Katie Middleton Second Second Assistant Director: Ben LeDoux Construction Buyer: Roslyn Blankenship Assistant Property Master: Hannah Ross Dialogue Editor: Brandon Proctor Genetator Operator: Maxwel Fisher Post Production Supervisor: Susan E. Novick Boom Operator: Proctor Trivette Leadman: Stephen G. Shifflette Second Assistant “A” Camera: Stephen McBride Sound Effects Editor: David Grimaldi Foley Mixer: Judy Kirschner Makeup Department Head: Julia Lallas Hairstylist: Brian Morton Sound Effects Editor: Joel Dougherty ADR Mixer: Chris Navarro Sound Effects Editor: P.K. Hooker ...

[wahwealth]

Irene Dunn, Charles Boyer | 💘Love Affair💘 (1939) | Romance Full Movie En...

Love Affair is a 1939 US romance film, starring Charles Boyer and Irene Dunne, and featuring Maria Ouspenskaya. The movie was directed by Leo McCarey and written by Delmer Daves and Donald Ogden Stewart, based on a story by McCarey and Mildred Cram.  The movie became a surprise hit of 1939, showing McCarey's versatility after a long career of comedic films, and launching the surprising team-up of Dunne and Boyer. Academy Award nominations include Best Actress for Dunne, Best Supporting Actress for Ouspenskaya, Best Original Song, Best Writing (Original), and Best Picture. Irene Dunne as Terry McKay Charles Boyer as Michel Marnet Maria Ouspenskaya as Grandmother Janou Lee Bowman as Kenneth Bradley Astrid Allwyn as Lois Clarke Maurice Moscovitch as Maurice Cobert, an art dealer Scotty Beckett as Boy on the ship Dell Henderson as Cafe Manager Lloyd Ingraham as Doctor Frank McGlynn Sr. as Orphanage Superintendent Ferike Boros as Terry's landlady Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics

[clbbidatop]

Bích Trâm cùng chồng dự giải

Tham dự giải Wisconsin Open Pool có nhiều cơ thủ rất mạnh. Ở giiar nam, những người được đánh giá cao nhất là Joshua Fillier, Robbie Capito, Ferdor Gorst, Alex Kazakis. Cơ thủ nam Việt Nam duy nhất dự giải là Nguyễn Tuấn Anh, chồng của Nguyễn Bích Trâm. Trình độ của cơ thủ này không được đánh giá cao. Trong khi đó, gần như toàn bộ những cơ thủ nữ mạnh nhất thế giới đều tham ga giải, như Chen Chia Hua, Kelly Fisher, Allison Fisher, Yuki Hiraguchi, Seo Seoa, Kristina Tkach, Pia Filler. Cơ thủ nữ Việt Nam dự giải là Nguyễn Bích Trâm, đương kim vô địch Việt Nam năm 2022. Bích Trâm cùng chồng Tuấn Anh 64 cơ thủ nam Ibrahem Abduljabbar, Ilias Adamov, Donald Adams, Bader Alawadhi, Tyrel Blowers, Michael Bridges, LJ Briesath, Jeffrey Buna, Joven Bustamante, Robbie Capito, Sullivan Clark, Giovanni Del Angel, Jared Demalia, Jon Demet, Vince Didio, Ernesto Dominguez, Jesse Engel, Jeremy Fedkenheuer, Joshua Filler, Lukas Fracasso-Verner, Marcus Genson, FedorGorst, Nakia Guyton, Tarek Hamden, Sam Henderson, Kaden Hillman, Landon Hollingsworth, Murat Hraishawi, Mika Immonen, Jeffery Jandrt, Guido Joost, Dave Kasprzycki, Alex Kazakis, Mason Koch, Kang Lee, Michael Lee, Gerson Martinez Boza, Payne McBride, Tyler Meyer, Rick Miller, Faiyaz Mirza, Alex Montpellier, John Morra, Nguyễn Tuấn Anh, Dave O'Keefe, Vitaliy Patsura, Juan Rosa Mendez, Frankie Ruiz, Paul Scott, Jeremy Seaman, Ray Skenandore, Paul Song, Jeremy Sossei, Adam Staerkel, Tyler Styer, Joey Tate, Jan van Lierop, DJ Westrem, Marshall Williams, William Wolf, Brent Worth, Ke Wu, Michael Yednak. 64 cơ thủ nữ Alice Adams, Bonnie Arnold, Janet Atwell, Soledad Ayala, Laura  Bendikas, Ashley Benoit, Brittany Bryant, Chen Chia-Hua, Olivia Cheng, Chang Shui-Ching, Chieh Yu Chou, Margaret Fefilova, Pia Filler, Kelly Fisher, Allison Fisher, Yuki Hiraguchi, Meng-Hsia Hung, Seoa Seo, Kristina Tkach, Nguyễn Bích Trâm, Tzu-Chien Wei… và nhiều cơ thủ khác. Predator Pro Billiard Series và Box Sports đạt thỏa thuận sở hữu bản quyền truyền thông và phát sóng nhiều năm, độc quyền trên lãnh thổ Việt Nam, bắt đầu từ mùa giải 2023. Bida Top – nơi tập luyện bida chuyên nghiệp và thỏa mãn đam mê của các tay cơ. Với đội ngũ huấn luyện viên bida giàu kinh nghiệm, CLB Bida Top sẽ giúp bạn cải thiện kỹ năng đánh bida và rèn luyện sự kiên nhẫn, tập trung và sự kiểm soát tốt hơn. Tại chuyên mục Tin Tức Bida của Bida Top, bạn có thể đọc được những bài viết về cách chơi bida hiệu quả, các kỹ thuật đánh bida, cũng như những thông tin mới nhất về giải đấu bida trong nước và quốc tế. Source link Read the full article

[sesiondemadrugada]

The Ghost Ship (Mark Robson, 1943).

[brokehorrorfan]

The Ghost Ship and Bedlam will be released on Blu-ray together on October 12 via Warner Archive. Both horror films are produced by Val Lewton (Cat People, I Walked with a Zombie) for RKO Radio Pictures.

1943's The Ghost Ship is directed by Mark Robson (Earthquake) and written by Donald Henderson Clarke. Richard Dix, Russell Wade, Edith Barrett, Ben Bard, and Edmund Glover star.

1946's Bedlam is also directed by Mark Robson (Earthquake) from a script he co-wrote with Val Lewton. Boris Karloff, Anna Lee, Billy House, Richard Fraser, and Glen Vernon star.

Both films have been newly mastered in 4K from the original nitrate negatives. Special features are listed below.

Special features:

Bedlam audio commentary by film historian Tom Weaver

Theatrical trailers

In The Ghost Ship, Tom Merriam (Russell Wade), the young third mate on a freighter bound for Patagonia, witnesses the murder of a crewman by the ship’s captain, Will Stone (Richard Dix). Merriam realizes Stone is going insane, but the rest of the crew won’t believe him... or that he may be the mad captain’s next victim!

Boris Karloff reunites with Lewton for a third and final time in Bedlam, set in 1971 at a London asylum. Karloff gives an unforgettable performance as the doomed overseer who fawns on high-society benefactors while ruling his mentally disturbed inmates with an iron fist. Newly restored from their original nitrate negatives, both showcase Nicholas Musuraca’s cinematography under the inspired direction of Mark Robson.

Pre-order The Ghost Ship / Bedlam from Amazon.

[mariocki]

Armchair Mystery Theatre: Toff And Fingers (ABC, 1960)

"Yes, she does seem a bit more interested in my private life than I'd bargained for. I had to tell her again how you saved my life in North Africa; it wasn't a lie - even if we were just a pair of perishing privates, and not a captain and his batman."

[gameraboy2]

Impatient Virgin by Donald Henderson Clarke Avon Books 193, 1949 Cover by Ann Cantor

[favoritou]

O DIABO DE CADA DIA / THE DEVIL ALL THE TIME

"Todo mundo acaba no mesmo lugar maldito"

SINOPSE:

Em um lugar tomado por corrupção e violência, um jovem enfrenta figuras sinistras para proteger quem mais ama.

Produzido pela Netflix o longa, bastante elogiado, trata sobre ódio, fanatismo religioso e a maldade humana em sua mais pura essência.

O Diabo de Cada Dia é dirigido por Antonio Campos, que assina também o roteiro ao lado de Paulo Campos.

Adaptação do livro "O Mal Nosso de Cada Dia" de Donald Ray Pollock, que chegou a ser considerado o melhor romance do ano em 2012 pela francesa Lire.

O filme é pesado? Sim! 😳 Mas esse elenco é PESADISSIMO! 🤯

Temos o Homem-Aranha, O Batman, It - A Coisa e até o primo do Harry Potter.

Tom Holland (Homem Aranha) como Arvin Russell, um jovem marcado por uma infância dolorosa

Nosso "Miranha" está excelente, com certeza saiu da zona de conforto dando vida a um personagem conturbado marcado por eventos trágicos.

Bill Skarsgård (It - A coisa) como Willard Russell, pai de Arvin. Um ex combatente marcado pelo terror da Guerra.

Acho a atuação dele um dos pontos altíssimos do filme! Um personagem difícil e atormentado.

Um It 🤡🎈Malia desses! 😍

Haley Bennett (A Garota no Trem) como Charlotte Russell, uma bela e gentil garçonete por quem Willard se apaixona.

Robert Pattinson (Lembranças, Tenet) como Preston Teagardin, um pastor que está substituindo um antigo reverendo que está doente.

O eterno Edward Cullen dá um SHOW de atuação!

E se você discorda só tenho uma coisa a dizer: Delusions (Delírios)!

Ele rouba a cena com uma atuação simplesmente impecável. Todo elogio é pouco, viu?

O trabalho de voz realizado pelo ator é fenomenal, com um sotaque americano do interior bem carregado.

Pattinson está em outras produções maravilhosas como Água para Elefantes e Bom Comportamento, onde ele também brilha (entendeu a referencia, né?) 😂

O ator protagonizará "The Batman" que será lançado em 2022.

Eliza Scanlen como Lenora Laferty, uma jovem criada pela avó de Arvin. Uma menina inocente e devota a sua religião

Mia Wasikowska (Alice no País das Maravilhas) como Helen Hatton. Uma fervorosa devota, mãe de Lenora.

Harry Melling (Harry Potter, The Old Guard) como Roy Laferty, um pastor que acredita ser um enviado de Deus. Faz pregações, no mínimo, peculiares com seu primo Theodore.

Sebastian Stan como Lee Bodecker, um xerife ambicioso e corrupto.

Acho que o Capitão América daria umas porradas pra ver se nosso Bucky Barners volta porque esse aí só Jesus na causa!

E o casal mais polêmico do filme:

Jason Clark (Por trás dos Seus Olhos) interpretando Carl Henderson, um fotógrafo frustrado.

Riley Keough (Logan Lucky) como Sandy Henderson, uma garçonete de uma pequena lanchonete. Ela é irmã do policial Lee. A bela e talentosa atriz é neta de Priscilla e Elvis Presley.

O elenco cheio de talentos não para por aí:

Destaque para o pequeno Michael Banks Repeta, ele é Arvin Russell quando criança. O garoto arrasa!

O cantor e ator Pokey La Farge como Theodore um deficiente fisico primo de Roy; incrivel veterana Kristin Griffith como Emma, avó de Arvin e David Atkinson como Earskell, tio de Arvin.

Com uma atmosfera pesada e sombria o filme choca com a violência de personagens ligados por tragédias. Mas, atrai e cativa com atuações poderosíssimas!

Subtramas bem desenvolvidas e uma narrativa viciante e devastadora.

Um caminho tortuoso de fé, violência e redenção caminham juntas.

Uma experiência única sobre as trevas interiores de cada pessoa, muitas vezes camuflada através da fé e religião.

📍 CURIOSIDADES:

1 - Jake Gyllenhaal é um dos produtores do filme, junto com Riva Marker e Randall Poster.

2 - O sotaque de Robert Pattinson foi criação do próprio ator

3 - Tem uma cena especifica com aranhas. E elas eram de verdade!

4 - Chris Evans participaria do filme como o Xerife Lee, mas devido a conflitos na sua agenda ele deixou o filme. Sendo substituído por seu companheiro da Marvel Sebastian Stan

Ano:2020

Duração:138 min

Disponivel: Netflix

Classificação 16 - Não recomendado para menores de 16 anos

[collectorscorner]

CC Blogger - New Arrivals @ Collectors Corner : Wednesday 5/5/21 Collectors Corner Parkville - HQ : OPEN for IN STORE SHOPPING with Strong Safety Measures in Place (Hand Sanitizing Stations, Masks Required for All, Social Distancing Required, Limited Capacity, CURBSIDE Pick Up Optional) - According to Baltimore County Guidelines. 1-410-668-3353. CC Parkville - 2020/2021 STORE HOURS, Sunday 12-6, Mon-Tues 12-7, Wed 9-8, Thurs 11-7, Friday & Saturday 11-8 Collectors Corner - Bel Air Outpost Location : OPEN for IN STORE SHOPPING with Strong Safety Measures in Place (Hand Sanitizing Stations, Masks Required for All, Social Distancing Required, Limited Capacity, CURBSIDE Pick Up Optional) - According to Harford County Guidelines. 1-410-838-1777. CC Bel Air - 2020/2021 STORE HOURS, Sunday 11-5, Monday/Tuesday - Closed, Wednesday 11-8, Thursday 11-7, Friday/Saturday 11-8 Complete list of items shipping to the stores, some items may be limited in availability. 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[spidey-strange]

The Devil All The Time - review

I’ve just finished watching this movie by Antonio Campos, adapted from the book by Donald Ray Pollock.

I deliberately didn’t read the book beforehand as many have done, purely because I didn’t want to a) know what happened or b) be constantly comparing it to the book (as that usually is a bit of a let down).

There is so much I could say, but without giving away any spoilers I can tell you this – this is a film that will stay with you for a long time, whether you liked it or not.

This movie is all about internal conflict. Wars play out overseas while in tiny rural America, wars play out in people’s minds – the battle between right and wrong, good and evil, heaven and hell.

That internal conflict comes with the guise of religion. It’s laced throughout, from iconography, cinematography, language, even the music on the radio – and yet I don’t think I saw a single cast member wearing a crucifix necklace. All of them seemingly turning to God, yet all of them using Him as their excuse for the inexcusable.

The main character is Arvin Russell, the most wretched of children. No child should ever have to witness what he did. You can tell as he moves into adulthood that he is walking the fine line between succumbing to his trauma and rising above it. The tension resonates throughout, at times he speaks without really opening his mouth his jaw is so set – which makes the scene at the end all the more poignant.

Tom Holland is a great actor but the world hasn’t really seen it yet – but they will now. That tension I just wrote about is through his whole body. Even though he’s doing bad things (not really a spoiler – everyone does bad things in this film) you can’t help but root for him. Everyone else is doing bad things for sexual thrills or power – or delusions – but Arvin does it because he just needs to be free. To right all the wrongs in his life as far as he can, and release himself from the shackles of grief and abandonment.

The rest of the VERY impressive cast deliver too. When Robert Pattinson enters the stage, there is an initial moment where his Edward Cullen was showing but that was quickly replaced by a villain camp in nature but predatory in action. Sebastian Stan is, frankly, unrecognisable at first, everything about him from his puffed out cheeks to his slovenly gait taking him a million miles from Bucky Barnes.

Arvin’s father, Willard, played by Bill Skarsgard, is a complex character, well played. Consumed by memories from the war, he’s troubled – so much so that buying a candy bar for his son was, as Arvin recalled, the best day he’d had with him.

Riley Keough (Sandy Henderson) and Jason Clarke (Carl Henderson) play, in my opinion, some of the sickest people I’ve ever seen on screen. They are the whole package of depravity and they do it with a cold indifference that makes it chilling every time they’re on screen.

There’s also great performances by Mia Waskiowska and Eliza Scanlon as the meek mother and daughter Helen and Lenora.

It might not be to everyone’s liking but I really liked the narration from Donald Ray Pollock, it almost felt like he was Arvin, speaking as an old man, recounting the tale from a rocking chair.

Overall, as many will have warned, it’s not for the faint of heart. But if you watched it as I did, I wonder if you’ll find yourself with your own internal conflict. Just like the characters, you ask yourself, how far would you go for your family?