#don't get me wrong i understand that people put those up for a reason and i totally respect that

[arcane-ish]

I don't think that "we were interested in those characters (ie [my guess] Caitlyn, Jinx, Warwick, Viktor)" implies "we don't think Vi is interesting".

My suspicion is more that they saw it "Vi got her turn and now we also want to do those other characters".

Take Silco for example. My guess is that they enjoyed writing him, but they felt that his story came to a natural and so they killed him and didn't feature him a ton in season 2. They had gotten what they wanted out of him. Silco fans clearly felt very differently. But in the end, it is their call to make.

Writers will always make decisions about who gets screentime and hero moments and badass lines. Them making Vi the character with the most focus in season 1 in itself is a favoritism choice because from an IP point of view, all these charactres are pre-existing and there is no practical reason to make Vi the point of view character of season 1 when in game is is equal to Caitlyn and to Ekko and to Viktor and to Bliktzcrank and to Camille and to 100 characters that didn't make it into the show.

They chose her because they like her (favoritism) and because they had potential. But they also like other charactres and see potential in other stories.

. If Vi is not interesting for you to explain to us more then why did you make us attached to her?

I find that an approach I can't get behind. The same logic could be used by the Silco fans to argue "you made us love Silco now you HAVE to make season 2 completely about him". What if fans have decided they have attached to Heimerdinger or to I dunno, the SevikaxSalo pairing and now the writers OWE them. (also worth nothing, it seems season 2 was written in 2019? before Arcane ever aired to the general public)

In the end to some extent it is normal that the writers want to make you care about all the characters, but they will make calls about what to focus on.

Don't get me wrong, I DEEPLY dislike many of their decisions. I for example DEEPLY think that doing the whole Viktor glorious evolution stuff and making it the main threat of Act 3 was a strategic mistake.

But at the same time, reading/listening to the interviews I understand that it's a story he really wanted to tell and it's one the artists put tons of creative effort in and some fans are into it and others (like me) aren't.

In the end, they get to have artistic freedom. (and I'm glad that he's at least smart enough to want to step away and have the next stories handled by other people)

they made her a dumbass character who only understands fighting,

That's not the vibe I got from season 2. I see a lot of traces of Vi having good instincts about people (ie following Singed, Remi's people). Act 1 seemed to be about the moral instincts vis a vis Cait.

Amanda Overton did an interview from which I got "We wanted to explore who Vi is if you take everything away from her/we see Vi's fundamental trait as being a protector and we wanted to explore who she is if she no longer has anybody to protect". To which I say ... okay... but it feels like the answer you came up with is something like "a shellshocked self destructive traumatized husk"?

I genuinely don't think that it's that much of a problem that they made Vi so heavily about physical fighting... it's that they did that and THEN made her fighting pretty useless? I wrote a lenthy analysis of the finale battle and I genuinely think that if Vi had gotten to be more heroic and successful, even just in a pure physical sense we would have walked away feeling a lot better about Vi. At least superficial satisfaction for "she's a figther and being a fighter is important and valuable and essential to this world".

Caitlyn and Ekko do heroic moves in the battle because of their smarts and their iron hard determination. Jinx and Jayce do heroic moves by reaching out to the baddie and doing heroic sacrifice. And what does Vi do?

I think it's one thing that let's say Vi fans wanted deep hurt-comfort exploration of Vi's trauma. I would say that was always unlikely to happen (I feel the same way when I see people the bemoan that the show wasn't about Zaun crushing Piltover in the dirt of Mel fans saying they wish the show had been only about schemes and politics and not action fighting). But imo they failed Vi even within the story they gave her.

I genuinely think Vi's story would have "rolled off the tongue" better if she had been down there with Caitlyn fighting back to back against Ambessa instead of Mel. Or if it had been her instead of Ekko smashing Viktor's mask.

Of it the show ended up on Vi finding the evidence that Jinx might still alive and not Caitlyn. (signalling = oh, Vi smart)

Or if the show had ended on episode 8. If it would have felt that the conclusion of her story is "okay, if you strip her of everthing, then Vi will choose life, symbolized by her having sex with Caitlyn". But instead we have:

1.) a whole episode where Vi does barely anything except watch in horror as other people die (after we already had that sort of in the Act 2 finale too)

2.) the looming idea that Jinx might be alive and okay ... so how would Vi feel about that? It leaves her story feeling unfinished in a particularly unsatifying way

(I compare that to Ekko for example, Ekko is strictly speaking in the same situation where if Jinx faked her death he doesn't know and his ending is very mornful and bittersweet-to-bitter. But I think it works better because his theme that arc was the whole "leaping forward while leaving something behind", so I personally walk away with a slighty better feeling for Ekko, like he would understand. But of course he also got "wins". He smashes Viktor's mask. He talks Jinx out of suicide. He is just a supporting character (outside of maybe episode 7), but you can still feel good about his character).

Vi was not devoid of good character moments. Her standing up to Cait at the end of Act 1 was an important moment. Her trusting Jinx and about Vanderwick was an important moment. The problem is that Act 3 doesn't manage to tie to together in a way that is satisfying.

"Dirt under your nails" isn't without merit. I guess it's supposed to signal to us, that no matter what you take away from Vi (original family, Jinx, Vanderwick) she will keep on fighting? But it just feels kind of meh, especially with how ill fitting she was in the big action finale.

I'm afraid the same writers will be writing the next shows.

They won't. For one supposedly the Noxus show has been in the works for a year while Arcane was still being finished. And Christian Linke had talked explicitly about how he wanted to find new people to tell those other stories. That they think of the new shows as representing the regions and him and Alex were the right people for Piltover and Zaun but they need to find somebody else for Noxus for example.

I wouldn't rule out that he might do another show (he has mentioned somewhere that he would like to maybe do more with the more whimsical parts of the IP, but to be honest, other parts of statement sound like they were pretty exhausted [and that was before the criticism over the finale was in] )

My guess is the Noxus thing will have a different creative team with their own priorities. (that said this approach with a multi character focus might by a likely side effect of League and of how League is structured).

For what it's worth, I don't think you and I ware even that much in disagreement about the flaws of season 2. i just don't think that switching Vi to supporting was necessary impossible to pull off. I think there's plenty of ways that could have been done and still have left her with a story that makes the fans feel reasonably good about it.

(for what it's worth, I think Warwick's story was also extremely messy and similarly jumbled as Vi's even thought that was one of the new stories they wanted to tell. Or the Commander Caitlyn story was introduced with so much pomp in Act 1, I wouldn't say it was completely fumbled [it ends with Caitlyn's badass sacrifice of her eye], but I would argue it still wasn't as emotionally resonant as it could have been, this is my read of Jinx's ending btw and why I think it is meant to be uplifting by the writers [mileage may vary])

Vi season 2

Saying this about Vi, considering the fact that fundamentally the very basis of the show is about the relationship between her and Jinx is INSANE. The description for the show literally tells the audience it’s a story about two sisters and because the writers grew uninterested with one of them, they sidelined her.

I’m happy she got her happy ending, and i do believe that her writing remained consistent, my biggest issue with Vi this season was that she did feel sidelined, THAT was very obvious. I love her as a character outside of her relationship with Jinx and Caitlyn, however we didn’t get to see that this season.

Regardless if the ending stayed the same, Jinx and Vi barely interacting in the last act felt off. It’s really disappointing to see that one of the shows main and most important characters get sidelined in favour of others

anyway yeah there’s my rant bc seeing this shit on twitter has been pissing me off

[lunarninja613]

.

[calamitys-child]

Listening to a podcast discussing conspiracy theories and deconstructing the ideas behind them and it's reminded me of the coolest practical lessons in critical thinking I ever got, both in high school, both from the same teacher. One was a month long project on who killed jfk in which we could basically present any theory as long as we cited all our reasons and it got us really excited about research and interpretation, but it was the follow up that I liked best.

Our next project she brought us into class and showed us a documentary claiming the moon landing was faked. Gave us worksheets to do that sided with that stance. And at the end of class a bunch of us were like miss wait this doesn't seem right?? and she said okay, we'll discuss that next week. The next lesson, she showed us a mythbusters episode countering all the claims of the original documentary and gave us worksheets for that, and another bunch of people went wait miss you can't teach us two opposing things, which one is right? What do we put on the exam??

So she split the class in two and told us each to present a case based on each side, and to explain why our source was or wasn't the more reliable of the two. Got us to debate each other directly and use additional sources to back us up and explain why those sources were reliable and should be believed. And because they were randomly assigned there was no guarantee you'd agree with the stance you were presenting, but you had to present it like you did. At the end of the project she asked us all which stance we found more convincing and why, and the majority of us basically said "we think that the moon landing is real because most of the arguments against it seem like someone reacted to a confusing thing without testing it, but when you test it and ask the person running the test to explain the science it makes sense once you have more information. Also, one documentary was made with the help of scientists with qualifications and experience and the other was made by people who don't have that but like to write mystery books, which looks like a less reliable way to get an answer. But we still dont understand why you showed us both if one is wrong."

And she was like excellent. You've done exactly what you should do. At high school level, we as teachers are expected to filter for the reliable sources for you, so you know to repeat that to pass an exam, but if you want to be historians on your own, I won't be your teacher any more once you graduate. Lots of people have opinions and theories and research about times in history, and it's your job to learn how to look at them and decide who you want to trust. This won't be on the exam, but I need you all to know it. You all did a great job following the school's instructions to repeat information you were given, but for some of you, that information wasn't on a reliable foundation. I know you all know how to pass an exam. You're smart and you've been trained to follow these instructions. What you deserve to be taught is how to use all this once you don't have to do exams any more.

And then as a reward for us doing a good job at figuring out the value of checking your sources' sources she let us watch Bush get hit in the face with a shoe before we had to go to maths. Shoutout to you Ms Hannah you were a good'un I hope you're doing well ten years on from that class

[hangryyeena]

:)

[dead-boys-club]

†  do you love me? : the fatui.

❥ scenario: their mute s/o asking if they love them. ❥ no triggers ❥ i don't have any beta readers - you get what you get. ❥ requested. [ my pending isn't updated, it's a liar. ]

you had thought over it for a while, curious as to where you actually stood with your lover, no.. partner? did they love you? as your curiosity grew to a sickening need for an answer, you decided to write your question down, small and neat; 'do you love me?' before approaching to hand the paper off.

❥ la signora.

as she took the paper from you, you'd be unable to read her expression, something that was awfully common. you couldn't help but become slightly anxious as a few moments of silence went by, giving her the time to process the question. you had learned that signora was a very complex someone, someone who was guarded and difficult to read, but you had grown to understand those things about her. when she finally looked to you, there was a warmth in her gave and she set the paper down, now folded in half. she wouldn't have much to say, a simple 'yes' being whispered, full of sincerity and adoration for you, even if her expression didn't match. she reached out to cup your cheeks, the touch tender with her gloved hands, and she leaned to press a kiss to your forehead. it wasn't easy for her to express how she felt but she would never allow you to live with doubts on how she felt for you.

❥ scaramouche.

unlike signora, scara's response would be heavily complicated. he would be reluctant to take the paper to begin with, his expression immediately showing discomfort and clear distaste. love had never been something that worked out for him very well, nor did he understand it as much as others - love was one of the reasons his life had been filled with betrayal and manipulation. he was wary of emotions to begin with but love held a different kind of weight - it was almost like the word alone left a bitter taste at the back of his throat. he would quickly narrow his sharp eyes, masking the vulnerability with agitation. 'what kind of stupid question is this?' it would have hurt you had their been any malice to his tone. even as he crumpled up the paper and tossed it away, you could see some type of softness slipping through the cracks. it would take time but after a few minutes, he'd glance to you, gaze softening slightly. 'i don't know,' he admitted, voice quiet as he decided to be honest, 'i don't know if that's something i'm capable of but.. i don't hate you, if that's what you're worried about.' for scara, that was the closest thing to a confession you'd be getting and you understood and accepted that. besides.. he was a lot better with his actions than his words, even if he didn't realize.

❥ childe.

childe is always happy to accept your notes, be it during full conversations, asking him about missions, and so forth. with that happy expectation, he took the paper, only to falter briefly before a warm smile formed. 'of course i do,' he answered without hesitation. he'd wave the little piece of paper between two fingers before setting it down, 'this is a silly question.' he wasn't being demeaning, just pointing out what he thought - hoped - was obvious to you. his arms would find their way around you, hugging you close to lift you off your feet with a soft chuckle. 'why would you even feel the need to ask that?' childe had always done everything in his power to make sure his love was open and honest, being hidden from no one because he never wanted you to doubt him. he would actually wonder if he'd done something wrong that lead you to asking but it would be put on the back burner for later. 'you're one of the most important people in my life,' he whispered as he set you down, pressing a kiss right below your ear, 'and, i'll always love you.'

❥ dottore.

you knew such a question could leave you with an aching heart but you'd prepared yourself before hand, knowing the day you agreed to be the doctor's lover, it may not be in such a manner. as he took the paper from you, he read over it with an impassive expression, which you'd expected nothing less. minutes passed as he worked through your question. love was not something dottore considered valuable - emotions, in general, were considered a hindrance to him. love, most of all, was the worst there was. the paper was set down without an answer as he returned to his work, leaving you lost and hurt, despite knowing this would be the outcome. you began to turn on your heel to leave when he glanced to you. 'love is a trivial thing,' he said coldly, almost bitter. 'it's a distraction and a weakness.' you stopped yourself from frowning. contrasting his words, as you looked closely at him, you found something - a hint of conflict that told you there was more he wasn't willing to acknowledge. dottore never was one to answer things directly but his actions - his way of keeping you close, keeping you safe and granting you attention in ways no one else was allowed - that was enough, you decided.

❥ arlecchino.

she would take the paper from you and take no time in reading it, her expression calm. she isn't brought to emotional response easily - you were sure you'd never seen her flustered. she set the paper down with a thoughtful hum before looking at you, her gaze gentle. 'love isn't something i give easily or take lightly,' she answered, steady and serious, 'but if i didn't care for you deeply, you would not be here.' in another of situation or context, you'd have taken the words as a threat but instead, they calmed any frayed nerves. arle's way of showing how she feels is protective and pragmatic, something that doesn't rely on cheap words. she wouldn't give flowery words or pointless gestures - but she would make sure you felt valued in your relationship. 'yes, i do.' she finally admitted, her tone leaving no room for doubt, even as she turned away from you. 'you are mine, and i protect what's mine.'

❥ columbina.

immediately going off of your facial expression, she knew she didn't need to read the paper to know the type of question you had, a gentle, knowing smile forming. columbina is the most attuned to emotions, her own and others, especially yours. she would quickly be able to feel the vulnerability and doubt behind your written word. without hesitation, she collected your hand in her own, making sure to hold your gaze. 'yes,' she said easily, 'i love you more than words will ever be able to express.' columbina leaned in, pressing a soft, lingering kiss to your cheek. 'you needn't doubt that,' she whispered, letting your hand go only to pull you into a hug, her eyes closing, 'i always will, beloved.' her love was soft, open and nurturing, a presence that never ceased and you almost felt guilty for doubting her. she had done her best to make sure you felt cherished and adored and she would continue to do so.

❥ pantalone.

he wouldn't question why you were suddenly handing him paper but he would be curious, eyes shining with interest as he read the question. panta is a man who sees emotions as secondary to his ambitions and goals, especially with his wealth and power. however, he wouldn't hesitate to admit that you, are different. this may be something that lead you to thinking you were more of a possession than a lover - he would be smart enough to figure out where the doubt blossomed from. folding the paper neatly, he set it down and let a thoughtful smile show, turning his attention to you. 'love, like any valuable asset, is not something i take lightly,' he began, head tilting slightly, 'but you, my dear.. are more precious than anything to me.' reaching out to you, his fingertips brushed over the apple of your cheek. 'yes,' he answered directly, 'i love you, and i will make sure you never doubt that again.' like the others, panta's love is often expressed through actions - keeping you comfortable and safe, your happiness being of utmost importance to him.

❥ il capitano.

he would take the paper without a second thought, reading the words slowly and feeling the weight of them. it would take him a moment to find how to answer, knowing if he was careless, it would bring you unnecessary hurt. love has never been something capitano was accustomed to, not when his life was outlined and defined by duty, loyalty and the cold fate of a soldier. he briefly wondered if love was something he could feel or understand. would he know if he was in love? after what seemed like an eternity, he would slowly set the paper down and look to you, speaking just as careful. 'love is a concept i have little experience with,' he began, his tone apologetic, 'i do care for you, deepy.. your wellbeing, your happiness. i want to keep you safe.' his answer would be straightforward, almost as though he was searching through his own words. he wished he could use the same pretty, poetic words he'd heard in passing, but that wasn't possible. 'if that is love,' he nodded slowly, 'then, yes, i do love you.' he wouldn't be as confident in those words as he wanted to be but he felt as thought it was as close to what you wanted to hear as he could get.

[weird-and-unwell]

“Autism isn’t a disability”, “it’s just a difference”.

I am of lower support needs. I hold down a (part time) job. I have travelled around my home country. I live alone.

At work they complain about my speech. I’m too quiet, they say, “barely audible” is the words used at my autism assessment. My voice is all monotone, and it needs to be more expressive. I get this complaint every week for a year straight, until my manager gives up. I don’t attend trainings because I forget and find it overwhelming anyways. My coworkers form friendships, and I watch them talk, wondering how they make it look so easy. I get a new manager, I tell her I find the work socials too overwhelming to attend. She tells me I can just say I don’t want to come. I don’t know how to tell her that I desperately want to, to be like the rest of my coworkers, instead of constantly being the one sat on the sidelines.

I come home, and I can hear my neighbours again. The niggling background noise messes with my head, and I meltdown; I throw myself on the floor, I hit my head on the ground repeatedly as I scream and cry, tear out my hair and scratch my arms and face. When I complain, people tell me that I just have to accept that neighbours make noise, that I should just ignore it, or block it out. I am the problem, the one overreacting. I put in earplugs and it hurts and I'm crying again. I wear headphones but I can't handle the noise for that long.

I have reminders set for everything. Every chore, no matter how big or small. My phone beeps at me, reminding me that I need to wash the dishes. If I don't go now, then tick the little box on my phone to say I did it, it won't get done. My home is almost always a mess despite this. It's not just chores either. I won't think to wash, dress myself, brush my teeth or hair, without those reminders. And unless someone actively prompts me to do so, I will do those tasks "wrong". I haven't changed my underwear in a month, and I'm currently aware that's a problem, but within the hour I'm going to forget all over again until I'm next prompted.

I can't sleep without medication - it's not unusual for autistic people to have messed up circadian rhythms. Without my medication it's hard to even tell when I'm awake and when I'm asleep. When I was younger and at school I slept through so many lessons, and when I have my mandatory breaks from my sleep meds I sleep through every alarm I set. I want to work full time some day, and I'm terrified of what my sleep issue will mean for me then.

I don't travel independently. I don't travel anywhere alone, always with someone or to someone. If to someone, I have assistance the whole way. I find it embarrassing sometimes. Yes, I have a job that requires a certain level of intelligence. No, I cannot get on a train by myself. If I am not shown To The Train, To My Seat, I will be unable to travel.

Last time I travelled, I was left alone at the station for ten minutes. I stayed rigid and sobbed the whole time. I was overwhelmed. It was too loud, I didn't know where I was or where I was meant to be going, and until the assistance person came back I couldn't do anything because for some reason I cannot understand it.

I spend a lot of time trying to explain to people that despite my relative competence, I am unable to do many things. Why can I understand high level maths but not how to get on a damn train? No fucking idea.

"Autism isn't a disability" most severely affects those with higher support needs, and this is absolutely not to take away from them. But for fucks sake, autism is disabling.

Maybe you personally are extremely lucky and just find you're a little "socially awkward", or just find some textures painful or nauseating. Maybe you would be fine with just a couple of adjustments.

But for a lot of us, even lower support needs autistics, it doesn't work like that. I will never sleep properly without medication. I still have the self-harming type of meltdowns as an adult, over things that are deemed as being "just part of life". I live alone but have daily visits from family - if I'm left fully alone I forget all the little daily things one is "meant" to do. I had speech therapy as a child to get me to the "barely audible" "mostly correct" speech. I don't mask, I'm not really sure how I would to begin with.

I'm not unhappy with being autistic. It's just who I am. Life would be easier if I were neurotypical, but I also wouldn't be me. I just wish those luckier than me could...stop saying it's all chill and not at all a disability.

Because yes, socially, I am "awkward". I obviously don't make eye contact - I stare down and to the side of whoever I speak to. People think it's weird or creepy or a sign of disinterest. My autism assessor wrote down about how I often use words and phrases that don't make sense to others, even though they make perfect sense to me. In my daily life this means I'm frequently misunderstood, and have to try explain what I mean, when what I mean is exactly what I said, and the true issue is that what I mean just doesn't make sense to others. I gesture, at times, but again, my gestures apparently don't make sense in relation to what I'm saying. I take things literally, I have almost no filter, and I can't explain how I go from topic to topic.

And yes, I do have sensory problems. Sometimes people, including others with sensory problems, tell me that "sometimes sensory issues have to be tolerated", and I wonder what they think of as being sensory issues. I'm sure they do struggle, but if I say I can't handle a touch, I mean you will need to forcefully hold it against me for me to touch it more than a second and it will make me meltdown. If I say "I can't eat that", I mean that I am unable to swallow it, that I will gag and choke and inevitably spit it back out, as much as I try. If I say I can't handle a noise, I mean I'm so close to a meltdown and my meltdowns are a problem for everyone around me.

But yes. Autism. Not a disability. Just a fun quirky difference.

[lazywriters-blog]

Aventurine with an innocent darling who's very vulnerable to his schemes and doesn't understand his motives for gifting her a ring, necklaces, expensive perfumes, and dresses that match his preference, finds it hard to believe that he's doing all this for her without a reason.

Doesn't say anything whenever he puts his hand around her waist and drags her along with him anywhere and everywhere he goes, when he leans close she doesn't move back, in a way Aventurine would find her daring and bold, which he would like. A lot.

Seeing as she never declines or rejects him, his advances, his gifts, his messages, their intimacy, and his touch, he considers her his best friend.

Which in time would soften his heart, they would play games that were to her liking (because he would always have her lose to his bets and wagers) but if you look at it from a stranger's point of view, she's playing a dangerous game and she's falling right into his trap, wearing his gifts, following him around, it wouldn't end well.

So of course, someone would eventually warn her and tell her to stay as far away as possible from the IPC executive, which to Aventurine's dismay, works. She's playing distance with him and doesn't laugh or smile as much as she would have before everything she was told messed up her mind, runs home after he keeps insisting that she stay the night and they could have a sleepover, however, they keep drifting apart every time he gets too overbearing.

Everything she does hurts his feelings and drags him further down.

Losing someone who didn't have ulterior motives, who didn't want him to be their friend for his money, influence, his looks, his luck, makes him all the more clingy and desperate.

He wants her back, so the first thing he does is make sure everyone keeps their mouths shut and never thinks about influencing his best friend. Which works, at least for a while.

He's attached to her, he can't consider losing her after everything they've been through, so even if she doesn't realize it, the damage has been done, and she can never look at Aventurine the same. Surely, he will learn about it soon enough.

He could try manipulating her, but what's the use? They've lost their genuine friendship, and it drives him crazy, makes him bitter, and makes him want to do things to whoever dragged his darling away.

He might resort to desperate measures.

So now, he's doing everything he used to do but ten times worse, giving her endless rows of gifts, and spending an unimaginable amount of money on her in hopes they can rekindle their friendship.

But something is still holding her back.

"You should stay the night," he said in his usual light tone, taking a glance to gauge her response. She smiled nervously, and he knew she would decline.

"No, I gotta get home but next time surely," promising him her next time had gotten old, even though she had only stated it twice. He looked away for a moment, trying his best not to squeeze her shoulder.

"You know, you've promised me that twice already and it still hasn't come true."

"I know, I'm sorry. It's just... I don't want to bother you." she looked down.

"I wonder if it is because of those people. You can easily be manipulated, I've already told you that so many times, so why can't you try to form your own opinion?" he didn't say it in a belittling manner, nor was his tone heavy in malice but anyone could tell something was wrong.

Aventurine has never been passive-aggressive, at least not with her.

"That's... Kinda mean." she tried to pull his arm, trying to shrug off his touch but that didn't stop nor discourage him because he just laughed and pulled her back to him.

"I was just kidding! Surely you would have known that by now sweetheart." he also never called her 'sweetheart'.

She looked at him, his wide grin and beautiful eyes peering down at her had always consoled her but now it was telling her to run away.

But with how tight he was holding onto her, she feared it would be impossible to get away now.

[here-for-fanart]

My Opinion on Timebomb Fics

(Disclaimer: This is by no means serious criticism. I love all Timebomb fics. Thank you to the authors that write them. You're one of the reasons I'm alive today. This is just my opinion on the Timebomb canon dynamic and what I wish there was more of.)

Can we agree, it is hard as hell to write the Timebomb dynamic correctly? I stan maybe a handful of Timebomb fics, and even some of those have the wrong dynamic to me. To me, Timebomb is the peak of enemies to lovers, because the conflicts between them are nearly impossible to resolve. For the fics to feel canon to me, they have to have:

• Jinx remaining Jinx. Any fics that take her back to being Powder (or even call her Powder), or cure her insanity with the power of love, don't work for me. She's Jinx, and she's worked hard to get to the level of crazy she's at. What makes Jinx the better version of Powder is that she has Powder's heart, but she's more cunning, reckless, and dangerously capable. She thinks outside of the box and never conforms to anyone's rules, unless it benefits her. Anything that changes that is out of character, in my opinion.

• Ekko having an attraction and romantic feelings towards Jinx, outside of his history with Powder. I want him to feel all the guilt and angst, because here is the crazy, psychotic killer who has been murdering his friends, but he thinks she's attractive and wants to date her. Ekko liking Jinx solely because she used to be Powder, or as an older version of Powder, is lazy writing to me. I want the mental anguish of an Ekko who hates himself, because Powder is gone, and this demon is in her place, and he's STILL falling for her. I want him to question his own sanity at some point, because why does he like THIS? I want Ekko to fall for her, before he sees any hint of Powder in her. Seeing the old Powder in Jinx should be a bonus to his love for her, not the foundation of it.

• Belligerent Teamwork. They are enemies and have been for years. I don't like the fics where they just fall into easy teamwork, as if they were picking up where they left off as kids. I want them to be at each other's throats about decisions. Jinx is a lone wolf with problems following authority, and Ekko has been the leader of the Firelights for years. There is gonna be some tension. Who's in charge? Ha, let them fight for dominance. 😈

• Jinx being bad at romance/sex/love. This is the girl who has been isolated for a lot of her life. Even when she was with the gang in the first three episodes of season 1, she felt like an outlier. With her trust issues, there's no way she was comfortable enough to explore her sexuality and get to know people on an intimate level. At least, not healthily. At most, I'd give her reckless one-night stands or having killed her old exes during a psychotic episode. Other than that, I think Ekko is the more experienced between them.

• A healthy respect for each other. Even if Jinx is frothing at the mouth mad, or Ekko is being a coward in Jinx's eyes, I want them to still have an underlying respect for each other. Ekko should never think less of Jinx for her mental instability. And Jinx, while ruthless, should respect Ekko's decision to put his people before himself. Even if they disagree and do not understand each other's decisions, they should respect each other in their private thoughts.

____________

That's just a few things I'd want in a fic. I'm pretty sure my opinion will change with the new season, but it's a welcome change. Thank you again to all the writers who write the fics I read and provide me with my dopamine/serotonin fix on a daily basis. I appreciate all your hard work!

Is there anything you guys wish Timebomb fics had? I'd love to hear it.

[steddiealltheway]

Steve can see it in Max. That same loneliness and ache that he finds in himself. For him, it’s result of his parents leaving with no intent to return to him unless absolutely necessary.

He knows he was an accident. Or rather a mistake as his father used to call him when he was particularly angry. But it made sense to him. Steve's the reason his father had to marry his mother. He left him "trapped." And maybe no one says it out loud, but he can tell his mother feels the same way too.

But they must keep up appearances, right?

Which is what Max has been trying to do since Billy died, El moved away, and it's been just her and her mom. But she's been going about it through a different route - pushing people away all while pretending things are fine. But Steve sees the way she picks up the broken pieces of her mom and tries to put them back together - Steve's had to do the same thing before.

So, he starts sticking around a little longer. Offering her more rides to the arcade and around town to pick up groceries when she needs to. Sometimes he'll tell her about a new recipe he's been trying for a casserole and pick up the ingredients, pretending like the milk and butter he bought will spoil by the time he drives home from her trailer.

Of course, they both know it's a lie, but Max humors him and plays along. She'll let him cook dinner while she picks up the bottles her mom left on the floor, dumps out the overflowing ashtray, and feeds the dog. Usually, Steve will ask her what she's learning in school and linger a little longer than usual in hopes that she'll say more than the usual, "I don't know. A bunch of boring stuff."

But lingering has gotten a lot of things out of Max such as her love for Kate Bush, a story about El and how much she misses her, and short quips about Lucas before she gets a sad smile on her face. Steve doesn't really know what to say most of the time, but he hopes that just being there will help.

Unfortunately, lingering and just being there has led him to his current predicament of none other than Eddie "The Freak" Munson sitting on the hood of his car glaring at him as he walks out of Max's place. Steve jumps a little, startled by the figure on his car and becoming more hostile as he sees the expression on his face. He shoves his hands in his pockets and slows his pace. "Is there a problem?"

Eddie snorts humorlessly. "Christ. You're really going to pretend like there's nothing wrong with what's happening?"

Steve's brows furrow, entirely missing whatever point he's trying to make.

Eddie stands up and stalks toward him. "I see you, you know. Always lurking around when her mom isn't home. Coming out of her trailer late at night."

Steve laughs, finally understanding the absurd conclusion he's come to. "Jesus, man. You're delusional."

Steve doesn't expect it, but Eddie sharply shoves his chest and grits, "I don't fucking lie to me, Harrington."

Steve holds his hands up. "I'm not," he firmly states. "Nothing like that is happening here. I'm glad you're looking out for her, but it isn't like that."

"Do you expect me to believe that? Maybe this is why you're always hanging around Henderson and the other kids."

Steve crosses his arms and his jaw tenses. "I'm not a fucking pervert or a pedophile if that's what you're trying to say. I'm just looking after them."

"Why?" Eddie asks, dramatically opening his arms, "Why would King Steve adopt a group of misfits to take under his wing? See, the math isn't adding up."

Usually, Steve would just brush it off and tell the person to fuck off and mind their own business. But his parents have just left town again without leaving a note and Max had snapped when Steve tried to help her clean the place because it looked worse than usual, and he was just generally feeling like shit and angry at his parents and Max's parents for not being there. So he broke, "Because I don't want Max to end up like me! I don't want any of those kids to grow up without a role model. And god forbid if any of those other kids' parents fuck up, and they’re left with only me. I need them to know that I'm there for them! Because sometimes it feels like whenever the world goes to shit, I'm the only one who is there, and I plan to stay there, okay?!"

He finishes his rant breathing a little heavier than usual and noticing that a few of the lights in the trailers have turned on around them. He looks around and awkwardly nods to the people glaring out their windows. God, he needs to get a grip.

When he turns back to Eddie, he notices the conflicted expression, jaw dropped, eyebrows knitted together, eyes searching him as if he's still wondering if he's lying.

A door creaks open behind them and Steve curses under his breath as he hears Max say, "Eddie, leave him alone. Do you really think I would hook up with my damn babysitter? Jeez."

"Language," Steve quietly lectures as the door swings shut. He runs his hands over his face and takes a deep breath. It's been a long fucking day.

A hand lands on his arm and tugs him away from Max's trailer. Steve glances up at Eddie, leading him across the way. "Where are we going?"

"My place," Eddie says.

"Why?"

"So we can talk."

God, the last thing he wants to do is talk to Eddie of all people, the guy he's been actively avoiding since Dustin started worshipping the ground - or rather tables - he walks on. But he lets himself be pulled away in the trailer and practically deposited on the couch in the living room.

He glances up and comments, "That's a lot of mugs."

"My uncle's, but that's not what I wanted to... Christ," Eddie says, pacing in front of Steve and tugging his hair in front of his face. The anxious display makes Steve feel even more tired, but he lets him pace. God, what is he even doing here?

"I'm sorry," Eddie blurts out. "I'm just..." he trails off and rushes over to grab a stool a few feet away before dragging it in front of the couch. He sits on it but his leg still holds that nervous energy as it rapidly bounces up and down. "I jumped to conclusions, and it was really shitty of me, man. I just... didn't believe what Henderson was saying about you and thought 'Oh, this makes way more sense than Steve Harrington being a good dude.' And I'm sorry to accuse you of that. And I... I didn't know about your... parents and stuff. Like I knew they were away a lot because of your parties but... I just never connected the dots. And I'm sorry. No one deserves that shit, man."

Steve doesn't know what to do this whole interaction, especially with it coming from Eddie Munson who he doesn't think he's ever talked to before this moment, but... he needs to hear it. God, he needs to hear it.

Of course, he can't let him know this, so he does what he's best at and brushes it off. "It's fine. You were just looking out for the kids. And really just ignore what I said back there, it isn't that big of a deal."

Eddie worries his bottom lip before he blurts out, "I know what it's like." He pauses and takes a deep breath. "I mean, I know what it's like to have... absent parents. But in my case, eventually, my uncle Wayne took me in, and I can only imagine if he didn't." He gives him a pointed look and lowers his voice, "Do you have someone like that?"

A big part of Steve wants to leave right now, and he knows there's nothing stopping him. But a bigger part of him needs to stay. Needs to talk about the emptiness in his house that he can never truly escape at the end of the day that he can’t talk to anyone about. Because he's not supposed to be weak. He's supposed to take care of the others. So he admits, "No, I don't have... anyone like that. Except Robin but..."

"That's different," Eddie finishes the thought for him.

Steve nods. He loves Robin, but he loves her as a platonic soulmate and not as a parent figure in his life. "You know, I once had this basketball coach in middle school - Mr. Weston. And I remember looking up to him so much. I wanted to be just like him, and I would go to his office during lunch and ask him for advice or talk about dumb shit that my father would never talk about. But he never shamed me for my questions. And sometimes he even packed an extra dessert for me." Steve smiles at the memories and runs a hand through his hair, remembering the day he got the news. "But one time, when I went to his office, he had this look on his face. And I just knew it was bad news. And really, it wasn't bad news to him because his wife was pregnant. But she wanted to move a few states away to raise the kid closer to her family. And it wasn't his fault, you know? It wasn't like he purposely chose to move away from me, but I felt like I was abandoned again."

Steve wipes a tear from his eye and puts his head in his hands. "God, I don't know why I'm even telling you this story. Sorry."

"Don't apologize," Eddie says quickly. He pauses and shifts on the stool, his gaze being far away. "I remember him. He was one of the only gym teachers that defended me against all the shitty middle school bullies. He was a good person.”

Steve nods. God, he was a good person.

Eddie continues, “I'm sorry that he left. And I bet he still regrets leaving you behind."

Steve leans back against the couch and looks away, shaking his head. "I bet he forgot about me."

"You're kind of hard to forget."

Steve looks at Eddie and sees a slight blush on his cheeks as he shakes his head and waves his hands as if trying to make the comment go away. "What I mean is that there's no way he's forgotten about you. Someone who you used to have lunch with all the time to the point of giving you free food... Nah, man. He remembers you. I think you may have been as important to him as he was to you."

The thought breaks away at a wall Steve had built up long ago. "Thanks," he practically whispers.

Eddie just smiles at him, small dimples appearing on his cheeks.

"You didn't deserve it either, you know," Steve says. "The absent parent stuff. Even with Wayne, they should've been here too."

Eddie's smile falters a bit as he swallows and looks at the ground. "Thanks," he mumbles. He looks up at Steve and comments, "Getting sappy with Steve Harrington. Who knew."

"Yeah, getting sappy with Eddie Munson," Steve echoes back at him.

Eddie laughs, "I'm surprised you even know my name."

"You're kind of hard to forget," Steve says easily.

That same blush comes back to Eddie who shifts in his chair a bit as if he needs to process the information with his whole body.

They sit in the moment for a bit before Eddie gets a somewhat serious look on his face and offers, "You know, I'm definitely not a parent figure or anything, but I'm always here and around to talk about that whole thing if you need to."

Steve's heart beats a little faster at the sheer genuineness. "Same here," he can't help but offer in return. He glances down at his watch and sighs, "It's getting late, so I better..."

"Right," Eddie says, standing up and leading him to the door. "Do you need water for the road or anything?"

Steve smiles and pats him on the back without thinking too hard about it. "I'm good, man. But thank you. For everything really."

"Sorry for being an asshole," Eddie apologizes again.

"Usually that's my line," Steve accidentally voices before cringing a bit, wondering further why Eddie's been so kind to him.

But as he opens the door, Eddie comments, "I don't know. It seems like Dustin was right about the whole reformed jock thing. Maybe your crown really has fallen - which is a good thing by the way."

Steve slightly smiles at him before he turns to leave. But he can't help but say, "I wonder what the neighbors will think about me leaving your trailer so late."

Eddie groans then laughs. "Sorry to ruin your image."

"I wouldn't mind," Steve replies, honestly unsure what he means by that. "Goodnight, Eddie."

"Goodnight, Steve," Eddie says, that same blush on his cheeks, only this time Steve isn't sure if it's something he said or a result of the cold night air.

In bed that night, Steve feels a slight weight lifted from him and can't help but feel like he’s a little less alone.

[delopsia]

honey | bob floyd x reader

Word Count: 13,800 Cross Posted on AO3 Warnings & Notes: 18+, AFAB!Reader, Succubus!Reader, Virgin!Bob. Shapeshifting, elements of magic, blood, parties, first-time blow jobs, cunnilingus, first-time sex, virginity loss, vague plot twists despite the severe lack of an actual plot. This was a crack warmup that just became...this Brief Summary: "Rich, hot, and a virgin. What's wrong with you?" Or, Bob's coworkers jokingly summon you, a succubus, to take his virginity, but everyone gets a lot more than they bargained for. You included.

Well...

This is new.

"It wasn't me! I promise!" 

"Well, someone drew my symbol on the floor." Folding your arms in front of your chest, huffing. All that for this?

"It wasn't—" He freezes, teeth flashing through an awkwardly stretched smile. "I...my coworkers were playing a prank on me."

Lovely that you learn that after you've planted your ass in his lap. "So you don't want me here, pretty boy?"

Because he is cute. Floppy brown hair and the biggest blue eyes you've ever seen, hidden behind a pair of wireframes that perch on his freckled nose. His partner must be an incredibly happy person, having someone like this walking around their house. 

"N-no!" He blurts. His face falls. "—wait! Well-well, I...uh, I...I don't wanna be rude, but I mean I-I..." Your index finger presses against his thin lips, silencing whatever he had left to say. If history is anything to go off of, you wouldn't have been able to understand what he's trying to tell you anyway.

But...well, you are stuck here, so you'd might as well ask. "What's your name?" 

"Ro-Ro..." A short pink tongue darts out, wetting his lips. "Robert." 

"Well, Bobby," you can't help but say it, a little too eager to watch the blush in his cheeks deepen. "It's a shame that you didn't. You're pretty cute."

Even in the dark, you can see how his face reddens, adam's apple bobbing as he swallows his words. 

"But! I'll be on my way," lifting yourself from his lap before you can become too comfortable there. Something bumps into your ass; you think that may have been his cheek. "Do me a favor and tell your partner that they're a very lucky person, would ya?"

"Partner?" Squeaking.

Your feet freeze. There's no way he's... "Don't tell me you're single."

But Bob nods his head like it's the simplest confession he's ever made. "That's half of the reason why they went through the trouble of making you come here." He pauses, his left eye twitching as a thought visibly crosses his mind. Whatever it is, it's got him looking away from you entirely. "Said I'm...said I'm too old to be a—" 

"Wait, wait, wait." Holding your hands up. Need a moment of silence to understand what the hell you're hearing. "Your coworkers summoned a succubus to take your virginity?"

His lips flatten into a line. "...yeah."

"Well, that's shitty!" That's a new one. Finally, something to top the time a sorority summoned you to party with them for...some reason. Bragging rights, you think. "Do they pay you enough to put up with those assholes?"

It's been a minute since you've run into someone so nonchalant about a demonic creature standing in the room with them, never mind hold a casual conversation with you. 

But here Bob is, shrugging his shoulders like this happens to him every Tuesday. "You learn to deal with it when you're paid a hundred sixty-thousand a year."

"So you're a rich virgin." It shoots out of your mouth before you realize the thought crossed your mind.

Again, Bob is too calm about this. "I...guess?"

"Rich, hot, and a virgin." Modifying your statement. "What's wrong with you?"

Those blue eyes widen. Blinking rapidly. "Huh?"

"Well, there's gotta be a reason why you don't have a line of people out the door." You say, crouching back down in front of him. Sure wish he'd let you do something about that tent in his pajama pants. "If it's not the looks that reel the ladies in, it's the charm, and if it's not the charm, it's the money. And you've got all three, pretty boy."

It's not supposed to be a serious topic, not as if you're about to go and write an article about his non-existent sex life to publish in the weekly paper. But this guy is actually thinking about it. His brows furrowing as he mulls over his thoughts, mouth parting, only to fall closed once more. 

"I think it has something to do with the nature of my job and my severe inability to start a conversation," he concludes, with a little nod of his head. 

You wonder if you could put him in your pocket and take him home.

Now that you think about it, you're pretty sure you're standing on some a ship right now. Is he some kind of cruise captain? "That'll do it." 

Bob doesn't have anything else to say about that, awkwardly closing his legs before you can get another look at what he might be packing under there. Whether or not he caught you staring or he's just become aware of his current state, you're not sure. It's such a shame that someone else summoned you on his behalf; he would have been a fun one to toy with.

Hm.

"Do you wanna fuck with your coworkers before I leave?"

He blinks at you. Not a thought behind those eyes. "Huh?"

"Well, you've already got me here," an excited lilt in your voice, maybe a bit too eager to present your totally thought-out idea. "Believe it or not, I double as a poltergeist on Tuesdays and Thursdays." 

Or whenever you feel like, really. 

"That would be mean," shaking his head. What is he, some kind of saint? 

"They just summoned a demon to fuck you in a locked room," deadpan. 

For a moment, it's quiet, and then.

"...that's a fair point."

As it turns out, Bob lives on the world's shittiest cruise ship. A ship without a pool, a dimly lit cafeteria without a single Michelin-trained chef in sight. Long, narrow, colorless hallways. There aren't even individual rooms, just even smaller hallways stacked high with bunk beds. On the thinnest mattress you've ever seen, might you add. 

Worst of all, rather than allowing personal clothes, everyone is dressed in clothing provided by the ship. Whoever picked the color schemes needs to be introduced to a fucking color wheel. 

How do you trick the head of the United States Navy into summoning you? You have a few choice words about this place. 

You appear in the mirror first. A little flash of your face, and then you're gone, nothing but a figment of the imagination. Again, later in the night, those two coworkers of Bobs have convinced themselves that they had made it up. 

The plan was to end it there and to come back in the morning to turn it up a notch, but there's a chair sitting in the bunk room that's just so comfortable. So what if you lounge there all night, poking through a book Bob had on the foot of his bed? The room just dark enough to allow them to see your vague silhouette, air so quiet that every turn of the page seems to echo.

Not one of them sleeps, but Bob does, snoring away in his bottom bunk. He sounds like a little cat, tiny little noises that sound closer to grumbles than snores.

When morning comes, you show up in their showers right as they turn around. You appear on opposite ends of crowded rooms and in high-stakes meetings with fancy-dressed higher-ups just to get a reaction. Tapping on their shoulders when they think they're alone. Somehow, you managed to get away with swapping the labels on the mustard and hot mustard. Effectively ruined several breakfasts in one fell swoop.

One, this loud-mouthed blonde you forgot the name of, wakes up to you sitting on his chest. Who would have thought that he had such a shrill scream?

But you might take it too far when you chase them down the narrow hallway—five grown adults shrieking like they're in a haunted scream park and not a Navy ship. 

Or at least, you thought you did. 

"I can't-I can't believe you just—!" Bob's laughing into his palms, keeling over with it. His mouth is moving, but he can't get anything out. Bubbly, loud giggles that travel around the tiny little fan room, bouncing off every corner. 

"And here you said it would be too mean," gently mocking, unable to fight off the smile that works its way across your face. So big you can hardly speak through it. 

That should technically be the last of your encounters. 

You should be heading back through your portal and off on another job, but Bob doesn't utter the proper incantations to make that happen. He starts to, but then you ask about his book, and he squeaks at you for spoiling the ending, and then you begin to second guess if you're recalling it correctly.

Then the conversation starts, and suddenly, you've been bound to him for three weeks. 

If it were anyone else, you'd complain and force the portal to open by yourself. There's more than one way to break the spell and go back to where you came from, but there's something about Bob Floyd that keeps you lingering. Maybe it's the way he blushes when you get too close. Maybe it's because you can't remember a time when someone kept you around solely because they liked talking to you.

Maybe it's because he has a fantastic taste in literature. Anything he's reading somehow becomes glued to your hands, unable to be put down until you've reached the final page.

"I can't believe nobody has gotten bold enough to comment on the strange figure reading a book in the corner every night," you giggle, nothing but a misty haze hovering over his head. 

His lips curl into a smile, toothpaste spilling over as he fights not to bite his toothbrush. "I think they're afraid of another hallway incident."

"Are you afraid of another hallway incident?" Appearing in the mirror, if only to get your message across.

"Nah." 

If you had known that the Admiral would be the final person you would get to scare before Bob left the ship, then you probably would have gone all out on it. But at the moment, all you're thinking about is how unfair and rude it was to pin Bob for the mistakes that his pilot made up in the air. The guy can't even fly a jet. How is it his fault that the pilot confused their lefts and rights?

So you show up in the mirror, jump on him, and spiral about the room in a foggy haze before rustling down the hallway in such a storm that it creates a draft. There seems to be a growing trend with men having high-pitched screams on this boat.

If Bob ever catches wind of the incident, he never brings it up.

Hell, maybe he thinks he's left you behind because he sure is surprised to turn around and find you sitting on his kitchen counter one morning.

"Did ya forget about me?"

"Please." Clenching at his heart. "Knock first."

Wordless, you tap your knuckles against the cool marble. 

Knock. 

Knock. 

Knock.

Those pretty blue eyes roll, their color a little more vivid now that he's wearing that deep blue button-down, the sleeves pulled back just enough to reveal the thick muscle of his forearms. They're still swollen from his workout; you wonder if he knows you were watching.

"Got a hot date tonight?" Kicking your foot at him, brushing against his slacks. The last thing you're expecting is for his hand to wrap around your ankle, lightly squeezing, as if to test out the feeling. 

"I got invited to a party and can't get out of it," he hums, letting your leg slip free of his grasp. Then, after a moment. "Wanna come?"

"You're inviting a demon to a party?" Slipping off the counter, batting your eyes at him. 

All it takes is one step forward for him to stumble back, wide-eyed and stuttering. "Is that... am I not supposed to do that? I'm sorry." 

"Hey, I never said no," your hands find their way to his chest, gently pushing—his back thumps against the fridge. "What color do you like?" 

"R-red?" That cute mouth of his wobbles, the slightest hint of facial hair coloring his upper lip. It'll be gone by five, but it's nice to see it for once. 

Red it is.

You think this party was thrown by the same sorority who invited you up to party with them because this is...not what you were anticipating. Shot glasses, shitty beer, and flashing lights, the thump of the music so heavy that your bones really with it. You don't even know where the speakers are, lost to the swarm of people crammed into this tiny bar.

All of a sudden, your long, sultry dress has shed into a short little number that blends in with the rest of the crowd. You can't see him, but you can feel Bob's eyes jump onto your frame. 

"How did you do that?" Tilting his head to the side like that will somehow help him find an answer to his question. 

"Magic, I suppose," there's an actual explanation for it, but you've long since forgotten it. Something about manifestation and energy and a word too big for your tongue to pronounce. "I actually have zero idea how it works."

There's so much going on that you find yourself vanishing for a few minutes. Nothing but a misty haze lingering over Bob's head as one of his buddies shoves a drink into his hand and pushes him down into a cushioned chair. You haven't the slightest clue what kind of golden liquid is swishing around in that cup, but it's got a flavor that has Bob's nose wrinkling.

"Someone's not a drinker," observing aloud, a sudden presence in his lap, your knees caging his hips.  

"Was it that obvious?" Sheepish, with that little sideways smile of his. Whether that's from admitting to his inability to drink alcohol or from where you've chosen to sit, you're not sure. 

"Your little nose wrinkle gives you away," your little tap on his nose makes him blink. "You're almost a little too clean-cut for this place." 

There's nothing special or different that he's done about his appearance, but the aesthetics of the crowd make it look like he's walked into the wrong party. A little bit too put together when you compare his ironed button-down and perfectly gelled hair to the half-drunk faces, trendy, cheap outfits, and that group of shirtless men over in the corner.

At least you have the luxury of changing clothing at the drop of a hat. Otherwise, you would be in the same boat.

"He said it was only gonna be a dozen of us," Bob lifts the glass to his lips once more, his nose twitching at the bitter flavor that greets his tongue. He's trying to hide his reaction, but you can still see the disgust in his eye.

"More like twelve dozen," plucking the glass from his hand, setting it on the little table next to the chair. "You could've convinced me this was a high-end frat party."

Looking around is enough to make you question if 'high-end' was just you being generous because this is looking more like an average party by the second. A myriad of nameless faces lost to the flash of the lights: red, blue, green, purple, yellow, a cycle that never loses its pattern. But even the strain it puts on your eyes isn't enough to distract from the sloppy grinding of bodies against each other, hands in the air, writhing to a beat that definitely does not match the music. 

Something is starting to press against your inner thigh. An insistent pressure that almost feels—

Damn, how long have Bob's cheeks been bright red like that?

"Are you good?" Pressing the back of your hand against his forehead, clammy to the touch. "You're red as a balloon."

"Yep," his voice strained, so tight it may snap at the slightest hint of pressure. And he's looking over at the painting on the wall, one of those uninteresting things with only a few paint splatters to stain the pure white canvas. Not the kind of thing worth staring at so intently.

You shift forward, thumb swiping at the sweat beading at his temple—

"You sure get hard easily." Teasing. You hadn't even been trying, but that's definitely a heavy bulge pressing into you, straining against the thin fabric of his slacks. 

A muscle in his jaw flexes, swallowing hard. "Please don't say it out loud."

"I can fix that, you know." Perhaps curling your hand around his jaw is a little bit too bold, but he isn't making any moves to push you away or tell you to stop. "Some say I'm pretty good at that."

"No, no, that's okay," Bob shakes his head, gently dislodging your hand from his face. "I don't wanna make you do that."

"You're not making me do anything," leaning the slightest bit closer, tapping him on the chest with an index finger. "I'm volunteering. There's a difference."

He swallows again.

Someone calls out his name, waving a hand in the air as if to guide attention to himself as he emerges from the crowd, drink in hand, smile so big that it ought to blind someone. You vaguely recall seeing him back on the ship; name starts with an 'f'.

...shame that you don't remember anything more than that.

But Bob is uttering some Navy jargon that you don't have the capacity to keep up with, and your knees are starting to hurt, skin stuck to the cheap leather cushion. It's much easier to turn yourself around, back leaning against his chest, now free to scan over and watch the part of the room you couldn't see before. 

It's not that you don't feel him pressing into the curve of your ass; you just...well, you kind of forget about it. The moment you lay eyes on the game of beer pong happening behind the pool table, you're invested. Straining your neck to try and get a better look at who is winning, crossing two fingers as a lady in a little white skirt goes up against a guy who looks two beers away from a total blackout. 

Neither of them are good at it. Far from it, actually, but the girl's friends are cheering her on, and the man has missed the cup thrice now, stumbling over his own two feet. He misses. She scores two. He gets another point while she's trying to catch a ball that has rolled off into her crowd of friends.

You don't realize you've been squirming until Bob's forehead thunks against your back, shoulders rising with his inhale. 

"Where did your buddy go?" Chirping in the lightest tone you can muster. As if you're blissfully unaware of what's going on.

"Maybe we should get up," entirely evading your question.

It's a worthy idea that goes down the drain within the same minute it's suggested. What you couldn't see from the couch was how big the crowd actually is. It's a swarm that swallows you whole, someone's shoving into your back, and Bob's stumbling into you, and it's all you can do not to explode into a plume of mist. 

You're only distantly aware of his arm curling around you, cinching you to him as if to anchor you in before the storm can wash you away. Your leg slotting between his is far from intentional. But it happens, and you're nose to nose with him, and the corner of his eye is twitching, and you swear you can hear a dam breaking.

You don't entirely know how you wind up here. Squeezing into this sorry excuse of a bathroom stall, your hands greedily dipping beneath his shirt, chest to chest. Every little meet of your lips has him gasping against you. His tongue tastes like the honey biscuit he was nibbling on earlier, the one that dripped on his shirt and left little white crumbs all over his lap.

You could eat him.

"We shouldn't..." He's whispering. A secret meant for your ears only.

Everything screeches to a halt. "Do you wanna stop?"

Shaking his head. "No." 

He makes it so damn easy. Legs parted just enough to allow your thigh to slot between them, immediately squeezes down around it the moment he recognizes it's there, drawing you right up into—

A shiver wracks through him. So intense that you can feel it.

You don't need to worry about taunting him. He's reacting as if you've already made a remark. Nose scrunching as he tries to steel his face, warding off the softness that once lingered there, taken aback by the sudden pressure between his legs. Such a strong front. Shame that it folds the moment your hand curls against the bulge in his slacks.

"You're bad at this," a teasing lilt in your tone, lazily working your hand against him. No real rhythm or method to it, simply a shifting pressure that you can already feel his hips beginning to follow. 

"It's been a while," muttered like a confession—a sin of the past.

Now that has your attention. "You've done this before?" 

The bathroom door squeals open, the handle cracking against the tile so hard that some of it tears off the wall entirely, shards of ceramic scattering across the floor. A chunk of it rolls under the stall on a one-way track to strike the side of your shoe. You don't recognize the too-loud voices that enter the room, but Bob seems to, eyes rolling for a fraction of a moment. 

"Something similar...once," hardly audible over whatever the hell is being discussed by the sinks. 

You'll have to get the full story out of him when there aren't extra ears lurking mere feet away. Right now, though, you're tugging at his zipper, yanking it down as far as it will go, your hand darting through the gap. 

Good lord.

It's always the quiet ones.

"I'm surprised you can get through security with this thing," there's so much of him that you've got to use your other hand, fumbling to pop open his button. 

"With what?" Bob's brow furrows. You lightly squeeze the base of him. "...oh." 

One of the men shouts. Two laughs chime after it in hot pursuit.

There's a considerable weight to him that you hadn't anticipated until just now, his pretty, flushed cock throbbing in your hand. Muscle memory kicks into gear without much thought, gradually gliding up from his base to his tip—ruby red, almost angry in appearance, such a sharp contrast to your fingers.

His hips follow your motions, subtle little backs and forths that you nearly miss at first, keen on chasing your touch but too shy to allow himself to do it. Teeth sink into his bottom lip, pressing so hard that they leave an indent behind. Breathing hard through his nose, eyes screwing shut like he's fighting something back. 

You know what he's doing. Can't let a single noise escape for fear of it reaching the other ears in the room, but there's no way they can. Not with all that racket they're making. 

It's fifty-fifty if you still remember how to interrupt electricity, your one sure-fire method of making sure nobody can see what you're doing, but there's only one way to find out. 

Getting on your knees in a bathroom stall might be a new one for you, but here you are, blindly sinking lower and lower. Can't quite see what you're doing, your eyes hopelessly locked on Bob Floyd and his pink cheeks. Hasn't even realized what you're doing yet.

There's probably a good minute or two where you just hover there, waiting for the moment he realizes that you've moved. Eye-level with his cock, lazily thumbing each and every bead of precum across his plush head, a little routine to decorate the loose up-and-down of your hand. But his eyelids remain closed, and you're just so damn impatient.

The greet of your tongue has him jumping up onto his tiptoes. His head smacking into the flimsy stall wall. 

"What was that?" 

It's as if the room has morphed into a library. Complete, utter silence. Nothing but the faint breaths of the men gathered outside of the stall, Bob's, and your own. From the gap, you can see a black and yellow shoe taking a step forward. Silently inching closer.

The whites of Bob's eyes are so big that you can hardly see the color that decorates them. Drowned out and lost to a wave of fear that you can feel prickling through his body. If only those stupid yellow shoes would turn around and walk away; you wanted to play this card a little bit longer. 

The bathroom plunges into darkness. 

So you do still remember how to do that.

Someone screams. You're not sure who, but it was far too high-pitched to be the man right in front of you. Maybe it was the loser with the yellow shoes. Audibly stomping across the tile floor, shouting at each other as they fight for the door. The hinge squeals. Someone accidentally kicks the corner of it on their way out. 

And then it swings closed. The room falling quiet as the sliver of light peeking through the gap disappears entirely. 

Your mouth opens, gently drawing Bob into your mouth. Thicker than what you anticipated, uncomfortably stretching your lips around his head, but it's only a slight inconvenience. You can hardly think about it. Especially not when flicking the tip of your tongue across his slit elicits that sort of noise. Pitchy and drawn out, slipping out of him before he can stop it.

"That's—" his palm finds its way to your forehead. Pushes lightly. Jerks away. Lands on the side of your cheek instead. "A lot." 

You have very different definitions of 'a lot'.

You're actually moving rather slowly, gradually working your way down his length. He's only just beginning to touch the back of your throat, but Bob sucks in a sharp gasp of air as if you've just sprung this on him. You'd complain if he didn't taste so sweet. Just can't help but take him as far as he'll go, the tip of your nose kissing the cold metal of his zipper, throat so full of him that your head spins. 

He's trying to say something. Little fragments of words that might or might not be your name. Breaking apart the moment they fall into his mouth, shattered pieces raining down upon you and your eager ears. 

Maybe you're too quick about this. A fraction too eager to draw all the way back, only to fall upon him once more, lazily letting yourself gag around him if only to hear him groan low in his throat and to feel his thighs shudder beneath your palms. 

"I'm—I'm already, I..." Bobby's panting. Pawing at the side of your face. Doesn't know if he wants to pry you off or push your head back down. 

You expected this. You knew he would be a little bit quick, but all of a sudden, he's twitching in your mouth, a rope of cum decorating your tongue and...

Honey.

Why does he taste like honey? 

It feels like a fluke at first. Has you drawing all the way back, sucking gently on his spasming tip, but it doesn't change. Overwhelmingly sweet and thick on your tongue. It doesn't...since when did human men taste like this? Good lord, what took you so long to find one like this?

"I'm sorry, I'm sorry," Bob's abruptly pulling out of your mouth with a sharp 'pop,' the toilet paper roll audibly spinning as he grabs at it. 

The overhead light flickers back on. Damn near blinding. You nearly miss the shade of cherry decorating his cheeks. 

"Has anyone ever told you that you taste like honey?" 

"You can't be serious."

"No, something's gotta be wrong. I've picked something up somewhere," Bob doesn't seem to realize that he's started pacing again, striding back and forth across the room. "That doesn't...it shouldn't taste like honey!"

Your leg kicks off the edge of the exam table, taping him on the hip as he drifts past. "And what? You think a mystery STD will?"

"Maybe there's one I'm not considering," he stops dead in his tracks, looking you dead in the eye. "You should get tested too."

"Hard to catch a human virus if you aren't human," dragging your foot up the side of his thigh, "maybe it's just a succubus thing."

Bob's hand curls around your ankle, bringing it to rest comfortably against the side of his hip. "Huh?"

"I mean, like...maybe I taste it differently based on how much I like the person?" You're already grasping at straws as it is, but it's so hard to think when Bob is rubbing the back of your ankle like that. Diligent fingers pressing into strained muscle, drawing the tension away with every loose spiral.

"No," shaking his head as if to add emphasis to an already firm word. "I don't...no, that wouldn't make sense." 

That was your one and only theory, but, well, if he insists. "Alright, honey cum."

"Please, don't."

You're gone by the time the doctor decides to come back. Doesn't have a whole lot to say, but a few weeks later, there's a neatly folded paper on the counter with a whole bunch of negatives on it. 

Bob catches you looking at them, but he doesn't have anything to say about it. He's more intrigued by your appearance than anything else, brushing the pads of his fingers against one of your horns as he drifts past.

"Have you always had these?" He chirps, on a one-way track back to his coffee maker. His poor heart might stop if he pours himself anymore, but that doesn't seem to be stopping him.

"Technically, yes," it's a lazy reply, but you're not sure what else to say. "I didn't think to hide them today. What is that, your third cup of coffee today?" 

"Fifth," he corrects, unashamed about finishing off the pot. There's just enough left to fill his mug to the rim and then some. How he doesn't spill it, you'll never know. "Do all demons have horns?"

"Depends on the race, really," shrugging. "Succubi have short, narrow horns with vibrant colors, crossroad demons have horns similar to a Texas Longhorn, fallen angels don't have any at all..." You could keep going, but you would be talking for a long, long time.

You probably shouldn't be lingering around Bob's apartment, invisible to the naked eye as you lounge in the soft red couch and gaze out the window at every rise and fall of the sun. He seems to know that you're still here; hums something that sounds like your name when the cushion sinks beneath your weight. 

It's a cute apartment, really. A thrifted coffee table and an oversized bookcase that has already run out of room, excess books spilling over onto the shelves that were once reserved for figurines, and clever callbacks to movies. 

There's a stash of DVDs lurking inside of the TV stand, and in the ottoman, a pair of signed and framed Star Wars posters decorating the hallway. He thinks that he's spread out the anime enough to pass undetected, but you can clearly see the manga lurking in the smaller bookcase in his bedroom. There's a Naruto sticker hiding on the side of the fridge, a Pokemon in the bathroom cabinet, and so far, you have counted four Trigun figurines. 

Five, if you include the one you just watched him unwrap and place next to his model jet. This one kind of looks like him...

"Are you still in here?" Bob calls out from somewhere on the other side of the apartment. It might be the first time you've heard his voice rise above a mutter since he left the doctor's office. 

You're not entirely sure where he is. Haven't exactly moved from the couch now that the sun has fallen again, blankly gazing at the distant ocean as if it's a home you once knew like the back of your hand. 

He appears in the hallway. Fiddling with the edge of his t-shirt, his eyes squinting as he tries to scan the room without his glasses. You're still waiting for him to realize that he left them next to the stove again.

"Come out?" He tries again, ambling forward. "Please?" 

"Looking to terrorize your boss again?" Dissolving into solidity, the chilly air nipping unpleasantly at your skin. Invisible was better. You couldn't feel the temperature when you didn't have a body. 

Or...maybe you're feeling the temperature incorrectly because Bob looks like a shrimp mid-boil. Red in the cheeks, so flushed that it crawls down into his neck, and the sliver of chest showing through the collar of his shirt. 

"Bob?" Tilting your head to the side. 

"I wanna return the favor." Deadpan.

Blink.

Blink again.

Blink one more time.

You don't follow. "Pardon?"

"I mean, I..." his eyes skip around the room. Bouncing off of the coffee table to the poster behind your head, the miscellaneous figurine shelf, and the refrigerator. "You did something for me, and I...don't...like the idea of it being so one-sided?"

"Bob, I'm a succubus," there's supposed to be an underlying hint there because this is kind of the very reason for your existence, but Bob doesn't seem to pick up on that. Or maybe he does and just doesn't react. "Do you even know how?"

A beat passes. 

His head shakes. No.

"I'm a quick learner?" Offering it up like he's bartering. You wonder if you can get him to start offering crops and livestock. "Is that...okay?" 

You're not sure if it's the novelty of the idea or if it's because of that soft, doe-eyed expression he nails you with, but something has you agreeing to it. But just because you're on the same page together doesn't mean you'll be the very next sentence that he reads. 

You're gone the moment he's in front of you. 

"Where did you—"

"But you'll have to catch me first." Reappearing behind him. Walking your fingers up his spine. 

He turns. 

You're gone. Drifting behind his back again. Blowing at his nape. 

"Hey!" He squeals. So shrill and pitchy that it nearly throws you off. Only manage to dissolve into a plume of mist when he reaches for you. 

Bob is already spinning around. Blocks you from getting to his back again. And there must be some kind of 'tell' of where you are because his eyes follow you every which way. You'd might as well be fully human because this isn't working. 

You don't know how you get into the kitchen. But you're on one side, and Bob is on the other before you've even become solid. You stumble three steps to the right; he's already there. You go left. But then he goes left. You dart right—corner to corner to corner. Shit, you've put yourself in a corner. Either way you have to get past him. 

"Why are you so damn quick?" Giggling. Your feet slide against the hardwood. Not as fast as him. This will only last so long.

"Did you forget." He jumps left. "I'm in." Right. "The Navy?" Left again.

"I thought that meant you would be good at swimming!" You're slipping. Grabbing at the countertop before you can hit the floor. "Not—this!"

He breaks the pattern first. Shoots around the corner so quickly that you nearly don't have time to spin back around. His fingertips graze your back as you turn. You're tearing off around the corner. Dissolving bit-by-bit and—

There's a pressure around your waist, and the room is spinning, and you don't remember when or how your feet left the ground. 

"Bobby!" You're squealing, throwing your arms around his shoulders before you can slip. 

It's hard telling when or how things escalate the way that they do. All you remember is the coldness of the floor as he sets you back down, the heat of his arms around you, and the bump of his nose against your cheek. And melting. Fuck, you remember melting into him like snowflakes in July, meeting him halfway, his soft lips melding with yours so easily. 

You do remember when you fall against the couch. Nothing but ruby red cushions and the lingering pink in Bobby's cheeks, settling between your legs with such ease that you almost wonder if you've done this with him before. 

Christ, he could probably convince you that you've already had a few nights together. 

There's no reason why or how he should know that you're sensitive beneath your ear, mouthing at the skin there but never making a move to mottle it with bruises. Respectful. Irritatingly so. Never leaving behind a mark, not even when he bites at the collar of your shirt and grazes the skin that lurks beneath.

He wasn't lying when he said he was a quick learner. Is he sure that he's never done this before? Because he gets your lounge shorts off surprisingly easily. His waist dipping between your thighs, swollen lips finding your lower belly once more, working down, down, down...

"Shit," his tongue has you jolting, entirely caught off guard. "A little sudden there."

It's hard to feel any sort of annoyance when he peeks up at you from beneath his lashes, tongue hanging out of his mouth like a dog. "'m sorry."

Your hand curls into the back of his hair, a fraction longer than it was when his so-called friends summoned you right into his lap. Only takes the slightest pressure for him to dip his head back down, licking a slow stripe against you. He misses your clit on the first try, pulls away a little too soon. But he finds it on the second, visibly perks at your sharp inhale, and retraces his steps until you do it again.

Learning should imply that he doesn't know what he's doing beforehand. You're gonna need to steal his dictionary off the shelf and look up the proper definition because you're pretty sure he was lying. 

There's no damn reason why he should know how to point his tongue and trace it around your clit, teasing until your hips lift off the mattress. Temporary relief comes in the form of the hum that rumbles out of him, vibrating through your nerves like electricity. He's settling into it now, laying flat on his belly, arms curled around your thighs as ifhe belongs there.

Fuck, and he's working his way down. Pressing lazy, open-mouthed kisses into your dripping pussy, stopping to lap at your entrance before pressing inside. His tongue isn't even all that long, but the wet heat and the tip of his nose pressing against your clit yanks a gasp out of your throat, eyes snapping shut. 

Your thigh squishes against his cheek, leg looping lazily over his shoulder as if that could somehow possibly bring him closer. Fingers twist in his hair, nails scraping across his scalp—

"What the hell?" Your own voice sounds foreign. Detached from your body.

Bob lifts his head, and good lord, his lips are glistening. "Hm?"

"What is this little bump on your head?" Tapping your nail against it, uniquely bony compared to the rest of his scalp. Feels like a perfect circle.

"I don't know what they are," nonchalant, already dipping back between your legs, "'ve had 'em since I was born."

You can see them when you push his hair out of the way, little indentations beneath the skin, solid as can be. One on each side, a few inches above his ears. These kind of look like...

No, that's not right. 

That sweet tongue of his finds you again. Drawing lazy shapes that transform into shock waves on impact, rumbling up your spine and down into your fluttering thighs. Letters. He's drawing letters, and you can hardly decipher what they are, but the voice in the back of your head whispers that he's writing is name into your cunt. Over and over until he's certain that you'll never find pleasure in a name that isn't his. 

"Bobby, I..."

He hums, hands curling around your hips, pulling you in. Doesn't let go of that same lazy pace that he just set for himself, curling through an 'R' and into an 'O' so intoxicating that you find your own mouth mimicking it, too. You don't mean to cum so soon. You really don't, but your eyes unintentionally lock with his, that tiny smile curling the corners of them, and shit—

Your back twitches up off the bed. Crying out so sharply that it rips right out of your throat. Your head might just tumble off your shoulders. Floating up into the clouds, heaven-bound. Weightless. 

The hands on your hips tighten. Anchoring you back down. Bob's burning tongue working you through it like he's done it a hundred times until your body is tensing and jerking away from every little lick.

"Jesus," sucking in a breath, "Christ." 

Bob lifts his head, swollen lips twisting into a cheesy grin. "Wrong name." 

"Nerd," tapping him on the nose.

"Demon," biting the inside of your thigh. 

It's hard telling who sputters into a laugh first. Giggling like school kids as he climbs up the bed, his mouth clumsily finding its way to yours. It's so much easier to hold his face when his glasses aren't in the way; don't have to worry about smudging a lense or accidentally knocking them off his face entirely. 

If you thought that you were bad, then Bob Floyd is another monster entirely because once he's gotten a taste of you, he can't get enough. 

Because he's on you again in the morning, kissing at your shoulder and working his way down your naked belly before his final alarm goes off and forces him to start getting ready for work. His sweet tongue working over your clit, chasing down a vastly different zig-zag pattern as he eases a thick, curious finger into you. Lazily searches for a little spot that steals your breath away and has you babbling for another.

In the evening, he's nibbling and kissing at your thighs while you wait for the pizza delivery guy is on his way. Leaves behind sporadic little marks that gradually acquire a delicious tenderness that makes you gasp when you try to cross your legs later. 

You answer to the sound of your name on an average Tuesday afternoon. An unapproved presence in a top-security Naval building, perched up on the edge of a locker room bench like you belong there. Like you, too, are a pilot with a willingness to perform and just the right amount of crazy flowing through your veins. 

Bob doesn't utter a word about it, but you know that one of his superiors has chewed him out again because his cheeks are pale as can be, eyes only softening at the sight of you appearing before him. And maybe he's a little bit too eager to fall to his knees, peppering your skin with kisses that make their way to where you crave them the most. 

Again and again. An addict who seems to need his fix every time he's overwhelmed. It's your purpose, the very thing you were built for, but the invisible string that draws you into him is unlike any other you've been wrapped up in before. An undescribable something-else lurking behind the charm of those wireframes and his warm, dizzying voice. Never asks for anything in return, all too content with eating you alive.

Your favorite might be the night that he pulls a muscle in his shoulder blade. One little misstep in the gym is all it takes for a night and a half of overwhelming soreness, binding him flat on his back, minding his left side. But even the mix of ibuprofen, Tylenol, and a dash of pain isn't enough to keep him grounded.

"I have an idea." It's been forever since you last heard him speak. The last time you recall hearing his voice was last night when he asked you to pass him his toothbrush.

"Uh oh," not in any particular hurry to lift your head from his chest, naked and oh so warm to the touch. 

"What?" He's trying to act offended, but the attempt dies mid-air. Won't be making a living in acting any time soon, that's for sure. 

Tapping your finger on his collarbone, overtop a thin white scar you've yet to learn the story of. "Don't 'what' me." 

His laugh sounds like thunder. Deep and rumbling into your ears, a tune you didn't know you craved until just now. 

A familiar warmth settles against your cheek, diligent fingers tracing the edge of your jaw. "What if I told you I had another idea?"

One of these days, you'll learn to quit being surprised. 

Today, you're shocked that he asked you to ride his face. 

Shit, but here you are. Knees precariously resting above his head. Trying your best not to let your thighs clamp down around his face as he dips his tongue between your folds, half-lidded gaze fixated on your expression. You've long since lost count of how many times you've felt this. The soft whisps of his short hair tickling your skin, the way he hums when he hears you gasp.

"You've got," raking your fingers against his scalp, anything to distract from the calculated zig-zag across your clit, "a problem." 

"Maybe that's what's wrong with me," muffled. His every word rumbling through your core and reaching up into your chest. 

"Yeah, well..." drinking in a shuddered breath, "you being addicted to eating me out was not on that list."

It's his fault for laughing again. Should have known that the vibration would have twisted into your nerves and sent them firing, thighs impulsively clamping down around his head with no regard for him or breathing. 

Fuck, it takes a moment to remember how to move them again. 

"I'm sorry," and you're about to lift yourself up, let him get a full breath of air, but his hands find your hips, anchoring you into place. 

"'s okay," pausing to lap at your clit, wet and messy, and god, the sound. "I don't mind."

He'd say that if you accidentally suffocated him to death, too.

Your nails drift across his scalp. Dragging just enough to feel the shift of hair beneath your fingertips, disturbing the hardened bump lurking just a few inches above his ear. You know that it's probably because of the swelling, but you swear it feels bigger than it did a few days ago. And maybe it's sensitive too because, for the briefest moment, you catch the whisp of a gasp. A sharp little intake of air punctuating the way he drifts down to toy with your entrance. 

They're worse the following morning.

He's only just beginning to settle between your legs, diligently kissing down the inside of your thigh, when the brush of your knee sends him reeling. Pawing at the sides of his head. Wincing. Yelping at his own touch.

"Did I—"

"No!" He blurts. Pitchy. "I'm sorry, it's, I—it hurts."

Even the delicate pressure of an ice pack is too much for him to tolerate, hissing like a cat the moment the material touches his skin. You're not entirely sure what to make of them. Dissolving into the air around him for a better view, drifting around his head, twisting every which way as if discovering the perfect angle will reveal the secret.

It doesn't...look infected. Strained is the best descriptor you can come up with. As if something is trying to claw its way out from beneath the skin. 

"And you said you've had these since you were born?" Musing aloud, resisting the urge to reach out and touch them.

Hands find your waist as you settle into your human shape once more. "That's what I'm told." Then, tilting his head to look up at you, not making any move to get out of his chair. "Why, what did you see?"

"The same thing you're seeing," you can't help but push his hair back, watching the short strands gradually slip free from your fingers. "Must be a really odd birth defect."

He hums, blinking up at you without a word, perhaps not as concerned about his situation as he should be. Not a trace of worry clouding his features, though the corner of his eye twitches when you unintentionally drift over one of the bumps. 

It's the same kind of gaze that gets you into trouble three nights later. 

He doesn't seem to realize that he's doing it, drowning you in pools of ocean blue every time he looks your way. You don't understand how you make it through the night. He's just so damn distracting. Tapping his foot against yours beneath the table, legs tangling as a nameless mid-forties man in a fancy suit rambles on about the honor of working in the Navy and things you don't care to follow. 

You don't know how you get to the hotel bed. Only vaguely aware of the sensation of your feet leaving the ground, thighs clinging to the sharp bone of his hips. One of his hands is on your ass, and the other is smoothing up your back. Presses just hard enough to have you arching, chests bumping together hard enough to break your kiss.

"Bobby—"

"I know."

The room collapses into a world of pristine white clouds—or maybe you've just fallen onto the bed. You can't tell for sure. Can't be bothered to. Not when a familiar pressure appears against your lips, his firm body settling between your legs with a weight you can't possibly ignore. 

He tastes like the hot chocolate they poured into his cup when he turned down the champagne. Sweet and so warm that you can feel yourself melting, and you must be made of chocolate, too, because he moves as if he's going to eat you alive. Hands rising to cradle your face, settling into a lingering liplock that has you gasping for air.

Your head is spinning. One hand curling around his bicep. The other smoothing up the side of his burning neck. Hardly aware of how your hips lift up from the mattress, but all too aware of him meeting you in the middle. A new pressure forms between your legs. The not-so-subtle bump of a growing bulge against your cunt. 

Curse the layers of fabric separating you from each other. Can't do anything but meet him halfway. Mewling into his mouth like a cat in heat. Legs curling around his hips. The heels of your ankles digging into his ass, urging him closer, closer, closer.

Something trickles across your fingers. Smearing across his neck. 

"What is that?" It's sliding down your palm, scurrying past your wrist and beyond. Water? No, where would it have come from...

Bob draws away, an unusual chill filling the space he once occupied. "What is what?" 

Your hand is crimson. 

Why is your hand...?

"Oh my god." Reeling back. Hands held high as if that can possibly stop the blood that drips from your fingertips, so fresh that you can still feel the warmth of it. 

It's everywhere. Staining the fresh sheets, smeared across the back of Bob's neck, pooling at the shoulders of a brand new uniform that will never be the same again. It's on the shell of his ear and in his hair and—

"Oh my god," you sound like a broken record, but it's all you can say. "Bobby, your head."

Looking back on it, you're thankful Bob booked a room with two beds instead of one. 

There's no salvaging or rectifying the utter disaster going on in the bed that he claimed as his when you first got here. The sheets and comforter torn clean off, lying in a messy pile, waiting for the front desk to call back and tell you what to do with them. From here, they look perfectly fine, still the same shade of pure white, as if nothing has ever happened. 

Your attention meanders across the floor, tracing the lines of geometric shapes, following them on their journey between the beds until they disappear beneath the mattress. Bob's foot still hangs off the edge, a smidge too lazy to try and readjust himself now that he's found home here on your chest.

It's almost strange being here. Snuggling on a hotel bed with a man who didn't even summon you wasn't on the job description. Hell, the last time you even set foot in a place like this was probably years before you realized what you were and fully committed to the whole demonic entity thing. 

"Why don't you ever leave?" Bob's voice rumbles into your collar, a smidge deeper than it was the last time you heard it. 

"You never said you were satisfied with me," darting from your mouth before you can realize what you're about to say. A script so rehearsed that your tongue needs no instruction to utter it.

The room is quieter than it was before.

Which...is odd because nothing about it has changed. The cheap air conditioner still rattles to its own mechanic tune. You can still hear the girl talking on the phone in the hallway. Through the wall behind your head, the neighbor's television still plays the rerun of what sounds like a football game. 

Bob's eyes are open. Can feel the flutter of his lashes against the side of your neck. If you didn't know any better, you would mistake it for the dustings of tiny butterfly wings.

But he doesn't say anything. 

"I'm sorry, I...that may have come out the wrong way."

"'s okay." Says it so quickly that you wonder if he's listened to your apology at all. 

Antsy, you reach for his hair, fingers coming through the still-damp locks. A little bit fried after two full washes, but it was the necessary sacrifice to get all of that blood out. 

You've got to crane your neck to see the culprit, but it's still there, in the same state it was the last time you laid eyes on it. Scabbed over. No longer as swollen as it once was, but there's still something solid lurking beneath the surface. You could have sworn you saw a flash of white in there before it had closed up again, but looking at it now, there's nothing. 

"I think I just like being around you," concluding, after a long moment. 

'Like' may be an understatement, but...

The corner of his mouth is turning upward. You know it is because you can feel it against your chest. "I like being around you, too."

And here you thought you'd figured out what Robert Floyd defines as a party. 

Bubbling glasses of golden champagne, the same shade of the delicate chandelier sparkling overhead, crystals cascading down like a spiral staircase. Enchanting. Beginning three stories up and only ending mere feet away from where you stand, you could probably touch it if you tried. 

Such a stark contrast to the midnight peeking through the windows, twinkling city lights of every color in the rainbow drowned out by the blinding white and gold palette you've found yourself in. Unfamiliar faces and dresses worth more than a car fresh off the lot, wrapped up in the whimsical tune of a live orchestra off to your left.

So many things to look at. Luxury desserts and vivid red couches cozied up beside the fire. There's more to be discovered, entire rooms you have yet to venture into, a custom theater, a cocktail bar...yet, your eyes continue to drift to the only familiar thing here.

And his appear to do the same.

Locking from opposite sides of the room, the buzz of the crowd melting into a distant hum, as if you've just plunged into the very crystal oceans that color his irises. The heat of his gaze is the only thing keeping your head above water, burning across every inch of your skin. It's a wonder you don't go up in flames right here and now.

Glass shatters somewhere to your left. A lady yelps. Someone swears. But you can't bring yourself to look to see what just happened. Captured in a never-ending trance as you move about the room, only able to look away for milliseconds at a time. 

One of Bob's friends are talking to him, mouth moving a mile a minute, but Bob doesn't seem to be listening—Fireball or...something. The name should come to you easier than it does. Bob's told you so many stories of them together, but you fear you've spent too much time lingering on the sound of his voice to actually store and remember the fine details. 

The music swells. 

Heads turn toward the melody, and with it, feet begin to move. It's as if one-half of the party has vanished, opening up the floor enough for you to walk without worry of bumping into anyone. You wouldn't even be in this position if filtering through different forms was socially acceptable and not the quickest way to give someone a heart attack. 

It's like drawing too close to a fire, the flames so bright that you can hardly look at them without being blinded. Except the flames are the open buttons at the very top of his long sleeve, milky white skin peeking through the gap. He's grown a bit since this was fitted, the fabric hugging a little too tightly around his chest, straining already weakened seams. Two of the buttons have already snapped off, unveiling more than he would ever willingly show off. 

He would catch your staring if he weren't already doing the same damn thing. Knows he's been caught, too, cheeks dusting a cherry red the moment he tears his attention away from the slit in your dress, showing off your upper thigh. 

But Fanbase is still talking, rambling on about the subplot of a movie that you've yet to see, and you're simply not interested enough to linger any longer than you have to. Gliding past Bobby as if you hadn't just made eye contact with him, your hand trailing up the side of his arm on your way past. 

The door couldn't come quickly enough, and you disappear through it with nothing more than a wayward glance over your shoulder.

He's still looking at you. 

It's so much quieter in the hallway, all that noise and music vanishing the moment the door swings shut behind you. You're not sure where you're going; didn't plan this far ahead, but you can already see a floor-to-ceiling window that looks interesting enough. A decorative fountain rests in front of it, the water sparkling with the city lights.

The view is better at night. Still breathtaking during the day, but...god, something about the velvet black and twinkling shades of neon really bring out the charm of a city like this. Though you've still yet to figure out why a Navy event is all the way up here, in the tallest building they could find. One of their own venues would have sufficed; then they wouldn't have had to rent all these hotel rooms. 

"Your dress looks awful familiar." Maybe Bob is hiding magic powers of his own because there's no way he could have snuck up on you without floating here.

But there he is. Shoulder resting against the wall, arms folded over his chest. The rolled sleeves are struggling with his forearms, fabric so tight that the threads silently scream. 

"Does it?" Coy. You entirely stole this idea from the front cover of the magazine he had sitting on the kitchen counter. 

You don't mean to step forward at the same time he does, but you do. Nose to nose in the blink of an eye, so close that your vision goes a little blurry and out of focus. 

A door slams down the hall.

The invisible string snaps.

Your hands are in his hair, and his are on your waist, and mouths are clattering with all the grace and elegance of a car crash. The back of your leg hits the fountain. Sends the thing jumping as you all but slam into the window. It's a wonder you don't go crashing through it, plummeting through miles upon miles of midnight neons. 

Because it certainly feels like you did. 

Head spinning as if you're in a free fall. Fingers twisting in his hair before unspoken forces can peel you away, sloppily falling into tune with the bold dance of his lips. Fuck, it's so much more than what you've spent the past fifteen minutes picturing in your head. He tastes like cola and honey, so dizzyingly sweet that a sugar rush buzzes through your veins.

What is it with you and this human? 

It's as if you're one half of a magnet, hopelessly bound to him by forces that you can't quite identify. Yielding to the subtle pressure of his hands, allowing him to gather you into his chest as if you aren't close enough as it is. Heaven, Hell, and Earth could collapse right here and now, and it still wouldn't be enough to drive a wedge between you. 

"And here I thought you weren't the PDA type," that thought was supposed to stay in your head, but it's far too late to do anything about it.

"I think this is a little beyond PDA," Bob's mouth twists into a smile too soon. Teeth smash together with a sound that makes you wince. 

There are voices down the hallway, familiar, but you don't care to try and identify them. Whoever they are, they don't get a chance to see you here because Bob's taking hold of your wrist, and you're falling into the clumsiest run imaginable. Arms awkwardly tangling together. His boots too new to grip the floor. Giggling to yourselves as you slide to the right, fighting to get around the corner before he can be recognized. 

You're already crashing into each other again. And again. And again. Stealing kisses as if you need one for every few steps taken. Can't function otherwise. Winding through the hall, no regard for where you're going or if it's even the right direction, barging through a door and racing up the stairs. You trip on one. Bob falls on his ass on another.

It's a damn wonder how you find the correct door. 

At least, you assume it's the right one because your back all but slams into it; don't even hear the noise that rattles down the empty hall. How are you meant to pay attention to such meaningless things, when a soft pressure appears at your lips? Greedily leaning into it as you all but melt into one another, his breath running ragged.

The key. You need the key. 

It's somewhere on him, your hands blindly smoothing over his chest, searching for the outline of that thin plastic key card. And so what if you momentarily hook your fingers into the top of his shirt? It could have been hiding there, for all you know.

Bob finds it just before you do. Plucking the hunk of plastic from his front pocket, and you can feel the heat of his arm as he reaches past.

Beep.

Gravity tilts on its head. Falling backward. 

Toned arms loop around your waist. Force you to remain upright. Pulling you close like there's a risk of you blowing away. Stumbling backward. Through the door. You don't know how your arms got around his neck, but you're not making any move to let go. Clinging to him like it's the only thing you know how to do. Nose bumping into his cheek as you find your way to his mouth once more. 

One fleeting, accidental brush of his teeth against your lip has electricity bolting up your spine. Shades of gold explode in the depths of your frenzied mind. Fireworks. Tongues tangle for the briefest of seconds. But then he's licking at your bottom lip, and it's parting with a gasp, a little too eager to let him in. Twisting together in a fashion entirely unfamiliar to you, an exquisite dance that has you melting like snow on a summer day.

The mattress greets the backs of your knees, a gentle nudge that has you falling backward without ceremony. He's on top of you within a second, forearms bracing his weight on either side of your head, chests pressing together, and—

"Mmh."  His legs spasm around your thigh, only to push it up into him again, pressing against the growing tent in his slacks. Heavy. 

"What was that?" In the lightest tone you can conjure up, rubbing your thigh against him once more. 

His face flushes red. Eyes darting away like he'll catch on fire if he keeps looking at you, but there's no hiding the way he twitches at your touch. And he knows you've felt it because, somehow, his cheeks get even redder. 

"What, don't like being teased?"  

"I might die if you keep talking." 

You'd like to see how true that statement can be. But that's an experiment for another night; you can only take your mind off of the throbbing heat resting against your thigh for so long. 

Fuck, and it seems he's on the same page. Spit-slicked lips find the corner of your jaw, one of his hands smoothing down your side as he works his way beneath your ear. One kiss after the other, only lingering long enough to lightly suck on the skin there. Teeth scrape against you, and you absolutely shouldn't shudder at such a simple feeling, but it happens anyway.

Just like how you wander to his shirt, perhaps a bit too eager to start fumbling with the buttons. They're just as stubborn as you thought they would be, angrily wedging themselves in the gaps designed for them to fit through. Stupid things. Who ever thought these were a good idea?

Bob reaches past you, his wrist bumping your hand away—

Buttons scatter. Rolling across the floor. Bouncing across the bed. One strikes your chin. Another thunks against the headboard.

"I didn't know you had it in you," giggling. Only have a handful of seconds to admire the broad expanse of his pale chest before he's on you again. Picking up right where he left off, somewhere beneath your ear, where you're most sensitive. 

His hum sounds like it's wrapped around the shape of your name, vibrating up your neck, rattling around in your skull like an earthquake. It's a wonder you don't fall apart. Fingertips biting into his shoulders, squeezing them as tightly as you can. And he just keeps kissing on you. Working down, down, down to your collar, only stopped by the fabric of your dress.

You can make it disappear.

He knows you can make it disappear.

And yet his hands slip behind your back, tugging down the tiny zipper that runs parallel to your spine. 

Takes the time to ease the soft material off your body, impossibly slow, as if he's afraid of ripping it. Past your hips and over your knees. Folds it in half and sets it off to the side. And for a moment, he pauses. Lips shining with the same light that reflects off his glasses, hardly distracting from the sparkle of his eye. 

Kisses find the inside of your knee. Working across the joint and delving into the delicate territory of your thigh. It's a tune he's played so many times that you already know where he's going and what thoughts are lurking in the back of his quiet mind. Tempting, but...

The dog tags hanging from his neck are too perfect not to grab. Why he's wearing them, you're not sure, but they reel him back in so damn easily. 

But Bob freezes the moment you're eye to eye with him, not entirely sure how to tread this newfangled path he's found himself on. And that must be what makes it so easy to push him around. Flipping your positions with a skill you forgot you had, your ass snug in his lap, knees straddling his hips.

The back of his head thunks against the headboard, unnamed shades of red rising to tint his cheeks and the tips of his ears. 

"You're sure?" He croaks; for a split second, you're on the ship again, meeting for the very first time. 

"Are you sure?" Countering. The bridge of your nose bumps into his. 

You don't necessarily remember what happens after that. 

It all melts into a blur. Starts with you bouncing a button off his bare chest and ends with the sound of his pants hitting the floor next to you. You don't know who got the lube out. It must have been him because you still don't know where it even came from, but it's the sensation of his slick fingers pressing into you that catapults you back into reality. 

"You remember that I'm a succubus, right?" The intended sarcasm doesn't so much as reach your vocal chords, nothing but a breathy whisper of the obvious. 

A smile is all that he gives in return. "I know."

It's been too long since the last time you felt this. The pressure of thick fingers slipping into your already drooling cunt, knuckles catching on your entrance as they drag past. Coarse fingertips drag against your walls, crooked, running across a bundle of nerves that he has no business knowing about. Knows he's found it too, the corner of his mouth twitching upward at the sound of your whine. 

Yeah. 

It's been too long. 

That's why you're so sensitive all of a sudden.

It's certainly not because of the heavy cock resting against the swell of your ass. Has nothing to do with the pools of blue that lurk in his eye; you reckon you'd drown in them if you were to fall forward. No, you only feel like that because of the never-ending city view that sits just past his head. Broad and expansive, just like...just like his shoulders...

You don't realize what your hand is doing until you overhear his sharp inhale. His body jerks, shocked by the sudden trace of your fingers running up the underside of his cock. 

Impatience will be the undoing of both of you. In such a sudden hurry that lube spills onto the bed in your rush to slick him up, and it's only after that he realizes he's forgotten about the condom. Doesn't matter. The damn thing flies out of his hand when he tries ripping it open with his teeth, landing somewhere on the floor.

"Again," lifting your hips, lazily smacking his blunt tip against your cunt, "succubus."

"I'm sorry," he's yet to realize you're merely messing with him. Condom, no condom, you don't care either way. "I don't wanna make a mess of you."

"Maybe I want you to make a mess of me," countering. And it's the last thing you can say before the pressure of his cock shuts you up. 

If you asked, you're certain he would humbly refer to himself as average, but this is...this is so much better than average. Thicker than usual and wonderfully curved, fitting that a man so intent on pleasing you would also have the perfect cock, too. Stretches you just enough to make your jaw go slack, his fat tip dragging against every little nerve it can find. 

Bob tilts his head back, his chest rising with a heavy inhale, and that may be a whine that you hear. His lashes flutter, visibly fighting to keep them open as you sink down on him. Inch after inch, and it's been so long since you last felt this full. 

And maybe they've sucked all of the oxygen from the room because neither of you can seem to catch your breath. 

"That's..." his eyes drop down, fixating on the sight of him disappearing into you, "shit, that's..."

He doesn't get to finish that thought, and you don't get the chance to bother him about it, entirely distracted by the overwhelming sensation of him bottoming out. Your ass flush with his thighs, so damn full of him that your heart has risen into your throat. 

You've already found the strength to lift your body again. Bracing your hands on his shoulders, using him for leverage as your hips lift, the city lights seeming to twinkle when he rubs into those soft nerves. Can only manage to raise yourself by an inch or two before collapsing down into him once more. 

The warmth of Bobby's gaze crawls up your naked body, slow, like he's trying to take his time before he meets your eye. And when he does...

"You still in there?" Winding your arms around his neck. Can't seem to get him close enough.

His tongue darts out to wet his swollen lips, dry from panting, "uhuh." 

You suppose he's telling the truth because he's present enough to remember how to tilt his head up and catch you with a kiss—breathing hard through your noses. His hands squeezing your hips. Holding them through every rise and fall. 

Lube squelches between your legs. His cock head driving directly into that bundle of nerves again, your pussy helplessly spasming around him. You fear you're going to shatter into a million pieces if he does that again, but there's no attempt to shift your angle. Chasing that sensation again, crying out as a shock bolts up your spine. 

"Bobby," it slips out so easily. Riding on the coattails of a gasp. 

Foreheads knock together. So close that the sight of him goes a little bit fuzzy. Noses bumping when his hips twitch up, snapping into yours so swiftly that it knocks a whimper out of you. Just makes him do it again, and you are not living up to the whole succubus thing by collapsing into his shoulder. 

"Fuck, I can—" he grunts, punctuated by the lewd slap of skin against skin, "can feel you clenchin' around me." 

And you can feel him twitch inside of you. Such a simple feeling that has you getting wetter around him, can only imagine what kind of mess is forming between your bodies right now. You'd look, but it's hard enough pulling yourself back, thighs burning, desperate to work back into the rhythm you just...built up...

Is...that...?

"What's wrong?" Bob has stopped moving at...some point. You don't know when that was. The concept of time passing is a little bit irrelevant right now.

Words don't necessarily come to you. Fleeting chunks of vaguely related sentences that you can't quite stitch together. You don't...that's not...when did...?

The only thing you can think of is to touch one of them. 

His back jerks off the headboard. Sucking in a gasp. Eyes going wide. But then, twitching at the corners, pretty blue irises rolling back, his cock spasming despite your lack of movement. For a moment, not a sound seems to escape him, but then it's all shattered by a barely muffled whimper. 

"So that's what's wrong with you." Deadpan. 

Touching them made him cum. That's... somewhat familiar, actually. 

Bobby's eyes can barely tear themselves open, fighting against them as he blinks up at you. "What?" 

You're almost hesitant to touch them again. Two tiny horns, no more than an inch tall, poking out from where those pesky bumps once resided. 

Horns. Of course. Why did you think you were wrong when you considered that earlier? They're identical to yours! A few inches above the ear, wide at the base and growing narrow as it nears the tip. Jet black for the time being, but they'll develop their color with time. 

The one upside to being a succubus. Uniquely colored horns. 

"Not to bring up family while all seven and a half inches of you are inside of me," because you're not sure about how to start this conversation, jumping on the first half-baked plan that comes to mind. "But are you entirely sure your folks are human?"

His head tilts. "Why?" 

The only thing you can think of is to take a picture. Those two tiny horns poking out like they're part of a cute headband, so ridiculously small in person and even smaller on his phone. As you pass it off to him, you catch yourself wondering if he'll see them at all. 

"...huh." Is all that he can say. 

They're far too sensitive for him to touch, not after what mess you just caused, but he tries. Winces the moment his fingertips make contact with the fresh new bone; you can only imagine this is how you reacted the first time your horns made their appearance, too. 

You wonder if there's anything behind them. You've seen a few variations where a second pair sprouted behind the first, but you can't see anything from this angle. If you just lean a little further to the right—

A whimper twists through the air. Pretty blue eyes squeeze shut.

"I'm sorry, I—"

"No, no, no, don't," his hands are back on your hips, pulling you back down into his lap before you've even moved an inch, and oh, you can feel his cum beginning to spill out of you. Fuck, there's so...there's so much of it. It'll make a mess of the bed if you're not careful, but you can't move. Not with those big hands anchoring you down. 

But he's not done talking. 

"Keep going," he blurts, his chest shuddering with a breath. Horns be damned, those aren't on his mind right now. "Please, I just, I want, I want you to—" 

A swivel of your hips shuts him up. His teeth sink into his bottom lip, already too late to stifle the pitchy little noise that sails out of his throat. God, that's a hell of a sound. Combined with the way his half-hard cock twitches in you, it's almost too much to bear. He can hardly handle it himself, squirming, not sure if he wants to push into you or away from you. 

"There!" Stardust twinkles behind your eyes. "Right there. Don't move."

It's as if the room has exploded into a galaxy. Midnight black and the deepest shades of navy, decorated in a rainbow of distant, twinkling stars. You and him and this big, oversized hotel bed. Weightless. Floating round and round, further and further away, until you're lost to the Milky Way itself. 

The fat tip of his cock drives up into those nerves again. Space nearly swallows you up once more. "Bobby..."

Your eyes must have been closed because you don't remember his head tipping back. Dazed, flushed cheeks, so entirely focused on you that the rest of the world ceases to exist at all. Pitchy whimpers, stumbling off his drooling tongue, overstimulated but making no move to push you off of him.

His lips seal. Hardly manages to muffle his noises, but it's already too quiet for your liking.

One of your hands curls around his cheek. Thumb pressing against his bottom lip, hardly takes any pressure for him to give way, allowing you in. And his poor tongue is right there, practically begging you to pin it down, and who are you to deny such a request?

Heat twists in your belly. Pussy clenching tighter around him. Your motions growing jerky. Sporadic. Sparks of color flash behind your eyelids, growing heavier by the second. And it's so fucking loud in this room. Whimpers. Cries. Blending together so seamlessly that you can't tell who makes what noise. Every motion punctuated by an all-too-loud squelch of cum and lube, fuck, this bed is going to be ruined after this.

"I-I'm—" Bob whines, tongue flexing beneath your thumb. Eyes glassy, one blink away from tears spilling over the brim. 

"Close." Don't know if you're finishing his sentence or speaking for yourself. 

It washes over you with all the strength and violence of a tidal wave. Hips stalling. Head falling back. Cumming on his cock with an unexpected cry, heat racing through your veins, skin prickling, breath hung up in your throat. You think your eyes cross. Can't really figure out how true that is, too busy floating through the cracks in the universe to think about anything but the spasm of his length inside of you. 

And you're vaguely aware that he's cumming, too, his cries vibrating through your thumb and deep into your bones. 

"Still in there?" You find yourself asking after a moment. 

Bob hums and you're only now realizing that his glasses are gone, blinking up at you with unfocused eyes. Where they've gone, you don't know; don't think you could get up and look for them if you tried. 

All of the strength has left your legs. Thighs trembling as you lift yourself from his lap. And they can only hold you up for so long before you find yourself collapsing next to him, greeted by the significantly cooler sheets. 

Those horns are still there. All too present as he tries to snuggle down onto a pillow, inconveniently brushing against the fabric. You're both a damn mess. His lower belly glistens in the light, and you can already feel his cum beginning to spill out of you onto the sheets. 

Sheets that you don't want to change for a cleaner set. 

But the shower is so far away...and Bob is curling his arm around you. Pulling you closer to him as if the six inches of space between your bodies is too much for him to handle. Your nose bumps into his chin, the slightest hint of stubble growing there.

You should hide his razor and see what happens.

"How do I make them disappear?" Bob's voice cracks in the middle, sporadically skyrocketing in pitch. Water might do him good, but...damn, the fridge is by the bathroom. 

"I'll teach you, eventually," your voice isn't doing much better; you can hardly get it above a whisper. "I wanna see them on you for a little longer first."

His eyes roll, shaking his head all the while. Almost like he expected you to say that. But he doesn't call you out on it, content to tilt his head down and shut you up instead. Swollen lips crashing together, lazily tangling. A small explosion would be less messy, tongues licking into each other's mouths and teeth clacking so hard that your even bones recoil at the sensation. 

...but there's pressure on your shoulder, and you're rolling onto your back, his comfortable weight settling on top of you. Half hard against your thigh. 

"Satisfied?" You murmur, though you suppose you already know the answer to that.

His lips curl into a smile. Devilish, even. "No."

You're beginning to think you've swapped roles in this relationship.

[thankskenpenders]

Amy's fortune cards

The Sonic fandom has long been the kind of fandom that takes minor details very seriously, for better or worse. On the one hand, this means fans will really dig for the diamonds in the rough, latching onto fun character interactions, animations, bits of background worldbuilding, and more in pieces of Sonic media that many would write off as "the bad ones." But it also feels like every week another needlessly hostile debate over Sonic minutia erupts on Twitter, whether it's over individual lines of dialogue, fanart that makes Tails' shoes blue, or the ideal length and volume for Sonic's quills.

So it was probably inevitable that a fandom-wide debate would erupt upon seeing Amy's new gameplay style in the DLC for Sonic Frontiers, which takes the once-obscure fact that she enjoys reading tarot and shines a spotlight on it like never before.

I mean:

The thing is, while I basically always try to tune out Sonic fandom bickering... for once, I kind of sympathize with the detractors? Don't get me wrong, I like Amy's tarot stuff, and people on all sides of the discussion are being overly nasty about their opinions, as usual. (Sonic Twitter remains my personal hell.) But when I set aside the hyperbole and zoom out, I do think I understand why some fans are put off by the sudden shift in focus for the character, even if I think it's cool.

It's complicated. Let me attempt to present the cases for and against Amy's fortune cards

For years, I was always one of those fans who thought it could be fun if they played with Amy's tarot reading, or even leaned into some kind of magic with her. Part of that is my own biases showing, but there's just something that makes sense there, especially when you look at Sonic, Tails, and Amy as a trio. (I would argue that's the real "Team Sonic" these days, especially in the comics where Knuckles is more likely to be stuck on Angel Island or otherwise doing his own thing.)

You could argue that Tails is all about logic, relying on science and technology and deductive reasoning to solve problems. But Amy is all about emotion. She wears her heart on her sleeve, is extremely empathetic, and is very prone to magical thinking - both figuratively and sometimes literally. Her origin story has always been that her tarot cards told her it was her destiny to meet Sonic on Little Planet. She's claimed to be able to "sense" peoples' presences - particularly Sonic's. She's the type to believe that The Power of Love is a literal magical force. So, on some level, it makes sense to mirror Tails's science by having Sonic's other best friend believe in magic. And then Sonic is somewhere in the middle, primarily following his own gut instincts but taking advice from both of them as needed. This isn't totally accurate to how their dynamics actually function in canon stories, but I think it's a mode that could work for them.

Going off of that, it's fun to lean all the way into Amy being a magical girl, or even a witch, using her fortune telling as a foundation. Take, for example, this version of Amy from Diana Skelly's old Sonic cast redesigns from before she freelanced for Archie and IDW. This is one of MANY such redesigns for Amy.

Fast forward to the 2020s, and Amy's tarot cards are, in fact, finally getting brought up again in canon. Which is fun! I like seeing that. I like all of the individual stories involving Amy's fortune cards. This is a fun character trait for Amy, a fun nod to old lore, AND a fun storytelling device, all in one. It's really cool that the Sonic universe has its own thematically appropriate arcana, and that the cards are getting made as physical merch. And sure enough, the official card backs and borders were designed by none other than Diana Skelly, in yet another cool example of an ascendant fan leaving their mark on the series.

BUT... when you step back and look at the big picture, I get why some fans find this shift in focus jarring. At the moment, it's starting to feel like every new story about Amy involves her fortune cards to some degree.

The most recent mainline comic arc to feature Amy as the lead character, 2021's Trial by Fire arc, prominently features a sequence where she reads fortunes while camping with the girls. The Origins version of Sonic CD now bookends the game with scenes of Amy and her tarot cards. Sonic randomly mentioned it in a scene in Frontiers. And now, just this week, we got the (very cute, gorgeously illustrated) Amy's 30th Anniversary comic with a story revolving around Amy's tarot cards, followed the very next day by the Frontiers DLC in which she gets a brand new tarot-based moveset. Even her base melee attack now has her throwing tarot cards instead of swinging her hammer. Again, I like all of these individual things, but after years of it almost never coming up at all, it's VERY noticeable that Amy's tarot cards are suddenly everywhere.

To be fair, I'm looking at this from the perspective of a superfan who's actively following ALL Sonic media. Casual fans - especially kids - aren't necessarily going to be reading the comics every month, buying the thousandth rerelease of the Genesis games, or playing the ultra-hard new alternate ending DLC for a game that came out last year. Each of these stories is going to be someone's introduction to the idea that Amy can read tarot, and that's probably part of the idea behind this unified push.

But to play devil's advocate, for my fellow superfans, I understand why it feels like a very minor footnote of Amy's character is suddenly becoming the entire focus of her personality. While Amy has always been said to enjoy fortune telling, that wasn't really a character trait in and of itself, but rather an example of her being a typical girl who hopes she'll be able to find true love one day. It's less that Amy can literally predict the future and more like her using a cootie catcher or going "he loves me, he loves me not" while picking the petals off of a flower. So I get not vibing with this stuff, or feeling like it's being pushed very hard out of nowhere.

What I don't agree with are comparisons like "it's like if they made Knuckles' moveset revolve around him liking grapes." Like, I get it. Ian Flynn loves shoehorning in his little winking references for us nerds, and mentions of Amy's tarot cards were previously on the same level as other random bullet points from old Japanese manuals. But a multifaceted hobby like fortune telling that opens up so many narrative and aesthetic possibilities is obviously very different from having a favorite food. It's ALWAYS been a part of her story, not just a random fact, and there's no reason why the fortune telling can't be elevated to something more.

And, hell, even if it wasn't an established character trait, there's nothing inherently wrong with injecting new ideas into a character. One of the best Amy stories in recent years, the Free Comic Book Day special "Amy's New Hobby" written by Gale Galligan, came up with the idea that Amy's secretly been drawing little comics about her and her friends. Is this based on Lore? No. But it's cute, and helps tell the story of a younger Amy who's still coming out of her shell as both a hero and a friend.

Certain fans are also looking at Amy's Frontiers moveset and using it as evidence that once again the Vile American Contributors like Ian are CORRUPTING Sonic Team's perfect vision of Sonic with their misinterpretations. And like. Come on. Ian does not control the gameplay. He's a freelance writer. The tarot stuff is clearly something that Sonic Team likes if they made it the basis of Amy's new moveset - and, you know, if they keep approving comics and animations about Amy's fortune telling. None of this gets made without their blessing, and lord knows how much they can micromanage shit and shoot down ideas over the most minor of details.

Like, yeah, Amy's fortune telling was probably conceived less as a sign that she Knows Magic and more as a pretty mundane hobby for a lovesick young Japanese girl to have. But you're gonna sit there and tell me that using Amy's tarot cards for more than that could only be the result of a cultural misunderstanding? That nobody in Japan uses tarot card theming and aesthetics (or the general idea of magical cards) for the cool factor? Stardust Crusaders? Persona? The Astrologian class in FFXIV? Cardcaptor Sakura?? Hello??? Do you think Capcom put Gambit in Marvel vs. Capcom ironically because they thought using magic to throw cards at people was stupid? There's tons of precedent for this! It's nothing like Knuckles throwing grapes at people, be for real.

Giving Amy a very magical girl-esque moveset also just makes a lot of sense. For decades her hammer attacks have literally made sparkly heart shapes appear around her. Leaning into both that and her tarot cards in her new moveset makes a lot of sense to me.

But, admittedly... I do think it's very odd that her hammer is treated as a secondary element here, rather than having her primarily use her hammer and adding the cards for extra flair. If hitting the attack button made her swing her hammer instead of throwing cards, I'm not sure we'd even be having this discussion right now.

But the tarot-cycle and Amy riding her hammer like a witch's broom are fucking SICK and I will not concede on this point

The thing is, this whole fortune card discourse is but a small piece of a bigger problem. Amy's been a character who needed some work for ages, but there's basically nothing you can do with her without pissing SOMEONE off.

Years of stories where Amy's crush was her primary motivator and Sonic went "Ew, cooties!" have lead many casual fans to believe that being Sonic's obsessive fangirl is Amy's entire personality. At best people might call her Sonic's Minnie Mouse. This isn't just a matter of Amy having haters within the fandom - venture outside of that bubble and you'll realize that this is how MOST video game playing people seem to see her to this day. I don't feel like this is a fair assessment of the character, but this idea didn't come from nowhere. No matter how much good deeply entrenched Sonic fans may see in their old dynamic where Amy perpetually chases Sonic, this is a very real problem that Sonic Team has to contend with for their leading girl. Of course all those games where the way-past-cool protagonist thought Amy was annoyingly clingy and tried to get away from her made people think less of her.

If new stories were to go back to emphasizing Amy's crush on Sonic a little more, they'd probably be taken as confirmation that Amy's just the girl with a crush on Sonic and that this is her entire personality. Conversely, when the crush is played down, you piss off the hardcore SonAmy fans who don't seem to understand that they're Charlie Brown and Sega is Lucy holding the football. You can't win.

And so here we are. In the absence of what was once her defining trait, now reduced to an occasional blush or wink in Sonic's direction, new stories are trying to mine Amy's past for additional material to work with. Having been a thing fans wanted to see for years, right now we're getting a lot of tarot, but we're also getting reminders of her compassionate nature and her desire to go out of her way to help the little guy. This is an ongoing process. I continue to hope that her bubbly, exuberant demeanor can shine more in future stories. Now, I also hope that the tarot stuff gets balanced out a little better with other traits of hers. But I don't want it to go away. I think it's fun.

This course correcting is far from exclusive to Amy. Knuckles is getting stories that remind us that he's a competent fighter, an experienced treasure hunter, and even a self-taught archaeologist after years of him being perceived as either the dumb one or just the guy who stands in front of the Master Emerald all day. And Tails has been getting some stories reminding folks that he's a capable hero in his own right and not just Sonic's timid kid sidekick.

But no supporting character will ever compete with the sheer number of new ideas Sega has tried with Sonic himself. Like Amy, his Frontiers moveset has also given him half a dozen new superpowers that he never had before, from the Cyloop to air-slicing projectile attacks to his own take on Shadow Clone Jutsu and beyond. He's also been a hoverboarder, a swordsman, a time traveler, an Olympic athlete, a racecar driver, cursed with a Flame of Judgment, imbued with alien power, a fucking Werehog with stretchy powers, and on and on and on.

If Sonic can do all that, Amy can try out using a tarot-cycle.

Anyway TL;DR the REAL problem with Amy's current characterization... is where the FUCK is Amy's bestie, Honey the Cat???????

[lynaferns]

I'm seeing a lot of people saying stuff like

"it makes me sad that he's mean :(" "I'm scared that my au is not accurate anymore" or "I got my interpretation of him wrong"

And I think you should put this new information about the DCA at a side for a moment, go talk to friends and info dump about your original AUs and ideas, brighten up a little bit that spark that makes you create your art and just have fun talking about it. Because the fact that he's sassy in one game doesn't mean that that's the only trait to his personality now.

He can be mean, he can be anxious, short tempered, good intended, caring, dramatic, a little bitch, a cinnamon roll... He can be all the things you can come up with, in this fandom he's always been all of the above and more in different ways, in different stories. And you can still write him the way you want, people can still interpret him the way they want, don't let canon or other people or your own thoughts stop you from creating your AUs.

Instead use it to get inspired, get new ideas and create new stories. They turned the tables, you can turn them back up. He can be mean because of the virus but get softer to you with time, you can make a story about self-confidence and worth, he can hate and love his job simultaneously for different reasons.

The AUs where he's soft and caring are still going to be there, the fics where he's good with kids and patient are still going to get written. Keep writing those fics, don't stop just because canon says otherwise. I stopped writing my steampunk AU when the mimic was revealed to be burntrap and not Afton because "it wasn't canon anymore so my AU is not accurate anymore" and I'm still with that thorn stuck in the back of my head for not continuing writing even if it wasn't canon accurate anymore. Because I actually got excited about writing that AU but for the way my brain see things "if it wasn't canon accurate it wasn't worth it" and let me tell you that's a shit of mentality.

So please

Please please please please

Don't give up on your stories and creativity like that.

The immense variety of characterizations and AUs is one of the pillars of this community and one of the coolest things. The fact that you can come up with any concept for these two dorks and make it an investing story and you have a whole catalog to choose from what you're going to see next. Don't let that stop.

I love this community even if I don't understand it sometimes and I barely interact, I love seeing people having fun making their AUs, going nuts making fanarts and gifting art to each other just because it makes them happy.

Don't let this limit you.

Now I don't care how you share this, if rebloging, or reposting it, or rewriting the whole thing but shorter in your own post but just share this feeling with the community. It would be so sad if all the things that makes this place special crumbled because people aren't confident anymore in how they write the DCA because of a game that came out yesterday.

[xaverie]

So. I love Evan Kelmp. And - imagine that I'm trying to choose my words carefully here.

I've been getting annoyed with him over the last three episodes. Because. I don't like how he tends to impose his beliefs. About what is correct and should happen. On the other characters. And our Black characters, specifically. Which. Was really put on clear display by his interaction with The Qohlye.

Evan seeks to be understood. But I don't think he has.. put in the required effort to reach that same level of understanding with his friends, or in general. Perhaps because they haven't said things in the exact way that he needs to hear them. But he behaves as though he does understand, even though I personally think. That there are things he's missing.

The treehouse conversation. Lots of people seem to get and relate to Evan's side of the convo, which is fantastic! But not as deep an understanding of Jammer's side. Evan decides that the correct thing is for Jammer to come out not hide his magical experiences. He jumps to a few conclusions about the reason - first that maybe Jammer was ashamed, then that he wasn't confident it would go well.

Instead of asking for clarification about what "They need me to be Whitney, you guys need me to be Jammer" means, he had made up his mind. Evan likes that Jammer is magic because that is the way in which Evan feels most connected to Jammer, thus everyone should admire Jammer for his magical abilities the way Evan does. And if Jammer hasn't allowed for that it's some kind of rebuke of Evan, of magic, and of Jammer's own self. Therefore the only correct thing is to merge these identities, but really just be the Jammer that Evan knows.

And I'm not saying Evan is wrong here. But in the same way he's missing the fact that Jammer did try to expose his magic in S2E1, but he couldn't prove it because magic is fucking broken. He's also missing how naturally we, as Black people, fall into code switching. Not just historically as a method of survival, but for practical reasons, privacy reasons, or just to keep our peace. To treat that unilaterally as the same thing as a kind of toxic compartmentalization, or hiding the true self (all of them are true selves), was. Kinda. Sad to me.

Not to take away from Jammer's triumphant success on Galamanis or the freedom represented by growing wings, because this is what he chose and I love that he made those choices. But it also represents potentially giving up fitting into his mundane life and dream career, something he had fought so so hard to keep thus far, and destroying 'Whitney'. This, more than anything before it, might be a fundamental shift in identity.

The same way it made me a little bit sad that Evan had assumed Jammer didn't mean "family" literally, when I immediately recognized that of course he did. There has never been a point in American history where part of being Black and being family hasn't meant - we may have to be apart, but as soon I'm ready (as soon as we're safe), I'm coming back for you, no matter what. It is THE very first promise, the foundational truth, or the only thread of hope that tied so many Black families together through all these generations.

So while everyone recognizes what a sweet moment it was, I also hope people feel the gravity and the history behind "I dream of making that space for you." And the weight of how many people must have said that before him. And what a profound act of love it's always been because sometimes that's all we have.

When Evan tells Sam, "I think you are the most powerful wizard," she instantly replies, "I hope not." Evan's response to this was essentially - who were are is true whether we want it to be or not. Which, to be fair, is both consistent with what he expressed to Jammer and with his own experience. What it leaves out is that our hopes are also who we are. And that maybe the same way he mistook her love toward him for general gregariousness, he is still misunderstanding her a little.

While he deferred to Sam on the matter of whether they should pursue the Qohlye or not, I think it was still Evan's (or Brennan's) idea that not only must all four of them be chosen, but that The Qohlye must be the best choice for Sam.

When the Qohlye says 'I think you're only here because you're convinced you need to be the same as your friends,' is he wrong? When he asks why she needs to be chosen by his magic specifically, she can't answer on her own. When Sam was given the choice between Power and Understanding she immediately chose understanding because of COURSE she did. (She instantly replies, "I hope not." I hope not. My heart breaks.)

And yet. Evan insists that she's given the power anyway. Because that's what fits neatly into what he already believes is correct and should happen. He believes in winning and rewards. He believes she deserves that power and that they need it. So even though I know he does this out of love, he doesn't even consider for a moment that he might be wrong.

Because Sam does get the power, she does thank him, and again not to diminish Sam's accomplishment - once again Evan gets what he wants and is proven right.

Except.

When The Qohlye doesn't give him the answers he wants in the exact form that he demands them. Evan decides that this is a crime for which The Qohlye deserves to die. The Qohlye, who helped return him to life. Who has a strong connection to his friends. (Who chose to be Black, which meant so much to Jammer that he cried.) Who asked each of his friends, in turn, if they thought The Qohlye meant what Evan thought he meant. Who demonstrated that he is not (and cannot be) obfuscating something that is apparently obvious to everyone else.

Evan refuses to accept that yes, The Qohlye can give him information, but cannot understand it for him. And Evan is not ready to Understand because Evan keeps choosing Power. Understanding takes work, even (or especially) when it doesn't come naturally to you. And answers will not always come in a clear and concise way. And this makes him so angry that he wants The Qohlye dead.

While Evan always presents his beliefs and demands as logical and rational, his reaction to The Qohlye's refusal to engage on his terms was simply entitled and immature.

[beaulesbian]

I've been thinking about the Whiskey Peak Luffy vs Zoro fight and how nothing is truly finished or contained within just one arc in One Piece - where the themes and character development always overlap and span over many later arcs as well.

It's an interesting scene, and I feel it's almost impossible to dissect that fight just within that arc alone - like it wasn't meant to be taken seriously by itself at that time, but later with more context of what's to come after that.

A short version: It's a great set up of how the trust between Luffy and Zoro would develop after this fight.

Specifically, how it gets to this in Skypiea:

And a longer version under the read more:

To start at the beginning again - Luffy knew about Zoro's reputation by the time he reached Shells Town and heard about him as Demon Pirate Hunter of the East Blue, and decided to see if he's a good guy to have on his crew.

Once Luffy freed Zoro and they took down Morgan together, they could see how the other was similary strong, as well as they were able to fight in sync and well together, but maybe they still didn't understand how much they could depend on each other.

With Luffy, anyone who offers him food becomes something like his hero. If they offer him hospitality, he would protect them with his life.

With Zoro, he's always looking out for the danger, used to travel alone (or with just Johnny and Yosaku), he does what's needed, and usually without telling the others.

And this is, I think, that crucial moment when they realize this about each other -

Luffy wakes up and sees the people who helped him lying on the ground, and telling him that Zoro was the one who did that. Luffy goes berserk without needing to hear why, because there shouldn't be a reason why. Whatever Zoro tells him must be a lie, right? He must have gone mad.

Maybe if Zoro didn't fight back, Luffy would see something was wrong, but Zoro isn't one to back down from a fight, especially when being falsely accused, and if he saw that Luffy was fighting him for real, he in turn would give him the same courtesy. They're both very stubborn in the same way.

The misunderstanding trope can be a bit annoying, but I think it's all just to see them actually fight together on equal footing. It was one of the first examples of what they can do together.

After this fight, where they defeat the two Baroque Works agents together, and after everything is explained, Luffy understands, in his own way.

When rereading this part of "I thought you got mad (...)", I had a feeling that Luffy might have even think Zoro could become a danger to others and was ready to just.. contain him. He heard about him as a demon pirate hunter - of course, those where a lot of talking from the Marine's side of the story perpetuating the myth of him, Zoro never called himself that and Luffy knows it, but part of me thinks maybe Luffy wouldn't care about that - he just wanted Zoro on his crew no matter what, and would deal with the consequences after that. Like in Whiskey Peak.

But what's even more interesting is, since this fight, they began to understand how they work separately.

I kind of like that they don't come back or talk more about this fight, because once it's done, they're past that. But both take it as a learning experience, Luffy still has a long journey to go as a captain, and I feel with knowing what Zoro does without saying, Luffy began finding the footing as captain with putting this specific trust in Zoro - learning he can fully depend on him to protect their crew when something would be amiss, when some danger would be nearby.

And that despite the sudden fight, the bad communication and the immediate resolve, Zoro sees another most important part of Luffy's character - how far he would go to help someone who offered him food or helped Luffy and his crew. And this knowledge has helped Zoro many times since this arc, in situation where the rest of the crew might not understand Luffy's thinking, Zoro's usually the first one who does understand.

On Jaya, that trust takes the main role when Luffy orders Zoro not to fight Bellamy's crew:

Later on Skypiea Luffy says it out loud how much he trusts Zoro to protect the rest of the crew:

It goes on each arc more and more, subtle but with that trust between them deepening.

With Zoro letting Luffy know being their captain is hard but he cannot falter,

in Post Enies Lobby it's Zoro telling him what rules need to be followed, otherwise the crew would fall apart,

It feels since that Whiskey Peak fight, Zoro really took it onto himself to protect the crew without having to say so, and Luffy understood that's what he does. It's Zoro's instinct to do that - Skypiea protecting Robin and Chopper, Thriller Bark - protecting Brook, saving Sanji and of course Luffy from Kuma. On Punk Hazard, while Luffy is against Ceasar, Zoro fights Monet so Nami and Robin could get away. On Dressrosa his final fight against Pica is to protect Usopp and Kinemon.

I also like this bit on Zou, where Zoro doesn't enjoy the Minks' attention on him, and Luffy reprimands him that it's rude to talk back to someone who's hosting a feast for them. Again, kind of a callback to Whiskey Peak, ch. 807

And then there's whole Wano, with Zoro protecting Tama, Otoko and Yasuie, Hiyori, and it gets very personal when they're hurt.

During Onigashima Raid he keeps reminding Luffy that he would go with him up to the rooftop to fight Kaido, because this time the enemies are too dangerous and he needs to protect Luffy as well. And they both protect each other there:

Conclusion: I love the Whiskey Peak fight now, because it brings up many small details that are so important over the span of many arcs later, slowly showing just how different these two are built and how much trust they learnt to put in the other.

bonus:

On their way to Enies Lobby on the train, this scene looks very similar to their Whiskey Peak fight, except this time they're intentionally using their strengths together against the Aqua Laguna.

Whiskey peak, ch. 112

Water Seven, ch. 367

[loquora]

I'd like to take a couple of minutes to talk about NaNoWriMo (National Novel Writers Month) and their terrible, very bad, no good stance on genAI (generative artificial intelligence) and why I won't be writing anything for this challenge again.

I'm very aware that I am an active and vocal genAI hater. But I am willing and open to hear about positive and useful things LLMs (large language models) can do. There are valid scientific uses for the technology and some really fascinating medical and academic breakthroughs that come from LLMs. But the use of genAI in creative writing context is complete bullshit.

Come with me for the breakdown.

The first part of their statement:

NaNoWriMo has made it clear they are not just tolerating genAI in their month long writing challenge, but that those of us who don't are 'classist' and 'ableist' because we don't.

The post was later amended with a list of reasons why they make each of those claims. We'll start from the top.

GenAI uses the technology in a way that is morally, ethically and environmentally bankrupt. See, all LLMs have to train on something. When you're using it to, say, detect cancers you can feed it images of cancer scans so that it builds up a dataset of what those look like to predict future scans. But when you want to generate text, images and video you have to feed it text, images and video. Those things came from people, actual people and actual artists who overwhelmingly did not agree to train anything with their work and can no longer wrest their work from the machine now that it's been stolen from them.

It also isn't 'intelligent' at all, considering it has that word in the name. Think of genAI like an alien learning our language with absolutely no frame of reference for what it's learning. It can predict that the letters "w-e" and "c-a-n" often come after the letters "y-e-s" because the phrase "yes we can" will come up often in training data, it's a common phrase. But it doesn't actually understand what any of those words MEAN. Just that they often follow one another so that when prompted it will, statistically, try put those letters and words together again.

So when it comes to actually writing or responding to prompts what you're getting is the most likely outcome based on a massive amount of data input. It is not actually giving you feedback on what your writing looks like, it's giving you the most statistically possible response based on input. It's fake feedback, a thousand other feedbacks crammed together and extruded into a goo that looks and sounds like feedback but is actually meaningless. ChatGPT doesn't understand your writing sample anymore than a phone tree understands your anger and desperation when you continue to say "OPERATOR" as clearly as you can to try to get through to a real human. Both understand you input a word and will output based on that, but context, emotions, cultural mores etc. are all beyond it.

This is why AI is so absurdly shitty at things like math, counting letters in words and identifying words that start with the same letter. It's mashing together a million math problem answers betting on the likelihood that statistically someone has already answered that question enough times in the training data that it can spit the correct answer out at you.

TLDR: If you're using genAI to get feedback on your writing you're not actually getting feedback on your writing at all, but the most statistically probable set of words that relate to feedback. So right off the bat the idea that genAI is going to help you be a better writer is just flat wrong. It doesn't know how to write, it doesn't even know how many Rs are in the word 'strawberry'.

Second point has the same issues as the first:

I actually agree with them on the point that if your brain doesn't handle certain writer activities well it's perfectly okay to use an outside source for help with it. GenAI isn't actually helping you be a better writer, though; it can't. It doesn't understand anything you write nor can it provide meaningful feedback when it's just spitting out statistically probably words to you based on your input. So while the point here is actually good on the surface, the solution of using genAI to help people who have trouble with certain aspects of writing is still not correct.

The final point:

Again, this is a very good point... if it wasn't being made in conjunction with a defense of generative AI WHICH DOES NOT HELP OR SOLVE THIS ISSUE. In fact, because of the known issues of bias in how genAI LLMs are built they can make issues for marginalized writers worse.

I genuinely have no idea how this very true paragraph about people who are routinely pushed out of traditional writing spaces is helped by genAI. Their entire point thus far seems to be that genAI is a 'cheap' alternative to some traditional writing aids but considering genAI doesn't work like that it's all dead in the water as far as I'm concerned.

If NaNoWriMo was actually concerned with solving these access issues to things they consider critical to writing in general, why not offer a place for real people to read and critique one another on their platform? There are myriad other technological solutions that don't cost huge amounts of water AND actually help aspiring writers!

All of this to say that you should write for yourself, write what you enjoy and get better the same way generations of people before you have: by reading other people's work, talking to and exchanging time with other authors and writing and rewriting in your own words until you're satisfied.

Wasting water asking genAI to do things for you that would make you a better writer to do yourself or with trusted allies is just that, a waste.

[fellthemarvelous]

Aziraphale hate makes my brain hurt.

Like let's be really fuckin' for real here.

Neurodivergent fans have repeatedly said that Aziraphale is autistic coded. I agree with them. I have never been diagnosed but I wonder about myself. If only I could get a doctor to take me seriously enough to test me for it, but alas, I'm a 43-year-old woman living in the good ole US of A.

Those with religious trauma have repeatedly said that they identify with him as well. I'm one of those people. I endured 12 years of Catholic schools and just as much time being taught a very black and white view of things that I've had to spend more than 20 goddamn fucking years working to unlearn.

I find that my views as a survivor of religious abuse are often dismissed because people keep wanting to say "Aziraphale doesn't have religious trauma." Yes, thank you, I get that, but unless you've been indoctrinated and brainwashed into a very black and white view of the world, you probably don't understand the kind of feelings Aziraphale's onscreen experiences evoke in so many of us. Heaven might not be real, but the feelings of "God is always watching" still stick with me today even though I no longer believe in God. I have entirely denounced Christianity because of my own personal experience, and I refuse to allow people to try and guilt me or shame me for trauma that I didn't ask for. I wasn't given a choice.

As a child I was told that God was real and always watching everything you do (just like Santa Claus) and can hear everything you say and knows everything you are thinking. Do you know what I learned to do in order to cope with this overwhelming and anxiety-inducing information as a small child? I learned to censor my thoughts. I never spoke up, and I have always felt like I was putting on a show for people because I had to be who I was told to be or I would get into trouble.

Aziraphale said "poverty is a virtue" during The Resurrectionists, and as someone who grew up in the Bible belt and went to private schools, I was taught this very same shit by the Catholic church. He learned in that very same episode that "poverty is a virtue" is actually a tool of oppression to keep the poor poor and the wealthy wealthy. I know we all watched the episode. He went into that episode believing what he said, but by the end of it he knew it was actually utter bullshit. Aziraphale is not ignorant. He's highly intelligent, and he has never been too proud to admit when he has been wrong. He accepts that the information he learned before is not matching up with reality.

And it's so obvious some of you have zero experience with that type of indoctrination because of how very little empathy you show Aziraphale for his "mistake" of "choosing Heaven over Crowley" and "making Crowley sad" so clearly Aziraphale must somehow be "abusive" and "manipulative" and "selfish" and "self-centered" because he didn't choose to run away with Crowley at the end of season two.

First of all.

FIRST OF ALL...

Aziraphale has a mind of his own.

Aziraphale is always going to try and do what is right.

Aziraphale is an angel. He's a being of love. And the reason he's so "bad" at being an angel is because he actually wants to protect humanity. He has always loved humanity. He repeatedly has to contend with what is "right" versus what is "good" and "wrong" versus "evil". Yeah, he has flaws. He's an angel, not a goddamn fucking saint. He has lived on Earth for more than 6,000 years. He has seen everything. He loves doing human things.

He's obsessed with magic. It makes him so happy. He's not very good at it...well not when he's trying to put on a show for Crowley.

He chose to learn French the hard way, so even though he knows every single language in the world, he chooses to be mediocre at French. Something that annoys and amuses Crowley at the same time.

He loves to dance even though angels aren't supposed to dance, and dancing with Crowley was what he wanted the most.

He owns a bookshop and refuses to sell any of his books because they are books he's had for as long as there have been books. He will chase customers away from his collection, and Crowley understands how much they mean to Aziraphale because he refuses to sell any when Aziraphale leaves him in charge.

He and Crowley have been speaking to each other in coded language for more than 6,000 years. They have to be very careful about what they say because Heaven and Hell are always watching.

Heaven has photographs of Crowley and Aziraphale sitting or standing together throughout history. Hell had one photo of Crowley and Aziraphale actually working together and it was Aziraphale's quick thinking and how good he actually is at sleight of hand tricks that managed to get that photo out of Furfur's hands so he wouldn't be able to turn Crowley over to the Dark Council.

Aziraphale saved Crowley from being taken to Hell again. He wasn't able to save Crowley from Hell in Edinburgh, but he sure as heck managed to save Crowley from Hell during WWII. He took Crowley to his bookshop and showed Crowley that he stole the picture from Furfur. He saved Crowley.

You get that, right?

Aziraphale SAVED Crowley.

People always talk about how it's "always Crowley saving Aziraphale" because apparently heroic acts are only heroic when they are grand gestures. The sleight of hand wasn't heroic at all, am I right? It wasn't sparkly and showy. It wasn't interesting enough, therefore not heroic. At least that's all I'm hearing when people start with their "blah Aziraphale deserves to suffer because I have no imagination or ability to understand the media in front of me blah", and all these reasons he deserves to suffer is because Crowley almost got hurt.

Aziraphale did that without flinching and I watch that part closely every single time. He's not scared for himself. He's scared for Crowley, and he managed to hold onto that photograph. He did not fail Crowley. He protected Crowley.

And so here's another thing that we like to point out. The way that Aziraphale, an angel who is effeminate and male presenting, an angel who is soft and full of love, an angel who is kind and forgiving because he has empathy and compassion, is somehow painted as abusive and manipulative. He's not violent, but he could easily fuck up your world. He doesn't use his powers. We have no idea how powerful he is because we only ever see him do small acts. He's used to hiding. It's the only way he has ever been able to protect Crowley.

And I'm not saying that Aziraphale has actually saved Crowley before means that Crowley hasn't also saved Aziraphale. Like, you get that those are not mutually exclusive and their relationship is not transactional, right? They have spent their entire existence protecting each other but never actually getting to be together because Heaven and Hell are always watching.

Yeah, Crowley fell. We all know this. We are aware of this. He was the serpent of Eden. He gave humanity the knowledge of free will.

But what we don't talk about is what Aziraphale gave humanity.

What did he give them?

We all know what it is!

Let's say it together!

He gave Adam and Eve his flaming sword because it was dangerous outside the garden and Eve was pregnant and she was already having a really bad day. He showed them compassion and gave them his extremely powerful angelic weapon so they would stand a chance on the outside of the garden. He gave humanity the gift of compassion. It's just unfortunate that his flaming sword became a weapon of War.

And then what did he do after that?

Ooooh, yeah, that's right.

God asked him about it and he straight up lied to her and pretended he had no idea where he'd managed to misplace it. She didn't say anything after that. He told Crowley the truth though. He told Crowley the truth even though Crowley fell.

Yeah, we know Aziraphale has done some really fucking questionable things. He and Crowley both suck at passing for human in front of observant people like Nina. They're not human. They are still learning, but they managed to experience human history together despite being on opposite sides and their experiences with humanity are what has shaped them into the compassionate and loving duo they are now. One of them is not better from the other.

This, my friends, is what we call meeting in the middle. It's why shades of gray is so important. Aziraphale constantly breaks the rules. Crowley refused to play by Heaven's rules. It's the reason he fell. He doesn't play by Hell's rules either. These two dorks figured out how to cancel each others' miracles out throughout human history in order to have more time learning about humanity and each other because working all day every day sucks when there are so many new things to learn and experience with the people you love.

We know Crowley and Aziraphale both love each other. Neither of them are good at hiding the hearts stars in their eyes.

But here's what's really fucking annoying about the Aziraphale hate.

Aziraphale was already crying when Crowley grabbed him and kissed him. Aziraphale is trying so very hard to do the right thing. He loves Crowley. He does. But he also has a duty to humanity, and he has taken that job very seriously since the creation of Adam and Eve. He sent them out into the world with a flaming sword so they would have a chance at surviving beyond the walls of the garden.

And he knows that Something Terrible is going to happen and he spent all of second season trying to figure out what that Something Terrible was while trying to have some sort of more honest and open relationship with Crowley, but again, they aren't human, they are a demon and an angel approaching life from opposite sides who met in the middle and fell in love with humanity together.

He wants more than anything to tell Crowley how he feels about him, but he wants to do something grand for Crowley because Crowley has always been grand and dramatic and sexy and a little bit scary.

Crowley is impulsive and has a temper and sometimes says the wrong thing but he has always trusted Aziraphale because Aziraphale gave him a chance even after he fell. Aziraphale chose to shelter him instead of smiting him while they stood on top of that wall. He knew he was supposed to kill Crowley, but oops, he gave his sword away to the humans so he didn't really have anything to kill him with and Crowley is the one who created nebulas. The Pillars of Creation is Crowley's work and Aziraphale was there to witness that, but he watched Crowley more than he watched the nebula. He witnessed the pure joy on Crowley's face when he said "let there be light" as a nebula full of colors exploded before their eyes. He was fascinated by Crowley.

But Aziraphale is going back to Heaven even though he has made it perfectly clear he absolutely has no desire to go back to Heaven. He told the Metatron this during their conversation. He spoke these words out loud. They exist.

But then The Metatron said this....

The Metatron. The very same angel who told Aziraphale in season one "to speak to me is to speak to the Almighty." He's the boss. He's the big guy. He's used to existing as a giant head and he had to give himself a body so he wouldn't stand out on Earth. And he knows that Aziraphale and Crowley have been working together since the beginning. He knows they worked together to prevent Armageddon in season one, and now he's made it clear he knows they were working together long before that. And let's face it, Aziraphale really wants to know what this Something Terrible is that Gabriel is running from so he can try to prevent it from happening.

It makes sense that he would want to take Crowley to Heaven with him because he would be able to keep Hell from getting their hands on him again. Aziraphale hates it in Heaven. He doesn't want to go, but Something Terrible is happening and Metatron isn't taking no for an answer, and maybe Heaven won't be so bad if Crowley is there with him. At least they can fix Heaven together.

But Crowley can't go back. We all get that. We don't blame him for saying no. It doesn't change anything.

Something Terrible is about to happen and Aziraphale has to figure out what it is. He wants to change Heaven.

He is fully aware that Heaven sucks. He still has faith in God. His faith isn't in Heaven. He deserted his platoon in season one and threw himself back to Earth so he could figure out how to make sure the war between Heaven and Hell doesn't happen.

But see, here's the thing. Heaven is at the top. Heaven has all the resources. Heaven is responsible for the creation of Hell. Heaven is empty and Hell is overpopulated. Aziraphale knows this. Crowley knows this. It's obvious every time we see either place. Both sides are desperate to go to war and will not hesitate to destroy humanity in the process. This is the opposite of what Crowley and Aziraphale want for humanity. If anyone can change Heaven, it's Aziraphale. He's the only one up there who gives a shit about humanity as far as we know. No one else is going to speak on humanity's behalf.

Some of us are so busy getting mad at Aziraphale for going back to Heaven and giving Crowley a Big Sad. Newsflash: Crowley is not the main character of Good Omens. Aziraphale and Crowley are equals, yet we wanna hold Aziraphale to higher standards because he's an angel, and when he makes mistakes it's proof that he's the bad guy.

Holy mother of all things that trigger my religious trauma, let me tell you. I spent my entire life hating myself every time I made mistakes. I've had to teach myself that just because I mess up sometimes doesn't mean I'm bad. It means I'm human. I still struggle with it. I probably always will. So when you say that Aziraphale deserves to be punished for breaking Crowley's heart, you not only ignore that Aziraphale's heart is also broken, you're saying he deserves to be punished for doing what he thinks is right.

Wanting to change Heaven for the better is not a bad thing.

And some of y'all wanna see him suffer for going back into the lion's den that is Heaven, knowing that he is already an outcast, that they have already tried to kill him once, knowing that he is a deserter, that he has been lying to Heaven about a lot of things, and you still think he's blinded by Heaven? You think he's just so naive and that's the only reason he's going back. He doesn't show his emotions the same way Crowley does so it means he doesn't care as much. He's expected to consider Crowley's feelings over his own when making choices. Like holy shit if all of that hasn't defined my experience as a woman with religious trauma in this fucking society. He's expected to be subservient to Crowley and if he doesn't do what Crowley wants then he's being unreasonable and illogical.

What the actual fuck, y'all.

Like seriously.

I'm sick of this bullshit. I had to step away from this fandom because of how toxic some people in this fandom are. It's not chasing me away, but the fact that I chose to hang out in a a more toxic fandom that is already notorious for being really toxic over a fandom that claims to be more open-minded and welcoming should probably tell you something.

It gave me a lot of perspective, and yeah, I'm still gonna speak up against the bullshit Aziraphale hate.

People are entitled to their opinions, but the Aziraphale hate isn't an opinion. It's just ableist, misogynistic garbage. At this point we all know y'all say these extreme things about Aziraphale because y'all get more joy out of the harm and alienation it is causing others.

Keep being loudly wrong, but if you think I'm not entitled to challenge shitty-ass, harmful, hateful discourse, bite my ass.

I'm not the one who lost the plot in this fandom.