#don't ask how he's holding it

[minty-frost]

stained

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[littlefankingdom]

It's funny how in fanfics, people write Clark giving parenting advices to Bruce, when in the comics (see: World's Finest: Batman and Superman) and other media (see: Young Justice), Bruce is the one giving parenting advices to Clark, and he is always very serious about it.

After all, Bruce has been a father figure and mentor for longer and more kids than Clark. Of course he doesn't need to call Clark for help to learn how to take care of his kids, Clark is the one calling Bruce for help when he has an issue and Ma Kent is busy.

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[rottiens]

Stepmom Yuki has severe breeding kink 😔✊️

she fucks you nice and deep, putting her hands on your belly looking adoringly at the way the cock separates your slippery folds and she would love nothing more than to fill you to the last drop. she in fact, debates whether she would love to cum in your folds or so deep inside you. her thumb moves from your belly button to your clit and strokes it sweetly as she takes the leg above her shoulder and kisses your calf, moving her hips in such a way that she manages to get even deeper.

the idea of her seed inside you, your tits swollen from pregnancy and her lips on your sweet sensitive nipples is what makes her cum silently, calling your name as she bites your skin.

[sugarpasteltmnt]

Maybe I reading this wrong but this popped into my head on a reread: Does Leo like fighting his family not only to feel their ninpo but also because fighting is the only way he has had physical contact in the last five years? If it is that just makes every fight scene all the more angst filled, not that they needed help in that particular aspect. Thank you so much for writing an amazing story.

I'M

THIS IS DEVASTATING AND I LOVE IT

[spotaus]

Hey! The ask!! Lets see if i can manage to type everything i thought about in the time i got my break!!

So. I got thinking. (This was also a half baked drabble idea but didnt feel like making it a full one so you are getting the idea like this!! >:D)

We spoke about how Killer would be guarding Nightmare in the raid where Dream manages to steal him.

The problem is. If Killer can still move this guy WILL throw himself at Dream to save Nightmare. Meaning that Killer has to be mortally wounded. (Also works with why Nightmare rushes to shield his older brother)

So we got Killer just laying in whatever room Nightmare and him ahd been in. Probably slowly bleeding out.

On one hand. You can have the Knights run in right after. But then what is stopping them from splitting up, one part staying with Killer and one part rushing after Dream? And it has been YEARS since Dream last visited the castle. He may not remember everything quite right.

So... in theory. It should take more time for the Knights to get to Killer. But Killer is mortally wounded.

So. In comes!! Ccino (my beloved).

Ccino had been going towards killer and nightmare after helping the servants and maids evacuate or go to the bunker.

He gets there to see Killer pretty much laying there dying on the ground, Nightmare no where to be seen.

What does he do?

Ccino's crisis management skills activate. He wants to find Nightmare but he has no clue of where Nightmare went and he has no way to fight whoever took him. Killer is in front of him actively dying.

He goes to Kilelr's side.

Killer, the romantic idiot, probably realises he is fucking dying. So maybe he is like. Maybe i can confess? (Add some extra angst and make it that the hit was by either his neck or spine or soul. Making him unable to communicate)

Ccino is trying to keep the wound closed but he has no healing magic. He doenst even have first aid kit on him beyond the bare minimum. What does he do?

Well... he knows there is one being still in the castle. He does a little prayer and asks for help.

For Killer? Killer is slowly falling unconscious. He tried to confess but cant speak. He cant even apologise for failing everyone and losing Nightmare. At least Ccino is here in his last moments. He isnt alone. So he falls asleep.

Maybe some warm light guides him. A familiar voice that was once a friend? He tries to follow only to be stopped. Stopped by something sharp and pulling him down. Back into the darkness. It feels like when he fell into a bush. The way those thorns prick his bones.

Killer at first tries to follow the image of his friend (were they his friend? They saved him right? So why shouldnt he follow them?)

Only to hear so soft. So quietly from the darkness. 'Please dont let him die...'

And that sounds like Ccino... so Killer follows that voice. Goes into the darkness and it feels as if he traveled through a overgrown forest with sticks and stuff all pulling on his limbs.

And he wakes up. His skull in Ccino's lap as Ccino keeps the wound closed and did the best first aid he did. Moments later the Knights rush in to assist.

(Yes. The tree pulled Killer's soul back to the living side while the memories of chara were trying to pull killer into oblivion and get him to die)

Okay that is all. I wanted to get that out of my system.

Okay. Hi. As always, losing my everloving mind over this. Gonna make a Cut so it's easier to scroll hehe-

First off, you are SO right about Killer fighting till he physically can't move. I think that the combat between Dream and Killer is actually decently drawn out, because Dream is kinda in a frenzy (Storm growing outside + just obliterated Cross as far as he knows) and as a mostly long-range attacker it was stupid of him to try and fight Killer alone in a confined space. Killer's fast, and has a lot more to lose if he loses this fight (Nightmare is still hidden but low key stuck, and Dream is very adamant about ending his life) so he gets up close and personal for a while and lands quite a few solid attacks. However, Killer has also heard about Dream. He saw the distress on his little face when Cross admitted who had sent him and why. How Nightmare refused to send an assassination party to end things prematurely. This is Night's brother, so Killer won't kill him. As much as he wants to.

This leaves him at a direct disadvantage, and anytime he backs off to recoup Dream shoots arrows at him. (I also think he took a couple on purpose, because where he'd hidden Nightmare was the trajectory and he couldn't block it fast enough). And then, I like to think that when Killer gets in really close one time, Dream summons his blades, the ones he was still a novice with. But! One of Them peirces Killer's outer ring of his soul, and Dream jabs upwards (kinda using his other hand on the hilt to have more force) and wedges it into Killer's spine just past his ribcage. When Dream does this it his the magical equivalent of a vein, and when he shoves Killer away and off his blade, the other can only stay upright for a few stumbles before he teeters and falls onto his back.

Soul out in the open, covered in wounds (I like to think Dream's arrows peirce and burn), and now bleeding and seemingly paralyzed, Dream pulls out his bow again, ready to shoot Killer straight in his target soul. But, he's still selfish, and he wants to monolgue a bit, curse Killer (who he believes has been controlling his brother for so long) and shoots his hand, then a gash in his neck from a well-placed arrow, until he can see that dusty layer rising on Killer's bones signaling it'll be a slow death.

But, when he finishes cursing out Killer, is ready to fire the final shot? Nightmare had been hiding in a wardrobe, when Killer had stopped talking he'd gotten worried and peeked out against his better judgement. Now, with the scene, he rushes into the crossfire and, like we've discussed, the arrow ricochets off the mask and knocks it off, revealing Night in his teen form.

And it's a quick pleading, a desperate little plea from Nightmare not to kill Killer, or hurt his knights or the people. To just stop. And Dream, after his moment of shock + probing Night's emotions to find this really is him, scoops him up. His intention was to finish Killer off, but the storm outside roars louder and he can feel a strong emotion hurrying his way, so he decides to retreat. Killer should bleed out anyways.

And now finally to your point!!! Ccino is absolutely the best option! The Knights have no idea what's happening inside, and all they can. Do to help is keep Blue and Ink occupied. Cross is down for the count and looking rough, and they just have to trust that Killer got Night out or somewhere safe. Ccino? Ccino finished his part of the job, efficient af, and is rushing to go find Nightmare and Killer. He doesn't know Dream got in, he doesn't know quite where they'd be, but he can kinda sus it out based on carnage and wet steps in the halls where *soneone* got it. If they did, Killer would probably be stalling with Night nearby.

And like u said, he gets there and finds Killer actively dying, and crisis management kicks in! Ough everything about this moment is so perfect... Ccino never learned medicine, and has no healing magic, so he can only make Killer a little more comfortable and put pressure on his wounds to try and stop the bleeding. And he *sees* that soul injury. No matter how well he staunches the blood flow with his apron, that would surely kill him without treatment. And Killer seems to still be conscious, but barely. He's fading. And silent, which is deeply eerie and Wrong.

And good gods. Killer wanting so so bad to confess because, he's gonna die anyways so he wants to get it out, but he Literally can't say anything?? Wauhh!!!!!

And Ccino reaching out to the Veing in the castle... praying, begging for Killer to be saved, because Ccino refuses to leave him alone, and also refuses to lose him. Killer was Night's first knight, the most important person in that kid's world (Ccino doesn't count himself). All the Knights rely on Killer for guidance and support. Ccino needs Killer in his life, this idiot, this criminal, is somehow one of his favorite people in this castle. Please, please, please don't let him go. Keep him here until help arrives. *please*.

And the Castle obliges. Not only is Killer the one who protected Nightmare, the prince who is restoring this land, but Killer is one Ccino values. Ccino is here, stopping his wounds, begging for help to save a life. He hasn't done that before.

And!!! The description from Killer's perspective!!!!! For all intents and purposes, it seems the warm friendly voice (Chara!!!) Should be the one he follows. It's gentle, beckoning towards a soft glow, it's peaceful. And then the tree's method of getting Killer back is to snag him. Darkness, unpleasant contact that stabs and pricks and scratches. It's not nice, it's not subtle, it's dragging him back into pain and agony of his injuries (even if it's not immediate). But Killer doesn't fight because he hears Ccino! Even if he doesn't process that it's him, it unlocks something in his core that makes him decide to take the hard route and push back through that dense forest until he's back to the living realm. Still on death's door, but alive!

Oh I love this visual so dearly, frothing at the mouth about it....

And ofc the aftermath. Dream couldn't find the main entrance, so he snuck out a servant's door and signaled from outside that he was ready to go. The militia (I think the guard was busy holding off militia members from entering the castle walls) retreats first, scattering into town and Rogers demands no pursuit, hold the walls strong. Then Blue and Ink narrowly escape by simply using Ink's magic puddles, appearing somewhere else in the city through a big enough rain puddle. (Though, miles out they're still dodging the occasional lightning strike).

Only after they're too far off do the knight rush back. Horror's got Cross (in critical condition due to a blow to the side of his ribs+spine but ultimately stable) and Dust leads the way to search for Night and Killer, also following the trail Dream had left, and... they find Ccino and Killer. Killer is very very much limp in Ccino's lap, they're basically sitting in a pool of Killer's blood, and Ccino upon spotting them rapidly tells Dust to go find a healer and bring them here. Immediately.

Horror sets Cross nearby and focuses his efforts on trying to help Ccino put pressure on Killer's wounds but he can't do much either.

But, y'know, the healers who have magic for it are able to stabilize him (they are flabbergasted that he's not dead) and Cross is alright too. Dust + Horror go searching for Night. Nowhere to be found.

[kazoosandfannypacks]

This holiday season, I am BEGGING you guys to be aware of and kind to the guests at your house who are afraid of /uncomfortable around / allergic to animals.

[phoenixcatch7]

Reading loz/lu fics and it's just so interesting how wide the spectrum is of their personalities.

Sometimes it's got an in universe reason (different past (usually gender or species change), recent or ongoing traumatic events, a spectacularly bad first meeting), but sometimes (often) the characters are just... Weirdly angsty or peppy, there's no in between!

And I'm beginning to think less people have played more than one game than I thought XD.

Not that it's anyone's fault! One game is more than enough to be part of it all, and loz is exclusive to Nintendo consoles - and all the older stuff is frustratingly hard to get hold of. Heck, I'm still looking for wind waker, and that was really popular! And then you have to play it! They're not small games!!

But could people writing wild please ease off just a tiiiiiny bit so he can be a semi functional member of society pretty please XD? He's just as much a polite boy as any other member of the chain! He won't even run in shops! He can't attack npcs! He talks to every single person he's ever seen and remembers every single name. Yes, he's three quarters woodland creature with a hefty amount of trauma but he's also a fashionista who managed to avoid accidentally taking sides in a mayoral election and that's not easy!

[bumblingbabooshka]

Everyone who makes jokes about Vulcan hand sex is ignoring the REAL Star Trek hand sex species.

The Ocampa.

[s-dei]

crew meme redraw

(If you're curious abt chars choice, it isn't about RE3 events, but some headcanon area placed into meme)

[mrinafria]

Marriagecore SolJae.

New parents SolJae.

Im Sol struggling with the baby, and Seon Jae coming in to save his Sol-ah (because she's already done more than he could ask for by agreeing to date him, love him, be with him, marry him and have babies with him). Seon Jae the appa coming in after having thoroughly read and researched parenting books, how-tos, tutorials, attending workshops and seminars, talking to as many parents as possible, joining group chats for new parents across all social media, just so he could learn how to hold their baby, calm the baby down and take care of their baby and maybe flex his knowledge before Im Sol trying to look cool because loserism is a chronic illness.

Seon Jae striking a conversation with other parents/eavesdropping during shoots, events, social settings etc. while others are talking to learn more about baby poopoo and what is healthy or not.

Im Sol just being done with these TWO babies but also ready to headbutt anyone anywhere if they dare hurt either of them.

Look at the hint of smile on Woo Seok's face. These two knew exactly what they were doing in this scene.

Something tells me the show did this so they could cop out of showing SolJae babies for real because we only have ONE episode left. Let me be wrong please T_T

[gardenofnoah]

kirishima has always been looked at as strong and commanding—always larger than life and in control—so he has no idea what to do when he’s pined underneath you and at the mercy of the way you play his body like a well-tuned instrument.

he’s out of his depth and feels half out of his mind as the tip of your tongue drags over his hip bone. you’re touching him everywhere—fingers bruising against his waist, his thighs, his calves—he knows that you are taking from him in a way that no one has ever, and he’s giving all of it to you willingly.

“b-baby,” and it’s stuttered and breathless as he feels your teeth sink into the skin of his inner thigh—he fights the urge to harden his skin subconsciously over the pain because it’s so good and he wants to feel all of it—

“so good, Eij—“ you coo into his skin, dragging the plush of your lips over the trails of raised, reddened skin your nails leave behind as you move down his body, “you’re so good, letting me play with you like this.”

to his shock, his hips kick at your works, completely enthralled by the notion of being a play thing for you—of giving in, of going soft for the first time in his life—

he feels your fingers dig into the muscle of his calves and has to shut his eyes so you don’t see them roll back into his head. the foreignness of his own submission is wearing off now—replaced by the heavy, slippery feeling of needing you, of leaning into this space where he can just be worshipped by you and know that you will be there to hold him through it.

you climb back up his body and he savors the feeling of your weight on him—pressing him into the sheets, the tension in him bleeding out from where your skin meets his—and he lets out a pitiful whine when your nails scrape over the taut muscles of his belly. can’t help it when his hips buck into yours, but feels the need to apologize anyway, because what’s happening right now feels so far removed from his own base desire to be buried inside you. this feels too refined, like more luxury than he deserves, and he feels like a neanderthal.

“it’s okay Eij,” you reassure him, and something inside him goes molten at the way you forgive him, love him— “i know it feels good. you can take what you need to, my love.”

and he shakes his head at that, frantically, because he doesn’t want to take. he doesn’t want control of this—he wants you to hold his pride in your hands and turn it into something malleable and fluid. he can’t trust himself to speak—he presses his palms into the bed and tips his head back, baring his throat to you, just hoping, begging you to understand—

he feels you take one of his hands in yours, feels you bring it to your face and press your smile into the inside of his wrist, nipping at the sensitive skin, sucking it into your mouth gently and laving your tongue over it.

“i see,” you murmur, and it sends a shudder up his spine so violent he feels his toes curl. your eyes rake over his body as you drag your free hand up his chest. he has to remember how to breathe when your fingers circle around the base of his throat.

“you’re such a good boy, Eijiro.”

[carefulfears]

one thing that stands out to me about the IVF arc is the way that, for as much as i make fun of her for asking her coworker if she can have his babies, scully asking mulder to be involved in the biggest process of her life (and the most important thing in the rest of her life) is such a healing and reverent experience. like he says “i’m absolutely flattered,” but it’s so much more than that. it’s like…spending your whole life feeling like you should’ve died at age twelve and then being told someone just wants more of you, more and more and more, in everything.

[taralen]

Spamton! How are the mini-tons?

Credits: Text Box Generator Cityscape Clipart (For Past Response)

[necrotic-nephilim]

i simply must know: what are your thoughts on jaydick?

!!! JayDick my beloved, man do i have thoughts. disclaimer that all of these thoughts will be pre-Flashpoint in basis unless stated otherwise just because that's the canon i like best.

to me. JayDick is one of the more incestual ships of Batcest. there's this desperate, driving want from Jason, to have Dick as an older brother. he and Dick never really got to be brothers, they were definitely friendly with each other when Jason was alive, but because of Dick's distance with Bruce, he never got the chance to bond with Jason. he always made sure Jason knew he could go to Dick for help, but beyond that Dick wasn't particularly emotionally available with Jason as Robin. but Jason held Dick in a high regard and wanted to be his brother, even saw himself as Dick's brother. when he came back from the dead, i think the illusion shattered for him, but he still clung to that want for something familial with Dick Grayson.

i've vaguely rambled about Nightwing: Brothers In Blood before, because i think that arc really shows a lot of Jason's true feelings about Dick. of everyone in the Batfamily, Jason cares for Dick the most and wants an honest relationship with Dick more than anyone. Dick is the big brother he never got to have.

meanwhile on Dick's side there's... well, apathy would be the kindest way to put it. i think Jason's death pulled a lot of violent anger out of Dick, but that anger was toward Bruce at moreso the concept of Jason's death than Jason as a person. because Dick never knew Jason that well. so there is this guilt on Dick's side, guilt that he couldn't have in some way prevented Jason's death, guilt he wasn't at the funeral, guilt he didn't do more to accept Jason and possible guide Jason to be a better Robin. this is Dick's mantle after all, so when the first person to wear it after him so violently dies in it, that's a mark on his record too. even if Dick didn't give Jason Robin, he still okayed it and gave it his blessing, so he carries that on his own back.

but when Jason comes back it's... well, messy. Dick openly says he kind of wishes Jason had died when he faced Bruce and the Joker, and he hesitates a bit when he needs to save Jason's life. during an arc of the Outsiders where Jason helps out with genuinely no ulterior motives, nothing nefarious, he just knows Black Lightning is innocent and wants to prove it, Dick still doesn't trust Jason and has no reason to be trusting him. i saw a post on here say that pre-Flashpoint!Dick would've agreed with what Bruce did to Jason during Gotham War (reprogramming him to have a fear response to adrenaline) and like... ngl i agree with it. Dick does *not* care for Jason and regards Jason with a lot of apprehension. and that's the fun.

because usually, in Batcest shipping that centers Jason, it's always the other person in the ship seeking out Jason, trying to bring him home, trying to domesticate/fix him, etc. but for JayDick, i think it's the opposite. Jason would try to be good for Dick, if he asked. Jason wants to be close to Dick, he's reaching out when he knows he shouldn't and doing it in the most fucked up ways sure, but he cares about Dick. we bring up "Jason asked Tim to be his Robin" a lot, but never "Jason also asked Dick to be his Robin". it's always going to be misguided and fucked up because Jason doesn't know how to handle this love he has for Dick, that's an echo of the person he used to be. a person Dick doesn't even *see* in him anyway. that shit is fun and fucked up.

i think the one interesting thing Rebirth did was that one Nightwing Annual where Dick calls Jason 'Robin' to snap him out of killing someone. because in the moment it was to remind Jason of who he was. which is the fun of it. when Dick pictures a kind, loving Jason, he pictures Robin, not Red Hood. that will always be the version of Jason that Dick loves the most. i don't think Dick believes Jason could ever be good enough to be redeemed, but if Dick Grayson loves anything, it's a passion project of trying to fix someone. if Jason came to Dick and tried to be good (without putting on the Nightwing suit-) i do think in the end, Dick would try to help him. Dick wouldn't believe in Jason, but he'd put an honest attempt into helping Jason try to be good. and that's where the relationship for them works the best for me, imo. Jason wants Dick to be his older brother. Dick is apprehensive but looking for pieces of the "old Jason" in this person he doesn't recognize. it's weird and fucked up and they make it work so well. it's really one of my favorite Batcest ships for exploring the incestual nature of brotherly love. it's the Cain Instinct if i've ever fucking seen it.

honestly you could sum this entire ship up as "Cain Instinct but they want to fuck each other after the fist fight" and i do think you would be correct. they say i love you with bloody fists. it's so fucking good man, i love these two.