#do you think I want you here?

[novella-november]

If anyone is wondering why there is a rule of no NSFW content in the Novella November Tumblr Community, this is why.

Before the AI scandals of September, the other writing contest had a huge, huge scandal over years of predatory moderators grooming children in the forums, and the organization refused to take action to protect kids for months, and when they finally did take action, it was simply to nuke the entire forum system completely, cutting kids off from friends they had no other way of contacting.

If you take offense to "proshippers dni" in my main blog, idk what to tell you, except that people who support pedophilia in any way are not welcome in the community I am building, and that includes romanticizing CSA in romance fics and books.

There's a big difference between "horror" and "romance"

If you're writing horror based on your lived experiences, that's one thing.

...but if you're writing a *romance story* between an adult and a minor, I don't want you anywhere near me, or near any kids who want to take part in a writing challenge again.

Pedophiles and pedophilia supporters are not welcome in the Novella November challenge. This is not a scandalous or shocking rule.

"Horror stories where bad things happen"

is not the same as

"my otp is Hermione Granger x Severus Snape, here's my novel length fic chock full of real life pedophilia defense statements where I reiterate over and over again that 'age is just a number' , 'love has no age limit' and 'youre too mature for your age, you need someone who understands you, not these kids, you need an adult like me', etc".

How do I know that groomers use pedo fiction to groom minors into thinking relationships between 16 year olds and 40 year olds is normal and okay? How about *real life experience* with the matter.

You can sit there and cry all you want about "fiction is seperate from reality" but you forget that stories exist for a reason (otherwise we wouldn't tell them in the first place) and they influence people in real, meaningful ways, including in incredibly harmful ways that impact real people, and especially real victims of CSA, incest, and racism.

"thought crimes aren't real tho --" as soon as you decide to post your csa porn in a public space, let alone a fandom for children's media which is where I grew up encountering these works, its not a "thought" anymore, and depending on where you live, it is, in fact, a crime, even if you're defending it with "its a fictional child, not a real one".

TL;DR --

Novella November is meant to be a Nano alternative in *more* than just the Anti-AI aspect.

It is ALSO, firmly, an anti-pedophilia, anti-racism, anti-ableist community that is inclusive of all but those who wish to do harm.

If you're offended at my "no pedophilia" stance.... Good riddance and good bye.

A Summary of the allegations against Nanowrimo

A group of Rogue Writers have managed to assemble a list of the allegations that have come out against Nanowrimo in the last year, below.

PROTECT KIDS FROM NANOWRIMO

NaNoWriMo and its staff have recently come under fire for their numerous unethical and predatory practices. These include, though are not limited to:

Hostility and inaction after numerous members raised child grooming allegations against a volunteer moderator who was in charge of teens within the NaNoWriMo forums.

Headquarters took nearly 2 months to quietly remove the accused moderator's leadership powers, and over 5 months to remove their account… which they only did after this former moderator threatened to damage NaNoWriMo's contract with an affiliate.

Refusal to protect kids in the Young Writer’s Program from predators. Kids were instead bullied and silenced by the staff.

Ivan the Icy, a scavenger hunt game that featured a terrorist-styled “supervillain” (which they admitted was a mistake).

Local organizers (called MLs) not being background checked, yet required to host in-person events with kids present.

Harboring volunteer MLs who were reported as racist, homophobic, transphobic, and/or abusive.

Ignoring and silencing MLs who begged for help regarding serious issues within the volunteer program. This resulted in at least one participant suffering an event-related assault.

Inaction when MLs abused fellow MLs with bullying and ableist discrimination.

Promoting multiple Vanity Presses (predatory, scam-like publishers), including Inkitt, even after outside sources confirmed and announced they were predatory.

Solicitation via email for donations from kids in the Young Writer's Program.

WHAT CAN YOU DO?

Do you know of a school or classroom participating in NaNoWriMo through the Young Writers Program website? Please bring these issues to their attention.

If you donate to the NaNoWriMo organization, stop. There are plenty of other charitable organizations far more worthy of your monetary support.

Continue enjoying the November writing challenge WITHOUT the NaNoWriMo organization. Many authors and writing groups have written 50k words in 30 days without even being aware that the organization exists.

Please share this post.

[edlucavalden]

Learning to eat with your hands.

[zanmor]

We are well beyond canary in the coalmine warning levels with the way trans people and particularly trans women are treated on this site.

Maybe you've heard the metaphor of allowing wolves and sheep to share the same space, welcoming everyone. You end up with just wolves because allowing them in that space makes it unsafe for any sheep. Or the story about how a nazi goes into a dive bar and is refused service. The bartender then explains to someone else at the bar that if you serve them once they tell their friends and before you know it you're the nazi bar they all go to and normal customers don't feel safe.

Terfs and other bigots are seeing these targeted harassment campaigns succeed against trans women and rejoicing. They see Tumblr ban them and officially stand by those decisions as endorsement for their harassment. It's a sign to bigots across the internet that Tumblr is a good place for them.

And what's more is that a lot of us probably don't realize just how much trans women contribute to Tumblr. The women banned recently were sources of site-wide memes and posts I wasn't even aware originated from them.any years old memes and references can be traced back to trans women on this site.

How many of these folks have to be removed before this is no longer a site you want to be a part of it? Sure you cultivate your own experience, but you can't follow or interact with people who aren't here. And if I wanted to interact with the nazis and terfs I'd go to reddit.

I encourage everyone to reblog this. Trans women shouldn't have to be the only ones speaking out against the bigotry they're experiencing. They shouldn't be the only ones risking their blogs being nuked by staff. We have to stand with them.

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[crumb-crumblet-s-crumbington]

do you even remember the lives that you threw away like trash

continuation of this

[greykolla-art]

Alastor: “Now, let’s talk about literally anything else please!”

Me: “Good! Cause I don’t know where you went so I can’t go further with this!😂”

[oars]

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut

[soldrawss]

Something something 16yo 2k12 Mikey gets sucked into a portal and sent into the RISE universe and ends up helping raise the RISE kiddos AU

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[bean-spring]

Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.

Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.

You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.

"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.

"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.

I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.

Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.

Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me