#don't ask how he's holding it

[minty-frost]

stained

[poorly-drawn-mdzs]

In the world of heavy metals, love is denser than hate!

[littlefankingdom]

It's funny how in fanfics, people write Clark giving parenting advices to Bruce, when in the comics (see: World's Finest: Batman and Superman) and other media (see: Young Justice), Bruce is the one giving parenting advices to Clark, and he is always very serious about it.

After all, Bruce has been a father figure and mentor for longer and more kids than Clark. Of course he doesn't need to call Clark for help to learn how to take care of his kids, Clark is the one calling Bruce for help when he has an issue and Ma Kent is busy.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[sternentreue]

Imagine your canon Warden, Hawke, Inquisitor and Rook and their respective LI on a quadruple date - how will it go?

[rottiens]

Stepmom Yuki has severe breeding kink 😔✊️

she fucks you nice and deep, putting her hands on your belly looking adoringly at the way the cock separates your slippery folds and she would love nothing more than to fill you to the last drop. she in fact, debates whether she would love to cum in your folds or so deep inside you. her thumb moves from your belly button to your clit and strokes it sweetly as she takes the leg above her shoulder and kisses your calf, moving her hips in such a way that she manages to get even deeper.

the idea of her seed inside you, your tits swollen from pregnancy and her lips on your sweet sensitive nipples is what makes her cum silently, calling your name as she bites your skin.

[lizzybeeee]

Missed opportunity to have the 'magical god-killing macguffin' weapon be Andruil's spear. Rather than have an idol somehow become a dagger (not to mention cleansed of the blight and somehow expect us to just accept this - no questions) it could be this?

Veilfire writing from a ruin in the Arbor Wilds; the script is so ancient it defies translation. There are whispers from the Well of Sorrows. It's impossible to understand the entire text, but certain parts suddenly reveal a shadow of their original meaning. "She shook the radiance of the stars, divided them into grains of light, then stored them in a shaft of gold. Andruil, blood and force, save us from the time this weapon is thrown. Your people pray to You. Spare us the moment we become Your sacrifice." There is a brief image of an elaborate golden spear, glowing with unbearable heat. Then it fades. Codex entry: Unreadable Elven Writing, DAI

She began stalking the Forgotten Ones in the Abyss and became mad from it.

Andruil put on armor made of the Void, and all forgot her true face. She made weapons of darkness, and plague ate her lands. She howled things meant to be forgotten, and the other gods became fearful Andruil would hunt them in turn. Codex entry: Elven God Andruil, DAI

She made weapons and hunted Gods? The Evanuris, according to this myth, were frightened enough that Mythal had to come battle her?

Also imagine Ghilan'nain being killed by Andruil's spear...raised to Godhood by Andruil's hand and then slain by the weapon forged by her hand???

[sugarpasteltmnt]

Maybe I reading this wrong but this popped into my head on a reread: Does Leo like fighting his family not only to feel their ninpo but also because fighting is the only way he has had physical contact in the last five years? If it is that just makes every fight scene all the more angst filled, not that they needed help in that particular aspect. Thank you so much for writing an amazing story.

I'M

THIS IS DEVASTATING AND I LOVE IT

[spotaus]

Hey! The ask!! Lets see if i can manage to type everything i thought about in the time i got my break!!

So. I got thinking. (This was also a half baked drabble idea but didnt feel like making it a full one so you are getting the idea like this!! >:D)

We spoke about how Killer would be guarding Nightmare in the raid where Dream manages to steal him.

The problem is. If Killer can still move this guy WILL throw himself at Dream to save Nightmare. Meaning that Killer has to be mortally wounded. (Also works with why Nightmare rushes to shield his older brother)

So we got Killer just laying in whatever room Nightmare and him ahd been in. Probably slowly bleeding out.

On one hand. You can have the Knights run in right after. But then what is stopping them from splitting up, one part staying with Killer and one part rushing after Dream? And it has been YEARS since Dream last visited the castle. He may not remember everything quite right.

So... in theory. It should take more time for the Knights to get to Killer. But Killer is mortally wounded.

So. In comes!! Ccino (my beloved).

Ccino had been going towards killer and nightmare after helping the servants and maids evacuate or go to the bunker.

He gets there to see Killer pretty much laying there dying on the ground, Nightmare no where to be seen.

What does he do?

Ccino's crisis management skills activate. He wants to find Nightmare but he has no clue of where Nightmare went and he has no way to fight whoever took him. Killer is in front of him actively dying.

He goes to Kilelr's side.

Killer, the romantic idiot, probably realises he is fucking dying. So maybe he is like. Maybe i can confess? (Add some extra angst and make it that the hit was by either his neck or spine or soul. Making him unable to communicate)

Ccino is trying to keep the wound closed but he has no healing magic. He doenst even have first aid kit on him beyond the bare minimum. What does he do?

Well... he knows there is one being still in the castle. He does a little prayer and asks for help.

For Killer? Killer is slowly falling unconscious. He tried to confess but cant speak. He cant even apologise for failing everyone and losing Nightmare. At least Ccino is here in his last moments. He isnt alone. So he falls asleep.

Maybe some warm light guides him. A familiar voice that was once a friend? He tries to follow only to be stopped. Stopped by something sharp and pulling him down. Back into the darkness. It feels like when he fell into a bush. The way those thorns prick his bones.

Killer at first tries to follow the image of his friend (were they his friend? They saved him right? So why shouldnt he follow them?)

Only to hear so soft. So quietly from the darkness. 'Please dont let him die...'

And that sounds like Ccino... so Killer follows that voice. Goes into the darkness and it feels as if he traveled through a overgrown forest with sticks and stuff all pulling on his limbs.

And he wakes up. His skull in Ccino's lap as Ccino keeps the wound closed and did the best first aid he did. Moments later the Knights rush in to assist.

(Yes. The tree pulled Killer's soul back to the living side while the memories of chara were trying to pull killer into oblivion and get him to die)

Okay that is all. I wanted to get that out of my system.

Okay. Hi. As always, losing my everloving mind over this. Gonna make a Cut so it's easier to scroll hehe-

First off, you are SO right about Killer fighting till he physically can't move. I think that the combat between Dream and Killer is actually decently drawn out, because Dream is kinda in a frenzy (Storm growing outside + just obliterated Cross as far as he knows) and as a mostly long-range attacker it was stupid of him to try and fight Killer alone in a confined space. Killer's fast, and has a lot more to lose if he loses this fight (Nightmare is still hidden but low key stuck, and Dream is very adamant about ending his life) so he gets up close and personal for a while and lands quite a few solid attacks. However, Killer has also heard about Dream. He saw the distress on his little face when Cross admitted who had sent him and why. How Nightmare refused to send an assassination party to end things prematurely. This is Night's brother, so Killer won't kill him. As much as he wants to.

This leaves him at a direct disadvantage, and anytime he backs off to recoup Dream shoots arrows at him. (I also think he took a couple on purpose, because where he'd hidden Nightmare was the trajectory and he couldn't block it fast enough). And then, I like to think that when Killer gets in really close one time, Dream summons his blades, the ones he was still a novice with. But! One of Them peirces Killer's outer ring of his soul, and Dream jabs upwards (kinda using his other hand on the hilt to have more force) and wedges it into Killer's spine just past his ribcage. When Dream does this it his the magical equivalent of a vein, and when he shoves Killer away and off his blade, the other can only stay upright for a few stumbles before he teeters and falls onto his back.

Soul out in the open, covered in wounds (I like to think Dream's arrows peirce and burn), and now bleeding and seemingly paralyzed, Dream pulls out his bow again, ready to shoot Killer straight in his target soul. But, he's still selfish, and he wants to monolgue a bit, curse Killer (who he believes has been controlling his brother for so long) and shoots his hand, then a gash in his neck from a well-placed arrow, until he can see that dusty layer rising on Killer's bones signaling it'll be a slow death.

But, when he finishes cursing out Killer, is ready to fire the final shot? Nightmare had been hiding in a wardrobe, when Killer had stopped talking he'd gotten worried and peeked out against his better judgement. Now, with the scene, he rushes into the crossfire and, like we've discussed, the arrow ricochets off the mask and knocks it off, revealing Night in his teen form.

And it's a quick pleading, a desperate little plea from Nightmare not to kill Killer, or hurt his knights or the people. To just stop. And Dream, after his moment of shock + probing Night's emotions to find this really is him, scoops him up. His intention was to finish Killer off, but the storm outside roars louder and he can feel a strong emotion hurrying his way, so he decides to retreat. Killer should bleed out anyways.

And now finally to your point!!! Ccino is absolutely the best option! The Knights have no idea what's happening inside, and all they can. Do to help is keep Blue and Ink occupied. Cross is down for the count and looking rough, and they just have to trust that Killer got Night out or somewhere safe. Ccino? Ccino finished his part of the job, efficient af, and is rushing to go find Nightmare and Killer. He doesn't know Dream got in, he doesn't know quite where they'd be, but he can kinda sus it out based on carnage and wet steps in the halls where *soneone* got it. If they did, Killer would probably be stalling with Night nearby.

And like u said, he gets there and finds Killer actively dying, and crisis management kicks in! Ough everything about this moment is so perfect... Ccino never learned medicine, and has no healing magic, so he can only make Killer a little more comfortable and put pressure on his wounds to try and stop the bleeding. And he *sees* that soul injury. No matter how well he staunches the blood flow with his apron, that would surely kill him without treatment. And Killer seems to still be conscious, but barely. He's fading. And silent, which is deeply eerie and Wrong.

And good gods. Killer wanting so so bad to confess because, he's gonna die anyways so he wants to get it out, but he Literally can't say anything?? Wauhh!!!!!

And Ccino reaching out to the Veing in the castle... praying, begging for Killer to be saved, because Ccino refuses to leave him alone, and also refuses to lose him. Killer was Night's first knight, the most important person in that kid's world (Ccino doesn't count himself). All the Knights rely on Killer for guidance and support. Ccino needs Killer in his life, this idiot, this criminal, is somehow one of his favorite people in this castle. Please, please, please don't let him go. Keep him here until help arrives. *please*.

And the Castle obliges. Not only is Killer the one who protected Nightmare, the prince who is restoring this land, but Killer is one Ccino values. Ccino is here, stopping his wounds, begging for help to save a life. He hasn't done that before.

And!!! The description from Killer's perspective!!!!! For all intents and purposes, it seems the warm friendly voice (Chara!!!) Should be the one he follows. It's gentle, beckoning towards a soft glow, it's peaceful. And then the tree's method of getting Killer back is to snag him. Darkness, unpleasant contact that stabs and pricks and scratches. It's not nice, it's not subtle, it's dragging him back into pain and agony of his injuries (even if it's not immediate). But Killer doesn't fight because he hears Ccino! Even if he doesn't process that it's him, it unlocks something in his core that makes him decide to take the hard route and push back through that dense forest until he's back to the living realm. Still on death's door, but alive!

Oh I love this visual so dearly, frothing at the mouth about it....

And ofc the aftermath. Dream couldn't find the main entrance, so he snuck out a servant's door and signaled from outside that he was ready to go. The militia (I think the guard was busy holding off militia members from entering the castle walls) retreats first, scattering into town and Rogers demands no pursuit, hold the walls strong. Then Blue and Ink narrowly escape by simply using Ink's magic puddles, appearing somewhere else in the city through a big enough rain puddle. (Though, miles out they're still dodging the occasional lightning strike).

Only after they're too far off do the knight rush back. Horror's got Cross (in critical condition due to a blow to the side of his ribs+spine but ultimately stable) and Dust leads the way to search for Night and Killer, also following the trail Dream had left, and... they find Ccino and Killer. Killer is very very much limp in Ccino's lap, they're basically sitting in a pool of Killer's blood, and Ccino upon spotting them rapidly tells Dust to go find a healer and bring them here. Immediately.

Horror sets Cross nearby and focuses his efforts on trying to help Ccino put pressure on Killer's wounds but he can't do much either.

But, y'know, the healers who have magic for it are able to stabilize him (they are flabbergasted that he's not dead) and Cross is alright too. Dust + Horror go searching for Night. Nowhere to be found.

[necrotic-nephilim]

i simply must know: what are your thoughts on jaydick?

!!! JayDick my beloved, man do i have thoughts. disclaimer that all of these thoughts will be pre-Flashpoint in basis unless stated otherwise just because that's the canon i like best.

to me. JayDick is one of the more incestual ships of Batcest. there's this desperate, driving want from Jason, to have Dick as an older brother. he and Dick never really got to be brothers, they were definitely friendly with each other when Jason was alive, but because of Dick's distance with Bruce, he never got the chance to bond with Jason. he always made sure Jason knew he could go to Dick for help, but beyond that Dick wasn't particularly emotionally available with Jason as Robin. but Jason held Dick in a high regard and wanted to be his brother, even saw himself as Dick's brother. when he came back from the dead, i think the illusion shattered for him, but he still clung to that want for something familial with Dick Grayson.

i've vaguely rambled about Nightwing: Brothers In Blood before, because i think that arc really shows a lot of Jason's true feelings about Dick. of everyone in the Batfamily, Jason cares for Dick the most and wants an honest relationship with Dick more than anyone. Dick is the big brother he never got to have.

meanwhile on Dick's side there's... well, apathy would be the kindest way to put it. i think Jason's death pulled a lot of violent anger out of Dick, but that anger was toward Bruce at moreso the concept of Jason's death than Jason as a person. because Dick never knew Jason that well. so there is this guilt on Dick's side, guilt that he couldn't have in some way prevented Jason's death, guilt he wasn't at the funeral, guilt he didn't do more to accept Jason and possible guide Jason to be a better Robin. this is Dick's mantle after all, so when the first person to wear it after him so violently dies in it, that's a mark on his record too. even if Dick didn't give Jason Robin, he still okayed it and gave it his blessing, so he carries that on his own back.

but when Jason comes back it's... well, messy. Dick openly says he kind of wishes Jason had died when he faced Bruce and the Joker, and he hesitates a bit when he needs to save Jason's life. during an arc of the Outsiders where Jason helps out with genuinely no ulterior motives, nothing nefarious, he just knows Black Lightning is innocent and wants to prove it, Dick still doesn't trust Jason and has no reason to be trusting him. i saw a post on here say that pre-Flashpoint!Dick would've agreed with what Bruce did to Jason during Gotham War (reprogramming him to have a fear response to adrenaline) and like... ngl i agree with it. Dick does *not* care for Jason and regards Jason with a lot of apprehension. and that's the fun.

because usually, in Batcest shipping that centers Jason, it's always the other person in the ship seeking out Jason, trying to bring him home, trying to domesticate/fix him, etc. but for JayDick, i think it's the opposite. Jason would try to be good for Dick, if he asked. Jason wants to be close to Dick, he's reaching out when he knows he shouldn't and doing it in the most fucked up ways sure, but he cares about Dick. we bring up "Jason asked Tim to be his Robin" a lot, but never "Jason also asked Dick to be his Robin". it's always going to be misguided and fucked up because Jason doesn't know how to handle this love he has for Dick, that's an echo of the person he used to be. a person Dick doesn't even *see* in him anyway. that shit is fun and fucked up.

i think the one interesting thing Rebirth did was that one Nightwing Annual where Dick calls Jason 'Robin' to snap him out of killing someone. because in the moment it was to remind Jason of who he was. which is the fun of it. when Dick pictures a kind, loving Jason, he pictures Robin, not Red Hood. that will always be the version of Jason that Dick loves the most. i don't think Dick believes Jason could ever be good enough to be redeemed, but if Dick Grayson loves anything, it's a passion project of trying to fix someone. if Jason came to Dick and tried to be good (without putting on the Nightwing suit-) i do think in the end, Dick would try to help him. Dick wouldn't believe in Jason, but he'd put an honest attempt into helping Jason try to be good. and that's where the relationship for them works the best for me, imo. Jason wants Dick to be his older brother. Dick is apprehensive but looking for pieces of the "old Jason" in this person he doesn't recognize. it's weird and fucked up and they make it work so well. it's really one of my favorite Batcest ships for exploring the incestual nature of brotherly love. it's the Cain Instinct if i've ever fucking seen it.

honestly you could sum this entire ship up as "Cain Instinct but they want to fuck each other after the fist fight" and i do think you would be correct. they say i love you with bloody fists. it's so fucking good man, i love these two.

[kazoosandfannypacks]

This holiday season, I am BEGGING you guys to be aware of and kind to the guests at your house who are afraid of /uncomfortable around / allergic to animals.

[phoenixcatch7]

Reading loz/lu fics and it's just so interesting how wide the spectrum is of their personalities.

Sometimes it's got an in universe reason (different past (usually gender or species change), recent or ongoing traumatic events, a spectacularly bad first meeting), but sometimes (often) the characters are just... Weirdly angsty or peppy, there's no in between!

And I'm beginning to think less people have played more than one game than I thought XD.

Not that it's anyone's fault! One game is more than enough to be part of it all, and loz is exclusive to Nintendo consoles - and all the older stuff is frustratingly hard to get hold of. Heck, I'm still looking for wind waker, and that was really popular! And then you have to play it! They're not small games!!

But could people writing wild please ease off just a tiiiiiny bit so he can be a semi functional member of society pretty please XD? He's just as much a polite boy as any other member of the chain! He won't even run in shops! He can't attack npcs! He talks to every single person he's ever seen and remembers every single name. Yes, he's three quarters woodland creature with a hefty amount of trauma but he's also a fashionista who managed to avoid accidentally taking sides in a mayoral election and that's not easy!

[bumblingbabooshka]

Everyone who makes jokes about Vulcan hand sex is ignoring the REAL Star Trek hand sex species.

The Ocampa.

[s-dei]

crew meme redraw

(If you're curious abt chars choice, it isn't about RE3 events, but some headcanon area placed into meme)

[mrinafria]

Marriagecore SolJae.

New parents SolJae.

Im Sol struggling with the baby, and Seon Jae coming in to save his Sol-ah (because she's already done more than he could ask for by agreeing to date him, love him, be with him, marry him and have babies with him). Seon Jae the appa coming in after having thoroughly read and researched parenting books, how-tos, tutorials, attending workshops and seminars, talking to as many parents as possible, joining group chats for new parents across all social media, just so he could learn how to hold their baby, calm the baby down and take care of their baby and maybe flex his knowledge before Im Sol trying to look cool because loserism is a chronic illness.

Seon Jae striking a conversation with other parents/eavesdropping during shoots, events, social settings etc. while others are talking to learn more about baby poopoo and what is healthy or not.

Im Sol just being done with these TWO babies but also ready to headbutt anyone anywhere if they dare hurt either of them.

Look at the hint of smile on Woo Seok's face. These two knew exactly what they were doing in this scene.

Something tells me the show did this so they could cop out of showing SolJae babies for real because we only have ONE episode left. Let me be wrong please T_T