#does any of this make any sense lol

[ameliadoesstuff]

something about s1-3 zane is just. oh this guy is so silly and friend-shaped. look at his friendly boy swag. like????? how could you ever hate him. the ultimate silly

not to hate on his titanium era because frankly it is very cool. but the essence of s1-3 zane is unique and uncapturable. he is just a little guy you can put in your pocket. his default facial expression is so inherently funny. there are no thoughts behind these eyes. i would trust him with my life.

[stealerofthe2ndbraincell]

There's an aspect of Original!Elias Bouchard that makes me so sad to think about in a weird kind of "meta" way.

And that's the fact that he has to be labelled as the "OG" not as Elias.

Technically speaking Elias has been dead for years. It's Jonah that's taken over - literally having his eyes removed and replacing them with his own and living as him (he even seemingly keeps his "old fashioned haircut" on Elias' hair).

And yet we as the audience don't often call that form of Jonah "JONAH". Instead it's Elias, cause he's been Elias for 4 series at this point.

"Elias started the apocalypse", "Elias beat that old man to death with a metal pipe" when it was never really Elias in the first place.

He's been so robbed of his own identity that not even death can spare him; all of Jonah's actions in his body are recognised as him.

(Btw this isn't me saying you can't call Jonah!Elias straight up Elias, I do that regularly ofc. I'm just being emo rn lol)

[tubbytarchia]

a Gemtaur thing I didn't like from many months ago

[ink-the-artist]

i am not an animator but the few animations i have made it really does feel like magic when it comes together. i used to think the way disney (especially older disney) talked about their animation as magical that they were being cheesy and sentimental but after actually trying it myself i totally get it. seeing all the pictures you drew come to life at the end it feels like it has its own soul or something

[jvneeyres]

Black Sails (2014-2017)

[lovesaghost]

My favorite ship dynamic? People who constantly make fun of each other but will rip out the throat of anyone else who says something even remotely mean about the other

[sysig]

Ah, childhood memories (Patreon)

[bitchslapblastoids]

Was thinking about how much of a normo I come across as irl, how I’ve felt a lil odd person out at their shows bc of being a bit older (29) and looking so aggressively normal, how generally confused people in my life would be if they knew about my d&p obsession, how thoroughly i mask weirder traits and essentially codeswitch to suit the mainstream, etc.

i feel kind of fish out of water when I imagine how all the people that populate my tumblr phandom ecosystem are likely presenting to the world irl (I.e. more visibly queer, counterculture, and so on). But then I think maybe the most visible phannies are the ones with the most curated, alt, deliberate daytoday lewks/style? So maybe what I’m picturing is off base? But then I’m also basing this off of what audiences look like in audience footage, m&gs, etc.

Sooooooo i would like to know… do you guys feel like you present as someone who may be Deeply Online and obsessed with two gay nerds from the internet? Or do you hide it and fly under the radar, masking as a total normy and living a double life?

(To clarify I don’t mean you’re like out and about wearing the fringes boob sweatshirt lol I more mean vibes and overall lewk yk?)

[analyticalnonsense]

Lawlight Week- Day 1: Firsts

when some guy on TV calls you a little bitch and you start to feel Actual Emotions for the first time in your life

I wanted to kind of leave it ambiguous as to what exactly Light is referring to here, but rest assured, he has never felt anything like it before he came into contact with that scrunkly man lol

[vaguely-concerned]

another really interesting thing in our man bashir to me is that I think this is the point where garak finally mostly relinquishes his self-appointed role as bashir's teacher. he seems to have taken it upon himself early on, for inscrutable but probably partially horny, partially cultivating a promising (and lovely) contact reasons of his own, to imbue julian bashir with some spysmarts and basic bastard thinking literacy skills, in the hopes that he won't go get his bright beautiful excitable ass killed at the first opportunity. there's a lot of mentor/protege undertone there in the early years. (if you want to get into asit stuff, very much in the same vein as palandine and garak's relationship in the beginning.)

but in omb garak really only has one of his little lectures, and it's basically about The thing about being a spy (and a person) that has most shaped his life: That's something else you've yet to learn, Doctor. A real intelligence agent has no ego, no conscience, no remorse. Only a sense of professionalism. There is no joy, no magic, no real delight to this, no winning, no recognition, and most importantly no connection; the reward for work well done is only ever the work itself. You don’t kiss the girl, get the key — you simply get on with turning yourself into nothing as best you can. and julian, who had just been trying to momentarily imagine a world where secrets can be cool and glamorous and for good, meaningful reasons that empower him to help the world rather than shameful and isolating and alienating and like a damocles sword hanging over him and everything he cares about, shoots back with 'well, but what if not that, though? that's the whole point of this game! this is my story not yours, trust me to know it better than you do. (I have more things to teach you too, if you’d just listen. And once he gets shot a little bit, garak does listen.)'

(somewhere beneath all this is almost exactly the same debate they will have explicitly later on -- "Sentiment is the greatest weakness of all"/"If that's true, that's one lesson I never want to learn". Something something the freedom to imagine and play around with different worlds in your head, no matter how cringefail james bond LARP nonsense that world is as long as it brings you hope and joy and new perspectives, kill the part of you that cringes etc. Garak you're allowed to get out of the closet in your head now, Tain is gone, you can imagine different things than what has been and no one will turn it against you. Im… sad)

through most of this episode garak is observing, and when he's not simply bitching about everything from the sidelines (<3), he's tentatively trying to throw in comments to play along, to figure out how the flow goes like he's learning a different language, and he's BAD at it hahaha. he barged in there to put himself in a position to learn something about julian bashir's ~*hidden inner psyche*~, but UH-OH spiritual uno reverse card time he's having to face some shit about his own psyche and the immense barrenness it's been forced to operate under for so long.

The learning between them has of course always been two-way (that’s partially what the whole relationship is built on), but in giving up the more ‘formal’ role — mask — of teacher, garak is also opening up space for realer emotional intimacy, letting one layer of artificiality fall and allowing more realness to shine through. even so he doesn’t let go of control completely until he’s faced with irrefutable (horny) proof that julian’s sentiments and ideals are backed by real conviction — julian knows (possibly better than garak does) what is a game, and what is real, and where he draws the line between frivolous and deeply necessary is different from where garak would and by the end of the ep I think garak trusts julian more, enough to leave the story in julian’s hands without trying to steer or form him even indirectly/sneakily. And to top it all off, the way julian uses his last dramatic speech to signal that he did also listen to what garak told him… augh.  

the teacher role, along with the lies (ever his swiss army knife god bless), has helped garak keep a sort of fine-tuned control of the level of emotional intimacy possible between them, stay in control of what narratives are even on the table. and I think finally letting that fade more into the background transforms their relationship in ways that can pay off big time down the line, for all that it leaves things a bit strange and tentative in the meantime. by garak standards he’s being positively transparent in this episode. for the first time he talks about his time in the order without any coy prevarication, he states his hunger for knowing julian better right down to his ~*hidden inner psyche*~ almost pathetically openly (<3<3<3<3). And this is just my headcanon and definitely not what was meant at the time of airing, the unplanned nature of the augment reveal being what it is, but in context of the whole show as it became it feels a lot like garak offering some of his own authenticity to signal that julian could trust him with his. It feels like garak has figured out at least the rough outlines of what julian has uh got going on and tried to make this gambit, having… perhaps underestimated the extent of the defenses julian has internally/psychologically against Being Known, quite aside from the practical real world consequences of his secret getting out. Anyway. Lots in this episode. Many thoughts.

[sluttygallavich]

Galladrabbles: autumn

Thanks, @millennium-time-machine, for this week's prompt. Great first prompt for @galladrabbles! <3

_________________________

His co-worker nudges him sharply, and Ian looks up as his crush approaches the counter.

“Hey, Mickey.” He sounds breathless. “The usual?”

“Hmm, feelin’ bold today. Gimme a venti pumpkin spice latte, eight shots of espresso, five pumps of maple pecan sauce, light foam, extra caramel drizzle, extra autumn sugar topping.”

Ian is stunned stupid. “Are—are you serious?”

Mickey laughs. “Nah, man. Just wanted to see that big orange head of yours explode.” 

“Asshole,” he says, fighting back a smile. “So…tall black?”

“Well…did say I was feelin’ bold. How ’bout your number, too?”

Battle lost, Ian beams.

[diamondseaside]

glad it’s 💃🕺 and no longer 💃🧍‍♂️

[dracula-enthusiast]

obviously i enjoy cute happy cathartic chainshipping stuff but personally. to me. one of the reasons its so compelling is that they are two deeply incompatible people, trying to cling to each other anyway.

Lawrence, with his need for control and order, who was devoted enough to his family he was willing to cut off his own foot to try and save them, and Adam, who seemingly has no real direction in life, who cut off his parents for an unknown reason and who, in the original script anyway, was shown to be passively suicidal. a surgeon who has friends that are lawyers, and a freelance photographer who has friends like fucking Scott Tibbs.

they cannot be more different from each other. they're like puzzle pieces that don't fit, but by god are they going to try and force them together anyway because if they don't they'll lose the only other person in the world who understands what happened to them in that bathroom. and they can't afford to lose that they need that. they need the reassurance that what happened to them was real and that they made the right decisions and that they're okay now.

they would be messy and they would argue all the time and they would piss each other off to no end but they would be so incredibly dependent on each other that they would put in the effort to be together anyway. do u get it do u see my vision

[jade-of-mourning]

sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.

and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.

he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.

just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)

[californiatowhee]

belated paris 2024 olympics AU in which edgeworth is a gymnast and phoenix is a tennis player and they are definitely banging in olympic village

bonus: a little getting-together ficlet in which phoenix asks miles if he wants to "test the beds" with him, 'cause @makaira-art and i were clowning around and she came up with this idea 'cause of the eco-friendly cardboard beds paris had lolol. rated T for Thirst

Testing the Beds by citsiurtlanu | Phoenix/Edgeworth | 1k

[nineshrike]

Call me a Stolas apologist if you'd like, but Stolas wasn't wrong to portal Blitzø out.

Blitzø had basically just challenged Stolas to take his turn at insulting him, let's go, let's have everything out, let's make this breakup a fight to remember, remind me why I don't deserve you -- and Stolas. Doesn't.

Because that's not how fights like this have ever gone for him. Stolas's past relationship wasn't like Blitzø and Verosika trading insults in Spring Broken; it was standing still and quiet while Stella hurled abuse at him. He's stood up for himself against her, yes, but how can he stand up against Blitzø? When Blitzø's right, and when Stolas is seeing Blitzø through such rose-tinted glasses?

From Stolas's perspective, there really isn't anywhere the conversation can go after that. Anything else that is said will just make the situation worse. So he ends it. And, honestly, even if Blitzø was reaching out at the end there, he still hadn't had time to process, and I can't really see an emotional reconciliation happening that quickly. It probably would've just devolved into another argument. At this point, space and time are the best things for both of them.