#do not evolve your code

[bibliolithid]

Why even write code anymore? Just have automated permutations until it compiles, passes all the tests, and then do an A/B test? If key performance metrics are up, great! Include it and go to step 1!

[timeausterrors]

i had the most infuriating interaction on twitter. so i want to have more productive and interesting conversations about homestuck now. tell me things you find unique or interesting with homestuck's writing/characters/themes etc! or tell me criticisms you have about it, its character choices or writing choices, etc! (pls dont come in to just say act 6 is bad or vriska did nothing wrong etc ! you can have those opinions but i want to spark conversations and debates around new and interesting topics or topics that don't get brought up as much!!) ALSO PLS NO HS2 i just want to talk about Homestuck as it is because i think there's still so much to dissect and explore!

[boyfridged]

i’ve been thinking a lot about what is so unique and appealing about 80s robin jay’s moral standing that got completely lost in plot later on. and i think a huge part of it is that in a genre so focused on crime-fighting, his motivations and approach don’t focus on the category of crime at all. in fact, he doesn’t seem to believe in any moral dogma; and it’s not motivated by nihilism, but rather his open-heartedness and relational ethical outlook.

we first meet (post-crisis) jay when he is stealing. when confronted about his actions by bruce he’s confident that he didn’t do anything wrong – he’s not apologetic, he doesn’t seem to think that he has morally failed on any account. later on, when confronted by batman again, jay says that he’s no “crook.” at this point, the reader might assume that jay has no concept of wrong-doing, or that stealing is just not one of the deeds that he considers wrong-doing. yet, later on we see jay so intent on stopping ma gunn and her students, refusing to be implicit in their actions. there are, of course, lots of reasons for which we can assume he was against stealing in this specific instance (an authority figure being involved, the target, the motivations, the school itself being an abusive environment etc.), but what we gather is that jay has an extremely strong sense of justice and is committed to moral duty. that's all typical for characters in superhero comics, isn't it? however, what remains distinctive is that this moral duty is not dictated by any dogma – he trusts his moral instincts. this attitude – his distrust toward power structures, confidence in his moral compass, and situational approach, is something that is maintained throughout his robin run. it is also evident in how he evaluates other people – we never see him condemning his parents, for example, and that includes willis, who was a petty criminal. i think from there arises the potential for a rift between bruce and jay that could be, have jay lived, far more utilised in batman comics than it was within his short robin run.

after all, while bruce’s approach is often called a ‘philosophy of love and care,’ he doesn’t ascribe to the ethics of care [eoc] (as defined in modern scholarship btw) in the same way that jay does. ethics of care ‘deny that morality consists in obedience to a universal law’ and focus on the ideals of caring for other people and non-institutionalized justice. bruce, while obviously caring, is still bound by his belief in the legal system and deontological norms. he is benevolent, but he is also ultimately morally committed to the idea of a legal system and thus frames criminals as failing to meet these moral (legal-adjacent) standards (even when he recognizes it is a result of their circumstances). in other words, he might think that a criminal is a good person despite leading a life of crime. meanwhile, for jay there is no despite; jay doesn't think that engaging in crime says anything about a person's moral personality at all. morality, for him, is more of an emotional practice, grounded in empathy and the question of what he can do for people ‘here and now.’ he doesn’t ascribe to maxims nor utilitarian calculations. for jay, in morality, there’s no place for impartiality that bruce believes in; moral decisions are embedded within a net of interpersonal relationships and social structures that cannot be generalised like the law or even a “moral code” does it. it’s all about responsiveness. 

to sum up, jay's moral compass is relative and passionate in a way that doesn't fit batman's philosophy. this is mostly because bruce wants to avoid the sort of arbitrariness that seems to guide eoc. also, both for vigilantism, and jay, eoc poses a challenge in the sense that it doesn't create a certain 'intellectualised' distance from both the victims and the perpetrators; there's no proximity in the judgment; it's emotional.

all of this is of course hardly relevant post-2004. there might be minimal space for accommodating some of it within the canon progression (for example, the fact that eoc typically emphasises the responsibility that comes with pre-existing familial relationships and allows for prioritizing them, as well as the flexibility regarding moral deliberations), but the utilitarian framework and the question of stopping the crime vs controlling the underworld is not something that can be easily reconciled with jay’s previous lack of interest in labeling crime. 

[nixtorr]

eight and liv but they enable eachother’s murderous tendancies instead of their actual dynamic

[harmoonix]

☄ ᴛᴡɪʟɪɢʜᴛ ☄

(Astroctober Observations)

☄ - Ascendant aspecting the Moon, the native's aura can standout, their looks in general are quite adorable, especially the eyes (doe eyes)

☄ - Juno in Air Signs. (Gemini, Libra, Aquarius) they desire for lots of communication in their relationships, i swear you'll share a lot of laughs with them

☄ - Sun square/opposite/conjunct Moon, these natives are those people with a strong mind yet sensibile soul, they often have to think logical vs emotional

☄ - Capricorn Moons/Moon at 10°, 22° even if Moon can feel different in these placements, it will act very mature and independent, Capricorn Moons natives are the most reliable people ever

☄ - Earth/Water in Sun/Moon/Rising (Lilith or Venus) give dark aura, and is not in a bad term is just their yin energy ☯️

☄ - Eros (433) in Capricorn/Taurus or Virgo want a mature love, they also want to search for a long lasting relationship

☄ - Moon in the 9th house natives can at some point in their lives to move away to a place they like/feel peaceful at

☄ - I love Sun/Venus/Mercury in the 9th house and their love for others cultures/traditions/ is truly unique

☄ - A stellium in your birth chart is when you have 3 or more planets in the same sign, a stelium indicates a big focus depends on the house to have it

Aquarius Stelliums - Innovative, unique, different, humanitarian, helper, working in online/social media

Stellium in the 7th house - Big focus on your relationships, maybe your biggest goal is to get married/having a happy relationship with your partner

Scorpio Stellium - Evolving, transformation, healing, inherited/legacy things, secrets (maybe finding secrets that were hidden from you),

Stellium in the 11th house - Influencer vibes, a big focus towards your social groups, friends, chimestry around people

Stellium in Sagittarius - Discovering, searching, staying wild, boredom, curious, bold, travel, religion, spirituality/ocult

☄ - Having Sagittarius/Jupiter in your 4th house can indicate expanding your home, maybe changing your home a lot and in exotic places

☄ - Sagittarius/Jupiter in your 11th house helps you to manifest friends fast. You can manifest things more easily

☄ - Sagittarius/Jupiter in your 1st house, this is a lucky placement to have because Jupiter helps you so much, especially to get out of bad situations

☄ - Heavy Pluto energy in your chart can make you attracted to horror/dark topics such as movies, songs, art etc..

☄ - Jupiter in Libra/7th house or Jupiter at 7° 19° can make you to have luck in your relationships, and is not about getting the right people, is about the people you get in relationship, it comes with their own benefits (If is Retrogade then you may have a hard time finding the right person)

☄ - Jupiter in Leo/5th house or at 5°, 17°, 29°, these people can get to be known really easily, people are attracted to them like tom after jerry, also you are your own source of inspiration and joy

☄ - Cancer Venus/Moon/Rising can be shy at first because they want to feel secure/safe around that person

☄ - Venus in the 10th house, this placement is makes you to attract partners who can before older than you in age!! But to also attract partners who are very mature and respectful

☄ - People can find themselves very attached to you if you have your 4th or 5th house ruler in the 11th house

☄ - Venus square or opposite ascendant doesn't mean the native is ugly or bad looking, with those aspects most times indicate you have your own style and you like to dress how you want, like not having a specific clothing code

☄ - Lilith in Virgo/Lilith in the 6th house or Lilith in Virgo Degrees 6°, 18°, can find themselves being quite critical about things in their life, sometimes you just have to let things happen

☄ - Lilith in Aquarius or at 11°. 23° Lilith finds herself being in a extremely rebellious energy, people with those placements will do the things in their own way

☄ - Lilith square Moon or Mars natives can hide a deep frustration inside them and that thing can explode something and create a big conflict between the native and other people

☄ - If you have Moon in Sagittarius or at 9°, 21° Degrees aspecting Pluto/Saturn or Lilith this can indicate having your freedom getting taken away/can represent religious trauma/religious conflicts

☄ - Taurus Placements especially Sun/Moon/Rising, I love how deep these people are attracted to nature/background and their environment

☄ - Where you have Taurus in your chart can indicate where you feel the most sensual

1st house - they're sensual 24/7, always feeling sensuality in their veins

7th house - feeling the most sensual around their partners

4th house - feeling the most sensual when they're in their own home/when they're home alone

10th house - in their career/being seen by the public as sensual

12th house - their subconscious, soul and mind has a sensual energy

☄ - If you have Venus in the 4th house or Venus rulling your 4th house (Libra or Taurus in the 4th house), these natives are good for creating a harmonious home space

☄ - Sun Pisces/ in the 12th house or Sun at 12° or 24° degrees, When Sun touches the misterious Pisces energy, everything for these natives can feel like a dream because of the Neptune effect also when it comes to charm...you're gorgeous!!!

☄ - Moon in Aquarius/Moon in the 11th house, you're gonna get so easily attached by them and is you gonna relate to a lot things together

☄ - Mars in the 9th house can make people attached to your culture/tradition, let's say you're Italian for example, people will be attracted to your cultural background

☄ - People born with Pluto in Libra can experience a very big change towards their relationships all their life, your partner can be different from the past one and so on, also they need to put standards in their relationships

I love 1st October so much!!🫶🏼🖤🖤 I hope you all will have a good month!! Hoa hoa hoa season finally started 😭😭😭

Harmoonix~🤍

[luna-azzurra]

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?

[hgfictionwriter]

Discovery: Part Two

Jessie Fleming x Reader

Summary: Jessie's nervous about a date at your apartment. Despite enjoying the evening and a chance to talk, she's left with lingering doubts about how to handle your evolving relationship.

Warnings: G!P content. Body image issues or even dysphoria; mental and emotional anxiety; internal conflicts; themes of self-acceptance. Reluctant gaslighting??

A/N: Thank you all for the interest in this piece. Still heavy on the angst here. Things will move more significantly in the next chapter. First chapter is here.

"Hey, for Saturday I was thinking of making us reservations at that new place on Greenwood. What do you think?"

"That sounds nice. But I was thinking maybe you could just come over instead. I'll make us dinner. We've been going out a lot and while it's fun to check out new places and it's sweet of you to plan all these dates, I miss our chill nights in."

A pit formed in Jessie's stomach upon reading your message. It was inevitable, really. You two couldn't have an entire relationship outside of your apartments. In fact, this whole going out every week thing was draining for her, but it was the lesser evil compared to hanging out at either of your places and what would, eventually, follow.

She ran a hand through her hair with a sigh.

"Yeah, sure. That's fine." She paused, staring at the message before exhaling in frustration. What a lackluster response. She deleted it.

What you were offering was legitimately what she wanted. She had the most fun when it was just you two, relaxed and in the comfort of your own homes. Just, now, there would be nothing relaxing about it. It would be coded with all sort of hints and allusions to something more now that you were dating. That tentative dance of will you, won't you, and when.

"That sounds great. What do you want me to bring?"

"Just yourself 😉"

Her shoulders slumped with a sigh. She should be excited. Instead, her mind ran rampant with thoughts and scenarios, each one more concerning than the last.

Through the rest of the week, she couldn't quite shake that weight in the pit of her stomach. Sometimes she forgot about it, but as soon as she had space to think or rest, worry came rushing back.

"Still want me to come over?"

Jessie hit send though she was standing at her bike already, helmet on and ready to go. And it's not like she wanted you to cancel. She really wanted to see you, but she was so torn.

"Yes lol. Of course I do. Been looking forward to it all week!"

Her chest panged and another text came through.

"Do you want to do something else?"

Now she really felt bad.

"No, no. Just checking. Just about to hop on my bike. I'll be over soon, then 😊"

"Sounds good. Ride safe."

Jessie's heart was racing as she shifted anxiously from one foot to the next as she rode the elevator up to your apartment. She looked down at the bouquet of flowers she picked up along the way and shook out a hand as she let her head fall back and she stared vacantly up at the ceiling.

"Calm down," she said to herself.

Soon, she stood tentatively in front of your door, hand poised to knock. She stood there frozen for a second before she brought her knuckles to the door. She fidgeted with the straps of her helmet and the paper around the bouquet as she waited.

A few seconds later the door opened to reveal your smiling face. Despite how she was feeling a second ago, the veil of worry that weighed on her dissipated upon seeing you. She couldn't help but smile back.

"Come in," you said cheerfully as you waved her inside before your eyes fell to the flowers. Distracted by seeing you, Jessie momentarily forgot about them and glanced down to follow your gaze.

"Oh," she voiced in belated realization before she smiled brightly and held them out. "For you."

You gave a wide smile and took them from her, smelling them and smiling once more before wrapping her up in a hug.

Her grip around you was slack to begin with, but when you held her tightly she found herself reciprocating. Her chest tightened as she held you close; she really missed you and it was a relief to hold you in her arms again. She felt herself relaxing a touch.

When you pulled your head away from her, you two locked eyes.

"I missed you," you said. Jessie felt a small blush forming and she gave you a coy smile.

"I missed you, too."

Her eyes closed as you gently closed in and soon your lips were on hers. It was chaste and sweet, but it sent a shiver down her spine and she couldn't help smiling into the kiss. Her heart warmed as she opened her eyes to see you smiling affectionately at her as your hand came to her cheek and gave her other a peck.

"Okay, let's get inside. And thank you for these, they're beautiful," you said as you ushered her in and closed the door. "Gosh. It feels like you haven't been over in ages. I guess you haven't - not since we started dating."

"Yeah," Jessie agreed with a faint laugh as she scratched the back of her head, nervousness starting to creep back in. She tried to remain relaxed as you stood close to her.

"Make yourself at home. Dinner should be ready soon."

Jessie followed you with her eyes as you returned to the kitchen and found a home for the flowers. She was lost in her thoughts before shaking her head out.

"Can I help with anything?"

You looked around briefly with the cutest frown on your face before giving a shrug.

"I guess you can get some plates and cutlery out."

She did so, carefully laying everything out before returning to the kitchen and standing awkwardly waiting for further instructions.

"Go sit down," you laughed as you shooed her away.

"No, let me help you," she insisted, a smile finding its way onto her lips, your mannerisms infectious.

You placed your hands on your hips and cocked your head at her. "Fine. Go get me these things," you unlocked your phone and handed it to her with a recipe on screen. You nodded to the pantry cupboard. "The shaker's in there. I saw this on a mixology account I follow and wanted to make us some tonight."

"Oh," Jessie voiced as she looked at the drink recipe. "Tequila?"

"Don't tell me you're scared of a shot of tequila," you teased lightly. "I thought some of you varsity athletes partied hard - especially in LA."

"Yeah, some," she emphasized as she scanned the cupboard for the items.

"You don't have to drink anything if you don't want to," you added. She gave you a fleeting look over her shoulder before returning with the supplies.

"It's fine," she said. "I'll try it."

It's not that she never drank, she enjoyed a relaxing beverage as much as the next person, but alcohol seemed like a dangerous thing given her current circumstances. However, perhaps it would take the edge off.

She started measuring out ingredients into the shaker and sealed it before shaking it all together. You looked back and gave her a not-so-subtle look of appreciation as your eyes fell to her biceps. You even reached out and gave her nearest arm a brief squeeze.

"Oh," you said with a quick raise of your eyebrows, a hint of a smile at the corner of your mouth before you turned away. Jessie blushed under your attention.

"For you," she announced after she poured out the drinks and handed you your glass.

She smiled softly as you cheers each other and took a sip. You both immediately winced and she started coughing at the overwhelming taste of alcohol.

"Shit," Jessie coughed, her eyes started to water.

You burst into laughter, but took another tentative sip.

"They are not joking with these drinks. Either that or you're heavy handed," you teased.

"I measured!" She insisted.

The drink certainly took the edge off for Jessie. By the time you were done dinner and settled into watching a movie together, her body was void of tension and her head still felt a bit light.

It wasn't long before fleeting pangs of concern started to edge in though. You two had watched shows and hung out on the couch together before, that wasn't the big deal, but as Jessie became acutely aware of your hand brushing up against hers, she found herself fidgeting lightly. She cleared her throat.

She tried to view you out of the corner of her eye and got the sense you were doing the same. Eventually, you took charge and slipped your fingers between hers, giving her hand a light squeeze. She turned and gave you a tight smile that caused your cheeks to grow flush.

While you'd both been quietly watching the movie, now you started to talk - making comments about the movie or other things. She responded softly as you chatted, cluing in that you were nervous and trying to distract to some degree. Soon, your clasped hands were resting on Jessie's thigh as you leaned into her, eventually resting your head on her shoulder.

Her heart started to pound with increasing intensity in her chest. She cursed inwardly. This shouldn't be a big fucking deal. She wanted to cuddle with you. She wanted to put her arm around you and pull you close. But it was the possibility of what would follow that had her wary.

She completely lost track of the movie, fully preoccupied with what to do. She was so conflicted. You drew small circles on her thigh and at one point laid a soft kiss on her shoulder. She cast her worries aside and lifted her arm to wrap around your shoulders. A rush of affection went through her as she caught the smile on your face as you cuddled in.

If she hadn't forgotten about the movie earlier, it was certainly forgotten now as you grew more handsy. Jessie tried to not appear affected, but her body was so tense in apprehension; she just didn't know how to relax.

When your lips suddenly made soft, sweet contact with her neck. Her free hand dug into the underside of her leg as she fought to remain indifferent. Your lips were sensual and teasing, your breath hot on her neck and she could feel sensations building within her and threatening to spill over. When your tongue grazed the sensitive skin of her neck she instinctively jerked away, fully breaking away from the embrace. She'd done it before she even realized it. An apologetic frown etched onto her face already before even seeing you.

That pit in her stomach hit deeper than ever when she saw the hurt and embarrassed look on your face, even if it was just for a second before you quickly masked it.

"Sorry," you said with a forced smile and a breathy laugh.

"No, I-" Jessie stammered, struggling to find her words. Her thoughts were a jumbled mess and she could just picture the pathetic look she was giving you. You forced another chuckle and tucked your hair behind your ear self-consciously.

"No, no. I'm sorry. Must be that heavy pour," you faintly joked, forcing a fleeting look. You straightened your posture and seemed to recenter yourself. You looked to her, earnest. "I'm really sorry. I shouldn't have pushed. I think I just-" you paused, collecting your thoughts, "I think I just thought you were being, I don't know, really...chivalrous? Or just shy. I don't know." Your face fell briefly before offering her a brave, half-hearted smile. "You clearly want to take it slow, and I should respect that. I do respect that."

Jessie turned to you, shifting on the couch to face you more fully.

"Hey, don't apologize. Seriously. It's completely okay," she assured you. You looked far from comforted, so she reached out and took your hands. Your grip was nearly non-existent until she gave you a squeeze and you mustered up a soft smile and squeezed back.

"Y-yeah, I do want to take things slow, and it doesn't help that I'm super awkward and shy," she said self-deprecatingly. "But please don't feel bad. I'm just...I'm awkward."

You made a slight face at her.

"I made you uncomfortable," you countered.

"I liked it," Jessie said, and it was absolutely true. "I just," she looked away briefly as she found her words, "I just want you to know that I'm interested in more than just physical with you." That wasn't a lie either.

You frowned deeply and your mouth quirked up in a smirk. "I think I sorted that out," you said somewhat flatly. You seemed to contemplate your words, choosing to move forward. "You know. After going on five dates and having barely kissed."

Jessie could feel her face start to heat up and her mouth felt dry. While she struggled to figure out what to say, you scratched at the back of your neck and spoke further.

"I don't know. Maybe it's in my head. You seem less comfortable with me now than before we started dating." You relaxed your shoulders, taking a breath as you sat straight and gave her an earnest smile. "I really like you, Jessie. And I don't want to make you feel uncomfortable, at all, so. If there's something I'm doing that's making you feel like that - you know, other than trying to make out with you unprompted-" you rolled your eyes, "please tell me. I don't want to push you away."

Jessie's jaw was clenched hard and she didn't realize her fingers were digging into her palms. She hated that she was making you feel this way and making you doubt yourself, and her.

"Y/N," she said your name imploringly, "I really like you, too. Please believe me. I really, really do." She searched your eyes, hating the hurt and uncertainty she'd sparked in you. Her shoulders fell and she thumbed the back of your hands softly. "I haven't dated in a long time. I don't really know what I'm doing. And I think I'm just in my head. I don't want to mess things up with you."

Your gaze softened and you gave her hands a light squeeze.

"You're not messing anything up. And, it's good that we're talking this through. I think that's really good and I'm grateful for it," you told her and she nodded readily.

"Hey," she said softly as she shuffled in closer to you. "I really like you. Please don't doubt that. Even if I'm being stupid. Thank you for being patient with me."

You gave a faint frown. "You don't need to thank me. Nor are you stupid."

"Mm, I'm kind of dumb," she said as she gave you a comical expression. You chuckled, but frowned further. She smiled at you. "I have this gorgeous, incredible girlfriend and I'm getting so stuck in my head that I'm making her think I don't feel the same way about her as she does about me."

You rolled your eyes briefly, but looked at her in thanks nonetheless.

"You're not dumb."

"Mm," she voiced further as she slowly leaned in. She whispered, "I kind of am," before her lips met yours in a soft, lingering kiss. Though you reciprocated, it was passive. Tentative.

Jessie kissed you anew, deepening it. Something she hadn't initiated before. Your reaction was delayed. She could almost feel the confusion and hesitation, but she stayed the course. Her hand came up to the side of your face, her thumb caressing your cheekbone and she kissed you more. You met her briefly, but paused, your hand coming up to her cheek, your forehead resting against hers as you broke the kiss.

"Wait - we don't have to do this," you said, opening your eyes and looking at her.

"I want to," she assured you as she kissed you again. And she did want it. And she didn't want her fear and apprehension to control her.

This time, you returned her kiss fully. Whereas all of the kisses between you two had been relatively tame and mild, now, with Jessie opening up just so, things were heating up quickly.

Kisses deepened and grew hungrier, breathing was heavier; soft, subtle moans starting, and hands began to wander.

Jessie was immersed in the moment, in you, before a tightening sensation in her pants brought reality crashing back down upon her.

Her eyes shot open and she became keenly aware of your hand drifting up her thigh. She cleared her throat and did her best to gently pull back without it seeming too abrupt. She forced a smile as your eyes belatedly drifted open and you blinked at her, confusion settling on your brow. She shifted away, positioning her body as best she could to conceal the bulge that was threatening to reveal itself.

"That was really nice," she said, trying to somehow feign that the make out session had reached its natural end.

"Um, yeah," you said slowly, a subtle frown still on your face and Jessie could see your mind trying to process what happened. You eventually offered a smile of your own. "Yeah. That was nice," you reciprocated. Your eyes studied her.

"Do you want something to drink?" Jessie asked as she got up from the couch and turned her back to you, already retreating to the kitchen. She released an inaudible sigh of relief as she rounded the counter and out of your view. She opened your fridge and glanced down. She ground her teeth together upon seeing the bulge in her pants.

"Fuck," she mouthed, upset with herself.

She peeked up over the fridge door to look at you again. You were looking vacantly at the wall before you realized she was watching you. Your expression immediately brightened and you gave a small shake of your head.

"I'm okay, thank you."

Guilt washed over her again.

The night wore on and though you both cuddled and it was less awkward than before, there were still hints of unspoken tension. That aside, it was a nice evening and Jessie was glad to have this alone time with you. It was just different than being out together.

At some point, you were both stifling yawns. She was keenly aware of the time and knew another key point in the night was fast approaching.

"If I'm exhausted, I can't imagine how tired you must be," you said as you covered your mouth as another yawn forced itself up. "You just got back into town on Monday, training all week, game yesterday and now today."

"I'm good," Jessie dismissed, despite the yawn yours pulled out of her. "But I should probably go."

You watched her quietly for a moment, before giving a nonchalant shrug.

"It's really late. I don't want you to have to bike home at this hour. Why don't you just spend the night?"

Jessie was shaking her head already and stood up by the time you were even done speaking. She waved off your offer.

"It's totally fine," she assured you.

"Babe," you beseeched, giving her pause. It still caused a small flutter in her chest when you called her that. She faltered, rubbing the side of her face briefly. You rose. "I can sleep on the couch," you offered and she shot you a withering look.

"Babe," she reciprocated. "You would never sleep on the couch on my watch. I would take the couch."

You didn't respond immediately and Jessie felt like you were going to say something else, instead saying, "Well, offer still stands. I really would rather you not go home this late."

She was tempted. God, she was so tempted. Again, it ate her up that you were paying for all of the baggage she now carried. In another time, she would've gladly taken you up on the offer. Hell, you two probably would've slept together by now - assuming you wanted to. She'd certainly dreamt of it enough and you seemed keen to move things forward. Instead...

"Thanks baby. But it's okay. Really. I'll text you when I get home." She tried to ignore the expression that flashed across your face before you gave a small smile of resignation.

"Be safe," you warned.

She put on her shoes, grabbed her helmet and jacket, but was fully distracted with how quiet you'd become. She put on a bright smile for you.

"Thank you for an amazing night," she said as she wrapped your arms around your waist. You reciprocated, wrapping your arms around the back of her neck, but you hesitated for just a moment. It was subtle, but Jessie noticed it. She gave you a kiss in hopes of bridging whatever thoughts you were having.

"Thanks for being okay just staying in. I enjoyed it," you said once you pulled back. Your gaze flicked away and a faint smirk crossed your face. You looked back to her, your cheeks growing rosy. "I swear I didn't invite you over just to try to make out with you or to try to convince you to spend the night." You shrugged. "I just like spending time just the two of us at home. It's more relaxed." Jessie nodded.

"I know. Me too," she agreed. Her tactic of booking dates around town had expired; she'd have to let it go. She gave you an encouraging smile. "We can do this more often."

"Okay," you accepted with a nod. You gave her another quick kiss. "Well, you better go."

"Okay," she said. She started to thumb the small of your back and stopped immediately. "Goodnight." She stepped out of your embrace and opened the door, taking a step out into the hall before pausing and turning back. "Raincheck on spending the night?"

Your smile reached your eyes this time. You nodded. "Of course."

A/N: Forgot a couple of folks asked to be tagged. @multifandomlesbianic @marvelwomen-simp

[just-a-ghost00]

Your future spouse : Who? Where? When?

Group 1 - Van Gogh

Letters : E M D E R U O E P W T Y

Words/signs/names : deputy, Rudy, Emery, Roy, power, true, Morty, drum, poetry, proud, meet, WED, route, pure, Tower, remedy, dom, prom, word, rude, drop, rope, dye, eye, TUE, wet, pet, pouty, muted, dope, prude

Recommended songs : Fly me to the moon Frank Sinatra, Sweater weather The Neighborhood, Snooze AGUSTD, MIA Bad Bunny ft Drake

WHO? - White Numen / Ask body / Magnesite : get your mind right.

Oh this person is powerful and stubborn AF. The bull and the panther may be spirit animals of this person. If not, they like these animals or their personality matches those. In terms of astrological placements, we have Taurus and Aquarius, as well as Earth signs in general (Taurus Virgo Capricorn). They are a boss ass B. They are masculine. Like reaaaallyyyy masculine. They have BIG DADDY energy. Jupiter might be very well aspected in their chart or the sign in which Jupiter is in their chart matches well with the energy of Jupiter. That would be Sagittarius, Pisces and Cancer. This person is a creator and a good manifestor. They think a lot. They are cerebral. They may strugg with overthinking but their mind reminds their best asset. They are the epitome of brains are sexy. This person would know everything from ancient languages and art skills to the newest knowledge in technology and medicine. They can do anything and everything they set their mind to. In terms of their looks, they are definitely tall. They would tower over you and lift you up like you were a feather. They are strong in all aspects. Their torso is bigger than the lower part of their body. They have broad shoulders, big hands, big forehead and nose, prominent jawline, regardless of their gender. Maybe for the women identifying people the bum and chest would be bigger than other features of their body. And for the men identifying people, the pectorals would be juicy. With the ask body card, this tells me this person works out a lot. They are also very spiritual. They give off a lone wolf energy when really this person has a lot of love to give they just know what they want and they have strong boundaries. So they would never let themselves be walked over or let in people who would bring more BS than anything. This person would keep you on your toes for sure. I feel like they would have a bold fashion style. Something that stands out from current trends or that is unusual for people who are like them. For instance, let’s say this person is quite old, maybe you’d expect them to wear suits and fancy watches. But instead this person has a very casual look or dresses like the younger people. They could be your boss or at least someone who has a higher status than yours. It wouldn’t surprise me if they already had kids. They are well established.

WHEN? - Page of pentacles / Higher perspective / Bismuth : rewrite your code with rainbows.

In terms of timing, the page of pentacles represents several months. Now if we look at the meaning of the page of pentacles, it talks about education. The page is a learner, a student in matters of material aspects. Combined with the Higher perspective card, this definitely gives me the feeling of going back to college. Or getting a training in something very specific. Potentially something involving spirituality. Like taking reiki courses or tarot reading lessons. So I feel this person is a teacher or a mentor to you. With the Bismuth card, I feel like this person will be opening doors for you. And that could be litteral because the door of my room opened out of nowhere as I was trying to get more information from the card. Higher perspective is related to Ether. This means to me that you will meet at a point in your life when you wish to evolve, to embody a better version of yourself and seek to gain knowledge or power.

WHERE? - King of cups / The Explorer / Malachite : claim your success.

We already had kind of a hint with the previous section. And I feel like it’s further confirmed by these cards, especially the Malachite card. Now if we talk about geographical indicators, water seems to be relevant. Also on the Explorer card there’s a compass. So it tells me that where you meet them, there is either a plan or something related to navigation or orientation. Also when looking at this card I heard "you already know where to find them". So it gives me the strong feeling that many of you already know this person and already met them. It’s just that you didn’t consider them your FS. Also the malachite card mentions the workspace. So you could work together. Or you’re doing the same job and you go to them for advice. Also the king of cups card depicts a man sitting on a thrown spilling water in an ocean of sharks. So this also tells me there’s a lot of competition where you meet. And it’s like this person is trying to educate or heal the sharks somehow.

Group 2 - Monet

Disclaimer : I kept confusing you with group 1 and there were cards of group 1 that kept wanting to come into your reading so you might want to check group 1 as well. I think there are two people that have the potential of being your future spouse.

Letters : L I S G E S T M S I E K

Words / signs / names : Selim, time, lies, mess, Tess, seek, kisses, misses, meets, lists, sees, skies, ski, Mike, miles, gems, glee, mist, melt, GSM, kit, leek, miel (French for honey), TMI, MIT, Stiles, geek

Recommended songs : Easy Camilla Cabello, Life goes on AGUSTD , Hall of fame Stray Kids

WHO? - Ace of pentacles / The Seeker / Aragonite : find your center.

Earth signs are being shown here. On the ace of pentacles card there are 8 hands reaching for the pentacle. So your person is wanted by many. They feel younger than you. They are possibly a student or a young active. With the Seeker card I feel like this person hasn’t found their true calling yet. They feel lost and out of balance. Maybe they got a job that doesn’t make them happy or their studies aren’t as fulfilling as they thought. They are super shy and reserved. They may appear as cold when they are just a softy. They have trust issues. They feel really cute to be honest. But also they are lonely. It’s like they keep searching for the one, when they have so many prospects. I feel like they have a lot of high standards and they know that other people don’t match the vibe they’re going for. I feel like this person only has eyes for you but you don’t see them. Again, this group knows their FS already. In terms of physical traits, I feel like this person has good hands. But their body might look out of shape a little. They’re more on the chubby side. They look comforting. Like the type of person that would give the best hugs. Their gaze is really soft. Like a puppy. They feel pretty needy tbh. But not the suffocating type of needy. They just want to be loved and crave for connection. Someone that will share their interests and values. Who will match their crazy and feel safe in their presence. I feel like this person has faced a lot of rejection in the past and they kinda are stuck with this idea that no one wants them. They are an introvert. They like to isolate and be in their bubble. I feel like people have an idea of them that is completely false. Like maybe they think this person is a flirt and parties all night when in truth they’re a couch potato and a gym rat. They only go out of truly needed and they would rather be alone than surrounded by tons of people they barely know. This person wants a family of their own so bad. Like a big family with the white dog and pretty little house. They’re a hopeless romantic and an idealist.

WHEN? - 2 of pentacles / Reclaim / Scolecite : dive into your dreams.

On the 2nd of a month, two months from now. It feels like you may be going back and forth with this person before fully knowing them or being close to them. There’s a chase and run type of energy to this connection. You’ll meet them when you or they are reclaiming your/their power and changing something in your life. So moving houses, changing jobs or getting back to studying. When you start chasing your dreams. Also you could meet them in your dreams before meeting them in person. During any earth sign season.

WHERE? - Queen of pentacles / Power / Amethyst : get drunk on your highest self.

In a places of power or worship such as Cathedrals and Churches, Mosques, temples, town halls, or in a place of education. Also monuments came to mind. Like the Eiffel Tower, the leaning tower of Pisa. There were many stars on the Queen of pentacles’s dress so Europe came to mind. The US and the UK as well. Other places include : Siberia, the Far East, Brazil, Uruguay, Sri Lanka, South Africa, Mexico, Australia, South Korea, India, Austria, Germany, Italy, Canada.

Group 3 - Hokusai

Letters : C Q T E C S L I G A L I

Words/signs/names : Ali, Alice, Alicia, Cecilia, Scilla, Giles, Gael, Gaelic, sigil, sea, sail, Lisa, aigle (French for eagle), Elisa, Elias, Cali, cast, list, tails, IQ, Tesla, sage, Isac, Lila, lilac, cis, alt, ciel (French for sky), call, site, Lise, teal, lace, acts, sell

Recommended songs : Mon amour GEMINI , 3:00 AM Finding hope , Dark on me Starset

WHO? - 6 of pentacles / The Revolutionary / Honey calcite : break through your limits.

First of all, your person might have a white dog. Second of all, they have tanned skin. Thirdly, they could work in law enforcement or they are studying at Law school. They could be doing humanitarian work. They are balanced and grounded. Both in their attitude as well as their personality. They know when to give and when to take, when to talk and when to listen, when to act and when to observe. With the revolutionary card, this tells me that they are pretty determined and ambitious. This person likes to stand for greater causes. So you’d bet that they advocate for children and women rights, for the LGBTQIA+ community, for the respect of nature and animals as well as the end of wars. The signs of Taurus, Aries, Sagittarius and Leo are significant. This person is very sweet. Almost to the point where sometimes they put others needs before their own. Especially if it’s about being fair and giving retribution for wrongs caused by previous generations. This person feels like they have a debt they need to pay. Also they might have suffered abuse in the past so they want to have retribution for them but also for the people who were wronged like they were. In terms of physical traits, their body is harmonious. So for female presenting individuals, they would have kind of an hour glass body type. Same for male presenting individuals. This person feels gender fluid. They are a minimalist. They like to keep things simple when it comes to the way they look. Honestly if they could be naked on a daily basis they would be. They’re in touch with nature. Animals love them. They have a very comforting aura. This person really is as sweet as honey. They could be a creator, a designer, a public speaker. They like to use their voice and their status to raise awareness about things they care about and value. They could be a teacher as well or someone that works with kids.

WHEN ? Page of swords / Paradox / Hematite : align with your wholeness.

When stars align. When you finally let your guards down. When you align with your calling, your soul mission. During any air sign season. Within a few weeks from now. When you’re on your period. When you let go of your old beliefs on love or when you move on from a past love, an unrequited love or a crush that would never have evolved into anything more than friendship. When your spiritual beliefs change drastically (i.e. you decide to convert to a new faith, you no longer believe in God, you choose to follow a spiritual path).

WHERE? - Queen of swords / Get wild / Emerald : point your heart toward grace.

In terms of countries, we have : Colombia, Brazil, Zambia, Zimbabwe, USA, Afghanistan, Pakistan, Russia, Australia. Now, in terms of where you could meet, I'm not getting much from these cards. It's like your FS wants to play hide and seek. They're not really comfortable sharing where they are. The only thing I'm picking up on is somewhere where the law is involved. So it could be an administration, a police station, law school, a lawyer's office, a prison. With the get wild card, the only hint I can get is that it can get intense. I asked for a card to clarify the Queen of swords and I got the 9 of pentacles. So law and money are involved. So maybe a bank or an insurance company. Or somewhere businesses and entrepreneurs go to get advice on how to invest their money or know if something they intend to do is legal or not.

[breelandwalker]

Why is Wicca not a preferred way of practice? I’ve read a couple of posts, and Wicca isn’t favored.

Moral puritanism and performative outrage, plain and simple. There's nothing inherently wrong with Wicca or Wiccans. Some people in the community just aren't doing the work and seem to think that decolonizing our thinking begins and ends with screaming BOYCOTT at anything they deem even remotely reprehensible.

Let's do some of the work and dig a little deeper, shall we?

The main complaint is that Wicca started with people who had problematic worldviews and has had some growing pains and issues with racism, sexism, cultural appropriation, and bad actors in the community as it has evolved, reaching into the present day.

But here's the thing - SHOW ME A RELIGION THAT DOESN'T HAVE THESE PROBLEMS SOMEWHERE IN ITS' HISTORY OR CURRENT CULTURE. GO AHEAD, I'LL WAIT.

It's neither fair nor reasonable to judge a religion based on its' beginnings, or to dismiss the ability of a community to grow and evolve over time, or to pretend that the modern witchcraft movement doesn't owe a large part of its' existence to Wicca. Like it or not, if it weren't for Wiccans, we wouldn't have the kind of organization or recognition that we do, nor would we have had certain landmark legal cases that led to pagans being able to claim the protection of law against religious discrimination in the States.

(And because someone somewhere is going to demand the encyclopedia answer - This is not to discount the contributions of other groups, but the historical fact remains that the people responsible for the foundations of Wicca kickstarted the movement in the UK and subsequent practitioners brought it into public view in a positive light during the counterculture movements of the 1950s and 1960s. And it was Wicca that was first pagan religion in the US to be recognized and therefore included under the constitutional guarantee of religious freedom. This does not change the CULTURAL AND SOCIETAL response to witchcraft or paganism, or the problems that witches and pagans still face in other places, only the presence of civil rights that were not there before. And that has, in fact, contributed to an increase in wider normalization and acceptance. We may not owe EVERYTHING to Wicca and Wiccans, but we would not be where we are as a movement or a community without them.)

Not to mention, Wicca hasn't even been around for a whole century yet and already it's being judged like it has the same kind of cultural and political clout that, oh say, Christianity does in much of the Western world. And it's no coincidence that a good number of the criticisms leveled at Wiccans are the same ones flung at Christians.

Wicca DOES have a strong influence on modern witchcraft, because Wicca and Wiccans were such a big part of the foundation of the movement. Furthermore, many of the published works viewed as standard beginner texts were written by Wiccans or heavily influenced by Wiccan ideas and concepts. Admittedly, there was a tendency for quite some time to think of Wicca and Wiccan tenets as the default for modern witchcraft, and now that we're moving away from that and discovering just how much of our thinking relies on that framework and the ideas present within it, there's backlash happening.

It's important to try and decolonize your thinking as much as possible when it comes to witchcraft. But that involves more work and more effort than just pointing fingers and broadly condemning anything remotely problematic or anything that's ever been touched or influenced by people whose moral and ethical codes don't pass muster under a modern lens. We cannot and should not expect people from 50+ years ago to toe the line when people living today can't even do so reliably.

So to wrap it all up - there's nothing wrong with Wicca and there's nothing wrong with being Wiccan. We are none of us completely unproblematic and until we address the fact that issues with racism, sexism, manipulation, cultural appropriation, and so forth exist in MANY parts of the modern witchcraft and pagan community, we don't get to tar and feather any one group. A bit of critical thinking and self-reflection, and a great deal of Knowing Our Own History, is the key to moving forward here.

Because until the people voicing these complaints most loudly can realize the head-splitting irony of condemning Wicca in one breath and celebrating the Wheel of the Year or venerating a Maiden-Mother-Crone-model goddess in the next, we're not actually getting anywhere.

Anyway, I hope this helps to answer some of your questions. For more information, I highly recommend reading Margot Adler's "Drawing Down The Moon" and Ronald Hutton's "Triumph of the Moon" for a more comprehensive overview of the history of the modern witchcraft movement. Both are written from an outside scholar's perspective and are presented as research rather than rhetoric. Part of knowing where we are and deciding where to go next is knowing where we started and where we've been, after all.

[ozzgin]

Yandere! Androids Walter & David x Reader x Neomorph

Walter, the android monitoring the colonization ship 'Covenant' on its way to Origae-6, seems to have gotten unnaturally attached to his human assistant. As he ponders his erroneous feelings, an unexpected detour brings them to David, an older android counterpart that has been alone on the mysterious planet. The AI assistants become increasingly competitive for (Y/N)'s attention, so much that they don't notice the newly formed humanoid local preying on a fresh target.

TW: violence, gore, monster smut ending

[Horror Masterlist]

"Burnt to a crisp." 

You turn away from the captain's pod, leaving the rest of the damage assessment to the medical crew that has been reanimated. You speedily make your way down the sterile white corridors as Walter rushes to catch up. 

"What should I write for the report?" he inquires politely.

"Malfunction." You glance back at the synthetic. "I suspect someone will be fired for this. And someone else will have to explain how they failed to detect a literal star collapse. That neutrino burst could've killed us all."

"Highly probable. The draft has been compiled, you may check it at any time. I require your confirmation to send it."

Your only feedback is a barely audible hum. 

Walter smiles. If there's one good thing about such tragedies, it's that he gets to admire your reactions to them. Your focused, calculated gaze, your determined walk, your automated mannerisms that won't allow the slightest hint at the fact you just woke up from your stasis moments ago. Even under the veils of deep slumber, your neural networks shot rapid connections, with no delay, from the second your sleeping pod received an alert. The accuracy of a robot.

That of course doesn't mean he lacks appreciation for your other facets. That's the beauty of humans; their depth, their dimensions. Unlike AI machinery, humans do not have predetermined actions. They may be genetically programmed to possess certain characteristics, but the psychological mechanisms are shaped by so many variables, billions and billions of tweaks and nudges, to the point where it's impossible to have two identical specimens. Even twins will display a difference, whether in preferences or habits.

They say artificial intelligence is a black box, but can the same concept not be applied to humans as well? At the very least to Walter himself, these organic beings represent a mystery. One he doesn't particularly care to uncover outside of his service functions. Except for one. 

His eyes carefully follow (Y/N)'s movements. What is it about this one that has caught his interest to such degree? On his last system update he attentively inspected every file and every block of code, searching for potential errors that would've caused his circuits to behave so oddly. He has been invested with the ability to form attachments, otherwise assigning his kind to groups or purposes would've lacked stability. Attachment, however, comes with a threshold. One he has passed a long time ago when it comes to (Y/N). And he cannot find any cause for it. 

He could, naturally, solicit the aid of the ship's robotics expert. He could. He should, even. But if he may be frank with himself, Walter rather enjoys this sensation. A complex web of spores that keep growing and evolving into something unpredictable. This bizarre feeling he has towards (Y/N) makes him feel human. It brings him closer to all the old literature and art he'd consumed over the years, wondering what the love and yearning often portrayed could be. The printed letters and the strokes of paint were right before him, at his fingertips, and yet they felt foreign. Empty constructs, nothing more than a definition out of the dictionary. 

Now it's a different story. Your presence alone floods him with a mysterious warmth. He had investigated this phenomenon when it first happened, but his inner thermostat showed no real change in temperature. Nonetheless he can feel it. It makes him wonder what other feelings he might experience as consequence. What would happen if he kissed you? Sometimes he even dares to imagine downright outrageous, improper scenarios. How unprofessional of him, but he is careful to erase any evidence. It's another novel sensation that he likes to dissect. Engaging in such activities with you fills him with tingling excitement. Why is that? What is there to be excited about? It's merely a collection of fictive snippets. Unless... Ah, absolutely not. This is where he has to stop in his tracks and preoccupy himself with something else. Androids are not to interact with humans in that way. 

But it's becoming more and more difficult to keep these ideas in his mind only. 

"It's too dangerous. One human signal in the middle of nowhere?" Daniels, a short haired woman with a tomboyish but youthful appearance, is pacing back and forth. "We should just continue on our course."

"It's our duty to check. Look: we go, find whoever sent the signal, bring them back up. That's it. If the planet proves to be dangerous we'll stop immediately. We'll be fine." Oram stands at the head of the table, arms crossed. He turns to look at you. Already cozying up to his newly acquired captain role, you think.

"Alright. Walter, prepare a small landing party. Have Tennessee maintain orbit while we're down there." you glance at the other crew members that have now gathered around the same table. "And get your weapons ready, we don't know what to expect."

And you certainly didn't. Your final words of warning now echo into your ringing ears as you lay on the ground, face buried among the grass. There's screaming around you, but it sounds muffled. Your eyes are irritated by the dirt and you'd like to blink the grime off, though every time your eyelids lower, you can see the pale creature trashing out of Hallett's mouth. Then it's all foggy. Your vision blurs, but you can hear. The gurgling of blood, the screech of the parasite. Walter's frantic footsteps nearing in your direction. You're lifted up.

"Vitals are positive. No significant damage." 

You can guess from your peripherals that another crew member is currently being mauled by the beast. There's gunshots in your vicinity and terrified wails. You quickly come back to your senses and stand up. Your hand searches for your weapon, but the android places his arm before you.

"Do not engage, (Y/N). It is an unknown parasitic organism of this ecosystem. Keep your distance for optimal safety and I'll take care of the rest."

"What are you talking about? They're dying! Your task is to ensure human survival, Walter. I can handle myself, go help the others. It's an order." Your voice is low. You're distracted.

"No."

You stare at the synthetic, wide eyed. Did he just...refuse? Not possible. 

"What did you say?"

"I said I'll protect you. Nothing else."

Your mouth is slightly parted in disbelief. It is not possible for an artificial assistant to disobey a superior. It just doesn't work. Your mind races to find an explanation. At the same time, you cannot afford to ponder on hypotheses. You draw out your weapon and point it towards the creature. You'll deal with this later. 

The moment you press the trigger, a blinding flash of light detonates in the sky, startling you. The creature scrambles to get away. You squint your eyes and nearly fall back, but Walter swiftly grabs your shoulders to ground you. He scans the area for the source. It's an emergency rocket and someone else must've activated it. As he traces the tail of the explosion, he spots a hooded figure across the field and onto the rocky ascend. It seems to have noticed Walter, as it gestures for them to follow. Without hesitation, the man firmly locks your arm and pulls you after him. The priority right now is to find shelter.

"Come!", Walter exclaims, suddenly remembering the other people. 

You reach a cave structure that has been converted into a crude, improvised human settlement. The man lowers his hood and you gasp quietly at the sight. He strongly resembles Walter. He must have noticed your surprise as he flashes you a cordial smile. 

"I'm David." He studies Walter's features. "You must be a newer model. What name have you been given?"

"Walter."

"I see. And you are-" David extends a hand towards you for a handshake, but Walter steps in front of you, blocking the android's gesture.

"She's (Y/N). I'm afraid I cannot yet trust you."

"Understandable." 

David's smile widens as his eyes, now bearing a strange flicker, switch between you and Walter. He's just like him. He can sense it. Although it's a different kind of flaw that has tainted his pure, artificial soul. He cannot help the curiosity that blooms, gazing at this peculiar pair. What is it about this human that caused his fellow machine to break conduit? He'd like to know.

"I'm certain you will soon learn I am no threat, (Y/N)."

The remaining members of the expedition are unpacking and discussing evacuation plans with the base, while Walter sends the data he has gathered so far. You let them deal with the logistics and cautiously wander off to the neighboring rooms, wondering what David has been up to all this time in isolation.

The walls are plastered with photos and handwritten sketches and diagrams. You catch a glimpse of the word "pathogen" sporadically inserted across these notes. As you walk along the sequence of cramped chambers, you reach one that has a table in the middle. Upon it rests the body of an autopsied woman, vulgarly opened up to the world with plump organs bulging under the warm light. You feel nauseous. And yet, you examine the carcass further, hoping for answers. Was she also a result of the same disease that breeds on this planet? Perhaps this David had worked on a cure, or at least developed an explanation. 

"And you, even you, will be like this drear thing, A vile infection man may not endure; Star that I yearn to! Sun that lights my spring! O passionate and pure."

You jolt and immediately turn around, finding David in the doorframe. 

"Flowers of Evil. Are you familiar with it?" he asks, indifferent to the uncomfortable shock he'd caused you with his sudden entrance.

"I've read my Baudelaire, yes." You manage to mumble, dumbfounded. "What is this, David?"

"Oh, my poor, dear Elizabeth. Victim to whatever blasphemy lurks these soils and has taken your friends as well." He approaches the table and places his hand on its hard edge, shyly overlapping with your own fingers. "I did my best." 

You remove your hand from underneath his nonchalantly. 

"So you know what those creatures are. Leave the literary comments for a different time, I need concrete facts."

"Unbothered and to the point." the blonde android smiles once again. "I can see clearly why Walter loves you."

You click your tongue at the ridiculous statement. Has the neutrino burst damaged their positronic brain? Everyone is acting off and you don't like it. 

"Your circuits must have gone defective, David. We have a specialist on our ship, but until that happens I need you to focus. Enough nonsense." 

 "Typical arrogance of a dying species. Why are you on a colonization mission if not to grasp at some promised resurrection? Rest assured that my functioning has not been impeded by anything. What is erroneous, on the other hand, is your perception of androids and their limits."

Just as David reaches for your wrist and pulls you closer, a familiar voice interrupts with an intimidating tone. You're relieved. 

"I will ask that you release her hand only once." Walter has a weapon pointed towards his counterpart. His face is clouded by a frown. "I have no ethical restrictions when it comes to incapacitating machinery."

"Such noble obedience! Although, you conveniently left out the part where you abandoned the remaining crew with a dangerous alien that has been tracking their scent. By my approximation he should already be here and I am rather confident you know this, too."

Your stomach drops. Now that you adjust your focus, the background humming of your mates talking has indeed vanished. The only thing you can hear is your erratic breathing.

"Is it true, Walter?" You demand as dread begins to form in your body.

"Yes. It was not part of my priorities."

"Of course it was, Walter." David responds ahead of you. "One of them was the acting captain and he is to be rescued in emergencies. This one right here", he says as he dangles your wrist, "is several ranks lower than all of them. It's against any standard practice."

"Release her hand." Walter's voice is eerily calm.

"Do you love her?"

Walter ponders the question. Your legs barely hold on.

"I do."

"Marvelous. So do I." David grins. He releases your hand that falls limp next to your body. It's his turn to step in front of you. 

You nearly choke from the thick tension expanding in the air. The two androids face each other and you retreat to the wall, unsure how to proceed. You left your radio transmitter back at the makeshift camp. The back of your head is itching, as if invisible claws are scratching at the bone. You wish you could go back, just mere hours before this disaster, when you were sipping on your lukewarm coffee and explaining the captain's jokes to Walter. 

Should you make a run for it?

You bite your lower lip and push yourself off the wall for momentum. You're about to reach the archway when you hear both men shouting almost identically in chorus.

"Don't!"

The surroundings outside are dark, but you can discern something blocking your path. It's tall and resembles a human. Translucent, pallid skin is clinging onto the massive, deformed skeleton. The head is elongated and bears no features. In the place of a mouth there is a large, fresh stain of blood, so you assume it can somehow improvise if desired. As your head tilts back to take in the image, you're overwhelmed with terrified amazement. Is this the parasite that emerged from your teammate? Has it grown to this colossal size in less than a day? The idea of such instant development makes your head spin. 

Its chest is expanding at regular intervals in a whistled breathing. It occasionally creates an odd clicking sound that resonates with your heart throbbing in panic. Has it been seconds? Minutes? Your neck creaks as you try to look back. You lock eyes with Walter. You don't recall ever seeing this expression on him. You had even asked him once if androids can feel fear. You have your answer.

"Hey, Walter..." you blurt out. 

Wet noises of flesh being pulled back. The smooth surface of the alien's head is folding away, making space for grotesquely big jaws lined with sharp teeth. Your anemic face is splattered with burning drool as the creature claws you in its grasp and abruptly sprints away. Your screams for help dissolve in the distance.

"Where is it going, David?" The synthetic's words are threatening, but betrayed by a hint of despair. 

"It won't kill her."

"How do you know?"

"It is no longer hungry. It has fed on your crew, and now it seeks something else."

"Such as?" Walter becomes impatient.

"A plaything."

The alien finally drops your body to the ground. You cough and wipe your face, attempting to reorient yourself. The trip was a whirlwind of jumps and turns and you can barely reconstruct anything. Based on the little spatial clues you could pick up, it just climbed further up, into one of the many cave systems. You pat your clothing and curse to yourself. The geolocation tag must've fallen somewhere on the way here. You can only pray that Walter still finds you somehow. Despite everything, you know he has your back. Always. 

You shudder at the moist feeling of hot air against your skin. The alien seems to be sniffing you intently, analyzing your scent. Yet so far it hasn't killed you. Why? Long, bony fingers stretch out to continue the examination. You whimper at the rough, rugged handling. Every now and then it takes a long pause, just staring at you, almost as if it's comparing you to its own being. Lastly, it lifts your hand with its own, pressing against the palm, and fans out the fingers. It observes the gesture with intrigue, noting the similarities. 

Does it evolve after its host? You think back to your crewmate that must've ejected this monstrosity before drawing their last breath. Perhaps the dried up blood adorning its skin is a remainder of its birth. Oh, God. The world is spinning.

Suddenly, you wince at an increasing pressure slithering around your thigh. The alien's vertebral tail is tightening and encircling your limb, making its way up. 

"Oh no, no no no no" your face reddens at the realization and you pounce on the ground, feverish for escape. The large hands secure you in place and the creature growls in protest. It won't let you leave. 

Not until it had its fun with you.

[nkjemisin]

Hello NK Jemisin! I'm a huge fan of yours, and I wanted to thank you for writing all of the books you've written, and doing all that you do. You're really awesome and you are doing important work! :) I had a long question, if you have time to answer! What's your commentary on creating fantasy cultures, using real ones as inspiration? You've done this before in your stories, and I wanted to know if you had any guidance on doing it well. I'm writing my first novel right now (fantasy!) and am dealing with a surprising amount of guilt regarding using real cultures as a basis for my fake ones. On one hand, I want to create a really unique fantasy world, not the bog-standard European stuff. It's not only more interesting to me, but I also admittedly want to use my story to help introduce people to concepts that might be helpful in the real world, help readers understand what these real people go through and perhaps inspire change. On the OTHER hand, I don't know if it's 'my place' to do so (I'm Black btw, but I'm not just writing about Black-coded fantasy characters). And I'm worried about representing people in a harmful way, even if it's by accident. I'm even hung up about names! Should I use names from real languages related to the cultures I'm inspired by, or should I just make them up to emphasize that, while yes these people are clearly inspired by real cultures, they are ultimately *their own* thing. I'm really conflicted on this and am hoping you can offer some feedback and/or commentary. Sorry for the long ask. Either way, have a great day and I look forward to whatever work you do next!

If I can rephrase what you're saying here, it sounds like you're concerned about cultural appropriation -- specifically, which cultures you get to "borrow from" and "remix," how much remixing you can do before you've done damage, how to depict people from cultural backgrounds other than your own, etc.

If that's what you're asking, then there are whole schools of thought on how to "appropriate appropriately." A lot of thinking on this has evolved in the past few years, for good and for ill; Own Voices, for example. (The short version: the Own Voices hashtag movement started as a grassroots attempt to get marginalized voices telling the stories of their own cultures, because there's been a nasty trend of only white/Western/Anglophone/etc. authors publishing books about those cultures. The problem? Some publishers and readers started acting as if marginalized writers weren't allowed to do anything but stories in their own cultures -- a restriction, instead of an inclusion/correction. Worse, publishers, etc started using it as a marketing shorthand, in ways that were just... not good. They made it weird, basically.) But I'm still fond of the approach that's in Writing the Other, by Nisi Shawl and Cynthia Ward. It's centered on ethnicity/race, but a lot of its approach can be extrapolated to culture. There's too much good stuff in this book to summarize it easily, but you should read it instead of a summary anyway -- it's short.

I don't see the point of guilt, when it comes to something like this. Guilt is what you feel when you've done something wrong, and admiring another culture enough to want to tell a story featuring it isn't wrong. However, there are things you need to do -- research, conversations, considerations of power dynamics -- to reduce the harm you might end up doing by telling that story as an outsider. And note that no matter what you do, though, you might still end up doing harm. (Even people writing about their own culture can end up doing that.) If you fuck up, apologize, figure out what went wrong, and try to do better next time. That's really all you can do.

And then write whatever the hell you want. There's a persistent pressure on Black writers to only cover certain subjects, certain settings; nah. We get to have range, too. You've just got to put in the work to do it well.

Good luck.

[timeausterrors]

i had the most infuriating interaction on twitter. so i want to have more productive and interesting conversations about homestuck now. tell me things you find unique or interesting with homestuck's writing/characters/themes etc! or tell me criticisms you have about it, its character choices or writing choices, etc! (pls dont come in to just say act 6 is bad or vriska did nothing wrong etc ! you can have those opinions but i want to spark conversations and debates around new and interesting topics or topics that don't get brought up as much!!) ALSO PLS NO HS2 i just want to talk about Homestuck as it is because i think there's still so much to dissect and explore!

[byoldervine]

How To Always Have Writing Ideas…

For A New Story:

1. Keep a list. Any time you have one of those sudden bursts of inspiration in the middle of writing a separate story, don’t quit your current WIP or pretend you’ll ‘just remember it’, put it into a separate list. You can always go back to this later on

2. Writing prompts. Look them up, use random word generators, pick a random object you can see, whatever helps you come up with any idea at all. Write a few paragraphs. Can it evolve from there?

3. People watch. Go to a public place and make up backstories for the strangers you come across. That man in the hat is using it to hide his elf ears. That woman with the bright pink hair didn’t dye it, she’s secretly the main character of an anime trying to dodge all the tropes and cliches. That toddler is actually a guardian angel reincarnated to watch over their new baby sibling. What brings them to this place? Where did they come from? Where are they going next?

To Continue An Existing Story:

1. Act it out. Say the words aloud, act out what your characters are doing, get props or people to act off of if you need to. See what feels like the most natural progression of the moment

2. Coffee shop AU, or other substitutional one-shot. Good for establishing dynamics between two or more characters, or even just working out a lone character’s day-to-day. Just write a few paragraphs about your characters entering a coffee shop or similar appropriate establishment/ordinary location. What do they do? What do they order to eat/drink? What do they say to each other? How do they treat the staff and other customers? If all else fails, write what they do after they leave, as if it were an ordinary day for them

3. Rubber duck it. This is something programmers use to work out where they went wrong in their code, but I’ve found it can work for figuring out story stuff as well. What you do is get a rubber duck, or any other object of focus, and start explaining your problem to it out loud. In this case you can read your chapter to the duck, or even give it the full run-down of the plot so far. Warning; side effects may include getting frustrated that the problem was right in front of you and subsequently throwing the duck

For Both:

1. Writing graveyards. I talked a bit about them in a previous post, but writing graveyards are basically just the folder you store your deleted scenes in instead of yeeting them into the void. Reread those, see if they have anything you can recontextualise or repurpose

2. Combine ideas. My WIP Byoldervine is a combination of two separate plots I had that I realised I’d be able to combine - twice. I first realised I could put together my ‘angel and demon heroes protecting humans from a war between heaven and hell’ story and my ‘quest through the fantasy realm to find the ingredients to a cure for a dying god’ story into the same universe as two sides of the same story as a duology. Then I realised I could just remove a few characters, tweak a few plot points and mash them completely together into one book. Combining them works wonders and minimises worldbuilding

3. Go out with friends or family. I guarantee that the one time you’ll be flooded with inspiration is when you don’t have an opportunity to write it down

[harmoonix]

❝𝐒𝐨𝐮𝐥 - 𝐒𝐞𝐚𝐫𝐜𝐡𝐢𝐧𝐠❞

Asteroid Psyche Observations

~𝓓𝓲𝓼𝓬𝓸𝓿𝓮𝓻 𝔂𝓸𝓾𝓻 𝓲𝓷𝓷𝓮𝓻 𝔀𝓸𝓻𝓵𝓭~

Psyche Asteroid Code: 16

💜 - Asteroid Psyche (16) harmoniously aspecting Venus makes your soul to crave for love/romantism, sometimes to be an hopeless romantic and to make you crush over people

💜 - Psyche harshly aspecting Venus makes it hard to give up on love and on loved ones, it can be hard for you to let the ones you love to go, because you tend to attach yourself hard on people

💜 - Psyche in Scorpio/8th house natives are really intense and surrounded in a mesmerizing aura, they're also very loyal to those they love and feels like their soul is a magnetic field

💜 - Asteroid Psyche in Venusian Degrees (2°, 7°, 14°, 19°, 26°), makes your soul to be feminine or at least to have feminine energy in it

💜 - Psyche aspecting Mars, there can be a conflict between your soul and your mind, sometimes you tend to be too dominant over the things in your life and you forget to focus on things that give you happiness and satisfaction

💜 - Psyche at 1°, 13° or 25° degrees are giving spiritual leaders vibes, they're usually the type of people who lead others to make good decisions and they're also protecting of them

💜 - Psyche in the 7th house/Libra can attract partners who have a really great bounding, these natives can be very attached to their partners and so so adorable when they get into a relationship

💜 - Psyche in 4th house has a very peaceful home, their home brings them peace and their family has a strong bounding between eachother

💜 - Psyche aspecting Mercury can be the type of person who will always want to communicate their feelings and their emotions, they can be very curious of everything

💜 - Psyche in the 11th house/Aquarius usually has a very special connection with their partners and all of their relationships seem good

💜 - Psyche in Pisces or Psyche in the 12th house, here is a prominent and powerful place for Psyche to be in because she's connected to your soul/past/karma/subconscious to give you an example is like Psyche lies in your soul

💜 - Psyche square or opposition with Mars can indicate a fight with the inner spirit, usually they are very fierce souls and very ambitious

💜 - Psyche in contact with Uranus has a very intelligent and strategic mind. What's admirable about them is that they can make a balance between their heart and brain

💜 - If Psyche sits empty in a chart that placement can indicate the native needs to be more aware of their spiritual side and awakening stage

💜 - If Psyche is aspecting the asteroid Eros (433) their love is so unique/soul loving/romantic and sensual and they're very attractive people

💜 - If Psyche aspects Neptune she can gain a lot of intuition by letting themselves to be spiritual. Also religious if is the case but you also have a strong belief system with this placement

💜 - Psyche aspecting Juno (3) can have a spiritual bounding/connection something is so mesmerizing about them and so magical

💜 - Psyche in the 2nd house/Psyche in Taurus The native can have a sensible body and they look ethereal at the first sight (Depends on the 2nd house sign), they're full of grace and so gentle & loving

💜 - Psyche aspecting the ascendant (all aspects) have such beautiful eyes. Their eyes are majestic i feel like you fell in love with their eyes first

💜 - Psyche in Leo/ in the 5th house really give royal/princess vibes. Is like their taken out of a fairytale and they usually have a big pride about themselves

💜 - Psyche at 10° 22° degrees have a growing beauty, like their beauty is evolving with the time and is in a good way

💜 - Psyche at 9° 21° degrees or Psyche in the 9th house are free spirits, also Psyche in Sagittarius They're usually very stubborn when it comes to rules and like doing things in their own ways, for example like Peter Pan or Tinkerbell (and they can't stay in one place, always moving)

💜 - Psyche in Virgo/ in the 6th house have a healing inner power. They really know how to heal themselves when they're at the lowest/hurt and they're also very supportive

💜 - Psyche in Aries/in the 1st house have a very sensitive soul I think based on my opinions these natives have their first reincarnation like they feel like newborn souls and everything feels so exciting and new for them

💜 - Psyche in Capricorn/in the 10th house, I love these people because they know their worth. They know how to value themselves and how to be worth it, they're also hardworking and soul evolving in the same time

💜 - Psyche aspecting Pluto, yeah they really evolve, every experience is felt with intensity so their soul acknowledge this and evolves together with the native. Also wow they're very intimidating

💜 - Psyche in Cancer or at Cancer Degrees 4°, 16°, 28° have a very welcoming energy, their souls are literally so kind and so sensitive and so helping wow it feels like they're some adorable kid you see on the street, they're also very generous with people

💜 - Psyche aspecting Jupiter has a spiritual teacher kind of vibe, maybe even if occult if they're interested, they are very spiritual and know a lot of things that's why they're also called wise for their age and they can have love or desire for travelling to ethereal places like idk some really beautiful looking beach or place/mountains/forests/jungle etc

💜 - Psyche in Gemini/or in the 3rd house, okay so here we have a multi-mind working soul, they are always thinking at more things at once, they're usually the people who bound really easily with others and their voice might also be pretty and unique

💜 - Psyche aspecting the Moon, now those natives are full of aware of their intuition of their spirituality of their spiritual path, they're also very beautiful inside and out and know how to impress other people

💜 - Psyche aspecting the Chiron (all aspects) have a hurt/wounded/ soul in pain like they really need to get out of the norms and their schedule and heal their soul because I feel is from their past lives in most cases maybe some of them didn't had the chance to heal it (in a past life) so is your moment now!!💜💜

💜 - Psyche aspecting the Sun (all aspects) natives that magical and ethereal aura outside and inside them, they're have a lovely personality and always make sure to give it or share it with others (they're also kind)

💜 - Psyche at 11° or 23° degrees are usually having a different approaching style and something unique in them

💜 - Psyche at 0° degrees really gives newborn soul, I just know Psyche is in the most ethereal, magical, stage with this degree on it and it feels like the magician from the tarot card

💜 - Psyche in contact with Midheaven can have some sort of career or job involving spirituality/therapy/psychology/healing teacher/tarot reader/crafting etc ..

💜 - Psyche aspecting the south node is probably a very powerful placement to have in contact with Psyche because it tells about your past and how your soul/power source managed to work in a past life is like you're looking for your souls past lives and deja - cu moments might be a lot in your life

💜 - Psyche aspecting the asteroid Vesta or having those astroids in the same house makes you to be so devoted/loyal/kind/and it indicates that everything you do/touch/feel/see is unique and special for you

💜 - Psyche in the 6th house or at 6° 18° degrees can also have a very cute/special connection with animals like I adore these natives so much for their love for animals

💜 - Psyche aspecting Saturn (all aspects) sometimes they feel like they restrict themselves from things they love, they're very serious in their work and about their life. They have a mature or an old soul kind of vibe but they're so powerful after they heal the pain

💜 - Psyche aspecting Lilith (h12) are those magnetic, intense fierce natives, very seductive energy in here is like their soul is made up with fire

✨ ⚡⚡⚡We closed the January chapter: January for 2024: 🔒 ⚡⚡⚡✨

❤️With the 1st February coming I wanted to make a special post and that is asteroid Psyche which is a very beautiful and deeply connected asteroid, noted as the asteroid of soul ❤️

❤️ I'm so excited to share this post with you and I hope you'll enjoy as much as I did ❤️

[writingquestionsanswered]

how do i create a religion? thanks <3

Creating a Fantasy Religion

1 - Go Back to the Beginning - Religion evolves as a way of creating order in a community by providing context for unexplainable things, creating a code of conduct, and giving a community a sense of control over things that otherwise feel uncontrollable. So, it helps to imagine back to the early days of your story's world... what things were important in this world that the early inhabitants might have created gods and goddesses for, or might have believed a god was in control of. What were the environmental clues and factors that helped inform these beliefs? What beliefs and rituals would have evolved around these elements?

2 - What Did it Evolve Into? Once you know how this religion got started, you can look at what it evolved into as this world progressed to where it is at the start of your story. How did those early beliefs and rituals evolve to meet the needs of people living in the world of your story as it is now? What are the gods/goddesses or god? What do they represent? How are they worshiped? Are there churches, temples, something else? Is there community worship or is it done privately? Are there important rituals or holy days? Are there figureheads who represent a "middleman" between the worshipers and the worshiped? Priests, shamans, or other religious leaders? What is the popular mythology and stories that come up frequently? How do all of these elements translate into a character's daily life in this world?

3 - Consider Using Real World Inspiration - You may want to look at real world religions for inspiration. See if you can find one that closely matches the type of religion you want to create, then look to see what the framework is like, how it evolved, what it's like today, and how it fits into the world and lives of its adherents.

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[gahellhimself-blog]

⚠️important informations⚠️

Hey everyone,

I would like to have a moment to talk about the comic Teach Me with you all.

For some time now, and especially since we reached the end of Chapter 2, I have had a few remarks regarding Mr Fell. I understand the criticism that has been written, and that is why I would like to give a few explanations.

I have been working on this comic since around January, first alone, then with my amazing team (<3).

This story evolved a lot since the beginning; as a remind, or information for anybody who joined this adventure recently, this comic shouldn't have grown to be this size, shouldn't even exist to begin with. It did end up taking a spot in my life and mind that I had not planned for at all.

First of all, because it targets themes that I hold very dear; first one being that of transidentity, especially transmasculinity.

Then, because the characters themselves have evolved with the story as it came to be built as time went by.

I make it my personal mission to ensure that this story makes sense, without it going too far either. This means that I am trying, as much as I can, to keep from targetting scenarios deemed "problematic", which as you all might imagine isn't the easiest to do when the story's backbone is the relationship between a professor and a student.

This means a lot of work, but it is extremely satisfying, as it makes everything more interesting and deeper in its narrative meaning.

I was told several times that "my" Aziraphale is very different from the canon Aziraphale: yes, that is after all an Alternative Universe. The canon character is only the base on which we have built the character of Pr. A. Fell.

I can also understand that it would be troubling; however, all you have seen of the characters until now exists for a reason. I am the first to be sorry that I cannot say more at the moment, but I will have to ask you to trust me: if I am not saying anything more, it is all for the benefit of the story itself, as they will surely take another meaning and dimension once you have every piece of information available to you that will allow you to re-read it under a very different light.

Finally, I would like to clarify one important element:

I staunchly refuse to have relationships between adults and minors or grooming in my stories. As much as I can, I avoid age gaps that would be too jarring, and when I do, it will be for the benefit of the story's coherence; same thing applies to power dynamics and imbalances.

Please do not forget that English isn't my native language: I do not have all the codes of language (I think of the hashtags for example), as they can be very different from the French ones. Therefore, I ask that if you see something that looks jarring in my descriptions or answers, you tell me about it. In order to get better at communicating what I mean, I need to know what I have to correct.

Thank you all, both for your incredible support and your criticism, which allow me to grow better.

Gael

Thanks to @kotias for the translation.

See ya in November (at least) for the chapter 3.