#don't tell me they wouldn't have put something like that in an actual script

[missin-you-already]

Thinking about when I had Terri survive to the end of Apocalypse, and she piloted the evac chopper because she "used to date the guy who pilots the Raccoon 7 news chopper" and he thought "flying lessons over the city were a cute date idea".

They still crash btw.

Probably would've made more sense to have Carlos do it, but he and Jill were too busy helping Alice pull Rain up

[sherlock-is-ace]

.

[deviousdiesel]

.

[theminecraftbee]

task: answer the following question. do you believe in curses? respond as completely with relevant information as possible.

Grian: Well, that's a lie. This isn't a task. I know it's not a task, I set the things up! Not sure why we're getting a question as pointless as this one, but sure, mysterious scroll, I'll answer. There's no such thing as curses, unless you're Timmy, in which case it's funny, yeah? Besides, I didn't actually kill Etho. Even if that did count, self-fulfilling prophecies aren't the same thing as curses, and I know which one I fall under.

Joel: Do I believe in bloody curses what kind of question is that? Do I really get hearts just for answering this? This feels like a prank or something... well, whatever. There are no such thing as curses, except the Boogeyman curse, which I sort of had today, but it wasn't actually the same at all. A lot of the bloodlust, sure, but a lot more... Etho had to be the one to do it, huh? And it's not the same. Not comforting. That's a stupid thing to say actually. Take it out of wherever you're putting this. Cut it out of the recording. Comforting. Please. As if it were ever... Yeah, I'm done actually. Don't have a good answer. Go away.

Scott: What, other than Jimmy? Bless that man, he may not have died first, but he sure tried his best. Sure, I'll believe Jimmy is cursed. I mean, mostly he's just kind of stupid. Lovingly so. I mean, despite him being stupid, I put up with him, right? That seems like a complete answer to this question. Jimmy's an omen but we put up with him anyway. That's all.

Mumbo: NO RESPONSE GIVEN.

Pearl: Oh, I mean, I'm probably cursed. That's what everyone liked to say at one point. I think... I mean, I think this time I have good friends, which is nice. They don't think I'm cursed. And it's not like I--I mean, it's surprisingly fun, acting cursed! And I am just acting. Acting scary, blowing up dance floors, all of that. And I don't really have to this time, so... Maybe I'm not cursed? And since it's acting, it's not real? This is a weird question.

Etho: Oh, man, that's a question. Um, do I have to answer? Because I feel like if I say no, that's really just asking for it, but if I say yes, I have to explain myself. Uh, I think I'm abstaining, unless the zombie thing from earlier counts. That was scary and I hated it. Curses are scary and I hate them in general, but apparently I'm good at them, if you ask everyone else. Um, it's not the only thing I find scary that apparently I'm good at.

Scar: Why, of course I believe in curses! Look at poor, poor... Timbert? Timmy? Jim? Gosh, sorry, I'm very tired right now. That's more proof of curses, by the way! That I'm tired. I've been tired straight since the desert, let me tell you what. And that, my friends, is a curse like no other. What a terrible beast, loneliness is. Wish me luck breaking it, because it's not happening this season!

Cleo: Oh, you mean the thing people like to blame instead of their own actions? Nah. My soulbond was kind of a curse, I guess, but even that's at least half just... bad people. Bad relationships. Good ones, too. We're all just doing what you can, you know? No script, no curses, no characters, just... Oh, I hope everything turns out tomorrow. Sorry, that's unrelated. It's just nicer to hope than to preemptively blame things on curses that don't exist.

Impulse: Well, I mean, I didn't until you just asked me that, but now I feel like I should. Wouldn't that be nice? Being cursed instead of just sort of unlovable? Sorry, no, that's mean to Gem. I shouldn't say that about Gem, she's been good this season. Super, super cursed, mind you, in the like, game mechanic sense? But she's been good, no backstabbing or inability to get love involved. Um, and I guess that's not fair to Bdubs, kind of, except it also totally is and I haven't forgiven him. So I guess if they ask I said I believed in curses, and that's why my life keeps circling clocks? Don't put any of that other stuff down, I'm trying to work on that.

Lizzie: NO RESPONSE GIVEN.

Gem: I was just cursed for a task, but that probably isn't what you're asking about, right? I'm new, so I don't know! A task is a concrete thing to believe in, like bloodshed or victory or fun and games. You don't have to believe in those to know they're real, either! They just are, whether you like it or not. I understand that much!

Tango: Gah, don't talk to me about... Deep breaths. Look, I don't care if it's a curse, or if it's just me being really bad, or what, I'm not going out pointlessly this time. Jimmy managed not to die first, I can manage to not go out to a stray arrow or my own bomb or a misstep this time, right? Is that so much to ask?

Skizz: Huh? Curses? I mean, I don't think so, and to be totally honest I think it's kind of mean the way people sometimes rag on people about them. Everyone's got so many good things about them! Why do people like to focus on the unfortunate luck, huh?

Bdubs: Hah! Curses! Let me tell you about curses. When I see curses, I eat them for breakfast. I don't got curses, I've got better things to do! I've got my buddies with the Mounders, and I've got-well, I'd say keeping Etho safe, but he's being weird at me again this season. Not that it matters. It never matters. Etho and I, we're... The point is, that doesn't matter anyway, because I have the Mounders, and they're the ones who matter here. And because I'm a strong, independent Bdubs, who doesn't need anyone but my bow and my perfect, flawless fighting prowess! Sorry, what was the question? I've been thinking so much lately that it's just sort of made everything else pop out of my head, so it's hard to keep track. I'm sure I answered it flawlessly, though.

Martyn: Of course there are curses. That's half the fun for you lot, isn't it? Putting your little curses on us and watching us rail against them. Bet you think it's real cute to ask us what we think of the things, too. "Oh, what do you think of curses," like we have any control over them. Please. If I had any control over curses, Jimmy--or, well, no, I guess that one was technically broken, wasn't it? Sure doesn't feel like it. Point is, curses are bad, and they're definitely real, and I hate you for them, got it?

BigB: Look, man, if you're trying to get me to write my character out for you, just say so! I won't tell anyone. We can come up with a hole thing about holes and red tasks and the Backrooms together! It'll be fun! After all, you probably don't know what kind of curse to say I have, right? Haha, just kidding. I have no idea what I'm talking about. Luckily, neither does anyone else, so I think that evens out between the lot of us.

Jimmy: NO RESPONSE GIVEN.

[massiveharmonytiger]

So I was rewatching Saltburn and I had an epiphany!

Farleigh is in love with Oliver.

Like, embarrassingly, stupidly, head over heels.

I mean, I knew he had a thing for Ollie, with the jealously telling Felix about him and Venetia, the Richard III would put in the work line followed by him being completely disarmed when Oliver suggests that he fucks him, and then the actual Oliver seducing him scene, but I only just realized the extent of it and how far back it goes.

First of all, Farleigh notices Oliver before Oliver sees Felix for the first time.

Yes, I got the script because I'm complete Saltburn trash at this point. So when Farleigh is introduced, the script describes him as beautiful and pansexual, walking among a group of alpha hotties. So in the film, he's with two hotties, a guy and a girl. He has his pick. There's no reason for him to point out Oliver or what he's wearing to them, unless he's trying to impress them, but why would Farleigh Start need to impress them? He's already the centre of that group. Sure the script also describes him as an imp with a cruel streak, but after rewatching I feel like that's a blatant misdirection. I mean, he got expelled for sucking off teachers. Nerdy prep is exactly his type.

He says, "Hey cool jacket," to Oliver. If you interpret that line as being delivered by the beautiful and pansexual Farleigh Start, not the impish and cruel Farleigh Start, it's pretty much a come on. I'm mixed race like Farleigh and it kind of reminds me of those back-handed compliments white people give you when they think you're hot or cute 'for a brown person.' It's kind of hilarious to see it subverted like this, but obviously Oliver is less amused. Why would he interpret it as anything other than more bullying? Which it kind of is, so fair enough. But it's the kind of bullying people do when they get a crush they don't know how to handle. A little boy pulling on a girls pigtails. And it's obviously worked for Farleigh before. Why would he need to try any harder than that?

After Farleigh's comment, Oliver sees Felix for the first time. Farleigh is also there, but Oliver's already smitten and doesn't really notice him beyond, "Oh, it's that jerk from earlier and he's next to Felix, where I should be." Then you get a few other bits that wreck me. Oliver ducking from the window when Felix looks up, Oliver trying to sit at Felix (and Farleigh)'s table at the mess hall, but being unable to, Michael causing the disruption, but it doesn't even interrupt Felix and Farleigh's conversation. (Which ties in nicely to my theory of how the original Oliver wouldn't have gotten Felix's attention even if he screamed, he had to mold himself into what Felix wanted just to get noticed, but one theory at a time).

Next up, we have the tutor session that Farleigh is late for. Before Farleigh gets there, Oliver is humiliated and belittled for completing the reading list, which dooms Farleigh even more when he shows up and the tutor starts fawning over him. Oliver doesn't know Farleigh and Felix are cousins yet. He's just the guy that was snide to Oliver when he first got there. The guy at Felix's side that Oliver keeps measuring himself against. So yeah, Oliver is pissed off before Farleigh gets there and that cute little knee touch isn't going to change anything.

Yes, Farleigh, I also count the amount of times my crush uses a word in their essay despite still being hungover from last night's party, just so that I have something to talk to him about… Oh wait, no, that's just you.

The way he looks up at Oliver with those big brown doe eyes when he says, "I counted". The way he keeps looking up to gauge his reaction to all his comments. The way he's looking at him, period.

And Oliver doesn't fall for his cuteness and charm because he's just convinced that the intent behind his words is malicious. Poor Farleigh. He must have been so confused. People usually fold but here's this guy, meeting him blow for blow. He's never had to "put in the work" like this. What the hell.

The tutor sessions with Oliver and Farleigh (where Farleigh is framed lower than Oliver) actually serve as a nice parallel to a lot of the scenes where Oliver and Felix are together (and Oliver is framed lower than Felix). We don't really see that when Farleigh and Felix are together. They're usually at a similar height in those scenes.

Then we have the scene in the bar where Felix calls Oliver over and Farleigh has that panicked, "Oh shit, my crush is here," look on his face before it settles into resignation as he realizes Oliver is, "another one of Felix's toys". Finally the mystery is solved. This is why Oliver didn't fall for his charms at the tutor sessions.

So, Oliver prefers Felix to him, huh. That's just fine. He'll deal with the rejection by giving Oliver a hard time about buying the next round. That should push him away from Felix…oh shit, it brings them closer together. And now he looks like the douchebag.

Then there's this bit where Farleigh is looking at Oliver and Felix (mostly Oliver, the prior shot establishes which side of the room he's on, which happens to be where Farleigh's looking) and his party hat horns mirror the minotaur/how Oliver looked when he confessed his love to Felix later on. Oliver, you need to see how much Farleigh fucking loves you. Look at him, Ollie. Just look at him. (He can't, he's too busy looking at Felix)

Anything to get Oliver to notice him. Anything.

Cut to Oliver's arrival at Saltburn, where Oliver joins the rest of them in the library and Farleigh loudly cuts off Elspeth gossiping about Oliver and his parents because hearing, "We were just talking about you" would be better than hearing whatever was going to come out of Elspeth's mouth next. And I mean, he's already the asshole. This is actually so sweet.

And we all remember this scene. This clearly made his day.

But then we get the encounter with Venetia and Felix and Farleigh both being equally pissed at the breakfast table. And yeah, everything goes downhill from there. It's the reason Oliver seduces him and gets him thrown out for what's literally just another desperate attempt to drive a wedge between Oliver and Felix.

No, Oliver, he's not going to behave. God, yes. Don't stop.

Farleigh was down so bad he literally got honeytrapped and framed. Twice.

Between Felix, Oliver and Farleigh, there are really no winners. They really all got wrecked by love, huh.

[shallowseeker]

And yeah, it sucks, and Dean was cruel and murderous and dehumanizing, but on the other hand, 14 days isn't very long.

And yet, at 14 days, things were already starting to repair and heal with Jack just a little bit, even before Cas came back.

(I've seen it said that this didn't occur till after Cas came back, but in 13x04, Jack's behavior and personality are what began to thaw Dean out and, per the script, "put chinks in his armor.”)

///

Interestingly, even back in 13x02, Dean’s body language doesn't match his words. Here it reads as "move behind me."

///

By the end of 13x04, Dean and Jack are tentatively starting to like each other. They're even a little bit alike in this scene:

*THEM: not looking directly at each other as they say HEY awkwardly*

Jack: Hey.

*Dean, doing the same thing*

This is also maybe the first time Dean calls Jack by his name? (I'd have to check, but I think so.)

*Dean’s eyes flitting around nervously*

Dean: “You did good today (pause) Jack”

Yeah, I think you can make a well-argued case for something-something “conditional love.”

But given the Kelly-Cas brainwashing and everything else that came before, I’d say it’s not unreasonable for Jack to like having established trust. To have earned trust.

Earning trust is important in all relationships, not necessarily always an evil “conditional” thing.

///

Then Dean goes and apologizes to Sam, saying that he was out of line during the therapy session and that he's sorry for being a dick lately.

It's sweet, but also, no one is being very empathetic to Dean and his losses. But I think by this point in Dean's life, Dean's not really expecting that either.

He’s only able to get that support from one person in his life right now: Jody Mills. (13x03) Which is part of why he felt comfy taking the case with her, I think.

Later in this scene, in a break with his past tendencies, Dean will actually try to rely on Sam:

///

DEAN: And he tapped his power and saved our asses, so that's a win.

Sam was right about one thing, though. It wasn't Jack’s powers that impressed Dean, or even being saved. It was the effort.

(Jack's personality was already thawing Dean, too.)

///

The rest of the scene is sweet. Dean tries to see Sam's perspective, and Sam tries to see Dean's.

It's a trading of strength and hope, which is how real families are, too. Our strength and resilience wax and wane, and we share our burdens, but we try to share our hope, too.

This is a rare occasion: Dean is trying to share a burden; he lets Sam know how bad it really is.

(Dundundun! Ellen Harvelle would be proud.)

Dean is accepting that Sam isn't going to get there on his own. So he spells out his despair for him. The Cas of it all.

And Sam seems to get that it’s a Cas thing. That's clear in his behavior in the next episode. And Sam wants to be there for Dean, I don't think that's a lie, but…

Sam ALWAYS wants Dean to tell him stuff like this, to talk out the big stuff. But one of Sam’s hopes is that talking things out will fix them.

(Classic Type-A kinda mentality.)

But THIS? Cas’s death isn't fixable, not quite as nebulous as the mom-in-Apocalypse-World-problem is. (In fact, I wouldn't put it past Sam to have been up all night researching, finding NO way to get Cas back. Alternatively, the constant casework could represent just utter denial.)

Anyhoo, Sam's grieving the losses too, but Dean is different. And unfortunately for Sam, John Winchester's grief was so horrendous and frightening that seeing Dean's, uh, particular kind of grief triggers Sam's panic response.

Just look at Sam’s face here.

SAM's BRAIN: brrrrrrrr RED ALERT brrrrr RED ALERT

*Meanwhile*

///

Next episode (13x05):

We find Sam in a state of near-panic. Just look at that face:

And actually, looking at Sam's D8> here…

..I think it's possible that he TOTALLY knew what the PB&J stuff was about, and his brain went into a meat grinder of:

OH NO FUCK NO NO NOT THIS--I RECOGNIZE THIS. THIS KIND OF GRIEF RUINED MY CHILDHOOD!!!!!111

{8[

Don't Grieve in Front of Me Dean (analysis)

Don't Grieve in Front of Me Dean Redux (s7 analysis)

///

So.

Sam finds a case about best friends. Makes you wonder what he was googling to find it...

And Sam’s distress surrounding the case is interesting, because he is behaving so DIFFERENTLY than he was in 13x02 and 13x03:

Dean: *cue surprise*

Dean is weirded out. Maybe he figured Sam would let him take a real break, or maybe it's just that the timing of Sam’s suggestion of leaving Jack behind feels weird now.

They’ve switched places.

Dean was eager to leave Jack in 13x03, and Sam was the one insisting on them staying with Jack to help him “learn to control his powers.”

Now, in about two weeks’ time, Sam’s like—“Jack has TV! We’ll put up extra warding! It’ll be fiiiine!”

Dean’s brain, probably: Hmmm. Sam is trying to cheer me up, but wow are these about-faces on what's bad parenting and what's good parenting kinda fucked up.

///

And at the end of the episode, Dean tries again to tell Sam just how bad it is (mirroring Mary's willingness to offer up “not being okay” in s12):

And Sam is pretty much at sea.

[kanmom51]

Are you sure?

(that Tae is not third wheeling in Jeju, that is)

Lately I've been noticing that I love to start my posts with "So". And this one will be no different, lol.

So...

This dropped.

Notice, btw, how this one is called "Are you sure?! Announcement (from Jeju)"? Both 'announcements' filmed in Jeju, so why the difference then?

Maybe this:

Again, if they would have used the word "for USA" and "for Jeju" that would make sense as there being an announcement for each 'chapter' in their travel vlogs. But they clearly used the word "from" and that makes me stop and wonder why they did that, kind of make me think that maybe I wasn't too delusional with that post of mine.

People were all up in arms for Tae calling it "our" show only for it not to be the actual true translation.

Once again, thanks to @haedalkoo for setting things straight.💜

Others upset for this being exactly the same as the teaser clip we got from Jikook telling about their upcoming show.

And I beg to disagree with them on that.

This was them in the announcement 'from the USA":

JK is literally wearing the same outfit, JM changed and with glasses on. So I will risk and say, same day?

And yet, so so different.

It's not about them standing in the one and sitting in the other. Possibly a decision made to make them feel more comfortable in the situation seeing that it appeared to me they weren't so much.

But even when it's evident in the first announcement there is a script to follow you see their characters shine through, the playfulness between them, the dynamics, the chemistry, the electricity in the air.

While in the second announcement their demeanor is just totally different. STIFF.

Clearly running through the script. No extra them being them.

And that's how you have basically the two saying the same thing in both of these announcement only the first one ending up 1:23 minutes long while the second being 1:03 minutes long.

And do we talk about this?

JK and JM clearly closer to each other.

Is this JK's doing? Pulling JM just a little bit closer to him? Or Tae being put in the corner for "insisting" to join? Just joking. Or not. Lmao.

I know that there are those that are angry or frustrated about Tae joining, and although I do get you, seeing that we were basically sold the idea of this being just a Jikook show, then being showcased throughout Summer, Autumn and Winter. I too am struggling to understand why this wasn't part of the initial promotions. Why not tell us Tae is joining for the Jeju trip? Wouldn't have made Jikookers any less excited I would think. Why shoot those two announcements both from Jeju? That snippet we got with the two excited:

This is literally the two of them sitting on those chairs with Tae most likely by their side, Tae cut out.

So why?

I still don't get it. Not fully. I don't think it's about money or streaming. I actually am leaning towards thinking this was what the two of them wanted. In order to cement the fact that this is THEIR SHOW. Their idea. Their execution. Tae is a visitor, a guest, but it's THEIRS.

Anyway, Tae will be with them in Jeju. And it will be VERY interesting to see how this goes down. JK did not seem to be a happy camper in the teaser. Could be a mood. Could be in reaction to something that went down. We do know that he and Tae have that passive-aggressive energy to their interactions at times. JM's eyeroll in that moment was everything to me, lol.

We got these just now too:

and

You know I am always honest with you guys. And this is not going to be any different. At the end of the day, yes, I might have been disappointed that this isn't only theirs, that we weren't going to get to see them together, just the two of them in Jeju, a place we know they are so familiar with and that they both love so much. You know, without a buffer. But then, we are still getting Jikook. And I do believe that even with that buffer, or perhaps maybe because of said buffer, we might get some very interesting and insightful moments from this joint trip to Jeju. Eye opening to some (those that have had problems reading the room since forever).

[fruity-fruition]

Tenma siblings headcanons from the top of my head

--

I'm a FIRMM believer that Tenma siblings are very physically affectionate (i.e. hugs, forehead kisses, cheek kisses, high fives, shoulder bumping, cuddling, hair ruffling, etc)

This takes Toya fully by surprise when they do it to him outright, without any room for denial.

--

Tsukasa was eating breakfast with Saki and Toya before realizing he was going to be late for a meet-up with Wondershow.

He has this thing, where he instinctively kisses Saki on the forehead before he heads off, so he does. But, in his unfiltered older brother instinct and disarray, he kisses Toya on the forehead too. And just. Leaves.

Toya kinda blue screens before snapping back and being like "what."

Saki doesn't even bat an eye lmao she just kinda looks at him like he's a little weird.

Toya: (literally saw Tsukasa kiss Saki's forehead first before beelining to him without any hesitation) "I think... he mistook me for you"

Saki: "Toya you dumb fuck (/affectionate) you've been one of us since you stepped foot in our house"

--

Tenma siblings cuddle a lot, usually on the couch during movies. Tsukasa in the middle, Saki to his right, and Toya to his left. They aren't aware of the set position but whenever they switch, all of them all at once just think "something is not right rn"

While cuddling, Tsukasa often uses his right hand (which Saki is leaning on) to either scroll his phone, read, or so show work (costume designing, script writing, ideas, etc). He always leans his head on Saki's. He uses his left hand to run through Toya's hair.

--

Toya starts referring to Saki and Tsukasa as his siblings and family outside sometimes.

Saki and Tsukasa listens to pop music sometimes. Not their main music taste, but enough for it to be significant.

This culminates to a very confusing moment for VBS, who've met Toya's biological, douche, emotionally constipated classical music family, when they hear Toya say "Oh, yeah I know Taylor Swift. My family listens to her sometimes."

Which scared VBS to their core because why is Harumichi Aoyagi listening to western white girl music

--

Tsukasa loves baking and cooking. It's a stress reliever thing for him. This is a huge bonus for his siblings (mainly Saki. Toya's not a huge sweets person) because there's always sweets in the pantries.

Toya never sneaks into the kitchen alone, he wouldn't dare. Plus, again, not a huge sweets person. Saki, however, is a horrible influence. They often have 2am gossip, accompanied by brownies and vanilla ice cream.

--

Toya and Saki can't cook for their life. (I know canonically, they're okay-ish, but hear me out.)

Toya, raised as a rich kid for most his life, has never cut a single raw ingredient in his life until his late teen years.

Saki's been hospitalized for the majority of her life.

Tsukasa's the only Tenma sibling with cooking and baking skills (considering he had to fend for himself for a while)

While they were baking together, Toya and Saki managed to get the batter on the ceiling AND explode the microwave because the batter had too much eggshells in it when they put it in. Tsukasa had to call Rui over to fix it.

Tsukasa: "I can't pay you for now, Rui I'm so sorry-"

Rui: "Don't worry about it, Tsukasa"

Tsukasa: "I'll repay you in sweets when we're done?"

Rui: "...preferably not ceiling ones but yeah I'd like that"

--

Speaking of,

Ruikasa starts dating and Tsukasa swears that Rui had nothing to worry about when it comes to his family. They're welcoming! They're open! They'll love him.

Rui decided to not tell him about the glares coming from a certain pinkish blonde and split haired boy when they announced the news. (At least the parents were sweet)

Toya and Saki actually has no real gripes against Rui. They're protective, sure, they will eventually corner Rui and interrogate him, but Saki just thinks it's funny and Toya is just Toya. Rui's paranoid lmao

--

Akito punching Toya in the main story left a bruise (as seen in the official animation) which Tsukasa and Saki got really concerned about during their arcade hangout (Toya's first 3* side story).

Tsukasa figured out that Akito was the one who did it, and ranted to Saki about it. But he retracts it when the duo made up.

Saki isn't letting that shit go, oh no. This GINGER punched her brother?? Then, she started hearing about how Akito likes messing with Tsukasa, even insulting him to his face sometimes.

So she has a personal beef with Akito. Who didn't even know she existed.

When Akito first step foot into the Tenma household, he was dreading the presence of Tsukasa, but to his shock and horror, Tsukasa is actually more tame at home.

His biggest worry should've been the girl with pigtails, who, upon seeing him, got up from her chair and heads straight to her room. not breaking eye contact.

It takes a while, but Saki and Akito gains an unlikely alliance.

--

Names I gave to the Tenmas:

Tenma siblings: All three of them, at once

Tenma Twins: Saki and Toya

Tenma brothers: Tsukasa and Toya

Prototype Tenma: Tsukasa and Saki

(real original I know)

--

Kohane is Wondershow's number #1 fan, probably Tsukasa's number #6 fan (I love her but her competition is Saki, Toya, and Wondershow. Idk what to tell you. At least she got a number)

She absolutely loses it when Toya got them all free tickets to one of their shows.

Akito dreads going. An is slightly excited. Kohane is radiating pure joy.

Akito nearly cries when when Kohane admits that she actually likes Tsukasa as a person, not just a performer, when she properly meets him.

Akito: "An you're my only hope. Toya's biased, Kohane's insane"

An: "idk dude Tenma and Kamishiro are pretty cool when they're not actively trying to blow the school up"

Akito: "An please"

--

I have so much more idk maybe I'll post more later

[monstrousproductions]

PSST.

You wanna know a secret?

Neurotypical people use scripts too.

I'm neurodivergent and I struggle a lot with meeting new people. The only thing that helps me is scripting - planning the conversation beforehand, practicing the questions I'm going to ask, the anecdotes I can tell, all that jazz.

But what really helped me turn a corner was realising that neurotypicals are scripting too. Everyone in the supermarket is expecting the conversation with the cashier to go a certain way. I don't have to worry about being funny or interesting - I just have to play my part, and they'll play theirs, and we'll both go away from the interaction content!

And I know this is the Anti Small Talk website I knowwwwww. But small talk serves a vital social function! You can't just jump straight from Stranger to Friend - you need to do the intermediary steps first, or at least get introduced! Besides, it helps make brief, transactional interactions - like being served in a shop, for example - feel a bit more friendly, which, why wouldn't you want to make things more friendly??

It also - and let us simply speak in hypotheticals here - it also means that, for example, if you are an innocent podcaster who found themselves at a wedding a few weeks ago where you knew very few people, and, through various circumstances, ended up being sat at a table on the other side of the room to the people you actually did know, you wouldn't have had to spend the entire meal sitting in awkward silence because nobody else at your table knew how to make conversation with strangers. Hypothetically. For example. 🙃

And look. I get it. Meeting people can be awkward and uncomfortable, especially if you're neurodivergent. But there are things you can learn that can help minimise that awkwardness, or at least help you come across as 'harmlessly odd and doing their best' (my personal favourite social niche).

Society likes to pretend these skills are inherent. But babies aren't born knowing how to do any of this! We have to learn. As a neurodivergent person, I had to learn that skill very consciously, and rather later than some of my neurotypical peers - but they had to learn it too!!

And like every other skill, the only way you can improve is practice. You gotta put the time in. But that time pays off. I'm in my 30s, and by now, I have scripts on scripts, with variations for all sorts of different contexts. It's like a database I access, filtering through it for Middle Aged Woman In Professional Setting or Chatty Toddler On Bus or Millennial Programmer at Casual Social Event.

At this point, I feel pretty fluent in most social situations. It's not foolproof - I got so nervous at the pharmacists last week, I stammered too much for the clerk to understand me and had to start the whole interaction over 😶 But it makes life much easier, and - just as important - helps me to make stressful situations easier for other people, too.

So, please, if you struggle with small talk, can you do me a favour? Can you think of three questions you could ask a stranger? You want to keep them open-ended (no yes/no answers), friendly but not intrusive, and avoid anything that makes an assumption about the other person.

For example, I tend to go for, "What kind of thing do you like to do for fun?" instead of asking about work, because lots of people don't have jobs for all sorts of reasons they might not want to tell me, a random person at their friend's birthday party.

I'm also a huge fan of asking why people like something they said they like, or how they got into it. People like to talk about things they enjoy, and I like to hear about it!

Once you've got a set of questions to ask, you can have a think about your own responses. If someone asks you how you know the friend you have in common, what can you say that will keep the conversation going?

If they mention the weather, what could you say in response? It's been warm in Belfast recently after a cold snap, and I'm a bit annoyed because I was excited to wear all my woolly jumpers again. I've expressed that exact sentiment to four cashiers and three taxi drivers this month alone - and I'll do it again!!

Finally, above all, pay attention. Keep your head up, and try and see who's talking and who isn't. If you notice someone might not be getting chance to join in the conversation, you can bring them in by moving your attention to address them while you're answering someone else. Then, address your next question to them more directly.

The thing is, like I said, neurotypicals are scripting too. They'll be expecting this kind of chat. They'll be prepared. They're expecting to be asked this kind of thing, and to say the same kind of thing in return. There's no trick to it - they just learnt the script earlier than us, and without having to be told explicitly that it existed 😂

It's hard. I know it's hard. But you can learn, and it is worth learning - for your own sake, but also for the sake of your fellow wedding guests/birthday party attendees/newbies at the book club 😅

[dailyrothko]

Hi! I was wondering if you had any opinions on the play Red by John Logan? Really admire the Rothko work you do!

First of all, thank you.

Secondly, I think I maybe in a weird position to critique this. I have read almost everything written about Rothko that I know exists. All the books, all the articles I could find and all the interviews I can put my hands on where people who knew him talk. I actually have you guys to thank for this because until this blog got popular, I didn't know much about his life other than the basics. But, feeling some responsibility to my "Audience" and chosen subject, I tired to educate myself in this niche.

Because of this, one naturally forms a picture of the person in your head based on these collected impressions. I think most people don't really know much about him, at least until recently.

I am thankful that the play was an entrée into the art for a lot of people. Like the Rothko episode of Mad Men, many people are brought to awareness of the Rothko through these other mediums and I think that's really cool.

The thing though is that John Logan wrote the movie Gladiator, and you can tell. I see nothing bad about that kind of drama, it just doesn't jibe with my impression of Rothko, While Rothko was sensitive, upset at times, neurotic and opinionated, careful and studious, but he was not this bellowing pontificator that I feel is represented in the play. Again there's nothing wrong with making a drama of it, it's just something that I divorce from Rothko's actual character. I used to have a job reading movie scripts for an actor and you find a lot of common devices people use to make the drama effective, and I feel Red uses a lot of those to good effect. Every play or movie I have ever seen about an artist takes the task of making a largely internal process, external enough for the audience to become engrossed in.

Rothko was sensitive, well-spoken intellectual man. Many of his friends speak of his great tenderness and generosity towards them. The play seeks to pit him and his assistant as two poles of the art world, the new encroaching on the old. Again, fine as a dramatic device but Rothko painted alone, and he talked about painting to no one, ever. Anyone who knew Rothko says he never discussed his art. So any conversations in the play are entirely fantasy.

So, basically I think the play is entertaining and hopefully gets people interested in the art, but I wouldn't take it like a biography of Rothko! And that's really my main point, not to knock the play but to point out the differences between fact and fiction.

Here's some context:

"When I've seen my father portrayed, I've sort of winced, because it doesn't sound like him or come across like him. He was a very warm, humorous person, I remember him telling me silly stories as a child. - Kate Rothko

"As I see him, he was a very loving, essentially feeling man. He was loving and lovable. He liked to put on a rough show. I mean he liked to talk tough. He presented to me a softness. And I was full of my Oriental, religious view of things. I never attempted to talk to him about it because he didn't respond to it. I took it that it was his concern with the world which was from boyhood because of his parentage and finding the same ugliness and stupidity in the art world as in the world that made him so convinced that life wasn't worth living." -Wallace Putnam

Mark is often presented as off-putting; however, he really was quite warm, nurturing and could be very funny." - Regina Bogat

"(Rothko had) a genuine charitable impulse. It grew out of real sympathy. I don't think it was a put-on in any way, nor for self-aggrandizement...there are numbers of cases in which while he was alive he helped persons and always anonymously. He never wanted it known, nor did he ever talk about it." - Stanley Kunitz

*forgive typos, my brain does not see them until weeks after the fact

[foxglovegames]

Trouble Comes Twice - the Postmortem

We celebrated Trouble Comes Twice's anniversary around a month ago! We'd hoped to post this postmortem back then as well, but it's taken us a moment to find the right words haha.

Anyway, we hope that this postmortem can give our players and other visual novel devs some insight into what the development process looked like for us. It's also a great way for us to look back at what went well and what went less well.

We'll be taking about the ideation phase, our (lack of) marketing for the Kickstarter, and also sharing (what we can) on our earnings from the game!

Coming up with Trouble Comes Twice

The original tone of Trouble Comes Twice was a lot more comedic and packed to the brim with anime tropes we enjoy. Most didn't make it into the final game, but some stayed and evolved e.g. all of the love interests are based on popular visual novel archetypes - the childhood friend, the tomboy, the shy girl, and the bad boy. 

Some, like Cameron and Zoe, changed a lot from their concept while Adrian and Stephanie stayed quite loyal to our original ideas of them. Cameron's character actually underwent the most changes after the initial reception to the demo, where a lot of people felt like he was too much of an ass haha. (Fortunately, he became a fan favorite when we dropped the new demo!)

The premise with the bet was something we invented to create some drama and establish a common plot thread throughout each route. Honestly, looking back, we would probably have approached the bet differently if we wrote it today and a lot of our pre-planning was... clumsy, at best. Still, it was a labor of love and I'll never forget the fun and excitement we had everyday balling ideas for the characters and coming up with their designs.

As Melli and I are just writers with limited coding experience, we worked with a past game jam friend to code the GUI and set up the base for the game (though the actual scripting was done by us and Melli put everything together in the end). Our biggest expenses pre- and post-demo was the character art and CGs, meanwhile we relied on free music and BG packs to save money.

Why a bisexual romcom?

So, this was sort of a no-brainer to us. We had decided right from the start that both twins could date both the male and female love interests, and (at the time) we feel that a lot of similar games had playersexual MCs rather than established bisexual/pansexual MCs. While playersexual charas are also awesome, we wanted to write a romcom where the main cast are always queer regardless of who you end up romancing. 

At the same time, bi/pan people don't all approach romantic relationships the same way e.g. Cameron is confident and has experience dating people of all genders, while Adrian's demi and Jace still struggles a bit with his attraction towards men. We know that some of our players felt like that made certain routes less romantic than others and we hear you on that feedback and have 100% taken it into consideration for our future romance games. But anyway, that was our thought process behind Trouble Comes Twice's romance dynamics!

Preparing for Kickstarter & the actual Campaign

Our Kickstarter launched at the start of August and let me tell you, we were nowhere near as prepared as we should have been. 😭 We hadn't set up a Steam page yet, we were trailer-less, and we only had a couple of hundred followers across our socials at best. I feel that there's a lot more successful Kickstarter projects to refer to and even a lot of marketing guides and advice now, but mostly it's on us for not researching more. 

The Kickstarter campaign did surprisingly well despite the lack of promotion and only having a rough alpha demo - we were even able to double our goal! - but we  wouldn't recommend what we did for other devs.

You should invest time into making a good demo, spend time building an interested audience before launching your campaign, and research so you've got some kind of marketing plan. We were lucky with word-of-mouth and that other visual novel devs with larger followings helped share our game, but we should have made more effort reaching out to bloggers, streamers, and game sites. Some crowdfunding successes may seem like they came out of nowhere and were just pure luck, but there's usually a lot of grinding behind-the-scenes that you don't notice.

The post-Kickstarter era, at least for us, was the harder bit. We now had 353 loyal backers who had expectations based on promises we had made and we had to make sure we met those expectations while also staying true to our wants as the devs. It was a learning process for sure, but we're fairly proud that we always did our best to keep our backers in the loop. It's frustrating to write an update explaining that the game has been delayed again, but backers are more open to being understanding than you think as long as you communicate!

A tip we'd give to new devs considering Kickstarter: Don't overestimate what you can do, but overestimate what you need. There's always hidden costs, unexpected taxes/fees, and other unknown obstacles that might eat up your budget. In our case, we made enough to make the game as planned, but had to change CG artists around halfway through development which meant our original budget didn't cut it anymore. Fortunately, we had earned a decent amount from our Patreon and pre-orders that we were able to use to complete the CGs, but that isn't always going to be an option for everyone and that also meant we were unable to use that money ourselves. (We didn't take any money from the original Kickstarter campaign, so whatever was earned through patreon and pre-sales was our only "salary" at the time.) 

Writing the game

Writing is, for obvious reasons, one of the most important parts of a visual novel. Melli wrote Jace's routes and I wrote Hazel's routes, which removed some pressure off our shoulders compared to trying to write over 300,000 words all on our own. 

It's fun working with another writer, but there are also some unique issues and considerations that come up when you're writing a game with two protagonists split between two writers. Especially because at the time, there weren't many visual novels with a similar set up to refer to.

The main things we learned, were:

Consistency. We wanted each couple to have their own dynamic, but the characterization needs to remain consistent between routes. You don't want Adrian in Jace's route to feel like a totally different character in Hazel's route. Additionally, we had to be careful that the tone and writing style of the protagonists' POVs still felt like you were playing the same game. Some routes can be more comedic than others, but we've got a problem if Hazel's routes are all (unintentionally) more serious/angsty in tone than Jace's or vice versa.

Watch out for your word count! Longer does not always equal better and writing eight routes, we had to put some restrictions in place. Even when writing on your own, it can be tough to guess how long your story should be, and it was important to us that the routes were roughly the same length so that none felt more "canon" than the other. However, with two writers who have different writing styles and ways of planning, it was tricky to compare our outlines and we struggled at times when it came to matching each other's word counts. Moving forward, we're probably going to be more lenient when it comes to word counts - some routes have to be longer than others, it doesn't mean that route is automatically more "important". We're also doing more regular meetings and frequent check-ins to make sure we're on the same page. In the future, we hope that should save us a lot of trouble when it comes to pacing! 🙈

Balancing your own wants with the wants of your players. In theory, these overlap most of the time. But making a commercial game (that people had already "bought" through the Kickstarter), there is some pressure when it comes to meeting certain expectations. We can't always just write what we want and assume everyone else is going to love it, but we also don't want to neglect what we personally like. We had a survey for the beta where we were able to get regular feedback and a lot of helpful advice. We definitely want to continue with surveys in the future - they are a great way to gather opinions from different players and figure out what works versus what doesn't! 

We took on too many tasks outside writing that distracted us. This bit is sort of inevitable for indie devs like us. 😅 Working with a limited budget and limited resources, you just end up having to wear a lot of hats! We think we did quite well sharing these duties though, and moving forward (thanks to you guys) we can afford more hands on deck to help us out. 

Marketing

The bane of every indie game dev's existence... although secretly, I kind of enjoy marketing but don't tell anyone that!

Having learned a thing or two from promoting the Kickstarter, we spent more time researching games marketing but in the end, trial and error was the best teacher.

As we got closer to the release date, we were posting almost daily on social media and grew our Twitter to over eight thousand followers. We didn't have any viral posts, but we saw a consistent growing interest in our game and it was such a motivation boost to see comments from potential players being excited for the game. We know a lot of devs have said that Twitter didn't help their game much but according to our stats, a decent number of our players found us through the platform. 

We saw less success here on Tumblr. Perhaps we haven't cracked the code here yet or maybe we're just comparing our numbers from Twitter unfairly! We're not hung up about it though, we love it here because it feels easier to connect with our followers and other devs there, and it's nice because we're able to write longer posts like this one! 💓

Aside from posting on social media, we reached out to several streamers and some bloggers prior to release to send them free game keys. 

We also commissioned some art from other artists to share, as we obviously couldn't reveal ALL our CGs before the release lol and visual posts tend to do a lot better in our experience. It was so much fun to see the characters in other art styles and we hope we can afford to commission guest art pieces a lot more frequently in the future!

In hindsight, we definitely regret not releasing a trailer sooner! We underestimated how much interest a good trailer could garner and delayed setting up our Steam page because of it. Steam was the platform where we sold the most copies and most of our buyers found the game through Steam itself.

Also, posting your trailer on youtube adds another site where you're promoting your game so there's really no reason not to get that trailer done as soon as you can. 

Final Notes

After the initial stress, we were pretty happy with our release! Although there were some things we would go back and change if we could,  that's just the nature of these kind of things. For the most part, we're proud of what we achieved and happy that we have learnt so much from Trouble Comes Twice that we can take into consideration for future projects.

We can't share exact numbers, but we wanted to open up a bit about our earnings for the game to help other aspiring devs: As of writing this, Trouble Comes Twice has earned close to 85,000 euros. This counts our profits from 2020 to now (the Kickstarter, Patreon, pre-sales, and actual sales). Removing fees, taxes, the salaries of our talented artists and other freelancers, as well as the money invested into our next game, our personal pockets did not see anything close to those numbers. But we're super proud of how much our little game has made and so grateful that it's allowed us more creative freedom with our next title! 

So, what's next?

You might have heard but for the past year, we've slowly been working on the demo and upcoming announcement for our next visual novel:

A 17+ supernatural neon-noir romance game about monsters, love, and other horrors. 

Play as vampire detective Circe (female protagonist) or hellhound cop Dante (male protagonist) and delve into the mysteries of North Haven, where demons, vampires, and supernaturals hide in plain sight among humans.

The game features six routes, with three romance options available to each protagonist. Dante only has male romances and Circe has both male and female romances. 

The game tackles a darker, more angsty tone compared to Trouble Comes Twice. Still, we hope that those who decide to check it out will enjoy it! We plan to announce the game this coming Autumn. Follow our Twitter (we're still not calling it X sorry) or Tumblr to stay up to date.

[fandomfucker]

heyy, would you be able to write a fluffy rhea x reader one shot please?

one where reader and rhea have been dating for a little bit and reader has a kid (like 1 year old or something), but rhea doesn’t know yet. reader has a conversation with rhea and confesses and rhea is shocked, but asks to meet them. as soon as she meets the baby, rhea falls in love with him/her and adores the baby so much and grows to love him/her like her own. and just make it like really fluffy please?

it’s okay if no ☺️

I don't know a lot about kids so please bear with me, and apologies for taking forever. Please enjoy ❤

Words: 2,336

I was so nervous I could've thrown up.

Rhea and I had been going out for a few months now and she was coming back tomorrow after having not seen her for over two weeks.

And since we've already been going out for a couple of months, I figured it was either now or never with telling her about my daughter, Celia.

She was almost two now and my absolute pride and joy. Her father hadn't been in the picture since before she was born but I wasn't nervous telling Rhea about him. Just her. Because if she wants to have me she has to have my daughter too and if she can't deal with that then...

Let's say that my saying I'm nervous is a severe understatement. I was absolutely terrified.

Neither of us had said it yet, but I love Rhea. So much. So if my having a child is a dealbreaker then I don't even know what I'll do.

Tomorrow I'm going to be picking her up from the airport after her last match against Raquel Rodriguez. They're giving her a two-week injury-scripted break after having been in multiple WWE events each week the past few weeks.

We've both been really looking forward to it and had even started planning some stuff for us to do while she was here. Luckily we actually live only one city apart so she doesn't have to get a hotel or stay at my house, just in case anything goes wrong.

Which, I don't think it will but you never know.

I was currently bathing my daughter before bedtime, the worry must've been evident on my face.

"Mama?" Celia spoke up.

Looking down at her I saw her looking up at me, her eyes fixated on my face. There was a little crease of confusion and concern between her brows.

"Yes, my darling?" I questioned her, bending down to give her forehead a kiss as I filled the plastic cup with water again to rinse her hair out.

"Why sad?" She asked innocently, splashing her rubber duck in the water as she played. This duck was Sir Quacks a Lot, who was married to the other Sir Quacks a Lot. They had drama with the Mrs Quacks a Lot and we're currently in an argument about Baby Quacks a Lot.

"Nothing for you to worry that pretty little head over," I grinned, booping the top of her nose, sending her into a fit of giggles and splashes.

After Celia's bath, I dressed her in the fuzzy brown bear onesie I had found for her not too long ago and put her to bed.

Walking back downstairs after making sure Celia was asleep, all the nerves and doubts I had managed to push aside came back and hit me.

I went to go grab a glass of water, noticing that my hand was starting to shake. I decided to just go straight to bed. After all, Rhea was getting in pretty early so I had to be up and get to the airport also super early. At this point, all I could do was hope that she wouldn't leave me.

-Time Skip-

Waiting at the terminal Rhea would be coming out of with a bouquet of flowers was nerve-wracking as hell. She had texted me the estimated time they were supposed to land but it's never exact so I didn't actually know when she would arrive.

After a little over half an hour, I finally saw her plane land and make its way to the little hallway between the plane and the airport. Another twenty minutes later I saw her. For the first time in over two weeks, we were in the same place at the same time, together.

My breath caught in my throat as I watched her look around for me, our eyes finally meeting from across the room.

I watched as her gorgeous face lit up and she started to make a beeline for me.

Momentarily forgetting my nervousness I grinned and stepped forward to meet her in the middle as we collided into a tight hug.

"Hey, beautiful," I spoke, my voice thickening with emotion.

I felt Rhea release a deep sigh of relief against me before she responded, "Hey, baby."

"I missed you," I croaked into her neck, shoving my face into her and breathing her scent in.

"I missed you too," She replied as she stroked my hair with one hand and my lower back with the other.

Pulling myself away from her I just stood there and stared at her face for a second before speaking, "Let's go home, yeah?"

She nodded and grabbed my hand as we started to walk towards the luggage claim to pick up her suitcase.

"So, are those for me? Or..." Rhea playfully questioned me, trailing off at the end as she gestured to my hand holding her flowers.

"Oh!" I exclaimed. I had completely forgotten about them in my excitement of having her here with me again.

"Yes, they're for you, sorry," I apologized, blushing deeply. She chuckled and took them from me, smelling them before kissing my temple.

"They're beautiful, Love. Just like you," She smirked at me causing me to blush yet again.

I ducked my head down to hide the blush as I grinned widely and giggled.

We made idle talk as we walked to the luggage claim and then grabbed her luggage before making our way to my car.

Getting in the car my previous nervousness hit me again in full force. Pausing to just rest my hands on the steering wheel and take a breather I could feel Rhea turn to me in concern, "What's wrong?"

She was giving me an opening, it was now or never.

"I have something I need to tell you." Slowly I pulled my gaze from the dash of my car to her eyes. Her brows were furrowed in concern and her mouth was pulled into a frown.

"Is everything okay?" She asked sort of hesitantly.

I nodded quickly, "Yeah, it's just...something I haven't told you yet that I probably should have."

Rhea nodded in encouragement for me to continue.

I took a deep breath. "I have a kid."

Silence.

"What?"

"I have a daughter. Her name is Celia. She'll be two in October." I whispered into the quiet, too scared of her reaction to be any louder.

She looked lost in thought for the next few minutes, slumping back against the seat.

"I'm sorry for not telling you but I could never find the right time and-"

Rhea cut me off, "Hold on. Just, stop."

I shut my mouth, terrified out of my mind of what she was going to say next.

"I just need a second to process this."

"Yeah, no I understand. It's a lot to take in." I quietly replied, chewing on my bottom lip.

"Why didn't you tell me?" She whispered. She sounded choked up and on the verge of tears which made me start crying.

"Because I thought you would leave and I was scared." I sobbed, covering my face with my hands as if to conceal the tears.

"No, no no no no no." Rhea clamored, reaching for me over the console. "I just wasn't expecting it, that's all." She tried to reassure me, smiling softly. "I could never leave my best girl hangin'."

I giggled at the reference to one of my favorite movies ever and wiped my eyes and nose with the back of my sleeve.

"C-can I meet her?" Rhea asked hesitantly, "It's okay if not I completely under-" I leaned over the console and kissed her, effectively shutting her up.

"Of course, you can meet her. She's actually been asking for quite some time now when she gets to meet 'Ree-Ree'." I laughed, recounting the many times she asked for another bedtime story about "Mama's friend".

Rhea beamed and kissed my cheek, reassuring me once again that she was okay with me having a child. We'd be having a more in-depth talk about it later on but right now it was time for them to meet.

We pulled up to my house almost half an hour later, where my sister was watching Celia while I was out. 

Getting out of the car, I grabbed Rhea's luggage for her before she even had a chance to grab it and walked up to the door with my keys. Taking a deep breath I unlocked the door, pushing it open before standing aside for Rhea to walk in first.

She nodded in thanks as she walked through, looking around and taking in her surroundings. My house was a bit more on the unconventional side, being a maximalist and all. 

"Zoey?" I yelled into the house to find her after closing the door behind us. "Kitchen!"

I rolled Rhea's suitcase against the wall a little ways away from the door and motioned for her to put her backpack there as well before following me.

I made my way to the kitchen with Rhea following idly behind, still taking in my house. As soon as I laid eyes on my daughter in her booster seat I smiled and made a beeline for her, making "monster" grabby-hands.

She squealed with delight, grinning madly all the while as I unbuckled her and picked her up above my head, blowing raspberries on her exposed stomach making her squirm and giggle.

Bringing her down to rest on my hip I kissed the top of her head as she buried it into my neck. I turned around when I remembered that we weren't alone.

Zoey, my sister, and Rhea were standing next to each other, both watching the two of us with a smile on their face. I side-hugged Zeoy hello before introducing them to each other.

"It's so nice to finally meet you! I've heard so many things about you and Y/n even made me get into wrestling." Zoey exclaimed excitedly, making Rhea laugh. "I've heard a lot about you as well so it's great to meet you too."

"Well, I better get going I have to run some errands before I get home to let the dogs out." Zoey excused herself, grabbing her bag before making her way back over to me.

"Bye-bye CeCe." She cooed, tickling her neck before giving her forehead a kiss. "I'll see you later, sis," She gave me another side hug.

"Rhea, it was lovely meeting you, maybe we can all get together soon while you're here? Oh! We could do a double date with you two and me and my partner!" She excitedly exclaimed.

"Totally! That sounds great, we'll definitely have to get together. I can't wait!" Rhea replied enthusiastically. Zoey gave Rhea a quick hug before bounding out the door, leaving us alone with my daughter.

Rhea slowly walked up to us, I could read the nervousness on her face.

"CeCe, this is mama's friend Rhea, remember?" I spoke gently to Celia. She lifted her head from my neck and looked at Rhea with her big beautiful eyes. I could see Rhea's initial hesitation melt away as they locked eyes.

"Hello there, little one." Rhea greeted her softly, waggling her fingers at her like how she does when she's in character. 

Celia must have recognized either her name or her picture because she then started to bounce in my arms as she giggled and held out her arms to Rhea to hold her.

"You wanna hold her?" I asked her, shifting my hold a bit on CeCe.

"Um, I-I don't know. I'm not really sure how I should hold her." Rhea stammered.

"Just like this," I replied, gesturing goofily to how she rested on my hip. 

"O-okay," She half-smiled nervously, grabbing Celia under her arms and hefting her gently onto her hip. Celia giggled and wiggled around the whole time, putting her hands on Rhea's face and patting them around.

"Sorry, she likes to do that," I apologized embarrassed.

"It's all good," Rhea laughed, gently removing Celia's hands from her face.

Grinning at my two favorite girls I made an offer they couldn't refuse. "How about y'all go and play while I go and make some breakfast yeah?" 

"Yes!" Celia squealed, squirming enough that Rhea put her down. "That sounds great, Love." Rhea chuckled.

Celia raised her arm near where Rhea's hand rested, asking for her to hold her hand. Rhea grabbed a hold of her hand and was immediately pulled away towards the direction of the living room. Rhea shot me a look of panic before disappearing from my view making me laugh.

I put on some music and began making breakfast as Rhea and Celia played in the living room.

After I finished making breakfast I set the table as well, wanting a nice fancy breakfast for Rhea's coming home and first time at my house.

I made my way to the living room to get the two of them to come eat but stopped short in the doorway when I saw them.

Rhea sat on the floor crisscrossed in front of Celia with a tiny plastic crown on her head, a pink plastic teacup in one hand, and a giant plastic dinosaur in the other.

Celia stood in front of her also wearing a tiny plastic crown on her head but I could see that Rhea had given her one of her necklaces to wear as she poured the two of them cups of tea. 

I smiled as I watched Rhea play pretend with her, not wanting to interfere with the adorableness. Just seeing Rhea wearing her scary full black outfit with dark jewelry and makeup wearing a tiny pink crown was enough to make me fall madly in love right then and there. And I think I did.

"I hate to interrupt, but breakfast is ready," I spoke up, finally announcing my presence.

Celia bounded over to me, holding out the end of Rhea's necklace she was wearing to me. "Look what 'ea gave me!"

"Wow! What a lucky girl you are! Let's go wash up for breakfast though, yeah?" I picked her up and set her on my hip as I turned to look at Rhea who was blushing furiously.

Grinning at her I playfully asked what was the matter.

"Didn't know you were there," Rhea mumbled, reaching up to pull the crown off.

"Leave it, I like it," I smirked as I turned on my heel to make my way back to the kitchen. I think this could work.

[itsbansheebitch]

More thoughts

I get both sides, but I feel a little confused they couldn't find four people in their +25 employees

Data analyst (Are you seriously telling me you couldn't personally email or even just HIRE matpat's team who do data analytics as part of Theorist Media to help??? The man would be overjoyed to help???)

Editor (Put the first $6 towards a can of coffee grounds, dude)

PR Team (Even, like, a single person, please, for the love of god)

Business Major (Or literally anyone that has taken a home ec/budgeting/personal finance class)

First, the Dish Granted series was started when gold leaf burgers were novel, now it's seen as tone deaf (for obvious reasons) it should have shifted to something like interviews with people who make that kind of food or local businesses (like parmesan cheese shops in Parma, Italy) or the history of food (like talking about the history of modern Native American slavery on Californian wine vinyards). Not to mention the untapped potential of Food Fraud topics. Either shift it, or scrap it. Any data analyst or chronically online person could tell you that.

Second, why did you keep "anyone can afford $6 a month" in? Are the editors asleep at the wheel? Are they overworked? What is going on? You know damn well to not make generalizations about what people can afford. That's NEVER a good idea, especially when you KNOW (because YT gives you analytics) that most of your viewers are young (16/18-30/35 range, I'd guess) who probably, either 1, are still in school and either arent paid well/dont have jobs OR 2, arent paid well and tired of people's shit, like people who own businesses talking about "tough financial decisions." To them, Watcher isn't going to look different from the other people talking like that, because this was so sudden, with no input from fans, and in the video you hear shit like "anyone can afford [X]." To be frank, it wouldn't really matter what the amount is, because that generalization goes against the message they have stood by for years. THAT is a slap in the face.

Third, what are yall doing with the budgeting? Every artist has a right to make art that they are proud of. Every artist deserves to have their work seen if they so choose. Every artist deserves to make a living. HOWEVER, there are MANY options online when it comes to making money, especially on YT. You could get into marketing, data analysis, expanding your demographic, looking at what people are interested in right now VS what will stand the test of time (not gold leaf burgers), etc.

You have to either have these skills, develop these skills, or hire someone to do it for you. It's understandable that you would want a team behind the production, but I find +25 employees to be WAY too many people, especially in LA. Bailey Sarian has a Dark History section on her YT (and Spotify podcast) where she has hired historians to help make sure her episodes are as accurate as possible. You've caught heat before from Puppet History's missing & incorrect info, you should do the same. She has about three (3) "intermissions" per episode for ad breaks. I never see anyone complain. People WOULD listen to yall talk for that long (+1 hour videos), tbh, though that's not necessary.

Why are yall out here with Teslas, expensive food, new gear, scripts (where there weren't scripts before, PH is different, that makes sense), and "better than TV" level sets??? I need to put your accountant in this week's church prayer list what the actual hell??? Ya'll, this video is literally the meme:

Guys help me budget:

LA Rent: 2K per month

Videos: 100K per vid

+25 Employees: God only knows

New stuff for videos: Don't get me started

Like, are you serious?

You have a right to do whatever you want with your art. You have a right to charge whatever you'd like for that art. You have a right to make a living from your art and you have a right to ask your fans for money.

Your fans have a right to be angry when they've been supporting yall for, what, almost 10 years? They have a right to choose when and where to spend their money even when you've made an impact. They have a right to feel betrayed, especially when there are better options (like Nebula or consulting with Theorist Media).

Fans DO NOT have a right to be racist to any members of Watcher, now that they have made a decision they do not agree with.

I personally, think this is a really silly decision and could have been solved (haha solved) with a simple YT poll, but apparently we had to get... this. I respect their decision, I just don't think it was a smart one. I wish them the best, and I hope they find a better solution. Any further comment from me will depend on what steps they take next.

[svsssfanonarchive]

I really appreciate your continued emphasis on people being free to enjoy canon and fanon as they want while providing accurate canon information! All the asks and PSAs you've shared on that recently reminded me of a fic where sj actually WAS innocent, even wrt abuse. They had to make an a/n how it was their spin deviant from canon so it'd be great if they could stop getting nasty messages pls. I just think we should all foster a nicer fandom environment, so I love what you're doing~!

Yeah, I personally might be a book-canon purist, but I can certainly recognize that not everyone feels the same way-- and at the end of the day, it is fiction, what people want to do with canon and fanon is up to them and really has little to do with them as a person. I hold authorial intent in really high regard, but no need to bully those who don't, and who want to rearrange things.

Of course, for something like you mention, I would advise using some kind of tag to indicate that it's off-script. Especially since SJ's abuse of LBH is an integral part of the story the novel is telling, changing things like that changes the entire tone of things.

If a fic where the characters are intentionally OOC gets popular, then people will inevitably start going to that fic's portrayal and mixing that up with canon details (this is, probably, why there is so much apologism and denial of SJ's canonical abuse of LBH in this fandom, though it certainly wouldn't be the specific fic you're referencing alone and is probably a combination of many different factors). I personally don't like portrayals like this, but if a writer is changing it for their story, then who am I to judge or harrass them over it? The only issue comes when it spills over into the wider fandom perception, and you have people swearing left and right that SJ had nothing to do with the fake manual (he did) or didn't actually mean to abuse LBH or want him dead (he also did, and this can't just be contriubted to unreliable narrator since it comes from his own perspective in the extras). So I think an a/n at the beginning is a good idea in situations like these. If writers don't want to spoil things, just simply tag that the character is OOC compared to canon-- no need to go into specifics, and readers will know going in that the portrayal isn't meant to be a take on canon or aligning with it.

No one knows how popular their fic will become, after all, and if it gets into the wider fandom space without proper context, things like "Shen Jiu was just treating LBH normally for the time period, he wasn't abusive, LBH was just a self-obsessed person trying to demonize him" become mainstream, widely held beliefs.

Of course, this is what my blog is for, hopefully rerouting some of those ideas, pointing back to the sources where the divergence happened, so that people can see that while they may enjoy this canon-divergent depiction, that they shouldn't bring it into canon-based analysis. I think sourcing fanon is very important for this reason-- better than just saying "you're wrong" is being able to say "this is where the idea came from."

At the end of the day, a deliberately off-script, ooc portrayal should be tagged as such and AO3 provides those tags for a reason. There's nothing inherently wrong with writing characters OOC to change a story. People can write what they want! It's the writer's job to make relevant information known, and the reader's job to filter it out and just not read things they don't like. I'm so particular that I put down probably 80 percent of fics I read before I even get through the first few chapters. That's just me though! I'm a canon snob! Other people have no issues and that's fine.

As long as things aren't skewing into abuse apologism in regards to the canon-universe, there's literally no reason I can't just ignore things I don't like, and there's no reason other people can't do the same with things they don't like.

Anyway, don't harrass artists and writers in the fandom. If you feel it absolutely necessary to leave a comment in regards to an OOC character portrayal, don't be mean about it, just say something like "<Character Name> seems to be a bit OOC here, is this intentional?" but even then, it's really not necessary to come into someone else's space like that. Make your own posts, write your own fics.

There is no reason to assume malice when there are other explanations. This is hard with topics like abuse apologism, but people also need to remember that this is fiction. SJ was abusive in canon, but he's still not a real person, and if someone wants to write a version of him where he's not abusive, then that portrayal can easily be treated as a version from an alternate universe where things were different. This is not the same as saying a person in real life isn't abusive, because in this case, it's not apologism-- it's literally a different universe where the rules of the original canon don't apply. In fictional and fandom spaces, it's a lot easier and better off to just give people the benefit of the doubt.

As long as you're not claiming that his canon behavior wasn't abusive (since that's about behaviors now, and not just a fictional story), it literally doesn't matter what people write in fanfic.

Authors, tag your fics with everything you'd like your readers to be aware of, because when a reader opens up a fic they're probably expecting the characters to follow canon unless stated otherwise.

Readers, read the portrayals and stories you like. Don't read the ones you don't. If something isn't tagged correctly, and you find out you don't like it after reading, just close the fic and stop reading.

No one should ever be harassing anyone else over fandom for any reason.

[tmntkiseki]

I have finally watched Teenage Mutant Ninja Turtles II: The Secret of the Ooze (beware for OPINIONS)

And the tl;dr opinion: I am surprised by how much I liked it

Obviously, it wasn't as good as the first movie and I definitely have a few issues with it, the biggest one being that with the exception of Donatello, the turtles barely used their weapons. I know this was because people complained that the first movie was too violent, but C'MON, PEOPLE. If Leonardo has a pair of swords strapped to his back, he should be using them, damn it!

My other big issue is Casey being completely absent from the plot. I might have been forgiving towards this if they provided an explanation somewhere in the script (something like "His mother is not doing well and he needs to take care of her,") but he's just gone with no acknowledgement that he even exists and it is so jarring when he was such a prominent member of the cast in the first film. Subsequently, I'm extremely divided on Keno. I do really like him as a character, and I wouldn't mind if they brought him back in another iteration at some point, but he ultimately feels like a substitute for Casey that they didn't actually need.

But otherwise, most of my complaints range from minor nitpicks to stuff that I'm not necessarily sure is actually a problem. For instance, the turtle costumes don't look as good, but I feel like that's more to do with the brighter lighting rather than a genuine decline in the overall quality (the darker lighting of the first movie did a lot to hide the imperfections in the suits.) April being played by a different actress certainly is weird, but Paige Turco does a pretty acceptable job playing our intrepid reporter, even if I do still prefer Judith Hoag. The overuse of slapstick comedy is a little grating at times, but there were a lot of jokes that made me laugh so I can let it slide. You win some, you lose some.

The really interesting thing though is that unlike the final two seasons of the 2003 series, the tonal change didn't actually bother me all that much. I think it was because despite the tonal change, the turtles, for the most part, still felt very in character when compared to the first movie. In Fast Forward and Back to the Sewer, there were a number of lines that genuinely went into "He would not fucking say that" territory, but here? Yeah, it' still the same turtles from before, just a little bit goofier.

And now for a bulleted list of pretty much everything I liked or am at least accepting of.

Even if I'm sad that Leo, Raph, and Mikey barely use their weapons, the fight choreography for the movie was still fantastic.

I know that both Raphael and Donatello's voices were recast for this movie and in terms of Raphael, Laurie Faso does such a convincing impression of Josh Pais performance that you can barely tell that the actor was changed.

As for Donny, I actually like Adam Carl's voice for him better than Corey Feldman's (not sure if this is a controversial opinion or not, but that is how I feel)

Speaking of Donny, they did put more emphasis on him being the tech guy of the turtles. That was the only thing I found off about him in the first movie, so I'm glad about this.

Listen, I know Jordan Perry's character is basically a stand-in for Baxter Stockman and he might as well just have been Baxter Stockman, but there is something I just absolutely love about him and his dumb bow tie.

Tokka and Rahzar... not entirely sure how I feel about these two? I think I like their concept enough and for the sake of the movie's plot they were utilized reasonably well. I just wish they had more personality than "literal infants." (Also, I feel dumb. I've been pronouncing Rahzar's name as "Raah-zahr," but for most of the movie, it's pronounced like razor.)

Even though there aren't really any significant character arcs in this movie and thus very little character development for the turtles, I did really like the brief angst that Don and his brothers had after finding out their mutation was a complete accident.

Frikkin Super Shredder. His appearance was extremely brief, but I can understand why the concept has been revived so many times in the franchise since this movie because it is so cool.

Do genuinely love the movie's soundtrack. Who the hell is Vanilla Ice, though?

[weaselbeaselpants]

I really dislike Chaggie being compared to Jally. I ship both, but....

Jack and Sally aren't a couple in Nightmare til the very end. Jack only comes around once he's literally been shot at and forced to see things out of his fantasies for once and realize that other people really do love and support him; like Sally. The entire rest of the time Jack's stuck in his own mind. Sally's in love with Jack but she's actually not supportive of his Christmas and even tries sabotaging it because she knows what he's doing is wrong even if it took an unexplained visionflower for her to get that hunch first. Her line is literally "although I'd like to stand by him" not "I support him even if I really don't want to". And in the end not only is Sally vindicated by being right like Santa says she is, but Jack suddenly realizes what she's done and falls for her right then. YMMV on how good a couple they'd actually make ((they aren't Diane and Mr. PB; eat shoot Lindsay Ellis *annoying cries*)) but that's what's cute about Jack and Sally: Sally does her pining maturely (stalking not included) while Jack instantly falls all over in love with her because he's Jack.

I understand there are different interpretations w people think Jack was always in love with Sally but obviously I digress and have always kind of disagreed with that reading, as did the writers of TNBC. Because, if you did have a version where Jack was always feeling something romantic towards Sally, or WORSE, was in a relationship- you would get Charlie x Vaggie.

If I'm right (seasoned hazbinnies feel free to correct me on this) Charlie and Vaggie were not written to be lovers initially but later retconned into being later into the writing process....which shows. I think promo stuff from back then called the two just "friends" and Vaggie and Charlie don't act very romantic. As I just laid out and as any shipper of Jally could tell you it's not hard to make that kind of dynamic cute and quirky. The problem is it isn't even THERE.

Vaggie is apparently Charlie's girlfriend and I guess just also believes in the hotel but is skeptical of it, though I wouldn't consider that on par w Sally who was straight up gonna poison Jack in one of Caroyln Thompson's earlier scripts. Especially given that she's an angel this could either work for or against her character but Vaggie seems more like an agent then a loving bestie, even. I think I remember one of the spin off comics for Hazbin which had Vaggie just straight up admitting she's doing the hotel plan because it makes Charlie happy and she'll do anything Charlie wants.

To be honest, it reminds me more of Dr. Mrs. the Monarch from Venture Bros going on about how/why she puts up with Monarch's shit when he doesn't listen to her and it's because he has "passion for a villain"...the difference is that in that case you can kind of get where Mrs. the Monarch's coming from in her emotions. With Vaggie, well, guess that's a sin of not having all the details of her feelings laid out yet. I mean, when you ever get Vaggie's feelings. Such little work about your main couple in comparison to Angel or Alastor.

AND THEN CHARLIE? You can really tell she wasn't written w Vaggie as her gf in mind.

Boy howdy I REALLY HOPE for the series that Viv and co listened to some of the crew complaints and gave Charlie a more empathetic and supportive vibe because ho mah gawd and I mean this as someone who ships them- Charlie is a HORRIBLE girlfriend in the pilot.

Again, thematically, Jack has the excuse of being in a manic depressive episode and also not knowing Sally very much at all in TNBC. He sees her as just another one of his Halloween Town friends who's especially talented but doesn't even realize she and the rest of the town cares. He's not listening to her when she comes to warn him because he's self obsessed. He's nice to her but also passive cause that's how he is at that point of the story, even if he's gentlemanly about it. Compare to Charlie who, while always adorable Didneyprincessesque, is dismissive of Vaggie's concerns, anger, fears and reform while she's not only aware of Vaggie's feelings WHILE BEING IN AN APPARENTLY COMMITTED RELATIONSHIP WITH HER is concerning. And that's before you get to Charlie not noticing Vaggie getting tossed around by Alastor right in front of her.

It'd be different if Al does his weird smarmy shit and Charlie is uncomfy but only stiffens up and shows her actual strong side to him when he touches Vaggie- "HEY! Don't you lay a finger on her!" but no, nothing.

I ultimately get what Viv wants and is going for by comparing Charlie and Vaggie to tnbc, but I think in practice in the pilot it fails because it

was never planned out to be a couple

they're supposed to be a couple but Charlie and Vaggie aren't all that romantic

they're supposed to be a couple but Charlie isn't very supportive or even defensive

People give Jack a lot of shit (rightfully, in the video games) and give the movie and Jally shit for being a "bad fit" but I again vouch for them not only on the grounds of tnbc being complete and at home in it's own skin. The rest of the franchise not so much, but the movie and the writers of the character know what kind of person Jack is and have his redemptive quality be that he falls for Sally; I love him and Sally both as characters but also as a couple for that reason. I'd feel totally different if Jack, say, was Sally's bf throughout the film and acted the way Charlie did. I can be critical of TNBC and I think some of Jack's writing is flawed and could be better, but y'know, I will defend it pedantically like I'm doing right now.

With Charlie and Vaggie, I ship them because they're my favorite characters from the pilot but dayum. I'm the kind of hermitshipper who's able to sustain myself off scraps and headcanons and even I'm saying these two need some work. Cuz they do. They need A LOT of work. And better writers.

If Chaggie is ''endgame'' in the final season then I hope "A Happy Day in Hell" is just an outlier scene or it's going to be retconned that they aren't lovers yet because if not- oh Vaggie! Get urself a Hasani Walker comic and fast my gurl you need it.