#does anyone like my writing?

[local-lover-boy]

Isn't it crazy and beautiful how we learn stuff and grow, because we've loved? I know who p1harmony is because I had a crush on a girl who was really into k-pop. I studied Norse mythology because I desperately liked someone who thought it was interesting. I know who Jonnie Gilbert is bc my partner loves him. I learned about ley lines because I liked a boy who thought they were interesting. I know every word to about 20 mitski songs because I wanted to relate to a girl I was into so badly. I know MHA lore like the back of my hand without having seen it in years because a past lover of mine cherished it deeply. I love cherry coke because it was suggested to me by a man I was infatuated with when I was 11. I found out bunnies can scratch you because I liked a girl who had a scar from her bunny under her eye. I studied color blindness because I wanted to impress a boy I was in love with. I take pride in my birth name because a boy I loved liked the sound of it. I hold all of these things and wonder if I am really a person or a body trying to preserve love.

A/N Since I wrote this poem, I fell out of love with someone and reconnected with someone else, this life has my head spinning

[biggest-gaudiest-patronuses]

real talk having the 2nd worst new years eve yet 🤢🤢🤢 (throat infection, twisted neck, banged-about-foot, ego AND the rest o' me all bruised like misjuggled peaches 🍑🍑🍑)

im bent outa shape and suspectin the universe owes me 8 buck if anyone wannsa chip in

[frindoka]

[the curtains close for a show that used to be yours.]

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[dreadfuldevotee]

"The Vampire Chronicles characters are exercises in the cycle of trauma and abuse and how they are capable of complex emotions and receiving and giving love and empathy alongside all the horrible shit they do to one another" and "Anne Rice herself was a bigot and had some shitty personal beliefs and just because the genre is Gothic Horror doesn't mean you ignore the way those ideas bleed into the writing. Not all commentary is good commentary" are two sentiments that can and SHOULD co-exist, what the fuck are we doing.

[hedwig221b]

sterek twilight au

[a-most-beloved-fool]

Kira has a nightmare, one night when she's staying at the O'Brien's. Miles and Keiko, sleeping in the other room, don't hear her get up - but Molly does.

And Molly, being clever and kind, knows exactly what to do when someone has a nightmare. (Or, at least, she knows what her parents always do for her.) So she sits Kira down and brings her a glass of warm milk, and sits by her side as she drinks it.

Then, she takes Kira by the hand and leads her - to her parents bedroom. "I always sleep with mommy and daddy after a nightmare," she explains, when Kira stops outside the door. "It helps! Mommy chases the scary things away. And Daddy is warm."

"Molly," Kira says quietly, a little embarrassed, "I don't think your parents want me in their bed. Even if I did have a nightmare."

"No, they won't mind!" Molly assures.

Then, of course, Miles wakes up.

"Molly?" he asks, voice rough with sleep. "Did you have a nightmare?"

"No, but Miss Kira did!"

And now Keiko's awake, too, sitting up and saying, "Nerys? Are you alright?"

Mortified, Kira says, "Yes, I'm fine, I was just - on my way back to bed. Molly brought me here. I'm - sorry for waking you. I'll just be-"

"You can stay, if you want," Miles offers.

Kira doesn't quite think she heard him right. "What?"

"You can sleep here, if you think it might help," Keiko says.

"Or even if you don't!" Miles adds.

Kira opens her mouth, then closes it again. "I, uh-"

Keiko gets up, and takes Kira, gently, by the hand. Her palm is soft, Kira can't help but notice.

"Brr, it's freezing out here!" Keiko says, tugging Kira along. "You'd better get in before you catch your death of cold. Miles is practically a furnace, so you'll be nice and warm with us."

"And, Molly, you'd best go back to bed, too. You've got school in the morning," Miles says, as Keiko bundles Kira into the bed between them.

As Molly makes her way out, Keiko swings a lazy arm over Kira's back. "Sleep," she hums. "We'll be here in the morning."

Kira, feeling warm and cared for and more than a little overwhelmed, does.

[minty364]

DPXDC Prompt #97

The Justice League fought hard against the anti ecto acts but unfortunately it wasn’t enough and the laws were passed anyways but not before a clause was added to them that states the JL had the right to pull a ghost out of a facility of they had potential to work for them. When they see the potential hero Phantom is caught by the GIW they of course do their best to acquire him. Unfortunately the government sees Phantom as JL property now instead of his own person. Phantom seemed content being trapped on the watchtower and explained it was better than whatever the GIW was planning. Superman thinks something weird is going on with the ghost as when he supposedly went to bed in the room he was assigned he’d temporarily gain a heartbeat again. Constantine is just glad the young prince hasn’t decided to kill anyone in the US congress yet for passing such a ridiculous law. Batman’s adoption senses are tickling.

[siriusly-the-best-bi]

wow so I have like 3 analysis in progress that touch on this topic but I really need to just talk about it rn with its own spotlight.

Aziraphale has this entire life that he's built for himself on earth, after armageddon he's thriving. When we catch up with him in Season 2 his first scene is literally him going to check in with one of his tenants, and throughout the season we see that he has a decent relationship with nearly Everyone on the block. He has an entire life for himself all hashed out and pretty.

Crowley... does not. His cold open in Season 2 is back in St. James park, checking in with Shax, finding out the gossip on Hell. He doesn't have his apartment, he only has his Bentley and the few plants he could fit in it. He doesn't have any other human friendships. His entire life and everything he loves to do is built entirely around Aziraphale.

This is something that I just find so fucking thrilling because when it comes to their characters and where exactly they are in their arcs right now, it's essentially like looking into a mirror.

Aziraphale knows exactly who he is when he's on his own. He nurtures his own relationships with humans he sees often, he's a nice landlord, he loves books and classical music, and hot cocoa. But, Aziraphale still holds onto the ideals of heaven. He still cares about doing good and being forgiving. He still cowers and jumps at the opportunity to help heaven, not because he wants to but because he's supposed to because he's still an angel.

Crowley has nothing. He has his car, which he drives to a secluded location to park every night, only to drive it right back in the morning. He's only even vaguely recognizable because people associate him with Aziraphale and this is fine for him, he could care less. He doesn't really need to know who he is or process his traumas, why would he when he can put all his attention and focus and love and care directly into Aziraphale? His friend, who has always been his friend, the one person who has always stood by him. Who cares about heaven and hell, he has Aziraphale.

When we finally see them on their own and without the influences of their head offices, we see the opposite of what we'd expect, and nearly the opposite of the outcome we see in episode 6. Crowley is the one constantly checking in with Hell (wether he likes it or not), and Aziraphale is the one who's living care free without even thinking about heaven. When he does something good that he wants to report, he just calls Crowley.

this whole dance of Crowley not knowing who he is without Aziraphale and Aziraphale knowing who he is fundamentally but not knowing how to break free from the confines of Heaven that stop him from truly embracing Crowley in the end, it's just so delicious.

[willowser]

ᴅᴏᴡɴ ᴏɴ ᴀʟʟ ғᴏᴜʀs. werewolf kiri au.

you wake up under a mountain of furs.

light comes flickering from the hearth and, warm and welcoming as it is—you've no idea where you are.

you don't recognize the inside of the cabin; it's certainly not yours, nor is its layout that of any you’ve seen in the village. it's rather plain, with a singular window and table and chair and small fireplace, empty enough that you wonder how anyone could live comfortably with so little.

outside, the winter storm rages on, and there's a howl that cuts through the air that strikes bone-deep.

all at once your memories come back to you: dragged through town with bound hands and ankles, in only a thin night dress, screaming with all your might as the physician that delivered you into this world tied you to an old pine, along with the priest and the man that sold you blueberries in the spring.

people you knew and loved. had trusted.

the memories become hazy after a while, darkening with the night that crept in. you remember your body losing its feeling, but not its fear. you remember the violence of the storm, breaking trees and branches and uprooting the forest floor. you remember the horrible and hulking shape of something rising in the moonlight.

the door shoves open then, with enough force to send you scurrying back into the corner of the room. the blizzard tries to rush inside, but a man stands in its way, leaning back against the wood to keep the wind and snow out where it belongs. he's—big, as tall as the frame and just as wide, with thick hair that he's tied back, messy and low.

he's rosy in his cheeks and on the tip of his nose, as bright as the eyes that snap to you the moment you dare to breathe.

he doesn't say anything, at first. the bag of firewood he sets at his feet settles as he turns to you in interest, eyebrows raised. the clothes he's wearing look—old and worn, certainly not suitable for the storm roaring outside, with the holes and tears in the fabric. the boots he has on, however, seem heavy, have his steps echoing when he moves further into the room.

you pull your knees up to your chest and try to shrink away; beneath your thin dress, your skin has pebbled up, reminding you of just how vulnerable you still are.

your fear translates; the man stops on the other side of the little table, breathing in deeply before raising his hands up in what reads as surrender.

"hello," he finally says, and when you don't respond, he places a thick hand to his dark-haired chest and introduces himself as, "eijirou."

he nods emphatically and then repeats himself, as if to reinforce the name. you only grant him a small nod in return—and he smiles. it's wide, stretching across his face, and friendly, authentic enough that you question whether you're as damned as you thought, or perhaps saved.

how did you even get here? the question finally thaws out from the recesses of your brain and you take another look around the room as if the answer lies between the wood or nestled into the furs. this place looks too hand-crafted, you realize, all of it—and the man before you looks like he could move mountains, if he wanted to.

the chains that had bound you were iron-strong and didn't once budge in all your thrashing, before things went dark—but now you are inside by a well-maintained fire, warm and free, and all that remains of your ill fate are the indentions worn into your wrists.

he's still staring at you, the man. eijirou. he's not moved any closer, either, and when you meet his curious gaze, his lips twist and his eyes narrow. a thoughtful noise comes out of his mouth, like he's thinking of what to say or how to say it, and you're reminded that you don't recognize where you are, nor do you recognize him in the slightest.

big as he is, you don't think he could have carried you too far in a snowstorm such as the one still raging outside; are you still somewhere deep in the forest? in a cabin at the heart of the wood? saved by a man that somehow survives with so little out in the middle of nowhere?

"eijirou," you test the name on your lips and he perks up at the sound, attention snapping back to you instantly. you don't know if it's winter seeping through the floor, or if it's in the way that he watches you, that makes you shiver.

finally, he asks, "cold?" and when you nod, he slowly makes his way over to you, carefully, as if approaching a deer ready to run.

—and then he sheds his shirt with a quick shrug and holds it out to you.

you should want to look away, for decency sake, but you're—stunned by it, by him. there's a litany of scars that paint him in odd and worrisome places, but he stands tall and strong before you, unbothered by his own state. unbothered by the eyes that run over the expanse of his bare shoulders, the dark, thick trail of hair running down from his belly button, the ripples of muscle his loose shirt did well to hide.

you take it from him carefully and it's so warm, almost hot, that you press it to your face immediately to chase away the chatter of your jaw. the material itself, however ragged, is big enough to drape over your curled form like a blanket, and so you do just that. it carries the earthy smell of the woods, deeply woven into the fabric; pine and musk and something smoky.

with your cheek still pressed to his shirt, you look up to thank him, at last, but the words still in your throat at the minute changes of his face: still smiling, though sharper now, somehow, and his eyes are still wide with that keen, rapt interest—but the crimson to them has set like the sun and they've grown just as dark as the night outside.

[shoot-i-messed-up]

Was always worried about the angst of unrequited love, had never realized the sheer amount of comedic potential that it has.

Imagine one-sided Superbat where Clark is fully aware that Bruce has a crush on him but is being his repressed self about it, and Clark is just like, “I’m not gonna touch that :) you’re going to figure that out for yourself, buddy, and in the meantime, I’m just going to have a good time and be best friends with you as you inevitably pull yourself together enough to either fall out of love or to confess :) and I’ll just let you down gently because I care about you :)” but he absolutely 100% is using it to his advantage in the meantime. His puppy dog eyes had never been so effective before. He’s gotten out of Monitor Duty three times in the past month.

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[pixiest1cks]

i'd like to think no matter where he's at in his life, dottore likes to ramble as he works.

no matter if he's prime, or the more ill-tempered scholar from the akademiya or even omega build, dottore quietly mumbles as a habit when he's working.

some things he says aloud are just to commit certain details to memory. in the grander scheme of his plans, the details seem small-- but they hold a crucial grip on the entire project. because of this, dottore reasons that the habit holds its merits.

sometimes, he makes sarcastic remarks when something doesn't go well. short, choppy words that mostly go unheard even by those in his general vicinity. when you first worked under him, he had mumbled to himself like usual (it was second nature at that point). what he hadn't expected though, were your responses.

"stupid thing tightly screwed--"

"do you need a wrench, sir?"

before he could respond, you had one held and ready to hand to him. from then on, you would help him out here and there in his more foul moods and dottore would be lying if he said the additional assistance wasn't helpful.

the mad scientist had found an adequate assistant.

work went by smoother, toning down a good portion of his irritation. it's almost as if having someone to support you (even if it was strictly for work purposes) provided more benefits than he had originally thought. of course, he would never admit that. the most he would do is thank you here and there when you proved to be extra useful.

work continues the same for a while. the interactions grow more frequent and so his musings change from your responses. instead of talking to himself, he talks to you. he asks you for your input, for you to pass him whatever he can't reach from his other desk, he asks for you.

that is, until you're gone one day.

dottore doesn't think anything of it. he's worked alone for his whole life, what's a few days without you? but his segments have been more irritable as of late, resulting in lackluster performance as a whole not only from his segments, but his troops. the fatui are fearful of the doctor, but even more so of an irritated one. you'll turn up eventually and everything will be back to normal, he reasons.

but as the days go on, you are still nowhere to be found in the cold, desolate laboratory. he finally pauses in his work to think about where you could be.

something must've happened. something outside of his jurisdiction. it's not like it's his problem. you might've proved a useful assistant to him, but his work holds utmost priority.

yes, work. back to work.

and dottore mumbles as usual, but it's not the same.

by habit, he calls out for you to hand him something--

but you're not there.

dottore is a scholar first and foremost. all it takes to find you is a little bit of research, so he does exactly that. he finds out you've been working somewhere else, somewhere closer to home to better support your family.

well, that's no problem. he'll have his assistant back as soon as possible, no matter the cost. all he needed to know was your whereabouts.

[biblically-accurate-dca]

au where moon fills in while sun is "on vacation" and nothing bad happens

[becca-e-barnes]

Thinking so much about clingy, mutually possessive, filthy sex and how much I just need that rn

The kind of sex where you and Bucky just can't feel close enough to each other. You physically can't get any closer than you are, his thick cock buried so deep inside you but you still need more of him. He has nothing left to give you and you're glad because if he was any longer, you wouldn't be able to take the rest.

You're panting against his neck, whining out your frustration each time he slides home into your warm, wet body. His own groans are low, rumbling from his throat and hanging in the humid air of the bedroom you share.

"You know I can't fucking resist you. I can't." Bucky moans, grasping one of your wrists, guiding it between your bodies, encouraging you to play with yourself while he fucks you.

"I can't say no to you. Fuck, I'm yours." You hardly hear what he's saying over the obscene, wet sounds of your body accommodating his.

Your fingertips rub against your slick clit and the sensation is almost too much. "You're mine." You whine against his neck, using your free hand to claw at his back, driving him impossibly closer to you.

There's something reassuring about the feeling of his skin on yours. It's hot and sweaty but it's so comforting being naked with him, enjoying the pleasure of each others' bodies. You don't feel vulnerable communicating your pleasure to him; you feel understood.

"I am." He groans, eyes fluttering shut, lost in the way your body clings to him. "All yours. And you're mine, aren't you? My good girl."

It's a relentless build up, each stroke taking you a little further than the last and at some point, the band just has to snap.

"I am." You whine, barely able to manage any more words than that.

"You feel like Heaven. You were made for me. This warm, tight little pussy fits me perfectly." His body still isn't close enough to you, not that there's any way you could physically feel more of him.

"You take me so well, you know that? You take every drop of cum and you still beg me for more. Fuckin' love it." Just the very mention of Bucky pumping his release into you makes your walls flutter, dreaming of the feeling of his thick load shooting into you.

"I can't last like this." You hear him mutter and you're almost glad because you're not far off either. "Can't last when I can see that pretty face." His eyes meet yours and he pulls you in for a kiss that stifles your moans for a few seconds.

"Bucky, please." You groan when he pulls back, rubbing yourself just a little too quickly now that you've gotten desperate.

"Go on sweetheart, let me feel you cum for me." It only takes a few more strokes for your high to take over, pleasure rippling through you in a way that leaves your legs shaking.

You almost miss the start of Bucky's release, given how distracted you are by your own but the unmistakable throbbing of him inside you tells you he's reached his own peak if his moans didn't give it away.

[atalienart]

Someone says oh I love men in books because they're so amazing to the woman they love, all the things they say are so romantic and they would burn the world for her, they respect her and all, men written by women>>>>>>. And then someone in the comments says yes! like in Haunting Adeline, Xane the love of my life! -_- ...