#does that necessarily mean I'll write it?

[astramachina]

*holds up a finger* boy do i wish that was me tho ngl

[heartate]

reminder to myself to write up an early popstar era verse post + headcanons ok goodnight

[wheucto]

[anistarrose]

I'd like to propose a dark horse candidate for the most interesting line in The Book of Bill. And it's this near-unreadable, seemingly one-off joke from the "Skin" page:

[ID: tiny text reading: "Help! This is not Bill Cipher. My name is Grebley Hemberdreck of Zimtrex 5. I'm one of thousands of beings Bill has devoured over trillions of years whose souls are now trapped inside him. You have to free me! It's horrible in here. He just keeps playing the song "Good Vibrations" by Marky Mark on an endless loop. Please, please, this is not a joke! The Zimtrexians were once a proud and mighty people, but now our spirits long for release from this..." End ID.]

Okay, so Bill devours souls who then live out a horrible existence inside him. That's just some typical and expected Bill behavior, right? Nothing to be shocked by? Maybe not, but one thing jumps out at me... and of all things, it's the way that Bill keeps playing that Beach Boys parody (correction provided by @fexalted: no, not in fact a Smiley Smile parody, but a real song!) on loop.

Because in The Book of Bill, there's a recurring motif of characters playing music for a very specific reason: to repel an unwanted presence inside their head. This is what Elias Inkwell, and later Ford, did with the "It's A Small World" parody — they tried to keep Bill out of their brains. Or, metaphorically... to drown out his voice.

[ID: a Journal 3 page with a cassette taped inside. It's titled: "The World Is Small Ever After for Always." Ford writes: "If it's war you want, it's war you'll get! If you want to torture me? I'll torture you back!" End ID.]

That doesn't necessarily mean that Bill finds the voices of devoured souls to be troubling, let alone downright haunting, does it? Well... not quite on its own. But there's a "color" code on the page about TV static that says a lot:

[ID: a code consisting of colorful squares, translated to letters that spell out: "he never sleeps he never dreams but somehow still he hears their screams." End ID] (screenshot courtesy of @fexiled)

The context of the page implies these "screams" come to Bill especially when he listens to TV static, and the broader context of the book implies that these are the screams of his destroyed home dimension, Euclydia. Therefore, not necessarily those of the souls he devoured, from Zimtrex 5 and possibly other dimensions.

Except... do those two things really have to be mutually exclusive?

The beings that Bill devoured were accumulated over "trillions" of years, plural, according to Grebley. In Weirdmageddon 1, Bill claims to have resided in the Nightmare Realm for precisely "one trillion" years. So the "devouring" habit probably extends back even further than his time in the Nightmare Realm...

Enter @acetyzias, pointing out a very conspicuous word — and one of the only uncensored words — from Bill's description of destroying his home dimension:

[ID: the word "mandibles". End ID.]

Oh, and how does Bill describe the "monster" that destroyed his home to Ford, when Ford asks about revenge?

[ID: Journal excerpt reading: "Sixer, it would eat you alive." End ID.]

For a long time, Bill's destruction of his home has been associated with fire, even when the story's told by Bill himself. But through the way the book characterizes Bill's guilt — and characterizes how the consequences of what he's done remain lurking deep inside him — I think The Book of Bill lays out the hints for another motif: devouring.

And, well, when it comes to how Bill destroys things... it wouldn't be without precedent.

[ID: screenshot of Bill in Weirdmageddon 3, taking a bite out of the Earth. End ID.]

[luveline]

bEGGING for something with the marauders with drunk reader at a halloween party!!! make it literally anything you want follow ur heart ily and ur writing is AMAZING!!!!

thank you, ily ♡ modern au, fem

The rugby uniform felt like a funny idea at the time, but now you're cold and wondering how James manages to stay warm when he plays. You must ask him. 

He sits on the couch with Remus and another friend, Frank. You like Frank but he's not one of your boys, leaving you no options —you have to slide yourself between Remus and James, emphasis on have to. Remus touches your waist unthinkingly as you do, like he might catch you if you fell. 

James is ecstatic to see you as always. "Where have you been? I was about to send out the search party." 

He's been very, very pleased with you upon the reveal of your costume. Like, pleased enough to take a handful of your thigh and squeeze at the soft inner part greedily. You lean back into Remus, enjoying the feeling and wanting his comfort. He's used to it, and  he adapts by pressing his face indulgently to the side of your head. 

You giggle. This is usually a nice feeling, but drunk? You're euphoric. 

"You can't stray too far, lovely, I need my victim," Remus says. 

"Where have your fangs gone?" you ask, pointing at your neck. "I made the bite mark so perfect. Everyone will think I have rabies if you don't commit." 

James laughs like you're hilarious. Later, you'll find out that you didn't quite say every word that you thought you said, and that you'd been slurring your words into one another to create Frankenstein's sentences. 

"Everybody already thinks you have rabies," James says. He's wearing a chef's costume from a show he likes, a white shirt that's sleeves strain against his biceps and a blue apron. Sirius spent an hour drawing tattoos into his brown skin with a sharpie. "That's why we've decided to put you down." 

"I'll have one last night of passion with her first, if you don't mind," Sirius says, announcing his presence. 

You like the sound of that, lifting yourself away from the other two boys and their touches to take Sirius' fine hands. He's in a button up and tie, the sticker on his chest proudly proclaiming, Hello, my name is: Dave.

"You're here to kiss me, right?" you ask.

Sirius grins and presses a quick kiss to the corner of your mouth. "My little alcoholic, you smell like lambrini. What did we say about lambrini?" 

"Uh, that it makes me sloppy drunk." 

"Exactly!" He kisses your cheek, working an arm around your shoulder as though showing you off with pride to the other boys. "My darling, you're so smart." 

"Not that smart, she still drank the lambrini." 

"Remus, don't start," Sirius admonishes. "You just hate that she chooses me when she's drunk." 

"You're her enabler," James says, "of course she does. But before she was drunk she chose to dress as me for Halloween, so if anyone is the favourite–" 

"Oh, please don't start," Remus says. 

The boys start, arguing over who your favourite is. It's a silly pass time with no real merit but no malice, either, and you're just drunk enough to goad them on. "Maybe Remus should be my favourite. After all, he's my vampire. Our love is, like, eternal." 

The furrowed brow he gets whenever the other two boys debate slips. "It's so eternal," he says, nodding confidently. "Quite right, dove." 

"Eternal doesn't mean better." 

"Then what does it mean, Sirius?" 

You decide that James' lap looks comfortable and that you might be here for a long time, so you push his legs down flat and sit carefully (not very carefully in reality, but in your heart) on his thighs, socked feet pulled up onto the couch, sideways and skewiff in his company. 

"Well, obvious winner," James says, encompassing your back with a big arm, pulling you into him. Under his hand your shoulders feel like a more delicate system; you aren't necessarily small, but his touch feels so everywhere, a pervasive feeling of safety and comfort in the palm of his hand where it grasps you. 

"You have the more comfortable seat," Sirius says nonchalantly. "It means nothing." 

Remus pulls one of your socks up where it's slipping down your calf and Sirius interrupts the arguing to ask if you need a glass of water. You don't have favourites. They're each incredibly lovely in their own way. 

[3hks]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

[pretty-little-mind33]

BEING IN A RELATIONSHIP WITH THEM!

(ft. aaron taylor johnson characters)

ask: Idk if you do headcanons like these and I don't quite know how to get my ask into words. So, fluff, and positions that reader is usually in with the boys that you write for. I don't mean sexual positions, or cuddling ones, or any specific, just positions.

warnings: briefly sexual (nothing major)

includes - in said order

~ James Potter - harry potter marauder's era (yes ik it's technically a fancast but 🥺 he's my baby)

~ Tangerine - bullet train

~ Dave Lizewski - kick-ass

~ Count Alexei Vronksy - anna karenina 2012

~ Tom Ryder - the fall guy

~ Pietro Maximoff - avengers: age of ultron

~ hope you like this! kinda turned into relationship headcanons with a theme! ~

• James's love languages are a mix of physical touch and acts of service which means he always has his hands on you in some form or another!

• Holding your hand while you walk? Check. Having an arm around your shoulder when you're sitting on the couch? Check. Playing with your fingers/hair when he's bored in class? Check.

• Basically, he's a koala and you're his favorite tree.

• He walks with his hand in yours, your fingers intertwined (just holding them is for the weak) and he'll stroke his thumb on your palm.

• When he becomes agitated and can't sit still anymore, he'll bounce all around you and you physically cannot get him off you. It's times like those that means you aren't the little spoon anymore—he is.

• (Bonus points if you scratch his head while you spoon)

• James gives the best piggy-back rides. THE B E S T. He'll hold your hands in front of him, making you laugh as he runs around the common room (annoying everyone else) and then drops you on the couch. If you're laughing so hard you're crying his mission was successful.

• He loves when you lie against him. Not necessarily for cuddles but just when you're tired, or you're reading a book and he's being used as a prop lmao. He likes feeling useful!

• When he picks you up, he likes having you wrapped around him—your arms around his neck, his on your ass!

• Not in a sexual way but he likes leaning against your boobs and using one as an stress-ball if he can. He thinks your boobs/stomach are the best pillows ever.

• If he's still criss-cross, you'll always find yourself in his lap, playing with his fingers as he mumbles sweet nothings in your ear or just casually has a conversation with his friends.

• When James is talking to you, since he's taller than you (make him any height lmao canon don't matter—have your fun, babes), he'll hold your chin to help you look up at him. He tells you he can listen to you better if he focuses on you like this.

• It's bullshit but you don't care.

• You love wrapping your arms around his strong torso, feeling his muscles under your hands.

• Overall, James can NEVER take his hands off you. You're just his favorite girl!

• Tough guy pretends he doesn't like physical touch—and yeah, most of the time he does hate it. He's kind of a germaphobe and a neat freak so having strangers touch him? He'd rather put a bullet through their skull.

• Only, you aren't a stranger. You're his partner—his lover.

• Tangerine's favorite place where he holds you is around your waist, griping lightly onto whatever you're dressed in and squeezes your flesh. As in to say I'm here, I'll always be here for you.

• His love language is 100% quality time and acts of service. He loves being around you. He likes touching you in small ways, like resting his chin on your shoulder when you cook, or holding your hand in public and overwhelming situations (like in a bus, or a plane, or even walking in a crowded street).

• He's silly and overprotective like that 🤭

• When you're at dinners with friends, he'll always sit next to you. Always. He's facing the door in case something happens, his hand lightly touching your thigh as the conversation continues.

• Big spoon!! His hand gently resting on your stomach, his lips near your ear as he snores only gently. The blankets are a mess all tangled around you both.

• Random but Tangerine 100% likes his room cold!! So, the more blankets the more he's warm and toasty and he can snuggle you!

• He likes picking you up bridal style. 1. So he's all cute and like a handsome prince saving the princess (which makes you swat him over the head because ew) and 2. simply to display his own strength lmao.

• You guys will play-fight often. It's not even training—even though it's disguised as training—it's just him chasing you around the house and attacking you with tickles, smooches, and love-bites!

• He doesn't give you piggy-back rides necessarily—instead, it's more like during those play-fighting times you'll jump on his back and hold an arm around his neck while you laugh.

• Tangerine isn't phased and will often simply shrug you off him and send you a glare (hiding a smirk).

• You like trimming his facial hair while you sit on his lap. He's sitting on the toilet seat, a bowl of hot water on the sink beside him and he has you on his lap, carefully holding his face in your hands as you shave him/trim him and use the water to wipe the shaving cream away.

• Constantly pretends to dislike your attention in a joking way, but genuinely loves when you shower him with love! He's love starved fr.

• Dave is similar to James in the sense that he loves touching you whenever he's around you. He loves nuzzling his head into the crook of your neck and leaving little kisses.

• He likes having his hand in yours when you walk around, or even if you're sitting and doing something—like watching a movie!

• His favorite position to be in when you're on the couch watching a movie is him sitting normally and you're tucked into his side, leaning on him. Poor lil dude sometimes forgets to watch the movie he's so enamored by you.

• When you're out grocery shopping, you like to stand on the cart with his arms around you from behind as he pushes the cart (if that makes sense! it's very cartoon-esque if you know what I mean) and he likes making funny impressions in your ear as you're pushed around the store.

• Dave likes making you laugh! Which means sometimes he settles for stupid jokes, but other times he gets into tickles you mercilessly when you're cuddling in bed. It's so bad you almost piss yourself and you have to push him off you.

• You retaliate—of course—almost breaking his glasses as he flops around the bed too much!

• Dave plays video-games, I feel like that's obvious and he likes when either you hang around him when he's playing or if you like sit in his lap and do your own thing, or watch along with him!

• Sometimes, he'll even let you eat his headphones so you can listen along and "play".

• If you're good at video games, you often take over hard levels for him and he doesn't at all feel threatened! Or maybe only once when Todd and Matry tease him about it but otherwise he likes that you're good at the games he isn't good at!

• Dave lets you try on his kick-ass mask! Which you find super fun and you have a blast, taking loads of cute selfies which you obviously can't show anyone!

• You make fun of him bc his mask is ugly (sorry 😃) but in a loving way because he pulls it off.

• Dave 🤝 peppering kisses all over you!

• Holds your bags for you (school, shopping, any bag) and he knows the side-walk rule! He also does that thing where if you bend over and there is something sharp, he's put his hand over the sharp corner (sometimes even subconsciously)

• DAVE LIZEWSKI IS SOO BOYFRIEND CORE 💞

• Alexei is obviously more formal given the time period and his social status. He grew up rich and well-educated, and he's a cavalry officer meaning he's well-trained in discipline! Which means, he's not a very obviously affectionate person in public!

• In other words—no PDA 🙂

• In public, he'll have his hand resting behind your back, he'll keep you close to him and he'll save all his dances with you but nothing more.

• In private? Oh, he's very affectionate.

• Neck and cheek kisses galore! Whenever he walks by you, he'll spin you around and then press a chaste kiss on your lips—complimenting you on your dress/hair.

• Sits close to you at dinners and he holds your hand under the table, stroking your thumb. It's intimate and private so he loves doing this!

• Alexei helps the maids with your corset and everything if he’s ready before you and he loves watching you put on your makeup and your jewelry. He finds it fascinating and he'll just sit on the bed and talk to you where your maids help you.

• Obviously, he loves going riding with Frou-Frou! He gifted you a horse so you could learn how to ride and you guys can go on picnics and ride around fields all cute 🥰

• While you have your own horse, he still wants you sitting in front of him on Frou-Frou most of the time, your back pressed to his chest as he takes control.

• Very very much into taking control on the relationship.

• He likes to dance with you! You'll have little dancing sessions in the parlor room and it's very very fun!

• Lights cigarettes for you! (like that scene in the movie, yk the one! I'm salivating!)

• OKAY TOM RYDER L O V E S TEASING.

• It's basically his love language! He's very much like a school boy who pulls girls hair in the playground because they like them…so immature at times 😀

• Still, he has his mature moments!

• Tom really likes having his arm around your waist, his palm flat on your stomach—claiming—as in saying you're his and only his.

• Say you're in a conversation with someone and Tom is around? Boom, he's by your side in seconds and he's holding you possessively. Fake smiles all around (yes, he's jealous)

• Tom likes taking you to his favorite restaurants (bonus points if it's fancy and he can see you all dressed up!) He'll pull out your chair and all that! Very gentlemanly when he wants to be!

• He likes laying his head on your lap when you're at home watching a movie or something. It's completely innocent and he especially loves when you play with his hair!

• You like to shower together—no further elaborations 🤫

• Back to the teasing—that means whenever he sees you on set, he'll make small comments or slap your ass and whistle. It can be seen as kinda hostile but you know he means well and you just flip him off if it really bothers you.

• Tom likes to assert his dominance, which means he'll do the thing if you're in the kitchen and he needs to walk by you, he'll lift you by your waist and manhandle you any way he wants.

• MANHANDLING IS HIS THING 😏

• Hand holding but it's his arm across your shoulder as you hold his hand. He likes doing this when you're walking around because he can be close to you!

• If you're a yapper, he'll always listen but he'll also get distracted so he does the humming thing and that's when you know you've lost him.

• You swat him on the back of the head if he's acting too dumb—which prompts him to chase you around and punish you with a thousand little kisses.

• Secretly a dork that acts all cool and shit 🙄

• Very sexual lmao. Horn-dog. Can making anything that isn't sexual—sexual. He'll grind against you unprompted and also pretend to fuck you from behind if ever you bend over!

• Big boob and ass guy so when he's cuddling with you, he'll need to hold onto one of the two or he'll whine like a child.

• "What? I'm just a guy, babe. I see 'em, I want 'em," is his favorite excuse 💞

• Pietro is hyper active and that means he loves doing active things with you: like running, or swimming, or any kind of sports.

• Super spontaneous so he'll just come home with a trip to go rock-climbing randomly and you're just 😀 huh, what?!

• Obviously because of his super-speed he loves to pick you up and have you in his arms while he runs. You guys can basically run everywhere lmao.

• Pietro likes when you dote on him when he's tired from running! He really likes when you play with his hair and make sure he stays hydrated because of all the exercise he inevitably does!

• He's BIG on being cared for 🤭 like treating his wounds after a mission!? He'll stay extremely still for that and grin so hard when you take care of him.

• BIG HUGGER! Fully wraps his entire arms around you like a teddy bear and kisses your neck!

• He's a competitive guy so he likes making up competitions with you. Who can eat more cherries in under a minutes? Who can find the weirdest looking plant in the store? Who can run faster to the pole (this one is plainly unfair) either way he finds random little games he likes to play with you.

• I think he's the little spoon 😌 he likes being cuddled.

• You both tease each other. DEF you're a prank couple (in the cute way not the psychotic youtuber way)!

• He's a jokester so making you laugh is his favorite pastime and his one goal.

• Bonus points if you snort out your water/drink if you do laugh. He likes seeing how embarrassed you become and it makes him want to kiss you even more!

• Very boyfriend core even if slightly immature

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[cauliplea]

it baffles me how many people twist the whole "Ratio hates idiots" thing even though it's literally anything but that.

did people not even read the character details? he doesn't hate idiots necessarily, it goes deeper than that. but for some reason people immediately think that Ratio would hate someone because they are less smarter that him.

No, he does not hate people with less knowledge, he hates people that doesn't try to gain more knowledge and better themselves, he hates people that think they are better than others simply because they are smarter, he only hates people that choose to stay ignorant.

the amount of ableism he recieves when it comes to his entire character makes me want to rip my hair out, no he would not hate you because you're bad at math, he'd recognize if you had any other talents other than math and praise you for it and try to help, no he wouldn't hate aventurine because you people think Aventurine is an idiot in his standarts (I'll get to this later)

he is a big softie yet it is always ignored just because he was rude to most of the characters we have seen which if you took two seconds to think about it's justified.

Herta, Screwllum and Ruan Mei are all part of genius society and they all share one personality trait which is being self-centered and that's what ratio hates the MOST. he doesn't like people that only care about themselves, so how could anyone think that someone that hates selfishness be selfish?

I do love herta, Screwllum and Ruan Mei but you have to agree they are selfish when it comes to their goal, all of genius society is, they all do things for themselves and not others unlike Ratio, which is a common theme since you can notice Nous only recognizing people that seek knowledge for themselves and not others like Ratio.

When it comes to his relationship with Aventurine I'm glad people can recognize that he cares enough but there are still times where he's seen as cold hearted which is not true at all, this man is direct with what he feels whether it's care or hate, he didn't hesitate to call Sunday crazy and he wouldn't hesitate to show aventurine that he cares which he already does, just in his own confusing way.

I've also seen people call aventurine an idiot which I can't stand, how could you even muster up that idea? he is intelligent, Ratio literally sees him as an equal which could be another hard evidence on how he doesn't hate "Idiots" (since people think Aventurine qualifies as one because he couldn't go to school or learn academically. :|) he recognizes Aventurines talent and intelligence, the times he calls aventurine a fool or anything else is obviously affectionate and lighthearted.

the first scene they were on screen together the reason he insulted Aventurines knowledge he apologized afterwards when he realized that it wasn't Aventurines fault. (deleting the racism part because I've had MULTIPLE people bring up the fact that it was an act and I get it but I still dont think it was necessary since you don't have to be racist to make someone think you hate someone else.)

so no, Ratio isn't a cold hearted, mean asshole, he's lovely so please write him as lovely. it breaks my heart and hurts my autism when people mischaracterize him.

[thewriteblrlibrary]

Random writing tips that work strangely well #3

This was an accident.

But in my attempt to create a character that overthinks so much that reality happens in the background/through a very heavy lens....

I ended up following a lot of writing advice, it improved my writing, and I have an overthinking character! (Although this works for pretty much every type of character, just edit the writing style to your needs.)

In essence:

Give your character a lens with which they view the world. For my character, they are a storyteller and will make a story about the clouds and the wind. For a character that has a deep knowledge about... physics and statistics for example, might make metaphors to that and notice such things more often

But don't stop it at just interests! If you can combine the lens with the internal conflict (desires, fears, current perception of the world) It has a whole layer of depth.

~What does this new information mean to the character? ~

For example, you can have the musician character notice the sounds of everyone's voices, and that will reveal what the musician character thinks of others.

You can have a character that's analytic try to decode their sensory perceptions and try to figure out what they are feelings and why. They may spend a lot of time trying to figure out their past and what specific moments made them the way they are, and they might do the same for others. This will reveal that the analytic character cares a lot about knowing everything and they might be scared to leave things up to chance/unexplained.

Jealous characters will see other people's achievements and either downplay those achievements or try to imagine themselves surpassing them. (The 'smart child' that's slowly falling behind anyone?)

AND MY BEST ADVICE IS TO PRACTICE WRITING THIS BEFORE YOU START INCORPERATING IT INTO YOUR WIP! For me, I would plot like crazy then... kind of go off the rails in my actual writing. Then I'd get upset that my writing didn't match my ideas.

And it's okay! Getting to know your character takes time.

What works for me is to write some loose notes down, then I'll do some practice snippets. Random ideas with no coherent structure or events... it's just practice for the character.

Backstory also helps! (and it doesn't necessarily have to be tragic... just informative to the character on how they should navigate the world)

If you have your character reacting and analyzing what is happening to them and what they are going to do about it, then pretty much every type of paragraph (scene description, describing another character, actions etc.) are going to be a lot more fun to read and write!

And as always - the best writing methods are the ones that work for you, take what you need, modify it for your wip, or make something up on your own. There's no need to take advice as the end all be all!

Additional resources under cut

[throwawayhero]

hi!! could you do a kirishima bf headcanons? i feel like nobody ever writes for my boy, thank you! 🫶🏽🫶🏽

Of course omg??? He doesn’t get the amount of love he deserves ong. One of the best characters imo, kill me if I'm wrong!! He’s been my favourite for YEARSSS and I will never get tired of him. Some of these are a bit random but I hope you enjoy!! ❤️

Eijirou!Kirishima who always walks to school and/or class with you. He’ll wait for as long as you need him to with little to no complaints (most of the time..)! He’ll just hang around in your dorm trying to look unsuspecting as he looks at your stuff while you rush to get ready. He especially loves to snoop through your trinkets.

“.. Hey, I didn’t know you still had this!”

“Neither did I..”

“Oh—“

Eijirou!Kirishima who actually takes care of his physical appearance/personal hygiene. He doesn't have a sociopathic 30 step skin care routine but don't be surprised when his bathroom drawer is full of hit or miss products that he's tried out. Will give tips about finding good products if asked about it. He always smells SO good. He also has hair products he uses to get the red dye to last longer.

"Hey, can I borrow this?"

"That made my skin super irritated, try this one."

Eijirou!Kirishima who always supports you and your hobbies, even if they only last a week. He's always up for being a test subject of sorts. Painting/drawing? He's ordering you top quality paints and pencils. Reading? Tell him about the characters, the drama, the romance, the plot twists, he's invested. Crochet/knitting? He's wearing the sweater you made him, even if it is a little bit itchy. Yoga? He bought matching yoga mats! He's ALWAYS supportive, now matter how extreme.

"Any other hobbies peaked your interest?"

"Rock climbing."

"..Sounds like fun!"

Eijirou!Kirishima who NEVER forgets to text you good morning/night. He forgot once and showed up to your dorm to apologise (You hadn't even woken up yet). Sometimes he sends little GIFs too.

'Good morning beautiful!! 💗💗💗'

Eijirou!Kirishima who has a highlight on instagram dedicated to pictures of you and things that remind him of you. He doesn't really post on social media, but when he does, 80% of the time it's about you. He also sends you a bunch of those lovey-dovey quotes from Facebook. His captions on photos are always so sweet.

'Spent the day Go-Karting with my beautiful girlfriend! Can't believe how lucky I am! #gokart #love #girlfriend'

Eijirou!Kirishima who is the KING of PDA, to an extent of course. He will kiss you anywhere, in front of anyone. Oh my GOD does this man know how to give good hugs. He's always holding your hand/wrist/finger no matter what you're doing. You could be on a walk, in a line, grocery shopping, or just sitting down together. He's always by your side :)

"..Can you let go of my hand so I can scan the groceries?"

"No but I'll help you!"

Eijirou!Kirishima who GUSHES about you to his friends. This man is head over heels and everyone knows it. He doesn't necessarily believe in soulmates but he does believe that you were the one he was meant to find. He gets this horribly happy look on his face when he thinks about a future with you that everyone can't help but laugh at. He talks about said future all the time.

"When do you want to get married?"

"..What?"

"I wanna know when to start editing my vows."

"..Editing??"

Eijirou!Kirishima who is a bit of a restless sleeper. And when I say restless, I truly mean it. This man will roll on top of you and just lay there, sprawling out and snoring happily. You have been and will continue to be kicked. One time you had woken up to him rolling off the bed.

"You slapped me in your sleep last night."

"Oops. You should've slapped me back!"

"I did."

Eijirou!Kirishima who goes all out on dates. He'll take you to a fancy restaurant and wear a suit and tie with his hair done nicely. He'll ask you to wear something pretty beforehand so that you know not to underdress. He arrives at your house/dorm with flowers and the biggest smile you'll ever see (besides your wedding day). He'll treat you like the princess you deserve!

"You're stunning, hun.. where would I be without you?"

[a-dauntless-daffodil]

early chaggie early morning where vaggie gets a hug

inspired by @sunsetcougar's headcanon idea of vaggie wrapping herself in blankets despite hell's heat for.... reasons :(

Vaggie: "Ugghhgh...." (slouches into kitchen) (wrapped in blankets)

Charlie: "Vaggie!" (singing) "Good moooorning~!"

Vaggie: "Mornin' sweetie... why is it morning..." (bumps into table) (slumps over it) "Fuck. Ow." (oozes into chair)

Charlie: "Aww." (sad pout) "Didn't get much sleep again, huh."

Vaggie: "Nnngh. Didn't."

Charlie: (cringing) "I wasn't, uh, kicking you was I? With the hooves- "

Vaggie: "I'm too short for you to reach."

Charlie: (grinning) "Which means you're just the right size!!!"

Vaggie: "Means I need my weight in additive simulant substances..."

Vaggie: (tries to stand) (BANG)

Vaggie: (slams into table again) "Fuck."

Charlie: "Vaggie!?"

Vaggie: (rubs missing eye) (muttering) "It's fine, 'm fine.... pinche pendejo.. mi ojo... just need coffee."

Charlie: "!! Don't stagger up! I'll make it!"

Vaggie: (slumping face down) (muffled) "m'love you."

Charlie: "Ha!" (laughing too hard) "Oh you- you'd love anyone who made coffee after a bad night's sleep-"

Vaggie: "No. Anyone else I'd just kill for it."

Charlie: (grinning) "Maim them, maybe."

Vaggie: "You have too much faith in morning me."

Charlie: "I love morning you~"

Charlie: "...."

Charlie: (stares around wildly for topic change) "A- anyway, um-" (spies vaggie's blankets) (actually frowns)

Charlie: "Aren't you hot?"

Vaggie: (groggy) (half awake) "Depends if I'm your type, I guess."

Charlie: "My ty- Shit!" (cup she's holding starts boiling) "No I meant-"

Vaggie: (looking up) "Coffee?"

Charlie: "-not that you AREN'T, because I mean really just LOOK at you, I can't imagine anyone who wouldn't w- but- What? Oh."

Charlie: (hands over coffee) "Careful. It's um. Hot."

Vaggie: "Thanks." (carefully not looking at Charlie) (muttering) "Hot just like everything else in hell is..."

Charlie: "THAT'S what I meant!"

Vaggie: "Guess that does make me hot since I'm here too now."

Charlie: "Yes right exactly, the hotness- hell's hotness- you're still not used to it! Not that the eternal searing flames of literal hell is something anyone should necessarily be expected to get used to, aside from me and the other hellborn- though not all of them like it here either, even if the other rings are more varied and sometimes have things like plants and weather- but for you, stuck here in the pride ring, in the purely physical sense I'm wondering because-"

Vaggie: "Charlie."

Charlie: "-it just seems like maybe there's kinda an easy way for you to at least FEEL less hot in the mornings and night? Again only in the purely physical sense, since you never do stop looking-"

Vaggie: "Sweetie."

Charlie: "-yes?"

Vaggie: (smiling) "Low caffeine, low word capacity. Cliff notes?"

Charlie: "Oh, right!" (laughs)

Vaggie: (watches) (remining eye soft)

Charlie: "Um- what's with the wrapping yourself in all those blankets? Normally you wear less than me and still complain about the heat. Feels like I'm missing something."

Vaggie: "Can't have your brilliant brain starving for knowledge can we."

Charlie: "No that's fine- I just want you to be comfortable!"

Vaggie: "Well you're right about the missing part."

Charlie: "I am?" (sits) (leans in) "Ooooh, what Vaggie lore am I missing?"

Vaggie: (snorting) "Vaggie what?"

Charlie: "Lore, but I- I'm not writing any of it down!!!"

Charlie: "...much."

Vaggie: (lifts cup) "I'm getting royalties in coffee so it's fine. Write whatever you want in your diary."

Charlie: "I wanna write what I somehow missed out on while observing you!"

Charlie: (scoots chair closer) (chin in hands) (Staring)

Charlie: "I've been observing a normal amount, to be clear. Juuuust in case last part was kinda alarming or worried you."

Vaggie: "I'm not. It didn't."

Charlie: "Okay! So...?"

Vaggie: "It's not you."

Vaggie: (looks away) (sips coffee)

Vaggie: "More of a... 'me missing something' thing."

Charlie: ".....er."

Charlie: "...you've, um." (clears throat)

Charlie: "You do have something on under the blankets. R-right?"

Vaggie: "Yep. Just like you've still got those red cheek spots under your blush."

Charlie: (covering blush with hands) (stubbornly NOT looking away) "So if your clothes aren't missing- what is?"

Vaggie: "My wings."

Vaggie: (gulps hot coffee and winces)

Charlie: "..."

Charlie: "...do the blankets feel like them?"

Vaggie: "No." (another gulp and wince) "They were heavy."

Charlie: (drooping down onto table) (head on folded arms) "Wings are heavy...?"

Vaggie: "They're alive. They've got, mass and weight to them."

Charlie: "And warmth?"

Vaggie: "And they can hold you. Like when you fold your arms around yourself."

Charlie: "Like a hug."

Vaggie: (awkward) "Sure. Whatever."

Charlie: "So you miss them, and..." (drooping) "Wrapping yourself in blankets is the closest you get to feeling like you have them again."

Vaggie: "It's not even close at all, really." (hollow laugh) "I'll get over it. Don't worry."

Charlie: "Get over it?"

Vaggie: "Like with the heat, it's just another part of hell. It's fine."

Charlie: "Hmm."

Charlie: (gets up)

Charlie: "Can I try?"

Vaggie: (shoulders hunching) "...try what?"

Charlie: "Being a better blanket, since nothing can really be like your wings were."

Vaggie: "...."

Charlie: "I'm princess of hell, so I get to decide what's hell's like. A, a little anyway."

Charlie: (walks around behind vaggie) "And this might be a bit cooler? I know I run hot along with not noticing the whole hellish heat stuff, but- at least you'd still get airflow. And. I'd be heavier than a blanket! I think?"

Charlie: (lean forward to look at vaggie upside down)

Charlie: "So. Hug? Can I?"

Vaggie: ".... you don't have to ask before hugging me."

Charlie: "You used to jump when I did. Or slip off afterwards to hide in some high shadowy corner of a bookshelf for the rest of the day."

Vaggie: "Don't remind me."

Charlie: "It was cute! But I should've just asked. And this is different."

Vaggie: "It's not." (lets blankets fall) "Knock yourself out."

Charlie: (kneeling behind her) "I'll let go whenever you want."

Vaggie: "Charlie. I'm not a glass vase. Relax."

Charlie: "No, you're not glass- you're you, and you're tense." (hands on vaggie's hunched shoulders) (plays with ends of vaggie's still short hair) "This is a hug. Hugs need waaaaay more carefulness than glass vases do-"

Charlie: "Also! We still need a breakfast that isn't coffee."

Vaggie: "Slander." (drinks) "No we don't."

Charlie: "Yes we do but it can wait. If- wow, you really are tense." (starts rubbing vaggie's shoulders) "How did you sleep like this!?"

Vaggie: (slumping) "I didn't."

Charlie: "Well if you DON'T want breakfast right now then that leaves time for hugs! Or say the word and I'll switch to breaking out the toast and jam, or doughnuts- if Razzle and Dazzle didn't find them- or something."

Vaggie: "I'll probably just doze off again, honestly." (groaning) "Feel free to step over me when I start snoring on the kitchen floor..."

Charlie: "I would never leave you there."

Vaggie: "That's true. Would be trip hazard."

Charlie: "That's not why."

Vaggie: "You could totally trip over me. Stub your hoof or something. I'm not THAT small."

Charlie: "That's not why either."

Vaggie: (sips coffee)

Charlie: (pats her shoulders) "Hug time?"

Vaggie: "Mm." (tenses up again)

Charlie: "Is that a 'mmmrgh yes' or a 'mmrrgh no thanks'?"

Vaggie: "I've told you, you don't have to ask."

Charlie: "Is THAT a yes?"

Vaggie: (sighs) "Yes Charlie. You can hug."

Charlie: "Thanks~"

Charlie: (leans in) (gently with the hug, arms around vaggie) (extra carefully with the squeeze)

Charlie: "...how's this?"

Vaggie: "...."

Vaggie: (sets down coffee) (touches charlie's arms) "Can I-"

Charlie: "I'll can let go! It's okay-!"

Vaggie: "No, just. You're fine. Let me rearrange you a bit?"

Charlie: "Oh sure!!! Yes! Whatever you want!!"

Vaggie: "Wings are more, they were more like..."

Vaggie: (shifts Charlie's arms around and leans back into her more)

Vaggie: "...it was more like.."

Charlie: (tries another soft squeeze) (whispering) "Like this?"

Vaggie: "...."

Vaggie: "Yeah." (blinking hard) "It was."

Charlie: "Okay. And that's... okay..?"

Vaggie: "...it's nice."

Charlie: (smiling) "I'm now officially free for wing simulation hugs whenever you want them."

Vaggie: "You gotta sleep sometime, hon."

Charlie: "We share the same giant bed. We can just cuddle!" (butting the back of vaggie's head) "If we can make hell even a little nicer for you, Vaggie, then we should."

Vaggie: "Why both. It's hell for reason."

Charlie: "Because you'll feel better? And that's important?"

Vaggie: "I'm fine with not feel great all the time."

Charlie: "Why though? Vaggie-"

Vaggie: "Builds character."

Charlie: "...Alright." (headbutts again) "Well I'm already quite a character and I like it better when you're feeling better. It makes ME feel better."

Vaggie: “Now that’s definitely important.”

Charlie: “Heh. Just like you.”

Vaggie: (holds charlie's arms as charlie holds her) (doesn't answer)

The Coffee: (slowly cools off while they hug)

-several minutes of hugging later-

Charlie: "...."

Charlie: "How did the wing hugging thing WORK exactly?? You had moth wings, right? Insect wings? I always thought those were pretty stiff- very pretty and fluttery!- but not very bendable. Are some bug wings actually bendy? Or was it more a weird demon thing, like random horns or-"

Charlie: "-Vaggie?"

Vaggie: (slumped) (dozed off on Charlie's shoulder) (breathing softly against crook of charlie's neck)

Charlie: (smiles) "...pretty good hug, huh?"

Vaggie: (snores a little)

Charlie: "Heheh." (smile slipping)

Charlie: "...sorry."

Charlie: (hugs tighter)

Charlie: ".... if I'd just found you sooner, I..."

Cupboard Door: (creaks open)

Charlie: (looks up) (weak smile) "Oh, hey guys- Good breakfast?"

Razzle & Dazzle: (guilty shake off doughnut crumbs)

Charlie: "It's okay. You know she's not much of a morning food person anyway."

Razzle: "Rrr." (flutters into table to peer at vaggie)

Dazzle: (leans back into cupboard)

Charlie: "Oh she's just tired- I'm helping her get some sleep." (actually smiling now) (shifts hind legs) "Um. My hooves might also start falling asleep soon. Maybe you wanna fetch me a pillow or something, please?"

Razzle: (points from vaggie to the floor behind charlie)

Charlie: "Maybe? I think I could shift her into my lap and lean on the cabinets... She feels pretty out of it. One-hundred percent will need a pillow for that though."

Razzle: (flutters off) (pats charlie and vaggie's heads along the way)

Dazzle: (wiggles out of cupboard) (places half an eaten doughnut on table in front of vaggie)

Dazzle: "Ree." (points at doughnut sternly)

Charlie: (giggles) "I'll TRY to get her to eat it when she wakes up. But no promises~"

Dazzle: (huffs) (follows razzle out)

Charlie: "......"

Charlie: (long sigh) (slumps against vaggie)

Charlie: "I'm helping. I can help you- I-" (hides face in vaggie's hair)

Charlie: "...hell can be a happy place too, I promise. I won't let it hurt you again."

....

-somewhere in heaven-

Lute: (sneezes)

Adam: "Go fuck yourself."

Lute: (wiping face with bloodstained sleeve) "Thank you, sir."

Adam: "And take a dunk in the celestial sea or whatever. Extermination was like, months ago- bitch did you even shower?"

Lute: "I did, sir."

Adam: "Went right back into the sinner splattered outfit?"

Lute: "Yes sir."

Adam: "That's gross as fuck." (grinning) "Hardcore. Give me SKIN, bitch!"

Lute: (smirks) (high fives)

Adam: "Even Vagina never went that hard- even when she was fucking you over in kill counts and shit."

Lute: (not smiling anymore) "She was the only one, sir."

Adam: (not listening) "No style! She was boring as FUCK with that lame spear. Stab kill. Stab kill. One hit, no misses, no flying limbs. No fucking CHASES to get the sinner shits really screaming! Just didn't know how to let loose and have FUN with it!"

Lute: "No, sir. And now we know why."

Adam: "Pretty pathetic for one of my girls." (sighs) "Aw whatever. Women, am I right?"

Lute: "She was a filthy traitor."

Adam: "Yeah, pretty much all of you are." (picks at mask teeth) "Lucifer barely counts as a dude either, like, dudes weren't a THING when creation jerked him out. Wanna know why?"

Lute: "You were the f-"

Adam: "CAUSE IM THE FIRST MAN, BABY!"

Lute: "The original-"

Adam: "THE ORIGINAL DICK Father of all winners EVER! And of all those lame-ass losers down in hell, not that they fucking show any respect-"

Lute: "And she will be the last Exorcist ever to betray you."

Adam: "Eh. We'll see I guess. Bet she's fucking regretting it either way, huh?" (grinning) "Probably SEEING the error of her ways.."

Lute: "Realizing she made one hell of a choice."

Adam: "Wishing she hadn't fucking WINGED IT that one time, HA!"

Lute: "We clipped those thoughts pretty quick."

Adam: (slaps lute on back) "That was fucking great. I've got her agonized "oh" face from the wing ripping part as a screen saver- but don't fucking tell Sera that, the saintly seraph virtue prude of a bitch."

Lute: "Never." (smiles) (fingers her sword) "...And thank you, sir."

Adam: "Sword still got some of her blood on it?"

Lute: "Maybe."

Adam: "Now THAT'S gross. Love it."

[cowgurrrl]

I Don't Smoke

Pairing: Javier Peña x fem!reader

Author's note: this hatched as an idea for @tightjeansjavi 's june writing challenge but it doesn't end as I thought it would necessarily but I kinda lurv it so (ps thank you @egcdeath for your help 🫶)

Summary: "Most things will be okay eventually, but not everything will be. Sometimes you'll put up a good fight and lose. Sometimes you'll hold on really hard and realize there is no choice but to let go. Acceptance is a small quiet room." aka Javi makes a reappearance in your life [8.6k (she’s a whopper)]

Warnings: canonical type shit

It's a random Friday in April 1998 when you're walking down the hallway of FBI headquarters and hear a familiar voice call your name. Not just any voice but a voice you came to know as well as you would know your own. A voice you loved. A voice you haven't heard in four years. You freeze in your tracks and take two breaths before you actually turn around to see him.

He smiles big as he approaches you, and you struggle to find the same response. His hair is shorter and styled nicely, and he's wearing a bureaucratic suit, which you know he hates or used to hate. He's broader than you remember and seemingly more confident. You're still tense, but once he's close enough, muscle memory takes over, and you hug him.

His cologne is different. For some reason, that tugs at your heart.

"Hey, honey," he says into your hair, squeezing you a little harder. You hold him for another second before remembering you're at work and let him go. "Wasn't expectin' such a warm welcome."

"Well, that's what happens when you see an old friend for the first time in a long time." You say and Javi smirks, scratching at the stubble on his jaw.

"'Old friend.' Is that what they're calling it these days?"

"It is when I'm at work and have a reputation to uphold."

"Right," he says and puts his hands up in defense. "Didn't mean to insult Ms. FBI."

"What are you doing here? Last I heard, you resigned." You redirect, making him laugh even though you just gave away that you kept up with him even after you broke up.

"Stoddard asked me to teach a few classes to incoming DEA agents. Figured it was a good enough reason to get out of Texas," he says. You step to the side to let somebody go by in the hallway, and that ever-wandering eye falls down your body. "You look great."

"You too," you adjust some files against your chest, suddenly all too aware of how heavy his gaze is, and glance around. "How long are you in town for?"

"A week. We should get drinks or something. Catch up." He says, and you laugh at the absurdity of it all. You're talking like you went to college together, and you're gonna reminisce about the good ole days over a few drinks. You take a deep breath and nod.

"Sure, Javi. When are you free?"

"For you? Any time," he says so easily your heart squeezes. "But, I'm around tonight. I can meet you at the bar across from the Hill after work?"

"That works for me."

"Alright, then. I'll see you tonight." He smiles and looks you over again before swaggering down the hallway and into one of the classrooms like he used to walk to your desk or into your apartment. Nostalgia and something bigger bubbles in your throat, and you swallow it down.

You've often wondered about what it'd be like if you ever saw Javi again.

You never expected it would sting as much as it does.

You force yourself down the hallway into your office and let out a big sigh as you bury your head in your hands. Your engagement is cold against your skin.

You should be planning a wedding. You should be debating which version of white the napkins should be— eggshell or cream— or fighting with vendors on the phone. You should be doing a lot of things in the two months leading up to your wedding. Getting drinks with your ex is not one of them.

You worked at the United States Embassy in Bogotá during the hunt for Pablo Escobar in the early nineties. You were a fresh graduate from the DEA academy and got shipped off the day after you passed all your exams. They needed bodies in chairs and on the ground doing work to end the drug war, and you just happened to have a pulse and the qualification. Javier Peña happened to have those same things. Now, he's known as one of the men who took down the most dangerous crime syndicates in Latin America, but, at the time, he was just Javi.

He was a little older, a little more experienced, and, by all accounts, a little bit of a slut. He had a wandering eye and a bad habit of sleeping with newly minted Embassy employees who didn't know better. You were warned about Javi and his brown eyes and swagger, but you couldn't avoid him. He was your coworker, for Christ's sake. So all you could do was remind yourself you were there for a job and try to ignore him when possible. What they don't tell you about being thousands of miles away from home and dealing with nightmare-inducing horrors every single day is that you start looking for comfort wherever you can find it.

You made bad decisions like smoking cigarette after cigarette, sneaking just a little bit of whiskey in your coffee, or letting Javi bend you over his desk and leave bruises on your skin as he buried himself inside you. One time, you told yourself. You'll do this one time to get it out of your system, and then you'll both move on. As long as it didn't interfere with work, you thought it was okay to fuck him once, but either convenience or care kept you reaching for each other for the rest of your time in Colombia.

You spent most nights at his apartment because it was a little nicer and it felt like it would be too real if he entered your space. For all his sarcasm and hard edges, he was sweet with you. He'd make you breakfast and drive you to work under the guise of carpooling. Over time, you started to learn all his little quirks and tells, and you looked for him first when the smoke cleared and the gunfire ceased. He started stealing files off your pile of paperwork so you'd have less work to do, cook your favorite meals, and was ready with open arms when things got to be too much.

The love was like everything else that happened between you: quiet yet all-consuming.

As the months stretched on and you only grew to love him more and more, you started to imagine a life with him. You were naive and had too much faith in the world, but you couldn't stop yourself. The daydreams of a house with a big backyard, a dog, and maybe a few kids to fill it kept you alive when it felt like not even the weapon attached to your hip could. You wanted it so bad. You told him how much you wanted it, and he agreed despite how fucking crazy it sounded out loud. Love allows you to be delusional to avoid the possibility of rejection.

And you loved him so much that you let yourself believe once Escobar was dead or in prison that, you could go home together and live a somewhat normal life. That he could give it all up. That you could make it work.

So you threw yourself into the hunt. You didn't sleep. You barely ate. You went from smoking a few cigarettes a day to a pack as you got closer and closer. Javi wasn't much better off, and you definitely enabled each other's behavior, but you believed so hard in this future that you thought it would be worth it in the end.

He got snappy, and you argued a lot. You both shut down so much that it's a miracle you could find your way back to normalcy. He didn't even tell you when he got sent to D.C. for questioning. He just disappeared. When you and Steve stood over Escobar's body on a rooftop in Medellín, you couldn't focus on anything but the blood splatter on the shoes Javi got you as an early Christmas gift. At the end of the day, your only thought was, "It's over. We can go home. We can start over. We can make something of this."

Escobar wasn't even cold when Javi accepted a new position in Cali.

Everything he'd seen and done, the things you counseled each other through, the faces that kept him up at night didn't matter as much as that job. He broke the news to you as you were packing up your apartment. "There's an opportunity out there for you, too," he said, looking at you with those big eyes. You almost folded, drowning in affection for him, until you remembered how many times he'd almost died or disappeared without a word or struggled so much he buried his memories between your legs or at the bottom of a bottle.

How could he want to return to that? How could he want you to return to that?

That's when you broke.

You don't remember exactly what was said during the argument, but you know it was bad. There was a lot of yelling and tears. You said things you didn't mean, and he returned the favor. It went on for what seemed like hours, back and forth back and forth, until you were exhausted and done negotiating. You gave him an ultimatum: come to D.C. with you and start your lives, or go to Cali. He chose Cali. You chose D.C., and that was it.

That had to be it.

You didn't talk much in those final days, but you did a lot of crying. The horrors he helped keep at bay threatened to suffocate you. You were a shell of a person, but you couldn't reach for him again, knowing he didn't love you enough to stay with you. You had the tiniest shred of self-respect.

So, the day you left, you gave his stuff back, and he drove you to the airport in complete silence, even walking you all the way to the terminal without saying a word. His final act of care even when you'd told him you hated him forty-eight hours earlier. You waited until the very last second to get on the plane, hoping he'd change his mind or you'd change yours. You were both too stubborn and too broken, so you wished him luck and left. You didn't even hug him because you were so scared you'd never leave his arms if you did.

Things happened fast once you were stateside again. Within a week, you found a nice apartment in D.C., transferred to the FBI, adopted a cat named Astro, and swore off dating. With all your experience in Colombia, you got your pick of jobs and workload. You avoided field work for a while and got stuck pushing papers around at your desk, but you got bored three months in and asked to go back out. Your first case back in the field had you dealing with a serial arsonist who may or may not have had ties to a terrorist group. You were examining the rubble of yet another building when one of the firefighters called your name.

Harry was tall and charming and trying to explain something about accelerants, but all you could do was watch his scarred hands as they pointed. You remember thinking he was going to be a problem. It took three more fires for you to catch your guy, and Harry would later say it took those fires to build up the courage to ask you out. "You were much scarier than any fire," he told you. He had soot on his cheeks, and the flashing lights made his eyes sparkle. There was something about that stupid New York accent that just made you melt.

You thought one date couldn't hurt. You thought it would help you adjust to your new life. When he showed up in a nice shirt with a bouquet of flowers to pick you up for your first date, you knew you were fucked.

You went on a second date. And a third. And a fourth. He was patient with you as you struggled to open up to him about your time in the DEA and never pressured you to tell him anything you weren't ready to. That Christmas, you went home to New York with him and met his parents and all three of his sisters. By the next spring, you, Harry, and Astro moved into an apartment halfway between each of your jobs.

You got into the habit of bringing him cookies when he worked overnights at the station and smelling his shirt when he got home because, more often than not, it'd still smell like smoke. He'd surprise you with coffee or flowers at work "just because" and drag you away from your desk when you've been staring at the same words for however long. When a bullet grazed you in the middle of a chase, he made one of his EMT friends drive him to the hospital you were at in the ambulance with the lights on so he could get there as fast as possible. He made it in seven minutes and started crying the moment he saw you lying in the hospital bed, even though you were completely fine.

For something as unexpected as this relationship, you guys work really well. He cooks dinner, and you wash the dishes at the end of the night. He looks at big houses in nice neighborhoods and humors you even though there's no way you can afford it with two civil servant paychecks. But, when you see him playing with your nieces and nephews, something so deep inside you aches that you think the life-long debt would be worth it if it meant he got to be a dad. You take time off to visit his family, and even though he thinks it's the most badass thing about you, he doesn't say anything about your involvement with Escobar until you accidentally let something slip during a barbecue. When work gets too much, you hold each other, cry, and make promises to stay alive.

He proposes to you on the fourth anniversary of your first date. You knew he would because you'd looked at rings together, but you blub like a baby anyway and almost tackle him to the ground in Rock Creek Park. You're deliriously happy as you celebrate your engagement and even as you start to plan the wedding. It's like you blinked, and suddenly, it'd been four years since you left Colombia, and you're living the life you dreamt about, just with a new person. A person you love so fucking much, you still get butterflies when he walks in the room. The ring on your finger and the way he casually drops "my wife" into conversation when he means "fiancée" only adds to the giddiness.

You can't wait to spend the rest of your life with him. So, why the fuck did you agree to get drinks with Javi?

You pick your head up and dial the firehouse number before your brain can fully devolve into panic mode. They might be out dealing with a fire, but you figure it's worth a shot. On the second ring, Jack answers with his gruff "D.C. Fire Station 19."

"Hey, Jack."

"Oh, hey, darlin'! How're you doin'?" He asks, and you swear you can hear him smiling. Jack is one of Harry's best friends and groomsmen, and he absolutely adores you.

"I'm good. How're you?" You ask, already feeling the weight come off your shoulders just from talking to someone.

"You know, I can't complain. I mean, I could, but I won't," he says, and you laugh. "You callin' for your lover boy?"

"If he's not busy, yes."

"Nah, you're all good. Well, listen, it was nice talkin' to you, sweetheart. I'll get him now." He says before yelling Harry's name through the station so loud you wonder if the neighbors could hear him. There's some shuffling and a quick "'S your wife" as the phone changes hands. The identifier makes you laugh and it's the first thing Harry hears when he presses the phone to his ear.

"Oh, you have no idea how much I needed to hear that." He swoons, and you make a sympathetic noise.

"Rough day?"

"No, I just miss you."

"You're so cheesy," you say. "I miss you too. A lot."

"You okay? You sound off." He asks, and you chuckle. Of course, he caught the tiniest change in your voice.

"I'm okay. I bumped into somebody I worked with in Colombia today, so I just… feel weird," you say, rubbing your forehead. You hear him shuffle like he's trying to move to a more private place, but the cord on the phone isn't letting him get very far.

"Good weird or bad weird?"

"I don't know. Just weird. We're gonna get some drinks tonight and catch up."

"Maybe that'll help," he chirps. "I mean, as much as I like listening to your stories, it might make you feel better to talk to someone who was there. Maybe get some closure."

"Maybe." You say. It goes quiet on the line, but you know he's there because you can hear him breathing and hear the distant sounds of the firehouse. You don't feel pressured to say anything; just knowing he's there breaks up the tension in your chest. "Chief is gonna have your ass if he finds out you're running up the phone bill." You tease, and he laughs.

"I'll just tell him I'm talking to my wife, and if he doesn't want me on the phone, then he should stop making me work overnights."

"Which I'm sure he'll take well."

"You're his favorite. I'm almost positive he'd install a whole phone just for you," he says. It's true, but hearing it still makes you smile. It goes quiet again.

You watch people mill around the bullpen from your office window and chew the inside of your cheek. You should tell him it's Javi. He wouldn't discourage you from getting drinks with him, but he knows your history with him. He should be in the loop. He's going to be your husband, for God's sake. But you also don't need him worrying about this while in a burning building or doing CPR.

"You know I'm not technically your wife for another two months, right?" You change the subject, and he hums.

"Yeah, but it has a nice ring to it. My wife." Even the way he says it over the phone makes you giddy.

"I can't argue with that." You say. He takes a deep breath, and you copy him.

"You're gonna be okay. Go get drinks with your friend and try to have some fun. Maybe invite them to the wedding if you get drunk enough and decide it's a good idea," he suggests, and you laugh at the idea of Javi at your wedding. "I'll be home tomorrow afternoon, and we can talk about it or not talk about it if that's what you want, okay?"

"Okay." You resolve and twirl the phone cord in your fingers.

"I love you."

"I love you, too. Have a good day. Don't be a hero."

"Wouldn't dream of it." He says. You wait another second to have him nearby before hanging up and looking out over the bullpen again.

You could not show up. You could go home, cuddle with Astro, and put on Sex and the City or something else to take your mind off the day. You could go to bed early and take Harry breakfast in the morning. You know his hair will be messy and a little darker than normal, but he'll still smile and pull you into his lap even though the guys tease him all the time about your PDA.

But you're also too interested in what Javi could have to say to do that. You owe it to yourself to get closure or answers or whatever the fuck he has left to offer you.

And then you'll never think about him again.

Easy.

It's a slow day filled with paperwork and pencil-pushing at the FBI. No bombs or killers or threats. Just meetings and emails and the dread about meeting with Javi all day. You linger around the office a little longer than you need to until you're almost late, and only then do you start walking to the Hill.

It's bustling with tourists dying for a peek at the cherry blossoms scattered around D.C. and the Suits you usually see trying to get home. The April sun feels good on your skin, especially after being inside all day, and you take a moment to watch the sun dip lower and lower in the sky.

All things considered, if Javi was going to visit D.C., this would be the time to do it. Spring is in full bloom, and the last dredges of winter only show up at night or early in the morning when it's still cold. People are constantly out walking their dogs or taking their kids to the playgrounds. It feels like the city has come alive again after such a long winter. You come up with a list of recommendations of things for Javi to do while he's here, even though he probably won't do any of them. The least you could do is give him something to distract himself from work.

By the time you get to the bar, the sun has nearly set, and traffic is a waking nightmare. You push your anxiety away and duck into the bar, searching for Javi's familiar eyes amongst the exhausted interns and law students. He's in the corner, scanning the space just like you thought he would, and there's a glass waiting for you at the table. His eyes light up when he sees you, and your chest aches.

He gets up to greet you with a hug and pulls your chair out for you like a gentleman. "Don't know if your order's changed, but I figured I'd make a guess." He says, gesturing to your drink as you settle across from each other. You smile and hang your jacket on the back of your chair.

"Thank you. Next round is on me," you say as you raise your glass to his and take a sip. "How was teaching?"

"It was fine. Although I wish they'd actually listen instead of just staring at me like I have a second head." He says, and you laugh.

"You're a living legend to them. Escobar and the Godfathers of Cali? You might be the most experienced person they've come across."

"I think I'm the person professors warn students not to be in the field."

"There are much worse things to be than a Javier Peña or a Steve Murphy," you say. "Besides, I think the DEA has bigger problems than a few rogue agents."

He shrugs and glances up when the bell above the door chimes, checking out whoever just walked in. He did the same thing when you sat in bars in Colombia like he was always waiting for a fight. You used to tease him about it, but the fact that he still does it makes you smile.

"Steve sends his love, by the way." He says.

"How is he? How old is Olivia now?"

"She's gonna be five soon, and they're about to have another baby. A boy," he beams. "They're all doing good. Steve runs training courses for FBI agents now and sometimes goes back to Colombia to liaise with their government. Connie works at a hospital, and Olivia's in Pre-K."

"Sounds like you guys talk a lot." You're pleasantly surprised. They were good partners, but they could barely stand to look at each other when things got tense. Not to mention Steve leaving the DEA at the same time you did.

"Well, when Olivia started calling me Uncle Javi, it was pretty hard to ignore him," he says, and you 'aw' at the idea of her little hands reaching for him. Uncle Javi suits him. "She's a good kid."

He fills you in on his work in Texas and asks about your transfer. You tell him what you can about your job and the annoying bureaucrats you hate working with. He seems lighter than you've seen before, not just because of the drink in his hand. His shoulders are relaxed, and even though he still has the instincts of someone working in the field, he doesn't get trapped in them like he used to. It's a nice change.

You're almost done with your first drink when he digs a pack of cigarettes out of his pocket and offers you one. God, when was the last time you even bought a pack of cigarettes? It had to have been right after Harry came home from a particularly bad fire resulting from a stray cigarette. Three people died. After that, you couldn't pick up a cigarette without thinking about the seventeen-year-old who got stuck in the apartment. That must've been three years ago now.

"I quit," you say, and he raises his eyebrows at you.

"That's new." He says like your hair turned blue before his eyes, but pops one into his mouth anyway. You shrug.

"Sorry to disappoint."

"No, no, 'm not disappointed. Just surprised."

"Yeah, well," you sigh. "American cigarettes aren't as good as the Colombian ones."

"I guess that's true," he says as he flicks his lighter open and inhales until the end glows. Just as always, he politely blows smoke away from your face. "Alright, so you got a new job, a new apartment, a cat, and you quit smoking. What else has changed since I saw you last?" He asks, and your thumb immediately presses into the band of your engagement ring.

Well, it's now or never.

"I, uh... I'm getting married," you say, and his eyes fall to your ring. "In two months." He takes a big sip.

"Congratulations," he says. It might be the most unenthusiastic thing you've ever heard somebody say. "Who's the lucky guy?"

"His name is Harry. We've been together for a few years now."

"What's he do?" He asks in his interrogator's voice, and you give him a look.

"We don't have to do this." You say. Javi takes another drag of his cigarette and grinds his teeth.

"Do what?" He asks. "It shouldn't be hard to talk about if you love him."

"I do."

"Then, why don't you want to tell me about him?"

"Is that a serious question?" You scoff, and he shrugs. "Fine. What do you want to know?"

"I already asked you," he says. "What does he do for work?"

"He's a firefighter." You know it's a cliche: a cop and a firefighter, but you don't really care.

"How'd you meet?"

"First field case I had was an arsonist. He was one of the guys on site when I got there."

"Romantic," Javi muses, and you hum. You wait for him to continue bombarding you with questions, but the air gets thick, and suddenly, all you can do is take big gulps of your drink. You signal to the bartender for another, and Javi finishes his cigarette in silence. "Well, I'm happy for you," he says softly. He doesn't seem like he is, but you know better than to press him, so you just nod.

"Thank you," you say. The bartender drops two more drinks off at your table, and Javi raises his glass to you.

"Here's to you and Terry-"

"Harry," you correct, and he laughs, breaking up the tension that's settled. He took the news much better than you expected, but you're still waiting for the other shoe to drop. There always seems to be one waiting when Javi's around.

"To you and Harry and a lifetime of happiness." He says, tapping his glass against yours and taking a drink. "Now, tell me what you've been doing with the fuckin' FBI."

"Oh, you're gonna need to buy me a few more drinks before I start spilling government secrets, Peña." The name rolls off your tongue before you can stop it, and it brings you back to hot Colombian days and red yarn on a corkboard and his apartment. He raises his eyebrows like it's a challenge and smirks.

"Don't tempt me with a good time."

It's late and you're drunk. Drunker than you've been in a while. You didn't mean to. You just kept talking and drinking, and it felt so good talking to him after so long. Once you got through with the elephant in the room, it was so easy to fall back into the groove with him. You talked about Colombia and your lives outside of work. You even tell him the story of accidentally letting it slip that you used to work for the DEA after smoking a little bit of weed with Harry's sister, Caitlin.

You laughed together until last call and then argued over who would pay the tab. "Consider it my weddin' gift," he half-slurred, and you rolled your eyes and let him pay.

Now, you're strolling the empty National Mall, working off your buzz and elongating the time you have with him. You didn't realize how much you missed him until tonight. Despite everything that happened, you did have good days with him. Days filled with music and chain smoking and laughter. You'd like to get those back. You'd like that version of him back.

As you walk, you point out monuments to him and messily retell the stories the tour guide told you when Harry thought a walking tour of D.C. was a good second-date idea. You switch presidents and periods too much to make sense, but Javi listens anyway. Every so often, his warm hand will brush against yours, barely touching your skin but enough for you to notice when he does it. Neither of you say anything about it or break the flow of your conversation. Maybe it's for old-time's sake. Maybe it's because you don't know what there is to say. The night is clear and eerily quiet. The only sound besides your laughter and drunken stories is the chilly wind blowing through the trees and the clacking of heels from an exhausted-looking White House intern as she walks by.

Or, at least, it was until you stumbled across a busker by the Lincoln Memorial. The empty space echoes with the sound of his saxophone, and you smile as you get closer. There are a few other people milling around, and a few take turns throwing coins in his case. You've seen him playing here before, but you've never had the time to actually stop and listen. He's good. You wish you'd stopped sooner.

"You wanna dance?" Javi whispers in your ear, his breath fanning across your neck, and you furrow your eyebrows.

"Here?" You ask, and he shrugs.

"Why not?"

"Because nobody else is."

"C'mon," he tuts. "Live a little." He doesn't wait for you to say anything else. He just grabs your hand and pulls you a little closer to the musician. You sigh but let Javi hold one of your hands and rest the other on his shoulder. He smirks and you roll your eyes to hide the fact that you're shocked he wants to dance. With you. In public.

Sure, you had little moments where you danced in the kitchen, but never in public. Even then, it wouldn't have ever been his idea to dance. He's like a whole new person. You don't know how to feel about it.

What the fuck happened to him in Cali?

He spins you under his arm, and you do your best to follow his lead. You have two left feet as it is, something Harry has helped get out of your system, but the alcohol makes it even worse. You almost trip yourself but land against Javi's chest before you can hit the ground. He makes an oomph sound but doesn't do anything to push you away. You don't do anything to pull away.

The saxophonist continues playing, and the cicadas chirp nearby. If you listen hard enough, you can hear Javi's heartbeat. You think you'd know the sound anywhere. You memorized the rise and fall of his chest when you woke up from nightmares, and he was the one to calm you down. You used to count the contractions of the muscles in his heart until you fell back to sleep. It was often the first thing you heard when you woke up if bombs weren't going off somewhere in the city or your phone wasn't blaring with an emergency message from the Embassy.

And now, here it is again, unexpectedly thumping against you after four years, following the rhythm of the music surrounding you. Javi's warm as he tentatively rests his head against yours, and you feel his fingers flex around your hip. A mixture of his cologne and cigarettes invades your senses, and you can do nothing but ride the nostalgia wave until the song ends.

You pry yourself from Javi to turn and applaud the saxophonist, and he gives a gracious bow. Javi looks a little disappointed that the song is over but drops a ten-dollar bill in the saxophone case anyway.

"Didn't take you for a dancer." You say as you walk away from the Lincoln Memorial, and he shrugs.

"'M full of secrets now."

"I guess so," you say. You start walking toward your apartment, suddenly too cold and tired now that you're a little more sober. Javi follows, putting himself between you and the street and grazing your lower back whenever you cross the road. He's always been protective of you, even before you started dating. It makes sense he would still be, right? You're trying to make sense of the muddled mess in your head when Javi pulls his cigarettes out of his jacket, and you eye them. You must not be as discrete as you thought you were because he laughs at you.

"For someone who quit smoking, you look like you want a cigarette." He says, offering the pack to you, and you sigh. You take one from the middle and put it between your lips. Javi is quick with his lighter, and you lean into him just a little as you inhale. He watches your every movement like he's watching a miracle unfold before him.

You hate to admit how good the smoke feels in your lungs. After three years of not even looking at a cigarette, all it took was an offer and a quick puff, and you're back to the beginning. You'll start again tomorrow.

"Don't tell Harry." You say as you blow smoke away from him, and Javi laughs.

"What? He doesn't like you smoking?" He asks, looking for a reason not to like Harry, and you chuckle.

"It's not that. I've just heard one too many horror stories about a stray cigarette starting a fire." You say, and he hums.

"Is that why you quit?"

"Kinda. I also…" you start but then shake your head. "Never mind."

"What? Now you have to say it."

"You're not gonna like it."

"Try me." He says, and you inhale deeply, blowing smoke out of your nose. You think about telling him to leave it alone, but the alcohol and the pain in your chest tells you to say fuck it.

"I quit because it reminded me of you." You admit. He gets quiet. He takes a long drag of his cigarette and looks up at the stars as you silently spiral. You feel like you need two more cigarettes and a shot of tequila.

Javi has always had a special talent for making all your worst habits bubble to the surface.

"You're right, I don't like that." He says softly, and you nod. You walk a few blocks in silence. The only sounds are your shoes clicking against the pavement and the tiny crackling of your cigarette as you smoke. A siren blares somewhere in the city, and your stomach drops. It always does, but especially now.

Your fiancé is out there, putting his life on the line to save others because that's how good of a man he is, and you're getting drunk and slow-dancing with the man who broke your heart? You didn't even tell him it was Javi. What if something happens to him tonight, and you're out? What if you miss the phone call? Guilt gnaws at your throat like an angry dog, and you feel like throwing up. You swallow hard and stomp out your cigarette before it can get to the filter.

"I'm glad we did this," you say, trying to get things back on track. Javi gives you a weak smile. "I missed you."

"I missed you too."

"You know, Harry said there's a place for you at the wedding if you want it. I know you'll be back in Texas, but it could be fun. We'd love to have you," you say, and he shakes his head.

"I don't think that's a good idea." He says. You knew he'd say no, but it still stings.

"Just thought I'd ask." You say, and he nods. You're about two blocks away from your apartment, and you start fishing for your keys out of your purse when Javi stops. You keep walking, thinking he's going to finish his cigarette and pull out another one.

"Don't marry him." He says, just loud enough for you to hear, and ice floods your veins. Whatever alcohol left in your system seems to vanish, and you freeze.

"What?" You ask as you slowly turn around. Javi chews on his bottom lip and stares at you.

"Don't marry him," he says again. Something behind his eyes is familiar, and suddenly, you're the girl he couldn't leave Colombia for again. Tears prick in your eyes, and you shake your head. "You'll get bored in a few years, and you'll be stuck if you marry him."

"I love him."

"I love you."

"Stop," you mumble. He takes a step forward and cradles your face in his hands, tilting you up to look at him, and your jaw tightens. You wonder if he can feel it. "You don't love me."

"I do. I always have. I fucked up, and I'm so sorry for hurting you, but I'm here now. We can start over. I'll move to D.C.. I'll do whatever." He says in one breath like he's afraid he'll lose the courage to say the words out loud.

"It's too late." You say, and he shakes his head.

"No, it's not. We can go tonight. Anywhere you want. I-"

"You let me leave," you cut him off, years of frustration and heartbreak coming back up to the surface as you take his hands off your face. "I was drowning and you let me get on the fucking plane."

"I thought that's what you wanted."

"I wanted you to reject the position in Cali and come with me because I really thought you could at least try to love me more than your job."

"I couldn't just give the Cali position up." He says and you scoff and take a few steps away from him.

"But you could give me up," you say, throwing your arms up in defeat. "That's not love, Javi. That's having someone around to play with and throwing them out when you get bored."

"It wasn't like that."

"Enlighten me, then."

"Do you remember when Carillo died?" He asks and you take a deep breath before nodding.

Most of your memories of Colombia are muddled, but not that day. You were pissed Messina wouldn't let you go, but you were fine to let the Colombian police make the raid. Javi and Steve were anxious. You remember watching them stand next to the radio like guards and trying to guess what was going on in their heads. Javi's gaze lingered on you a few too many times to be an accident, and he smiled fondly at you. You joked about them paying for the drinks you'd have later to celebrate. Things felt stable enough for you to sit down next to Messina. You were halfway through a cigarette when the gunfire chattered over the radios.

It wasn't an ambush.

It was a fucking massacre.

They never stood a chance. The scene was horrendous. Hearing Messina call Mrs. Carillo to tell her what happened was worse. Steve, somehow, was able to go with Carillo, so he wasn't alone in transport back to Bogotá. You and Javi were the cowards who went back and drank until you stopped seeing the pile of bodies you felt responsible for.

Javi put his fist through the wall of his apartment when he got home that night. You wanted to cry but knew that if you started, you'd never stop and who were you to be crying? People had just lost their sons, husbands, brothers, and fathers on your orders. You didn't deserve to cry. It was the beginning of the end for you and Javi, but you clung to your idea of the future so hard, it had claw marks on it when you finally let it go and got on the plane.

So, yeah, you remember. You remember it all.

"I couldn't let that happen to you or anyone else ever again. It would kill me," he says. You're about to tell him it's not his fault, and it never was. It was shitty intel. It was a trap. It was a lot of things, but it wasn't his fault. That might be the only thing you can say for sure about that tragedy. "So, I put everything that wasn't work out of my mind and made bad decisions, and that's on me, but I never stopped loving you or believing in our future."

"Then, why didn't you fight for us?"

"I didn't know how. You were so…" He searches for the right word. "Sure. You knew you didn't want to go to Cali, and I couldn't make you stay."

"I would've if you said the word," you say. "Even though I was miserable in Colombia, I would've come back if you asked me to because that's how much I loved you. Even if you'd just called me after I got here, we probably could've worked something out, but I'm marrying the love of my life in less than sixty days. And I've never had to beg him to stay with me or give him an ultimatum and question if he loves me because he wakes up every day and shows me how much he wants to be with me. I can't walk away from that."

"Does he know what you did down there?"

"Of course, he does." You say, annoyance buzzing in your molars, and you cross your arms over your chest.

"Does he know everything?"

"You mean, does he know I've killed people?" You ask. "Yeah, it was super fun trying to explain that to him. You want to hear about how I hyperventilated through the whole thing, or do you want to ask me another question to try to undermine my relationship?" He purses his lips and shakes his head.

"No," he says. "I just don't think you know what you're getting yourself into."

"Fuck you, Javier." You spit. You don't know the last time you used his full name like that. Something about it feels wrong and makes your skin crawl. "You left one girl at the altar over a decade ago, and you think you know about marriage?"

"That's not fair."

"No, what's not fair is you coming here and making me feel like the bad guy for moving on. I deserve to be happy. I've worked, and I've cried, and I've fucking killed for it, and the second I feel like things are going my way, you do this!" You yell.

"I love you." He says again, like it'll change anything. The pressure behind your eyes returns, and you turn away from him, but he catches your wrist before you can. "Listen to me. I love you. I love you. I love you." He repeats over and over again, but all you hear is, "I love you, but I can't come with you." "I love you, but I need this." "I love you. Isn't that enough?"

You rip out of his grasp and punch at his chest with tears slipping down your face. He takes it, still saying that he loves you, and for some reason that hurts more. You push him hard and watch him stumble back, his brown eyes tracking the tears down your face.

"If you really love me-"

"I do." He cuts you off and you take a stuttering breath.

"Then, let me be happy," you beg. "Let me go. Please. If you love me, you'll do that for me."

You feel pathetic, standing there crying like he shattered your heart all over again as he just stares at you and thinks. You want to go home. You want this to end. You want to never see him again.

Maybe in twenty years, you could stand to face him again. You'll be happily married, and you hope he'll be, too. You'll have a few kids, and you'll tell stories about them and Harry will pull pictures of them out of his wallet. You won't hurt anymore. Maybe when your daughter goes through her first heartbreak, you'll find the courage to tell her about Javi. Maybe all this grief will be worth something someday. You want it to.

But right now, you're just the girl he didn't love enough to leave Colombia for, and he's not the man you love enough to marry.

He clears his throat, his own tears glistening in his waterline, and nods.

"Okay," he mumbles. "I'll tell Stoddard I had a family emergency or something back home. Get the first flight back." Your eyes flutter shut at his words, and you try to keep yourself from crying more.

"Thank you." You say.

"I love you." He says again, and you open your eyes. He's grinding his teeth again, and his hands are in his pockets as if he's forcing himself not to reach for you. You give him a small smile and nod.

"I know," you say. "I'm sorry."

Just as you did at the airport all those years ago, you stand awkwardly far apart, unsure of what to do now. He waits for you to change your mind. You won't. He'll get on the plane, and that'll be it.

He nods to himself one more time before turning to walk away.

"You do deserve to be happy. I've never doubted that. I wish I could've given that to you." He says like he's trying to convince you he's a good person. You sniffle and spin your ring around your finger.

"You did for a while. It's just Harry's turn to do that now," you say. "Goodbye, Javi." He opens his mouth like he's going to say goodbye or something else, but you turn your back to him and start walking toward your apartment before he can.

You figure, after everything, it's only fair that you get the last word.

You didn't sleep. You knew you wouldn't. Astro seems to sense your anxiety and cuddles into your chest, purring loudly to try and drown out your thoughts. You reassure her you're okay and kiss her head as the inky blue sky is replaced by a stunning pink and purple morning.

A good omen, you hope.

You force yourself to get up and get ready for the day. It's Saturday and a fire station breakfast day. It's never anything fancy: donuts picked up from a nearby cafe, greasy fast food breakfast, sometimes cold pizza. Today, you walk to a nearby bodega and pick up his favorite breakfast sandwich with two steaming cups of coffee before walking to the fire station.

It's cold, and D.C. hasn't quite woken up yet. It'll be a few hours before life returns as people sleep off hangovers or long weeks. That's okay. This morning is just for you.

The garage door is wide open when you get to the station, and Harry is perched on the back bumper with the firehouse dog, Maisie, whispering things to her. He looks tired. You don't think you look any better, but he still lights up when he sees you, and Maisie even starts wagging her tail.

"Hey there, stranger," you greet him as he pulls you closer and smirks up at you. "You have a good night?"

"No, but it doesn't matter now that you're here." He says. You would normally roll your eyes at his cheesiness but your chest fills with warmth instead. You lean down and kiss him. He smells like smoke but tastes like the chapstick you make him wear because of the heat. Maisie sniffs at the bag in your hand, and you laugh against his lips when she licks your arm.

"I think she's jealous." You say, and he sucks his teeth as he looks at Maisie.

"You have breakfast, you little terrorist." He reminds her but he immediately folds when she gives him that innocent look. "She can have one piece of bacon, but that's it. We need you trim to get up in the trucks, right?"

You pull a piece of bacon off one of the breakfast sandwiches and make her sit and shake before you give it to her. She crunches on it happily, knowing she's absolutely spoiled rotten. She makes space for you to sit next to Harry on the truck and you rest your head on his shoulder. "You okay?" He asks as he kisses your hairline, and you nod.

"Just missed you," you say. "I couldn't sleep last night." He makes a sympathetic noise and wraps an arm around your shoulder to tuck you further into his side.

"Were you thinking about Colombia?" He asks and you hum. "Do you wanna talk about it?"

"Not right now."

"Okay. You wanna hear about why our kids will never be allowed to buy candles ever? No matter how old they get or how much smarter they think they are than us?" He changes the subject easily, and you laugh despite the pain still radiating in your body. You know he'll be there when you're ready to tell him about last night, no matter how long it takes you, and you will tell him. Eventually.  

"Hit me with it." You say as you unpack your breakfast sandwiches and pass him his coffee. Maisie wags her tail as you alternate between sneaking her treats and listening to Harry's story. He knows you're giving her extra snacks but won't ever stop you.

You sit there on the back of that dirty firetruck, talking and watching the sunrise together and debating on which version of white the napkins at your wedding should be— eggshell or cream— and know you'd do everything all over again if it meant this was the outcome. You love him with everything that you are and ever could be.

And as you eat your breakfast and soak up each other's presence, you find yourself hoping Javi could love someone like this someday. You believe he has it in him. You've seen it. Whoever ends up being the one to tie Javier Peña down will be lucky and loved.

It just wasn't meant to be you.

[whateveriwant]

Hey! I love your writing so much, and I was wondering if you could do 141 HCs with an albino GN!reader? Or a reader with tics but not tourettes? Either or!! Have a lovely day!

I'm sorry it took me a little while to get to this, anon! I went with the second option!

Ghost

Can you say 'twinsies'? Because Ghost definitely can 👯‍♀️

I can totally see Ghost having tics of his own – motor ones specifically, mostly confined to his face, but you wouldn't know it because they're always hidden by his masks

Thus, when he first notices you ticking, he immediately clocks it for what it is and he (almost giddily) thinks to himself 'Finally! Someone who gets me'

Because of this, he quickly becomes your second shadow, following you around everywhere like a little big puppy

Naturally, he'll get incredibly protective over you, especially when it comes to people who stare or make comments under their breath or even outright approach you and ask something rude regarding your tics

If he catches anyone doing anything of the sort, then he goes into scary dog mode real quick: arms crossed over his chest, head cocked to the side, an intimidating silence as he glares with a gaze so menacing it could melt steel

Price

With a man as sharp and attentive as Price, much like Ghost, he takes instant notice of your tics

And as protective as Price is, he'd probably get fairly concerned about you to the point where he even pulls you aside one day to have a little chat

He knows that… tics, he thinks they're called, aren't necessarily indicative of anything health-wise, but he just wants to make sure that you're okay; that there isn't anything he can do for you

Even after assuring him that you're perfectly fine and healthy and good, that doesn't stop him from looking out for you like you're his own flesh and blood

Similar to Ghost, if he sees anyone staring or making snide comments about you, then he's definitely going to step in and shut that down

However, rather than giving them an I'll tear your spine out through your throat look à la Ghost, he'll mutter something in their ear – the specifics of which you're unsure, but it always has them making a swift, shaky-legged departure

Gaz

While he too notices your tics, Gaz would never ever mention them out of respect for you and your privacy

He would wait for you to be the one to bring it up, should you ever choose to, that is. And if you never do, well, that's a-ok to him. Whatever you're willing to divulge, he'll be there waiting without pressure or judgment

However, if you were to talk to him about it (and thus invite a conversation) then prepare yourself for a barrage of questions

He doesn't ask them meaning to be offensive or intrusive or whatever; he's simply curious. He just wants to get to know you well, and that means knowing what makes you uniquely you

Unlike the other 141 men, if he notices someone bothering you about your tics, he's not going to directly (more like aggressively) confront them over it

Instead he'd harmlessly distract them, drawing their attention onto himself until they've completely forgotten all about their interest in bugging you

Soap

This man, bless his heart, would be totally, astoundingly oblivious of your tics even if they punched him in the face

In fact, the closer you become with him, the more he finds himself unconsciously start to mimic them

Kind of like when you like someone and so you start mirroring their movements/patterns of speech? Yeah, it's like that but with your tics

Of course, if you were to say something about it (and especially if you said it made you uncomfortable), he'd immediately apologize, explain how he wasn't even aware he was doing it, and make sure he never does it again

Like with Ghost and Price, if Soap noticed someone being rude towards you, he'd go into guard dog mode, but he is the most feral by far

He'd be all up in their face, furious, practically foaming at the mouth as he yells to "Mind yer own fuckin' business while you've still got workin' legs to mind with!" … only to turn to you afterwards all sunshine and rainbows like he didn't just tear that person a new one 😇

[actuallysaiyan]

Can I get #15 with Endeavor 🫣🫣

warnings: yandere themes, Enji is divorced, vaginal fingering, spanking my first time writing Enji...please be gentle

The number two hero was more than just a hot-head. He was irritable, angry and prone to anger. He was like a bomb waiting to go off at any second. That’s why everyone was so surprised when you said you were dating him. Nobody could truly wrap their heads around it.

Why would someone as sweet as you date such an angry man? Especially considering the age gap and the awkwardness that followed his divorce with his wife.

But you saw something else inside of him. You saw a man trying to reunite with his children despite his shortcomings, errors in his life and the trauma he didn’t necessarily mean to inflict on them. You saw a man who was beaten down by his own insecurities.

Yet he was so possessive. It turned you on, but it scared you in ways you couldn’t even comprehend. The way he always needs to have a hand on you whenever the two of you are out and about. The way he glares at any man that looks at you. It’s all things that make your head spin.

Even when you two are intimate, you have a safeword in place just in case he takes things too far. He’s quite the dominant man. He does everything in his power to make you see just how much you mean to him and how he owns you.

So tonight when you come downstairs wearing that skimpy little dress to go out on your date, Enji looks at you with his blood boiling. There was no way you thought that dress was appropriate for a dinner date. You must be trying to rile him up. He holds his arm up to keep you from moving forward, pushing you back.

“Enji! What’s the matter?” You tilt your head to the side.

He shudders, trying to keep his anger in check. “Angel, I’ll give you a minute to understand why I’m angry.”

You wrack your brain. You wonder what could have happened within the time it took for you to get ready. Then you watch as he’s fixated on your body. Your cheeks burn and you try to tug the hem of your dress down to cover yourself even more.

“Angel, baby…” Enji breathes in deeply. “Please…”

You try to push past him, but he’s shaking his head. He’s got a very tight grip on you now. You whine and pout, but he’s not budging.

“Let’s go! Come on! I don’t want to be late!”

“Hah! Where do you think you’re going dressed like that?”

That’s all it takes for you to stomp your foot in a bratty way and for him to grab you and bend you over his knee. He sits on the couch, pushing your dress up over your hips. You’re wearing the tiniest little thong, and it makes his cock so hard. Of course you’re dressed like this for him, but if anyone would see you, he’d be so angry he wouldn’t know what to do.

“Thought you’d be a brat huh? Well now we’re not going to dinner!”

Before you can even say anything, he swats at your ass. You moan softly, trying to wriggle free from his grasp. He spanks your ass a few more times, making you cry out. Then he soothes his hand over your red-hot skin, slowly moving his fingers down to your clothed pussy. He begins to rub your clit, watching as you squirm for even more pleasure.

“How about this…” he starts as he pushes your panties to the side. “If you’re a good girl for me and you only cum when daddy says so, then you can decide on what we’ll have for take-out.”

You let out a loud moan when two of his fingers slip inside of you, stretching you out. With gritted teeth, you nod and accept his little challenge.

dividers by: @adornedwithlight

Send me a prompt and character and I'll write you a short Drabble!

[grandlinedreams]

Ok I loved the whole reader is Kid’s/Killer’s sister. And I can just imagine her and Kid not getting along, and when the heart pirates and kid pirates run into each other, reader and Kid are like two cats fighting. Then Killer picks reader up under her arms like a kitten, and hands her to Law, all like, “this is yours”.

Could you make this happen please? 😭😭

I told myself I wouldn’t send anymore requests till they went down a bit more, but this scenario wouldn’t leave my head, and I wanted to see it come to life with your words. Asdfghjkl I’m sorry 😅

LMAO YES i loved writing it 🥺 but also don't apologize bb, I got you!!

[Heads up!: semi/non-canon compliant (idk either around Sabaody or in the 2 year ts), established relationship, sibling antics (Reader and Kid), cursing, silliness]

You love your brother, you swear that you do. You've stuck with him through thick and thin and at the end of the day, woe to anyone who tries to hurt him while you're around.

That being said, however, that doesn't necessarily mean that you like your brother or his general attitude towards anyone that isn't part of his crew.

Part of you gets it, truly ㅡ there's been plenty of skepticism and mockery when it comes to Kid and his goal in life. Finding the One Piece is a pretty lofty ambition, but you have no doubts your brother has the determination it takes. He's hostile because of it though, less keen on asking questions and more on the offensive ㅡ and his attitude towards Law's crew is no different.

Perhaps it's made worse, actually, for the fact that you're currently in a relationship with Law. Something your brother knows, and hates. Which is why you've found yourself, predictably, in another argument with him.

Anger boils in your veins as you raise your voice to match Kid's. "Stop treating me like I'm an idiot! I'm a grown adult!"

"Then act like it, damn it!" Your brother snaps back. "I don't have time to babysit you anyways!"

"Nobody asked you to, youㅡ" You yelp as hands hook under yours, your feet leaving the ground as you're lifted up. You know who it is, the only one besides Kid who'd dare to lift you like this in the first place. "Killer, put me down. Now."

The masked pirate ignores your demand, unbothered by the way you squirm in his hold before he sets you down in front of the Law and a handful of his crew, who've been watching this shitshow go down silently.

"This one is all yours," Killer tells Law, hand on your head and ignoring the way you swat at his touch, eyes narrowed and teeth gritted in annoyance. "For now."

"You can't just hand me off like I'm a package," you grumble, "are you that desperate to get rid of me? I didn't even do anything wrong!"

"Not getting rid of you," Killer cuts in, "just giving you some time away from Kid. I think you both need it."

Ever the voice of reason against his captain, Killer has a point ㅡ you could do with a couple weeks (or more) away from your brother and his crew, and who better to hand you off to?

You're sure Kid could think of better (or worse) people to leave you with, but all he does is scowl, silented by the firm steer of Killer back the way they'd come.

You watch your brother and his crew retreat, the scene not unfamiliar even as you sigh and pinch the bridge of your nose. "How mad do you think they'd be if I stayed with you permanently?"

You don't raise your voice and it's not quite an intentional needle to Kid, but he still comes to a halt and glares at you over his shoulder. "I heard that," he snaps, "don't even think about it!"

You adopt a face of innocence that lasts just long enough for your brother to turn back around, then glance at Law, who tilts his head. "The offer does stand," he says, even though there's a teasing gleam to his eyes that you grin at.

"I don't think I'll be truly leaving my crew anytime soon," you say as Law's own crew heads back towards the Polar Tang, and you wait until they've gone to snag your fingers in the front of Law's shirt, tugging playfully. "But I could be convinced to stay a little longer."