#does he mean metaphorically or literally
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ik its platonic and more leaning to encouragement but pls let me have this delusion
#final fantasy dissidia#cecil harvey x bartz klauser#“i will overcome the void!” yes cecil do it for your bf#lmao i love the comment section just shipping them#like “show me your moves!” cecil harvey 😳#also not sure what bartz meant by cecil hiding his face#does he mean metaphorically or literally#my gameplay of ffiv is not very far so idk#probably a bit of both ig??#but hey either way i think bartz just wants him to show himself regardless#either his true persona or actual face#he just accepts everyone for who they are#yeah you can tell i am definitely mentally healthy 🙃
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
#what am i trying to say here?#idk! think about all of the pieces you have#dying is complicated in ohtori in countless different ways#and i find it boring to see so much ‘this character is dead and that’s it’ stuff#when death is used farrrrrrr more figuratively than some ppl give credit for#and i think the movie too does wonderful things with death#and what ‘dying’ really means#being disbelieved. being forgotten. being rejected. haunting despite this#much more interesting to think about wrt commentary on abusive relationships than it is#to think about what?? oh me when my brother died but plot twist he’s alive and can walk on this road all cool. like?????#akio doesn’t have the power to make himself revenant#he THINKS he does and he absolutely has power when he’s alive and he imbues that power with such meaning that it does live on after him#but ANTHY. anthy is the one struggling with herself and her feelings and the impact of trauma and abuse (that power!!) in aou#he’s dead? he died? she brought him back through her memories? or she’s left him (metaphorical death) and he’s haunting her??#all such interesting interpretations#i haven’t mentioned touga bc i don’t have the energy today. if dead and just illusion of others memories then why active. why awful#like in aou akio is only Obviously scummy when he’s alive. his illusory self is based upon anthy’s love for him#if anime!touga is nothing more than nanami/whoever’s memories of him before he died……. why does he actively choose to suck again and again#like nanami wouldn’t do that. unless it was meant to be a subconscious thing like ooo he’s dead all along but that’s not what her arc is#it’s not ‘he’s been dead all along’ literally or figuratively. it’s ‘he’s unsafe and i don’t want him’#sigh. once again i am asking people to think about nanami and touga’s dynamic through touga’s eyes#it’s so interesting to me how people forget to consider his motivations or feelings on ANYTHING#like sure his motivations and feelings are scummy but they’re interesting!!!!! they intrigue me!!!!#compel me even#anyway ignore how i said i didn’t have the energy for this and then typed it all out anyway#dais.txt
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Something about how Heart is being compared to mythology, Minds referencing the bible & Soul being the one to use both of those things
#its so fun to my brain. its interesting to me#idk if that actually means anything i just find it neat#Heart being referenced as Juno [the greek moon goddess]#Mind referencing the bible [he does it mainly in TME but also the whole judgment & punishment talk as well]#then there's Soul with the end of Dream & all of Two Wuv [also a couple extra lines in TSE NMtK & such]#this has probably been said before but i still find it interesting#also to add in. Whole does none of those things really#not including some songs since they're more CJ centric/not Whole based [if that makes sense]#but Whole is much more literal non-metaphorical way of explaining things/singing#the most he talks about anything that's a metaphor is like the Time Machine bits in TMR#THO whats also kinda fun is that when he sorta talks less literal. its in the back & forth part in TWWaY#like showing all separate parts of HMS are there but as one person#again idk if im making sense#im rambling now but its interesting to me#chonny jash#moss post
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behold: my second least favorite string of words in the entirety of Tears of the Kingdom.
(it's a little less transparent why this time so I'll explain my thoughts under the cut)
So why do I not like this?
In so many words: because if you remove it, the scene still works, but you lose the moral certainty of what is going on.
This single sentence does so much legwork for the entire game (the kind I dislike), to the point where I'm about 60% sure it's the product of a rework that realized how ambiguous Rauru's position was as the Good Rightful King and needed to nervously reassure the players that Ganondorf Is and Always Was the Invader, Actually.
(no matter that it leaves the gerudos in this awkward in-between state of both invaders and victims, while never dwelling in the specifics of their history and their own agency in the entire thing; brushed off as a sin they have to expiate through loyalty to the winners of that particular strife, but without explicitely blaming them either to avoid the implications of what that would have looked like)
If you remove it, not only do you lose a pretty clunky line that detracts from Ganondorf's intimidating presence (who is he even speaking to? who needs to hear this right now?) that honestly speaks for itself when it comes to his experience with warfare, but also you lose any tension and any mystery regarding why he is attacking in the first place.
You also... kind of rob Ganondorf's motivations of their meaning. "Hyrule will bow down before me" leads to asking... why? What does he want? What does he see in those lands? And what little we get with Rauru and then Link during the final fight begs more questions; why do you prefer hardship to peace? Why do you value strength? What leads you to want to rule a land devoid of survivors, become a king without a kingdom? I don't think we ever get satisfactory answers. If you remove this sentence, on the other hand... Subtextually, it becomes pretty clear that his motivations is that he felt threatened by Rauru's power, which is ripe with subtext and questions about whether this is a legitimate reaction, whether his "no survivor" stance is due to a feeling of betrayal when his own people turned against him post the Demon King shenanigans... I'm not saying it would fix the entire game's writing, far from it, but it would already do *so much more*.
(genuinely, I think he could have stayed completely silent during the Molduga Assault, speaking only in the Show of Fealty before going completely nuts after Sonia's murder, and it would have worked MUCH better in terms of characterization but anyway anyway
EDIT: ALSO!!! that way he wouldn't speak hylian to fellow gerudos, which is weird inherently)
Without this line, the core of the tension between the gerudos and Hyrule comes front in his conversation with Rauru; it allows the cause of his hostility to be Rauru's invitations, that he would have taken as a threat, and would have still made him warlike and domineering without making him cartoonishly flat, because, once again, Rauru is not acting in a particularly more legitimate way when Zelda arrives in Ancient Hyrule; and it would have been... fair to point that out. And make for better characterization for Rauru, and Sonia, and Mineru, and everybody. But the priority was for Hyrule to be pictured as unquestionably holy; always legitimate, always truthful, always beautiful, always just.
Also, and this is more of a nitpick but: why would Ganondorf want Hyrule, specifically, to bow down before him also? Was he at war with the rest of the disparate tribes before, and just carried on his ambitions to the very very newly-founded kingdom as they allied under a new banner? (though it seems to be implies the lands were crawling under monsters in a generic sense, and not Ganondorf's attacks in particular) Why would he even consider Hyrule a legitimate entity worth taking over then, if it is so new, born from the will of a powerful rival, founded by what is basically a stranger to these lands? Why would he covet something so young instead of destroying it and just calling the lands Gerudo Lands II or Grooseland or something?
I don't think any of that was even accounted for, because, beyond everything else: to me, this sentence is so clearly and painfully crammed in here to shield Hyrule from any potential blame and immediately characterize Ganondorf as Bad without having to remove any of the causes that could lead one to side-eye Rauru's little pet project as equally questionable.
Beyond the clumsiness, it is cowardly --and, I think, a little damning.
#totk#totk critical#when will my brain return from the imprisoning war...#ganondorf#gerudos#rauru#tl:dr it is cowardly and reveals that nintendo knew about the Implications to some degree#sometimes less is more#really in that case less would have been so much more#it is literally ganondorf's first chronological line#yeah sure it tells you everything about the guy but#it's also such a bold commitment to flatness and self-righteousness that... yeah#and before I hear any “at least Rauru wasn't using force” I mean as far as we know though?#the constructs attack anyone deemed an “invader” on sight one of the things rauru does is to apologize for this#(I reread Rauru's initial dialogue in the Sky Islands and it would have been SO GOOD if any ambiguity would have been allowed)#(like the thing about Constructs mindlessly pursuing their useless tasks forever disquieting him...)#(yeah buddy so true that could uhhh almost be a metaphor for something else regarding purpose and lineage or something wow)#and even if he didn't use force directly the power dynamics and repeated invitations are still undeniably questionnable#like my guy why do you want everybody to kneel down to you what's up with that do we unpack this or#at least ganondorf was like.... born and raised a king (not that it excuses anything but he inherited pre-existing traditions)#so did zelda#she was born in an imperfect system and did whatever she could about it#rauru *crowned himself*#he *made* the system
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Now this might be because I have issues but is it just me or does Slay The Princess feel like an allegory for a relationship?
#like i dont even mean the actual textual stuff like the two gods loving each other i mean like#while the narrator himself does say that he is not the protagonist at all the voices do in fact count him as one of them and#both the narrator and the voices are described as shattered glass pieces on the floor#and im saying that just to contextualise what im about to say because i feel like the narrator is an echo of someone who was in#a relationship with another person and is trying to 'slay' the memory of this person and defeat death not only literally but#on a metaphorical level (as in the death of a relationship). if you do slay her you destroy her memory and in that way you do not know her#at all nor do you care to#and the routes would be the perspectives held by different parts of you. shes literally a being that changes based on who perceives her#but metaphorically thats just how people work isnt it? relationships are complicated and there is a part of you who sees someone as a razor#and there is a part of you who sees them as a damsel and another who sees them as a god etc etc#its like youre a person who is trying to make sense of the situation and; which is why the construct of the princess is made up of#several vessels called perspectives. you understand the whole of what you think only when you take apart all your perspectives;#and theres a you who isnt you anymore who doesnt want to do this. hes telling you to just destroy it. it was wholly wretched and wholly bad#and it changed which is a crime in itself. theres an echo of you. and theres you; built by this echo because thats how the self works#we are each our own god and we build ourselves. the different voices are like different parts of you#much like the vessels are the equivalent of the voices. theyre the finite confined perspectives; aspects of a whole person#and slaying her in this context would obviously mean literally just destroying the memory and deciding that change and all it brings#is an awful thing. though im not yet sure what the difference between leaving with the whole and between separating yourself#and leaving with just an aspect would be.#thats probably like the only thing thats kinda ruining this interpretation lol#oh and obviously a lot of the routes have like very strong relationship symbolism. specifically a lot of them feel like#scenes from a relationship that is falling apart. for example in the adversary and then the fury when you run away the dialogue#basically mimics a partner running away from a conflict and the other one destroying themselves because of it#witch and the thorn are both heavily Esop-coded and the text itself says that its about two people hurting each other even though they love#each other but both are afraid of the other one and of being vulnerable. thorn is about finding forgiveness in one another#and deciding to be better and love each other despite the hurt youve caused each other due to your problems#etc etc#like am i insane am i mental am i projecting?
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It's so difficult, because I genuinely do want to understand what the whole deal with Christianity is, but Christians are so apposed to any line of questioning about their belief system (in a way that no other religion is) that if you say anything they don't like they shut down and accuse you of being a sinner.
And it's like bro, I'm not trying to be insulting, I'm trying to understand why this religion is even appealing to you. How do you manage to get so many converts when you're not even willing to answer basic questions about your theology?
Everyone I've found who's actually willing to discuss Christian theology with me is an ex-Christian which is super unhelpful, because ex-Christians are people who have deconstructed Christian belief and come to the conclusion that it doesn't work for them. They're always very cynical about the whole situation. That's not what I'm looking for.
I want to talk to someone who's still into it. I want to understand what actually draws people to this religion ( I do not want to be trauma dumped at - I don't know what aspect of Christian belief confuses y'all into thinking that trauma dumping is an appropriate substitute for theological discussion, but it absolutely isn't).
Like you would really think for one of the most popular religions in the world finding answers to this stuff would be easier. Why can't you guys just talk about your beliefs?
#Christianity#religion#like I just don't understand#if the basic conceit of the religion is that God sent his only son down to Earth so that he could relate to and better understand humans#then I have a lot of questions#because a) if he's a all knowing god why does he need help understanding humans anyway?#b) if you're taking the Bible literally. Why would he then require Jesus to be celibate and die at 30?#like aren't sex and aging and relationships all parts of the human experience that god would want to know about?#and c) if you're taking the Bible metaphorically. The meaning of this story seems to be#that the divine will never truly relate to or understand you. That you are infact so different from the divine#that if an aspect of god came down from the heavens to interact with the people#your sins and the sins of your community as a whole would kill that divinity before it could live out a full human life#which is a genuinely interesting concept! like I would read a novel with that plot#but I don't understand why that's appealing from a faith perspective#is the appeal the act of forgiveness afterwards?#like the divine are so fundamentally different from us that we would kill them but they would forgive us for that difference anyway#why is difference something that must be forgiven rather than accepted?#like do you see why I'm confused by this stuff?#anyways#posting to this blog because a surprising number of Christians follow me here#maybe one of y'all can help me understand
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i know we’re all obsessed with this moment and the hilarity of him asking at the end of s3 cuz it’s like come on will, be serious plz 😭 but to me, this moment, is overwhelmingly autistic. here, will and i are the same.
#beguile them with autism#wait so you mean all that innuendo that was phrased as metaphor was also maybe literal too?#so when hannibal said if he saw me everyday forever he’d remember this time… that was… gay…?#when hannibal said he didn’t care about the lives i was saving#he cared about MINE… that was… real?#wait can obsession be romantic?#wait is that what i’ve been feeling?#wait wait bedelia don’t play with me rn#if i ache for him what does that mean??#oh god oh god it means i love a serial killer#and worse he loves me back????#bedelia like 😐😑#will graham#will graham autism confirmation#nbc hannibal#hannibal#hannigram#bedelia du maurier#give that woman a raise#and a passport#the number of the beast is 666
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how does Hozier do it? lyrical genius I’m so for real
#does he just figure out the overarching meaning of the song and Then create metaphors to better express it?#cause how?#literally how?#hozier
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Head empty thoughts full of the antigone incest essay
#genuinely think it was the reason why i like it so much right now#like. ive always loved me some codependency in ships and like incest especially from messed up families is the epitome of that#and oooh boy does antigone have it in spade#spades#fuck sorry its 1:30 am#anw the whole#'the true tragedy's core is about love#antigone is ismene's heromene and this is why she wants to save her#yet antigone's heramenos is polynices who is long dead#and to meet again w her heramenos she is willing to die#for due to how deeply incestuous the thebian family is#its impossible for antigone (and ismene too!) to find an heramenos who doesnt fully share her blood#(and thus haemon (whose name literally means man of blood) who is her cousin from the non incestuous part of her family#cannot be ever her heramenos)#they also went on a tangent about cannibalism as a metaphor for incest because#the closest a person can be is either within the womb (both as siblings or parent/child)#or in someone elses stomach#and chronos eating his own kids is an extension of that thought#(and also as a way to say 'every generation will get swallowed by time kids will turn into adults and their children too etc#and its interesting how this again correlates with antigone. she outright refuses it because her own family structure is distorted#mother had children with her son. their kids are both siblings and uncles/aunts to each other#a mistake that will never *repeat*#and therefore antigone is left all alone. yes. oedipus is still alive. exiled and blind but alive#but jocasta is dead and he sure as hell wont have children with jocasta again#therefore making it unable for him to unnaturally#concieve another son who will fill the void that polynices (and eteocles!) have left in antigone's heart#goood sophocles. if there is an afterlife i want to make out with you sloppy style
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what is your core theme?
the friend .
you love to feel the warmth of a friend's hand in yours. food tastes better when it is made by a friend. you are kind and forgiving, and you treat your friends with ultimate compassion. you love your friends. you are grateful for every friend that comes and goes in your life. you miss many friends. you wish more friends kept in contact with you. you wish that you were not so forgiving sometimes but everyone has their vices. your friends take precedence over everyone. you would not be anywhere without them. you want to, one day, hold them up, too. you want to be someone depended on - someone needed. you want to be needed by somebody. you want to be wanted in the same way you want. your painting is "the three friends" by sebastian straub.
the yearner .
you long for something you have never had. it is just out of reach and your fingertips graze it constantly. you can feel its electricity buzzing through you and just the adrenaline is enough to keep you chasing it. your legs are tired and your body is disfigured but you reach out anyway, you stretch your arms forward and throw yourself at what is ahead. better days are coming. rest will find you soon, you hope, but until it does, you will keep running. the end justifies the means. the end keeps you running. you will know when to stop, you are sure of it, but it isn't yet. rest will find you. your painting is "tender grace of a day that is dead" by walter langley.
tagged by @legardien tysm ily lily!!!!
#TAGMEME.#anybody can steal if they want ✨#dai also got lover and dark also got mourner which also fit#my goodness that bit about dependability for dai though so real so true#him vs his constant insecurity over dark overshadowing him vs dark being completely utterly dependent and wanting to be daisuke#'thank goodness i'm there in dark's heart. that means- to dark- i am a necessity'#dai doesn't want to be Famous that's never the real endgame he just wants to Be Someone and so does dark!!#for dark it's literal (as a nonhuman) for daisuke it's a metaphor (as a boy who doesn't always know what direction to go in life)#what dark is always yearning for is right there in daisuke#what yearning dark inflicts on daisuke can be cured and soothed by others; his depending on them and their depending on him#dai and his acceptance and agape dark and his perpetually longing heart...
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i think maybe we should start talking about victims and survivors as an oppressed group even outside of the context of other marginalizations. I'm thinking especially about victims of domestic violence, bullying and sexual abuse but also refugees and victims of natural disasters and other forms of ongoing stress/trauma, I just have less perspective on that and would welcome other perspectives here.
And yes, being part of a marginalized group, a) is in and of itself an ongoing stress, b) makes it more likely for you to become a victim of both interpersonal power imbalances as well as the effects of the global power imbalances as expressed as war and climate catastrophies, etc and c) makes it harder to receive help. I just think seeing those as intersections might be helpful? Conversations about domestic violence and sexual abuse are very commonly framed as conversations about gender and while I do think gender is an important factor in both, it is unhelpful to deny the doubt, downplaying and scrutiny all survivors regardless of gender face.
I think it would be helpful when building support networks to keep in mind the social bias against victims, whether those support networks help people escape a war zone or an abusive home. My impression is that a lot of the same social mechanisms that apply to marginalized groups, also apply to victims and survivors. It's the downplaying of the impact of the violence/disaster, the dehumanization, the speaking about you and not with you, the being robbed of your agency, there being "good" and "bad" victims, the contradictory and impossible standards you are held to, the way you're expected to bare yourself to display yourself and your wounds and be available for questioning...
I don't know maybe this is a useless concept or already really common framing but like I'd like to have a conversation about it?
#I really do think that not acknowledging the specific oppression of victimhood in and of itself does harm to survivors and our rights#But I don't know how else to phrase it than this? Does this make any sense? Should I explain something differently?#The baring and displaying yourself part is from a speech from a local black activist and didn't just mean it metaphorical#He also spoke about being literally made to undress being literally displayed. Like the metaphorical part is important but yeah#I've not been able to get this kind of framing of oppression out of my head it's literally so good and applicable to so many situations#Ohh also I guess refugees are often acknowledged as an oppressed group I just meant more like.#Seeing both the often racialized oppression and the intersection with the specific oppression that victims face and all refugees are victim#Regardless of which specific like events/laws/economics/stress/traumas they're fleeing from#and regardless of whether they're racialized. Though again. Ofc the specific intersections you sit at do matter and all that
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oh don't you worry im patient enough. i'd break feral Stone in no time. some muzzling, a few days with no food spent collared and leashed outside (maybe some tying him down and spanking him) he gets to see how well i treat Grim Reaper Stone who is a good boy.
i'd pin feral Stone down, showing him who's really in charge. if he wants to act like an animal i can assert my dominance like an animal
(if he peed on my furniture to mark his territory or to just be a nuisance i'd pee back on him so he knows his place at the bottom of the pack)
Someone does need to show Feral!Stone he isn't the alpha he thinks he is. He's a little shit who only thinks with his bloodlust.
Though he somehow manages to get Serial Killer!Stone wrapped up into this, probably because he tells Serial Killer!Stone that you kidnapped him (you did not but poor Serial Killer!Stone went to rescue Feral!Stone because he has strong morals, the rescue attempt did not work.) Now you have two serial killers, at least Serial Killer!Stone is a good boy like Grim Reaper!Stone.
Grim Reaper!Stone & Serial Killer!Stone cuddle each other while they watch Feral!Stone try and fail to assert dominance over you.
#tyler's asks#tyler's inbox#Tyler answers asks#answering asks#task force 141 oc: stone#call of duty oc: stone#cod oc: stone#grim reaper!stone#feral!stone#serial killer!stone#stone variants#don't ask me why I added Serial Killer!Stone to your collection of Stone variants#he deserves to know someone won't care about being “tainted” by all of the blood on his hands when he touches them#by blood on his hands I mean it mostly in the metaphorical sense but he does have dried blood underneath his fingernails so also literal#:)
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no thoughts, nothing going inside my brain but henry emily, the afton kids and the mci kids (no one could ever understand how much they, on a conceptual level. Mean to me, they are all peacefully at rest and if they are not, they are still fighting and winning. idgaf about what canon will do)
#fnaf#five nights at freddys#mci#henry emily#afton kids#afton sibilings#i love projecting on characters. in my head this story is about facing the most extreme and vile of evil#and being grinding down into nearly NOTHING. yet still fighting back and ending up WINNING.#its about the parallels of the mci kids and the afton siblings. its about living in hell in a literal and metaphorical way.#and henry and william being extreme counterparts to each other. okay i need to stop now before i write and essay. only thing i can say is#that henry being suicidal. even if unintentionally. coded to be nd and still being the closest thing to a heroic figure despite that and hi#flaws. in the source material?. even if he does kill himself in both of the stories he appears in he means so much to me. s#sorry i a big fan of silent hill 2 leave ending fan. does it show.#martin speaks
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The Tiktokers Are Saying That Romeo And Cinderella Is About Grooming
#HELLO???? NO IT FUCKING ISN'T??????? don't f w me when it comes to romeo and cinderella i'm literally named after that shit#inb4 i also know more abt grooming than the average tiktoker bc i was Literally In The Situation They Say Happened In The Song#ie. groomed by an older teenager when i was 13-14#the entire claim is based around a. the romeo and juliet metaphor and a random ass claim about romeo's age (he doesn't have one but is.#based on context clues. two years older than her tops). and even if it was true r&j still wouldn't be abt grooming bc that would require it#writer to view the relationship as such. which shakespeare obv didn't. + it's not literally about r&j it's abt a teen girl comparing her#relationship to famous love stories and the pop cultural perception of them. b. the bit abt her parents not liking her 'romeo' when like#there are half a million reasons someone's parents could disapprove of their relationship that don't involve an age gap. also the parents#are shown to be v overbearing throughout the song so like . if anyone is mistreating her it's them. c. any of the various childlike#references. she's a teenager reaching for the adult world while still experiencing childlike naivete. this is to emphasize that. it doesn't#mean that she's secretly younger or anything. d. the school uniform line. she means that she's willing to run away at a moment's notice#without looking back home to go get her real clothes so that her parents could have the chance to stop her. it's a statement of devotion an#there's nothing to imply that romeo isn't also dressed in a school uniform. e. the you'll hate me line. a major part of the song is her#internal conflict of having to choose between her parents and romeo. her concern isn't based on the idea that if she does something wrong#romeo will hate her it's based on the fear that her indecision will hurt romeo's feelings. which is seen again in me and juliet. the#official sequel song. which is about how after they run away together she becomes overwhelmed by her internal conflict bc it didn't just go#away after she made her choice and she still loves her parents enough to question it. and finally f. the wolf line. which is about her#indecision. it's about her indecision. if romeo doesn't whisk her away quickly enough while she's leaning in that direction she feels she'l#have more time to doubt herself and it'll eat her up inside. it's a common metaphor babes and it's LITERALLY WHAT THE SEQUEL SONG IS ABOUT#romeo.txt
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eric chapman is chase insteadman if chase served more cunt. chase insteadman is eric chapman if eric could get pussy. eric has had gay sex but didnt need it, chase needs gay sex but hasnt had it. i know the secrets of the universe
#obviously eric DOES get pussy in the LITERAL sense. i mean in the metaphorical sense#he gets pussy. he appreciates and enjoys pussy. he cant obtain fulfillment from pussy.#if chase resigned himself to just eating women out for the rest of his life i think he could be content#i am butchering these characters shhhhhhhhhhhhh#eric chapman#chase insteadman#wooden overcoats#chronic city#note that i Am tagging this bc These opinions are Important
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Okay but currently looking at Silverlight's future friend group and remembering the description of Hailstrike and Trailfire as "Mean girl sidekicks", and there's Influx the jackass nerd(affectionate), it's really obvious that Silver is the group's Good Guy™️ friend and the rest are moral support who're ready to break your knees if you even think of being a dick to Silver— that's their job and only they are allowed to do that🥰
This does not include Silver's future sibling(s?), as Stargazer is instantly dubbed the shy scaredy cat and thusly is to be protected as well.
#damn it I'm thinking so far ahead#they will absolutely harp on how Silverlight is short#which i mean... just because I've planned for Silverlight to be a fairly decent person does not mean she'll hesitate to banter right back#this is a megop kid after all— if need be he will absolutely ❤go for the throat❤#fuck with his big little sis and you will get the claws and fangs (metaphorical and literal)#holy shit am i falling in love with the future dynamic so much#influx is exactly a prankster nerd who loves people watching and owns four brands of sass#by Cybertronian time scales they're actually all fairly close in age#though it's agreed upon that influx is developmentally the eldest and exactly everyone calls them old for it#(kinda like how tfa Ratchet is depicted? the oldest but has no ambition to do any leading except with teens/young adults)#maccadam#transformers#oc talk#influx#Silverlight#hailstrike#trailfire#tfp au
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