#don’t look at my writing

[rakiah]

Next part of the Book 7 will be tremendous 😌🔥🔥🔥🔥🔥🔥

[ghast1yghosts]

steve takes his little girl to a halloween park—bc SHE begs him to—and she barely flinched at the scares. but the next time she doesn’t react, the scare actor is impressed, already kneeling at her level after dropping down, and offers to a handshake.

before standing up and reaching out for her hand again. the masked actor, covered in blood splatters, starts walking around the street with a little girl in a princess dress in tow.

he makes another guest jump a foot and shriek, then they faux scream just as loud when the little girl spooks them too. after going around to a couple groups, he leads her back to her dad and gestures like he wants her to stay there and just watch him.

steve holds her hips from where he’s sat on a curb, and they both watch the actor run and slide towards another batch of kids, successfully scaring them. he turns after they run away and gives her a big thumbs up and she giggles, steve smiles at him.

they’re probably sat there watching the man do his job, for the very least, a half an hour, when steve figures they should go do some of the last few things at the park before they head home. the actor waves back at them when he notices them get up to go.

somehow they manage to catch the same guy on their way out of the park. the freaky dude slides right in front of his little girl, and she doesn’t even register the hand up for a high-five and she gives him a little hug. it’s all incredibly cute. she starts off towards the gate again, and steve turns around to the guy, quickly taking him “thank you.” its all he can manage. it’s hard keeping her at her happiest, and this guy made her whole week.

he hears a mumbled “‘course,” as he starts walking backwards, towards his daughter. needing to jog to catch her, he hears a quiet laugh once he’s got her hand.

idk scare actor eddie making steve’s daughter happy

[noctude]

don’t light my fire!!!

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[doctorsiren]

give this angle another tri

[tsuchinokoroyale]

The reviews are in!!!

“Hedonistic beefcake. Fattest ass with the most eager tight hole. Will make you cum 10/10” - a white guy

[anassemblageofpassions]

The thing abt john winchester is that he is too complex for the majority of the spn fandom and for a good portion of the writers on the show too.

Because at his core john is about love over everything else. When he looks up at his sons (yes, up, the fact that they’re both taller than him>>>>>), there is love seeping achingly from every single pore of his being even as he abuses them, as he destroys their souls beyond belief. He does it all entirely out of love. And he is so, so wrong for it. A part of him knows it. But he wants to keep dean alive, and he wants to keep Sam pure. And he loves them so much. And he damages them so horribly. John Winchester is the foundation upon which they are both built, they only become more of what he made them as the series goes on. Sam stops fighting it, Dean continues to mold into his image no matter how hard he tries to fight it.

Hell puts them both on steroids, but their individual trauma responses that influence this are the foundations that John built into them. No wonder azazel wanted sam to win so badly. John Winchester crafted his sons into alastair and Lucifer’s ideal victims, respectively, and dean was a better (worse) john than John ever was. John held out in hell. Dean acquiesced to his abuser despite all of his efforts to fight him, and he’s never been the same since.

Sam fought like hell, and he fought destiny, but at his core, he did what John always wanted him to by doing what dean wanted him to do, and then he stops fighting at all, loses the fire he showed john in adolescence that john immediately notices when he returns in s14.

And the sad thing is. They filled their roles so well that John is saddened by what they’ve become. He didn’t want dean to break. He didn’t want Sam to be dimmed. He’s sad to see what Sam is like in s14. In the process of recovering his wife, he ensured he would mold his sons into what he wanted them to be, and when he got what he wanted, he was devastated.

John Winchester is so driven by love and grief and he’s so filled to the brim with both that it’s painful to watch him on screen because he destroyed his family because of it. And he wanted this all along but he didn’t realize what he’d have to give up to get it.

[ao3-shenanigans]

Shout out to all the beginning authors, don’t be afraid to write badly and to write for yourself

we will love you regardless

[mother-of-houseplants-2]

gallagher siblings beg their big sister to help them beat the final boss in their game 👾

^sketch version!

based on this image^

[peachesofteal]

At work just thinking about you buying the creepiest house on the block and inheriting Simon as your neighbor. The house creaks, the basement light never stays, the attic is damp, and you’re pretty sure there’s a ghost.

Not to mention there’s something not quite right about the man next door.

[anna-scribbles]

calling all miraculous fans who watched anime in middle school

PLEASE tell me what you think adrien’s favorite anime is. bonus points for characters you think he would relate to / want to be friends with

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[suja-janee]

what are your thoughts on Harumi x Kuai Liang (I need to see them in your art style)

To be completely honest with you, I’m still neutral to them- but he looked pretty happy in the recent trailers!

[bloumiiss]

“The hands that cradled your face and tilted it upward to kiss your forehead are soaked in unfathomable quantities of blood.”

“But they cradled me, yes?”

I got really into the theory of the apple (from that one image from the beast yeast chapter 7/8 leaks) being the fruit of knowledge. And I thought, what if Pure Vanilla takes a bite out of it? (*^▽^)/★*☆♪

So here’s an artwork where Pure Vanilla is slowly going insane after taking a bite, and all Shadow Milk can do is hold him as he succumbs to the same insanity that claimed him so long ago. Fun stuff, am I right? ((o(^∇^)o))

[madbard]

While listening to Epic, I noticed an interesting pattern with how antagonists are portrayed, and how Odysseus’ interactions with them are coded.

In Epic, the monsters Odysseus faces are rarely fighting for their own sake. Polyphemus attacks Odysseus’ crew to avenge his sheep, and Poseidon destroys his ships as revenge for his son’s suffering. Similarly, Circe only threatens Odysseus to protect her nymphs. Odysseus does not kill any of these enemies, and while he is occasionally criticized for letting them go free, the overall implication is that he did the right thing by sparing them.

Then we hit the Thunder Saga, and Odysseus begins his arc as a ‘monster’ by killing the sirens. His actions here are brutal, and whether or not they are justified is, I think, up to the listener. However, it’s significant that the sirens are the first foes Odysseus faces on his journey who aren’t either defending or avenging what they love. They attack unprovoked, and while Odysseus’ method of execution is gory, he is never punished for it by other characters within the narrative. Apollo is the only one to protest, and even he is swayed easily when Athena says (among other things) that the sirens were “trying to do him worse.” The sirens attacked first, and while Odysseus’ response was ‘monstrous,’ his crew obeyed his commands and he was not challenged or ostracized for giving said commands. He is only treated as a monster when he yields to Scylla, who also attacked without provocation.

Thus, in Epic, the monsters fighting to protect or avenge their loved ones are protected by the very story - killing them may be more convenient, but it isn’t the answer. However, the monsters who attack without provocation, for their own amusement or satisfaction, do not receive such respect. Killing them is acceptable, and cooperating with them is monstrous.

By this logic, Odysseus is justified in his actions, however atrocious. He attacks to protect his family, and therefore deserves mercy.

The suitors, on the other hand…

[vanhelsingapologist]

Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.

They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.

They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.

Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.

On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.